#i can't read the last two pages
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writing with a fountain pen with a notebook beats every other writing software I have ever tried.
there is nothing quite so visceral as my pen suddenly dripping ink everywhere as I’m panic-dabbing it off and trying to re-read my handwriting. it stokes the fires of creativity.
#fountain pen#writing#novel writing#fantasy writing#send help#i can't read the last two pages#woop woop
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rewatched Kurogiri's holiday story from ultra impact (not related to sketch at all)
(but it did inspire me)
on another note
finally!!
#fanart#sketch#my art#bnha#shigaraki tomura#tenko shimura#kurogiri#I cried a bit while playing it I missed the classic LoV I missed Kurogiri WITH the LoV it's been so long :(#and it feels like last chapter (423 atm) broke the seal of sketching them as anything but something static#it took me two or so days to just understand that Kurogiri is... yeah#I can't believe it took Horikoshi so long to bring him back but as I said and will say it again I glad it happened at all#after some thought I just want to sit with the chapters#anyway getting the preordered book was so much fun#it was full of LoV from Toga and Dabi talking about her house to Tenko being upset over being told that he doesn't have friends#and everything in-between basically only Compress left to join in the next volume#I think????#I actually want to get another one already they're so goodddd#and the translation sounds pretty good but I checked some pages not the whole book it'll be boring#it's actually so weird to think that I started a goal of reading the whole series ad it was now officially coming out like this back in 201#and now it's 2024 and the translation is pretty much ahead of anime and maybe it'll be faster than viz volumes too#since it's 2 in 1 basically - I think it's really great since I save some money but get LoV chapters every time#because they appear every 2 books at the start of the series and back then it was hard for me to get them#but I felt content seeing all the books that I bought when I was visiting family for holidays this month because there are so many of them#and I don't need any wi-fi or internet in general to read them back to back now with an addictional volume#they have some mistakes but I don't mind them it feels good to just hold all of them (and a bit heavy after like 8 books) and now it's 18
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i just cannot stand the way bendis writes. if 40% of the page is covered in speech bubbles, maybe cut down the fucking dialogue, dear god
#i'm reading losh 2019 (and finishing it this time so help me god) and i think it's so far the worst here#nothing is happening! all they do is talk!#i'm on issue 9 and two. TWO. in-universe days have passed#everything feels like set-up and the pay-off is a battle that lasts for a page and a half#do not read this#stare at a white wall instead it's more fun#i also read some of his superman and ac which are. not just as bad but also not good in that regard#i think the only thing of his i read and liked is ultimate spider-man. tho i can't remember why i didn't finish this#maybe he was getting annoying. maybe i just got distracted#either way brian michael bendis might be my new worst enemy
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I just threw my book on the couch and it bounced off and both my bookmarks flew out.
WHAT GOD DID I UPSET FOR THIS TO HAPPENED??? IT WAS LIKE THE PERFECT ANGLE, WHAT DID I DO???
#Time to try and figure out where I was in my book 👍#I'm totally not gonna completely forget everything that had happened in the last five chapters#and start reading way earlier in the book than where I was and only realizing because of me remembering a specific scene in the book#Stupid bookmarks#I had two for this reason#Just incase one fell out#BUT NO#THEY CAN'T DO THERE JOBS OF JUST KEEPING THE PAGE WHEN IT GETS THROWN LESS THAN ONE FOOT TO THE COUCH?????
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me: MY HAIRLINE IS RECEDING OH NO OH FUCK
also me: full time student (worth noting i wrote stupid here at first without realizing), 20-30 hours in customer service every week, teaching myself 3/4 classes, teaching myself advanced algebra with a teacher (basically just a proctor) who shuts down any/all asks for help, juggling college financial woes, navigating dying relationships/people abandoning and/or attacking me bc i don't have time for things i used to anymore, none of my hobbies are making me happy when and if i have time for them,, i have no time for myself, i'm on my second all-nighter this week, i'm perpetually exhausted in a way sleep isn't fixing, my body aches because i'm so tired, and i'm barely able to stay asleep when i do get the chance bc the anxiety wakes me up
my hairline: two hops this time!
#i'm so stressed man#sehtoast rambles#sehtoast vents? fuck if i know#i just feel like i can't get ahead#i used to be able to get all my shit done by friday and have the bulk of the weekend to myself#but that's not doable at all this term#i just had a whole ass mental breakdown over fucking homework#like i'm almost grateful T made it near impossible for me to cry bc like#i was going to have a whole sobbing crying breakdown and at least i only had to feel the mental and physical anguish of it instead#it's 3am and i just made coffee so i can do the rest of my work#luckily the last two are super little in comparison but#i can't keep doing 30 pages of notes with 10 pages of homework and a 40 question 'quiz' for math#on top of making like 7 excel spreadsheets a week#not including the 50 page readings for management plus the 50 questions that follow and the writing assignments#i'm so glad my ids class is easy. dr s is my personal jesus christ for being so gentle with her students#idk i'm just... really not doin well rn#at all#idk if anyone read this far in#if you did ily and appreciate you
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I really am regretting decisions make by me three weeks ago. I really should have bought that Euripedes plays collection book while I was at the bookstore.
#it is so much easier to flip through pages than work my way through digital pdfs for this#just saying#on the other side i have read two of his plays in the last two days for this edit project#along with all the surviving fragments for the cypria#and a good portion of both fabulue and bibliotheca#so you can't say i didn't do my research#i'm to the actual iliad edit point#and stopping here#i'll go actually buy a copy of it tomorrow when i go out on the hunt for the argyle and jonathan comic#how do i own two copies of the odyssey (granted one is the graphic novel version but still)#but none of the iliad?#for shame#faith talks
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the amount I've been hoarding away some of the memes I've seen on the dash over the last week or so is so not okay for someone with as many drafts as me ashfjdh
#me: i want to focus on getting through all my drafts when i get some energy back#also me: but good & juicy memes........#I'm thinking I'm gonna lean more into doing whatever the hell pleases me once I get back to writing tbh#but I'm almost definitely throwing all the drafts into a paused queue that I won't start posting until they're all finished#will I reblog a meme or two to play with as I do that? probably. almost definitely.#fresh stuff always helps get my brain going again ahdjgsg#but know that drafts will be happening!!!! I did delete some stuff but like. not enough lmfao. I have too many great threads#that I can't bear to let go of and i've kinda accepted that at this point#sorry I'm so slow y'all pls know that me taking forever to get to shit has nothing to do with how much I'm enjoying our threads#the fact that I'm clinging to them despite wanting to start completely fresh & dump everything says a lot more about how much I love em all#anyway. may or may not write tonight? I'm going with the flow tonight & rn the flow is telling me to keep reading#I finished my reread of the second book in the millennium series last night (& stayed up way too late in order to do so ahdgksg)#& I've started my reread of the third today and I just. I can't stop. it's too good.#if I find the willpower to put it down at some point I might dabble in poking at smth but. if not perhaps tomorrow uvu#(also want to note I've been marking the books through my reread with pink page flags#whenever smth really smacks me in the face with how much byan was inspired in some way by lisbeth lmfao)#ANYWAY. love u guys!!! I'm lurking & hoping you're all doing well!!! 💜💜#━━ ˟ ⊰ ✰ ooc ⋮ don’t @ me.
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My brain is melting from being online so much, I'll log out on mobile for a bit, I might still be active and I probably will, but only on PC and I'll try to keep that to a minimum
#Nothing @ anyone I don't need enemies when my brain is already one to me lowkey 🤙#I wanna read a book or draw more but it feels hard/impossible when my brain is preoccupied with all the stuff#I noticed I'm getting better when I go even one day without reading things that annoy me#And these last two days I checked tumblr in the morning and someone either reblogged discourse that is a big deal to me#Or said something that's imo very dumb which also annoyed me#Nothing on these people just to be clear these are not my pages&I made the conscious choice to follow them#but I can't let the internet affect me so much this feels miserable&embarrassing
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You know the Riverside Shakespeare 1973 was not a comfortable book to read sitting on your lap or lying down in bed but the RSC Complete Works Second Edition 2022 is noticeably worse. The difference in size isn't very significant; the RSC uses a different kind of paper but I'm not sure it's even thinner (they're both very thin, somewhat see-through paper) (not because they're cheap, but because it's more practical, considering these are unwieldy tomes exceeding 2000 pages). But since the RSC doesn't have double-column text on the pages like most Complete Works do, the extra margin space given requires somewhat more pages for the text. I'm not gonna check exactly (these are searchable though), but if the Riverside is about 2000 pages, then the RSC is about 2500. You'd think I had managed enough comfort with the Riverside over the years that the adjustment wouldn't be that terrible. No, it's terrible.
#it's so uncomfortable to read a scene that lasts more than two pages#bc i always have to adjust my position about every two pages#depends how im starting w#there's no comfortable position there's just a least uncomfortable position and it's still quite painful#i very much dont have a desk or any surface i usually read on#best i do is the kitchen table. sometimes#a coffee table is too low to be not a pain in the neck (literally)#it's not a big improvement to laying it in my lap#tales from diana#anyway unrelated but i read the first 2 acts of king john last night#and when i went to bed i was thinking a lot about my impressions of the play#bc i had read a lot about it before actually reading it. and of course#i do find the nonfictional historical Bad King John and the other angevin kings just interesting#so i had/have high expectations for this play#and i dreamt that i finished it and it just sucked#it had a happy ending bc where i left off awake was blanche and louis the dauphin getting married#and it was like. pro-john propaganda#so hilarious bc i can't. i can't picture it. john might be the least popular english king of them all#bloody mary and richard iii and charles i and henry viii i have scene serious defenses for#(some more valid than others but im just grouping them bc theyre all controversial in history)#ive never seen a serious defense or justification of john other than well maybe richard lionheart was just too popular#lol. but to be fair if i were the favorite son of henry ii i would probably be a tyrannical narcissist as well#that's it that's the best defense i can make for john
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"North or south." You spoke up to your husband who was lounging next to you on the sofa with a book on his lap. Sukuna frowns.
"What utter nonsense are you reading now?"
You look up from an article you were reading on your phone and pout. "It's not nonsense! It says here that when a person dies, they have two choices. They can choose south to stay the same or choose north if they want to start anew." You grin.
"What do you think you chose in your last life, 'Kuna?"
The man grunts at that question, flipping a page of his book.
"South, obviously."
You snort. "I doubt that."
Sukuna finally looks up and raises a brow. "And why is that? I'm sure I was a king living in nothing but luxury and obviously chose to relive that life again." He says with a smirk, gesturing around the huge penthouse you two lived in.
You roll your eyes. "Oh, please."
"Oh really? And what do you think I was like in this so called past life of mine, brat?"
You grin cheekily, leaning closer to the man and wrapping an arm around his bicep. "Well, knowing you, you were probably this demon who struck fear in people's hearts and then you met me and realized that there's more to life than being a big meanie and chose a different path."
Now it was Sukuna's turn to roll his eyes. "Oh, for heaven's sake, woman. Stop reading those bullshit romance novels already."
"Also you probably had four arms or some shit."
"Are you trying to piss me off here?"
---
One thousand years ago, the King of Curses, covered in blood from his recent massacre, looks on at a young maiden sitting by the river reading a scroll and petting a cat curled up next to her.
A serene smile graces your soft features. Your eyes are filled with warmth and life. The sunlight accentuates your beauty in his eyes.
For the first time in his life, the feared king turns away and spares a human from his merciless killing.
And as he walks back to his estate, he can't stop himself from thinking about your light.
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6:21 a.m
husband!bakugo experiences one moment of what you deal with everyday with your kids.
you were currently cuddled into katsuki's chest, fast asleep.
in between taking care of your newborn son and your toddler daughter, he knew you were exhausted out of your mind. he already had to return to hero work since he took a month off for your last few weeks pregnant, but he wasn't home all day besides the weekends. like today.
speaking her into existence, his toddler daughter slowly waddled over to your side of the bed, about to pat you on the back and awaken you.
"tsk. hey, no." he whispered, making her pout. "i wanna play." she said, crossing her arms. she rubbed her eyes, obviously still a bit sleepy herself.
"mommy is sleeping, she can't play it's bedtime. go back to bed." he said, hoping to every single deity that'd hear him that she wouldn't start crying.
she pouted even more now, before stomping her feet over to his side of the bed and pulling on him. "nooo, i dont wanna sleep!" she said, her voice getting loud.
"don't yell at me missy, use your inside voice." he rolled his eyes, paying attention to your body that seemed to always be on high alert stirring slightly. he soothed you back to sleep, before untangling himself from you and sitting on the corner of your shared bed, now face to face with your daughter.
"we're going to your room and you're going to sleep, unless you want to be put in time out." her eyes widened, her crossed arms dropping as she decided to start negotiating.
"two bedtime stories, go fish, and uno."
"one bedtime story, one go fish game, and i won't tell your mom this happened."
"and pancakes for breakfast." she ordered.
she nodded to herself, seeming happy with the arrangement. she grabbed onto his sweatpants, trying to pull him off to her room already.
"i'm going, im going."
he was heading out, until he heard the whines of his son start sounding out from the baby monitor, making both him and his daughter freeze.
she tugged on his pants, "the baby's crying."
he sighed. "i know." he was squinting his eyes in the dark environment trying to see if you had woken up. after he saw no movement, he ran to go get your son.
he picked him up in his arm and then followed his daughter to her room across the hallway. he proceeded to play go fish one handed, occasionally asking his son, who was drinking a bottle of formula, for 'help', which made his daughter say "you're cheating!"
he read them 'goldilocks and the three bears', which he kept having to reread pages because he 'wasn't doing the voices good enough' in his daughter's opinion.
his voice, still husky because he was half-asleep, soothed his son to sleep in his arms, and his daughter back to sleep.
he layed his son down in the cot in your shared room, too lazy to go back to the nursery.
like puzzle pieces, you fit back into one another, your head back in his chest and his laid on top of yours. he was glad you got to sleep the entire time, even though he knew you had woken up because of your daughter's loud nature, you managed to go back to sleep.
a win was a win, he thought as he went back to sleep.
and woke up with his daughter hugging your back, sticking her toungue out at him when he asked why she was even there again. making you laugh when you woke up to his scrunched up face of annoyance.
as he made the chocolate chip pancakes, your daughter clung to your side as your son laid in your chest, he thought about how having kids was one of the best decisions he'd ever made.
"hurry up and give me more! you always give mommy the better pancakes!"
most of the time.
#continuing my agenda once again#lilac speaks꧂#dad!bakugo#bakugo x reader#bakugo x y/n#katsuki bakugo x reader#bakugo#bakugo katuski#bakugo x you#bakugo fluff#katsuki x you#mha x you#bakugo drabble#bakugo oneshot#katsuki x y/n#katsuki x reader
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Professional Hazard (And Blue Tongues)
Karina x Male Reader
9k words
18+ smut
'I expected you to have...'
'Grey hair? Glasses thick as tank armor?' You lean back. 'Let me guess—ancient and decrepit?'
'Something like that.' She toys with her iced americano, ice cubes clinking.
'Get that more than you'd think.'
'Can't imagine why.'
'Sure you can't.'
She straightens in her chair. 'Well? Are you going to ask your questions or what?'
'Did you have something specific in mind?'
'I thought you'd at least come prepared.' The sharp edge in her voice softens, adapting. 'After that email you sent.'
'I am prepared.'
'Do you know who I am?'
'I know you're Karina. I know you agreed to fund my little Italian vacation.' You keep your voice flat, unimpressed.
She laughs, short and sharp. 'They really sent someone who knows nothing.'
'Biographers aren't exactly growing on trees these days. Most of them are busy dying off.' [1]
'That's comforting.'
'About as comforting as your enthusiastic response to my email.'
'Ah.' She smirks. 'My monument to hubris?'
'Your words, not mine.'
'Christ, you're not exactly sunshine and roses, are you?'
'If only you knew.'
'Oh, I think I do.' She leans forward. 'People like me—we're your bread and butter. Desperate enough to take the abuse just to get that book written.'
'Quick study.'
'Experience, darling.' She draws out the last word like stretched taffy.
'If immortality's what you're after, we're off to a rocky start.'
'Not even grateful for the Italian holiday?'
You meet her eyes. 'Bribery's nothing new. Don't expect it to polish your image.'
'Tough nut to crack, aren't you?'
'I have what I need.'
'Meaning?'
'Let me put this delicately: my last subject bought me a year at New York's finest.' [2]
'Fantastic.' She rattles her ice cubes harder.
'You know what I think?' She sets down her drink with deliberate care.
'Enlighten me.'
'I think you enjoy this. The whole "unimpressed biographer" act.'
You pull out your notebook, unhurried. 'That'd make a great chapter one. "Local girl psychoanalyzes writer, lives to regret it."'
'There it is again.' Her smile doesn't reach her eyes. 'Tell me, do your subjects usually last long enough for chapter two?'
'The interesting ones do.'
'And the boring ones?'
You flip open to a blank page. 'They get a lovely rejection letter.'
'Which I didn't.'
'Yet.'
She leans back, studying you. The late afternoon sun catches the edge of her glass, throwing prismatic shapes across the table. 'You really don't care that I could walk away right now.'
'The door's right there.' You click your pen. 'But we both know you won't.'
'Because?'
'Because you didn't spend three months negotiating with my publisher just to storm off over hurt feelings.'
'Maybe I just like wasting time.'
'Maybe.' You meet her gaze. 'But people who like wasting time don't usually have a dozen designer brand sponsorships.'
Something shifts in her expression—surprise, maybe, or respect. 'So you did do your homework.'
'I always do.' You position your pen over the blank page. 'Now, shall we begin with the real questions?'
'Shoot.' She shifts in her chair, the late afternoon sun warming the cafe corner we've claimed.
'Tell me about your sister.'
Her eyebrows lift slightly. 'Not starting with the obvious questions?'
'Would you prefer those?'
'No.' She smiles, genuine this time. 'She's a nurse. Like our mom.'
'Close?'
'Very. She's the only person who still calls me Jimin.' She stirs her americano. 'Probably the only person who can get away with it, too.'
'Why's that?'
'Because she knew me when I was just the quiet kid who'd rather read in corners than talk to anyone. Before all of...' She waves her hand vaguely. 'This.'
'Still prefer corners?'
'Sometimes.' She considers the question. 'There's this tiny bookstore in Seongnam. When I go home, I still visit. They have this perfect spot by the window.'
'What do you read?'
'Whatever catches my eye. Last week it was about sharks.'
You raise an eyebrow. 'Sharks?'
'Don't look so surprised.' She laughs. 'They're fascinating. Everyone thinks they know them, but they don't, not really.'
'Speaking from experience?'
She takes a long sip of her drink instead of answering.
'You don't have to do that, you know.' You set your pen down.
'Do what?'
'Deflect. Turn everything into a metaphor.'
She meets your eyes for a long moment. 'Force of habit.'
'Bad one.'
'Says the person who's been matching my deflections word for word.' A half-smile plays at her lips. 'We're quite the pair, aren't we?'
'Difference is, I'm paid to be difficult.'
'And I was raised to be.' The words slip out before she can catch them. Her fingers tighten around her glass.
You wait.
'You're good at this,' she says quietly.
'At what?'
'Making silence comfortable.' She looks out the window. 'Most people try to fill it.'
'Most people aren't trying to understand.'
She turns back to you, something shifting in her expression. 'Is that what you're trying to do? Understand?'
'Would that be so terrible?'
'No,' she says.
'Progress.' You pick up your pen again. 'Though I've just realized something deeply troubling.'
'What's that?'
'Your americano's been empty for ten minutes, and you're still pretending to drink it.'
She glances at her glass, caught. 'Method acting.'
'Ah yes, the classic "I'm too invested in this conversation to pause for a refill" performance.' You wave to catch the barista's eye. 'Oscar-worthy.'
'Says the person who hasn't touched their...' She leans forward to peek at your cup. 'What even is that?'
'Green tea.'
'Pretentious.'
'Says the person who ordered an iced americano in winter.'
'It's barely spring.'
'Case in point.'
The barista arrives with fresh drinks. Karina raises an eyebrow at your cup. 'Still green tea?'
'I'm consistent.'
'Boring.'
'Strategic.' You take a deliberate sip. 'Can't blame caffeine jitters for whatever honesty slips out.'
'Sneaky.'
'Professional.'
'Same thing.' She stirs her new drink, ice cubes clinking. 'So what's next in your strategic interrogation?'
'Thought we agreed to drop the deflection thing.'
'Old habits. Ten seconds at a time.'
'That's oddly specific.'
'It's how I learned to swim.' At your questioning look, she continues, 'Ten seconds of courage. Then you can panic all you want.'
'Does that work?'
'Got me here, didn't it?' She gestures between you two. 'Letting a stranger with a notebook and suspiciously consistent beverage choices pick apart my life.'
'You could always run.'
'To where? Croatia?' She laughs at your surprised expression. 'What? I have dreams.'
'Of Croatia specifically?'
'Of anywhere that doesn't know my name.'
'That's rather poetic for someone who just called me pretentious.'
'I contain multitudes.' She mock-bows in her seat.
'Walt Whitman now?'
'See? You're not the only one who can be insufferably well-read.'
You make a show of writing something down.
You flip to a fresh page. 'Tell me about Croatia.'
'Nothing to tell. Just a place.'
'There are plenty of places that don't know your name. Why that one?'
She traces the rim of her glass again, a habit you've started to recognize as her thinking gesture. 'Have you ever seen those old coastal towns? The ones with narrow streets and buildings that look like they're having conversations with each other?'
'Been to a few.'
'I want to get lost in one.' She looks up. 'Properly lost. No GPS, no itinerary. Just... walking until my feet decide to stop.'
'Most people want to be found.'
'Most people haven't spent years being findable.' The sharpness in her voice surprises both of you. She softens it with a smile. 'Sorry. That sounded more dramatic than intended.'
'Don't apologize. It's the first time you've stopped performing since we sat down.'
'I haven't been—' She stops. Laughs. 'Okay. Point taken.'
'Progress. Again.'
'You're keeping score?'
'Always.' You tap your notebook. 'It's kind of the whole point.'
'And how am I doing?'
'In being honest or deflecting?'
'Both.'
'You're averaging about fifty-fifty.'
'Generous scoring.'
'Strategic encouragement.'
'You're good at that.' She stretches slightly. 'Making people think they're in control of the conversation.'
'Are you not?'
'Please. We both know you've been steering this ship since you sat down.' She pauses. 'Though I will say, you're the first interviewer who hasn't asked about my routine yet.'
'Your routine?'
'You know. "What time do you wake up? What's your skincare regimen? How many hours do you practice?" That whole song and dance.'
'Would you like me to ask?'
'God no.' She grins. 'But I'm curious why you haven't.'
'Because routines are what people do. I'm more interested in who they are.'
'And who am I?'
'Still figuring that out. But I know you crack your knuckles when you're nervous.'
She stops mid-crack, caught. 'Observant.'
'Professional hazard.' You lean forward. 'Tell me something real. Not about routines or schedules or practices.'
'Like what?'
'Like what you think about at three AM when you can't sleep.'
She's quiet for a long moment. 'Sometimes I forget what my natural speaking voice sounds like.'
'What do you mean?'
'You spend so many years modulating everything—your voice, your laugh, your reactions—until one day...' She shrugs. 'One day you catch yourself using your "public" voice to order coffee at 3 AM in an empty convenience store, and you realize you can't remember what you used to sound like.'
'And that bothers you.'
'Wouldn't it bother you? Losing something that fundamental without even noticing it was gone?'
'Is that why we're here? Trying to find it again?'
'Maybe.' She smiles, but it's different now. Unpolished. 'Or maybe I'm just tired of having "public" and "private" versions of everything.'
'Including your voice.'
'Including my entire existence.'
'Right.' You snap your notebook shut. 'We're getting gelato.'
—
[1] The suspicious rate at which biographers are "dying off" has become something of an industry joke. Three prominent biographers mysteriously retired after attempting to write about a certain K-pop company's CEO. Totally not suspicious.
[2] The Plaza Hotel, to be specific. Said subject was a tech billionaire whose autobiography mysteriously never made it to print. The hotel suite, however, maintains legendary status among New York's housekeeping staff for its impressive collection of empty green tea bottles and rejection letters.
—
She blinks. 'What?'
'We're walking.' You stand, gathering your things. 'Unless you have somewhere to be?'
'Are you actually asking, or is this another strategic move?'
'Both. Neither. Whatever. Does it matter if there's gelato involved?'
A genuine laugh escapes her. 'Fair point.'
The early evening air hits your faces as you step outside. She pulls on a cap—more habit than disguise.
'Left or right?' you ask.
'You're the one who lives here.'
'Technically, I've been here three days.'
'And you already know where to get gelato?'
'First thing I do in any city. Professional secret.'
'Ah yes, the biographer's handbook. Chapter One: locate ice cream immediately.'
'Chapter Two: never reveal your sources.' You turn left. 'Unless they're wearing a questionably large cap and hiding from their own voice.'
'Low blow.' But she's grinning. 'Also, my cap is perfectly sized.'
'For what? Smuggling library books?'
'That's... oddly specific.'
'Says the person who just quoted Walt Whitman in a cafe.'
You find the gelato place tucked between a bookstore and a vintage shop. The owner, an elderly Italian woman, lights up at your approach.
'Due?' she asks.
'Sì,' you reply, then turn to Karina. 'What's your poison?'
She studies the flavors intently. 'What's the most unusual one?'
'Professional or personal answer?'
'There's a difference?'
'Professional would be something elegant. Personal...' You point to a vivid blue flavor. 'That one tastes like your childhood imaginary friend made a pact with a Smurf.'
She doesn't hesitate. 'Two scoops of that, please.'
'Really?'
'What?' She raises an eyebrow. 'Scared of a little blue tongue?'
'More scared of what my editor will say when the interview notes are stained cerulean.'
Ten minutes later, you're both leaning against a stone wall, gelato dripping in the warm evening air. Her tongue is, indeed, impressively blue.
'Yah! Why are you taking a picture?”
'Your tongue. I need photographic evidence for my editor.'
She complains, ‘self-respecting people would’ve walked a long time ago.’
‘And let me guess-’
‘Correct. Take a picture if you want.’
'Pulitzer worthy.' You take another bite of your considerably more dignified pistachio. 'So tell me about the sharks.'
'You're still on that?'
'You brought up marine biology in a cafe and then mysteriously changed the subject. I'm invested now.'
'There's nothing mysterious about it.' She licks a drop of blue from her knuckle. 'I just think they're neat.'
'That's the worst deflection yet.'
'Fine.' She pushes off the wall, starting to walk. 'When I was younger, I used to think they were lonely.'
You fall into step beside her. 'Sharks?'
'Mm. Always swimming, never stopping. Everyone afraid of them.' She shrugs. 'Stupid kid logic.'
'And now?'
'Now I think they're just... misunderstood.' She grins. 'That was terrible, wasn't it? Like a bad movie line.'
'Terrible. But honest.'
'You and your honesty fetish.'
'Says the person who just admitted to emotionally relating to sharks.'
She snorts, nearly dropping her cone. 'When you put it that way—'
'Oh, I'm definitely putting it that way. It's going in the book.'
'Absolutely not.'
'Chapter title: "The Shark Whisperer”. I can see it already'
She tries to hip-check you, but you dodge, protecting your gelato. 'I'm revoking your creative license.'
'Too late. The mental image of baby Jimin crying over shark documentaries is seared into my brain.'
'I did not cry over—' She stops. 'Okay, maybe once. But it was a very sad documentary.' [1]
The sun is setting now, painting the cobblestones gold. You pass a street musician playing something soft and acoustic.
'Your sister know about the sharks?'
'Of course. She bought me the books.' Her smile turns fond. 'Still does, actually. Sends them to me randomly.'
'Recent ones?'
'Last week.' She finishes her cone. 'She has... interesting timing.'
'Interesting timing?'
'Mm.' She wipes her hands on a napkin. 'Right after I told her about the interview. She sent me one about great whites. Said something about facing fears.'
'Subtle.'
'About as subtle as your interview techniques.' She eyes your notebook, still tucked away. 'Not writing anymore?'
'Memory's better when I'm walking.' You tap your temple. 'Also, harder to write about blue tongues while walking.'
'Still blue?'
'Devastatingly so.'
She sticks her tongue out at a passing window, checking her reflection. 'Oh god, it's worse than I thought.'
'Crisis?'
'Please. I once had to perform with my hair half-green because of a dye mishap. This?' She gestures to her mouth. 'This is nothing.'
'Half-green?'
'Not going in the book.'
'Already mentally drafting the chapter.'
She groans. 'I'm starting to regret this whole walking thing.'
'Because of the blackmail material or the exercise?'
'Both. Neither.' She pauses by a small fountain. 'It's just... nice.'
'Nice?'
'Yeah.' She sits on the fountain's edge. 'No schedule. No plan. Just... walking and talking and eating questionably colored gelato with a stranger who probably thinks I'm having a quarter-life crisis.'
'Are you?'
'Having a crisis or eating gelato?'
'Now who's deflecting?'
And she pauses again, caught.
She dips her fingers in the fountain water, watching the ripples. 'Maybe I just wanted one normal evening. One conversation that wasn't prepackaged and pre-approved.'
'Mission accomplished, I'd say. Your tongue is literally blue.'
That startles a laugh out of her. 'You're never letting that go, are you?'
'It's going to be a running metaphor throughout the book. Deep, meaningful parallels between blue gelato and the human condition.'
'You're terrible at your job.'
'I'm excellent at my job. I got you to walk around Rome with blue teeth.'
'Is that the measure of success?'
'For this chapter? Absolutely.'
The street lamps are starting to flicker on, and the air has that peculiar Roman evening warmth that begs for a drink.
'Know any good bars?' she asks, as if reading your mind.
'Thought you'd never ask[2]. Fair warning though—my Italian's terrible.'
'Better or worse than your interview skills?'
'Much worse. But I can order Aperol Spritz in seventeen different ways.'
'Useful life skill.'
'More useful than relating to sharks.'
She shoves your shoulder lightly. 'One more shark joke and I'm leaving.'
'No, you're not.'
'No, I'm not.' She grins. 'Lead the way, worst Italian speaker.'
You find a tiny place tucked away from the main streets. The kind tourists don't know about, with mismatched chairs and a bartender who looks old enough to have served Caesar himself.
'Due aperol spritz, per favore.' You ask.
The bartender raises an eyebrow. 'Americano? Il tuo italiano è buono!' (your Italian was… apparently… good.)
'Peggio,' you say. 'Giornalista'
(‘Worse. Journalist.’)
He laughs, already reaching for glasses. Karina slides onto a barstool, looking around with genuine curiosity.
‘He seems pretty impressed by your Italian.’
‘Oh trust me—he wasn’t. He just wanted to be nice. That’s all. The inflections are quite easy to catch.’
‘Alright, whatever you say. Giornalista—.'
You grin at her cute prod.
'How'd you find this place?' She asks; needless to say, she likes it here.
'Got lost my first night here––five years ago. It was either come in or keep pretending I knew where my hotel was.'
'And?'
'Woke up knowing exactly where my hotel was. And how to say "I'm sorry" in Italian.'
She laughs. 'That bad?'
'Let's just say there's a reason I stick to green tea now.'
The drinks arrive, vivid orange against the dark wood of the bar.
'To blue tongues,' you raise your glass.
'And bad Italian,' she clinks hers against it.
—
[1] The documentary in question was "Blue Planet II." Her sister still has the receipt for three boxes of tissues and a plush shark from the aquarium gift shop. The plush shark now sits in her studio, wearing a tiny version of her debut outfit. Her company has tried to mass-produce it twice. She's vetoed it both times.
[2] You were never this humble about your Italian until you talked to an Italian nonna. "Qui giace la dignità di un giornalista" (Here lies a journalist's dignity).
—
'Speaking of bad decisions—'
'We weren't.'
'We are now. Tell me about the green hair incident.'
'Absolutely not.' She takes another sip of her spritz. 'Some secrets I'm taking to my grave.'
'Come on. Half-green hair? There's got to be a story there.'
'There is. A great one. You're still not hearing it.'
'I'll trade you.'
'Oh?' She turns on her stool to face you fully. 'What could you possibly have that's worth my green hair story?'
'Remember when I said I learned to say sorry in Italian?'
'The plot thickens.'
'Let's just say it involved a fountain, three angry nuns, and a very patient carabinieri.'
She nearly chokes on her drink. 'You're making that up.'
'Want to bet your green hair story on it?'
'You know what?' She signals the bartender for another round. 'Fine. But if you're lying, you're buying drinks for the rest of the night.'
'Deal.'
'And no taking notes.'
'Now that's just cruel.'
'Professional hazard,' she mimics your earlier tone, then grins. 'Okay, storyteller. Dazzle me.'
The bartender sets down fresh drinks, and you lean in conspiratorially. 'So picture this: my first night in Rome, about five years ago...'
'Wait.' She holds up a hand. 'We need to establish stakes. If this story doesn't involve all three elements—fountain, nuns, and police—you're not only buying drinks, you're telling me where you actually learned to say sorry in Italian.'
'Counter-offer. If my story checks out, I get the green hair story plus whatever happened at that music show in Busan.'
Her eyes narrow. 'What music show in Busan?'
'The one you just reacted to.'
'That's... that's actually impressive.'
'Five years of professional nosiness at work. Deal?'
She clinks her glass against yours. 'Deal. Now stop stalling.'
'Right. So. Five years ago. I'd just finished an interview with this ancient countess at the bar. I mean, it’s the bar. Who else gets to interview a countess at a bar? That’s like crazy Bourdain-level shit right there.’
She nods along. 'Of course you did.'
'Anyway, she invited me to this wine cellar...'
'Oh no.'
'Oh yes. And mind you, I was already quite drunk. And she was very, very insistent about hospitality...'
Twenty minutes and much laughter later, you finish: '...and that's why you should never trust Google Translate to help you apologize to Italian law enforcement.'
She's wiping tears from her eyes. 'The part with the cat—'
'Hand to god. Still have the scars.'
'Okay.' She catches her breath. 'Okay, you win. That was worth it.'
'Time to pay up. Green hair. Spill.'
'Can I have one more drink first?'
'For courage?'
'So I can blame it on the drink.' She waves at the bartender. 'I still can't believe you showed those nuns your interview notes to prove you weren't a street performer.'
'Desperate times.'
'Speaking of desperate...' She takes a fortifying sip of her fresh spritz. 'Ever tried to fix green hair with grape juice?'
'No.'
'Don't.'
'There has to be more to this story than grape juice.'
'Oh, there's so much more.' She settles into her seat. 'Picture this: it's two hours before a live broadcast. I'm sitting in the makeup chair, feeling pretty good about life. You know, like that particular moment where your face just… shines. Then my stylist walks in, takes one look at my hair, and just... screams.'
'Screams?'
'Full horror movie scream. Turns out the hair dye we used was... let's say "not exactly approved by management."'
'Let me guess. DIY job?'
'Worse. My sister's friend's cousin who "totally went to beauty school."'
'Oh no.' You snort, taking a hefty drink of the remaining spritz.
'Oh yes. So there I am, one side of my head this bizarre shade of swamp-thing green, and everyone's running around like it's the end of the world.'
'Which is when someone suggested grape juice?'
'Actually, that was my idea.' She grimaces. 'I'd read somewhere that grape juice could neutralize green tones. What they failed to mention was that this works for swimming pools, not hair.' [1]
'So what happened?'
'Picture a very expensive wig, three cans of dry shampoo, and me trying to explain to the camera director why I couldn't turn my head to the left.'
'Did it work?'
'Define "work."' She takes another sip. 'If by "work" you mean "did I make it through the broadcast without anyone seeing the grape-juice-tinged disaster," then yes. If by "work" you mean "did I maintain any dignity," then absolutely not.'
'The fans never found out?'
'Oh, they did. Someone leaked a backstage photo three months later.' She grins. 'By then I'd managed to fix it. Mostly.'
'Mostly?'
'My sister still has a strand of green hair she saved. Threatens to post it whenever I don't answer her calls.'
'Effective.'
'Terrifying.' She raises her glass. 'Your turn again. What's the worst interview you've ever done?'
'Besides this one?'
She kicks your chair. 'I'm delightful and you know it.'
'You're something, all right.'
Three drinks in, and the bar's emptied enough that her laugh echoes a little too loudly. She covers her mouth, but it's too late – the old bartender shoots them an amused look.
'Sorry,' she stage-whispers.
'For what? The laugh or the fact that it just shattered three ancient Roman wine glasses?'
'Shut up.' She kicks your chair again. 'I don't always laugh like that.'
'Let me guess – there's a public laugh and a private laugh?'
'There's a whole taxonomy.' She sits up straighter, counting on her fingers. 'Interview laugh, variety show laugh, fan meeting laugh, oh-that's-not-actually-funny-but-you're-my-sunbae laugh—'
'Please tell me you're joking.'
'I wish.' She slumps forward, head on her arms. 'I once had to attend a laughing seminar.'
'A what now?'
'A laughing seminar. Professional instruction on the art of the public giggle.' Her voice is muffled against her sleeve. 'There was a PowerPoint and everything.'
'You're making this up.'
She lifts her head. 'I spent three hours learning about laugh-adjacent breathing techniques while a woman named Mrs. Kim hit a triangle every time someone laughed "inappropriately."'
You stare at her. She stares back.
'That's the most horrifying thing I've ever heard,' you say finally.
'I know.' She dissolves into another too-loud laugh, this one definitely not seminar-approved. 'God, I can still hear that triangle.'
'Is that why you're here?'
'Getting drunk with a biographer in Rome? No, that's just poor life choices.'
'Speaking honest truths to a stranger?'
'Oh.' She straightens up, but there's still something loose in her smile. 'Maybe. Or maybe I just really needed to tell someone about Mrs. Kim and her triangle of terror.'
'Triangle of terror.' You shake your head. 'That's going in the book.'
'Along with the blue tongue and green hair? You're really painting a picture here.'
'It's called character development.'
'It's called character assassination.' She signals for water. 'What else are you putting in there?'
'Wouldn't you like to know.'
'Actually, yes. That's literally why I'm asking.'
'Fine.' You pretend to flip through your mental notes. 'Chapter One: Sharks and Empathy—'
'Oh my god.'
'Chapter Two: The Grape Juice Incident—'
'I'm starting to regret everything.'
'Chapter Three: Laugh Taxonomies by Aespa’s Karina—'
'I hate you.'
'Chapter Four: Why Romans Don't Trust Her With Fountains Anymore—'
'That was you! That was literally your story!'
'Was it? Everything's getting a bit fuzzy.' You tap your temple. 'Must be all that professional memory I was bragging about earlier.'
She throws an olive at you. The bartender clears his throat.
'Sorry,' you both say in unison, then look at each other and start laughing again.
'You know what's really funny?' she says, once you've both contained yourselves.
'Mrs. Kim's triangle?'
'Besides that.' She accepts the water from the bartender. 'This is probably the worst interview you've ever done.'
'Oh, definitely.'
'And yet...'
'And yet?'
'It's the most honest one I've given.' She pauses. 'God, that sounded way less cheesy in my head. Must be the spritz talking.'
'Blame it on the altitude.'
'We're at sea level.'
'Blame it on the sea level.'
'You're ridiculous.' She's grinning though. 'Is this how all your interviews go?'
'Usually there's less gelato. More gravitas.'
'Gravitas is overrated.'
'Says the woman who attended a laughing seminar.'
'Hey, I'll have you know my triangle-approved giggle is very dignified.'
'Prove it.'
She sits up straighter, arranges her features into something serene, and lets out the most artificial laugh you've ever heard. It's so pristine it's almost disturbing.
'That was horrifying.'
'That was three hours of professional training.'
'I'm concerned about your profession.'
'Join the club.' She relaxes back into her natural posture. 'We have meetings every Tuesday. Bring your own triangle.'
The bartender slides over the check with a knowing look. Last call came and went without either of you noticing.
'Well,' you say, reaching for your wallet. 'I suppose this is—'
'Wait.' She puts her hand on your arm. 'I have a confession.'
'Another one? The green hair wasn't enough?'
'I read your book.'
'Which one?'
'The one about the ballet dancer who quit to become a motorcycle mechanic.'
'Ah.' You sit back. 'And?'
'And I maybe, possibly, completely changed my mind about this whole interview when I read it.'
'Because?'
'Because...' She fidgets with her empty glass. 'You made her sound so... human.'
'As opposed to?'
'A story. A headline.' She traces a pattern on the bar top. 'Most people would've written about the scandal, the career she "threw away." But you wrote about how she names each motorcycle she fixes. How she still dances in her garage at midnight.'
'Ah. That.'
'That.' She looks up. 'Is that why you haven't asked me about any of it?'
'Any of what?'
'Don't play dumb. The headlines. The speculation. The—'
'The triangle-approved responses you've probably rehearsed?'
She laughs, caught. 'Something like that.'
'Here's the thing about headlines.' You start gathering your things. 'They're usually more interesting than the truth.'
'And what's the truth?'
'That sometimes people just want to eat blue gelato and tell embarrassing stories in a bar and talk a biographer’s ears off.'
She kicks your chair again, barely noticeable. 'Even if those stories end up in a book?'
'Especially then.' You stand, offering her jacket. 'Though I might need you to sign a waiver about the grape juice incident.'
'I knew it! You are using it!'
'Chapter title: "The Perils of Amateur Chemistry: A Cautionary Tale."'
She shrugs on her jacket, shaking her head. 'You're impossible. That AI flair was so intentional'
'Says the woman who legitimately attended a laughing seminar.'
'I'm never living that down, am I?'
'Not as long as I have a functioning memory and a publishing contract.'
The Roman night is warm as you both step out of the bar. She stumbles slightly on the cobblestones.
You offer a hand which she quickly grabs.
'Don't you dare put that in the book,' she warns.
'Put what? The graceful interpretation of contemporary dance you just performed?'
'These streets are rigged.' She steadies herself. 'Also, your hotel's this way.'
'How do you know where my hotel is?' You’re not exactly one to remember locations, probably the reason you were able to gain such a repository of ridiculous stories.
'Because it's my hotel.' She grins at your expression. 'What? You think you're the only one who does research?'
'I'm concerned about your stalking tendencies.'
'Says the person who somehow knew about the Busan incident.'
'Professional hazard.'
'You really need new catchphrases.'
The walk is quiet, comfortable. Rome at night feels like a different city—all golden lights and shadow play. A cat watches you pass from its perch on a window sill.
'Don't even think about it,' she says.
'About what?'
'Making some poetic comparison between me and that cat.'
'Please. I'm a much better writer than that.'
'Sure you are, shark whisperer.'
You reach the hotel entrance. She pauses.
'Well,' she says. 'This has been...'
'Professionally catastrophic?'
'I was going to say enlightening.'
'That too.'
The hotel lobby is all marble and soft lighting. Your footsteps echo slightly.
'I have a balcony,' she says suddenly. 'And a really pretentious coffee machine I can't figure out.'
'Is this a cry for help with appliances?'
'This is...' She fidgets with her room key. 'This is me not wanting the interview to end yet.'
'The interview ended somewhere between blue gelato and the triangle story.'
'Then what's this?'
‘Believe or not, some people just like having fun on their Italian vacation.’
‘Haha. Very funny.’
'This is...' You pretend to consider. 'Two people who might be friends if one of them wasn't writing a book about the other.'
'Complicated.'
'Professional hazard.'
'There's that phrase again.' She presses the elevator button. 'Come on. I'll teach you how to laugh properly.'
'With or without the triangle?'
She steps into the elevator. 'Depends on how good you are at making coffee.'
'Now who's the impossible one?'
The doors start to close. She holds them.
'Coming?'
You join her in the elevator. 'For the record, I'm excellent at coffee.'
'For the record,' she mimics your tone, 'that's going in the book.'
Her room is on the top floor, with a view that makes you understand why people write poetry about Rome.
'So,' she says, fighting with the coffee machine. 'This button makes it angry, and this one makes it hiss.'
'Move over, amateur.' You reach around her to press a combination of buttons. The machine purrs to life.
'Show off.' But she's smiling as she heads for the balcony. 'Bring your coffee wizardry out here when it's ready.'
The balcony is small, just enough room for two chairs and all of Rome spread out below. She's curled up in one chair, shoes off, looking more real than she has all day.
'Your professional opinion,' she says as you hand her a cup. 'Is this going to be a good book?'
'Depends.'
'On?'
'On whether you let me keep the shark metaphors.'
She laughs into her coffee. 'You're never letting that go.'
'Never.' You take the other chair. 'Though I might be willing to negotiate.'
'Terms?'
'Tell me something nobody knows. Something that won't make the book.'
She's quiet for a moment, looking out at the city lights. 'I sing in the shower.'
'Everybody knows that.'
'No, I mean...' She turns to face you. 'I sing the old songs. The ones I used to practice when I was just some kid in Bundang with a dream too big for my voice.'
'And?'
'And sometimes I still feel like her. That kid. Especially at night, in foreign hotels, when the city feels like it belongs to someone else.'
'Especially at night, in foreign hotels, when the city feels like it belongs to someone else.'
'Wow.' You let out a low whistle. 'That was incredibly profound.'
She groans, covering her face. 'I know. I'm sorry. That was straight out of a drama script.'
'I was thinking more indie movie. You know, the kind where people have deep conversations on balconies in Rome at—' you check your watch, '—one in the morning.'
'Oh god, we're living a cliché.'
'Complete with coffee and two chairs overlooking Rome.'
'Quick,' she straightens up, 'say something unprofound. Save us from ourselves.'
'My tongue is still kind of blue.'
She peeks at you over her coffee cup. 'Mine too.'
'Better?'
'Much better.' She slouches back in her chair. 'Though now I'm thinking about how this would look in your book. "Two idiots with blue tongues have existential crisis on expensive balcony."'
'Don't forget the part where one of them somehow charmed a coffee machine.'
'And the other one used to sing in her shower.'
'Still,' you correct. 'Present tense.'
'Still,' she admits. 'But if you put that in your book, I'll have to tell everyone about your fountain incident.'
'Mutually assured destruction. I like it.'
She yawns, then looks embarrassed. 'Sorry. It's not the company, it's—'
'The five Aperol Spritzes?'
'That. And the emotional toll of remembering Mrs. Kim's triangle.'
'Tragic backstory,' you nod solemnly. 'Very character-building.'
'Speaking of character-building...' She sets down her empty cup, turns to face you fully. 'This is usually the part in your books where something significant happens.'
'Is it?'
'Mm. Chapter twelve. Always a turning point.'
'You really did read my books.'
'I told you that already.' She's closer now, somehow. 'What I didn't mention was that I figured out your pattern.'
'My pattern?'
'The way you write moments like this.' Her voice is soft. 'When everything gets quiet, and the city's just background noise, and someone's about to do something...'
'Inadvisable?'
'I was going to say brave.'
'Brave is just inadvisable with better PR.'
She laughs, barely a whisper. 'You're deflecting again.'
'Professional—'
'If you say "hazard" right now,' she cuts in, 'I'm going to throw you off this balcony.'
'That would be...'
'Inadvisable?'
'I was going to say "terrible for my book sales."'
She's definitely closer now. 'Your book sales are about to be the least of your problems.'
'Because you're going to kiss me or throw me off the balcony?'
'I haven't decided yet.'
'Well,' you murmur, 'for what it's worth, one of those options would make a much better chapter twelve.'
She closes the distance between you, smiling against your lips. 'Professional hazard.'
You and Karina shared an instant spark that neither of you had experienced. Ever. The moment that first tease left your mouth, it was over.
—
[1] The sentiment of grape juice being able to eliminate green tones turned out to be completely unfounded. Despite this, wine sommeliers around the world have complained about Koreans with their distinct accent asking about grape juice’s ability to change colors.
—
The kiss tastes like coffee and Aperol and something sweet—probably the remnants of that ridiculous blue gelato. It's soft and quiet and perfect, the kind of moment that would sound made up in a book.
She pulls back slightly. 'Your editor's going to hate this.'
'Definitely.' You tuck a strand of hair behind her ear. 'Completely unprofessional.'
'Thoroughly inadvisable.'
'Absolutely perfect for chapter twelve.'
She kisses you again, and Rome keeps existing below, indifferent to your small moment of magic. Somewhere in the distance, a church bell chimes twice.
'You know,' she whispers, 'this is usually where you'd write something profound about the city of love.'
'That's Paris.'
'Now who's deflecting?'
'Still you. But I'm starting not to mind.'
She laughs, soft and real—definitely not triangle-approved—and rests her forehead against yours, your breaths intermixing, plenty of intimate eye contact. 'Is this going in the book?'
'What do you think?'
'I think...' Her fingers find yours. 'I think some stories we get to keep for ourselves.'
'I think some stories we get to keep for ourselves.'
'Even after I charmed your coffee machine? That's cold.'
She makes a face. 'You're really bringing up coffee machine prowess right after—'
'Right after you thoroughly compromised my journalistic integrity? Yes.'
'Your journalistic integrity was compromised the moment you let me eat blue gelato.'
'My journalistic integrity was compromised the moment I saw you.' You run your thumb across her knuckles.
Her eye contact wavers and her voice falters, ‘Gosh, you’re such a player.’
‘Flirting has never come so easily before.’ You whisper against her mouth.
'Oh really?'
'Obviously.'
'Which was?'
'Stare at that blue tongue some more.’'
She shoves you lightly. 'You're terrible.'
'And yet.'
'And yet.' She settles on your lap, the forehead to forehead more natural now. 'So what happens now?'
'Well, traditionally, this is where I'd write something about dawn breaking over the eternal city—'
'Please don't.'
'—with golden light catching on ancient stones—'
'I'm begging you to stop.'
'—as two souls find each other under the Roman sky—'
She claps a hand over your mouth. 'I will literally pay you to not finish that sentence.'
You kiss her palm before she pulls it away. 'Isn't that technically bribery?'
'Add it to the list. Right after "compromised journalistic integrity" and "suspicious coffee machine expertise."'
'Speaking of compromising situations...' You glance at your watch. 'It's almost three AM.'
'Worried about your reputation?'
'Worried about your triangle-approved schedule.'
'Bold of you to assume I ever sleep.' She stands, stretching. 'Want to order terrible room service and you can tell me about all the other journalists you've scandalized?'
'That's a very short list. Very enticing regardless.’
'Good.' She holds out her hand.
The night air has turned cooler, carrying the faint scent of jasmine from somewhere below. Her fingers trace the collar of your shirt, hesitant but deliberate.
'What happened to room service?' you murmur.
'It can wait.' Her eyes meet yours, playful but wanting. 'I'm conducting my own interview first.'
This kiss is different from the first. Slower, more certain. The city hums below, a distant lullaby of late-night cars and echoing footsteps. When she sighs into the kiss, it's the softest sound you've ever heard. When she falters against your forceful touches, it’s the softest you’ve ever felt a woman.
She pulls back just enough to breathe, her forehead resting against yours. Her heartbeat is quick under your palm.
'Better than chapter twelve?' she whispers.
You catch her lips again in answer, feeling her smile. The wind stirs her hair, sending strands brushing against your cheek. Everything smells like jasmine and coffee and her perfume—something subtle and expensive that you'll probably spend the rest of your life over-romanticizing.
Because that’s what Karina deserves.
Rome stretches out endless and ancient around you, but all you can focus on is how perfectly she fits against you, how real she feels away from cameras and crowds.
Your lips find hers in the dark, soft and certain now. Her fingers trail up your neck, threading through your hair, pulling you closer. There's an art to the way she kisses—deliberate yet desperate, like she's trying to memorize the moment. Your hands settle at her waist, and she makes a small sound that you know you'll remember forever.
Her lips part against yours, deepening the kiss until you're both breathless. The balcony railing presses into your back—when did that happen?—and her body is warm against yours, fitting perfectly in all the spaces between.
Her teeth graze your bottom lip, teasing. You respond by trailing kisses along her jaw, feeling her pulse jump under your lips. When you find that sensitive spot just below her ear, her sharp intake of breath makes you smile against her skin.
She pulls back just enough to meet your eyes. Her lips are slightly swollen, her careful composure beautifully undone––hair spread everywhere, but just so that she looks ethereal rather than messy. You brush your thumb across her lower lip, and she catches it with her teeth, playful even now.
‘Still planning to put this in chapter twelve?’ she whispers, breathless.
Your answer gets lost somewhere between her lips and… her lips.
Her laugh vibrates against your lips when you finally break apart. ‘We should probably—’
‘Go inside?’ Your lips find the curve of her neck again.
‘I was going to say breathe.’ But her head tilts back, giving you better access. Her pulse flutters under your kiss like a trapped bird. ‘Though inside works too.’
You pull back just enough to look at her. Hair mussed, eyes bright, that perfect composure completely undone. She's never looked more beautiful than she does right now, with the city lights catching in her eyes and her professional smile nowhere to be found.
‘What?’ she asks, suddenly self-conscious.
‘Just thinking.’
‘About?’
‘How this definitely isn't going in the book.’
Her smile turns mischievous. ‘No?’ Her fingers trace patterns on your chest. ‘Not even a little mention of how you completely forgot about journalistic integrity the moment I—’
‘Then chapter 12 would entirely consist of me betraying my profession in order to catch your lips with my teeth.’
‘Wow. You’re bad. Like, real bad.’
‘You have no idea.’
You cut her off with another kiss, swallowing her laugh. Her hands slide up your chest, around your neck, pulling you impossibly closer. The world narrows to just this: her lips on yours, her body pressed against you, the soft sounds she makes when you run your fingers down her spine.
‘Inside,’ she murmurs against your mouth. ‘Before we really give Rome something to talk about.’
You let her lead you through the balcony doors, both of you stumbling slightly, unwilling to break contact. She tastes like promises now, like stories yet to be written. Her hands are everywhere—your hair, your chest, your face – like she's trying to read you by touch alone.
‘Wait,’ you manage, as her lips find that spot below your ear that makes thinking difficult. ‘What about—’
‘If you mention room service right now,’ she warns, ‘I'm going back to my original plan of throwing you off the balcony.’
‘I was going to say 'what about your triangle-approved image?'’
She pulls back, eyes dancing. ‘Oh, that?’ Her lips brush yours, teasing. ‘I think we thoroughly compromised that at the first meeting.’
"Professional hazard?"
"Shut up," she whispers, and kisses you again.
She sighs into your mouth, a soft, vulnerable sound that makes your heart stutter.
Her fingers tangle in your hair, nails scraping lightly against your scalp, sending shivers down your spine. You walk her backward until she's pressed against the wall, her body arching into yours.
You trail kisses down her neck, learning her— the spot beneath her jaw that makes her gasp, the curve where neck meets shoulder that makes her fingers tighten in your hair. Her pulse races under your lips, a rapid drumbeat that matches your own. When you find a particularly sensitive spot, her sharp intake of breath is the sweetest sound you've ever heard.
She tugs you back up to her mouth, kissing you like she's trying to tell you something words can't capture. Her lips are soft but insistent, moving against yours with a rhythm that makes you dizzy. One of her legs hooks around yours, pulling you even closer, and you groan into her mouth.
Her hands frame your face now, thumbs stroking your cheeks as she kisses you deeper, slower, like she's trying to memorize every second. You respond in kind, pouring everything you can't say into the kiss—how beautiful she is like this, how real, how perfectly she fits against you.
When you finally break apart, you're both breathing hard. Her lips are swollen. You rest your forehead against hers, sharing the same air, neither of you willing to move away.
"Still thinking about the book?" she murmurs, voice husky.
You answer by catching her lower lip between your teeth, gentle but playful, and feel her smile against your mouth.
Her smile against your mouth turns into a soft laugh. "I'll take that as a no."
‘Take it as whatever you want.’ Your lips find her temple, her cheek, the corner of her mouth. ‘I stopped thinking about the book long ago.’
She hums contentedly, her fingers tracing patterns on the nape of your neck. ‘Good.’ Her other hand is still tangled in your shirt, keeping you close. ‘Because I have a confession.’
‘Another one?’
Instead of answering, she kisses you again, slow and deep. Her tongue traces your lower lip, and you respond by pressing her further into the wall, swallowing the small sound she makes. One of her legs is still hooked around yours, and when she shifts slightly, the new angle makes you both gasp.
‘That wasn't a confession,’ you murmur against her lips.
‘No?’ Her teeth graze your earlobe. ‘I thought I was being pretty clear.’
Your hands slide to her waist, steadying her. She's intoxicating like this, all careful control abandoned, her public persona nowhere to be found.
‘Jimin,’ you breathe, and feel her shiver at the sound of her real name.
Her response is to pull you closer, kissing you like she's trying to say everything without words. Her lips are soft but certain against yours, and you lose yourself in the feeling—the warmth of her body, the subtle scent of her perfume.
The city continues its nighttime symphony outside, but in here, the only sound is your shared breathing and the soft, desperate noises she makes when you find that sensitive spot on her neck again.
She pulls back slightly, just enough to meet your eyes. In the dim light, her gaze is soft, unguarded. Her thumb traces your lower lip.
‘What?’ you ask, voice rough.
‘I'm trying to decide something.’
"Whether to throw me off the balcony? Because I thought we moved past—"
She cuts you off with another kiss. Her hands cup your face, holding you there as she explores your mouth with a thoroughness that makes you dizzy. You respond by feeling her firm and perky ass.
‘No—,’ she moans when you break apart for air. ‘I'm trying to decide if this is real.’
Instead of answering, you trail kisses down her neck, feeling her pulse jump under your lips. Her head falls back against the wall, giving you better access. When you reach her collarbone, she makes a sound that's half-sigh, half-moan.
‘Feels real enough,’ you murmur against her skin.
Her laugh is breathy, unsteady. ‘I meant—’ She gasps as you find a particularly sensitive spot. ‘I meant this. Us. This whole night.’
You lift your head to look at her. Her lips are swollen from kissing, her carefully styled hair a mess from your fingers. She's never looked more beautiful.
‘If you think I did all of this for the fun of it, you’re clearly missing something.’
‘A gear in the head?’
‘Definitely—’
‘Gosh, how do I allow this sort of petulance?’
‘Because it’s me.’
‘You’re a player.’
‘Only for you.’ You catch her lips, even more wanting—and she forfeits it all.
You pick her up, mussing up her perfect outfit, mussing up her perfect lips. And you finally throw her against the bed.
‘You’re really roughing up Prada’s global ambassador.’
‘And ambassador to a dozen other brands worth billions—couldn’t care less.’’
She smirks, and her arms open, waiting, pliant, obedient.
You rip off your buttoned shirt, tear off your pants; now, there’s truly no way of going back.
‘Wow. That scar is a lot larger than I imagined.’ She’s referring back to the scar that you received during that drunk haze of a night.
‘It was dark. Might’ve even been a lion.’
‘Mm. Heroic. Come here.’
Now, who could ever resist that?
You rip off her clothes, each layer even more decadent than the other. And then, she was there. bra barely containing her breasts, and a layer of dampness along her sexy panties.
‘That was expensive, by the way.’
‘I’ve got a payment plan on course.’
‘Mm. Enlighten me.’
You pull her panties to the side.
She’s dripping wet, nectar spooling right on her pink core. A glorious sheen that makes you stare far longer than you should’ve. She’s red-faced at this point, and her forearms cover most of her sight, and yet, she doesn’t move, doesn’t retreat.
The first lick you place, just a brush against her engorged clit, crumbles every self-regulated triangle-approved behavior she has. Two pants turn fifty, one lick crumbles everything. Her hips coax you in ways gymnasts can’t even replicate, and of course, you oblige.
Soft licks, teases around her outer lips, swollen from all the anticipation and arousal; tonguing at her inner lips, just at the crux of her clit, gets her screaming in ways her deep voice would never register; and above all, she’s orgasming, squirting, losing every pretense in favor of her built up lust.
‘Oh~fuck—’
Her fingers find purchase in your hair, and she softly pulls you in—rides your face like it was all that she ever desired: her eternal wish.
‘Ohmygod! Imcumming!’ Her voice turns mousy, and her pupils go back in pure pleasure, coupled with hip movements thought impossible: this was the greatest pleasure of her life.
You grab her chin, squeeze softly, her cheeks molding to your grasp, and you press a soft kiss right on her kiss-bruised lips. You let her taste herself on your tongue.
‘Good. Right?’
And she nods. A complete personality switch from the playfulness she displayed earlier. Delicate.
Her hands land on your boxers as she melted into your kiss. Once you felt her palm your cock, you groaned right in her ear. She starts softly, stroking. But her strokes grow more all-encompassing as you press harder into the kiss.
‘Fuck. You’re so good for me.’
She mewls back, on the gradient slide of unadulterated pleasure.
Softly, you release your shaft from the boxer. And you press your cock right on her core. Feeling the wet heat, the sticky nectar that pooled to a mindbreaking degree.
‘It goes without saying.’
‘That I’m head over heels for you?’
You grin, ‘Well, that too, but you’re hopeless.’
‘Maybe if we weren’t so compatible.’
You grab a breast, palming it, ‘Well that, that too, goes without saying.’
She smiles, so warmly, every trace of everything else melted off her face––the sort of smile you’d never forget, and the sort of smile you’d want to wake up to… forever.
Finally, you press into her, and her wet heat envelops you, enough to make you groan, enough to make her moan like there’s no greater pleasure––because really, there’s nothing else.
Her pussy clings onto you, a wet suction that is immeasurably soft and yet, a vacuum-seal-like tightness that gets you groaning after every thrust.
Her arms cling to you, and her eyebrows knit, her small face full of emotion—all of it processing how good you fuck her.
‘Oh god. Would it be bad that I want you to declare to the world that you own me?”
‘Chapter 12—’
She cuts you off, ‘Something along the lines of: “Chapter 12: Karina is my fuckslut”’
‘I don’t tolerate Karina disrespect.’ You say, truthfully.
‘Even if it’s by myself?’
‘Especially for that case, sweetheart.’
‘Oh… you’re too good.’
‘You’re blind.’
Most popular idol in the world, and… she’s hopelessly down bad for you.
‘If I’m blind. Then you don’t have eyes—complete darkness.’
‘We’re two of the same.’
‘I’m your biggest fan.’
‘We’re two of the same.’
‘I love you.’
‘You have a way with words, Karina.’ You reply, pressing soft kisses along her jaw, whispering sweet nothings into her ear, thrusting into her harder, sharing breaths.
‘You’ve inspired me.’
And you lock lips with her, the thrusts were becoming a blur, and her moans music to your ears—it was all just… heaven.
There was no technique. Nothing too purposeful. It was all just pure affection, pure love guiding all your actions. And the fact that she’s cumming again was no coincidence.
‘Oh. My. Fucking. God!’ Her head goes back deep into the pillow and you follow suit. Pressing soft kisses that covered every square centimeter of her beauty, kisses that made her giggle even in her most orgasmic moment of her life.
‘If I knew anything that felt like this… I’d be doing it constantly.’
‘Well—’
‘That’s right,’ Karina gives a soft peck, ‘I have you now.’
You could feel her heartbeat, her skin precipitate, and her cunt pulse—it’s just heaven at this point.
‘Are you trying to convince me to follow you?’
‘2 years, finest in New York.’
‘Deal. Though you overbid a little.’
‘Meaning?’
‘Means anything you want, dear.’
The soft slick of her cunt made it nearly frictionless, just pure pleasure for both parties. Her hips gave way every time, an identity of its own, retreating when you thrust too hard, giving in when softer.’
‘Is this like a sugar mommy situation?’
‘Two words I never expected you to say.’ You both share a laugh.
‘I mean that’s what it is right?’
‘A power imbalance? Please. I can get you to buy a New York penthouse for me at this point.’
‘Well. You’re right. But—’
You bring your cock to the hilt inside of her, whilst stealing her lips for a deep kiss. She moans and mewls and gasps—music to your ears. You change positions. You bring her legs to your shoulders, and you begin kissing along her ankle while thrusting inside of her.
This time, you can see the full view. How her breasts bounce against the thrusts, how her slick has completely covered your entire length at this point, and how beautifully her face is framed between it all.
Her mouth’s agape, moaning, giggling intermittently with the jokes shared through eye contact. You bite softly at her ankle then down her legs, to her calves, then releasing her legs altogether to kiss her again.
She fits perfectly against you, small and delicate but the perfect puzzle piece under you. She’s absorbent, aware of your needs, placing soft kisses along the ridges of your eyebrows, rubbing away the day’s fatigue along your jaw and temple.
‘I love you.’
‘I love you too.’
‘I didn’t hear.’
You press against her, feeling her breasts spool against your chest, bring your thrust to the hilt, the wetness of her loins pressed against yours, all of them vividly apparent. ‘I love your beauty. I love your humor. I love how clever you are. I love how authentic you are. And I could continue on and on but I’m about to cum.’
Karina sniffled, ‘God, I was about to cry and then you say that.’ She softly smacks your shoulder, ‘just cum inside me and let’s cuddle.’
You oblige, the thrusts turn into a haze of pure pleasure, a desperate moment chasing the local maxima, and finally, you burst inside of her. Cum spooled, all inside her, and she moans so gracefully, staring at you with all the affection in the world.
‘We can worry about this tomorrow.’ She palmed your jaw.
‘Of course.’ You fall onto her, cuddling her.
Both of you are a mess, gross, bodily fluids spread everywhere, and yet, the both of you fell into a deep slumber.
A/N: I'd like to apologize for switching up styles so much (But if you enjoyed this dialogue-heavy work, then lmk!)
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sobriquet
pairing: spencer reid x reader
description: spencer reacts to you calling him a nickname for the first time.
tags: fluff fluff and more fluff, established relationship, fem!reader, kissing and all around domesticity, bit cheesy, little teasing, spencer gets momentarily overwhelmed with how much he feels but i dont get into the nitty gritty.
a/n: sobriquet is the french word for nickname. anywho i just need spencer reid to call me angel. hope you like this! happy reading :)
wc: 1.3k
◦ /ˈsəʊbrɪkeɪ/ ◦
the bright noon sun filters through the sheer curtains as you wake up, groggily pulling yourself into a sitting position. you rub at the sleep in your eyes with a low grumble. the space beside you is vacant, you run a hand over the spencer shaped chasm indented into the mattress. it's gone cold so you assume he's been up for a while, having let you sleep in, probably perched on the couch, book in hand.
you drag yourself into the living room of spencer's apartment, despite the daylight scattered across the space, it still feels cosy, relentlessly cosy. which is probably why you spend so much time here, like you are now. a rare case-free weekend off presented itself to the team, so the two of you decided on spending a lazy 2 days together.
you bend at the waist and wrap your arms around spencer's shoulders when you find him on the couch. he lets out a slightly distracted hum, pressing his lips to your forearm in a kiss, though it's more open mouthed as you catch him in the middle of reading a passage. you squeeze him once and walk to the kitchen. he follows you, needing a refill to his coffee.
both of you work in silence, spencer engrossed in the pages in front of him as the moka pot heats up on the stove while you grab the carton of milk from the fridge. when you open the cabinet for the box of cereal that resides there, you don't find it. strange. you open the one beside it in hopes that you'd find it there, you don't.
“baby, where's the cereal?” you ask spencer, peering behind boxes and packets for a glimpse of the tell-tale red of the kelloggs logo.
his eyes dart up from his book, finally tearing away from the words. did you just call him baby?
you push up from your knees, turning to look at him expectantly, “spencer?”
his eyes are wide, eyebrows pinched up ever so slightly that a line forms in the middle, you want to smooth it out. he looks alarmed, so you cross over to him, taking the book out of his hands and setting it on the counter, turning off the heat to the stove at the same time.
“hey, are you okay?” your voice is low so as to not alarm him further, but still pressing to know what’s wrong.
apart from the alarm, his face is unreadable. “what did you just say?”
you graze a hand over his forearm, “are you okay?”
“no. before that.”
“um... where's the cereal? spencer, are you-”
“you called me baby,” he interjects. barely a whisper but you catch it.
oh. your lips part, trying to get a read on his face, you can't. “did i?” you respond meekly, playing dumb in case he didn't like it. the two of you haven't experimented with nicknames much, the relationship being fairly new and only used to addressing eachother by first or last names.
he nods, lips curling into a small smile. oh. “say it again?”
you want to protest but he's quick to stop you with a “please.”
“baby,” you chew your bottom lip nervously, searching for any recoil in his eyes, you find none. his smile only grows.
“again.”
“spence,” you whine, feeling embarrassed.
“please,” he repeats, eyes big and imploring.
you sigh, how do you possibly deny him? chagrin be damned.
“baby,” you whisper, almost cooing, as you raise a hand to cup his cheek.
teeth peek out of his mouth now, grinning wholeheartedly. his arms find solace around your waist as he pulls you in, tucking his head into your neck. you can feel his smile on your skin, and you giggle.
“i take it you like it then?” you murmur, threading your fingers into his hair the back of his head.
he presses a kiss to your neck. “of course i do, angel,” he responds, words trailing off tentatively.
angel. your brain runs circles around the way the word sounded coming from him, how good it sounded, angel. in a matter of seconds, he’d managed to turn the tables and you understand why he reacted how he did when you called him baby, you wouldn't mind him calling you angel again either.
you pull back to look at his face. he's a shy and sheepish thing when you take him in. your face isn't as unreadable as his was, cheeks flushed and eyes crinkled at the corners as you try to bite back a smile, so he calms easily.
“that's new,” you remark, poking at his chest.
“yeah,” he says, pulling you closer as he leans against the counter. “you like it?”
“mhm,” you hum giddily, rising on your toes to kiss him.
his lips move against yours gently as he kisses you back. his tongue prods at the seam of your lips, urging you to let him in. you nip it before pulling back.
“i've got morning breath,” you explain simply, alleviating his confusion.
he's indifferent when he leans back in, “does it look like i care?”
you give him a quick peck on the nose before exhaling a puff of hot air into his face, trying to drum up as much bad breath as you can. you laugh as his face scrunches up in mild disgust, nose wrinkled, and lips pulled into a pout. he's quick to recover though, head dipping to kiss you again. sighing into the kiss, you push his face from yours and hide under his chin. his arms move higher and wrap across your shoulders.
“in the hallway,” spencer says abruptly.
you hum into his chest in confusion, and he explains further, “the cereal is in a bag in the hallway. i finished the last of it earlier and went to go buy some more.”
“you went grocery shopping? just for cereal?” your voice is muffled against his shirt, but he can make out what you're saying.
“yeah, gotta make sure my angel is fed,” he murmurs into your hair that tickles his chin.
you groan a little at how corny he sounds but bury further into him regardless, clearly flustered. he huffs out a chuckle at your state.
“oh don't be so smug,” you grumble, lifting your head up to look at him. god was he pretty.
“angel,” he drags out, almost taunting, but inherently laced in affection. he can't help it, you are an angel personified to him, the name was only fitting. and it wasn't often that you were on the tail end of the teasing, so he's making sure to take advantage of whatever was making you all giddy as if you couldn't do the same thing to him tenfold.
when he sees the glint in your eyes though, he knows you're about to. he braces himself internally as you hold his face with two soft hands, cradling him. he shifts slightly to kiss your palm, admittedly trying to avoid your gaze.
“beautiful,” you start, and he's already done for, turning his head further into your hand. you're not having it, so you bring him back to you, firmer grip this time but fingers still as soft as before. “perfect,” you continue, words also firm, “angel boy.”
you seem to have rendered him silent, an easy thing for you to do because it's you, chipping away at any and all words he had stored simply because of what you called him. it's unbelievable that a mere nickname could reduce him to this–he’ll be sure to try it on you later. but for now, he just hugs you again, dropping his head back into your neck and arms around your waist. yours loop around his neck, rooting his head where it is.
your fingers press into his scalp, massaging lightly. you continue murmuring little things into the silence, turning your head so he hears you better. angel, baby, genius boy, pumpkin, sweet cheeks, shnookums.
his head lifts up, bewildered, “shnookums?”
“hey! i don't know what you're into,” you lean back in surrender, hoping to bring some humour into this because frankly, he was overwhelmed, and you knew.
he lets out a low chuckle, pressing his forehead to yours and you melt sleepily against him.
“i love you,” you whisper.
“i love you too, angel girl.”
m.list | reblogs and replies are appreciated!
#spencer reid#criminal minds#spencer reid fluff#fluff#spencer reid fanfic#spencer reid fic#spencer reid fanfiction#spencer reid x reader#spencer reid x you#spencer reid x y/n#spencer reid one shot#spencer reid imagine#criminal minds fanfic#criminal minds fanfiction
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we need to talk about The Silence and The Song
[PLEASE READ] edit to add: i realise that this post has been reblogged far and wide and that there is not a lot i can do about it now, but this is me trying anyway.
posting examples from the fic about my issues with its repetitive structure was careless of me, and i apologise to those of you who read it and became insecure about your own writing style. as someone who has worked with ai in academic settings, it's incredibly difficult for me to explain to you how the tone and structure of ai-generated fiction works and how, after reading enough of it, you can simply just tell. i do also realise that this is an incredibly weak argument, which is why i didn't include it when i originally wrote this post.
all that to say: there is an enormous difference between "beginner's writing" and ai writing. being repetitive as a new writer (or a seasoned one who just likes using repetition) is so normal. as is flowery/purple language. i've read hundreds of books and fics and the difference between these traits in ai-text and actual works is starkly clear. please don't feel anxious over the examples i've used in this post.
again, i apologise for any distress i have caused.
as per my last post, i have received a lot of encouragement to go public with this, and the more disappointed people i have in my dms, the angrier i get. so i will.
the silence and the song is an ancient arlathan au DA fic on ao3 by luxannaslut, and it is partly, if not entirely, written by an ai. i have no wish to be involved in any kind of fandom drama or witch hunting or bullying, but as a writer myself there are few things that piss me off more than watching people steal the work of others because they can't be fucked to write. it's disrespectful to your fellow writers, it's disrespectful to your readers, and it's disrespectful to the authors of the works the ai is stealing from.
ai is a plague that has no business being in creative spaces and you must do better.
the writing pattern
there was something very odd and monotone about the sentence structure of tsats that i couldn't quite place, so i fed chatgpt a prompt along the lines of "two people in a fantasy novel hate each other, but they secretly desire one another, and they kiss", and the screenshots above are the results. the third one is an excerpt from chapter 40 of tsats. the writing pattern is identical and it doesn't seem like the "writer" has even bothered to pretend they wrote it. if you're going to use ai, at least be sneaky about it. you know, paraphrase a little.
nonsense descriptions
"her nimble fingers worked with quiet precision" (ct. 1), "his grip firm but tender" (ct. 33), "her gown pooling around her like embers" (ct. 1).
fingers don't make sound, so what does quiet precision mean? as opposed to what? her joints cracking with every movement? how is a grip firm but tender? what does that mean? since when do embers pool?
the entire fic is littered with these adjectives that contradict each other or just straight up do not make sense, because all an ai does is generate descriptive language with no understanding of what the words it's spitting out actually mean. i could spend hours picking out examples from the seven billion pages worth of text, but i quite frankly have better things to do and would simply challenge you to try getting through a chapter or two without noticing the pattern.
repetition at structure-level
all the scenes in this fic are described in pretty much the same way. they open with purple prose vomit of the surroundings; solas is standing somewhere looking "unreadable as ever"; ellana's fiery golden molten fire copper ember ginger red hair is flowing this and that way; there's some dialogue with whoever is present and it leaves ellana feeling different variations of "something she couldn't name". this is, once again, a blatantly obvious sign of ai. below is the result of me feeding chatgpt the line "write me a scene from a fantasy novel where a woman with red hair is sitting on the ground in a magical garden at night", and side by side with that is the opening scene of the fic. make your own judgement.
repetition at word-level
this one speaks for itself. we fucking get it. her dress is orange, her hair is red, mythal's presence is heavy in the room, solas looks unreadable, compassion is sitting on her head like a crown, solas' ears are betraying him and ellana's move with every thought she thinks. we get it. the issue here is that an ai remembers the info you feed it, but not necessarily the info it shits out. if it's being told to write scene after scene of an elven woman with a gown that looks like fire doing xyz, it's going to do so with no regard for how many times the reader has already been informed of these details.
lastly: the breakneck speed
359,6k words in four weeks by a person who allegedly is employed and married and hasn't pre-written anything? no. any writer will tell you that this simply isn't possible. it absolutely infuriates me to see how much praise this "writer" gets for posting up to three full chapters in a day without anyone calling bullshit. i am pulling out my hair, you guys.
why i'm not going to live and let live this one
perhaps i would be less angry if the fic was some silly bullshit court intrigue Y/A stuff, but this is a text that handles very heavy and triggering topics such as SA, coercion, domestic abuse, and other things of the same vein. to sit back and put your feet up while having a robot write these extremely sensitive and very real human experiences with words it has stolen from texts written by actual persons is fucking heinous. the "writer" should be deeply ashamed of themselves and i'm sick and tired of watching people eat up their bs.
and on that note: the amount of people in my dm's telling me that they feel stupid and naive for not clocking this has infuriated me more than anything else. you're not foolish for this. being fed ai-generated bullshit is not what is supposed to happen on any creative platform and much less a fandom-centred one, so of course no one approaches a fic through that lens. fandom and fic writing is supposed to be about passion and the only person in this situation who needs to do better and change their behaviour is luxannaslut. polluting our creative spaces, wasting the time of your readers, and minimising the effort of actual writers who are working hard to provide content for us all to share and enjoy is vile and so, so lazy. i beg of you: do better.
#fang#solas#dragon age#solavellan#fandom critical#ai#the silence and the song#tsats#dav#da#datv#dai#ao3#dragon age fanfic#dragon age solas#ancient arlathan au#arlathan#idk what else to tag tbh#long post#HAHA that felt redundant whatever#chatgpt#ai art is not art#fen'harel#dread wolf#solas dread wolf#solas dragon age#solas x female lavellan#solas romance#lavellan
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The Dread Wolf Take You (Part 1)
~~Link to the complete 31 page comic here~~
"Imagine that, overlooking the god in your mids!"
May I present, my attempt at illustrating the last four pages of Tevinter Nights. 😁 (Also, the first time I'm posting art on here!)
As the whole thing was quite literally too long to post on tumblr, I uploaded the full version on a customized site made for reading webcomics (via ComicFury). Feel free to check out the link above if you like to read the rest! Also, if you're on mobile, there's a "Scroll View" option for easier navigation. :)
And, obviously, HUGE spoilers for those who haven't read Tevinter Nights!!
On a personal note though, I can't believe I actually finished it... As it had been a *very* long time since I drew (and finished) anything, let alone a 31 page comic and reading Tevinter Nights again finally sparked my motivation (and the courage to post it lol). So I want to thank Patrick Weekes for helping me overcome this massive art block and over two decades of Case Closed mangas for inspiring me how to draw an overly dramatic "exposing the imposter" moment. 😂 I tried my best to be as faithful to the book as possible and it took me forever, so... hope you like it! :D
#dragon age#tevinter nights#dragon age dreadwolf#da4#solas#charter#tevinter nights spoilers#my art#just gonna leave this here and run away as far as possible 💀#fun fact - did you know that this chapter was entirely inspired by an old episode of the animated Batman series from 1992?#to be specific - season 1 episode 35 titled ''Almost Got 'Im''#in which Batman lures his greatest foes to a meeting while pretending to be one of the villains lol#Patrick Weekes mentioned this in a live stream#wait - does that make Solas Batman? lol#.....''The Dark Knight Rises''...''The Dread Wolf Rises''....#oh I see it now lmao#I love this chapter and this ending so friggin much I just HAD to do something for it 😁❤️#gotta live up to my url here lol#monsieur gauche my beloved <3
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tw: female reader, obsessive behavior, captivity, fantasy lore, abuse, murder mention, suggestive (?)
"You seem to be upset."
He's leaning against the window not too far away from you. Not too close as well - just far enough for you to feel at ease.
"Aren't you a mind - reader." You respond under your breath, trying to focus on the book you're currently reading - but the letters are escaping you, and you find yourself re-reading the same paragraph for the third time. He sighs, much like a disappointed father, before stepping towards you. And if you flinch just slightly, he doesn't pretend to notice or care.
"What is wrong, my flower?" The man gestures theatrically, soft velvet voice unbecoming of the monster he is flowing easily into the open air. You don't know what to say, really. It's been two years - or so you think, there is no way to keep track of time in this kingdom, not that time goes the same way in the elfen world as it does in the human, yet the part of you still capable of logical thought seems to think so. Two years, and there is very little you haven't already said. Very little left to be said, so your conversations are mostly rehearsed repetitions of what you already know. What you already fear - that you're going to die here. Or even worse. That you've become incapable of aging, so very consumed by this foreign land you detest that you've given up death for a life of boring, purposeless immortality.
"Don't I shower you with lavish gifts?" The noble moves closer, stalking towards you - observing you as if you're a butterfly pinned to a wooden frame under a microscope. "Don't I buy you the shiniest jewels? Not even the queen herself owns such sparkling emeralds." He scoffs, painfully used to your lack of response. You clear your throat, turning a new page - having little to recall about the last. It's completely meaningless just like all the other pages in all the other books you read. How funny, you think. In that distant, dreamy past of yours you were too busy to read - busy with work, busy with family, busy with friends. Busy with life. Now nothing gets in the way of your reading, you have all the time in the world - but there's no one to share the knowledge with. No one to spoil the ending. No time limits. No goal to it all, no final destination. So you read, and you soak the pages with salty tears not remembering a word.
"I am grateful for all the treasures you give me, my Lord." You answer nonchalantly, keeping your pointer at the end of the paper in a desperate attempt to find the sentence exactly where you left it off. You can feel him move closer to you - and the only indication of your growing fear are the shivers that travel down your spine with the beat of your violently full, thumping heart.
"Don't I provide you with all the entertainment your little human heart could possibly bear?" The duke clicks his long sharp nails together once against the other - an ugly metallic sound echoes deep into the ceiling reminiscent of a dying forest clow. "There has never been a lack of wine or music or dance in my court. I've gifted you more golden dresses than you can wear in this life. I've written you more poems than you can read." He keeps going, describing every little thing he's done for you, despite the fact that you've never asked for any of it.
"I admire your taste for indulgence, my Lord." You repeat almost automatically, the praises sitting on your tongue just waiting to be spilt from parted honey lips. Your eyes are glued to the book, but you've given up on reading long ago. Now you're simply trying not to cry - focusing your eyes at one word at a time and blinking repeatedly, manically, feeling as if the world with end the moment you let him see your weakness. You can't believe you still have so much pain in you - enough to feel loss and anger and, what's even worse, hope. Hope that one day you'll be free again.
"And tell me, flower—" His fist wraps around your low ponytail, forcing you to look up at him and meet his eyes for the first time tonight. What's staring back at you might as well be the bottom of the ocean itself, misty and dark, cold and unknown. Human eyes convey so much affection - so much care that you can never mistake it for anything else. With elves it's different - you can spend centuries looking for a hint of kindness, and you'll only get lost in those beatiful bottomless pits. Shiny and sparkling and completely empty. "Don't I give you love? Don't I embrace you tightly every night?" His voice lowers dangerously, barely above a whisper.
"I don't understand what more you could possibly want. Should I prove myself to you? Should I slay a dragon for you? Perhaps I could tie the heads of your enemies with a pretty bow and give them to you as a wedding gift, hmm?" He's babbling incoherently, nails digging into your scalp with unyealding grip. "Would that finally, finally make you happy, beloved?"
"No, no, please let go." You cry out in agony, wriggling out of his hold - but he's too strong, too massive to move. "I'm happy, I'm—" You sob pitifully, weakly pushing at his chest. "I'm happy with you. Please, you make me so happy, just please let go. And please don't hurt anyone."
He slowly pulls away, chest heaving in and out wildly. The scariest part is always his face. It remains unbothered - cold and defined like a statue of a god, his true feelings hidden by a mask of barely contained rage.
"You're happy with me?" He raises an eyebrow, foot stomping on the ground impatiently. You nod hesitantly, too shaken up to comprehend what you're even agreeing to. "Then prove it. Show me just how happy I make you." He grabs your wrist, pulling you face-first into his hard chest. "Do it, and I might reconsider my other more... inhumane methods of courtship." His lips twist into a cruel smirk. "And may the Gods help you."
As you sink to your knees you try to think of what book to read next - but no title comes to mind.
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