#i can see your vision

[ohhcinnybuns]

I saw spicy skk art that made me think of this: sugar baby Dazai.

LISTEN. He's gotta be broke as hell now compared to all the money he was making in the mafia. And he has shown that he has absolutely no qualms using his body to get what he wants.

So now here's my vision: sugar daddy Chuuya. Honestly, Chuuya would probably donate entire paychecks away to Dazai to get Dazai to just leave him alone without anything romantic or spicy being involved, but Dazai's like no, I signed up for this, and it's my duty to please you, so I'll hold your hand and tell you how much I pretend love you!

Like, he's really out to embarrass Chuuya about it, but Chuuya also has that $$$ leverage.

The ADA kinda squint when they see Dazai starting to wear nicer clothes, or maybe he gets a new watch. Instead of eating canned crab all the time, he buys more expensive fish (but also because Chuuya threatened him to put the money to good use and not waste it on dollar store crab and cheap booze or else the deal they have is off)

SUGAR BABY DAZAI VISIONS FROM SKK ART?!!!! 🙌 👀 Share linkkkkkk if you still have it lol

I would absolutely love to see him as a sugar baby. Chuuya would absolutely donate paychecks just to get Dazai to leave him alone, but I’d like to think that Dazai is also down bad for his SD Chuuya even if he won’t admit it.

Like, he’ll buy Chuuya extra tacky hats to gift to him (even if it’s all bought with Chuuya’s money… it’s the thought that counts!) or he’ll try to wear the prettiest outfits so Chuuya can do a double take and Dazai can gloat about how he’s seduced a mafia executive with his good looks and charm.

Chuuya would get all flustered by Dazai’s flirtatious ways but buys Dazai a penthouse for their once-in-a-while escapades because, let’s face it, Dazai going from being broke to having money again turns him on 👀 Now he doesn't have to worry about his bills, doing side gigs, or working extra long shifts at the ADA. He can swipe Chuuya’s card without fear of hearing the darn “decline” buzz on the prompter when he wants a snack and he can finally learn to take care of himself.

[phleb0tomist]

tumblr users will have the most inaccessible, unreadable, low contrast, flashing carrd you can possibly imagine, with a dni full of insider acronyms with no translation and numerous link buttons labelled with cryptic captions, and then go ahead and put “ableists dni and kys!” on that carrd

[chaos-bringer-13]

I've seen a lot of people writing Danny as a space ancient and Dan and Dani as ghosts with moon and sun cores, being sort of parts, versions of Danny and therefore weaker. Now, consider: Dan and Dani are both powerful ghosts with really cool cores and stuff but Danny is just some guy™

Dan, who came from an alternate timeline and is kind of from the future but also not, is Clockwork's apprentice and will eventually become an ancient of time. He probably only agreed to have some lessons with Clockwork to understand better what happened to him, but he enjoys his apprenticeship now.

Dani, with her love of travelling, loves seeing all the different places the world offers to her, and that includes space and different planets and maybe even parallel universes, and she accidentally ends up being an apprentice of the space ancient. For now she's probably a baby ancient of freedom or something like that, but she might become an ancient of space in the future.

We can also have something like Dan having a core of destruction or Dani being the Speed Force if you want it to be dcxdp, or any headcanon of yours about their cool powers.

And then there's Danny. And yeah, everyone knows that he's super powerful, but also he's just some guy.

It can go different routes. Does everyone know that Danny is just Danny? Or do they think that with siblings (well, technically a clone and an alternate version, but whatever) so powerful, he must be even stronger? Is Danny actually something terrifyingly eldritch and ancient and strong, almost a god, but he just doesn't know himself? Or is he just really some guy?

Now, because it's obvious that I have a dcxdp brainrot, have a regular "JL summons/meets a powerful ghost" but its Dan and Dani, and they keep mentioning their original/brother who won a fight against them at some point. The JL is very concerned about Dan and Dani's godlike powers, and they can't imagine what Danny is like. And then they meet him (in his human form), and it's just a young adult in casual clothes, very friendly and helpful, with no evident powers. Imagine the confusion. Imagine Dan and Dani, radiating power, in their eldritch ghost forms, admitting that fighting Danny for real is the dumbest thing to do and not even they would succeed... And then there's Danny is jeans and silly t-shirt, waving shyly.

[itty-bitty-sunshine]

At what point do you start seeing one in the other?

At what point do you start looking at the devil like a friend?

[3cosmicfrogs]

POV: you're Sokka and you're desperately trying to get to know the cute emo linecook from the restaurant next door but whenever he's on smokebreak his greasy stoner boyfriend is also there.

[just-bee-lieve]

the ferryman

[thebrainrotsreal]

EVIL MARK, EVIL MARK, EVIL MARK!!! I want to be coherent about this season but please picture me foaming at the mouth and running on the walls. S2 being what if Mark's just like his Dad? Insanity. I love this show. Anyways, AU where an Evil!Mark tries to make Our!Mark worse, and Our!Mark tries to make the other better. Something something confronting your idea of the worst version of oneself. Plus, tweaked black and yellow costume because I saw it and immediately went murder hornet lookin' ass and knew I had to draw it. Evil ass Mark. Horrible. I think he should be dragged kicking and screaming into redemption.

[typing-catastrophe]

could you write a stanford pines x reader headcanon where the reader is an artist and always draws him and draws in his journals when he isnt looking? maybe he talks to the reader about the drawings and they get really flustered i dunno!!! <3

oohhh! yeesss, that's a great idea! thank you anon ^^ hope this is okay, enjoy!

1.2k words --------------------------------------------------

Your little habit started out even before Stanford came back. Dipper saw you sketching in your notebook from time to time, and asked you to draw something for him in the journal. He handed it to you and pointed next to a text he'd written about some anomaly (maybe a Manotaur or the Pterodactyl). First you were unsure, how would you feel if someone randomly decided to draw in your sketchbook? But it actually seemed really fun, an you didn't want to disappoint Dipper. Also it was in the spirit of research and preserving observations. And honestly, what were the odds the mysterious author would ever show up again?

With that attitude you began, whenever you got the chance to, to doodle yours and the twins encounters with the countless strange phenomena in gravity falls into the journal.

Well, oops? Seemed like the universe decided that not long after you started doing so, it was the right time for the author to come back.

It wasn't a big deal really, Dipper kept the journal for most of the time and Ford told him that he liked the additions he made. You weren't sure if he only meant the notes Dipper added, or if he even knew that someone else drew the newly added creatures.

It didn't take long for you and Ford to get to know each other better and spend more time together. Literally everything about him was just so fascinating. From the way he talked about his dimensional travels, anomaly hunts and research, his interest in a shared hobby of yours (dd&md), to the way he held himself. And, even if you were a bit embarrassed to admit it, his looks.

You couldn't help it, he was captivating. So to no surprise, one day you found yourself sitting the shack's porch, looking over at Ford standing in the yard, working away at something that was too bulky for the basement. You didn't even realise what you were doing, until something startled you out of your thoughts and you looked down at your sketchbook, seeing a familiar figure on the open page.

And then it happened again, in the lab. He was explaining away, deeply invested in whatever topic he was rambling about, not really taking in his surroundings. You had started out just sketching his study, but somehow he turned out to be the main focus of it.

One evening you found yourself in the living room of the shack. Ford was sitting on the floor, which was almost entirely covered in graph paper. You had joined him while he prepared the next campaign session, the tv quietly proving some background noise. While he was franticly scribbling away sheet after sheet, you propped open your notebook and began sketching some of the characters that came to your mind. Ford's, Dipper's and your characters and some npcs you encountered on your travels. But looming over all of them, half hidden behind the dm-screen, the scheming face of the man before you took his shape.

The end of the evening was rather blurry, you remembered falling asleep on the floor and being carried to bed, half asleep in someone's arms.

"hmm thank you", is all you could mumble when you felt the soft pillow under your head.

"No problem, dear", you heard a deep voice chuckle.

-

When you thought about it the next morning, a smile crept unto your face and you kinda wished, you would've been more awake, so you could've enjoyed the moment properly.

The smiled was quickly wiped off though, when you realised that you must've left your sketchbook in the living room, given that Ford probably didn't bring it with him last night. You panicked and jumped out of bed, stumbling to the door when your gaze was caught by something. Your sketchbook, laying on your desk. You exhaled, glad it didn't lay around for anyone to see. You took it into your hands and opened it to the last page you were working on. But instead of the drawing from yesterday evening, only the one before that stared back at you. Confused, you turned the pages a few times, examined it, maybe someone ripped it out? No, no remnants of a torn out page....

Then, it dawned on you. You left your notebook in your room yesterday. You didn't plan on staying or even going to the living room. God knows how you ended up there, but it definitely was without your sketchbook. Which could only mean one thing...

In record time you were out the door, down the hall and in the living room. Right in time to take in the scenery of Ford staring down at his campaign notebook, opened to the page of your drawing.

"Ahh!! No no don't look!", you jumped forward and put your hands over the drawing. Ford furrowed his eyebrows, looking quite puzzled.

"This? Oh I already saw it last night after getting you to bed. It is incredible!"

Your cheeks heated up. "Oh" was all you could utter.

"It was also you who added the depictions of the twin's adventures, right?"

"Uhmm" You didn't keep your passion for drawing a secret, but you also didn't make a big deal out of it. And honestly, the way Ford was always so indulged in his own mind, you didn't think he was paying much attention to what you were doing. Now you felt a bit stupid for believing he wouldn't connect the - admittedly - obvious dots.

"They really are marvellous. And this?", he gestured to yesterdays page "Truly phenomenal!"

You didn't know what to say. You weren't even sure if you could say anything at all. All you felt was blood rushing to the tips of your ears and a flaming hot sensation in your cheeks.

"I- well uhm, thank you", you managed to stutter "I uh, I actually didn't mean to- uhm, use your campaign book. It was a mistake, I'm sorry."

"You've got to be joking! It's the perfect addition!" Ford exclaimed. "Do you mind if I keep it?"

"Oh", his enthusiasm caught you off guard. "I-, I guess not. Actually, that would mean a lot to me." you admitted sheepishly.

"Very well then! Thank you, dear." He looked at you with a fond expression.

You were about to retreat back to your room, turning around ready to leave, when Ford spoke up again, the smile apparent in his voice. "I also liked your artistic rendition of the twins adventures. Anything else you want to show me?" You froze.

Your heart started beating ridiculously fast. Did he knew? Did he notice you staring at him while drawing? Your thoughts started racing, but came to a sudden halt when he leaned down. His lips were almost touching your ear when he started to whisper.

"Maybe another time." And with that he walked by you, leaving you to yourself.

-------------------------------------------------- thank you for reading <3 reblogs are appreciated

a/n: if you want a second part with romance and/or where ford discovers the drawings of him, let me know! Have a nice day/night!

[manglam-marfach]

I have a CRYSTAL CLEAR vision of postcanon chillaios political marriage fic where dozens of suitors are vying for Laios's slightly sticky hand & he is. oblivious. Which almost causes a major diplomatic incident. Someone (Kabru) tries to delicately explain that he should probably take a spouse already and Laios is like. Oh cool. Chilchuck? Wanna get married? And Chilchuck who had resigned to let the weird Thing he had for his old coworker die quietly has to fucking deal with THIS now.

[bakudekublogblog]

i know i watched mha specifically bc it looked like something homoerotic was happening but like oh my god??? something homoerotic is happening??? like how is this chapter real i’m

[daily-sifloop]

Day 44: Little Goody Two Shoes (game by AstralShift) AU

Spoilers for Ending No. 1 - Moira under cut

[pigswithwings]

lmao u should try to do a stimboard of computers buut like. with fish in them. do you see my vision.

Digital Aquarium

🐠 | 💾 | 🐠

💾 | 🐠 | 💾

🐠 | 💾 | 🐠

[fumifooms]

"Marchil? I guess I can see it on Chilchuck’s end, but what about Marcille’s? What makes you think she could develop feelings for him?" I’m glad you asked!

The first thing to note is that she does think highly of him

In the page on the right, literally defending his virtues and literally comparing him to Dalclan. And oh…

She does love a brooding mysterious guy who closes himself to love. But surely, Chilchuck isn’t her type at all, right? He’s not princely or knightly at all. In apperances certainly not, both looks wise and demeanor wise, but then that’s why she seeks to know him on a deeper level, to not only look shallowly.

And hmm. Chilchuck really is quite selfless isn’t he? Always looking out for others, and saving specifically her often, always making sure himself and, staying in or even running towards danger for her sometimes. Modesty is often considered heroic…

And can we talk about that drowning one… You can definitely frame the special attention as him knowing she tends to hesitate or be clumsy, and then his insistance on pulling her out of danger that she’s the healer aka the most important to keep alive, but. From the one who says that he just keeps his ass out of fights and won’t help this is a lot of risk to take, and he does die trying to pull her to safety in the dungeon rabbits chapter. And the drowning bit??? That’s when the dungeon collapses. The only reason they DON’T die of drowning here is that the water then gives way to outside. There was NO hope of pulling her to safety here and resurrections would likely not work either, he truly preferred to die with her than try to survive himself.

Sit your ass back DOWN you are in no state, self-sacrifical hero much damn

And Marcille definitely noticed this imo, after all she loves learning all she can about him, remembering things like how he hates waiting on people too. She pays attention to him and what he does and what he says. This to say that it’s notable, whatever reason for it you may think (though we know by this point at least she was already aware he was an adult though it wasn’t internalized), out of everyone it’s Chilchuck’s bed that she wants to sleep in during the Golden Kingdom stay. He’s safe and comforting to her: dependable, the defining trait in her view of him as is shown by the relationship chart in the Adventurer’s Bible.

^ Lending handkerchiefs is a romance trope btw and handkerchiefs have irl history of being used for courting. Especially in old English literature and plays like Shakespeare’s Othello, and personally I do see a lot of Shakespeare in Dalclan (nobility political drama with some romance). There’s how his cowl is a dearly beloved souvenir from his family too, there’s a lot of aesthetic tropes you can apply to him.

All this to say you can 100% romanticize Chilchuck into a princely noble guy if you try and that’s exactly what Marcille does with the wife roleplay. She doesn’t need much in the first place, she latches onto crumbs and makes aesthetic narratives out of details, give her an inch she’ll take a mile.

But what’s interesting about the shift throughout the arc of her and his relationship is that she starts out idealizing him into a little angel of a kid (shapeshifter), and she ends it idealizing him as a virtuous husband and family man instead.

And what’s doubly interesting is that in the former, she’s actively warping who he is personality and demeanor wise to fit the aesthetic, he doesn’t have that bitter pride of not asking for help and the edges have been smoothened. But what she does during the wife roleplay is something else, she acknowledges the flaws and just… Accepts them, rolls with them. She’s aware of his flaws and implements them into the narrative, but the reason why his wife left doesn’t capitalize on them even, rather Chil is chilblivious and his wife loves him very much still, she’s just testing him after having had a night of feeling out of place at his side.

And this is what separates the idealization vs romanticization, she’s not twisting him into someone else she’s just uplifting what he is and focusing on the good sides.

Marcille: "he has a shitty personality sometimes but if he was my husband I’d still cherish him" "If I were your wife I’d be overjoyed to go out with you and would get myself prettied up while you complain about me taking a long time, your friends would tell me that I’m nice and that’d make me happy, but I’d also be sad because you wouldn’t tell me that you love me enough"

He’s angry and his wife left him, he’s *flawed*, but he’s still worth hyping up, still worth having his own romance story, still has a shot of winning back his beloved. She sees him for what he is, human and real and not a carefully scripted character that fits an aesthetic, and she thinks it’s still worthy of love and admiration and fighting for

And what’s funny too is that you might expect her to cool down on him once she learns more about him but actually she only gets increasingly into his business. You tell her your age and next thing you know you promise to introduce her to your family. Give her an inch she takes a mile. And too the thing is, Senshi is equally mysterious but she doesn’t pester him like at all, asks him ONCE about his succubus and he doesn’t even answer and that’s like… It. With Chilchuck it starts off innocently enough with her wanting to know his age, hometown, the stuff she mentions having asked pre-canon. But it just keeps and keeps going and escalating. Think she’ll be satisfied now knowing you have a wife and kids, maybe she’s disillusioned now? Wrong! She wants to know their names and ages and occupations and hey how did you propose to your wife? Do you think she’ll stop after meeting them? What’s next? What will she want to know next????

She’s… Like it’s not a reach that Marcille is all over him. Like it doesn’t mean it’s romantic but she just is. She is not normal about him idk. Can you not ask him about what tongue technique he used when first kissing his wife, give the man breathing room

Marcille could literally go "if I was Chilchuck’s wife" having deeply pondered and thought out the hypothetical and people would still ask where anyone sees any romantic potential between them. Oh wait

There’s a platonic explanation for everything (almost?) in Dungeon Meshi don’t say I’m saying otherwise, but it’s definitely not like there’s nothing here to read into lol

Going off a bit more under read bc it’s my fave topic

Marcille has a whole theme with the charming prince trope with her idealization and storybook motif and Chil is kinda the "Well someone perfect like that isn’t very realistic and romance is usually more complex and that’s ok and good and flawed people can still be ✨virtuous✨" catalyst

Do you see do you see she starts canon thinking the most romantic thing is a prince charming but her arc in the end has her romanticizing an average, flawed, real and realistic family man, who’s on the poorer side and is on the verge of divorce. And that’s what he needed, too, seeing the positive of himself and the situation instead of focusing on the negative is explicitly what inspires him to hope that he might be able to reconcile with his wife, gives him the courage and self-esteem to shoot his shot.

He IS a prince figure instead that now it’s not about idealizing the grand and overt it’s about romanticizing the small things in real life!! About finding joy and beauty in things that seem normal or mundane and uplifting them to make the world feel kinder!!!!

He’s the devoted virtuous man that she wantsss not the storybook prince that’s unrealistic and could crumble like a script at any time. He’s the perfect example of a flawed realistic but virtuous & devoted & loving man. Far from a prince charming, but not fully detached from it either. Something worth fighting for despite the flawed cracks. Like literally, flawed romance being worth fighting for is literally the finale of Chilchuck and Marcille’s arc on the matter, where their separate arcs and issues intersect at the most crucial moment.

Marcille is important to Chil’s arc not only because of her optimism, but also because of her interest and knowledge in romance & matters of the heart, and that’s what he needs to both open his heart up to hope and to try to reconcile with his wife, like idk sounds gay

Their arc together is literally learning to 1) see each other for how they are and not undermining their qualities capacities etc etc while still not leaving flaws unchecked either and 2) opening up to people. Marcille LITERALLY makes Chil open his heart up to hope like idk man. What do you want from me. He’s literally the guy helping her through deconstructing novels and fantasy and rose tinted glasses and like. Deconstructing the prince charming figure into something more real but still romantically beautiful like KUI KUI STOOOOP STOP I’M ALREADY HOOKED I’M ALREADY-

 Ok fine that’s me reading into the tropes too much forgive me for being storybook brained but like. Speaking his heart out to a lone woman on a balcony, Romeo and Juliette shit, asking if she, too, doesn’t want to meet his family, madly blushing. And like she’s learned with Chilchuck it’s all in the little things, all the implications he cannot speak aloud. She does reciprocate, does blush madly back, and the first thing she does is shower him in flowers and jewelry and what in her heart is coded as romantic gifts

A lady, stashed away in a high tower by her lonesome, waiting for someone to call out to her from below… Romeo courting type shit with an offer, a heartfelt spiel, implicit confession from underneath her balcony. Offering him flowers because he succeeded in calling out to her heart…….. And they have to climb to her too…. Crazy

Doesn’t it sound like a proposal. One that’s both so storybook-like and not, contrastedly real and grounded, all about the implications rather than in your face grand gestures, "Don’t you want to meet my family?". They literally have an arc about the topic of romance and this is the climax/pinnacle of it like god?? This is @ the woman who said "Chilchuck is a shy/bashful man so I know he wouldn’t tell me he loves me, but…" btw

To quote a friend, truly the shiny secret unlockable dating sim capture target : THE DUNGEON LORD BIT WAS SO FUNNY BECAUSE HE KNEW SHE'D TAKE IT HOOK LINE AND SINKER HES THE ONE WHO GOT HER TO TURN AROUND COMPLETELY SHES LIKE. WIDE EYED FLAG RAISED???? FLAG RAISED WITH CHILCHUCK 👀👀👀‼️👀👀‼️👀

And the way that this is the culmination of their arc together… Like people are not ready for the ‘Chil calling out to dunlord Marcille on the balcony has Romeo and Juliette romance novels imagery’ take. Or the ‘their arc is about growing to see beauty even in the non-idealized, in the flawed and in the real’ take which makes it so so perfect if she were to lower her ideal from a charming elven prince to a virtuous halfling man (which she does end up romanticizing)

So there, you got to witness in real time what happens when I think about marchil for longer than 2 minutes, there are so many layers it’s a deranged rabbithole. I saw the necronomicon of subtext and it’s driving me to madness with forbidden knowledge that no one else sees

……. Like what if I told you she implicitly picked Chilchuck over a "unrealistic prince charming who’s actually disingenuous" much earlier in the story already. If she was given the choice to think through going with a guy that seems perfect and chivalrous like her succubus she’d pick Chilchuck over the other actually. If I sound insane rn tune in for my full analysis on them coming this month hopefully thank youu. Interwoven arcs of fantasy vs reality and idealization vs pessimism I love youuu

So now you know the general thesis of my planned analysis about the importance of the prince charming figure in Marcille and Chilchuck’s arc, where she romanticizes things to a sometimes worrying degree or idealize people into something easy and digestible and poetic (like Chil being a kid, and then him being a virtuous ✨✨✨husband), and how she needs to value aesthetics less and actual acts and facts more, be more grounded (like seeing people for what they are flaws and all, and accepting that people need money and not pulling through on principles of honor or unity shouldn’t get Namari shamed) and a part of that is accepting that Chilchuck is BOTH flawed and virtuous, a loving husband that still has shitty moods and fumbled his marriage so bad etc etc. So it’s like, her image of perfect prince charming that will whisk you away on an ethereal romance -> realistic flawed middle aged dad with personality issues and a failing marriage but he still is worthy of love and having his cute grand romance story and his happy ending. Ik I keep repeating the same point through this but I need it to be burned into everyone’s brains it has its grip on me I can’t do this. They are so special……

[lokh]

what do you think toshiro's version of laios would've been like if he was still with the group during the shapeshifter shenanigans

there have been a few speculations in the tag and among the fans and they are all very good SO i am going to take this opportunity to insert a bit of my shipping bias as i like in my interpretation LMAO agdsfgdfgv

i noted that in actuality shuro seems to have a very good grasp on laios' character??? this is most obvious in the manga later on but even seeing how he criticises laios in their fight... iirc nothing he says is actually untrue or wildly exaggerated, and while he does express frustration over something he feels like laios Should have control over (noticing his cues), he is also aware that laios isnt being malicious and that hes Just Like That. what i mean to say is that while i think his version of laios may seem more pushy and in-your-face, i dont think it will be overwhelmingly so. if its post-fight, i think the idea of laios (and marcille) being willing to do anything to get falin back made a big impression on him, as well as the idea that they need to eat and rest in order to succeed in their goals, so those aspects would be prominent in his version. he seems pretty observant, so i think for the most part the physical traits would line up, but i think there would be specific things that stand out to him that would appear strangely striking on his version of laios (like. idk something about his eye colour or the subtle contrast of his armour and chainmail. he seems to have a weird sense of aesthetics if extras are anything to go by lmao). if hed actually been paying attention all those times laios had gone on about what the hell ever, then it might be even MORE hard to tell apart his version since he would also have a good grasp on what laios should know. so either his version of laios is pretty difficult to pick out, OR despite the character being accurate his appearance is too. stylised lmao (exaggerated features or something) OR!! they just get him to pull out his monster gourmet guide thing and are able to tell from there. iirc everyone was surprised at its appearance so its possible toshiro had also never seen it before

IN MY IMAGINARY SHIPPING SCENARIO............ lets say that his laios isnt able to be picked out immediately and that the monster guide thing also doesnt immediately occur to anyone. what the real laios Specifically notices is how close this other laios keeps getting to shuro. and hes like. ??? why is he getting so close to him, theres no way i get that close to him??? but no one else seems to be picking up on it as weird, so hes having a small crisis like do i REALLY get that close to him???? and now that hes on the outside he notices shuro subtly leaning away and he feels both a wave of shame and..... protectiveness??? (JEALOUSY??????) and he immediately steps in and grabs him like Hey!!! cant you see hes uncomfortable???? weve been through this already!!! and like. ok i cant believe im doing this again but i need to separate this into different endings

a) the whump route: i dont think shuro ever envisioned Actually Telling laios about his frustrations outside of being basically cornered into it. has he ever spoken up against what was expected of him?? has he ever been confrontational???? i think part of what held him back from expressing his frustrations, along with the cultural norms, could be fear of what the reaction would be. if he had done the same in any other aspect of his life (his family, his inheritance), i think he would expect disappointment, disapproval, more proof that he doesnt add up to expectation. to be honest i dont think he Truly believes that laios is the type of person to react like this. but it was strong enough to prevent him from acting and i think would be projected onto his image of laios. maybe fake!laios says something dismissive like Well if it really bothered him hed say something right? what, he cant even stand up for himself? cmon, shuro, prove that you cant handle it just like everything else. and thats pretty much the fastest giveaway that it isnt really laios. of course this would be a HUGE tonal departure from what the actual episode/chapter was, so:

b) the dumbass route: both laioses break into fisticuffs, and, yes.... barking. and so they speedrun the entire encounter as the shapeshifters true form appears and, after laios points out that thinking too hard about others versions of you can tear apart groups and peace of mind, they pointedly do not speak of it again. they think about it though. a LOT

c) the normal route: both laioses argue normal like and the group ends up being able to tell them apart because the fake laios goes on a little too long about how theyre all here for falin and everyones like ok its not like he DOESNT love his sister but.......... the rest of the scenario probably goes like canon, though then i would want to see what everyone Else thought of shuro

[aerithisms]

i think my problem with this dw season arc accusing the audience of fanbrain for theorising about ruby is that it both feels deceitful and isn't actually that compelling from a character perspective. the season goes out of its way to build up supernatural mystery around ruby and even invokes susan more heavily than ever before in a way that is deliberately trying to get the audience to make those connections. and then it turns around and says you stupid idiot why would you ever try to connect these dots i have deliberately tried to get you to connect.

building up a mystery only for the character to be ordinary is an impossible girl arc redux only this time accusing the viewer of failing to see the humanity of the companion, whereas the impossible girl arc was turning that accusation on the doctor. 7b didn't really blame the audience for viewing clara as a puzzle and in fact several times spells out the fact that clara is perfectly ordinary before the big reveal to give the audience a chance to catch on. as 7b goes on, instead of laying the mystery on thicker, the audience just gets more and more affirmations that clara is a normal human being (rings of akhaten, journey to the centre of the tardis, hide). i found this approach compelling because it was rooted in character, focusing on the doctor's disconnection from humanity/the gendered dynamic of a man treating a woman as his manic pixie mystery to pull him out of grief. s14's meta approach of accusing the viewer feels both unfair, given it has deliberately led the viewer towards theorising, and personally less compelling to me because it wasn't tied into character in any way.

the thing about rey's parentage in tlj is that the reason rian johnson chose to go for that reveal was that it was the only answer that was interesting. none of the theories - rey is a skywalker, rey is a kenobi, and even the eventually canonical rey is a palpatine - were interesting or satisfying because they brought nothing compelling to the table for the story being told. the only satisfaction to be gained from those answers was a fanbrained "omg rey is important because she's related to that guy from the other movie." on top of that, rey desperately wants her parents to have been important, to give her life and her abandonment some kind of significance. so them being ordinary provided the most compelling trajectory for her character because it was the thing she least wanted to hear. it forced her to do the most introspection and growth, as well as tying into the film's themes about the capacity of ordinary people to be special. it wasn't just a choice made to "gotcha" the viewer, it was rooted in character.

i don't think ruby's mother being ordinary accomplishes the same thing. by invoking susan, s14 is engaging with the most egregious example of the doctor's streak of abandonment, which has potential to be very compelling in relation to ruby (and now also the doctor's) own abandonment issues. theories that ruby might be susan, or be somehow related to susan, or somehow related to the doctor, weren't just fanbrained "omg she's related to that guy i know from the classic series." they were theories genuinely rooted in character and the potential to explore both the doctor and ruby's issues with abandonment. and this is something the show willingly led fans towards by invoking susan so much in the first place. so for the show to turn around and act like they were shallow out of nowhere ideas when they were not shallow and were based on potential character conflicts the show itself deliberately invoked, feels misguided.

as well as that, ruby's mother being ordinary does not require that same growth from ruby as it did for rey because it is exactly what ruby wanted to hear. she never wanted her mother to be important, she just wanted to know who her mother was and have a connection with her. so finding out she was a normal woman who still loves her and wants to be a part of her life is everything she's ever wanted. it doesn't introduce interesting conflict for her the way rey's parents being ordinary did for her, because they were written as different characters with different hangups over their abandonment.

tl;dr i don't necessarily dislike ruby's mother being ordinary as an idea but compared to the things it was inspired by - 7b and star wars - it is not nearly as compelling in terms of how it relates to the characters or themes. and the meta angle, while conceptually interesting, doesn't quite work for me because it feels a little manipulative of the audience.

[pianokantzart]

Princess Daisy's capabilities as a ruler being disregarded because she's loud, hotheaded and emotional, leading her to be perceived by many as immature and impulsive.

Luigi's capabilities as a hero being disregarded because he's awkward, nervous and emotional, leading him to be perceived by many as weak and pathetic.

Both of them recognizing the value inherent in each other's feelings while simultaneously seeing the strength and potential in one another that they are unable to see in themselves. Do you feel me?