#i cant even explain them

[chaoticcosmos666]

My fucking roomie got me into Kino and now I got another thing on repeat 😭😂. Specifically this one song here just reminds me of them.

Help I'm having very very complex feelings. Super super complex feelings.

[starry-bi-sky]

I am loudly pushing the batdad agenda i am loudly pushing the— DPxDC Prompt

“Woah. You look like shit."

Granted, that’s probably not the first thing Danny should be saying to the guy that just bit the curb, but in his defense; he’s not running on 100% right now either.

The man -- tall, towering, and broader than Danny is tall -- whips around on his heel, black frayed cape flaring out impressively. Danny would've whistled in appreciation, but he takes the time instead to wipe the back of his hand across his mouth, smearing the blood running from his nose across his cheek.

"Sorry." He blinks widely, not even flinching as the man with the horns zeroes in on him. "That was rude of me. I have a really bad brain-to-mouth filter; Sam says its what always gets me into trouble."

And she's not wrong either, per say. His smart mouth is what landed him in this situation -- with blood blossom extract running through his veins and cannibalizing the ectoplasm in his bloodstream. Thanks Vlad.

The man grunts at him; a short, curt "hm" that shouldn't make Danny smile, but he does because he's somewhat delirious and probably concussed. The man keeps some kind of distance, sinking towards the shadows of Gotham's alleyway like he dares to melt right into it.

If it's supposed to scare Danny, it doesn't work. Danny's never been afraid of the dark; he's always been able to hide himself in it. He blinks slowly at the mass of shadows.

"You look hurt." The shadows says, blurring together around the edges. Danny squints, and licks his lips to get the blood dripping down his chin off. Ugh, he hates the taste of blood.

"I am." He says, "My godfather poisoned me. M'dying." The agony of the blood blossom eating him from the inside out looped back around to numbing a while ago, so all he feels is half-awake and dazed.

"Hey," Danny stumbles forward towards the man, a bloodied hand reaching out to him. "You-- you're a hero, right? You're not attacking me; which is more than I can say for most costumed people I've met." Maybe it's a poor bar to judge someone at, but he's already established that Danny's not in his right mind.

The man makes no change in expression, but Danny realizes blearily that it's hard to tell with the shadows on his face. He stays still long enough for Danny to latch onto the cape -- stretchy, but almost soft under his fingers.

He looks up blearily into the whites of the man's eyes. "Can you help me? I don't-- I don't wanna die." Again. He doesn't wanna die again. He blinks slow and lizard-like. "I mean- I'll probably get to see mom and dad again, but I told them I'd at least try and make it to adulthood."

There's a clatter down the street, and Danny's ghost sense chills up his spine and leaves a bitter, ashy taste in his mouth. He immediately knows who it belongs to even before the deceptively gentle; "Daniel?" echoes down the way.

"Daniel? Quit your games, badger, Gotham is dangerous for children."

Danny's mouth pulls back, and blood spills against his tongue. "Please." He rasps, and grabs onto the shadow's cape with both hands. "Please. He's going to kill me. Please--"

"Daniel? Is that you?"

His lips part, dragging in air to plead with the darkness again. He doesn't need to, the whites of his eyes narrow, and the cape whirls around him before Danny can blink. Soon swaddled in shadows, the Night lifts him up, and steals him away.

[qoldenskies]

i think its so funny when people take the way donnie acts at face value even though its a horrible lie because he's a horrible liar, while understanding leo is bullshitting very well despite him actually being GOOD at bullshitting. many such cases

[kaos-living]

I think if they ever met Arthur would hate Jon and Cecil because why do their funky horror powers come with the ability to see everything and he's stuck with an overdramatic voice who stole his eyes going 'Arthur look at this'

[feelo-fick]

"it must be the caffiene."

"...? we didn't have anything caffinated?"

//

CHILAIOS WEEK DAY 2 : Changeling

HI THIS IS SUPER LATE BUT ART HAS BEEN. HARD. AND YES I SKIPPED ONE DAY THAT ONE IS GONNA GO LAST BECAUSE ITS TAKING SO LONG TO MAKE.... ill get to the others when i find the time.

Bonus :

[areallyyellowmango]

I know most TNMN ships make no sense, but counterpoint: Stevenois cute

[spkyart]

THE BOYS ⭐⭐⭐⭐

One of them is a professional yapper

[s0fter-sin]

one of my favourite aspects of supernatural that you very rarely see in paranormal shows is that sam and dean are already versed in the world they live in. there’s no sudden discovery of ghosts and demons and now they have to learn about them along with the audience; they are born into it and already know all about it. it allows the audience to follow their personal story instead of also trying to figure out this new world and its rules

the first season is full of knowledge we never see them learn; “w*ndigoes are in the minnesota woods or- or northern michigan. i’ve never even heard of one this far west.” […] “great. well then this [his gun] is useless.” (1x02), “you don’t break a curse. you get the hell out of its way.” (1x08), d: “it’s a god. a pagan god, anyway.” […] “the annual cycle of its killings? and the fact that the victims are always a man and a woman. like some kind of fertility right.” […] s: “the last meal. given to sacrificial victims. d: “yeah, i’m thinking a ritual sacrifice to appease some pagan god.” (1x11)

almost every episode in the first season is a monster they’ve faced before that they then explain to the audience in a way that should feel patronising; like it’s the same speech given over and over again but instead, the audience almost feels included in the knowledge. it’s stated with such an innate confidence and comfort in said knowledge that it feels like we already knew it too; “spirits and demons don't have to unlock doors. if they want inside, they just go through the walls.” […] “the claws, the speed that it moves; could be a skinwalker, maybe a black dog.” (1x02), “it's biblical numerology. you know noah's ark, it rained for forty days. the number means death.” (1x04), “no no no, not the reaper, a reaper. there's reaper lore in pretty much every culture on earth, it goes by 100 different names.” […] “you said it yourself that the clock stopped, right? reapers stop time. and you can only see 'em when they're coming at you which is why i could see it and you couldn't.” (1x12)

they already know and, at least in the first season, already have what they need to kill whatever they’re hunting; already know to salt and burn bones for spirits, fire for a w*ndigo, exorcisms for demons, a silver bullet to the heart for shapeshifters. there’s only three times in the entire first season that they run into something new to them; 1x14 when sam gets his first vision that leads him to another psychic, 1x16 when dean calls caleb for help on the sigil he put together and he tells him about daevas, and 1x20 when they find out vampires are real- and they only don’t know that bc john thought they were hunted to extinction and not worth mentioning

(there’s also technically two half instances if you count one of them knowing something the other doesn’t - sam figuring out the tulpa in 1x17 and dean already knowing about the shtriga in 1x18 - but those still rely on sam and dean having prior knowledge)

even when they’re uncertain about facing something, it’s not bc they don’t know what it is; it’s precisely bc they know what it is and acknowledge that it’ll be a difficult hunt (“i don't know, man. this isn't our normal gig. i mean, demons, they don't want anything, just death and destruction for its own sake. this is big. and i wish dad was here.” 1x04)

so much of the tension in paranormal shows typically comes from the main character(s) not knowing what is happening to them/the people around them and having to find out how to resolve it. supernatural is unique in that it operates more like a police procedural. the tension comes from solving the clues and identifying patterns to figure out who (what) the killer is and intercepting before they can take another victim

it’s such a different tone to go for when compared to other shows that came both before, during, and after its run. it sets sam and dean on even footing with each other since they both have the same knowledge going in, and it puts them in a place of authority usually reserved for an outside character

the shows i compare spn to most is charmed, buffy and teen wolf; every main character in those shows are brought into the paranormal world knowing nothing, putting them on the same level as the audience, and they have their mc interact with others already knowledgeable about that world in order to overcome their problem/monster of the week. the audience organically learns about this new world as the characters learn about it. it’s a sound writing strategy that prevents “as we already know”-style exposition but something that complicates it is if your world building isn’t unique or intriguing enough, this slow introduction can become boring

we’ve seen shows like these before; sitting through the same tropes of characters learning to use their powers, struggling with no longer feeling normal/relating to the regular world around them, and not knowing how much they can trust the people already involved in this new world gets repetitive. all three shows eventually reach the same level of comfort with their new world that spn starts with but if the characters aren’t enough to draw you in, you can end up dropping it before they reach that point (and often, before the overarching plot can really kick in and evolve the show beyond the villain of the week format)

it’s the superhero origin movie in tv format; dragged out and overplayed. dropping the audience into an established world of course comes with its own problems but you also have the benefit of pre-existing established character dynamics that let the audience slot in like they’ve always been there instead of just getting to know all the characters while the characters also get to know each other

sam and dean already knowing about the supernatural lets the audience immediately get to the core of the story; the conflict between sam and dean, the search for their father, and the mystery of what killed their mother

[kristiliqua]

watching sneeg and clown argue is so funny because holy hell i’ve never realized how sneeg is SUCH an instigator for literally no reason other than Its Funny and Being A Little Shit

[felassan]

.

[faceless-draws]

some Buddy art I did not long ago inspired by @secretlyasimpforbuddy ‘s amazing art!!

[untitledrockstar-if]

there's this amazing thing some anons that have been spamming me today should try which is making their own post on their own blog to complain about a character instead of sending it to the author, the creator of said character, and expecting me to just agree or nod along.

new concept for some, I know, but I really think more people should try it! you might even find like-minded people :)

[smokin-corn]

The thought of a robot can be very sad. You can never tell by their face what is truly going on, with a smile forever printed That sounds a little dramatic, but I love when different imageries are put together to create a bigger picture. This isnt a great example lol but I want to do more like it:]

[dweebsfilingcabinet]

Fall from grace, kingdom come

Lying face down in the mud,

Please don't hate, Lord don't judge

For I know not just what I've done

[theborgqueen2]

This is slowly turning into a "every jc moment ever" thing and I have no regrets.

[floralovebot]

i know there are only like five of us but i feel like garth stans really don't talk enough about how left out he feels with the titans. dick and wally are Best Friends. donna and roy are on and off again. dick and donna are too much to explain. on average, roy is close with at least one of dick's siblings. dick donna and wally all go on to be in the new teen titans. garth isn't Close with any other titans but the originals

and it's this thing where,,, it's not his Fault yknow? he's not mean or spiteful or creepy or anything that would warrant them not liking him as much. he joins in on their jokes, he risks his life, he shares his feelings, he does everything that he knows friends do. but just the virtue of him being atlantean and them being land dwellers ruins everything. he Can't spend more time with them, he doesn't understand their culture, he will always choose atlantis.

they'll always be his friends but he can never truly be with them or form deeper bonds. he'll always be the last one to know what's going on, the last one they call, a complete shadow and afterthought.

and sure there's a part of him that knows this, that feels bitter and lonely. but he can't even be that mad at them because he does the same thing. the titans are never his first thought, he never calls them first, he doesn't reach out and ask if they're okay, they're always the last ones to know what happened to him. the titans are such a huge part of his life but they're barely in it.

there's just something so inherently lonely about garth that i feel most dc writers don't understand. they just don't get it. they don't get what it's like for this boy who was all alone, never had parents or a family, suddenly being taken in and having to act like he knows how to be a son, a friend, a partner. meeting kids his own age and wanting to bond with them so bad, having to watch as they all get closer to each other and leave him behind, not being able to do anything about it. never being taken seriously, always the last choice... garth man.....