#i cannot tell you all about it but i can draw a comic and i Will. mark my words
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impactrueno · 3 days ago
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I saw your twt about holding back on telling stories with serious and deep tones and it reminded me of an issue I had a while back. Im a south park fan and I loved reading deep analysis of the characters. and south park being south park, people dont take it seriously and think its just funny so it doesnt deserve deep analysis like other forms of media. I always came across comments saying "its not that deep" or "doing all of that for south park" and I used to hate that so much because why are you commenting that under the authors post? In media there is like a "spectrum" of how deep you are in it as a fan, and it doesn't make you less of a fan if you like to binge watch the show when you feel like it because its funny. Someone who makes fan fiction and psychoanalyses the characters doesnt make them a better fan than you. I hate "it's not deep" because it is that deep to me, I enjoy it, but it dismisses critical thinking and discourages deep discussions about our interests. I want to learn more about the turning point for eric cartman and the friendship dynamics between the main 4. I want to read psychoanalysis of the characters and understand why they do the things they do. I loved reading fan fics with an author that understood how the characters work and put them in situations while making it believable. Whether the content was deep and serious or lighthearted and silly. I don't see those as cringe at all. What I see as cringe is trying to downplay someones time and effort. you dont care for it. cool, just dont make it our problem.
I believe in recent years, this cringe and its not that deep mentality is linked to media literacy/reading comprehension issues. On top of the fact, that fandoms right now has been "normalized", so alot of mean and rude kids and adults are in this space not having a mature and respectful conversation and discussions, as well as zero fandom etiquette. (I understand the past wasnt this magical respectful place but this behaviour has increased compared to past years).
Please don't worry about making deep content, its super fun and there will be fans of what you write/draw that will definitely be into it.
GOSH anon you are absolutely right. cringe culture has done some serious damage to people's creativity and freedom of expression. doing things in earnest is now cringe to so many people (specifically that 18-21 age where they think they're better than everyone else and everything is cringe to them, image is everything) and they actually give you shit for it?? it's crazy. the most harmless thing in the world. whenever my hey arnold comics would leave my target audience on instagram i would get the meanest comments for no fucking reason, because i was taking hey arnold "seriously" (nevermind that hey arnold is probably the nicktoon with the most emotional depth and moments besides ginger but i digress) but hey at least i'm not the one losing my marbles over some random cartoon comic on the internet.
i think rudeness in general has been too normalized not just in fandom, but in social media in general. it's sad. the only thing you can do about it is be kind as much as you can to counterbalance it. i'd like to think that rubs off on people just like how being rude rubbed off on them.
i said that thing about holding back because i'm admittedly too hard on myself sometimes. no one is calling me cringe or making fun of me for what i do, thankfully, people have been super cool and supportive. and it means a lot to me because i'm very earnest about everything i create, even when i try to hold back. i literally cannot help being myself. it's all i know how to do. i'm just glad i was able to grow a platform where i'm free to be openly passionate about the things i like, talk about them and why i like them, the little things that i find fascinating, the emotions they make me feel, all of that shit is awesome and i wish more people did that.
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myuminji · 1 year ago
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OKAY NEXT WRITER I WANNA SCREAM ABOUT THAT GOT ME ROLLING ON THE GROUND FOR WEEKS BCS THEIR WW CHARACTERISATION IS SO??? IT HAUNTS ME PLEASE READ IT???
https://archiveofourown.org/works/47749684
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corpsentry · 2 years ago
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lofpapte. lifepate. life update
taikopilled or whatever the kids say these days. hitting drum all the time. desperately in love, or whatever the kids say these days. consumed with emotion. bursting at the seams with language. almost through to the end of the semester and look at these cool earrings i made will you do you like cool things do you want some earrings
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fudgecake-charlie · 10 months ago
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"They think I’m the least dangerous person in this car, do they? Well, they’re about to learn very differently."
Decided to redraw a moment from On the Getaway Mile by Odaigahara on AO3/ @droidofmay !
This may have taken a ridiculous amount of hours condensed into a few days and I went through it drawing cars and car interiors, but this was an absolute blast to do :D I hope I've done the fic sort of justice.
Process shots and long comparison rambles under the cut!
Welcome to my secret lair!!
I spent roughly... 18 hours working on this, the majority during this week and over the past three days, so I need to share my toils with people <3
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Character/car references and page thumbnails! Featuring an incorrect scene placement and bad camera position. I reread the scene and placed it properly in the actual page. I hate drawing cars!! I was actually the most worried about panel placement when I started this— I was a guy who only did non narrative/illustrative panel pages and layout-less comics, but it wasn't that bad with a script! I could separate beats into panels, note which panels should be emphasised/larger, and assembled that into a page.
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If you compare the fic with this comic, you can see how much dialogue I edited and moments I cut out. I couldn't fit it all on without having to draw even more pages, I wish I could though! Poor Mumbo only gets one line here. I'm so sorry my darling man <3 I also gave him a slight cyborg design because his implants are really important for his character and I needed some way to visually show that, even if it's not canon/mentioned.
The colouring method for this was really fun! It's similar to my aggie rainbow painting method but with less steps, hence narrow value range. It looks pretty and gets the vibe across well though.
Rapid fire points!
I was planning to do 3 different fic comics! Not anymore!!!
This is absolutely for the hotguy comic zine applications. <3 "Can I try rizzing you up // PLEASE PLEASE PLEASE" /ref
I drew page 2 first, then 3, then 1. I think you can tell!
Mumbo is sitting on the wrong side and should have his seatbelt on. He's also not carrying the stolen laptop as described.
It's explicitly noted that Mumbo cannot scan Grian like he can with Scar. Whoops!
Transmissions from the Foundation are via Mumbo and Scar's implants, but I couldn't think of a good way to portray that.
Despite guns and weapons being mentioned, I somehow didn't get the opportunity to draw a single one.
I love hand lettering. I also hate it! I will continue to do it.
Here are the no colour pages as a thank you for scrolling <3
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shirefantasies · 6 months ago
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This is something no one requested, but that I wrote for sheer comfort at a rush of bad memories. Warnings are fairly obvious, but this post will contain implications of abuse, though no graphic/explicit depictions.
The Hobbit Characters Finding Out You Were in an Abusive Relationship
Balin
His gaze drops from yours, but you are not offended by the pensive expression that crosses his face- what you said would take anyone time, let alone someone as thoughtful as Balin. Several heartbeats pass before he speaks. "My heart breaks for you," he begins, "that is a fate no one deserves. I can hardly begin to imagine... But what I do know is you have every right to do things at your own pace. Don't push yourself for me, love." Eyes shining, you nod. "And if I ever raise my voice at you, it'll only be for good reason, say, in a battle or because my old ears don't work so good." Giggling, you accept his proffered hand. "I admit, I can't picture you raising your voice like that at anyone." "It's happened," he jokes back, "those nephews of Thorin's have earned it a few times. But not you. I'm not here to control you, I'm here to love you, and you tell me if I'm making good on that." "It's a deal," you reply, smiling softly as Balin squeezes your hand.
Dwalin
“I know you may not understand or that my fears may seem weak-” “Weak?” Dwalin cuts you off. “Ya know who’s weak? That coward for picking on someone who loved ‘em. You are strong as hell for telling them yer done.” One final question rose to your lips. “So you don’t think differently of me?” At that, the tattooed dwarf shakes his head, placing a hand upon your shoulder and breathing your name softly even in his rough voice. “By my bear, you’re about the sweetest soul I’ve ever met and this only serves to confirm it. I’d have pummeled the sod at first insult.” “I probably should have,” you remarked, arms crossing over your midsection. “Not so fast,” Dwalin’s hand clapped over your chest, taking yours, “that’s what you have me for!” The hearty, devilishly proud laugh he burst into was enough to have you joining the mirth, your head falling gently against his.
Thorin
His eyes darken, jaw setting in a way that sends shivers of intimidation down your spine even in spite of your knowledge that it is not for you. You know it because of the way Thorin pulls you into his arms, because he breaths his condolences into your ear as he does so, warm air ticking the shell of it. "And your fire still burns," he remarks, wonder coloring his voice and shining in his blue eyes. "In a way," you reply, gaze still a bit downcast, "I use it as fuel. Never again will I be somebody's plaything." "Never indeed," Thorin agrees with a small nod, "and you may not need it, but while I remain at your side you have my sword and my word that no harm will come to you so long as I draw breath…”
Oin
His eyes go moist in a moment and he holds up his ear trumpet, clearly hoping beyond hope he heard you wrong. Hands clasping his, you shake your head. “So I’m sorry if I ever seem afraid to-” “You are sorry?” Oin asks incredulously, his tone still managing to be quiet, subdued to the volume you normally know him for. “You don’t have a damn thing to apologize for. That is not your fault in the slightest. Do you have any scars? Any bruises? I’m only asking because I want to take away your pain.” Likely it was in the past, long enough ago for those worries to fade. Scars to score only your heart. “Aye, if I can…I want to heal that, too. Treat you like the jewel you are.”
Gloin
His wide-eyed expression is almost comical despite it all, bringing a hushed, nervous chuckle past your lips. Gloin continues staring at you like you're a new creation for a moment longer, dragging the silence out until you feel you might burst. Finally, he stutters out a reply. "You- you endured all that?" "Yes, though I cannot help wondering if I could have prevented it. You see, I-" "Oh, no," Gloin cuts off your spiral, clutching your gesticulating hands and shaking his head firmly at you, "don't you dare let that coward off one bit. No one asks for anything that bastard did. They always say pressure makes a diamond, but you, my dear, were a gem far before and only shine brighter with each passing moment. Diamonds are gifts of this earth, though, not just some trinket for rich arms. If it was you or all the wealth in the Lonely Mountain, I'd choose you every time. Remember that. Please." "How could I forget words like those?" You grin at him, heart still hammering. "I will do my best to carry them in my heart."
Bifur
Soon as your confession leaves your lips, Bifur backs up from you, dismaying you with his own pain in your eyes. “Scared?” He signs, and your heart breaks anew. Quickly you step forward, bridging the gap again, and reach up to tuck some of his wild hair behind his ear. Shaking your head, you reply, “No, dear Bifur, I am not afraid. If anything, I apologize if I ever seem that way. If my nightmares frighten you and I either hold you closer or push you away. If I startle a little too easily. If I am quick to say no.” He finally tilts his head back up to look you in the eyes, moving it to the side to rest his cheek against your palm. “I, too, have nightmares. Bad things happen when I sleep,” he signs to you, “I get hurt. You get hurt. I need space sometimes, too. I may tell you no, too.” “But when you love someone,” you finish, a tearful smile rising to your face, “You want to see them fulfilled.” At that, the dwarf nods vigorously. “I love you. I never want to scare you. To hurt you.”
Bofur
“A star as bright as you?” Shaking his head, Bofur removes his hat, clutching it in both hands. “Guess that’s beside the point. Someone like that only thinks o’ themselves. But hey, you know that wasn’t your fault, right?” You just nod. “And the fact that you still give your heart to everyone… you’re nothin’ short of amazing.” Tearing up, you burst into a smile, exhaling your relief and falling into Bofur’s open arms. “Was gonna do it anyway,” he mumbles into your neck, “but I want you to know that I’ll treat you like royalty. Much as I can give. I really will.” “I believe you, Bofur, I believe you.”
Bombur
Never have you seen his face fall like you do in that moment. All but instinctually, he opens his arms. “May I?” Nodding, you fall against his chest, the beat of his heart calming your racing thoughts. “I don’t know what to say other than that you don’t deserve that,” Bombur tells you, a hand gently cradling the back of your head, “you deserve the finest man who tosses roses at your feet ‘n’ sings your praises day after day. Someone with half an eye who can see how lovely you are. You deserve all the pretty things in this world.” “And I have that. I have all I could ever want right here,” you reply, a tear slipping from the corner of your eye, “you give me all the love I deserve.”
Dori
"What gives them the right? Nothing. It's not right, any of it! Why is it always the prettiest flowers that get plucked?" Even in his righteous anger, Dori pays you a sweet compliment, a small testament to his value of you. Cupping his cheek, you interrupt his rant, shifting him to meet your eyes and feeling tears prick at you when you see how wet his eyes are. "I don't want you to live with that pain," he adds, voice breaking slightly. Heart dropping, then soaring again at the love in his eyes, you reach up on the other side, and his hand comes up to cover yours. "These roots are strong," you assure him, leaning forward to rest your forehead against his, "with care they grow anew." "I will take care of you," Dori whispers your name, blue eyes fluttering shut, "Always. I swear it."
Nori
“Where is the rat? I’ll kill ‘em, gut ‘em like the pig they are!” Nori’s rage rose an odd flush of endearment through you; murderous as his words may have been, your heart was lightened for his care, the sheer vindication that what you went through was not deserved. But then again, the way that person hurt you was something you would never wish upon any living soul and you knew that. Sheepishly, you shook your head, stepping forward to take one of the dwarf’s wildly gesticulating hands. “The way you love me has avenged enough,” you cut into his harsh words, “no one has fought for me before you, Nori. Thank you.”
Ori
“Somebody really did all that to you?” He doesn’t mean to sound stupid, but the revelation is nothing but dumbfounding. “Yes,” you nod, breath catching in a half-sob, “I didn’t even feel like a person by the end of it.” Your arm is crossed over your chest, but Ori removes it, gently, intently, to hold your hand in his. “You are, though. You’re…you’re more than anything I could have ever imagined. And I like imagining things quite a lot,” he smiles softly, almost sheepishly, “in fact, you know what one of the things I imagine is?” You cringe, see his eyes widen that he accidentally hit a sore spot and feel the way his hand involuntarily tightens. He continues, though. “How I can show all that to you.” Head falling atop his, you succumb to a grin- he is leagues different from that person without even lifting a finger. “You do that just by being you, Ori.”
Fili
You hardly expect his first words to be thanking you, but indeed as both of his hands grip yours, he smiles sadly and does just that. "Thank you for trusting me with that. Fighting the fear. I don't take it lightly. But if you think this does anything but make me love you more," his smile shifts, returns to something more like the amusement you more often saw, "I'm afraid you are solely mistaken. The fact that you trust me, feel safe around me...why, I'll work to keep earning that until the day I die." Grinning, you fall into Fili's arms, feeling utterly secure in the warmth of his embrace. "And that alone means the world," you whisper, "I love you." "And I you. Forever."
Kili
"No," Kili shakes his head, "no, you cannot be serious!" "So you think I lie?" You shoot back, tone sharply defensive in your hurt. Kili's dark eyes widen, glossing over with tears; he shakes his head again, this time slower, but much more vehement, "Not at all. I simply can't believe it. Why anybody would want to hurt someone like you. I admit I can't fathom it." "It's because I didn't matter in that person's mind," you reply, your own eyes tearing and your voice going soft, "I was not a consideration." "Well, let me consider you," Kili replies quickly, straightening and reaching out a hand, "I'll not do anything you want me to do. And if I ever raise my voice at you, feel free to slap me." "Kili," you half-chuckle, half-sob, "how would that make me any better than-" "It was a joke, but see? Now I have you smiling again. That's all I want. For you to be happy. I love you, truly, I do."
Bilbo
“Any chance we would…run into this person?” So casually, almost awkwardly phrased, and yet you deduced exactly what Bilbo meant with his question. “Are you…” Your expression widened back to a tentative smile. “…hoping to have a fight with them?” Plenty of people had been on your side, nearly everyone agreeing that what you endured crossed every line, but hearing it from a partner was an even stronger spike of the vindication you never tired of. Plus Bilbo’s scrappy side was all but the cutest thing in the world. “Well,” the hobbit straightened his coat, “I simply think they need to be put in their place. Why, of all the… how could anyone take a look at someone like you and see anything but the greatest treasure they’ve ever known, it’s insulting, maddening, uncouth beyond all-” He stopped when he heard you giggle, felt your arms snake around him. “Oh Bilbo…my greatest treasure. I’ll always feel safe when you’re here.”
Thranduil
Rarely do you see the woodland king’s eyes harden, go so cold like shards of pale blue eyes, as you do when he hears your admission. “This person saw fit to treat you like property?” Thranduil’s voice is dangerously low, his gaze drifting distantly from yours. “I felt that way, yes,” you quietly agree, nodding. The king’s expression sends a shudder of intimidation down your spine. He must notice, the way he offers you his hand- tentative, eyes softening in question. Telling you wordlessly that acceptance is your choice. A small nod and you take it, his fingers closing over yours as he lifts the back of your hand to his lips. “Never again,” he breaks the silence, voice low but all ice drained from it, “while I wish your time here to never end, our gates are open to you. My halls are as your own. If that…that fiend even thinks to cross the Woodland Realm’s borders? Some gates shall be closed forever.” A part of you wishes to cringe at Thranduil’s harsh words, but as he winds you into his chest you simply feel the heat of tears prick your eyes as you whisper your thanks, an answer coming in the form of the elven king’s lips upon your head.
Bard
He stepped back, eyes widening at your revelation. Every aspect of him softened. “How? How could anybody…” Eyes distant, you shook your head. “At the time, I felt like it was because I wasn’t good enough. Now I see how sick it was. How I was…just an object,” your voice faded into a near-sob, prompting Bard to catch you about the waist, lower you into a chair. He moved to put a hand on either arm of it, thought better of making you feel trapped. Instead he simply let you keep hold of his hand, tilting your chin with the other to meet your eyes. “By every power I hold dear I hope you never feel too afraid to tell me no. To tell me if I’ve hurt you. And by that same light we’ll spend every day filling your heart. Never should you apologize for your scars- those are signs of your strength.”
Beorn
He never does this. You've never known the Skin-Changer to be one for spontaneous affection and yet he's pulling you into his arms the moment you finish, your head falling against his chest or wherever it falls upon his massive height. Several breaths pass like this before either of you speak again. “There is cruelty in this world I will never understand. No excuses exist for it. None. But I will do everything in my power to keep you safe from it.” True to his word, the Skin-Changer is there for you after every nightmare. Never once does he raise his voice or his hand to you. He may not always understand you, but well does he know the feeling of chains, physical or metaphorical, and he would die before casting his own. In moments surpassing his understanding of you, he takes to the woods, offering space over harsh words and freedom of travel over control. True love, after all, always returns.
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ask-whitepearl-and-steven · 7 months ago
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What’s your favorite part about working on the comic? Specifically the comic; like drawing it, coloring, writing scripts, etc
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Oh, that's an interesting question! Let's rate them!
Sketching/Drawing: (9/10) Creating at its finest. For me, this is the distilled elixir of creation. The heart of being a comic artist. I love organizing panels on a page, it's like playing tetris. I love drawing! Points off for requiring so much time. Why can't I just bang my head against a tablet and dump out all the pictures onto the screen at once?
Scripting: (6/10) Pretty standard work. I enjoy it well enough, but it gets points taken off for requiring so much re-writing and emotional turmoil. Sometimes, I will rework a line 3-4 times and think it works great, but inevitably something will come along to make me think it would have been better to have the character say that OTHER thing instead.
Lineart: (11/10) Excellent. Stupendous. This is drawing, if drawing required no braincells. It's meditation! I'm listening to a 2 hour long video essay about evolution or manta rays or ancient trees. I'm happy, I'm in my lane, I'm flourishing. (This would have been 12/10 except for those times when you're drawing the same line 17 times and are stuck in a ctrl+z loop.)
Coloring: (-2/10) Don't like it. Cannot recommend it. People tell me they like this part? I'm skeptical. It's tedious. It's boring. It's like one of those baby games where you put cubes into a square hole, etc, but sometimes the cubes the misshapen and don't go in smoothly. At best it's just 10 minutes of clicking with a bucket tool. At worst, it's coloring within the lines, which I have been OVER since I was 4.
Rendering values, special effects: (5/10) This is fine. It's simply fine. I can enjoy it. It's interesting, but a bit repetitive, but it takes less effort than coloring, with more variety, so I respect it.
Posting: (4/10) This is a trap. There IS a typo, and you WILL see it as soon as you click Post. Or as soon as the post hits 100 notes. Whichever one is more painful. But on the other hand... commints! But on the other-other hand... people misunderstanding your characters' intentions and being a whole clown in the comments about it! It's a mixed bag.
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elsa-fogen · 3 months ago
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psst... First day in Hell spoilers again
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I'm alive but for some reason i lost the ability to draw. But i'm trying to regain it as fast can... i'm so tired of this part, but i managed to finally finish the raw sketches for all pages!!!
Also, telling you now, First day in Hell will be a kind of prologue for the bigger comic about Alastor and how he became the Radio Demon👀, it will be called "Rise of the Radio Demon" yeah, i'm not really good with names haha
And.... hey............ If you absolutely cannot wait for the new part the comic, you can see some pages earlier here👀👀👀👁️👁️
If you don't know what i'm talking about, you can read the comic here: part 1, part 2
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bokettochild · 5 months ago
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random LU hcs before I go to church
Legend likes to draw, and while he uses it for practical purposes (he's compiling a bestiary of his own) he also likes to sketch random crap he finds while traveling
Hyrule weaves. Not fabric, since that's a bit legthly and requires materials he can't get or keep for long, but he's very good at making baskets and the like! When the rest go to his cave, it's just full of woven items, including his attempts at weaving a freaking chair. Hyrule is going to become Pier 1
Sky writes poetry but never shares it with anyone. Groose used to laugh at it when they were kids, and so he's very self-conscious about it (and not very good anyways). He does come up with some really, really good pieces though from time to time!
Warriors couldn't read before he enlisted. He had to learn, and did learn rather quickly once he had to, but he still did very much not grow up with books. He is, however, very fond of oral tradition and somehow keeps a library's worth of knowledge in his head, since he never knew how to write it down before.
Warriors loves folk tails and will use any excuse given in order to share them with the younger ones
Wind is a very proficient mapmaker. he's terrible at drawing figures or anything, but he's very good at charting things out and putting them down on paper
Wind has a great eye for photography though! He and Wild sometimes play a game where they have to find a particular item and take a pictograph of it and then they'll have one of the others judge which one is better. Wild's candids are usually better, but Wind has a talent from framing and using the light to his advantage that outshines Wild's.
Wind likes composing little tunes with the Windwaker when he's bored. he has accidentally discovered several magical songs and their effects in this manner. Sometimes Time debates if just teaching his the Song of Storms from the get go would have been better in the long run, since it would have saved them getting soaked so much
Four has a fascination with artistic metalwork. He can't do it himself, and often times can't understand how someone thought up the idea in the first place, but it gives him great delight to see various metal pieces/tools/items forged together into the oddest art pieces
Twilight claims he's no good art of any kind, usually blaming "these darn big paws o' mine", but the secret is that he's a talented embroiderer, he just doesn't consider it "art" in the same way the rest do. Most Ordon folks add stitch-work to things so he considers it standard practice, not exceptional.
Sky is also very good at stitch-work of all kinds
When Sky and Twilight discover their shared skill-set, they absolutely use it for evil (start adding little patterns and things on their brother's stuff). Is this competitive? They're Links, you tell me!
Time claims not to be very creative, but he's actually quite good at art himself! Just drawing, as his paintings have a very childish sort of color combinations and the like, but he's surprisingly very good with shading and proportions!
All the boys play music, but Twilight's a good hand on the fiddle/violin (but only for short periods) and Legend has a surprising preference for the piano/organ. They'd make an excellent duet if they actually managed to know any of the same songs
Wild cannot and should not play instruments, Hylia help your ears if he does. He's also not that great of an artist (look for JoJo's comic of him drawing a new tapestry, it's hilarious). He likes the art the others make, but in general, the best he can do it just making designs and patterns that always seem to resemble Korok puzzles.
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comicaurora · 9 months ago
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In your asks and other outside-of-comic statements, you seem to draw on parallels to programming a lot when talking about lacrimas.
And this makes me think as a programmer: the primordial rules that are used in Auroras to do magic and lacrimas are part of the primordial language. You are literally telling the primordial's dead bodies what to do, and they obey.
Yet, the difference that comes to my mind is that Primordial was at one point a language actually spoken. Used to communicate in day-to-day life by normal sentient beings. That's quite different from programming languages, which aren't meant to be talked in at all, and are built from the ground up purely to convey a series of precise instructions. They're very formalised and structured. There are no synonyms, no double meanings, no altering of word order, no redundant information etc. It's extremely rigid, much unlike languages people actually talk in, for which a degree of fluidity and ambiguity is essential.
And in Aurora it would seem the latter is being used as the former.
Have you ever thought about this tension/contradiction/conflict? How it affects the world, how it affects your writing, etc?
Or has this distinction never crossed your mind?
Or was this something you have noticed, but never really had the right knowledge to engage with much?
Or any other thoughts on the subject, really
So! This is an interesting thing I have actually thought about.
When the Elder Races were first created, they were born knowing and speaking a language innovatively called the First Language. Every new Young Race is also initially created speaking this language. The language then drifts over the generations, developing into regional dialects and then into separate linguistic descendants if given enough time.
The Ancients spoke a close descendent of the First Language for most of their time in existence, and made a writing system of their own very early on, which has no innate power. But in the early days of the world, the generally accepted story is that a god granted the three elder races knowledge of the written Runic language, which could command the elements. The Ancients acquired it late and used it very sparingly, only for the programming of lacrimas, but for the Elves and Humans living in the depths of the Caves, this was their first and primary writing system. It's even possible that a rare cave-dweller brave enough to venture to the surface was the one who taught the Ancients these runes in the first place.
It's posed an obvious question, of course. Why does this one specific form of writing manifest as a language of magic? Why can it command the dead Primordials? Why is it so well-suited to the phonemes of the First Language that every child of this world is created speaking?
The predominant theory - and, with two living primordials to check with, one which is potentially on the cusp of being proven - is that the First Language and its runic writing system are the language that the Primordials spoke. Its words, written or spoken, can be understood by the remnants of thought that still linger in the sleeping, dead-but-not-entirely-gone primordials that make up the world.
Primordial magic is different from programming in one key way: real computers are entirely unthinking entities. They are not in any way smart - not even smart enough to be stupid. A computer parsing a program cannot observe a missing parentheses and compensate like a human could do in their sleep - it simply fails to parse, because the mathematics don't work out.
Magic in this world is like what every programmer wishes programming could be. Tell the computer what to do, and it might be a little confused, but it'll get the gist. Tell Fire to burn in this direction - Fire, even if it's just running on an echo of a seven-thousand-year-old memory, knows what that means. Tell the wind to printf this statement to this recipient, it'll try to find them and send the message. Tell Life to make this body do what it's doing faster, it can do that. It's simple executions of simple commands, almost reflexive - things that require no complex higher thought from a being that is no longer alive enough to have them. They're not as unthinking as computers, and that means the nuances of language can actually have an effect on them. Some mages think more poetic and emotionally-charged spell invocations can lead to better, more efficient results - an appeal to a long-dead emotion might be easier for the Primordial to execute than an appeal to a half-forgotten complex thought.
When a mage takes direct control of a magical energy and funnels it into an elemental effect, their own higher thought allows the element to do more complicated things - Fire can't transmute on its own like it could when it was alive, but it can when bent to a mortal will. No need to translate a spell into the language of magic when the mage can simply use their own mind to shape the effect. This is the primary advantage mages have over lacrima-users - flexibility, complexity, and speed.
Another interesting factor. Alinua's dynamic with Life demonstrates what a living Primordial's living thought can do when in the hands of a mortal. A normal, simple healing spell cast by anybody but her just accelerates a body's own healing, but with Alinua's guidance steadying Life's hand, they can do much more complicated things of her own free will - things Life knows how to do that no mage knows how to command her to do.
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achelouise · 6 months ago
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my love, my muse —kaveh
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fandom: genshin
pairing: kaveh x reader!
a/n: i just realized i hadn’t written for kaveh, which is a crime against humanity. also kaveh x muse!reader brainrot sjzjjwjzjqjjajajajh (also switching formats, iiiiiii have no idea what im doing, can you tell)
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— student!kaveh, who, even though loathed and respected his project partner to bits, would rather die than ever try to draw him for an assignment. “don’t even think about it,” he hisses, just as alhaitham quirks an unimpressed eyebrow. he understands that he has many friends and acquaintances that are willing to pose for him, but a small voice in the back of his head needles at him- telling him that no, we cannot create art with them as our muse. and to him, nothing is more important than making sure every single artwork he produces is with the utmost sincerity.
— student!kaveh, whose resolve crumbles bit after bit as the deadline creeps up, with no model to look for in sight, and is starting to think perhaps he should turn to his volunteering friends after all. he cannot compromise his diligence for his passion as a scholar, and so he heads to pupsa café, hoping to buy some coffee to prepare for his all-nighter that night.
—student!kaveh, who doesn’t even realize he’s pouting until he hears a cheery, unfamiliar voice bring it up- and he tilts his head up to find that he spilled all the coffee in his mouth onto his shirt (much to your alarm).
“you,” he gurgles, “you’re the muse i’ve been looking for!”
“excuse me?”
— perhaps he was a bit sleep-deprived, which explained his lack of inhibition, but student!kaveh latches onto you like a moth to a flame, stars swirling in his eyes. are you a student of the akademiya? which darshan are you from? which nation were you from to bless you with such beautiful eyes? could you be his muse? he asks them all, because he has to know.
— student!kaveh, who only later apologizes for his overbearing first-impression, while swearing up and down he wasn’t like that usually, and explaining his current predicament. perhaps you pitied him, or found him quite charming- whichever it was, you accepted his proposal to be his muse in exchange for some funds, much to his delight.
“thank you, thank you, oh, thank you! my assignment won’t be so lifeless after all!”
— student!kaveh, who arranges a time and place for you at his dorm with a sense of bravery he has absolutely no idea where he picked up from. when you come in with the most random set of outfit he’s ever seen, he chooses to hold back his tongue over your enthusiastic participation.
“sit tight!” he says, holding comically large canvas whose shadow swallowed up the whole room, “relax, and do whatever your heart tells you to do.”
— student!kaveh, who usually simply sketches things out of pure photographic memory, starts simple and structured for once. where would the chair go? where would you sit? would you look too stretched out if the table properties next to you weren’t matching? where should he exaggerate? how would the chandelier be hanging to get the perfect lighting? how would the painting behind you affect the composition?
— student!kaveh, who usually lets his hand dance on his canvas, plans everything out this time, and lets his mind flourish under the guidance of your radiant beauty. your soft smile, your relaxed posture, and your twinkling eyes lets him have fun- and he finds joy in drawing backgrounds, especially the furniture, for once- to emphasize the way you pose.
— student!kaveh, who drinks an ungodly amount of coffee every night and lets his sheer will do the rest, stops by in the kitchen to make you some snacks. he worries for you; “are you alright? is this posture tiring you? do you want water? i can get some for you. do you want some snacks, too? we can take a break. i don’t have much here, but i can always make a quick trip to the market.”
— student!kaveh, who finds joy in conversation with you while he works. you seem to harbor a decent amount of knowledge fitting for a scholar. if you talk about other subjects, kaveh’s more than willing to listen. if you enjoy studying architecture, that’s fine too! whatever the topic is, you both seem to have an endless stream of opinions and discussions to open up about, and watching your mouth run off on any particular topic brings him much satisfaction. it is always fascinating to understand another person deeply interested in a subject.
— student!kaveh, who starts to explore other color schemes in order to find the perfect one for you. your radiance is something that should be brought out and emphasized on his canvas, something future generations can look at and admire. maybe a bit of pink for the shadow? how about purple to shade your hair instead of gray? would yellow compliment your shoes? he thinks of them all, dabbling in this and that, until his palette blooms in different smears of colors.
— student!kaveh, who is willing to go on a rant to explain how you were the perfect muse, how your smile made his hand itch to draw it out, how your eyes crinkled and held the weight of your soul, how- oh. did he say muse? would you like to be? kaveh doesn’t mind in the slightest if you could continue to. in fact, how about he treats you to a nice meal tonight? the sun is setting, anyway, and it’ll be his way of saying thank you. (please say yes.)
— student!kaveh, who, after half an hour of deliberation on whether parting his bangs in a certain angle would make him look more presentable or not, shows up that night at the venue with a small sketchbook in his hands, telling you not to worry about it. every time your lips turn a certain way, or when the light hits your hand just right, he frantically sketches it down underneath the table, much to your confusion.
“did you enjoy the meal? hm? that? oh, it’s nothing. please, go on. you said something about how your friend could aether-edit?”
it was a pleasant time, despite him constantly dodging your questions on what in teyvat’s name he’s doing, and believing the constant rush he feels inside his head whenever you laugh is perfectly normal. you’re his muse, aren’t you? it’s only natural.
(and if the dinner spreads any rumors- well, kaveh thinks it’s normal to feel giddy, too.)
— student!kaveh, who, when looking at his graded paper days later, is pleased to know it is graded with high praise. the professor even commented on how he is finally starting to get a firm grasp on studying basic anatomy of architecture. (hmph. he thinks he was pretty good at anatomy up until then as well, but okay.) good- he’s put a lot of effort into that painting.
— student!kaveh, who insists on thanking you for the high grade again, the next time you run into each other- only this time with a bouquet of flowers, and a blush on his face.
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ghostorbz · 4 months ago
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Everyone say hi to my
obnoxiously long ZADR analysis!!!
I've said it time and time again, these two have a deep and complex relationship that most people just write off as "just enemies" when they really aren't!! It's kinda irritating,,, so I wanna analyze how they act and treat each other (though a zadr lens) Because to me it's pretty obvious they deeply care about the other. I'll go over multiple episodes, the movie, unfinished episodes, as well as the pilot and comics and try to explain their relationship. Though some episodes (and many comic issues) will go unexplained if they center only around one of the two, around a different character. or if I just really don't have much to say.
1. The nightmare begins
The first time these two meet is in the first episode when Zim enrolls in skool. Dibs first reaction is staring and pointing at Zim looking crazy. Explaining to the other kids how he's an alien. Ending off the argument by giving the other a stare. After class Dib immediately confronts Zim, showing off his alien sleep cuffs and chasing him around. Zim eventually gets away (or,, flies away I guess) just for Dib to show up at his house and bang on his door saying he's been waiting for this moment and he's prepared. Dib never thought to prepare for garden gnome lasers and gets his alien sleep cuffs incinerated. That's all. I know there aren't any moments that could really be viewed as zadr material here, I just thought it was a good idea to talk about the first episode. It's when they first meet after all!
2. Parent teacher night
Zim thinks of Dib while he's walking home. You could argue Zims only thinking of him because he's worried about parent teacher night, and sure. That's fair. I just wanted to bring it up because it's pretty cute. Dib in Zims head smiles and laughs, even tells him to watch out for the dog. If this really is what Zim is imagining, why would he include him being happy and warning him if he hates him. You can't hate someone that much if you're imagining them smiling and laughing while walking home.
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Later on, Dib introduces Professor Membrane to Zim. He runs off only to come back and splash him on the face with fruit punch. A playful thing, nothing insane. Dib even does the same thing later on. Both of them smile while splashing the other. It's silly and harmless. An easy way to express their rivalry without hurting the other.
3. Dark harvest
I know last point could be debated. "Zim was only thinking of Dib because he was worried." BUT. YOU CANNOT EXPLAIN THIS TO ME.
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This scene, right here. Literally what was he talking about.
"You see Gaz, to defeat my enemy I must study my enemy, then become my enemy, then move in with my enemy, then wear my enemy's clothes then-"
THEN WHAT?? I could be looking too far into this, but it just seems so intentional. Very intentional. If Gaz didn't interrupt him what was he gonna say? Seeing this bit in another show gives me that answer,,,
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WAS Dib gonna say date? Maybe. Perhaps. But we don't know. Other than this part though there isn't anything else I can really mention. Other than the,,, organ harvesting,,, but I'd rather not! So lets move on
4. BattleDib
While this IS a Dib centric episode, I wanted to note he has a hologram of Zims head. How did he get that? It seems to me that he made it, but that begs the question, how did he get everything right? I mean it's an exact replica of Zim out of his disguise. Does he look at Zim that often? And why a 3D hologram? It's not like he doesn't have photos of Zim out of his disguise. He has photos of Zim in his closet. They don't seem like drawings either, they're definitely photographs. This makes me think. Is Zim comfortable enough around Dib to let him take photos of him out of his disguise just for himself? He doesn't even let Gir do that, as we can see with the photograph of Gir and Zim in bad bad rubber piggy (this is assuming Gir took the photograph. It seems like something he would do) So why Dib? Dib has been shown to sneak photos of Zim, but the ones in his closet have Zim posing in some way, and they're pretty close up
5. Planet jackers
This episode is so good. I love it. But we're not here to talk about that. What we're here to talk about is how out of all people to go to, Zim goes to Dib. Zim rings the bell and waits for an answer. He seems nervous too, looking back at Gir for assurance with a worried expression and sighing. To quote another analysis, "When the chips are down it's always, "You're the only person who can help me." Usually they say it's because the other person is the only one with technology advanced enough to help, but there's more left unspoken."
Even IF the other doesn't help, they still go to eachother. They trust eachother enough to ask the other for help. Even if it's hard.
6. A room with a moose
Zim tries to send his whole class away through a worm hole in space. When Dib finds out, Zim doesn't hesitate to tell him everything that's going on. Even saying,
"This wouldn't be as much fun without you sticking your smelly nose in here." "You're really one of the only people who can appreciate the amazingness of this plan, so I'll let you in on what it is." "My mission might not be as exciting without you around to annoy me."
Zim talks about Dib (relatively) positively here. Saying his mission is more fun with him, how sending everyone away would be boring without Dib intervening, and even trusting Dib and letting him know what exactly he's doing.
7. Hamstergeddon
When Peepi starts destroying the town Dib doesn't even seem mad at Zim, just pointing and going
"Anything you'd like to confess?"
He's somewhat used to Zims antics by now. Later on when Zims knocked out Dib thinks over if he really wants to capture him. Of course, Zim wakes up before he can make a decision, but this one part sticks out to me.
"Wait! Zim, promise me you're on our side this time." "I know not of sides, earth stink. But for once I agree with you, the hamster must be stopped."
Dib asks Zim to promise him. Later on he even defends Zim when the army guys try shooting at him. Sure, it could just be because they agreed to work together, but along with Dib overthinking if he wanted to capture Zim, this shows he doesn't really want Zim to get hurt.
8. Bolognius maximus
When Dib tricks Zim into pricking himself with the nail tack, Zim seems to lose hostility towards Dib, smiling while grabbing his hand. The moment Dib "opens up" and praises Zim is when he thinks he's done well. He appreciates Dibs applause, in fact, it seems like he wants it. Saying "finally" before talking about how great he is.
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Although, Zim can't find a cure for the baloney thing himself and goes to Dib for help. Dib seems really happy by this, literally GLOWING. In one scene, Zim and Dib glance at eachother when they fail making a cure the first time. To me, it feels like they're looking to see if the other is okay (which is really cute,,, I'm insane about stuff like that)
In another scene, Zim is freaking out because another attempt at a cure was failed. Dib puts his arms out; it seems like he wants to comfort him.
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In the end, they never find a cure and hide from the dogs together. You know what they say, together in every universe, even the one where they're baloney,,,
9. Halloween spectacular of doom
The episode that made me ship them,,, siigh,,,
Zim is worried for Dib in the beginning, thinking he could possibly be dead, or a zombie. When Dib ends up escaping the crazy house, he immediately goes to Zim.
"It's the only chance."
When Dib gets captured Zim comes just in time to save him. He's still mad at him, but he comes through anyway. And the line that single-handedly made me ship them,,,
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"I'm not here because I like you, Dib."
Dib looks surprised when Zim says this, he knows their relationship as enemies, but for Zim to say it like that shocks him. I wonder if Dib is thinking it in the opposite way, like how tsunderes in anime often say the same line when they really do like the other person. He then calls his head big and Dib responds, it seems playful. Zim then could leave Dib dangling there but no, he protects him and moves him to the back of the machine thingy
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10. Megadoomer
When Dib is trying to get his camera back, Zim playfully throws it back and forth so he can't get it. Is this important? No. I just think it's cute. They also wrestled in this episode
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11. Tak, the hideous new girl
When Dib finds Zim in his house and confronts him, it could easily be read as Zim being jealous that Dib is spending time with Tak instead of him. Dib even said he was jealous!!
This is also another episode where they team up, so that's nice
12. Backseat drivers from beyond the stars
THIS LOOK. Also the music for this part is really good. Just thought I'd add that
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13. Mortos der soulstealer
Dib shows Mortos photos of Zim while talking about him. Not only does he just have photos of his "greatest enemy", he has one of him in the bathroom putting on his contacts. Zim and Dib also wrestle again!! Later on when Mortos leaves, Zim checks up on Dib who's screaming and crying on the floor. Zim seems to be at least a little bit concerned for him.
14. The girl who cried gnome
Zim says,
"I don't care how delicious he is, he's evil!"
"He" referring to Dib. Okay man. It kinda seems like you do care.
15. Vindicated!
While Dib and Mr. Dwicky are waiting, Dib draws Zim in the dirt
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Seemingly for no reason,,, they weren't talking about Zim when he was doing this. They were sitting in silence. So WHYY did he draw him,,,
16. The most horrible x-mas ever
This is the episode that made me want to make this post! Originally I had thought Dib was smiling right before he threw the mini santa suit into space but APPEARENTLY I was wrong. I'm still adding it though because this part was the specific reason I wanted to make this
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But one thing I can note is that this (sort of) is an episode where they help eachother out! At the end when Zim had given up Dib comes and rescues him. Even if he didn't know he was saving Zim, he did.
Zim seems thankful for Dib saving him too, at least until he's dressed up as the easter platypus.
17. The frycook what came from all that space
While this is a Zim centric episode, at the very end the two chase eachother around. Zim is back on earth and he's immediately brought back to what's familiar. His best friend, his worst enemy.
Now that we're finally done with all the episodes (that I felt the need to talk about) We can get started with the other stuff!! Starting with,,,
18. The pilot
Which you can watch here!
While I'm not sure if the pilot is canon or not, I would like to bring it up. There's a specific scene before the two start fighting where Zim actually takes some time to appreciate Dibs food launcher thing
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"An arm-mounted food launcher! Neat!" "You really think so? Thanks! I was up all night working on it." "Well it shows." "Oh, quit it."
They seem to be a bit more friendly in the pilot, canon or not, it's interesting to see!
19. The return of Keef
The whole point of this episode was for Zim and Dib to be friendly in order to make Keef explode, since there was no animation made for it, here's the transcript instead
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This shows that the two are embarrassed to be seen hugging, but is it just because they're enemies? Or is there a separate reason? I don't think anyone at skool would believe them to be friends because they hugged once. Or maybe they're afraid it might cause other feelings,,, who knows. It sucks this never got made, I would've loved to see Zim and Dib hug, it would've been super cute!!
20. Mopiness of doom
For this part, I will be using screenshots from Soapy Waffles. While they aren't canon it's the best visualizer for mopiness of doom that I've seen. You can watch it here!
Quite literally the most important part of their relationship gets shown in this episode. I've ranted many many times about this episode and I'll do it again. Dib goes on to pursue "real" science with his dad, while doing this he becomes depressed and sad. Zim becomes closed off and never leaves his house, spiraling into a pretty bad mental state. But the second Dib runs out of that lab and back to Zim both of them seem immediately happier. While they are insulting eachother, it's with familiarity, love. This episode shows one needs the other to keep themself happy. They bring meaning to eachothers lives.
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The first scene shows them trying to stop eachother. Of course for it to not work out. The next day when Dib breaks the news to him Zim seems happy at first, but when Dib doesn't stay to watch Zim sounds genuinely upset.
At home, Gir does something stupid but Zim doesn't have the energy to yell or even say anything back. Gir takes this as an immediate sign that something is wrong. Back at Dibs house he's doing really well with his dad and "real" science. Gaz questions him about it, and he's faced with the thing he truly loves and his fathers approval.
A while later, Zim completely lets himself go. It's been weeks and Zim hasn't showed up to school. When Dib is back at the labs, Gir explains to him that he needs to help Zim get out of his depressive state.
Eventually, Dib explains to his dad that he doesn't like "real science." He likes chasing Zim and he likes the paranormal. He runs out and goes back to Zim, who's in disbelief. The two fight but instead out of hatred it's out of affection. Things are back to the way they like it.
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On top of that, there's this clip (which I think about constantly)
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21. Enter the florpus
Keep in mind I'm not rewatching the whole movie to write this, this has already taken about 6 hours as of typing this. So if I miss a part,,, sorry!
Dib waited months and months for when Zim would show back up. He sat there waiting for ONE person. The one person who also happens to give him meaning in his life
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Later on when Zims in his "cheesy cocoon of misery" he explains how he couldn't get Clembrane to make pudding the way Dib likes. With Dib replying that he in fact, doesn't love pudding. Zim still tried to do something relatively nice by trying to get Clembrane to make good pudding for Dib.
And even with everything they've been through so far, Dib is completely willing to work with Zim
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Another thing I would like to mention is that the artists/animators for the movie made a ton of doodles in between working, some of them being zadr related! You can see them here
22. Issue 9
Finally onto the comic issues! I haven't read all of them yet, and since there's so many I definitely missed some stuff, but here's everything I could remember. Starting with 9. In this one part, you can see Dib falling asleep on Zims shoulder
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23. Issue 12
Zim rescues Dib and tells him to never forget that he hates him. Which could be read as "don't forget that I love you"
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24. Issue 13
I don't know what to make of this one actually
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25. Issue 30
After Dib found out Zim had the limited edition soda he needed, he did multiple things to try to prove to Zim that he should have it. Though he wasn't very good at them. So Zim decided he wanted a compliment from Dib. Why? Absolutely no clue. After some (intense) thinking, he compliments Zim. Though this could be read as if Dib is embarrassed or flustered
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26. Issue 40
I have talked about this before here, but I wanted to mention it again as it SERIOUSLY messed with my head. Knowing that it's canon (if comics ARE canon) that they're together in every universe is insane. I love them so much guys
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27. The canon (?) invader zim ending
Okay,, I'm not entirely sure if this is entirely canon or not, but I would like to mention it. In this comic, Zim takes over earth and loses all of his hostility towards Dib and they go to another planet with bunnies and they're having a happy fun silly time. It's really cute!
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And I think that's all for now,,, I know I probably missed some things, but I think I got a lot! This has taken like, 9 hours. So hopefully this is good!! I looove zadr so I enjoyed just talking about them :3 uhh BUT YEA!! That's allll I think maybe
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raven-at-the-writing-desk · 8 months ago
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📚inch resting bits from the march twst manga updates📚 (octa, savana, & 4koma!)
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***Manga spoilers below the cut (with an emphasis on the Episode of Octavinelle, since that's my favorite dorm!)***
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The 4koma manga has dropped! Again, it centers around the daily lives of the NRC boys and is shown in a 4 panel gag comic format.
In the illustration above, we see the main cast with Grim's beloved tuna cans~
This month has comics about Ace going to a supplementary lesson (to learn how to manipulate brooms to do his chores) and Leona attending his art class. The comic depicts Leona, Idia, and Rook in the same art class though we're not sure if this is true in-game yet. However, the comics do carry over the continuity of Ace and Deuce being in Trein's class so maybe the art class thing is also true of Leona?
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From the Episode of Savanaclaw manga: I KNOW WE'RE SUPPOSED TO BE IN AWE OF DIASOMANI'S PRESENCE BUT ALL I'M THINKING IS THAT DIASOMNIA HAS A MOB STUDENT WITH A BOWL CUT 😭
I'm also really fixated on how this mangaka draws her lashes and hair, they're always bangers every time 💗
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Ruggie "bleh" face... Also???? That full page of him using his UM... and the visualization of the wildebeests racing with him like the people in the crowd, very Lion King.
I like that the manga really shows us more emotional and intense moments the game cannot depict due to its limited assets. Here, we see the aftermath of Ruggie using his UM on the crowd. Even with Azul's magic-enhancement potion, Ruggie has taken a great physical toll from spellcasting. Falling to his knees, panting... This will make it hurt more when Leona almost poofs him to sand later 😭
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These panels remind me of like. Scar looking on from up high while the hyenas do his bidding. Ruggie's expression... it's so full of a desperate kind of hope has he gazes up at his "king".
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From the Episode of Octavinelle, we get to see Leona post-OB and recovering in the infirmary. Side note, I really love how the mangaka adds these cute little faces to let us know who is speaking in certain text bubbles. The little faces make some of the cutest expressions; just look at that cheeky chibi Leona head!
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Here, Ruggie is telling everyone about rumors that Azul and the twins purposefully prevent their clients from fulfilling their end of the contract so they can reap the benefits. I like how the scene shown is a boat tipping over (with the twins implied to have flipped it). Nice callback to the boat scene in The Little Mermaid!
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We have another The Little Mermaid reference here, where Floyd shares his UM with the gang?? The hypothetical man here reminds me of Prince Eric, especially in that white shirt and appearing as though he is drowning.
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Guys... Azul's been taking modeling lessons from Vil-- I really like these more quiet and contemplative moments of Azul; plenty of those are featured this month.
asdbhlfdbaifyoaiygoeia I WILL NOW ALWAYS ASSOCIATE AZUL THINKING HARD WITH SITTING IN THAT CHAIR... There's so many shots of him seated here...
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Yuuta continues to be my favorite manga!Yuu so far by diligently tidying up Leona's messy ass room for him... asfvkyadvfialf Grim looks so goofy helping out, that tower of clothes is half his size...
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FLOYD'S FACE IS SO siLLy HERE TOO (this is the scene when Ruggie recalls seeing his eel form during a P.E. class where they swam). The mangaka really decided to summon his gremlin energy here...
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Aaaaah, I love this shot; it sort of parallels Azul and Leona... It also makes me realize the difference between how Leona's hair is in Octavinelle vs Savanaclaw (due to the different mangaka). In Octavinelle, his hair is usually a solid black with white highlights but in Savanaclaw there tends to be a subtle gradient/screen tone on Leona's hair.
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Anyway, twins Twins TWINS
GOOD WAY TO CLOSE OUT THE OCTA CHAPTER, EXCELLENT WAY TO CLOSE OFF THE OCTA CHAPTER IN FACT 🫶 Can you tell I love the Tweel parts/j
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ahllohehn · 5 days ago
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🔱 THE GODS HAVE CHOSEN THEIR HERO! 🔱
>> about au >> au tag >> discord
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By the power vested upon me (lol), I am now announcing the official winner of the Hermits and The Olympians Fanfiction Contest :] !
Once again, to remind everyone, the winner was chosen through amount of kudos/votes/likes and can choose from either prizes; a comic based on their submitted work or requested rendered art.
All submissions have been acknowledged to be amayzin' so I encourage everyone to read everyone's works nonetheless if they won or not :)
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FIRST PLACE 👑 OFFICIAL WINNER (42 kudos)
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I will protect you (at least I'll try) by @star-cluster-nyx & @tallassredwood
Officially congratulations to our winners for the contest! Your fanfic has genuinely been a heartwarming experience. Grian and Pearl had nothing but each other, but sibling relationships aren't always that pretty. You showed that relationship dynamic really well in a very fun style and pacing.
Do tell me which one will be your point person so I could discuss about your prize :p ! ───────── ⋆⋅ 🔱 ⋅⋆ ─────────
SECOND PLACE 👑 RUNNER UP (32 kudos)
like roots, burrowing by @unreliable-bean
Our first submission and one of the works that won over our Mumscarian hearts </3 (after wrangling it around with angst for a few scenes /j). A mix of Minecraft mechanics and PJO mechanics is always fun! You fused them really well with such a nice pacing. The use of Scar's abnormal origins was a good touch to provide solutions to the conflict. Exciting writing as always :D
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THIRD PLACE 👑 RUNNER UP (17 kudos)
I’ll always be there (sparkling and shining) by Munchkin1156
Always a joy to see Grian-centric fics, thank you for submitting this! With the addition of the watchers to an unseemingly normal PJO AU, you've written the journey of Grian under their influence really well! A shame that the image still won't load on the link, but I would also like to say that your friend's art was amayzin'! An amazing drawing paired with an amazing work :]
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ALL MY (as well as the secret judges') FAVORITES :>
The Saint of Apollo by Nerdking14 Thank you for participating, genuinely. I know you've been writing about this even since before the fanfiction contest was announced and I truly commend you for putting your time, effort, and wonderful writing for our darling Empires campers. The way you adapted the previous small drabbles and headcanons to your story was exciting and I was happy those were done justice. You did justice to Camp Empires and I'm sure the gods would commend you for that too.
Oracle of Delphi by ethotek Mod [Hyunjin Yoon] expressed personal favorite to our dearest oracle. Extremely in love with how you adapted Gem's little complicated background into your writing. Lovely work that captured Gem's confusion and inner doubts really well :) This would've been a joy to delve deeper into through a comic, but let's return to it another time!
You were able to settle Gem into her home! But is she truly there?
It had always been just a game by Linny Heartwrenching, but captures well the realistic losses demigods would inevitably go through in a mythological world as teenagers. Gruesome, but filled with love for your ships' dynamics. Very good work :]
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Again, thank you everyone who participated and even supported/read everyone's works. Although it pains me that I cannot give anything to everyone to show my gratitude, I simply wish you continue to enjoy your time here even if I cannot be much!
From the depths of the Underworld, to the vastness of the Seas, to the freedom of the Skies── Thank you very much for checking out Hermits and The Olympians! GGs to all participants!
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skcirthinq · 10 months ago
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I may have read "I May Be Invisible, But I Still Look Good" by @dandylovesturtles again.
So I drew. Again. (Small spoilers ahead)
The first piece is a little comic adaptation from chapter 2; context is that Leo is cursed out of his body, intangible, and unable to communicate.
And well. His family doesn't know about the curse.
And Donnie's been running some tests on Leo's empty body. They're not. Coming up with good results.
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Dandylovesturtles's writing is so much more impactful than what I got here, so like! If you haven't, go read their works!
The other pieces are random scenes from the rest of the fic, with some descriptions under the cut.
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Image 1: colored and rendered comic adaptation of a scene from chapter 2 of "I May Be Invisible". Raph is hitting a punching bag, while Leo walks in and watches him. Raph cannot see or hear Leo. They're both upset, with Raph's knuckles splitting open and bleeding, and tears gathering in his eyes over the panels. Leo begins to sit down, as Raph stops punching, and falls to his knees, crying in earnest. Leo turns around to give Raph some privacy, and talks to Raph, who eventually curls into himself and unknowingly rolls into Leo.
Dialogue is taken from chapter 2 of "I May Be Invisible, But I Still Look Good", Leo is the only speaker, and reads as follows: "Well, the good news is, Donnie's wrong about this one." "I know it looks bad. Donnie's not wrong about that, I mean, I saw the EEG, I know it's..." "It looks bad." " But... thanks for sticking up for me in there." "Don't give up on me, big guy." "I promise I'm doing whatever I can think of to get back to you." "I wish I could talk to you. I wish I could tell you not to worry. I mean, I know you'd worry anyway, but at least you'd worry a little less." "You don't deserve this, Raph. I wanted to take some of the weight off your shoulders, but I messed it all up again. And now you're having to deal with it, just like we make you deal with everything, and I'm just... I'm so sorry." "At least, do me a favor, and talk to Dad? Or April, or ... Or someone." "Not Donnie, obviously, that could Not have gone worse. But you don't need to deal with this on your own. I hope you don't deal with this on your own..." "Sleep, big guy. I'm with you, I promise. I'm not going anywhere. "
Image 2: when your cursed brother yeets himself off an overpass and through a van's roof and the artist won't draw cars. (A partially rendered set of drawings featuring a blue, glitchy Leo falling through the roof of a moving vehicle, while an upset Mikey crouches on the roof. It's night, raining, and lights are zooming past at high speed.)
Image 3: Leo activated his ninpo after a character arc, just in time for the final battle! (Partially Rendered; a blue glitchy Leo, holding katanas solidifying from his ninpo, turns and looks over his shoulder. Behind him is a wall of pink-magenta flames being pulled up by the big bad.)
Image 4: Leo's family and friends are seeing him (image 3) for the first time in days. While also beating up some elementals. (Sketch)
Images 5-10: sketches of various scenes from the rest of the fic, except for 7, which did Not happen. But I thought would be a little funny if it had. 5 is Mikey and Donnie playing catch with the cursed amulet. 6 is Raph busting out of a dome made of rock. 7 is April accidentally letting the baseball instincts take over when being tossed the Leo ball. 8 is Raph trying to squeeze through a narrow cave passage, and Leo walking through the cave walls. 9 is Casey Sr. getting one last punch in on an elemental. And 10 is Leo looking up at his overjoyed family, once he gets back into his body.
Obviously, all credit goes to Dandylovesturtles!
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ntls-24722 · 1 month ago
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cloesona
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Featuring @artastic-friend's Kofruth and Atzurae! HOOH I've been thinking about doing this meme for awhile I'm glad it turned out so nice
breakdown:
So, I had the idea that from time to time in the comic, or when the perspective shifted, it would shift onto the artstyle of the respective species, here's how things differed.
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Kofruth opens the scene in cave painting medium, cave painting that is notably lacking in Blue! Blue dye is a fairly cheap, common dye and Debu love blue, but it's sometimes excluded from cave paintings designated for fire rooms, which is... where most of their paintings are. Debu caves are completely dark except for the room dedicated to having fire, their fire room, which also happens to be the one they display their art in - because it's the one room you'd be able to see it! However, due to the lack of any other light but their fire, and the color of the cave wall, it's extremely orange in the fire room, which dulls out the blue color from their art. So, sometimes, they do away with it entirely.
Also, why is Atzurae just a bunch of lines?
Debu, due to their size, have the quirk of drawing most things from the top view, since that's how they see everything - especially the 2-foot-tall zebraelves! To them, they just look like big spiders. So they draw them as fat little spiders.
Also, Atzurae's cloesona! It's... not a zebraelf cloesona?!?! It's been given Debu anthropomorphic traits - tusks, and big nostrils! It's almost like it's kofruth's cloesona instead...🤨
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I turned off the multiply blending mode to better show this - So, despite zebrapeople, especially zebraelves, championing dye production in the early history of Bolur, they only really make reds and blues. That's cuz it's all they can see! They could make a yellow due to paint something, but why do that when it looks pink, and they have red and white right there in their disposal?
There's also the art style - I originally went a completely different direction with this. My inspo was initially ancienct Chinese art since I saw the parallel of how popular the medium of ink and paper had gotten between both societies, and I had juuuust gotten to finishing before (and you can kind of tell where I was, at the scars around Kofruth's eye) realizing where I should've taken zebraelf art.
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Zebraelf's aesthetic attraction is for geometry, and curvilinear designs! It's the same for zebramen too, somewhat, though not as strong as it is for zebraelves. Zebraelves LOVE making things with one stroke and they try to do it as much as possible since it resembles the uniformity and cleanliness of their stripes, though the exaggerated fur was fun (since they express emotions with their fur) so I tried to keep that, too.
There's also the anatomical inaccuracy of giving Debu teeth gaps. Debu notably Do Not have them in their front teeth, and find the seperation of said tusks creepy.
But that anatomical inaccuracy is far less egregious than the one in the next frame:
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A closed mouth!!!
Debu's front teeth do retain some vestigial appearance of looking seperate through the gums and the striations, but their lips physically cannot close like this. Zebrapeople can close their mouths, though with a little effort since they have a natural grin, but Debu mouths are too tight, period.
Also, I think a zebraelf might give Kofruth a monobrow! Monobrows are seen as beautiful (due to the singular, aesthetically pleasingly unbroken line), so while not as common in Debu, they might still give Kofruth one.
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Not much to say here other than this is easily my favorite frame!! The sclera are shown here since they're often shown in distress, and the white is drool, which are Bolur tears
Most "vertebrates" don't have sad tears, they have sad drool, and i've decided the new reason for that is because their saliva has chemicals with a mild painkilling + soothing effect, so when they're upset their body kicks the saliva-making into overdrive both to calm it down with those chemicals, and to slow their own breathing by having to stop and swallow their own saliva
That and there's the very cool detail (in my opinion) that Kofruth is implied to be semi-animated - Marc Azéma and Florent Rivère made the claim that a lot of cave art was made to be animated under the flickering light of a fire, and that's why a lot of cave art seems to be a lot of animals abstractly juxtaposed on top of one another. (he also made a video showing this off)
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Also, here's the GORGEOUS bull from the Cave of Altamira i based the cave paintings off of. STUNNING <3333
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ganondoodle · 6 days ago
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i have seen people talk about how hard it is to draw anything if you have aphantasia (which is good to talk about and true and valid and also intersting to read and this post isnt to devalue that, two things can coexist etc etc)
i personally struggle with the opposite; i have incredible imagination, i'd say it's my best and only "inate talent", (this is not a brag ..) all stories i think about are movies, i can stop them, change camera angle and poses, rotate ever object however i want, place lighting sound and voices, even styles, i switch from ghibli to botw to fortiches style, even into the style of a comic i recently read which wasnt even animated, the only thing that only works half the time is music-
and that all might sound fantastic, but its a mess, it goes too fast and too quickly, things never play out one way, theres interruption, involuntarily sudden changes to other subjects, i feel like struggling to keep an angry horse on one path, it makes me waste HOURS each day just reversing and redoing a scene like im a movie director wizard in my head, theres no ONE finished version, it changes everytime yet i go back over and over again to make it better, i forget most of it within a few hours anyway; even IRL when someone tells me about a memory and they are not sure if i was with them during it once they start to explain trying to make me remember it instead i will imagine it, in the end i wont be sure if i actually remembered or if i just imagined it too real, it scares me how much i forget and cant remember only for my mind to make shit up, makign me doubt my own memory (its weird how it works, i have horrible geographical memory, when i drive somwhere i have known my entire life i need to remember the path to it by imagining driving it, i remember significant things but not the path to them or how they connect or in what order, i have to go through it in my head every single time)
by far the worst part though is that extreme disconnect between whats in my mind and what i can do, just because i can imagine things like that doesnt mean i can draw it (god i WISH), nothing i have ever drawn is how it was in my head, the few things you get to see are the ones i won the fight against myself with to keep going and say 'good enough' at some point the speed is a problem too, the things playing in my head, sometimes even multiple at the same time, play like, again, a movie, whatever im trying to draw is rarely ONE thing, its a whole scene that plays over and over, i want to draw it all but it wont work bc my mind is too fast and i am too slow, it makes me try to skip ahead and get things done as fast as possible, it NEVER works (also too much, theres so many things in my head, i have almost the entirety of the totk rewrite in my head already, novels worth of lore and story for my other projects, its overwhelming how much is in there that i cannot get out and on paper)
its why comics take me so long to make, why detailed paintings are so rare, its the rare times i can force myself to try and tune out my mind and just work on what is in front of me, usually works for a few hours .. if i can manage to reach that sort of focus at all, its why basic sketches of characters are so much easier to do bc i dont have to fight as hard to just draw a character doing nothing- as soon as i want to make it a sketch page of things and scenes the movies are back and are there to haunt me until i cry and give up after hours of trying to keep up with my mind that i will never be able to catch up to (and this is only about drawing .. )
i know skill and speed increase over time, but i wont ever get to where my mind is, its always ahead and trying to skip and jump towards it only makes me stumble and fall flat on my face- maybe its ADHD, maybe its the autism, maybe its the depression, maybe its just me, maybe its just all of that
what im trying to say is, head full, too much thought, too fast, never able to translate it into viewable things in the way and speed as my head works, i explode
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