#i can tell you the story and the problems

[foldingfittedsheets]

I was talking to a coworker recently and offhandedly said I wasn’t exactly competent at a lot of things. He reared back in obvious visceral disagreement that made me stop midsentence.

“What do you mean you’re not competent?”

“I guess I mean compared to the people I’m surrounded by? I’m not very handy, I guess.”

He looked baffled.

I tried to illuminate with a story. So at the sex shop we needed to vacuum every night, right? But one time after my days off I could tell the carpets hadn’t been vacuumed since I last saw them. I asked the other girls why not. It turned out that the screw that held the handle on the vacuum had been stripped and it wouldn’t stay in. Why was that down to a single screw? Bad design.

So any attempt to vacuum meant the handle just popped off when the screw jumped ship. I looked over the vacuum. I found a junk drawer. I found the biggest screw I could that still fit in the hole wrapped it in tape to bulk it out. Then I shoved/screwed it in place. Then I duct taped the opening so that fucker couldn’t pop out. Voila, a working handle.

The other girls were utterly delighted that I’d fixed the vacuum but I was painfully aware that my solution was neither elegant nor long term.

My coworker listened. Finally he said, “I think being competent just means you have the ability to learn a skill you lack, and you can do that. Your solution worked, and you were the one that tried to fix the problem.”

I digested that and agreed, but admitted any new skill learned would prompt me to be a huge baby about it.

[beroebluejeans]

One of the many things I love about the Murderbot books is how the first one ends, with Mensah and the Preservation team thrilled because they have rescued Murderbot who can now go home with them and live happily ever after, while Murderbot is like, uhhh I appreciate it but your plan for me is not something I want. Then, when Murderbot comes back into their lives, the team is mad at it for leaving without telling them, but they also realize they screwed up by making a bunch of assumptions about what Murderbot would want.

It is very frustrating to have someone offer you “help” when their idea of “help” pushes you into a situation they have chosen for you without understanding your actual wants, needs, or abilities. Sometimes, when you aren’t sufficiently grateful or enthusiastic about the situation chosen for you, or heaven forbid, you point out problems with it, they get ANGRY.

I like stories about how helping a person means paying attention to what they actually want and need instead of assuming you can decide that for them because I love projecting my own bullshit onto fictional characters

[theesteppenwolf]

More Lucanis rambles because I’m still thinking about it and got nothing better to do :P

I am not here to tell anyone how to feel but putting words into peoples mouths who criticize the Lucanis romance (or Lucanis in general) for being unsatisfactory by saying;

“You don’t know what a slow burn is/ it’s because you expected zevran / you don’t get it he’s traumatized/ you just wanted something spicy and didn’t get it so now you’re mad” etc.

Is completely disregarding the fact that his lack of reactions and lack of content actually led people to believe he is bugged. Most DA fans didn’t expect spice or steam or whatever but they did expect an effective story, one they didn’t get.

This is at the end of the day a visual storytelling medium and implication will only get you so far, if i have to start thinking up entire plotlines in my head to make sense of the story or relationship progression then they failed at good storytelling. If i have to write paragraphs of explanations that the game doesn’t even remotely touch on then that isn’t a slow burn, it’s just a lack of content and poor pacing.

If he is traumatized and reluctant because of it you have to give me a scene where i can actually read that. If he is awkward and doesn’t know how to react to flirting you have to exaggerate to an extent for people to tell. If there is longing and angst give me banter that reflects it.

A romance in a game should give me some kind of deeper personal insight into a character and if i have to do the writers job and in my head think up those insights then the actual romance is mostly moot. I’m not saying give me all the details i’m saying at the very least give me a jumping point, some info buried in the game i won’t get otherwise. His romance fails at this.

Mary Kirby was fired yes and it’s awful what happened but unfortunately the product still remains and it leaves a lot to be desired for a big amount of people. When players are straight up going back on saves to romance someone else it’s a real problem. For me, it soured my first playthrough, especially later when i saw how Davrin and Emmrich had content, convos, specific romance outings and at the bare minimum actually had a noticeable reaction to flirting dialogue.

Again I’m not telling anyone how to feel, if it works for you that’s awesome, but to disregard his obvious lack of content by calling other fans basically stupid is incredibly disingenuous.

I love his character, loved it since The Wigmakers Job and he is still my favorite after my first playthrough. I think the beginning of his romance was very promising and the end is great but everything else is missing I’m sorry. His romance was not well executed and i honestly don’t think his character really was either. (But i won’t vent about that right now)

I know what a slow burn is, i was not expecting Zevran, i did not want a steamy romance. I wanted a well executed story and i didn’t get one. I am critical because i think it could’ve been great, i still love the game and i am not shitting on it, his character or other fans i just hate wasted potential.

[wonderjanga]

Guide on How to tell Marvel’s Mad at You

Now see, this is a textbook example of Marvel being mad at someone. He’s using :)s, punctuation, and overall just giving off the aura of silent anger. Thankfully, Flash later figured out it was because he ate Marvel’s PB&J sandwich. He resolved this by making six PB&J sandwiches and apologizing swiftly.

Flash: “I’m sorry! I didn’t see the label!”

Marvel: “It’s fine, Flash.” *sunny ahh smile* “I shouldn’t have taken my anger out on you anyways.”

Flash: “It’s fine!” *wasn’t even hurt by the passive aggression (he was)*

Marvel: “It really isn’t. I shouldn’t have lashed out on you like that. Why don’t we call it even and split these?”

Flash: “Sounds great.” *just happy to be forgiven*

Another thing to watch out for is an absence of politeness. Marvel, ever the gentleman, will hold the door open for anyone, but…

Marvel: *holding open the door*

Hal: *starts to head to the door*

Marvel: *walks through the door and closes it before Hal can get through*

Now, one might think this was an accident, but after having it happen five times in a row… that’s when it becomes a problem. Hal later found out Marvel was mad about him cheating in a game of cards.

Then there’s the few times he’s caught not smiling. This is something major to watch out for because it doesn’t mean he’s just angry, he’s infuriated.

Marvel: “That was extremely dangerous!”

Kid Flash: “We’re sorry!”

Marvel: “I don’t care if you’re sorry!”

Uh oh guys. Marvel just said he doesn’t care. This just upgraded to furious. That was the day the YJ truly got chewed out by their den mother.

More of these guys will be printed and distributed throughout the Justice League. Thank you for your time.

Also, my friend made the text story so shout out to them. They’re the same friend who makes the drawings I post for them sometimes. :)

[sleepyparalysisdmon]

SVT helping a partner with trauma

Requested? Yes!

Genre: comfort

TW/CW: Implications of trauma

A/N: This will be less of a discussion about traumatic events themselves (if mentioned it’s brief only to give context), but rather the feelings and responses one might have afterwards. Trauma is varied and so is everyone's reactions to it, so I tried to include a variety of scenarios so there’s a little bit of something for everyone. 

A/N #2/Warning: Please use caution when reading if you might find the topic triggering. This is meant to be comforting, but if you find that it isn’t, come back later or skip altogether. 

Seungcheol

Money is an interesting topic between the two of you. At first, he thinks that you just like to keep a tight control over your finances, and he respects it immensely, applauding you for being money-smart. But he notices that you deny yourself a lot of things in an effort to penny pinch, and flat out refuse when he offers to ease your burden on little things like needing to replace something around your apartment or pay a bill that has an upcoming due date. In a vulnerable moment, you tell him the abbreviated version of the story - you depended on someone financially and then they left you with nothing, and you refuse to be stuck in that situation again. From then on he encourages your financial independence and for the most part respects your wishes for him to not spend a lot on you, even if it pains him sometimes. But you best believe the moment you accept it he’s already sliding you his card or heading to the store himself. Wants you to know that you can rely on him, but knows he has to earn that. 

Jeonghan 

You’re a flirt. It’s one of the things that he loves most about you. He's kissed you a few times since starting to date, but he notices how you pull back sooner rather than later, putting space between the two of you. You feel safer with words than you do with touch. He’s okay with that. If you ever try to explain yourself - doesn’t matter if it's a simple ‘I want to wait’, or a more detailed reason - he’ll shake his head. “You come to me if and when you're ready,” he’ll say simply without an ounce of teasing. I do believe that if and when you do approach him, he’ll want to have a not-so-sexy but still very needed conversation to make sure you’re both on the same page and he understands your boundaries. 

Joshua

On the very first date, you tell him you don't drink and don’t really like to be around alcohol. Noted, he thinks, and doesn't order another drink beyond the one he already has in front of him. He also doesn’t have a problem not keeping it at home. However, there’s a social element to drinking that is sometimes unavoidable. He sticks to non-alcoholic drinks with you when you have to go to these events and takes you home before anyone you’re with can be too far gone. You’ll tell him that he can have a drink if he wants and that he doesn't need your permission - but he's supposed to be the one that makes you feel safest, so he’ll shrug it off. He doesn’t miss it. 

Jun 

Absolutely respects your work ethic and even admires it. But sometimes he’s concerned by how you always go in early and stay late, take on way too many responsibilities, and never, ever take a sick day or vacation. When he asks you about it, you simply say that you can’t lose this job. He can sympathize because it would be devastating to not be able to do what he does for a living, but he recognizes that it’s not passion, but rather fear, that drives you to overwork yourself. Does little things like driving you to work so you show up on time rather than super early, or making plans right after work so you can’t stay late. He’ll also book a vacation to somewhere that you just can't refuse. Anything to encourage rest, really. 

Hoshi 

Bless his heart, but he's trying to be funny. He hears you come in and hides behind a door, jumping out at you when you enter the room. Does not expect for you to cry and panic, and cries and panics himself, profusely apologizing. Once you both are calm, he doesn't press for details, accepting your explanation that someone that used to be in your life used to do that sort of thing, but that it wasn't all fun and games. Will never, ever be doing that again, and if you're ever around his group members and they get a bright idea, expect that he'll put a stop to it before it even starts. 

Wonwoo

You’ve lost someone close to you. Whether it was a shock or not, whether you were there or not, doesn’t matter. He’s sympathetic to the trauma of losing someone and knows there isn’t a ton he can do to fix it. But he’ll do the little things. He’ll make sure you eat, even if it’s a little and even if he needs to feed you. He’ll make sure you shower, even if he has to get in and wash your hair for you. He’ll make sure you find a balance between sleep and activity, even if he has to gently drag you outside for some fresh air or carry you to bed himself. Also knows you can't really acknowledge any of it right now, but he’ll keep doing it anyway. 

Woozi

You guys don't fight, well, ever. You both are too laid back. But something big happens and you both have had bad days. Jihoon’s not proud when he loses his temper a bit, shouting. Immediately does not like how you fold into yourself and back away. You’ve confided in him before that your home life involved a lot of arguing growing up. He kind of feels like he’s looking at a kid version of you in the past and it makes him feel nauseous. He takes a deep breath, apologizes, and says that you both should cool down. Later that night, you two sit on the couch, talk it out, and promise to call a timeout next time one of you gets upset. Will absolutely never raise his voice at you again.

DK 

He checks your phone for something, not trying to be invasive, but because you had something he needed. He accidentally stumbles across quite a few reminders that you're way overdue for a check up at the doctor’s office. He apologizes that he was accidentally nosy, but asks if you’ve been able to schedule it yet. He can tell that you’re uncomfortable, bordering on scared at the mention of it. You’ve told him before that you were sick as a child and spent a not-so-insignificant time in the hospital and have since then hated clinical settings. So, so understanding, but also so, so insistent that you should take care of yourself. He’ll take off work in a heartbeat to go with you and hold your hand if it will help. 

Mingyu 

You both are working on a grocery list and you ask him to add another case of bottled water. He looks at you quizzically because you already have an untouched case in the closet and the fridge is stocked. You pause, frowning. “But what if we run out?” You’ll say in a small, worried voice. He knows you’ve lived through a natural disaster or two before you moved here. You don't talk about it much, but he’s seen clips on TV before about what that can be like. He nods. “You’re right. I’ll get another one.” He gets two. That closet will never be empty if it makes you feel better. 

Minghao

You’re getting repeated phone calls from a random number. When you tell him this, at first, he nods, kind of shrugging it off. Spam calls happen all the time. (God only knows I get like ten a day from telemarketers.) Still, he watches your anxiety spike every time it happens and gently presses for a bit of an explanation. You tell him shortly that you’ve gotten harassing phone calls in the past and have had to change numbers a time or two because of it. From that point forward, if he's with you and your phone rings from an unknown number, he's holding his hand out expectantly. Doesn't matter if it’s a telemarketer or not. Will always answer the phone for you or simply get you a new number until you’re comfortable. 

Seungkwan

Listen, I think he's ready to fight any day. He’s kind of surprised when you ask if he wants to meet your parents and especially surprised at how anxious you are about it. He sees why immediately because they aren’t nice people. Tolerates very few negative or demeaning comments directed at you and certainly won't tolerate any displays of violence, so I expect this to be a short visit ending with him deciding it’s time to go. Also won’t accept any apology from you for how they behaved and after some consideration will encourage you to limit contact. 

Vernon

When you tell him early on that you don’t drive, he just shrugs. He’ll take the bus or walk with you any day. But one night, you guys have gone out. When you walk out to go home, you realize it’s raining and that you’ve missed the last bus. Vernon shrugs, saying he’ll just call an uber or taxi. You panic and he’s kind of surprised. Still, he puts his phone back up and waits for the rain to stop with you before walking home. You tell him you got into a car accident years ago and your injuries were minor, but you still don't like driving or riding in cars. You say it’s one of the reasons you live where you do, so you can just walk everywhere. Will always stick by you no matter what mode of transportation you choose. 

Chan 

You express that you don't like your new job and he’s surprised, mostly because you were so excited to start it. You tell him your coworkers are kind of cliquey, and you don't feel like you fit in. He understands, telling you that they don't have to be your friends as you can work with them. Still, you tell him you can handle a bit of rejection, but you're afraid that they might become mean or hostile, like the catty women in the last place you worked. He encourages you to focus on work for now and feel out the situation for a little bit longer. It’s not the end of the world if it doesn't work out because you still have him. Cheesy, I know, but it does make you feel better. 

[seungsuki]

jab we met - 02 masterlist

with your chatter buzzing in one ear and the train’s silence enveloping the other, rin decided to close his eyes for a moment, hoping you would finally quiet down. but his wish went unfulfilled. as you continued your relentless stream of words, the train guard began making his rounds

suddenly, rin sprang up, startling you in the process. your conversation halted as you watched him stride purposefully away from his seat into another compartment. curiosity piqued, you quickly followed him, your busybody instincts urging you to find out what he was up to

“where are you going, mister?” you called after him, but he didn’t look back

rin quickened his pace and soon found himself standing in front of the train doors. now, he suddenly recalls conversations. memories flooded back, mostly with his brother, about being the best, about dominating blue lock, about making it as a professional

he still recalls the promises they had made to each other, now turning into distant whispers. as rin stood at the open door, the cold air rushed in, cradling its icy fingers around his heavy body. he takes a step forward, feeling his heart beating and a constant reminder of his current actions

“you can be the best one after me” 

why did his older brother's voice keep echoing in his mind? rin despised him, yet thoughts of him lingered with the sudden game of tug of war between anger and concern. the chaos vanishes as soon as he hears your voice entering 

“what are you doing???”, you yelled, grabbing his attention 

in an instant, you yanked his hand away from the cold metal of the door handle, sliding it shut. you took a moment to catch your breath, tilting your head up to meet his gaze, your eyes searching his face for answers- who tries to jump off a train in the middle of the night???

“leave me alone,” rin said, pushes you away 

“you were going to jump off the train! are you out of your mind?” you paused, trying to calm the heavy pit in your stomach. “there are other ways to solve your problems!”

“it’s none of your business,” rin snapped back, the frustration boiling over. “all you’ve done is bother me with your endless chatter and bore me with your life stories! maybe you should take the hint and just leave me alone!”

his voice echoed in the small space, his outburst causing your eyes to narrow slightly. you winced at the volume, but you didn’t flinch- instead, stood your ground, mimicking his anger with a new unspoken moment 

amongst the sudden shouting, a train conductor was walking around to check the tickets. after his round, he reached the area where you both stood, he extended his hand out to ask for your tickets 

the moment felt awkward as both of you turned to him, rummaging through your pockets for the necessary ticket. rin on the other hand, remained still, eyes wide with an expression from the sudden moment. with a gentle nudge, you urged him to show his ticket, but he merely stared back at you, panic plastered across his face

and that is how you’re currently negotiating with the train conductor, trying to win him over by making a tragic story. the conductor, who seemed rather done by all the drama, sighed at your ‘story telling’

“he just misses home, you know? his family! don’t you have a family sir?”, you added an exaggerated frown with your plea 

the conductor, clearly unimpressed, sighed heavily. “i see…” he muttered, scribbling on his notepad as you spoke

“just get him a ticket for today, okay? he’ll be careful, i promise!” you added, flashing a hopeful smile

with another bored sigh, the conductor finally tore a ticket from his pad, handing it to rin before tipping his hat in your direction and moving on, disappearing into the dimly lit corridor

“why don’t you have a ticket?” you asked rin 

no answer 

rin didn’t respond, the weight of his internal struggle taking over his already crowded mind. you reached out, gently grasping his face to turn it toward you. eye to eye, you pulled him close, your sincerity blinding his vision. is this an angel sent from god? 

rin snapped out of his daze the moment your warm hands touched his face. the icy fingers of the wind faded, replaced by the warmth of your concern. for a second, he was tempted to close his eyes, to surrender to the moment. but reality hit him, and he jolted back, pushing your hands away

what reality? 

your eyes had everything he had been looking for his entire life on earth

“don’t touch me,” he warned, with irritation

“sorry… you weren’t listening,” you replied, looking down, guilt creeping in

but when rin glanced at you again, he could see the regret on your face. sighing, he lifted his hand and placed it softly on top of your head, a gesture that surprised you both. he ruffled your hair awkwardly before withdrawing his hand as if he had something he shouldn’t have 

“sorry,” rin muttered, glancing away, a hint of embarrassment creeping in his already flustered feelings

you watched him for a moment, your lips curling into a soft smile before laughter bubbled up uncontrollably. you clutched your stomach, laughter echoing the quiet room 

“you’re weird. what’s your name”, you ask, wiping your imaginary tears. “i’m [name]” 

“rin” 

TAGLIST

@raphsimp @tsumu-senpai @acchan05 @secretkiseki @fishii28

© seungsuki 2024-25 -- do not repost, translate, alter, etc on any platform without permission. Any characters used in my work do not belong to me, they are created by their original creator. all images are from pinterest.

[angellwingss]

Wasn’t going to go on a big rant but you know what since that other post is gaining traction yeah I think I will. So big long rant under the cut. Lolll

I feel like. A lot of people might tell me ‘it’s not that deep’ but to me it is that deep.

I don’t have a problem with JayVik or it’s shippers like. At all. I just think some of them are à really good demonstration of like. Every bad thing when it comes to fandom ever LMAO.

Once again I am (supposed to be) writing a whole big long essay about this already so I will try and keep this kind of short and sweet and it might be a bit lacking but wtvr.

I think a lot of JayVik fans tend to be white queer people. Someone left a tag on my OG post that said basically ‘my take is I’m a faggot and I don’t have to care about a character if I don’t want to’ and no hate to that person cuz you’re right, but this is exactly the kind of stuff that made me make that first post.

I feel like a lot of white queer people have an issue with seeing outside their own identity? If that makes sense? This is seen time and time again with the way some of them behave when big movements happen online, some have a tendency to centre themselves and whatnot so i think it’s kind of the same thing.

It makes total sense that a queer person would prefer queer ships and would prefer JayVik over MelJay, that is not a crime. But I do think part of that is because they can’t relate/identify with Mel or see themselves in her like they can with Jayce or Viktor.

I hate to also make it about feminism but i think a lot of you guys are super like. Male centred, like just in your attraction which once again, not the issue not a crime. But i think it’s also why CaitVi, which is a canon queer ship, although popular is still not quite as popular as JayVik despite being canon. Women fetishizing gay men in fandom is not something new, which I think might play a small part in it- I’ve seen a lot of people especially back in s1 infantilizing Viktor and acting like he had no agency or independence and that he NEEDS Jayce to take care of him (that’s another thing. Ableism(looks at you with my eyes)) and they also do the same thing with Jayce where they act like he had 0 agency with any decisions he makes and that he’s like a big dumb baby who doesn’t know anything politics. Hey, guys. That’s a grown man.

My main issue isn’t that people prefer JayVik over MelJay it’s just that some shippers demonize Mel to an insane degree, blame her for getting in the way of their ship (this is also happening right now with Maddie- there’s a leak going around saying that she gets with Caitlyn and people are so upset that this character is getting some INSANE hate and I feel like that’s the same thing going on.)

they blame her for ‘stealing’ Jayce etc etc like. Idk. You don’t have to ship MelJay but I wish more people would appreciate Mel just as a character- imo she is super interesting and has a great story but she’s only ever seen and ‘the other woman’. I’ve seen people say she isn’t like, well characterized and that her story entirely revolves around Jayce which. Yeah she’s definitely heavily involved with him in s1 but she’s clearly got a lot more going on than just that and you would know that if you GAF 🗣️🗣️

for just being. Who she is. I think Mel deserves more attention just in the fandom and it’s just frustrating. People making memes about Jayce going insane over Viktor leaving but like. Mel also just got fucking kidnapped guys. His lover has just vanished without a trace why is nobody also talking about that !!!! Why can’t he care about both these people at the same time !!!!!!!

Anyway I’m not nearly well equipped enough to talk more in-depth about like. Any of this but I do think the demonization of Mel and refusal to see her relationship with Jayce as it is can often times be boiled down to racism like straight up. And also things like the fetishization of gay men in fandom and just things like that are sometimes what can lead to female characters- even the well written ones to be shelved and pushed aside in favour of their male counterparts.

Obligatory ‘not all JayVik fans’ obviously a lot of you are awesome, shouldn’t have to say this. If I’m not aiming for you, you shouldn’t be getting shot.

[balkanradfem]

So I've been looking to read some books about living in nature, written by women, to get an idea of how it goes in practice, and the first book I found was 'The Great Alone' by Hannah Kirstin. It was about a family who decided to move to Alaska and live self-sufficiently, and it was written from the point of view of the daughter, Leni. I did not realize right away that this was a piece of fiction! However I do want to tell you about this book because something very specific happened in it that made me have.. ideas.

Right on the first page, it was spelled out to me clearly that this is a story about domestic violence. The father was drinking, had ptsd from war, sometimes 'blew up', and I was like, oh, I know what that is. Okay, let's see what happens then.

The father decided to move them all to Alaska because a buddy who died in the war left him a cabin there, and he wasn't earning money to pay rent, so Alaska it is. He talked his wife into it, promising that he will 'be better over there', and I'm like yeah sure you will.

I have to say, at the beginning this book was just heavily enabling me. They went over to Alaska and everyone was saying 'you need to prepare for winter immediately', even though it was spring, and they were bewildered. People were coming to help them to build a garden and homesteading infrastructure. And I'm looking at that like hell yeah I'm already 100% introduced to this, I am prepairing my garden from January, as soon as spring hits I am looking for food to can, dry, cure, I'm filling my stash from the moment cherries arrive. I'm certified to live in nature. (I'm not, I'm just entertaining myself with this fiction).

Alaskan winter is long and dangerous, and somehow these folks were already at the end of their food stash by the end of January, which is so early. They were in trouble, had no money, it was cold, Alaskan winter also brings 18 hours of darkness a day, so everyone was bummed and anxious. As you can imagine, the father found himself some alt-right conspiracy theorists to hang out there and drink with, every day they were talking about the government or minorities 'coming for their land' and prepairing to shoot people at the moment's notice, so it's no wonder he became more violent, aggressive and dangerous to his wife and child. He would end up beating his wife, and she would forgive him, and the daughter watching all this felt insane and desperate to save her mother. But there was no help, no police, nobody could even reach them in the deep winter, they had no food, they relied on him to catch something in the forest.

This is where the story got interesting. 

He breaks her nose, and the daughter decides that's enough, takes her mother into the car, and they escape. They crash. Daughter seeks help. They end up in a hospital. Father finds them and cries and promises to never do it again. Mother forgives him, seemingly out of fear that he's going to start killing people if she leaves him. Alaskan folk now know that she is being abused, because of her bruises and broken nose. And something unexpected happens.

One of the first Alaskan characters introduced in the story is Large Marge, a big woman owning a shop where she trades food and other survival goods. She is strong, resourceful, down to earth, incredible, helpful in every possible way. She is our star. Because once the word is out about the abuse, and the domestic violence family is back in the cabin, she comes over. She tells them all to sit the hell down, like she's a parent sorting out her unruly children. She then tells this story:

'I used to be a lawyer. Big city prosecutor. High heels and designer suits. I loved it. And I loved my sister, who married the man of her dreams. Only he turned out to have a few problems. A few quirks. Turned out he drank too much and liked to use my baby sis as a punching bag. I tried everything to get her to leave him, but she refused. Maybe she was scared, maybe she loved him, maybe she was as sick and broken as he was. I know that when I called the police it was worse for her and she begged me not to do it again. I backed off. Biggest mistake of my life. He went after her with a hammer. We had to have a closet-casket funeral. He claimed he'd taken the hammer from her to protect himself. The law isn't kind to battered women. He's still out there. Free. I came up here to get away from all that.“ She looked at the abuser. ''And here you are.''

The tension was insane. Everyone tried to get a word in, but she shut then down, and then she looked at the abuser again. ''We've talked about your situation here, we have a few solutions, but really, our favourite one is where we take you out and kill you.''

And I am reading this like oh my god. That's the freaking solution. It doesn't need to be that complicated. We just need someone who is 100% done with this shit who takes him out and shoots him. Problem solved. You hit your wife? Out and shot. Bye loser. Nobody losing sleep over you anymore.

I would love to tell you that she did take him out and shoot him, of how would I love to tell you that. I prayed it would happen as soon as the option was presented to me. However she told him he is either being taken out and shot, or he is leaving, getting a job and then providing money for his wife and daughter, and not returning until the spring comes again, which, he agreed to, since the alternative was to be taken out and shot. But I was still saying we should shoot him. She then decided to stay with the mother and daughter to keep them safe and fed during the winter. Like the hero she fucking is.

So, I haven't read this entire book yet, this is the middle of it, I have to go back and read the other half in order to know what happened next, but, I love this, I love the author, I love the representation of domestic violence and cycle of abuse, and how it is to be a female child in this situation, I love Large Marge, I love the resolution she provides, we need her, someone please, put her in reality. I want to be her, I want to barge into people's home and make death threats to abusers. To randomly stumble on a book like this is incredible to me. Thank you women for writing books. I love you all.

[citrusandrottefruit]

Modern!Steddie (This is based on something I read a while back on Tumblr about Eddie becoming famous, Steve getting doxxed, and years later singing Hozier's Francesca to Eddie. I'll look for the fic, and if I find it, I'll put the link here.) EDIT: This is the fic here, guys. I recommend reading it. (https://archiveofourown.org/works/48091627/chapters/121266283)

Steve has always been one of the popular kids, but not the kind of childish villains you see in movies. No, he was popular because he was handsome, had rich parents, was charismatic, and was good at sports. He didn't bully other kids, but he wasn't interested in them either.

He never felt the need to seek out new connections at school, because he'd had Tommy and Carol for years, and anyone new who wanted to talk to him would come to him. He didn't have to work hard to make new friends.

His time was spent on sports and the friends he already had. The occasional girlfriend, too, because he'd always been a romantic at heart and a lonely kid. Being best friends with a couple would also make him feel like a third wheel a lot, so having a girlfriend and double dates seemed cool.

Then he got into a fight with Tommy and Carol after that graffiti episode in the movies and they drifted apart. Tommy wasn't mean about it, but he was resentful and hostile, because they were best friends and it always sucks to lose a friend to a boyfriend/girlfriend who you think cheated on them.

After a year, when he and Nancy broke up, he, Tommy and Carol didn't get back together, but they weren't hostile, you could tell they felt bad for him. Steve wanted to be friends with them again, he just didn't feel right crawling back with his tail between his legs and he also felt guilty that they never reconnected before. He didn't want it to seem like he only got back together because he was single.

He's still popular, but now his best friends aren't around anymore and he got cheated on by his girlfriend, but he feels like he deserved it (let's just say the story they made up about Barbara dying was real and the trauma grew into a monster and consumed their entire relationship). So he feels alone.

He has the kids. But Dustin thinks he's awesome and he doesn't want to be anything less, Lucas also sees him as a hero, willing to take a beating for him, Max looks up to him as a big brother. Will is Jonathan's brother and has traumas, so Steve would never dump his problems on the kid. Mike is Nancy's brother.

All of his real friends are kids.

So, Eddie. Steve isn't lonely around school, he still interacts with other students, he's friendly with the popular crowd, a lot of people like him. He just has these moments where he seems sad and then suddenly he seems super chill again.

Anyone who looks closely can tell he's got a problem and pretends not to, but it's not obvious. Eddie doesn't think much of it at first. He actually finds it amusing, because he has a lot of shallow and superficial ideas about popular kids who conform to the norm and who are well-off.

Eddie comes over when he sees Steve reading a DnD rulebook. He mocks it a bit, but explains a few things and Steve, who has always been a social butterfly and never cared much about sitting at the same table as some group in the cafeteria, sits down with Hellfire.

Not with the intention of being their friend, just because he wanted to ask them questions, take notes and move on with his life. A brief connection, a friendly interaction. No different from his relationship with most people who are part of his social circle.

But Eddie keeps pulling him closer, invites him to join the Hellfire Club. Steve declines, because he likes the stories and wanted to learn about DnD because of the kids, but he feels insecure about being a player, about roleplaying, he's afraid of making the wrong decisions and ruining something that seems to be so important to their friends (both the kids and Eddie).

Eventually, they fall in love.

Steve graduates without much distinction and Eddie barely makes it, but they are free from high school. While Eddie continues to play concerts at the Hideout with the CC boys, Steve works at Scoops Ahoy and makes friends with Robin.

So, when Eddie decides to leave, Steve asks them to wait a little, to save up more money, to get better organized. If they stayed for a whole year, Robin could even leave with them. When Eddie doesn't agree, he says they can continue their relationship long-distance. After all, it's 2010 and there's technology for that.

Eddie leaves anyway, believing that Steve will regret it and look for him, understand that leaving is the right choice and blah blah blah. Steve can't leave yet, because if he moves out, if he doesn't follow the path his parents have laid out, he'll give up any illusion of family he might have had. His car is in his father's name, he doesn't have much savings, he's still not open about being bisexual and he's terrified of leaving his entire life behind. It's hard in Hawkins, but facing the whole world, the uncertainty, not having a home to go back to… It scares him. Eddie doesn't understand, because if nothing else worked out for him, he could go back to Wayne and be welcomed with open arms.

One of Eddie's first hit songs is about a preppy, popular, charismatic kid who's the captain of the swim team and lives in Loch Nora who starts dating him in his senior year and gets stuck in a shitty job at the mall. It's easy to figure out who Steve is. People at school find out quickly.

I like to think Carol is the one who alerts him, goes to his job to tell him the rumors. Tommy goes with her. Although Carol is kinder and more open and Tommy keeps his distance, as if he might be infected, he also tells Steve to be careful, for old times' sake.

Either way, he becomes a target. The students tell their parents that they believe the hit song is about Steve. This story even gets around the church that his parents donate to and "attend" when they're around. His parents' friends find out. His business partners find out. His parents, too.

His parents suddenly move back home. It was a huge fight, with his mother accusing him of being possessed, suggesting a treatment to "cure" him. Mr. Harrington said it was due to a lack of beatings. Either way, it ended with him bleeding alone in the street.

A few days later, he and Robin managed to return to "steal" some of his belongings back, including documents. Other than that, he lost everything.

Mr. Wheeler didn't even want him to get close to Mike anymore.

For a while, he spends his days between the Hendersons' couch and Robin's bedroom floor, feeling like shit and listening to the music Eddie wrote over and over again.

After that, he sells his cell phone, his laptop, whatever he managed to keep. Robin also sells some of her things and the kids help with this small fundraising, selling cakes and sweets. Even Tommy and Carol seek them out, providing almost 50% of the money. That way, Steve is able to leave with a few months' rent saved.

Wayne also helped, because he knew that Eddie's music was responsible for this. Steve told him never to talk about everything that happened with Eddie, so Wayne kept it a secret.

I think Tommy, Carol and Steve could get back to being friends. Not the same as before, but they have lunch together every few months and they were the ones who helped Steve get a job in a new city.

A few months later, Corroded Coffin is well established, about to release its first album. Robin goes to college and Steve and she move in together.

That's when other people start to find out who Steve is too. It starts with a post on Reddit, people speculating about him, which is the central theme of several songs, although none are as explicit about his identity as the first. His parents receive some hate mail, they make a point of sending it to the Buckleys and Steve finds out. What hurts the most is knowing that his parents never gave him any of his belongings, but they found a way to let him know that people he didn't even know hated him.

He gets some hate messages too, because, although he deleted his old accounts, the new ones are easy to find through the profiles of people who knew him before all this. So, they're probably students from school, people know what Robin's social networks are, finding him.

There isn't much hate coming his way because he's careful to keep to the shadows, and thankfully the speculation about Steve Harrington being responsible for breaking Eddie Munson's heart doesn't go that far, after all, there's nothing to keep fueling those theories.

One of the things that connected Eddie to Steve was music. I like to think of Steve as a musician, like Joe Keery is. If Eddie can pour out his anger through music, he can also pour his heart into it. He writes Unknown/Nth and posts it to an anonymous YouTube account. He sings with an acoustic guitar, without showing his face.

For a while, this feels like closure.

Steve still gets hate mail sometimes, even though he deletes the old accounts and creates new ones. Everyone in Hawkins seems to know about him and Eddie. The kids, who hated Eddie for a while, have reluctantly started to admire him again. Steve reassured them about this, but they all remained bitter about everything that happened.

Steve, for his part, has vacillated between hating Eddie and hating himself. Most of the time, he still feels like he maybe loves Eddie a little bit, as if he’s stuck on that last day they saw each other. Sometimes he blames himself for making the wrong decision. Other times he thinks that if he hadn't stayed in Hawkins, Eddie might never have made it big.

His feelings for Eddie are complicated.

So, about 5 years after the breakup, there's a documentary about the beginning of Corroded Coffin. Something not produced by them. Maybe by a fan? Who goes to Hawkins, talks to people, tells them about Steve, exposes Steve and it goes viral on social media.

His life goes to shit very quickly. Eddie doesn't even notice at first, because CC is on a world tour and they never have free time. Meanwhile, Steve becomes well-known on social media and gets some hate mail.

Things change a bit when someone, seeing old photos of Steve, posts on Reddit that they have a crazy theory: there's a song they've been listening to for years, that's a lost gem in the depths of YouTube and they swear that's Steve Harrington, because the moles match and you can see a Hawkins High jacket in the background. It's a pretty crazy theory, so it doesn't get much attention, but the song gains momentum.

Eddie finds out because, once he learned everything that happened, he started researching everything about Steve, trying to measure how much he ruined his life.

Assuming people find out that the song is really about Eddie, I think he could become the target of hate, almost as much as Steve did, because Unknown/Nth is a powerful song.

That's what I've thought, for now. They get back together in the end because Eddie's actions had terrible consequences, but he never meant to hurt Steve like that and the biggest culprits for everything that happened are his parents. The hate from the fans wasn't that intense until the documentary, so it was hard to notice.

Anyway, they have a long way to go. A talk to clear up their last fight, a lengthy apology from Eddie, reconnecting with the kids, getting back to being friends.

It would be terribly sad and difficult. It definitely wouldn't be a fairy tale, but they could learn to trust each other. Eddie could earn Steve's trust, affection, and friendship, and one day they could be a couple again.

[knottedhearts]

Argument: M.S

Summary: You and Matt are arguing because he's being awfully loud, and you're on your period.

The evening had started off fine. You’d both been sitting in the living room, enjoying a quiet night in. But that peace quickly shattered as Matt’s loud voice carried through the room like a sledgehammer. He’d been talking non-stop about some random topic, laughing at his own jokes and rambling without noticing how overwhelming it was. You were curled up on the couch, trying to get comfortable despite the aching cramps that came with your period. You wanted nothing more than to curl up and zone out to a movie or even just close your eyes for a few minutes of silence.

But Matt’s energy was impossible to ignore. His laughter echoed off the walls, and his voice cut through the air with each sentence. It didn’t matter how much you tried to focus on the TV screen or ignore the noise—it felt like his presence was all-consuming, drowning you in sound.

You shifted uncomfortably on the couch, your lower back aching, your abdomen throbbing. Every movement made the cramps feel worse, and the constant noise made it harder to focus on anything but the pain.

Finally, you couldn’t take it anymore. You turned to him, your voice tight with frustration. "Matt, can you keep it down?"

Matt didn’t seem to hear you at first, his energy undeterred by your quiet request. He was too caught up in his own story, too wrapped up in whatever had him so animated. "No, seriously, man, I’m telling you," he laughed loudly, his voice rising as he explained some ridiculous anecdote.

You clenched your jaw, trying to keep your cool. "Matt," you said again, this time louder, but with an edge to it. "I’m not feeling good. I’m on my period, and I have cramps. Can you just… lower your voice a little?"

Matt paused mid-sentence, finally catching your tone, but he didn’t seem to understand the seriousness of it. He shrugged, not noticing how you were holding your stomach, trying to soothe the pain. "What’s the big deal? I’m just talking."

You stared at him, the irritation bubbling up like a volcano. "The big deal, Matt, is that I’m literally cramping in pain, and you’re yelling like you’re hosting a damn podcast! Can you show a little consideration?"

He frowned, clearly taken aback. "It’s not like I’m yelling at you. I’m just talking loud because that’s how I talk, alright? You’re the one overreacting."

You could feel the frustration rising, the way the tension in your body was making everything worse. It was hard enough dealing with your physical pain, but now Matt was being dismissive of your need for quiet.

"Overreacting?" you scoffed, shaking your head. "Matt, I’m literally sitting here in pain, trying to get through this, and all you can do is talk at full volume like it’s a damn comedy show. It’s not about how you talk—it's about you being completely unaware of how you're affecting everyone else in the room!"

Matt’s expression turned defensive, his eyes narrowing. "You seriously want me to apologize for how I talk?" His tone was rising now, getting sharp. "I’m not gonna start whispering just because you’re uncomfortable. That’s not my fault."

You felt your jaw tighten, your hands balling into fists. "It’s not about whispering, Matt! It’s about being mindful of the people around you! You never think about how your loud, obnoxious voice affects others. It’s like you don’t even care!"

Matt didn’t back down. "I care! I’m not trying to piss you off. I’m just being me, alright?"

"Being you?" You could feel your patience snapping, the frustration boiling over. "Being you isn’t the problem, Matt. The problem is that you can’t be bothered to understand that people need quiet sometimes, and right now, I need some damn quiet!"

The words hit him harder than you expected. He took a step back, his eyes flashing with irritation. "You think I don’t understand? You think I don’t know you’re having a rough time? But that doesn’t mean I have to change everything about me just to suit you!"

You stood up then, pacing for a moment, the cramps flaring up as you moved, but the anger took over. "I’m not asking you to change yourself, Matt, I’m asking you to be aware of other people’s needs for once. Is that too much to ask?"

"Yeah, it’s too much!" Matt shot back, his voice louder than ever. "I’m not gonna sit here and apologize for talking! Just because you’re dealing with something doesn’t mean I have to tiptoe around you like you’re fragile!"

You felt the tension in the room growing thicker, your chest tightening with frustration. "I’m not fragile, Matt," you said, your voice wavering with a mix of anger and exhaustion. "I just need some goddamn peace. Can you give me that?"

But Matt wasn’t backing down. His voice was cold now, defensive, as though he couldn’t understand why this was such a big deal. "You think I’m just gonna stop being myself because you’re having a bad day? That’s not how it works."

The words felt like a slap, and you finally snapped. "You know what, Matt? Maybe you should just leave me the hell alone!" You threw your hands up in frustration, the weight of the argument crashing down on you.

Matt’s face reddened with anger, his hands clenched into fists. "Fine! You want me to leave you alone? Maybe you should just deal with it yourself, then!"

His words stung, and before you could even react, you spun on your heel and started walking away. "Where are you going?" Matt called after you, but you didn’t stop, walking straight toward the door.

You grabbed your jacket, throwing it on as you walked out of the room, trying to push away the wave of frustration that threatened to overwhelm you. "I need space," you muttered under your breath. You didn’t even know where you were going at first, just wanting to escape, to get away from the noise and the tension.

"Wait," Matt said, his voice softer now, but you didn’t turn around. "I didn’t mean it like that," he called after you, but you kept walking, your heart pounding in your chest.

You didn’t want to hear apologies right then, not after everything that had been said. You just needed a moment alone, away from the noise, away from the confrontation. You didn’t know when or how the two of you would work through this, but right now, all you could focus on was finding some peace.

You didn't know how long you'd need, but you were sure of one thing—until Matt could truly understand the importance of being considerate, the fighting, the noise, and the misunderstandings weren’t going to stop.

[bluestarlett]

Hey! So, uh...

One of my family members used to work for this old animation studio, I'm pretty sure it was called, like Calamity Animations, or something?

But anyway, the studio closed down maybe in the early 2010s, and the family member who used to work there has this big box of old concept sheets and storyboards, and I found a pretty neat one!

Seems like the show was called something like, "Chonny's Charming Chaos Compendium"? It kind of looks like a Ruby Gloom knockoff at first glance- which is probably why it never aired.

The main character is this little devil girl, and I'm not all too sure what her name is, since in some of the concept sketches and scripts she's referred to as Soul, and other times she's referred to as Atlas. She's also got a chicken named Scarell, which I'm pretty sure is just a dumb play on the name Darell.

She seems pretty adventurous from what I can tell but she's always having to deal with her sister and brother getting into some kind of problem.

I think these are her siblings, Heart and Mind? But sometimes they're called Artem and Polly, which I guess is a play on Artemis and Apollo. Afaik they're always bickering and annoying Soul (or Atlas?) with their arguing. Seems like the plot of every episode is that Soul has to find some way to get the two to make up and usually it works, until the very next episode where they have another petty fight. As someone who grew up with siblings, its honestly funny asf.

And then there's... this guy?

He's called the Showhost or Storyteller a lot, so I guess he is this 'Chonny' dude in the title? What's weird about him is that in all of the storyboards, his face is always cut off by the screen, kind of like Ms. Bellum from PPG. There's not really much said about him, he's kinda just a weirdly cryptic and out of place character for a kids show.

Apparently, there are still a few files of early episodes out there somewhere and I think even a physical copy, but we couldn't find any in the box that my aunt (the one who worked at the animation studio) brought home, so we're guessing someone else is in possession of them. So, hey, if anyone out there knows anything about this show, you should hmu! It seems cute and I honestly want to know the story behind it.

Bye for now!

[asraindarkness]

If it’s okay, not necessarily BuckTommy but -

This season feels SO weird. It’s even weirder because for the first time they had a long time to plan it - they knew they were renewed for a Season 8 early into Season 7. So much so that, for the first time, they let the season end with a cliffhanger. Multiple, even.

And they they dropped all of them in a rushed and unsatisfactory way. If they didn’t want S7’s plots to continue on to 8, they could’ve ended them in S7. Never bring Ortiz or Gerard back. But instead, they went with the oddest choice and created a nice cliffhanger, only to disappoint pretty much everyone.

But for me it’s more than that. It’s also the way the characters don’t always feel like them. You’re telling me Buck never went into a deep dive about queer history or rights when he discovered he’s bi?? that Maddie would make the making men gay comment?? that Chimney wouldn’t talk to Hen about the possible second pregnancy?? I could go on and on.

And the dynamics also feel… broken. We barely have friendship moments, at all. Buddie this season feels weird, like Eddie doesn’t really want to be bothered by Buck. Hen and Chim are barely communicating. The firefam doesn’t have moments outside of emergencies (save that montage of them asking Bobby for help).

It feels like the writers have stopped knowing how to write these characters and their dynamics. And for me the found family that I fell in love with at first watch feels gone, you know?

i’ve been saying this since s6!

like aren’t they tried of keep writing buck the same all the time??? he doesn’t get promoted on his job that he’s fucking good at it, they had a kind of story about it when buck wanted to be captain in s6 and then bridge fall happened and buck was a fucking powerhouse in it and i thought they finally gonna show buck more that just a young goofy firefighter that thinks on his feet, show them he’s a leader but then they dropped it.

he doesn’t get into lasting relationship and is always chasing one and apparently now he’s gonna forget his character’s growth and gonna be right back in s1. it’s like buck’s always gonna be the boyish bratt they made in s1 when he was 25/6 not a 33yo man!

eddie can’t fucking move on for 6/7 years and tries constantly to make a mom out of everything woman he dates but now a confession and a random priest apparently healed him like he was possessed not fucking mentally traumatized!

madney are most of the times are dealing with doug that comes out like random jump scares. maddie had 2 stories last season both was about her trauma with him. yes you can’t heal from something like that for a long time or possibly never but for god’s sake that woman raised his brother as his own child when she was still a child herself and what did 911 do with this part of her? NOTHING

and you don’t need me talk about hemren’s endless suffering

and where is athena’s children???

it’s been a mess since s6 but now it’s wors cuz tim starts writing 5 minutes before they start shooting. i said it 100 times the only thing good about s7 was buck’s bi arc. they make a big deal out of problems and solve them in most childish ways in the same episode!

i know it’s basically a soap opera but ffs it’s not a fantasy. they pulled dead wife no.2 cuz it’s a soap but in what word a child can land a plane?

honestly after i reed that tim rewatched the whole thing before writing for bi buck i was sure the show gonna back to its root where chim and hen are besties and hen and athena spend time together etc etc, but apparently all he got from that is abby had a boyfriend named tommy

[sepublic]

I think there’s a lot of implications to Evelyn that people ignore in favor of making her into their white everyman’s Manic Pixie Dream Girl instead of like, an actual character with motives who came to the human world for a reason.

There’s the very obvious implication that she made the archway in Gravesfield??? The one that uses Titan’s Blood to open a temporary portal each time? And there’s another archway located by her house; I dunno if Evelyn made it herself, or if she had parents who were just never shown because they’re not too important to the story.

Evelyn obviously would’ve been a child when she visited Gravesfield as well, because there’s no way the writers would have her romance with Caleb begin if only one of them was a minor. So that points to her being a kid prodigy, which is something you can see in her descendants Eda and Lilith (Yes, Lilith as well; She’s very skilled herself and even figured out Glyph combos, it’s just that she’s being compared to Eda constantly and let her inferiority complex downplay herself).

But how did Evelyn even get to the human realm in the first place if the other archway hadn’t been built? Did she just magically connect hers to a pre-existing human archway?

We know Eclipse Lake exists, it’s how Philip entered the Boiling Isles, and others in the Demon Realm knew of it. Plenty of witches speculated on how a permanent portal to and from the human realm worked; So interdimensional travel was already a field that wild witches in the Deadwardian Era were interested in.

Portals in this show are two-way, so Evelyn must’ve entered Eclipse Lake, emerged somewhere in what would be known in the present as the Connecticut area, and then wandered until she came across some humans… And alas, she came across some of the worst humans to ever exist, RIP.

She made Flapjack, and Palismen you create don’t awaken until you state your wish. If Flapjack resonated with Hunter for sharing Caleb’s wish, then he must’ve resonated with Caleb for sharing Evelyn’s wish; To decide her own future. Flapjack himself is introduced trying to leave and go places, despite people telling him to stay put.

Caleb is someone for whom that wish came in leaving his ‘home’ in Gravesfield, he’d already moved there from someplace else prior! When Evelyn is established to be someone skilled in interdimensional travel, is there not an obvious connection to be made between this and her shared dynamic in Caleb, and the Palisman who resonated with both?

Did Evelyn live with her parents? Was she by herself as a kid? When a teenage Eda runs to the human realm to escape her complicated relationship with her parents, is it the same as her ancestor? The Boiling Isles was never perfect (but the coven system was an objective downgrade), and Dana even mentioned it herself at one point. Its people are just as humans as humans, and so just as capable of being messy and flawed and even cruel. The Coven Heads were willing to fuse their realm with ours under the expectation they'd be treated like royalty for it.

Like Gus, did Evelyn find human detritus and become interested this way? Like Luz, did Evelyn hope she could escape her problems in one world by finding another? I wonder what magic Evelyn liked? Probably stuff to do with portals (Eda uses them in the first episode), teleportation, warping space, etc.

With all this in mind, with Evelyn already being established as someone who can create portal devices, Philip’s tendency to plagiarize and take credit, his inability to make a second portal without using the first one as a base, and the portal itself being found right by Evelyn’s home and archway…

What if Evelyn made the portal, with Caleb’s help. It does change the context of these notes in Philip’s journal, if they’re transcribed from those of Evelyn, a wild witch who revered the Titan and her way of life.

Evelyn went through Eclipse Lake, traveled until she found Gravesfield; Evelyn posed as a human and trusted Caleb after seeing how he and Flapjack got along. Evelyn built a working archway and when Gravesfield suspected a witch in their presence —possibly due to her experiments— they went on a hunt for her.

Evelyn revealed her identity to Caleb and Philip, and brought the former to her world, possibly as a test run or to celebrate its completion, before bringing him back to Gravesfield. Evelyn and Caleb would meet in secret for their own safety, communicating via rebuses, as Caleb stayed in Gravesfield until Philip was old enough to take care of himself, and/or even changed his mind and went along!

But he didn’t, and if Philip tried to do something about the archway, Evelyn still had Eclipse Lake. She might’ve even made the Portal by this point and that’s how Philip has notes on it prior to reuniting with Caleb. So Caleb moved to her home (possibly after Evelyn showed up in his house using the Portal), and Philip eventually found the Eclipse Lake portal. But in those subsequent 5+ years, Evelyn used the Titan’s right eye to create a new portal, that would use a little bit of Titan’s Blood as a battery but not deplete it with each use.

Evelyn and Caleb programmed this portal to open in his childhood home where Caleb expected Philip to be, because he still hoped to have his brother with him and always had. Evelyn agreed to let this happen despite Philip clearly wanting her dead, even if he was not going to get Caleb implicated and killed to do so.

But Philip decided to cross that line, because at some point Evelyn and Caleb had a child, and knowing he was related to a mixed child pissed him off so bad. He pretended to be accepting, even as Evelyn and Caleb revealed a Portal and their plan to go back to him anyhow. Despite this, he attempted to murder Evelyn and/or Caleb anyway. Caleb died, and the Portal was damaged, but Evelyn chased off Philip. He eventually went back for Caleb’s body and stole it, and attempted to replicate the Portal that Evelyn and Caleb had showed off, believing he’d broken it beyond repair.

Evelyn decided she wanted nothing else to do with the human realm and buried the Portal; Maybe she left the option for anyone else who was still interested. Which gets me to another point, that maybe Evelyn made a grave mistake in accessing the human world, but let’s be real the onus is always on those who act in bad faith, not someone who acted in good faith and had that taken advantage of. But in the long, long run, even longer than 400 years, past the ending of the series…

Gus is not the first, but he might be more successful than Evelyn, and succeed where she failed. He’s a witch who was also fascinated in the human world, and now he’s cultivating a Human-Demon Realm Exchange Program, so both worlds can get to know each other, so people from both worlds can find new places. Because Evelyn’s portal was reclaimed by her ancestor, who did need it after all; And it led to Luz finding the isles, to Vee finding Gravesfield.

Luz and Vee were also taken advantage of to commit genocide, but Luz helped stop it. She helped right a great wrong in freeing the Collector and giving the Titan’s son a friend; Evelyn was a wild witch, so she would’ve respected the Titan, and did use his right eye to create the Portal. During that time, the Titan was also able to peer into both the human and demon realms, though he wouldn’t have had much reason to care about the human realm for a while.

(And if the Archivists ever return; There’s a Collector who could be very helpful in resolving that threat, who was freed thanks to the butterfly effect of Evelyn’s actions.)

So in the long run, perhaps centuries after the show ends? Maybe Evelyn did good after all. There’s a lot our worlds could learn from each other, and perhaps healing magic would’ve helped someone like Manny; If not him, others down the line. Plant magic could also be very helpful. The Collector was able to create a second Portal to establish more permanent contact through Caleb’s old home, as Evelyn intended. Not to mention the work of her descendants she had from meeting Caleb! And Gus is helping more Calebs and Evelyns find homes, just as Evelyn helped Caleb, Luz, and Vee.

[blue-arts-stuff]

Lou got potential I like the guy so I stick around to see what he can bring to his carrer next.

About 911: most lightly I will not be watching anymore, that ending is atrocious and whole season are done with horrendous writing is so bad, i wonder what happened since s7 was a decent season. I love Madney, Bathena and Henren but im going to watch clips from now on. Im glad Madney got their arc progress, I hope to see whats next for Bathena and Henren. Henren arc personally to me could have been stretch a few more episode, that arc was so rushed.

All the stories got rushed and Henren last kiss was 2 years ago so u tell me whats the problem here. Do not make me start on that getting Henren getting Mara or the BT ending arc. Idgaf if BT ends or bones but the fact they write their breakup with nonsense like that is so disrespectful to a lot of people in the queer community. (Side-eyeing you certain actor)

Still neutral about Eddie i dont like him nor do I dislike him. Good to see he have fun and enjoy life again.

Forward:

I'll keep the same details about Tommy but I would like to do a spin on my Evan, that means my Evan in my art will most likely look different from the Buck u see in the show.

Im a Tommy stan so expect more artwork of Tommy than BT from now on. Personally I havent get through the bitterness after taste of that writing yet so Buck will not appear just yet.

[dimmadoome]

Yall will do anything but actually take responsibility for what you've created. Fanon is literally that. Canon crested by fans. They're all headcanons created by you, yes. Literally you, the person reading this that has written fanfic and drawn comics and posted your essays. You are the people writing stories and sharing art and making tumblr posts. Each an every person on here, commenting on my post outraged that I like the collicteve works of yourself had had a hand in creating fanon just by existing in the fandom. You all speak with such derison about yourselves and its actually making me laugh.

You actually can find fanon from people of color. Many many different ways. From discord servers to tumblr to twitter and beyond. AO3 Is just an archive for writers. It is not the be all end all of fandom. But, while we are talking about AO3.

It is not a streaming service. It is not youtube. The works there are not paid for. They are made by you and me and a billion other people who only want to share their art. THEY ARE YOUR PEERS, NOT A CONGLOMERATE. This whole response makes it sound like you're all complaining about the fucking disney channel queerbaiting you again. If YOU want more Babs stories. Write them. You dont want racist tropes in your fanfiction? Well howdy do you've already proven you can both write and post to the internet just by responding to this post. Write. Create. Build. Just like the rest of us normal people did when we added onto the fandom. If you want Cass to be more present in stories, write those. Jesus christ yall. This is YOUR baby you're trying to throw out with the bathwater.

At the end of the day, you need to step back and realize that if someone is telling you they like your work and the community you built with your own bare hands. Maybe say, hell yeah. Im glad you like it, instead of acting like you're above your own hard damn work.

Also. As a side note. Im an indigenous trans person. I understand what it means to desperately want to see representation for me and to know that i will likely never be able to make it a reality in any canon works. I find that fanon is more likely to be written by people of color, disabled people and queer people than canon will ever be. Fandom is a bigger and more diverse collective than canon. Which makes me love it more. Because I can have my voice heard. Because you can have your voice heard.

Its new and its beautiful and its ever changing and its so, so much better than almost 100 years of writers having to sanitize themselves for the capitalist elite who need every batboy to look the same and cant let gay characters exist without making it tragic or retconning it every two seconds.

In the end all I can say is this

Fanon is beautiful.

Fanon has more for me than canon does. Likely, if you are not white, not straight, not cis or not able bodied, it also has more for you than canon ever will.

You all deserve to love your community too. If there are racists. Well fuck man, do what everyone else is doing by drowning them out with your own, obviously not problematic the sligtest, content. So go. Fix what youre complaing about. But realize that you are part of the problem. You are part of the collective you are angrily decrying and nothing you can say will change anything unless you put your hands to paper and actually start working for the changes you want to see.

Hot take but I prefer fanon Batfam to Canon batfam because at least fanon does its best to give each of the batfam very distinct personalities and looks.

I love living in a world where blue eyed black haired white boy doesn't describe half the group, ya know?

[hyenafu]

I know this might seem like a bit of a random question, but what are some criticisms of Slightly Damned you can't stand, and what are some you think are at least somewhat valid? I only ask because I do have a few problems with the comic (not really gonna go into here because I don't want to come off as too critical obviously) but I feel like some of the more noteworthy ones have been too long established to just change it altogether, and the best one can do is make something better from its foundation (which I must say, you've done a really good job at ^^)

The complaints that I think are the most unfair are by bigots who think my comic is only getting more inclusive because I'm pandering to wokeness or whatever. These people are also the most likely to misgender me and have no idea what they're talking about. They just can't stand the bare minimum of gay and are often hypocritical, using fallacies as the basis of their arguments. It's tempting to want to argue back, but when has that ever worked on the internet? I think the most valid complaint is that the pacing of the comic is too slow. Sure. Not much I can do about that one. My comic alone doesn't pay all my bills. If I focus exclusively on work, I get depressed, so I have to goof off sometimes. I'm just one person. I don't have a team. I'm doing the best I can already. Another valid complaint is that people don't like my blend of humor and drama. Sometimes readers find it inappropriate or jarring. It's valid because I recognize it as a difference of opinion and understand why they feel that way. But I don't care. I like my weird mix of goofy faces and drama. I sometimes make jokes during periods of great stress in real life. I love all the wacky faces and over-the-top cartoon action among dire circumstances in comics like One Piece and Usagi Yojimbo. Like, it's just my style, man I don't seek out unsolicited advice about my comic. Some people may think that's snobbish of me, but the truth is, very little of what you find that way is actually valuable.

"And as to those critics, she said that she’s managed to do something that might make us all better off- she doesn’t read the comment sections. In perhaps the most roundabout poignant part of the talk, she likened receiving feedback about her work as being like consuming food. She would take a pie from someone she knew and trusted but compared taking unsolicited barbs from strangers as “licking a handle on the subway.” She used to pay very close attention to that kind of critique because she felt that it somehow would make her a better creator but ultimately decided that it was only toxic." - I HAVE SEEN OLIVIA JAIMES, THE CARTOONIST BEHIND THE NEW NANCY, by Rocko Jerome (2018)

Besides the outright hateful sentiments, a lot of unsolicited criticism can be categorized as "I don't like this story because it didn't do what I wanted it to do." Which is fine. I do the same thing when I try to process stories and talk to my friends about them.

But I don't get in the author's face to tell them I think they did a bad job. At the end of the day, no matter how crap I think someone's story might be, I'm not psychic. I don't really know if they did exactly what they set out to do. For example, people have never stopped giving me crap about the death of certain characters. But their whining has only made my convictions stronger. I don't like when other stories don't take deaths seriously, with a real sense of permanence and grief that is not easily solved. To someone else, seeing that character be alive might have solved all sorts of problems they had-- but that's not my story. I've had someone tell me that the focus on Buwaro and Kieri's mushy romance is too distracting to the main story. I don't think that person knew that a large part of why I started making this comic in the first place was as a vehicle for my OTP. I also want to make said vehicle entertaining and worthwhile. If I didn't succeed for that person, that's fine. But don't tell me that half the reason I made the comic is distracting from it. What do they know about what I want? What do you really know about what the author wanted to achieve? That isn't to say that my comic is immune to scrutiny. Of course it has problems; every story has problems, depending on your perspective and the basis by which it's getting judged. I've solicited and received thoughtful criticism and helpful advice from teachers, my advisor, my friends, and from reading/watching tutorials. Some I agreed with, others I chose to ignore. Sometimes it just took a while for me to come around. I hope I never stop learning and improving. Like you said, I have to keep working with the foundation I already set. But I don't feel trapped by it; my creativity is being challenged in new ways. I have a lot of playing pieces and now I get to see what kinds of connections I can make between them with my older, more experienced (both good and bad) mind. Since Slightly Damned is a story serialized over a long period of time, a certain amount of it is made up as I go along. I do have plans and goals, of course, but I'm also discovering this world alongside my readers.