#i can see many different variations of his character and i think all of those can make sense only observing him in cannon

[s0levis]

I honestly think cannon Levi could be/have been the type that has casual sex a lot (with people in and out the survey corps) actually. It's convenient.

[floofanflurr]

I! Am so tired of the infantilization of Papyrus. I'm so tired of the infantilization of autistic people, and autistic traits. I thought we were past this in this fandom... but NOPE.

I am absolutely NOT going to name any names, (especially because I don't think ANY of this is intentional!!! I don't think people are doing it on purpose!!! And I don't want to hurt people. And also because it's SO many people now. I see it all the time from so many different places. It would be impossible to list them all.)

But??? I am getting increasingly uncomfortable with the casual ableism in Papyrus fans, bloggers, and writers who don't even realize that's what they're doing. People who say they are against the infantilization of Papyrus.

(Sticking the rest of this under a cut so I don't clog any feeds)

I just!!!! It's all well and good to have your headcanons about Papyrus! He's a really mysterious character that we don't know a lot about! I'm not denying that! But I see SO many people just… saying things like:

"Papyrus would NEVER do (insert autistic trait here) because he's an ADULT! CLEARLY it was a joke."

or

"People take him seriously or at face value when he does (insert autistic trait here) but he's not stupid???? Clearly it means something else-"

And so freaking many variations of that.

Just. Have your headcanons about what Papyrus means or doesn't mean. That's okay! If you think he's joking that's FINE! But PLEASE don't shit on other people and be so casually ableist by saying that he could never be these things, or that these things would mean he was stupid, or childlike if he ACTUALLY meant them or did them.

ITS LIKE. Taking the initial infantilization of Papyrus in fandom and spinning it on it's head so far it goes right back into infantilizing autistic people by just. REMOVING PAPYRUS'S AUTISITC TRAITS AFTER LABELING THEM STUPID OR CHILDLIKE.

"You're infantilizing Papyrus! CLEARLY he could never actually MEAN these things or do those things for real because he's an adult-" AND LIKE. BABE. THOSE THINGS ARE JUST AUTISTIC THINGS.

And just.

It's really really upsetting to see the traits that I personally relate to in Papyrus have people saying "he could NEVER actually mean/do that! CLEARLY it was a joke, or subterfuge or insert something else here-"(the very strongly implied "because only Children do that" is so clear it's nauseating) (And often stated, but just in slightly different language. "It's clear." or "Of course Papyrus wouldn't-" or "He's smart!" or "He's an adult!")

Most of the portrayals I see of Papyrus are wonderful. While I've seen this a lot in fandom, I don't think it's the majority of people who create or write, or blog Papyrus content. But it's a big enough chunk that it is incredibly worrying and upsetting.

I'm also not trying to wave away any level of subterfuge, or mystery that Papyrus has. Because he has a lot! And!!! He's a grown ass adult! (A HILARIOUS one who cracks a shit ton of jokes and is witty as hell.) Someone who is very sneaky about many things, and masks a lot, and is clearly hiding SOMETHING. Have fun theorizing about him, because there sure is a lot to theorize about! Sneaky, sneaky skeleton...

Just. While I'm not trying to change anyone's headcanons... It might be worth it to see if the Papyrus you create has been removed from all of his autistic traits that are deemed undesirable (a level of social ineptitude or not understanding others, routines like bedtime stories, and so much more) while only leaving the ones you think are quirky or fun (things like masking, or stimming with big, flailing gestures, special interest in puzzles, etc.).

And if that's true, why might that be?

If the answer is "because Papyrus is too smart/mature/clever/etc. to mean or do this seriously." then that is no longer an innocent headcanon. That is saying that people who DO have those traits aren't smart/mature/clever/etc. That is infantilizing autistic traits. (And yes! Autistic people can also do this by accident! I used to fall victim to internalized ableism that I didn't even realize was there, and I've seen other people do it, too.)

I was going to get into a more in-depth list of Papyrus’s traits that are autistic traits or could be caused by being autistic, and basically write an entire fan essay on the whole situation, starting from the beginning infantilization of Papyrus in fandom (equally as bad) and ending with where we're at now as Papyrus fans. (This right now is not an essay. It's a vent, and a plea. When I say essay, I mean with cited sources, properly structured... An actual ESSAY that would help people.)

But… I’m tired. I know it’s an accident in most cases. I know that most people probably don’t realize they’re calling autistic traits “stupid” or “childlike” or “papyrus would never because he’s not a child—“

And I know that this one simple post isn’t enough to explain how autistic peoples’ brains frequently work, or why these things don’t mean someone is stupid or childlike.

I know that without a thorough explanation there’s so many people that won’t realize that they’re doing this. And it’s certainly not as gentle as I wanted to be. I want to be kind, because I know that it's an accident, and that people aren't trying to be cruel or harmful.

But I’m just… tired. I’m so, so tired. It’s hard to gently explain to people that are actively harming you and your community why what they’re doing is hurtful.

Maybe someday I’ll actually write that essay, and I can include helpful tips on what autism can look like, or how Papyrus's differing things COULD be (not necessarily ARE) an indication or presentation of autism, and also some more tips on how to integrate some of Papyrus’s characteristics in different ways in a fic that keeps his wonderful autistic swag if that's what you want to do. Maybe I can delve into some more of the nuance of this discussion, of which there is much.

But right now I can’t.

If you're worried you might be doing something like this but you really do need an essay or more structure and specific writing breaking it all out, then. Well! I want to help people. If you have questions about what I said and genuinely want to learn, I can do my best to answer and help in an essay if there's enough questions, or in asks if its just a one off question.

(Though absolutely no promises. The entire discussion is draining and triggering, so... It's hard. Please don't be surprised if I'm unable to keep conversation about this going.)

I don't want to write the essay if it's not going to help anyone though. So… let me know. Maybe in reblogs. Just please not in my DMs. I'll turn on anonymous asks for the next month or so, and if people use them to be cruel, or confrontational, I will be taking that away again.

If you've made it this far... Thanks for reading.

...And, you know what? Shitty TLDR:

Papyrus is a grown ass man who can say fuck and be a bad ass bitch, and who can also be an autistic adult. These things are not mutually exclusive to each other.

Edit: Someone sent me a wonderful essay written by the-irken-pony about Papyrus and autism that was written in the earlier days of the fandom and Papyrus infantilization. (I have no idea how I haven’t seen this before.)

It’s not the current issue of “wow you became the thing you most sought to destroy (infantilization)” in Papyrus’s fan base, but it’s a wonderful breakdown of autism in Papyrus. It’s a good thing to read with this. You don’t have to accept the various headcanons as yours, but please take note of the various things that could be caused by autism. And then make sure that you aren’t calling those things childish.

[nitrowyverine]

I thought playing Obscura would help me get rid of my brain worms. no, it just gave me new ones. For Obscura, specifically.

I'll be adjusting the format from my TOUCHSTARVED expanded thoughts post. Brain dump after the cut!

[Demo/CH 1 spoilers are included]

(Header Image from Itch.io page! All images in this post are either from there or the Rotten Raccoons tumblr page)

Design/gameplay thoughts:

In full honesty without fluff: this game fucks immensely.

The setting for Obscura might be my new all-time favorite, like, ever. Mystery underground scandalous marketplace??? Under a mountain???? it's a diverse and vast city that's still elegantly contained and claustrophobic, but in a spicy way. The worldbuilding and flavor is excellent. I really want to run a TTRPG in a similar setting now, since its an area with so many possibilities.

CH. 1/the "demo" has a LOT of meat on it. It's got different endings, variations, a whole soundtrack. Speaking of sountrack-

Obscura is also one of the few games I've put on the soundtrack to just to vibe to. The soundtrack is SO good, and sets such a strong mood/tone. I think it complements the game perfectly.

Allot of people have mentioned it, but I am also a fan of the Safeword pause menu. It's a nice and comforting touch, especially when the game can get so intense. It lets players take a breather if they need it, but also doesn't interrupt the intensity/mood of the game for someone who doesn't want a break from the narrative.

Now, onto character specific thoughts!

Cirrus:

IN MY HOUSE WE DON'T BELIEVE IN NOT STARTING OUT STRONG

Shout outs for having your asexual option in the dating sim be. The kinkiest guy there

Cirrus is a bit too intense for me, however, that is NOT a bad thing in the slightest. I think his route is well done for those who are up for his brand of intensity.

I might still play his route because. damn this boy's issues got me curious about his backstory. ($10 on mommy issues)

I had the hardest time getting to Cirrus's good end during my playthrough because having pretty much any self-preservation instinct around Cirrus gives you a bad/neutral ending. He's the only one I had to pull the guide out to get the best ending. (I think I'm just too sassy)

I get medusa vibes from Cirrus. The snake imagery is more likely tied to the lunar church, but his staunch reluctance to take his own mask off makes me wonder (this is mainly referenced in asks answered by the Rotten Raccoon studios). Refusal to let people see his eyes + snakes + power + slightly unnatural abilities to influence is, something.

I am shaking this man like a snowglobe WHAT IS YOUR DEAL I MUST KNOW MORE

(I am. metaphorically shaking him like a snowglobe. I would never shake this man im terrified)

CONCLUSION: Most likely to shame you for your anime choices. Least likely to be normal about it when you ask for help peeling an orange.

Keir:

HERE COMES BIG MAN

yeah he's tied for favorite right now. the slow burn in his plot is just too good? big man....freckles...secret soft side...im weak

he's so nice I keep forgetting. He kind of kidnaps you? not even kind of he just drags you off the street and goes "you live in my house now". Even Griff calls MC a stray early on. My man really said "Here's a convenient lost human I'm dragging them home now"

oh my GOD they were ROOMATES

I definitely was too nice to him in my first playthrough until I realized he does need (and want) to be sassed to death.

this man is like 6'6 and the canon-ish Vesper height from the CG is 5'4. THE HEIGHT DIFFERENCE. This kills the man (me)

The sprite of Keir's ears blushing SENDS ME INTO A FRENZY

I quite liked the gameplay style of Keir's route. I was so focused and invested as soon as I realized I needed to remember specific directions to save the heist group during timed decisions

Something I haven't seen discussed yet: I'm mega curious about the dagger Keir has on his outfit. It's specifically pointed out in text that it's high-quality, and I vaguely remember an ask that Rotten Raccoons answered that said it's a status symbol. (The dagger also just looks SO cool. and....it looks like Francesco's...?)

(My bet is that he either 1. stole it. or 2. got it from Oleander during their tryst (WHICH WE ALSO NEED TO TALK ABOUT-))

CONCLUSION: Most likely to be gifted a "WORLD'S BEST DAD" mug from his similarly-aged peers. Least likely to live down that one time he ate soap because he thought it was edible.

Francesco:

someone keep the "silver dust" away from this lad im scared

Originally, I was least looking forward to playing Francesco's route since I just wasn't interested in his initial concept. After playing his route though? It was excellently done, and I genuinely had fun. It was refreshing to have a character more naive than Vesper, so more cultural aspects were explained and we got a good alternate perspective on the marketplace. Also, it got REAL spicy in new and exciting ways the other chapters didn't. I'm really looking forward to the next chapters with his route!

I totally love the contrasts in his design and his character. He's got both bright red and blue highlights in his design, his outfit is very pointy and angular while his hair/smile is soft and flow-y.

And in his personality, he's both sweet and open, but extremely cagey about some information, and quite pragmatic when he wants to be. I think he's way smarter than he lets on.

that doesn't mean I don't want to bridal carry him and tuck him into bed at night after a all-nighter party

I do think Fran's slightly looser demeanor could lead to him being even more brutal than the other LI's. Remember that one anime clip (Found it, it's this one from Danshi Koukousei) where a group of friends wants to fight for fun, but one of the friends asks why they need rules in a fight? And said friend is shown like secretly holding a rock and was ready to use it? that's Fran. He would not have chill and does not heed the rules.

"Protect the boy", but mostly to prevent him from tasting blood. Because if that happens we're all fucked

CONCLUSION: Most likely to eat that M&M off the ground because you dared him. Least likely to beat the puppy allegations.

Oleander:

Oleander is tied for favorite with Keir. Oleander is just *chefs kiss* LOOK AT HIM. inscrutable......

Somewhere in an ask answered by Rotten Raccoons studio, they mentioned that for Oleander's route, they were going for a "Sexy boss situation that doesn't feel like a work safety violation". They hit that right on the nose; there's intrigue and a power imbalance, but in a non-restrictive or terrifying way.

I love being involved in the business part of his route. I keep making decisions like "Hmm yes my primary goal is to romance Oleander. But what would be the smartest business move here? How do we advance our agenda?"

Also, I do love playing a sexy evil secretary in a vn. love having a job and being evil at it AND being paid money. 10/10

That dance scene is everything I could have ever wanted no notes

I am fascinated to find out more about what he's been up to since his last trek into the marketplace. Seems like people are trying to kill him all the time anyway, so what would be enough to cause him to leave?

he's like an angler fish, but the lure is his booba

I relate to Oleander in that. I have too many online usernames because I can't stick with one. People get my 800 online names mixed up often. He has the same problem, we're basically twinsies

This man is pretending to be a himbo like his life depends on it (It probably does). He's too smart though, I know for a fact he has at least three different schemes going at any given time.

CONCLUSION: Most likely to be able to help you properly lace a corset (this man knows the boot-to-the-back necessity of the process). Least likely to be allowed to be banker during monopoly night.

Vesper:

black mask enjoyer 4 life

(all three are good I just wanted to say which one I picked. And to add my conclusion section)

CONCLUSION: Most likely to get their shit rocked by a falling piano. Least likely to survive an argument about pineapple on pizza.

Concerns:

With how separate the four routes are, the game could potentially feel like four separate visual novels all in one universe. Maybe I haven't played enough VN's, but there is a feeling of separation between the routes.

In the very beginning of the game, when you're picking your route, I wish there was a bit more heads up/information between who you're picking. For example, I had a rough idea that going into the church is where you'd find Cirrus, but only from information outside the game. I didn't know sticking around for the brawl would push you into Kier's route. It's overall pretty vague to which route you're going based on only in-game information.

Misc thoughts:

Vesper: "How are you going to keep me?? ;)" Keir and Oleander: "crimes" Vesper: "Wh-" Keir and Oleander: "you're an accomplice now congrats we're in this together. wanna get drinks"

catch my socially anxious ass wanting to be under the mountain and wear masks so I don't have to make eye contact with strangers all the time. at least its a fun thought to have when I mask for covid

OKAY FRANCESCO AND KEIR'S DAGGER MATCH? AND ARE RED/BLUE LIKE FRANCESCOS OUTFIT? DOES IT MEAN ANYTHING??? probably not but I do like the pretty knives....

For real, I got the brain worms for this game, I'm on the edge of making a big ol playlist. the headcannons? They go on my friend. they go on. I'm laying awake at night thinking about what each character would order at a coffee shop

by the time I publish this post. I did start working on the playlist

yes, I've also designed my own vesper, its such a prime opportunity for character design.

Obscura also may or may not have inspired me to get involved with an otome jam game team, more on that in the future possibly.....

OVERALL: I got the first chapter/demo of Obscura for free from Itchio/steam. High marks for writing, sound, art, game design, all of it! I am on the edge of my seat waiting for CH2.

TL;DR: If you haven't played it, and love spicy and dark stories, go play it! Part one is free! and fantastic.

Itch.io

Steam

[salty-ironstrange-shipper]

Hi. I saw this post asking for a fic that changed one's brain chemistry. Now there are a lot of fics I like; over 2000 bookmarked on ao3. And a lot of fics I love; I have 400+ of those fics tagged 'fave'. Of those 400, there are only around two dozen I would say legitimately changed me as a person. 1% changed the way I saw relationships and the world, changed the way I read and write. And I couldn't narrow it down to one - or ten - and didn't want to dump in OP's tags. So have this list of fics that permanently changed who I am as a person.

Warning: I love long fics, and some of these are the same specific tropes that I love or that really affect me personally (ex. arranged marriage). Expect angst, and especially angst with a happy ending. That said these fics are all objectively amazing.

(sorry to people who don't like long fics, but we are simply not the same. and that's OK.)

listed in order of fandom, then length.

Banshee In A Well - 43k, complete, DC, Tim Drake. Childhood trauma, childhood trauma, came back wrong/can't stop coming back! Tim is a little FREAK and I luv him.

straight on 'til morning - 102k, complete, DC, timkon/Kon-El. This is within the niche genre that for some reason appeals to me specifically, of characters having a LOT of feelings about sex and dealing with it poorly.

variations on a theme - 5k, complete, MCU, ironstrange. This is one of the fics that made me truly love ironstrange. Stephen sees through millions of possibilities and in doing so, falls in love with Tony. Evocative, beautiful, succinct.

The Art of Losing - 33k, complete, Red White and Royal Blue, firstprince. This fic made me cry. This fic BROKE MY HEART. And I WENT BACK TO IT. Multiple times! This is a breakup fic that breaks you down then puts you back together. You will come out different, and only you can say if it's for the worse or the better.

With so much of my heart (that none is left to protest) - 65k, complete, Red White and Royal Blue, firstprince. There are so many firstprince fics that essentially translate the events of the book into a different setting. And I love all of them. (My own fic, then fucking have me, also does this, self plug self plug self plug). I had to narrow this selection down to just one, and this is probably my absolute favorite.

You Don't Have To (Say Yes) - 192k, complete, Star Trek, spirk/Jim Kirk. This is within the niche genre that for some reason appeals to me specifically, of characters having a LOT of feelings about sex and dealing with it poorly (yeah, again).

THE MARRIAGE OF TRUE MINDS - 262k, complete, Star Trek, spirk. Star Trek arranged marriage epistolary fic. I read this 4 years ago, and I STILL think of a line from this fic constantly (we're aligned, we're aligned, we're aligned). If you don't read anything else for the rest of your life, read this.

DON'T THE WAVES PULL THE SAND? DON'T THE MOON PULL THE TIDES? - 58k, complete, Star Wars, finnpoe. I don't even go here. And yet. And yet. This is within the niche genre that for some reason appeals to me specifically, of characters having a LOT of feelings about sex and dealing with it poorly (yeah, AGAIN).

Not Part of the Plan - SERIES, 8 works, 337k, complete. Supernatural, destiel. This is an arranged marriage fic au series, that started with a oneshot pwp, and somehow grew into a sprawling, world and character building EPIC. And that to me is always a marker of quality. You KNOW it's good if the author couldn't stop themselves.

wander your own land - 379k, incomplete, Yellowjackets, shaunajackie and others. I told you I like long fics. Girl survival situationships, cannibalism, jealousy, cabin fever, hallucinations, trying to keep a fucking baby alive in some of the worst possible circumstances.

Infinite Variations of a Summer Day - 76k, complete, X-Men, Pietro Maximoff. I love Pietro, he is one of my favorite characters of all time, and this is such a great character fic. See Pietro slowly driven insane in a time loop that examines his relationships with himself, his team, his family, and his powers.

drop your own recs in the notes. and if you have any suggestions for griddlehark/the locked tomb, pLEA- *gunshots*

[raven-at-the-writing-desk]

One of my complains in the TWST designs is that most of their designs have the same hairstyles. I understand short haired people like Kalim, Deuce, Trey, and many more, but people with long haired like Jamil and Leona because I literally can see them having the same hairstyle in most of their designs especially their fairy gala concept designs on them having a different hairstyles (I can think of their overblot designs, Jamil's fireworks, and Leona's pe wear). At least Idia has different hairstyles with his overblot design, glorious, and ghost bride which makes it unique, even Vil has his hairstyle change notable with him sometimes having his hair bun or only part of his hair braided. It feels like those with long hair have a unique potential to have a different hairstyle.

Mmm, I get what you’re saying 🤔 and it is sad that we couldn’t get some of the gorgeous hairstyles shown in the Design Note (like the Leona and Jamil images above!)… The potential is definitely there!!

I think it’s not always feasible for the devs to give characters different hairstyles for new cards (especially for a cast of 22)?? They’d have to do rigging for the models every time there’s a significantly new look, and it’s just easier to go with the same hairstyle to save time and effort, or a preexisting hairstyle (such as Leona’s ponytail). (They’d run out of ideas really quickly if they did attempt new hair frequently anyway 😂 and maybe even get themselves trapped in a situation where new hairstyles are expected and then they can’t deliver…) There’s also the possibility that the team does consider new hairstyles but then just settle back into the default because they genuinely think that’s the most fitting look to go with the outfit (or they don’t have the time/resources to implement it, which brings us back around to my original point; I imagine this is the case even moreso because TWST has increased the frequency of new cards as of late).

If I had to guess, they probably save the more unique looks to use sparingly and for situations where it makes the most sense to have new hairstyles. This includes Vil who is fashion forward, Idia who has hair so long it has to be reasonably contained somehow, sports club kids who need to keep their hair out of their faces while they practice/play, and/or very formal occasions where they have to look special like Ghost Marriage. The Clubwear line of cards in particular seems to feature new hairstyles for many of the boys (though not all), so there’s that to look forward to? Plus all the fan art of alternate hairstyles made by passionate TWST fans!!

Personally, I don’t mind too much that we don’t get tons of different hairstyles in the game. There’s just enough variation to keep me on my toes and pleasantly surprised whenever there does happen to be a change in the status quo ^^ 💇‍♀️

[lyculuscaelus]

allow yourself to be a little arrogant! if you were to claim that you know more than most people about a specific character from greek mythology, which character would it be?

Ooh great question! I think in this case I would say, Odysseus.

Aside from his story in Homeric epics and the Epic Cycle, aside from the plays and some evidence scattered around in the Odyssey that might indicate the early stages of the development of Odysseus’s lore, I’ve also dug through most of the non-Homeric versions of his story, from all those contradictory post-Odyssey tales which have him wandering around in places like Aetolia or Italy, to some of the variations of his journey, as found in the infamous Dictys, Dares, and Malalas. I know how he is interpreted by different ancient writers, how all the details in Homer’s writing flesh out Odysseus’s characterization… yeah, I’d say so.

It’s also interesting to see how we know so much of Odysseus, yet so little at the same time. Ask me how the oar quest play out and I might still frown, ask me what we know about his childhood and the best I can tell you are the boar hunt and how he got the bow from Iphitus and then…nothing more. All the variations of his story outside of the Homeric epics diverge from one another, too, which just makes it impossible to filter out an entire autobiography for this man of twists and turns… and that fits one of his epithets so much: polyainos, “the much-praised one”, also interpreted as, “the one with many tales”.

[dumpster-diving-rat]

How I think random bsd characters would tell you they love you (dating and not dating)

Edgar Allan Poe

-When you're not dating him, he's afraid to tell you about his feelings, practically admiring from afar whenever you two are together

-One day, whilst you're at his house, he hands you a book

-Whether or not you want his ability to be used is up to you, so I'll give you two versions here

-You get put into the book, there, you see a letter, in it is a confession of his feelings, if you looked around, you would notice you were in your favorite place, whether that's a place you've dreamed of going, or a place you've been to

-Once you get out after reading the confession, he is quite embarrassed, but tries to act normal

-The only reason why he didn't tell you in the book himself, was because he was too scared to see your reaction in real time, so he wrote the note for you to read while in the book

-If his ability was not used, it would be a book of love poems, confessing his love for you with many words, describing how he loves you with quite the description

-You can tell by the look on his face, in which he finally showed, that he was lovestruck

-He had fallen hard for you, and didn't plan on letting those feelings go

-However, when you are dating him, he shows his love similarly, but still different

-You will hear him say 'I love you' of course, but, sometimes he does it in ways you never thought he could do

-Did he learn different, slightly hidden ways to say I love you? Perhaps, but only for you, because he knows you'll find it, even if you don't understand it

-He gave you a few new love poems, he gives you different ones every week, but what you weren't expecting was at the top of every page, there was the same dots and lines -Wondering what it was? Well, it was morse code for I love you, but not just that, different variations of I love you. It seemed to be a different way of saying it every two pages. Such as 'I love you so much' and 'I love you more than every star in the sky'

-He did it all in morse code, just so you may or may not know it, even so, you'd have to translate it if you did know it

-He does give you some gifts outside of poems, but they have to do with what you like, such as flowers, or art supplies if you're an artist

-Yes, he's not the best at spending well, he spends a lot of unnecessary money, but he gets it back in a day or so, which makes him not care about all of that

-He loves you with his entire heart, and he reminds you with all of those weekly poems, and gifts

Ranpo Edogawa

-Before you started dating, this great detective had his eyes on you -He shared some snacks with you, to every other detectives surprise

-He's even asked Fukuzawa multiple times to let you go to cases with him, even if you hadn't asked to go with him

-Asking for you to go on cases with him was practically his way of getting closer to you, which was what he wanted

-One day, you went candy shopping with Ranpo. While you two were in the rain, standing under an umbrella, Ranpo suddenly said "I love you" to you. Of course it caught you off guard, I mean, you both weren't really speaking, and it was just so sudden

-Cue the prolonged eye contact moment, because he actually opened his eyes, and stared at you

-You two continued walking back to the agency in the rain after a small talk. Wait, are you two holding hands now? Absolutely, yes you are, and Ranpo was happily grinning

-Now, when you're dating him, he is a bit clingy, and is probably demanding hugs (and kisses if you want those too)

-He probably says I love you at least 20 times in one day, mainly while he is getting held by you

-Ranpo will share a few snacks with you, but doesn't really get you many gifts

-I'd say gift giving isn't really his love language, I'd say it's physical touch, and probably even words of affirmation

-He just want to be held and praised for his work, while he tells you he loves you (and that he wants more affection, like the clingy person he is)

-He just wants to be lazy with you all day, sleeping, and eating snacks

Kunikida Doppo

-He didn't exactly expect to fall so hard for you, but, you fit a lot of his ideals, and he just didn't know what to do of it

-He would gift you things that you like, probably slightly smaller things, but still things you like or want

-There's a book you want? Well, surprise, he bought it for you, but it's 'no big deal'

-Dazai found out immediately, and would tease him so much for his little crush, and would talk about how his ideals would make you 'run away'

-Kunikida's face was almost always a slight pink around you

-One time you got close to his face to take a look at his eyes, because you were a bit interested in them, and he turned the reddest shade of red anyone could ever see

-If you ever complimented him, he would stop functioning, even if he never acts that way towards anyone else

-Because Yosano couldn't go shopping unfortunately, (she actually could but Dazai and Yosano ship you and Kunikida together, so she acted like she couldn't) she recommended you go with Kunikida, because he had good time management, and you and Yosano never knew how to keep track of time while shopping together. Thus, you asked him, and he agreed, hesitantly (if you listen closely, you can hear Yosano and Dazai snickering and whispering with each other about you two practically going on a date together, and high fiving each other)

-You and Kunikida did your shopping, while he made sure you didn't over spend, and made it back on time

-Before leaving, and putting your bags in his trunk, he asked if he could tell you something

-Then, he confessed. Saying how perfect you were, and how you were the ideal person for him. He asked you if you wanted to go on a date sometime as well

-He looked a lot happier for the rest of the day when you were both back at the agency

-Dazai and Yosano knew something definitely went down, because it seemed like you were slightly flustered, and Kunikida looked happier than his usual stern face

-"Sooo Kunikida, how'd your little date go with name hmm?" Dazai then got pummeled by Kunikida

-When you're dating Kunikida, you won't always hear an I love you at the ADA (if you choose to work there)

-However, he does message it to you when checking up on you, and does say it while you're both at home

-You'll most likely hear it at least once or twice a day

-He does still give you the small gifts, like I mentioned earlier, but will give you flowers too, and you'll see them mainly when you two go on dates, it's your anniversary, or Valentine's day, which are classic, but it's sweet nonetheless

-He doesn't do that much physical touch, but if you ask for a hug, a kiss, or practically anything, he will do it, just not in public

-You can hold hands in public with him, but that's pretty much the only thing he will do with you in public

-He just prefers to keep it more private, but maybe if it's not so crowded, he'll kiss you, or hug you, whatever you want, really. Just know you have to be the one to ask, because he won't do it

-Consent is everything to Kunikida, and he will always ask for your approval before doing anything that has to do with physical affection with you

Dazai Osamu

(TW: there is one mention of suicide, if that makes you uncomfortable, you could just skip to the dating part, or you could skip this in general)

-Oh. My. God.

-He will tease and flirt with you, and only you once he falls in love with you

-He does practically everything for you, sometimes even without asking

-You accidentally cut your hand or finger? Dazai is already there with bandages, and is cleaning your wound

-Probably kisses your wound as a joke, while flirting with you in the process

-You don't think he's being serious, in fact, you know he can't be

-But, here you are, helping him with paperwork, in his living room

-He isn't doing much, it's more like you do almost all of it, and then he finishes the rest of it

-He walks up to you once you're done and sitting on the couch, and sits next to you

-He gives you a hug, while flirting and giving you random words of affirmation

-While he's hugging you, he stops doing his flirting, and looks right into your eyes

-You get confused at his change in demeanor, but before you can say anything, he says 'I love you'

-You ask if he's being serious, to which he stares at you again, with a serious face, which you don't really see often

-"Honestly, how could you not tell? I've slowed down trying suicide. Did you not notice that?" Dazai is still staring at you, and now you're starting to realize it all

-"You've become such an impact in my life, angel" Yes, he did just give you a new nickname, and he will never stop calling you that from now on

-Dating him is barely different, he gives you every ounce of love he can

-I see his love language as physical touch, and he would cuddle you basically everyday, hugging you, giving you many, many kisses (unless you don't want that, he will respect that, as will every other character, so don't fret)

-He loves to lay on you, or rest his head on your lap, he's surprisingly clingy

-He says I love you almost every second, and you will hear it everyday, as well as see it on your messages everyday too

-You will get gifts often, and compliments everyday

-The gifts are typically stuff you like or want, as well as things like flowers

I hope you enjoyed this, if you have a request, you can comment it, I don't have an ask box, and idrk how the ask box works, so just comment or message me ♡

[msbunnat]

sorry if you’ve been asked this before but how do you interpret Zeus in Greek mythology?

I know you like to keep the details of your comic a secret but can you at least elaborate on your perspective about his canon?

Like me personally, I see Zeus as kind of a force of nature, probably cuz he kind of is. He’s the man made character created in order to further understand that which man did not know, like all the gods. And also like the other gods his actions are hard to rationalize cuz they’re so dam inconsistent. One moment he’s treating women as disposable then the next he’s giving Hestia the respect and permission to never marry without any question.

sorry for the Yap sesh lol, love ur art and ur comic btw!

I think this is the first time someone has asked this and I am very happy to answer!

*THIS IS TO BIG SORRY!! ;-;

First, I need to make it clear that the Zeus of ancient myths and my Zeus will be different, even though its based on mythology. I am just contributing with my two cents to this range of fanfics that have existed since ancient times.

I truly believe that all the myths we love and explore are basically fanfics based on a religion and that people in the past used them to spread knowledge, comedies, tragedies and just to have fun while keeping the image of their gods alive. That is why the gods are so inconsistent in mythology, since we have many variations even of a single myth and it will always depend on who is telling the story (I wish it were easier to make fics like this about my religion, but I am afraid of the reaction of extremists).

I interpret Zeus in mythology like all the other gods, I no longer make a distinction based on the prejudice of him being a compulsive pervert, he has many sides. As all gods re natural forces, natural as in animal and plants, but also human feelings and urges.

Zeus has some basic pillars that myths tend to respect: He is THE father, he is the fairest one, he is the executioner, he is seductive, he is good-humored (sometimes he makes some bad jokes kkkkkk), he defends natural balance more than anything and he respects the will of others (this seems ironic, but calm down!!). After reading more myths about him and different interpretations, I understood that this modern view of him as a player is completely distorted and ignores all the other myths he participates (I understand that it became his joke, but… some people take it to seriously). So I started to form my own view of his myths.

Most of his adulteries are consensual and when they are not, they remain in that confusing area of ​​what was once consensual, since it is always mentioned that he seduces (for example, how he turned into an bull or a shower of gold because he knew that his potential partners really liked those things - and I find it hilarious that it seems like he didn't even intend to get Danae pregnant kkkkkk, but it ended up happening). This doesn't mean we can't understand that some of these seductions are abusive (like taking the form of a husband to have a night with Persephone or Alcmena), but saying that he discarded them doesn't seem right either. He often protected his lovers and bastards in the most intelligent way possible and sometimes he just walked away too for the good of others. And in a way, as the father and lord of the sky, he is always watching. I also hate how we take away any woman agency when it comes to Zeus, like, there re myths that they wanted a casual nigth with a god... stop ignoring that!! (the bad thing is that Zeus is also a pilar for fertility ;w; so if he sleep with someone with a uterus... they will get pregnant).

Going to the non-literal side, we have to remember that Zeus is a god and his adultery should not be seen as the same as that of mortal men. He cant acuatlly be with a mortal on the mortal realm and be a husband there... I also want to say: Hera wasn't that jealousy (I think she herself knew that Zeus needed to spread his blood/goodness in the world - yes, a strong interpretation is that Zeus' affairs are a metaphor for spreading goodness). On the contrary, she respected the bastards who faced their challenges and thus deserved to be close to them on Olympus. Hera tested the heroes for two reasons: So they understood that she and Zeus were in charge (so that no one would think they could usurp the throne, and she protected both her and Zeus, as well as Zeus do his best to also prevent the bastards to die and have some help - both Zeus and Hera do all this from a distance, they want to be fair with eachother) and to see if they deserved to be with the immortals.

It seems ironic today, but Zeus respected everyone's will, but it was in the Greek terms (more of in atenians terms, bc we don't have much of the other states). He accepted the decisions of Hestia, Athena, Artemis… I don't remember seeing him laying a finger on them or wanting them to get married. On the other hand, we have versions of him as father of Persephone, 'selling' her (but the myth was about an arranged marriage and I think it makes sense that it's Zeus, since the focus ends up being Demeter's suffering and this encompasses more complex feelings when losing her daughter because her 'husband' gave her away, while he is still respected and loved socially).

Now the bad side of Zeus in how fair he is. He punishes Apollo in some situations, even though I understand why he needed to do it… But he is not shallow enough to be evil for the sake of evil… It left a impression on me when he killed Asclepius and hurt Apollo (obviously), it is sad and I doubt he enjoyed killing his grandson, but if he didn't do it… the balance of the cycle of death would collapse and he is the one who sustains this cycle with the greatest respect. In fact, my theory is that he doesn't face Nyx, not because he fears her, but because no matter who wins the fight, the world will end (if Nyx dies, the night and everything that comes from the night, for the Greeks like sleep and death, will be disturbed / if Zeus dies the throne will be empty and no other god would do what he does, maybe Athena, but the world was too sexist back then to let her become sovereign and I also think she would be colder than Zeus when making decisions and would have no descendants…). But sometimes he just wanted to prank and have fun! So like, no straight answer here.

In the case of Ganymede, I believe that his myth is more one of those in which Zeus is merely a narrative tool, more than an active role. People just started shipping them and that's when the pederasty boom happened, but before that Ganymede was just a boy who was handsome and got a 'dream job' (poor thing…).

[cripplecharacters]

Hi. I have OCD (and various other mental illnesses) and have a character who has OCD. However, this character lives in a setting with aliens who are basically psychic with extra steps (they communicate via electromagnetic fields and can identify and interact with humans brain's electrical impulses.) What I'm wondering is should I make it so these aliens can like, easily distinguish some types of neurodiversity. i.e. they can easily recognize OCD character because his thought/brain patterns are more "repetitive?"

Personally I'm very torn on this. On one hand it feels validating because like a sort of "proof" that the difference is there and to ignore it is foolish. But at the same time it feels reductive to be, even indirectly, identified primarily by disability.

Possibly relevant, I don't think all neurodiversity should be easily identifiable by this species. Like I don't think autism could be identified (too much variation) but maybe something like DID could (parts of the brain field are somewhat "segregated")

Thank you for your ask! I think if the aliens have had contact with humans (or similar alien species) before, they might have some knowledge on what conditions are associated with certain thought patterns. If the aliens haven’t specifically spoken to humans on the matter they might make their own classifications which would probably look a lot different than ours (especially with how wide symptoms vary in one condition and how many symptoms overlap in so many conditions).

Your character doesn’t have to be only identified by their OCD, that may be what stands out at first to the aliens but if your character is well rounded they can be identified by their other traits. For example, when you first meet someone you might think of them as ‘the person with the interesting fashion sense,’ but as time goes on and you learn more about them you associate them with more traits.

Have a nice day!

Mod Rot

Hi!

I think that it's an interesting idea! I feel that it would make sense for an alien psychic creature to recognize that there are some "thinking patterns" that some humans sometimes have. As an example, I can see how they would pick up that certain people have a very specific Pure O pattern just from psychic-ing various people.

Depending on if/how the topic of mental health/neurodiversity exists in the alien society, they might not even necessarily consider it as such. If they don't recognize the pattern as a disorder, they might just think of it as a type of thinking that humans just have, like how they can perceive that some humans have brown hair while others are redheads (while readers would probably pick up on what is implied if they know anything about OCD). The alien aspect gives you a lot of possibilities!

As someone with OCD, I don't see it as "reducing" at all. It's true that his thoughts happen in a different manner than most peoples', but there's still content in them, right? His OCD is just affecting them, which is just how that works. The only exception here is that his OCD process itself is a part of the story - unless you decided to put his entire character's focus on how Weird and Exotic that is, you should be perfectly fine. I think it's an interesting part of worldbuilding to add!

If you are really worried about him being "identifiable" by his OCD, you can always make it so that different OCD types are seen as distinct (or, from an alien's perspective, perhaps even unrelated). For example, someone who's thought process is occupied with visual intrusive thoughts, versus one who is mainly having a specific compulsion-obsession pattern over and over, etc. - this will show OCD as the wide range that it is, and definitely not as "a label" that someone could just be instantly identified with. You can also make sure to show that every person's thought patterns are different to some degree (even if they're as neurotypical as it's humanly possible), and perhaps those with OCD's patterns are just hyperspecific enough to be recognized as more different; a "genre" of thought patterns of sorts. Because at the end of the day, they will also be people who don't have OCD who might share a few of these "OCD patterns" (and who don't fully get read as having it, maybe as adjacent at best), as well as two people who do have it and whose brain patterns don't match at any point, who still do get read as having OCD despite all that. It's a spectrum, afterall, so the brain patterns would be too!

I think that if you have OCD yourself, you can do basically anything you want with this. As I said, you have an interesting concept that you can tackle from a bunch of different angles, and I would love to see a take on it by an author with OCD! :-)

mod Sasza

[artxstic-scr1bbles]

I... think I went a little overboard with their hair-

Ramble UTC:

HOUSE OF CARDS

[Or H.O.C]

—-—-—-——-—-—-—-——-—-—-—-——-—-—-

Have you ever wondered what lay beyond the pages of your favourite novel? Could there be a world different than ours, just a few words away?

—-—-—-—-——-—-—-—-——-—-—-—-——-—-

The story revolves around three teenagers—

Akui Yūrei, Celine Hashimoto and Akarui Kurosawa (left to right).

Two of them close friends, one... not quite. Akui's existence is debatable, to put it simply. He's not quite 'human'.

Currently residing in Wonderland, the three of them try to get by without getting into trouble with the locals. The company is not very pleasant if you need to run for your lives every other second, is it?

Celine and Akarui had been waiting impatiently for a new novel anticipated for in the market— a retelling of the famous Alice in Wonderland, written by Louise Benetton. Advertisements looked promising, and promotional merch was already running out from high demand. The two teens had pre-ordered one right before it had sold out, of course they were excited. Their money was on the line. A month later, and, they recieved their money's worth in the mail—

House Of Cards.

—-—-—-—-——-—-—-—-——-—-—-—-——-—-

There's a lot more— but that will make this post too long... I'll post another one elaborating on this soon. Basically, the trio got sucked into the book when they had fallen asleep reading it. The locals are mainly divided, but not limited, to two categories-

-> Decks -> Cards

You see, in Wonderland (the book realm) the power (based on magic) hierarchy depends on how many souls you have collected, either dead or alive. Living ones have more value in magic, but are riskier to keep, considering they can topple you over with the right strategy.

Decks are those who have collected one or more living souls. Cards are the ones who live independently— those who have not yet collected any souls.

»» A Deck can become a Card if they lose all their souls.

»» A Card can become a Deck by collecting souls.

Where these souls reside are all variations of different pocket dimensions all Cards and Decks have. One is there by default, forever changing to reflect your life. It is possible to create others, and it is the favoured option. Locals have named them 'Weeping Lands', for the eternal somber melody they can hear from there. Some say it sounds like a forbidden lullaby, pulling them to a deep slumber, while others say it sounds of their lost loved ones, calling out to them in the distance.

Another thing special to Wonderland is a phenomenon observed as 'Carding'. This is something that takes place with very soul not native to Wonderland— an attempt by the world to adapt to you, and for you to adapt to it. Symptoms vary. The first one is memory loss and inability to recall certain events, in this case memory of the life before Wonderland. Then follows delusion that you truly do belong in Wonderland, have always lived here, and never had a life outside of it. Individuals having passed this stage never make it out of Wonderland. Because once the Carding process is completed, it is near impossible to escape, the world simply won't let you. After all, you belong here, don't you?

Then follows alteration of physical features... though what exactly and the extent varies from individual to individual. And, how long the Carding process takes also varies. Younger individuals are most vulnerable to it, however, given that they are naive enough to give in rather easily.

Story's mainly about the trio's shenanigans and their attempts to escape, thwarted time and time again by a certain someone and his right-hand man who will cameo soon.

—-—-—-—-——-—-—-—-——-—-—-—-——-—-

This is basically what I have for now! I have a list of characters ready for the main cast— but only five of them are fully completed.... Gosh this one has a LOT of world building. Plus so many characters. I'm positively both excited and overwhelmed. Suggestions are, as always, welcome! This story has been on my backburner for far too long, I'll be posting about my other one too very soon.

That one has a more original plot line lmaooo

@liliallowed @salzab my writing moots, look at what I have conjured up this fine midnight.

[fushiglow]

Who the hell is Gojō Satoru?

Some thoughts on his character in 236

Seeing everyone arguing about Gojō’s characterisation in 236 over the last week makes me realise just how good the chapter is, no matter how dissatisfied I am with Gojō's death.

When you're upset about something, it's hard to judge accurately whether something is 'bad' or whether you simply don't like it — and they are different things. Interestingly, 236 presented me with a conflict I've never experienced when following a story before. I'm really disappointed with the way Gege Akutami chose to end Gojō's story, but I think 236 will go down as one of the most beautiful chapters of Jujutsu Kaisen. In that sense, my feelings about the chapter after a week of sitting with it aren't too unrecognisable from my initial feelings — just with all of the big emotions that were colouring my judgment stripped away.

I think there *is* value in immediate reactions, and I think much of the initial outrage about the chapter was simply people grieving what was an intentionally shocking end to a beloved character. I hate that people tried to police social media reactions to the chapter, because I think everyone should be allowed to process their feelings in their own online space (as long as they don't bring harm to others, of course).

Aside from the outpouring of emotion, there have been countless arguments about 'who' Gojō was as a person in the end, and that doesn't sit right with me either. I think many artists would be disappointed to hear fans of their work insist that there is one 'proper' interpretation — because the value of sharing your art with the world is in how different people receive it based on their own experiences.

To me, that's Gojō Satoru as a character.

I know lots of people have already shared some variation of the post below (and everyone has moved on to 237 now anyway) but this was sitting in my drafts so I thought I may as well hit post before 237 is officially released!

Gege Akutami keeps Gojō at a distance from both the readers and the characters around him, making it deliberately difficult to know who he is as a person. Despite that, everyone in-universe and out has something to say about Gojō's character, but we've never really known how Gojō views himself until this chapter.

For maybe the first time in Jujutsu Kaisen, we get to deep dive into Gojō's interior world and hear his innermost thoughts when he's at his lowest and most vulnerable. As a result, something fascinating happened across the fandom.

Even when Gojō literally tells Getō that the 'wretchedness of isolation' is something he shares with Sukuna, that he gave everything he had so that Sukuna might understand him and be understood in turn, and that he knows not everyone will get it, some people called Gojō 'out of character' in 236.

And isn't that just so damn meta?!

Akutami loves challenging readers' assumptions through his characters, so while the chapter is shocking, it isn't really surprising. I'd even go as far as suggesting that the journey of emotions the reader experiences while reading 236 is the exact same journey Gojō is going on in-story.

The thing is, I've seen tons of people arguing about whether Gojō was selfless or selfish, whether he fought for the love of his students or for the love of the fight, whether he took strong young sorcerers under his wing from a place of care or simply as a means to an ends — but I think the point is that it's always been all of those things at once.

Because he's human, and humans contain multitudes.

I think we were meant to have our view of Gojō shaken by 236 — the same way Gojō's view of himself is challenged in this chapter. However, just because we can find some truth in Nanami's criticism of Gojō, doesn't mean that his interpretation of Gojō's character is the correct one — especially when it's entirely possible that what happens in the airport isn't even real.

Getō listens with empathy as Gojō confesses his self-doubt and regrets, the solitude of his strength, and the dehumanisation he experienced as the 'Strongest'. He even expresses jealousy when Gojō admits he had fun fighting someone strong enough to understand him. Then, only two pages after Gojō says, 'You can cherish a flower and help it bloom, but you don't ask it to understand you', Nanami appears and calls him a pervert for his approach to sorcery.

It's actually really funny.

Importantly, Nanami isn't exactly wrong for saying the enjoyment Gojō gets from fighting is a little disturbing (and, to be clear, I *adore* this about him) — it's just not the whole picture of Gojō Satoru.

Akutami actually gives us some lovely imagery to visually represent the gulf between those who understand the solitude of strength and those who don't — Gojō and Getō sit on one side of the bench while Nanami and Haibara sit on the other, with each duo facing in opposite directions.

I don't think Akutami is implying that either side is wrong or right — it's just two different perspectives. Nevertheless, Gojō is pictured side by side with someone who understands him, and back to back with someone who doesn't understand him but who cares for him all the same.

Recognising this, he pivots to asking Nanami about something they can both relate to and receives an important lesson in return. What Nanami means and what Gojō takes from it is deliberately ambiguous, like everything that's discussed inside the airport:

Could Sukuna have won without the Ten Shadows?

Who does the 'flower' represent: Gojō, the people around him, or both?

Did Gojō reach Sukuna like he hoped?

Why exactly is Getō jealous?

Does Gojō feel satisfied?

Is Nanami's assessment of Gojō's character correct?

What is the relevance of north and south?

Which direction did Gojō choose?

Is it all in Gojō's imagination or is it real?

Whether we'll receive answers to those questions remains to be seen, but I highly suspect that most of them don't even have a definitive answer.

Once again, it's just a matter of perspective, and I think that's Gojō's character in a nutshell. Whichever side of the bench you're sitting on, whatever you see in Gojō says more about you than it does about him — and that's exactly why it's so fascinating to see the fandom erupt into arguments about who's interpreting the character correctly.

I can honestly say I think the chapter is really beautiful even though I hate what happened to Gojō, and that's an entirely new experience for me. For that alone, Akutami has my praise. Whatever happens in the rest of the story will determine whether 236 becomes my favourite chapter in the whole of Jujutsu Kaisen — isn't that bizarre?

By the way, I found a really thoughtful post about some of the word choices in 236. The poster shared some really interesting insights across a series of posts and they convey the tone of the chapter really well. Well worth checking out!

[bibibbon]

I don't know what I felt about Bakugo, like I see that I don't really hate him, I just find him annoying at times, there are times when I agree that there are times when the hate he receives is a bit exaggerated, like when you relate him to Endeavor, like you're relating him to someone who committed human trafficking. Like I think he has potential, but first he should face the consequences and then maybe he could start to improve as a person. I even like to see him being a good friend to Izuku, but I don't know. What do you think about the hate that Bakugou receives from a part of the fandom?

I can see where you're coming from, but honestly, it doesn't seem harsh to me to compare bakugo and enji depending on the circumstances.

Yes, bakugo and enji share characteristics. Whether those are good or bad is up to the reader to interpert.

I say this because when Canon points out the similarities between enji and bakugo, it paints it out as a good thing, so having people twist it around and interpret it in a different manner makes complete sense to me (as I have done it before).

However, I personally haven't said that bakugo did do the same things as enji or is just as bad as enji. I also haven't seen multiple posts say that as well. Most of the posts that talk about bakugo and enji point out the fact that if bakugo continues down the path he is going, he will end up like enji desperate to win and ultimately throw his life away.

I make my opinion clear on one of my other posts, and the asker themselves also acknowledges that it's people LIKE bakugo and enji that are shown to create abusive and rather fuel societies corruptions (in the end they are alone effected by it)

Yes, in the end, bakugo hasn't reached enji's level, and he has the chance to have a proper redemption arc, but Canon never gives him that. He has potential, yet it's never achieved.

The bakugo and enji comparisons are in a way crucial to bakugo's character to truly paint him as who he is, and then having bakugo and enji become contrasts would ultimately show bakugo's change, breaking the cycle and trying to become a better person. I think ignoring and trying not to point out these parallels within the series does more harm than good (as shown in Canon).

We share similar views when it comes to bakugo. I think that if he was written well and actually got proper consequences, he could have gone down a slow but steady road of redemption where he changes and becomes a better version of himself. I have talked about the wasted potential of bakugo 👇 and I still stand by these ideas. I just don't like the execution of his redemption arc in Canon at all

To answer your question, tumblr is literally the only site I actually see bakugo hate and criticism, which, to me, says a lot. Bakugo hate isn't something huge in other platforms such as Twitter, reddit, or tiktok maybe it is but honestly iam not exposed to bakugo hate it's mostly bakugo die hard stans I see which can get annoying sometimes as they deny certain things their favourite character has done.

While it is few, I have seen times in tumblr where I think the bakugo hate just got petty. This is usually when you have people misspell bakugo's name as "bakuhoe" or some other cringey variation, which ruins the point that the person had to say about bakugo. I think that wishing the character would die can also be a bit extreme (yet bakugo isn't a living, breathing human, so i dont find myself caring about such hate)

In the end, it is a vocal minority specifically seen here on tumblr that hates bakugo or actively points out his flaws, which is a shame because I think he is quite overrated and just has wasted potential.

[zenjiiejiie]

Ranking of different skam/evak remakes?

So we're ranking my children now? This feels so wrong....

JK LETS FUCKING GOOO

So before I start, I'm gonna let you know that I haven't seen SKAM España or SKAM Netherlands (So I won't be ranking them at all) + as SRAM is still airing their s1 I won't be ranking them either!

Also, this is so long, so I'll post the EVAK rankings in a separate post! (Definitely didn't accidentally post this too soon and meant to do them both in one post)

Alright, first, the SKAM rankings which the reasoning for are quite short as I try my best not to mention the evak of the series as I will be talking about them in the evak rankings but they are as follows:

1. WTFOCK

I debated putting WTFOCK in second just because of Kato's season ngl, but in the end, they have some of my FAVORITE characterization's in any SKAM remake. Mainly, their characterizations of those in the flat share family (Milan, Zoë, Robbe, Senne, Sander) as for once they actually feel like a family during season 3 unlike some other variations (skam france).

I haven't spoken about it before, but most characterization's of The Eskild variation I don't like, but that's just because in most, it really feels like that don't care about the Isak (especially in SKAM France) but that's just me.

Their William (Senne) is the best version of him ever, and I can actually see how him and Zoë ended up together compared to the previous versions and tbh I love Noora in (almost) any version so I don't have much to say about her haha

But anyway, Senne and Zoë are like Robbe's parents, and Milan is basically Robbe's dad I said what I said

I love Jens, I love Jana, and I LOVE what they did during lockdown (the WTFOCKDOWN) all in all I just love the series and rewatch s1, 2, 3, wtfockdown, and s5 often (I'll even rewatch Their s7 as well)

2. DRUCK (SKAM Germany)

I've said before that DRUCK has one of the only 'Next Gen'/Original Characters that I can stand (Sascha Belin) but even outside of that I adore this series. Maybe it's because I knew a bit of German going into it (my family is German though I'm American) or maybe it's because they are close to me in age (I graduated in 2023) or maybe it could even be because I'm a trans person myself I'm not really sure, but DRUCK just hit different than the rest of the SKAM's do.

Plus, I can feel the love that Hans has for Matteo the same way I can feel the love Milan has for his boy Robbe 🤷‍♂️

I adore Matteo and Sascha, I would die for David, and I love Hanna (who may just be my favorite version of Eva ever)

3. SKAM

Yep, the original SKAM is in the top 3 (where else would it be?) To be honest, the only reason it's not first is because of characterization. Mainly William and Eskild's.

As I mentioned before, I am not a huge fan of Eskild. Though I do love him, I think that he's just a bit too much for me, lol. God, I hate William, though - in every variation execpt for Senne, and will never understand how Noora fell for such an asshole.

Anyway, I would say that no one can outdo the original, but obviously, that's not true (for me), but I will say that the original will always be special. It brought out so many important topics, like mental health, in a time that it wasn't common and was my heartstopper. It helped me come to terms with my MI and queerness and that's something I will always love it for.

4. SKAM France

I know, I know, "but SKAM France is so good!! It's the best version!!" WRONG! While I'll admit, France has one of the best s3 the over all series was NOT the best SKAM version that I've seen (though it's not the worse either)

Their William (Charles) was the worst pit of all of them, and so was their Eskild (Mika) I don't know why I feel that way about Mika but God that man gets on my nerves, though I'm happy he gets a partner in s5 (the first ever Eskild to do that) I just can't stand him.

Not to mention, it went on for way too long. Like I've said before, I rarely ever like the original characters, and this rings so true for SKAM France- they should have just kept it to Arthur and Lola (as they both had connections to the SKAM characters from the first seasons)

The only reason it's #4 is because of Elu and Yann. Hell, I can barely stand their Noora, and Eva that's saying something.

5. SKAM Italia

So, like, It's not the best remake, but it's not SKAM Austin, so it's next to last haha tbh I liked Marti and Nico but other than that it wasn't,,, great?? Like, I don't know. I like it, I'll rewatch it. I don't really have anything to say, negative or positive, about this version (that isn't evak varient related at least)

6. SKAM Austin

Die. Die. Die. Die this show should never have been made it fucking sucks I hate hate HATE it, shay was the only okay character.

Listen, I'm allowed to hate it. Do you know how excited I was to have a SKAM not only in my country but my hometown??? I don't live in Austin anymore so I feel safe saying that but fuck man I was so happy and then they put out that fucking bullshit- I couldn't even get through the first fucking episode.

[zahri-melitor]

hi hello if it's not too much trouble, what comics would you recommend for someone trying to study the batfamily characters and dynamics for a project? I don't know which writers to avoid or which runs are considered bad characterization. I know this varies with opinion but you seem super familiar with the differences between fanon and canon stuff. don't worry about keeping the list short or anything, I don't have a problem with reading a lot

Honestly, this is a ‘how long is a piece of string’ question, but I can give you some pointers.

Which 'family' characters are you looking at, and which dynamics do you want? Because the thing is, this varies significantly over time. What I can do for you is roughly discuss a bunch of different eras, and what's good content to look at in each of them.

A shortcut - you're often well served by looking at a Gotham-wide Event during the period you're interested in. Sure, people often have some objections to some of the characterisation, but if you're looking at how characters interact, they're the best place to see lots of variations.

In addition 'bad characterisation' is largely in the eye of the beholder. There's actually less agreement on what is and isn't 'bad characterisation' than you might think - it depends on who you're talking to and what stories they like. Characterisation with comics characters is best thought of as a sliding spectrum - there's a range that most people will accept, and when characters go outside it people start getting unhappy. I'll try to note major shifts or universe resets or retcons along the way though.

Pre-Crisis:

Look there is very little in pre-crisis you need to look at for this. Sometimes people will pull stuff forward for Dick and Jason as Robin or Barbara as Batgirl, but largely things stand without this.

Post-Crisis:

I'm happy to walk you through post-crisis up to 2011. I'm still getting a handle on 2011 to present myself.

The Early Days: Bruce as Batman, Dick as Robin, Barbara as Batgirl

In the beginning, there was Batman. One day he went to Haly's Circus where he saw two acrobats falling and their devastated son...you know how this one goes.

Pretty much everything set in this period is flashback stories, so they frequently retread the same ground over and over. Want to see the Graysons fall? You're in luck! Choose one of the more than a dozen versions! (I'm not going to list them all even though I like many)

Quality stories looking at this period include:-

Batman Year One (1986) - Batman #404-407. I am recommending this, yes, even though it's Frank Miller, because it gets referenced a lot. It's a decent retelling and the best work Miller's ever done for the Bat books by a long shot. Bruce's origin story.

Robin: Year One (2000) - Chuck Dixon and Scott Beatty. This is probably my preferred version of early Bruce and Dick stories, and it's conveniently got a sequel in...

Batgirl: Year One (2003) - Chuck Dixon and Scott Beatty. Barbara's origin as Batgirl and the only one worth reading. These two update the Dick and Barbara as Robin and Batgirl dynamics into post-Crisis.

Batman Chronicles: The Gauntlet (1997) - Bruce Canwell. This is a single issue about the 'final exam' test Dick took to become Robin. I really enjoy it.

Robin & Batman (2021) - Jeff Lemire. A very recent update of early Dick as Robin. If you want something recent and quick, this is the pick. The characterisation is good but I have a bunch of quibbles with the details.

World's Finest: Batman/Superman (2022) - Mark Waid & Dan Mora. Here's a current ongoing for you! A rarity in that is set reasonably late Dick's time as Robin, and it also doesn't repeat identical beats to those above. Lots of Bruce and Dick, strong Silver Age vibes in relationships, and a lot of fun. A great intro to the wider DC simultaneously too.

Robin II: Bruce as Batman, Dick as Nightwing, Jason as Robin, Barbara as...around

Honestly this is a period I'm weaker on. Jason's post-crisis run as Robin is pretty compact: Batman #401-428 and 'Tec #568-582. Jim Starlin's the writer who wanted to kill Jason off.

Batman #408-411 (1987) - Max Collins. The original post-Crisis 'Dick Becomes Nightwing' and 'Jason becomes Robin' story.

The Diplomat's Son - Batman #424 (1988) - Jim Starlin. This is the issue everyone talks about, where Felipe Garzonas dies. You should read it just to understand the debate, if nothing else.

A Death in the Family - Batman #426-428 (1988) - Jim Starlin. Jason's death.You should read this if you want to understand the dynamics surrounding these events and what actually happened.

The New Teen Titans - look I can't get my head around the numbering of NTT, but if you want to go into this there are eleventy million guides. NTT is very popular. This is Dick as Nightwing during this period, Marv Wolfman and George Perez working together, and considered by people who like Nightwing during this period as the definitive version. Jason appears in a few issues.

Nightwing Year One (2005) - Nightwing #101-106, Chuck Dixon. Now this is going to be extremely controversial, but I do actually recommend people read Nightwing Year One. It's a retcon, but it's an important retcon because it lays out the dynamics of Jason's time as Robin as comics writers have changed them to be following his death. If you want to see how comics writes Jason as the 'angry' and 'risky' Robin following his death, this is the most compact way to see how the narrative changed.

Batgirl Special #1 (1988) - Barbara Randall. Barbara's last appearance as Batgirl. Randall is Barbara's best contemporary Batgirl writer, and this is a loving sendoff for a character who was about to get shredded.

The Killing Joke (1988) - Alan Moore. You should probably read it. Barbara is shot in the spine. However if you want to skip it that's completely fine as the relevant beats have been retold almost as many times as the Graysons have fallen.

Gotham Knights #43-45 (2003) - Scott Beatty. This is probably the best telling of the fallout of Jason's death on the family, particularly Barbara's reaction. If you want Batfam dynamics this is what you should look at.

New Beginnings: Bruce as Batman, Dick as Nightwing, Tim as Robin, Barbara as Oracle, Helena as Huntress, Steph as Spoiler

This is an interesting period in that it's the first threads of what we now call the Batfamily, but they're only just starting to come together as Tim picks each one up. (No, seriously. This era is 'Tim meets people and works with them')

Also as will be the case for a while from here on, at least 50% of all content is written by Chuck Dixon. Now Dixon has his downsides - he's notoriously a conservative homophobe and his views can be seen in the text quite frequently, but he is really good at writing relationships between characters, and he loves a crossover. If you love the modern Batfam, you do have to acknowledge Dixon for his work.

A Lonely Place of Dying (1989) Batman #440-442, New Titans #60-61 - Marv Wolfman & George Perez. Tim's origin story. Very clear on the outset dynamics between Bruce and Dick.

Identity Crisis (1990) Batman #455-457 - Alan Grant. Tim's first night out as Robin in his own costume, plus early dynamics between Bruce & Tim. A tear jerker.

To the Father I Never Knew (1992) Batman #480 - Alan Grant. If you want to actually understand the foundation of Jack and Tim's relationship and how he contrasts it with his relationship with Bruce - look no further.

Robin III (1992) - Chuck Dixon. A very early Tim team-up with Huntress. This is a good place to start for how her relationship with the other Bats evolves in Gotham.

'Tec #647-649 (1992) - Chuck Dixon. Steph's original time out as Spoiler. Again foundational dynamics.

Oracle Year One (1996) Batman Chronicles #5, John Ostrander and Kim Yale. The story of how Barbara became Oracle. Stunning. Essential.

Knightfall: Bruce as Batman, JPV as Azrael and Batman, Dick as Nightwing and Batman, Tim as Robin, everyone else keeping out the way

Knightfall is huge and messy and all over the place but there is magic in here. You just have to dig. Parts I particularly like for family dynamics:-

Batman: Sword of Azrael (1992) - Dennis O'Neil. This is an excellent intro to John-Paul Valley, and get comfortable, because this is what Denny's going to write for the next 10 years.

Batman #488 (1993) - Doug Moench. JPV starts working at Wayne Corp. Tim is assigned to teach him the ropes as a crimefighter in Gotham.

Batman #500 (1993) - Doug Moench. JPV becomes Batman. Dick turns up to complain to Tim about Bruce being insufferable. It's all here.

Bloodbath #1 (1993) - Dan Raspler. This is a terrible comic BUT it also contains some gold dynamics between JPV, Dick and Tim.

Knightsend (1994) - team written. Bruce, Dick and Tim work together to help Bruce rehab from his injury and take down JPV. Legends of the Dark Knight #63 in particular is stunning.

Prodigal (1994) - team written. Dick as Batman and Tim as his Robin. The final issue, Robin #13, has Bruce and Dick's reconciliation over both the fight when Dick became Nightwing AND their fight after Jason died. Essential.

Welcome to the Family: Bruce as Batman, Dick as Nightwing, Tim as Robin, JPV as Azrael, Barbara as Oracle, Helena as Huntress, Steph as Spoiler

I will fight to convince you that this is the first true 'Batfam'. Everything prior to this is Bruce and his Robin, with occasional associates. This is where it goes from the Dynamic Duo to a network who intersect constantly.

Writers: It's a lot of Doug Moench and Chuck Dixon still.

Nightwing: Alfred's Return and Batman #521 (1995) - Alan Grant & Doug Moench. Alfred quit during Knightfall due to what Bruce was doing to himself. This is how Dick got him to come home, and the reunion.

Contagion (1996) - team written. The Event where Gotham gets the Clench (aka Ebola). Massive teamup storyline featuring Bruce, Dick, Tim, JPV, Helena, Selina, and Barbara.

Legacy (1997) - team written. Oh no, it's the Clench Round Two. Here we go again. Basically the same team, but JPV doesn't get invited after he proved he'd forgotten was a fax machine was last event, and Helena gets a more significant role.

Robin important family issues during this period: #17 (with Helena), #29-30 (with Barbara), #34 (with Helena), #35 (with Steph), #45 (with Jack Drake), #47 (with Dick)

Nightwing important family issues during this period: #6 (with Tim), #7 (with Babs), #13-14 (with Bruce), #16 (with Babs)

Birds of Prey important family issues during this period: Birds of Prey Manhunt, as it sets the tone for Barbara and Helena's relationship for a WHILE.

No Man's Land: Bruce as Batman, Dick as Nightwing, Tim as Robin, JPV as Azrael, Helena as Huntress and the Bat, Barbara as Oracle, Steph as Spoiler, Cass as Batgirl

The earthquake where everything goes wrong. The most notable addition to the writing pool is Greg Rucka. Honestly this is a 'so many parts of this are worthwhile, read it all' sort of period, but to help navigate there's a handful of really important points:-

Nightwing #20 (1998) - Chuck Dixon. The Dick, Babs and Tim reunion issue during Cataclysm. The world's fallen apart but they're back together.

Nightwing #25 (1998) - Chuck Dixon. Dick takes Tim trainsurfing

Brotherhood of the Fist (1998) - Chuck Dixon. This is a teamup with Connor Hawke involving Bruce, Dick and Tim. I love the dynamics here.

Huntress/Spoiler Special - Blunt Trauma (1998) - Chuck Dixon. The one Helena and Steph team up during Cataclysm. Get a dynamic you won't see anywhere else.

'Tec #725 (1998) - Chuck Dixon. Dick tells Bruce that he's going to become a cop.

'Tec #727 (1998) - Chuck Dixon. Another Dick, Babs and Tim teamup to take on Firefly.

Mark of Cain (1999) - Kelley Puckett. Cass's intro story.

Birds of Prey #8 (1999) - Chuck Dixon. Dick and Babs visit Haly's Circus

Robin #67 (1999) - Chuck Dixon. Tim and Dick break into No Man's Land.

Legends of the Dark Knight #120 (1999) - Greg Rucka. Team reunion in NML at the Clocktower.

Nightwing #38-39 (1999) - Chuck Dixon - Babs looks after an injured Dick in the Clocktower.

Legends of the Dark Knight #125 (1999) - Greg Rucka. Bruce and Jim finally discuss their issues. Barbara and Tim wait upstairs.

Endgame (1999) - various. Whole team works to track down Joker and some kidnapped babies on Christmas Eve.

A New City, A New Team: Bruce as Batman, Dick as Nightwing, Tim as Robin, JPV as Azrael, Barbara as Oracle, Helena as Huntress, Cass as Batgirl, Steph as Spoiler

This is the final Chuck Dixon era, the Rucka & Brubaker run on Batman and 'Tec, Devin Grayson on Gotham Knights, and probably my favourite era of comics ever. It's hit after hit after hit. Pick up any comic here. You won't be disappointed.

Major highlights not to miss:

Gotham Knights #1-12 (2000) - Devin Grayson. GK is my favourite Bat anthology book ever, but this run includes Transference. The overarching plot is Bruce analysing his team in a series of case notes. Unmissable.

Hunt for Oracle (2000) - Chuck Dixon. The US government tries to track Oracle down. Babs, Dick and Dinah make sure they fail.

Officer Down (2001) - various. Jim Gordon is shot. This is the consequences as people search for his attacker.

Joker Last Laugh (2001) - various. Joker thinks he is about to die and breaks out of the Slab. Chaos ensues. This is the one where everyone thinks Croc kills Tim, and reacts accordingly.

Bruce Wayne: Murderer/Fugitive (2002) - various. Bruce has been pushing everyone away for a while, so when he's accused of murder, they must ask the question, did he do it? Everyone tries to solve the mystery of who killed Vesper Fairchild, and Bruce goes through one of his 'am I Bruce or am I Batman' periods.

Batgirl #18 & #20 (2001) - Kelley Puckett. Cass' first team ups with Tim and Steph respectively.

Batman/Huntress: Cry for Blood (2000) - Greg Rucka. THE definitive Batfam Huntress book.

Hush It Looks Like War: Bruce as Batman, Dick as Nightwing, Tim as Robin, Barbara as Oracle, Helena as Huntress, Cass as Batgirl, Steph as Spoiler and Robin

Among the drama of Murderer/Fugitive, almost every single book gets a new writer. Jon Lewis takes Robin followed by Bill Willingham, Devin Grayson takes Nightwing, Birds of Prey gets fills until Gail Simone picks it up, Dylan Horrocks takes over Batgirl, Jeph Loeb writes Hush on Batman, Scott Beatty takes Gotham Knights. Personally I endorse basically all these runs but Grayson on Nightwing is controversial.

Hush (2003) Batman #608-619 - Jeph Loeb. Famous for a reason, this is a Bruce story that touches on his relationships with almost EVERY major character in his life (Cass and Steph miss out).

Gotham Knights - Scott Beatty. I don't know what to pick here but #47-49 is a team story of Bruce, Dick, Tim and Cass following Bane to a Kobra stronghold which shows off the developed family-like relationship between the 4 at this point.

Robin - Jon Lewis. Your highlights here are Tim and Steph on a date together (#111), and the 16th Birthday Story (#116-120) because it's essential to understanding where Tim and Bruce are at.

Robin - Bill Willingham. Jack finds out Tim is Robin. Tim quits. Steph becomes Robin. It's an essential arc.

Nightwing - Grayson. This is widely disliked but #81 is a great Dick, Bruce and Cass issue.

Birds of Prey - Simone. Helena joins Barbara on the Birds of Prey. They very, very slowly work through their issues with each other.

Batgirl - Horrocks. #38, Steph and Cass play tag. #45, Cass tries on Barbara's old costume. #50, Bruce drugs himself and Cass with Soul and they fight. #54, Barbara and Cass argue over her reading ability.

And then lurking in the background...War Games hits and tears the Batfam apart, with a doubletap from Identity Crisis.

Leaving Gotham: Bruce as Batman, Dick out of costume, Tim as Robin, Cass as Batgirl, Barbara as Oracle, Helena as Huntress annnnd Jason as Red Hood

Steph is dead. Barbara and Helena leave Gotham for Metropolis. Tim and Cass move to Bludhaven. Dick runs off to join the mob. And in Gotham, Red Hood appears.

Writers: Well we've added Judd Winick on Batman, and now have Andersen Gabrynch on Batgirl. Gotham Knights is now mostly A.J. Lieberman and no longer a good Batfam book (it's now a Hush book). 'Tec honestly isn't worth it during this period. Willingham on Robin has a handful of decent issues to start out then increasingly gets weirdly conservative with some very odd plotlines.

Fresh Blood (2005) Robin #132-133, Batgirl #58-59 - Willingham & Gabrynch. This is a Tim and Cass team up as they move to Bludhaven and mourn together.

Under the Red Hood (2005) - Batman #635-650. You know what this is. It's the Jason returns story.

Nightwing - Grayson. #100 - a strong reflection on Dick's past plus the most heartbreaking part of the Dick/Babs breakup as Dick just runs from all his problems. #110. Tim and Dick meet in Bludhaven and fail to tell each other all the bad things happening in their lives. #112. Dick and Helena run into each other both undercover in the mob. #117. Dick finally talks to Bruce about Blockbuster, and proposes to Babs.

Robin - Willingham. #134 is the pick of the bunch - Bruce offers to adopt Tim and Tim reflects on his time as Robin, though it's a solid little story out to #138 as the truth about Uncle Eddie comes out.

Birds of Prey - Simone. #76, the Babs side of the breakup. #83-84, Helena with the mob and encountering Dick. #90, Helena gives Bruce the new compiled mob data handbook and Bruce compliments her.

Batgirl - Gabrynch. This is a strong well loved run for the build up to Cass' final fight with Shiva, but for Batfam you can't go past #67, when Cass reunites with Babs. Also Cass hallucinates Steph twice in this run (#61 & #72).

Then Infinite Crisis arrives and we all move a year into the future.

One Year Later: Bruce is Batman, Dick is Nightwing, Tim is Robin, Jason is Red Hood, Damian arrives, Cass eventually returns to Batgirl

At this point Barbara and Helena are largely doing their own thing with the Birds of Prey and won't return to the Batfam until Reborn.

New writers all around! Adam Beechen and Fabian Nicieza on Robin, Marv Wolfman and Peter Tomasi on Nightwing, Adam Beechen on Batgirl, Grant Morrison on Batman and Paul Dini on Detective Comics.

Face the Face (2006) Batman #651-654, 'Tec #817-820 - James Robinson. The Bruce and Tim story that set up Tim's adoption.

Batman and Son (2006) Batman #655-658 - Grant Morrison. Damian's introduction to the family.

Resurrection of Ra's Al Ghul (2008) - various. Ra's tries to kidnap Damian to steal his body. Bruce, Dick and Tim go to rescue him. Dick and Tim's subplot involves the highest point of their brotherhood as Dick talks Tim out of trying resurrect his lost dead.

Robin - Beechen. #156, the suicide prevention issue, for Tim and Dick. #163, Tim and Bruce on their first Father's Day. #165, Tim and Bruce working on a car together.

Robin - Nicieza. Steph's return as Spoiler. #177, where Jason thinks he can recruit Tim (and fails miserably).

Nightwing - Wolfman. You know what? #117-122, the 'Jason dresses as Nightwing and harasses Dick and turns into a tentacle monster' saga. Does everyone like to say it's out of character? Yes. Is it Jason being just as annoying as he will proceed to be all the way to 2011? Also yes. That's Jason's post-Crisis character.

Nightwing - Tomasi. Freefall, #140-146. This is just a beautiful encapsulation of Dick's many connections, of his teamwork with Bruce and Tim, and of what makes him tick.

Heart of Hush (2008) 'Tec #846-850 - Paul Dini. The premise is ridiculous, but it's about Bruce and Selina, and about Dick and Tim helping track down Hush.

Batgirl (2008) - Adam Beechen. Beechen after squiffing it with the Evil Cass saga, gets to undo the damage to Cass's character and return her to the family. I think it's a pretty successful job, despite Dick spending the entire book holding the idiot ball so someone can be unsupportive. Cass gets adopted. Tim and Barbara never lose their faith in her.

Battle for the Cowl: EVERYONE IS FREEFORM

Everyone will tell you this is all horribly out of character. They're wrong. Come for Fabian Nicieza doing hard work to actually set up characters in the places they need to be for Reborn.

Battle for the Cowl: the Network (2009) - Fabian Nicieza. Oracle and the Birds of Prey have returned to Gotham but for reasons they're not calling themselves the Birds of Prey, so it's the Network.

Oracle The Cure (2009) - Kevin VanHook. Early set up for Wendy Harris' future plot. Babs gets the mentoring itch again.

Azrael: Death's Dark Knight (2009) - Fabian Nicieza. A new Azrael for a splinter faction of the Order of St Dumas appears. Dick and Babs are immediately suspicious (and Dick has to be talked out of immediately kicking the Azrael's butt just on the SUSPICION it might be JPV).

Also the main event books happen and everyone yells at each other a lot about who should be Batman.

Batman Reborn: Bruce is missing, Dick is Batman, Tim is Red Robin, Damian is Robin, Jason is Red Hood, Barbara is Oracle, Steph is Batgirl, Cass is Black Bat

New titles! New writers! Things all over the place! People who like Jason are going to claim all of Jason's appearances are once again out of character, but Jason fans claim that about every time Jason breathes outside of UTRH, Lost Days and a small handful of very select stories after Flashpoint. I'm just saying, villain Jason is pretty consistently irritating between 2007 and 2011.

Red Robin #1-12 (2009) - Chris Yost. Not only Tim's new costume arc, but a great look at Tim's centrality as a character to the Batfam in the number of contacts he calls in at the end of the run.

Red Robin #17 & #25 (2010) - Fabian Nicieza. Tim and Cass working together as siblings and backing each other up.

Batman & Robin #20-22 (2011) - Peter Tomasi. I would strongly argue this is the best arc in B&R with the best characterisation.

Batman & Robin (2009) - Grant Morrison. Look, a lot of people like the foundation of Dick and Damian's relationship found here. Also Jason shows up to be a pain.

Streets of Gotham (2009) - Paul Dini. There's a bunch of good storylines in this anthology book, but #5-6 with Dick, Helena and Kirk Langstrom is one I particularly like.

Batman #703 (2010) - Fabian Nicieza. The best Dick, Damian and Tim team-up issue of Reborn.

Gates of Gotham (2011) - Scott Snyder. The masterpiece of Batfamily content. Dick, Tick, Damian and Cass all feature in this and all 6 possible relationships are shown in different parts.

Batgirl #3-5, #17 (2009) - Bryan Q. Miller. Damian and Steph team ups, plus a look into the tension in the Dick and Barbara relationship at the time.

Birds of Prey #10 (2011) - Gail Simone. Barbara discusses her new realignment of how she's working as Oracle and focusing on the Bats.

The Black Mirror (2010) 'Tec #871-881 - Scott Snyder. Some of the best writing of Dick as Batman during this period, and a look into his relationships with Jim Gordon, Barbara, and Tim particularly.

The Return Home (2010) - various. Bruce comes back to Gotham after his 'death' and checks in on everyone.

[rascalentertainments]

Wish Granted AU: Star: 🌟

Yeah, I finally got to the boy! Took long enough, huh? 😂 So I dud make a short character inspiration from a reblog chain a few weeks ago, so I'll go more into Star's character here:

So, much like the film itself, Star comes to Earth because of Asha's wish was so powerful, and aids her save Rosas. However, for "Wish Granted", he has no idea how to actually grant her wish. She basically fills him in on what's going on, and agrees to help. But he doesn't really understand why they need help. From his point of view, most of the humans on this part of Earth, and especially in Rosas look happy enough. He's just utterly fascinated with the animals, the trees, Asha, and just experiencing what humans see everyday.

But then he visits the Hamlet (in an animal disguise) when Asha wants to say goodbye to her Saba and mother. Star sees how sick Sabino has gotten, and the fear Sakina has for her daughter going back into danger. The Starboy sees that Asha's wish is entirely to help her family and community. (Its greatly emphasized once he gets to Rosas itself too) He partially understands and gladly accepts the task to help her. Asha can't believe this magical boy is a Star, it should be impossible. But just as her father said, the stars are there to believe in possibility. Star here is the impossible, made possible! Its no wonder his loveable and joyous personality leads her to falling for him! 😆

I took inspiration from this segment of the concept art book where they attempted to give plushie Star some kind of depth and character arc leftover from Starboy. They really tried to give Star something more than just being a toy, and Disney said "nah, a toy is good enough. Kids will love it." So Star's arc will be he starts off naive about the world and thinks everything is perfect. But once he starts seeing more of the people having other emotions other than happiness, he's processing how a human feels this. It hits harder when he actually feels a wish get destroyed, he feels their pain for a while after he connects with them. This is all going to connect to "At All Costs" when finally get that love confession scene! 😉

Now, my favorite part: POWERS!!! Star can shapeshift into different animals he sees, with his telltale sign of him being gold with white fur/hair. (Example image below) He's got a white six pointed star on his parts of his body that glow slightly, even in a human form, its just covered up by his black caped outfit.

I still kind of hate that Disney actually thought Star was too similar Genie just because he changes into animals. Like, what are you talking about? (I actually thought of MK or Beast Boy more than Genie.) Yeah, Genie could do that too, but he also changed costumes, size, shape, face, broke the 4th wall and did impersonations of movie actors of the time. Star didn't do all that. Besides, YOU MADE MAUI CHANGE INTO ANIMALS AND APPROVED OF IT!

Rant aside, He can change into any animal, but only has one human form. That's not only because there's way too many variations of people for him to adapt and he's not at that level of power yet. He mainly choose this particular human form because.... he thought Asha would like it. (He even gets the cape idea after he sees a picture of Magnifico. He just LOVED how that looked) Think of it as a boy trying make himself look better for the girl he has a crush on. 😂 His design is inspired by these three pieces of concept art combined with a dash of a superhero vibe. (Superheroes are hardwired into my brain, I tried my best NOT to do that! 😂)

Star can make animals talk, at least for a limited time, like when be has his big introduction song and the forest animals are his band. Animals are naturally attracted to Star, because he literally radiates pure joy and love. Those little critters just adore him! Think of this scene here:

One last thing to add is that once he's on Earth, and gets into Rosas, thus is when he gets the most attached to the planet. He has a big family with the stars, but he really wanted to be where the people are. He wants to see them dancing, ect...Meeting great people didn't just end with Asha, but also meeting the 7 Teens. He learns about their wishes as one desires, while confused on Simon's sleepiness/sadness. He actually attempts to heal Simon and can gain a new power. Star is not sure on how to react to Dahlia, who doesn't seem to have a wish. She seems happy cooking for the king (whom she has a crush on) and queen, no questions asked. Although, Dahlia does seem particularly curious about Star, even before finding out his magical side. She even tries to tell him to give up on granting Asha's wish, but he's definitely not doing that. 😂

When he meets the King and Queen, let's just say there's going to be a lot of angst/comedy with that. But when he has the mini stand off with Amaya. OH BOY, he's going to understand way more heavy emotions after meeting her...

(Star in this version is voiced by Jeremy Jordan, because he's a musical and VA legend! Plus he sounds so fun in every role he's in!)

Aaaand, that does it for Star! I mentioned in another post how when you look into his eyes, you can see microscopic galaxies or mini stars in eyes, like you can see the universe in his eyes! (When it gets to the At All Costs song, Asha can be seen in his eyes like she becomes part his universe) Any other bits will be revealed later, but I wanted to flesh the guy out here! He's a lot of fun to write and draw!

Now next up are the King, Queen and their ferocious yet spoiled pet Lynx! 😉

@signed-sapphire @oh-shtars @chillwildwave @lazytitans-world @emillyverse @annymation @kstarsarts @uva124

[alagaesia-headcanons]

I'll never get enough of the AUs where Murtagh in some way, at some point ends up in Carvahall instead of Uru'baen. There are so many potential variations of how he gets there and who he stays with and even the little differences have some really fun effects. I'm especially intrigued by the idea of Murtagh growing up there while still clearly remembering Morzan and his dragon and where he came from. I think it makes for an interesting counterpoint to canon where Murtagh can't escape his past and his father's legacy because that's what everyone sees in him. Instead, in Carvahall, his past becomes such a dangerous taboo that it can't even be acknowledged, much less focused on. Rather than his past restricting him in its grasp, it keeps sliding out of his own grasp, defying all his efforts to understand what it means for him and what everyone else might feel about it. Black and blue eyes and gleaming red scales haunt his dreams, but he has to swallow those memories down every time.

Assuming Murtagh grows up with Garrow and Marian, when he first arrives with all his fear, he's determined to never breath a word about any of that. But he gets older and starts to second guess that resolve- Eragon aches to know who his father is and Murtagh hates lying to him. He deserves to eventually know the truth (what Murtagh thinks is true, that is), even if it's painful. And it gnaws at Murtagh's own heart to wonder if his family would accept him if they knew, or if the only thing perpetuating his acceptance is their ignorance. At night, he tosses and turns wondering if he's turning out just like his father, a question he can never answer because he has no reference of Morzan beyond his own dim, scattered memories.

One of my favorite AUs like this that exist inside my brain follows that track and actually stays very close to canon. Murtagh grows up alongside Eragon, and plans to tell him about his past when he turns 16, but before that, the Ra'zac arrive and he's tortured as well as Garrow. He pulls through only to discover Eragon vanished with Brom and he goes to track them down, eventually saving them when they're the ones at the Ra'zac's mercy. Then when he's kidnapped and enslaved, there's so much more heartbreak and guilt because he's pitted against everyone he grew up with and cares for. And maybe Brom gets to live so there can be a reckoning when Murtagh does tell Eragon what he believes about their parentage, following him as he struggles for the courage to face his son and tries to find any way to help his step son, before it's all too late.

For something that goes quite differently, I've been thinking through an AU where both Selena and Morzan live. Selena fakes Murtagh's death to disguise her stealing him away and she and Brom raise him and Eragon in Carvahall. They love and protect them fiercely and the boys grow up safe and happy, but whenever Murtagh tries to ask about the things that happened before, they swiftly shut him down and dissuade him from ever mentioning it out of their own fear of the past. It leaves him feeling out of place and fragmentary. And that comes at a cost when Morzan appears, under orders to search for the egg. Murtagh has to hurriedly figure out what he was never able to, now with so much danger hanging in the balance, because no matter how Morzan could want to treat him, that might not matter against the king's orders. And Selena and Brom have to confront their own snarled relationships with Morzan that were never truly laid to rest. (It also caters to my desire to jerry rig the three of them into a very messy and emotionally charged polycule.)

In that one, I build something more redeemable into Morzan's character (soon I definitely plan to elaborate on why I find that a fascinating angle to take with him). I don't know if anyone would want it, but I wrote a drabble for that AU when Murtagh first sees Morzan again, and I could brush it up and post it. [EDIT: here's the fic] I just love the idea of small town farm boy Murtagh who's peaceful and amiable and also just a little bit off. Like maybe sending the guy who dreams each night about blood red swords and dragon's snapping fangs to go plow fields won't last forever.