#i can provide more specific sources if you want me to

[libraryspectre]

I wanted to talk about the Black Parade uniforms and it kind of turned into an entire essay. My ideas on the intention behind each costume and their cohesion as a group really evolved over the course of writing this, and I think it brought into focus a lot of things I knew subconsciously but hadn't articulated. I also noticed a lot of details I had never seen before. This has futher convinced me that 1) costume design and what you can say with it is really fascinating and 2) this is S-tier costume design of all time. And it's really long so I'm putting the rest under the cut.

What I would have loved is a Weezer-style picture of the five of them standing side by side, full bodies visible, but unfortunately that doesn't seem to exist. They're either covering each other up, or posed in such a way that details aren't visible or cut is hard to compare, so I'll have to provide a variety of visuals. This weirdly blurry poster is the closest thing I could find to a Weezer picture, so take them in as a group and refer back as necessary. I want to start by saying, obviously, that they look amazing both individually and as a set. "Dark marching band of death" is a really fun concept that is very well executed. But this isn't their first time doing a look as a group - think back to Revenge for a minute, when they really started to think about their costuming as a band. Gerard has talked about how then, they were kind of closing ranks against the vitriol coming their way. They needed to feel like a team, a gang, and dressed like one. I think some of this mentality has carried over into the Black Parade uniforms - they're less defensive, (there's no bulletproof vests), but in taking on new, nameless identities they have removed themselves as individuals from the equation, which is protective in its own way. What's left are stage personas, and the more you look the more you see that these were designed by someone who is very familiar with the history of the band and how each member presents themselves on stage. It's absolutely genius costume design, because when everyone is in uniform, the little differences are more noticable and tell you so much about the intention behind each variation.

Before we really start, I have to confess that I have no history in costuming or even a lot of familiarity with marching or military bands. I can only say I find costuming interesting, so I've read a little about it, and I went to high school in America and almost all my friends were in marching band. Someone who is more educated in these things could probably give more specific insights and have a better vocabulary to talk about it, but do not underestimate me. I am deeply obsessed with MCR and got A's in English, so let's find some meaning in symbolism! But please remember that with all art, there is no one interpretation. And remember going forward that these costumes were designed by Colleen Atwood, based on sketches she was given by Gerard, so there's no telling what elements were brought in by her and what elements Gerard had planned originally. If anyone has sources on that, PLEASE let me know because I'm very curious about the design process.

Also, I'll be using the uniforms as they appear in the WTTBP video as the standard, with acknowledgements toward variations seen in posters and the FLW video. It's worth noting that in many live performances they wore different, less unique jackets, and often forewent the pants for black jeans. This is almost certainly because they were easier to perform in and they didn't want to subject the originals to the sweat and rowdiness of regular shows. Ok, here we go! Here are some pics to refer back to throughout.

Starting with the band as a whole, I want to point out two things: first, marching bands evolved from military bands. The individual costumes vary in how "military" they look, but you can definitely see the influence when you look at them as a set. I imagine they leaned into that a bit because of the military elements on the record - the suggestion in Mama that the patient was a soldier, maybe even a war criminal. We also know they've done military aesthetics before, in The Ghost of You music video, and that the band was formed in response to 9/11. Suffice to say, the military is on the mind, and this is a continuation of that.

They also look a bit like skeletons. Obviously they would occasionally do the face paint, but the uniforms themselves suggest a ribcage with the horizontal silver lines, and at some angles the stripes on the pants also really contribute to the image. I know most people have already realized this, but I wanted to point it out explicitly because it took me an embarassingly long time to see it.

Alright, I'm gonna talk about them individually now, going from my personal least to most favorite. Taste aside, they're all individually really interesting.

5. Bob

(I can't find another good Bob picture, just scroll up to the blurry one)

It's not just because I don't like Bob, I genuinely like this one much less than all the others. It might be because it's less tailored - the others look much sharper, he looks almost rumpled in comparison. The lose fit might be because as a drummer, he needed better range of movement, but I'm not a drummer so I don't know. The cut of his jacket looks kind of naval to me, which is interesting. His stripes are also very minimal compared to the others. Overall, his looks the least like it's part of a set. I don't necessarily think they meant to set him apart, but maybe they did, considering he's the only non-original member (I'm counting Frank as an original member) and the only one not from New Jersey (which, I only point out because they ALWAYS point that out to people who mention they're a Jersey band. We're from Jersey, Bob is from Chicago.) Maybe it was a subconscious thing, or maybe as the drummer his costume was designed to make the most of what would be visible sitting and partially obscured by the drum kit. It does have a very dramatic collar. That's probably also part of the reason they gave him a more distinctive haircut for this - I'm not gonna talk about hair much, but it's worth mentioning. Overall, I don't have a ton to say about Bob because I don't think of him much (sorry, but not really).

4. Frank

Frank's is really interesting. His is the least traditional-looking, which is why it's here in the ranking, but I like it and I think there's a good reason for that. Those stripes on the sleeve are a really strong look, and the material of the silver has kind of a tarnished/dappled look you can see better in other photos. I've seen people say it's a subtle camo pattern, but I'm honestly not sure - I think he's supposed to look a little less new and shiny. The blockiness of it widens him and gives him a lot of presence that might be lost if he was dressed more like the others, and it compliments his performance style well. That's particularly important in the WTTBP video - on that float, he simply doesn't have room to be as wild and energetic as his standard performance was at the time, so this uniform helps him stand out and draw attention to what thrashing he is able to do. As far as bucking tradition, he also is the only one without shoulder tabs (those little loops). There's something funny about that - those tabs are meant to hold loops and eupalletes that would signify rank, placement, or achievement, which apparently you could not give to Frank if you tried. I think this lack of traditionality is reflective of Frank's more punk sensibilities, having come up in the Jersey scene. His playing style evolved over time as he and Ray influenced each other, but at the start he was very much their punk guitarist and coming up in that scene continued to influence how he conducted himself as a musician. I think this uniform marks him as a non-conformist even within the group.

He also has that patch with a red cross on the sleeve, the only bit of color on any of them. I don't know what to make of that, maybe it's just for the Catholic vibes.

Honestly, Frank's feels the most like what people would expect from an "emo" marching band uniform. Especially considering the poster, where he's found a hole to stick his thumb through. I don't think he's wearing it in the video, but in that poster he has this belt with some kind of weapon?? Maybe?? We get it, he's a dangerous little man.

3. Mikey

Mikey's uniform is by far the most military - it's not just the medal, it's also the cut of the jacket. And he's the only one with a fun little belt, which helps keep the silhouette look nice and tailored even though the jacket flares a little at the waist. We all know the medal is a reference to his death in The Ghost of You video (there's no way they didn't know we would make that connection) and it wouldn't surprise me if the rest of his uniform looks more military because it was built around that idea. But also consider Mikey's stage presence at the time - due to his discomfort on stage, he used to be really stoic, standing in the back, getting the job done with little showmanship. I think that presentation lends itself well to a classic military figure. Mikey is also pretty thin, and the long jacket and it's strong, solid construction keeps him from looking too Victorian-orphan waifish (especially with how pale they all are), and more like a dead soldier boy.

Additionally, Mikey's costume leaning so hard into the military side helps them look more military as a group. It keeps the association in your mind when you look at the others. Also, he's wearing a little necklace here, which I've never noticed before, is he wearing that in the videos?? I think it's an anchor, which is fun considering he died on a beach.

2. Gerard

Yes, Gerard's is #2 in my ranking. I'm sorry, I might have a slight bias knocking it down from #1. But maybe not, let me defend myself when I get there. Anyway, Gerard's is the most classically marching band, which makes sense considering he's the frontperson. In fact, he has one of those braided loops on his shoulder we talked about earlier, demonstrating.....something, it seems to vary a lot, but we're probably meant to think leadership. He's not wearing it the WTTBP video, but it's there in Famous Last Words. He also has that fancy little star thing on the shoulder, which definitely seems to suggest rank. Otherwise, his uniform is very basic. He's the template that the others' uniforms are variations of. And it's a great look! He's also got nice big buttons compared to the others, three whole rows of them, which is a nice touch to make it look a liiiiittle more feminine. Because, of course, the back of the jacket is corseted, in a genious stroke of gender that puts the entire outfit in a new context. I think this is a good example of how Gerard likes to play with androgony by balancing masc and femme elements. The cut of his jacket makes his shoulders look wide and his waist narrow, but not so narrow it looks terribly feminine (just a little, taken on its own). A lot of this is achieved by the piping - notice how on Bob, Mikey, and Frank, the top row of piping (I might be using that word wrong but let's go with it. I'm talking about the silver stuff across the chest) is pretty much the same length as the bottom row? On Gerard, they start out wide way up on his shoulders and get progressively narrower at the waist. It's still a mostly masculine silhouette, but then you have the counter balance of the big buttons and his little white pixie cut, both of which lean just a little further toward femme than masc. It's an androgynous look that leans toward masc as a whole, until he turns around and, boom, corseted back. Showstopping. He also had those black leather gloves that give some nice formality, and maybe a touch of impersonality. They make it so that when he's in full uniform, the only skin you can see is that of his face. They're like an edgier version of the usual plain white marching band gloves.

1. Ray

Going purely by aesthetics, Ray's is my favorite. It's the fancy one, most obviously distinct by the flourishes around the buttons on his jacket. He Mikey are the only ones with pure silver shoulder loops, and Ray has more silver piping on his jacket than the others. In some pictures he's wearing this really ornate knotted tassle thing? You can see it in one of the group pictures above. He isn't wearing it in any of the videos, which makes sense as it could be really annoying while playing. The cut of his jacket at the bottom also looks formal to me, but I'm not sure why. Overall, the ornanamentation could be a reflection of his playing style - the same caveat here applies to Frank, in that they influenced each other through their parnership as guitarists, (and Ray has a lot of influences from different genres), but at the start he was their metal guitarist, and the guitars in metal are often complicated and showy. And he's their soloist, they need to show him off a little.

Additionally, the construction here is giving him an absolutely wild silohette. Like Gerard, the piping on his jacket gets progressively narrower to suggest a smaller waist, but without the really long stripes at the top to make the shoulders look broader. Those vertical lines across the front add to the effect because they're curved inward - which is interesting, because everyone else's uniforms are composed of entirely straight lines and sharp angles. And his jacket is cut REALLY high on the side. I can't tell if Ray's pants are more high-waisted than the others, or if it just looks that way because of the cut of the jacket. You see the stripe of the pants go all the way up his hip, and since he's already tall with long legs, it really accentuates that. It's hard to tell, but I think his pants are even a little more form-fitting than the others. The other day I saw people commenting on a gif of Ray in the WTTBP video about how they never noticed how long his legs are - this is why!

We talk about how part of what makes Ray such a compelling performer is how he moves, and I think this costume was designed to compliment fluid motion. The tailoring and curves of the piping avoid making him look too rigid or blocky, as a marching band uniform could easily do, and the high cut of the jacket lets the line of his legs continue uninterrupted. Honestly, this is a favorite look for Raygirls (gender neutral) for a reason - I think they knew exactly what they were doing putting him in a pretty, well-tailored uniform that accentuates his movement. (Caveat here that I'm a Raygirl (gn) so I'm definitely biased, and they all look great in their uniforms, but I do think Ray's is.....uniquely flattering, and I don't think it was an accident).

Conclusions

So now that we've talked about all of them, I think we have some interesting contrasts to make. Gerard and Mikey both have very classic looks, but Gerard's is more marching band and Mikey's is more military. Mikey and Bob both have very military looks, but Mikey's has a much more solid construction. Gerard and Ray are both on the marching band side of the spectrum, but Gerard's is classic while Ray's is ornate. My favorite contrast is between the guitarists - Frank's is blocky and rigid and tarnished, Ray's is curved and fluid and shiny.

The interplay between similarity and contrast is what makes this so compelling as a group costume - just by looking you can tell who's the leader, who's the tragic figure, who's the outcast, who's the rebel, who's being spotlit.

In closing, thank you Colleen Atwood and Gerard Way for designing these and the rest of the band for wearing them, I will never get tired of looking at them.

[who-is-page]

Consider Community Writings

Author: Page Type: Essay Words: 920 Summary: Page talks about the importance of personal writings, but acknowledges that they may not be for everyone (including himself). A discussion on the oft-overlooked relevancy of community writings and why you, the person reading this summary, should try to make some.

[Part of the Sol System’s Alterhuman Writing Project for 2024. If you don’t want to see these posts, block the tag #inkedclaws]

There are thousands upon thousands of intricate, detailed writings about individuals’ personal alterhuman experiences and identities. These intimate pieces are a foundational part of our community: in recording its history, in leaving tracks and marks of the ways we’ve changed it (and in turn been changed by it), and in inspiring others to do the same. I can’t emphasize enough how important these types of works are to the very essence of alterhuman subculture and its continuation. As an archivist, I always strive to encourage people to talk about their unique experiences for these reasons. After all, if you don’t write about your experiences, no one will.

But, as an artist myself, only a small fraction of my works talk about my own personal alterhumanity— on my website, only 11 of the 33 pieces that I’ve written go into detail on specifically my alterhumanity (these numbers are excluding essays posted elsewhere that haven’t been posted on the website yet, but let’s assume that the 1 out of every 3 ratio holds). For such a big proponent of folks writing about themselves, at first glance it would appear that I’m not practicing what I preach! Most of what I write isn’t about me!

But that’s the thing: for all that I encourage and want to see people writing about themselves, I also want everyone to recognize that the community is not owed sensitive or intimate information about you if you’re genuinely uncomfortable with sharing it. You don’t have to expose your sensitive underbelly for acceptance. You can write about yourself as much or as little as you want, and there’s absolutely nothing wrong with that. There is the caveat that you won’t be able to experience the euphoria of being understood by others unless you submit to that mortifying ordeal of being known, but how much of yourself you want to put out there is always your choice to make. And for all that we rightfully celebrate personal writings within the community, there are other extremely important types of written work that I don’t often see talked about in this regard enough: perspectives on community phenomena, history, terminology, and similar.

One-off works that discuss the community and aspects of it are invaluable time capsules. They let us glimpse into the ways the community has changed or stayed the same and they show us what people found important, when, and what aspects of it. They show the rhetoric and discourse that was actively being used, and which may not still be in use five or ten years down the line (or may be used in radically different ways). And years in the future they sometimes provide sources and links that would have otherwise disappeared to the sands of time, or otherwise by themselves go on to be used in dozens of other projects and works. While they’re something that can’t necessarily be written by someone who’s only just found the community for the very first time and doesn’t understand it well, that factor also makes them that much more vital for not only historical preservation, but also for folks who are still learning and exploring about it. It gives them information into the community side of alterhumanity, a glimpse into the things that are interwoven collectively between us all and why and how we see ourselves as a community.

It used to be that it was much more common for individual otherkin to have their own F.A.Qs and personal glossaries on their blogs, but nowadays it isn’t something you see often, if at all. And I wish it weren’t the case! I want there to be more F.A.Qs, more personal glossaries, more introductory resources, more discourse essays, more guides, more satire pieces, and more timelines. I love the ways we celebrate ourselves individually, but I also don’t want people to feel like they have to restrict their non-fiction writing to only ever being strictly about themselves. The commentary that people have on the community around them and their place in it is important and relevant— even if it’s the same subject by different people! It’s all useful, it allows us to preserve more of our community history, and at the end of the day, it’s also just downright fun.

I’ve made so many things that boil down to: please write. And this essay might be wearing a different shirt than some of my others, but its message still stays the same. If you’re shy, or anxious, or just don’t want to talk about yourself in detail, that’s fair and understandable. I don’t want people to feel pressured into putting information out there about themselves that they’re uncomfortable with, though I do want to empower everyone to say “fuck you!” to respectability politics and flaunt their unique perspectives and experiences. But if that is something that’s just never going to gel with you (or even if personal writings are something you enjoy writing), I want you to consider every time you’ve had a strong opinion about something in the community, or every time there was a community event or group or time period you found especially fascinating or emotional to experience, or every time you’ve seen someone ask a question that you’ve seen a thousand times before and felt compelled to answer. And I want you to give writing about it a shot. Because if not you, who? And if not now, when? You might end up finding these types of things more fun or satisfying to write than you could’ve ever imagined.

[oathofkaslana]

klee warrior starter kit by meeee :3

ok to understand klee, you have to understand that her relationships are intrinsically linked to the way her character's written. i think a lot of the viewing of her as just a comedic relief character comes from the mistake of viewing her separately from where her character is intended to shine (in tandem w others!) yes, she is very obviously a comedic relief character, but that’s not all there is to her!

there's so so so much intention behind her:

her simplicity klee being simple both reinforces her youth and makes her an even better foil to the complex characters she interacts with because it makes her contrast with them! it also serves as a benchmark for what they were like/what they could have been before whatever situation shaped them. additionally, the way klee's story is right now feels like a set up for a grown up version of her that's more similar to the characters she foils!!! cant you see the version of klee where she does become her own main character where her brother's sacrifice and her mothers love and her guilt over constantly accidentally messing up/hurting others is used as something the expands her motivations for bringing others happiness?

her youth klee’s simple childhood naivety is the whole point of her character that’s why she’s a good foil. the point is that she’s at a point where all of her issues haven’t set in yet because she’s surrounded by so much love. i think it’s kinda obvious how alice not being constantly there is going to influence her. shes not introduced as someone important or someone w a potentially sad story. BUT SHE IS!!!!!!!!!!!! THATS THE POINT!!!!!! her youth also completes the familial narratives she fulfills as someone representative of second chances (re: her being a foil, mhy's general tendency to treat the youth as a second chance)

her connections w fairy tales her being an elf, her weapon being a spell book, her events often having things to do with fictional stories or plays or books, etc etc. all of these tie back to the hexenzirkel and their literary allusions!! we could also argue her bunny theming fits in w alice as a potential reference to alice in wonderland! also note how the hexenzirkel have a history with venti who's a bard and also heavily associated w fairytales.

narrative:

ARAGGRRAG.. klee's character circles familial themes and love...

family! the person she looks up to most is her mother, alice! all of her summer events have had something to do with alice!! she even references her mom w her skin! and in return, alice loves her back so so so fiercely!!!! but for the majority of the time, alice is not home!! this is so so important bc it sows the seeds for her as a foil for characters with familial issues (primarily albedo, kaeya, razor, jean). her youth comes into play here bc it lets her fulfill this role as someone representative of each of these character's second chances, making it so so so impactful when these characters treat her w so much patience and kindness and love and even moreso when she returns all of those back! there's this one line from the secret summer paradise event where the group is watching as these three quarreling brothers were trying to make klee happy together and kaeya says, "Klee hasn't realized it yet, but her innocent, childlike nature is very powerful. It can inspire and even help heal others." (also note how the first GAA event brought together siblings in mond and how klee makes the KoF her family. re: her character stories) i could also add a whole section on her and albedo alone because oughhh... dear god. she is his little sister! in their first introduction alice, who literally asks albedo to call her mom, tells albedo "We'll be a family from now on, treat her like a real younger sister!" and klee acts as his primary link to mondstadt and humanity, literally drawing him away from his isolated lab and back into the main city because of her habit for making trouble (literally in his character stories btw). she thus becomes representative of humanity to him, something important because albedo has already decided that if he ever succumbs to durin's corruption, he would rather die than hurt mondstadt (also note how albedo's character is intertwined with an exploration of life and humanity and family). klee and alice's relationship also acts as a parallel of albedo and rhine's relationship. both alice and rhine being gone and yet so so so important to their children's lives to the point where both their outlooks and personal motivations are spurred by them! even alice's words mirroring albedo's musings on rhine!! ("My wish is simple: I want Klee to grow up with a curious yet kind heart. As long as she so desires, she can do anything and go anywhere." || ""I hope this isn't just wishful thinking, but… when parents speak to their children about 'the meaning of this world'… surely they just mean the pursuit of a happy life?" and "In such a long life, parents are but a child's first connection. Even though we don't want to be separated, there will come the day when you must walk your own path." || "Reach the far side of philosophy, and create a new destiny for myself and your brothers…"). klee's relationship with albedo also works as a foil for albedo's relationship with durin! (both being sources of heat from the sheer cold, both being naive and reckless, klee being lucky and durin's remains being cursed, klee connecting albedo to alice while durin connects him to rhine, klee being the reason albedo comes back to mond and albedo's lab literally overlooking durin's remains..) extra section for her and razor :'') iirc this is when traveler first learns of klee. this is important because, again, razor's story heavily deals with family, whether it be his biological parents, his lupical, or his found family in mond. klee fits here because klee is the first person (not wolf!!) that razor calls his lupical (from his character stories).

mondstadt! i would honestly argue that klee's intangible from mondstadt and plays such a necessary role both bc of her being apart of the hexenzirkel's story through alice, and for the family narratives and how that ties in w venti and/or the traveler! (venti playing a parental role over mond and traveler going through a typical hero's journey where the story will end the same place it all started.) the familial themes in mondstadt are important since its the first nation, and w the hero's journey, the last nation the traveler visits. obv the traveler's story is also about family, making mondstadt's familial themes tying nicely w the traveler's as well.

symbolism! clovers and rabbits being associated w luck, her clovers being made out of four hearts as a reference to the fact that she's brought up on love <- note how theres also a heart on the back of her bag on her skin, her having a long life span fitting in w her birthday falling in summer where the days are longer, summer also being a season heavily associated with youth and playfulness, her celestial imagery (comparisons to the sun and stars) being indicative of her liveliness and capabilities of healing/growth (again, see the kaeya line from above and the sheer cold effect).

her compassion:

dear god she's literally the sweetest little girl in the world. i feel sick i forgot to say how caring klee is do you remember when she offered to give mona snacks in her backpack because she thought she was hungry? do you remember when she apologized to diona bc she thought she was mad at her and diona instantly deflated and told comforted her? do you remember when she busted out kaeya bc she thought he was grounded? do you remember when she got so excited at the thought of lisa making more board games but then reeled herself in because she was worried lisa would get tired? do you remember when she said goodbye to her mom and turned so that dodoco could say goodbye too? do you remember how she literally went home at night during the event because she promised she would :’)))) do you know how genuinely careful she tries to be with her bombs???? do you remember how in her story quest she literally goes straight to jean and tell on herself, even though she hates solitary confinement, because she felt so so guilty over hurting someone? (she literally goes ,"Mr. Fluffball was only a thief. He didn't deserve to blow up.") she left cat food outside under a sun umbrella when it started getting hotter because she was worried about the heat. when asked what she planned to do with her magic she says. actually lemme just copy and paste this whole quote:

"Klee... wants to make everyone really happy!" But with these words, the mage suddenly realized the problem with this desire— Those who are unhappy surely have their reasons for being sad. Would a smile forced upon their lips through magic be even more painful and ugly than tears? Fortunately, her little mind worked quickly, and she soon found her answer: Then I'll use my magic to get rid of everyone's troubles! "For example, magic could make everyone never get sick again, and never have to worry about Mora! Everyone could eat fish for every meal, and be healthy, and just happily play all day!" But that didn't seem like enough. Klee rested her cheek in her hand, and looked out over the azure sky and white clouds in the distance: "I want... I want to hear everyone's wishes, and save them, and then use the most amazing and powerful magic, to give everyone the happiness they want the very very most!"

she is so so so kind :''')

her sillyisms:

again she blows a raspberry at us in one of her voicelines, said she'd headbutt fungi, literally goes "what do you mean that's child labor???", thinks she exploded something any time she hears thunder, braids razor's hair, made the traveler a huge dodoco, keeps accidentally calling lisa auntie, she literally found primogems and gave them to us, her bombs are said to be impossibly above teyvat's standards they are literally other worldly, she's canonically solo'd the primo geovishap and gave us its drops, etc!!!!!

[shortace]

Just on a whim, because I know that Alcibiades is one of the weirdest and funniest characters in ancient Greek history, I asked ChatGPT "What's the weirdest thing Alcibiades ever did?"

ChatGPT came back with the details of something Alcibiades (henceforth referred to as 'Alci' so I don't have to keep typing it out) was accused of, but acquitted of.

When I pointed out that he had been acquitted and may not have actually done this thing, Chat GPT apologised and said, "yes, he was acquitted", and then went on to tell me that, nonetheless, the event was significant because it made Alci flee the city.

Alci did not flee the city, he was sent away on a military expedition, which was exactly what he'd wanted and asked for. When I pointed that out, ChatGPT apologised again for being wrong.

I asked again for weird things he might actually have done, and was told one version of a story I've heard before about how Alci stole some stuff from a friend. ChatGPT's version was different from what I'd heard, though, so I mentioned that, and only then did ChatGPT acknowledge that there were different versions of the story. As part of its apology and correction, ChatGPT said that it did not always have access to all information - but then proceeded to provide details of the version of the story I'd heard before, showing that it did, in fact, have access to that information.

I asked again, what is the weirdest thing Alcibiades ever did? ChatGPT gave me an answer, which was a story I'd never heard before, so I asked for a source. ChatGPT told me it was in Plutarch's Lives, and I presumed it was in his Life of Alcibiades, so that's where I looked. When I said I couldn't find it there, ChatGPT told me, sorry for not being specific, it was actually in Plutarch's Life of Nicias. So I went and read Plutarch's Life of Nicias and couldn't find it.

So I told ChatGPT that I couldn't find the story in that book, could it please be more specific? What I was hoping for was a chapter or page number or something, I just presumed I'd missed it.

ChatGPT came back with "no, actually it's not in that book, it may be a later invention, there is no concrete evidence for this story."

TL;DR: ChatGPT cannot be trusted. Even when it does give you a source, it can be wrong. It has no capacity to evaluate the accuracy or likely accuracy of the information it gives you. It will present you with wrong or debatable information and give you absolutely no indication that it may not be correct, or that other versions or interpretations are possible.

[thegreatwicked]

This obviously needed its own post and here it is, a collection of blog posts and resources I have found and used for my own writing, I hope they help you too! Go forth and write that spice!

The Smut Writers Dictionary By @maybeeatspaghetti Seriously, how many different way are there to write cock? Does anyone else wonder if they've used the word 'lips' too many times? Well, this is a good place to start!

The Ultimate Guide to Writing Smut This is the first one I found and I go back to it frequently! There's also some great information about specific areas of sex that may not be common knowledge for first time writers!

How to Write Smut By @urfriendlywriter Another great source of information from different verbiage to use and a few tips to hel you along (giggity)

Smut Thesaurus By @prurientpuddlejumper just what it sounds like and you can never have too many words at your disposal.

6 Steps to Writing Better Sex By @chaoschaoswriting If you're at a loss or just want some more help this is antoher fantastic blog!

Writing Prompts NSFW By @seidenbros Need some dialogue? Or a story idea? Have a look!

#100 NSFW/Smut Dialogue Prompts By @a-cure-for-writers-block More? More. This is also a fantastic writing blog with lots to offer!

Intimate + Sexual Headcannon Questions By @petalsprompts Good questions to ask your characters to get to know them better and make more well rounded characters!

Smut & Mature (18+) Master List By @pendarling A great list dialogue prompts, scenarios, and helpful bits!

Poly NSFW Alphabet By @smaoineamhsalach Another great way to get to know your characters and maybe a handful of ideas for story ideas.

Kink Prompts Another from the previous blogger above and I didn't know what half of these are! I'll work on a kink dictionary next!

Writing Smut 101: Overcoming Smut Shame @slightlyrebelliouswriter23 There's a lot to be said for this particular subject! It's hard to write stuff like this, so how do you get over it? Start here!

How to Write a Kiss Scene By @youneedsomeprompts Yes!!! I still struggle with this one! There's a thousand ways to kiss, find your favorite!

Smut Oneliners By @deity-prompts you can never have enough one-liners!!

How to Write a (Great) Sex Scene Another great article for new smut writers

9 Tips for Writing Steamy Scenes More tips to help you wirte good steamy stuff!

How to Write Erotica and a Damn Fine Sex Scene A WEALTH if information on writing, structuring, and helpful tips!

@saradikahas a fantatic blog with graphics for you to use to add some fun to your posts. Things like MDNI Banners, 18+ Content Warnings, Support Your Favorite Writers and Reblog banners! They are free to use but she does ask that you reblog her stuff if you do! She's also a very talented writer and she writes some AMAZING Din Djarin stories!

Gay Sex Positions Guide This is a WONDERFUL adition and thank you so much @b7bubby for bringing this to my attention, I didn't have any resources for writing M/M fairings but this is a much needed addition to the spicy community! i've never written an M/M pairing and I feel like such an idiot for overlooking the need for a resource like this!

Writing the Perfect Kiss Scene provided by @writers-potiona fantastic little guide to writing better kisses!

If you find any other great smut writing resources feel free to tag me so I can add them to this list! Good luck with your writing! Now go write that story and LET THE SPICE FLOW!!!!

[hardswae]

HAPPY BIRTHDAY HARDSWAE (Collection) ❀

Happy 3rd anniversary to my wonderful world of creativity, HARDSWAE✿!! I am grateful for another year of your unwavering support for me and my creations. Your support has been a source of strength for me through both the good and bad days, including my creative block periods. I deeply appreciate your understanding and encouragement during those times.

I also want to express my gratitude to those who provide constructive criticism, as it has played a crucial role in shaping my skills and growth as a 3D artist. To the amazing creators I collaborate with behind the scenes, thank you for your inspiration and guidance. Your input has been invaluable to me.

Special thanks to K's Kustomz for the beautiful custom blend scene that will be featured in upcoming ads it’s so pretty you guys ✿✿✿✿!!!

I am excited to share my new Discord server with you all, where we can connect on a more personal level and where you can request specific creations from me. This new era is all about better communication and skill improvement, and I look forward to sharing my work process through streaming and engaging with you all.

Thank you once again for your continued support. The 3 Years of SWAE Collection is out now, and REMINDER to join my Discord server for more updates and interactions. Let's continue to create and grow together ❀❀❀❀.

MY WEBSITE IS FULL UPDATED WITH EVERY FREE COLLECTION I HAVE EVER DROPPED FROM APRIL 2021 - MARCH 2024 ENJOY #ShopHARDSWAE 🌸

 *Credits to the Louis Vuitton & Lefleur Brand for the inspiration behind the beautiful pieces apart of this collection *

- SWAE'S T.O.U.  -

I OWN THE MESH 100%!!

I OWN THE TEXTURES 100%!!

DONT CLAIM AS YOUR OWN!!

FEEL FREE TO RECOLOR IF THE ITEMS ARE FREE ONLY!!

DO NOT PUT MY THINGS BEHIND A PAY WALL!!

DO NOT CONVERT MY THINGS TO OTHER GAMES WITHOUT ASKING ME!!

TAG ME IF YOU WEAR MY CONTENT I WANNA SEE >.<

SUPPORT  MY FUTURE BELOW ⬇

SUPPORT ME FOR - COLLEGE -

DO NOT TAKE MY FILES AND RELEASE THEM FOR FREE, OR IN ANY SERVERS YOU WILL RECEIVE A DMCA!!

DOWNLOAD✿.

[derinwrites]

How can I make money writing fiction?

I'm gonna be straight with you. There is no guarantee that you'll make enough as an independent writer to make it worth your time. You very well might -- I make a liveable wage as an independent writer -- but many don't. Most writers I know also have a job. And luck plays a big part in it.

If you're interested in going forward in spite of this, you have two main options for monetisation open to you, and you are going to have to pick one. I call them the sales model and the sponsorship model, and you are going to have to pick one.

The sales model involves writing stories and selling them to readers. You can put books up on Amazon or Smashwords, sell them direct from your own website, enlist the help of a traditional publisher to handle that for you and let them decide where to sell, whatever -- the point is that your money is made from the sale of books to readers. If you go with a traditional publisher, you're using this model (though they will give you some of the money ahead of time in the form of an advance). Most indie authors also use this model, publishing through draft2digital, Ingram Spark, direct through Amazon, whatever. I've never relied on the sales model and can't give you any advice on how to do this, but Tumblr is full of indie authors who probably can.

The sponsorship model involves soliciting small amounts of money from various readers over time. This is ideal for web serials, and it's what I use. I use Patreon, which is designed specifically for this purpose, but you can use other sites such as ko-fi. This model involves providing regular content for free, with bonuses for those who support you.

"Can't I do both? Sell books and have a Patreon?" You absolutely can! I know several indie authors with a Patreon. I sell my completed books as ebooks and will eventually sell them as paperbacks. But your time and attention is limited, and so is your audience's, and you're going to have to half-arse one of these in order to have enough arse to whole-arse the other. You're going to make a lo of decisions that benefit either the sponsorship model or the sales model, not both. So pick your primary income source early and commit.

I can only advise on writing web serials and using the sponsorship model, so I'll go ahead with that assumption. If you want to make a liveable wage doing this, not only will you need luck, you'll also need patience. This is not a fast way to build a career. at the end of my first year of doing this, I had one single patron, and they were a real-life friend of mine. When I reached an income of $100/month, I threw a little party for myself, I was so happy. It had taken such a long time and was so much work. I reached enough to cover rent/mortgage after I'd been doing this for more than four years. It's a long term sort of career.

Here are some general tips for succeeding in this industry, given by me, someone with no formal training in any of this who only vaguely knows what they're talking about:

Have a consistent update schedule and STICK TO IT

The #1 indicator for stable success in this industry (aside from luck, which we're discounting because you can't do much about that) is having a consistent update schedule. Your readers need to know when the next chapter is coming out, and it should be coming out regularly. Ideally, you should have no breaks or hiatuses -- if you're in a bus crash or something, that might be unavoidable, and your readers will understand if you tell them, but if you're stopping and starting a lot for trivial reasons, they WILL abandon you. You can't get away with that shit if you're not Andrew Hussie, and I'm pretty sure Andrew Hussie doesn't message me for career advice on Tumblr. If you find you need a lot of hiatuses to write fast enough then you're updating too often; change your schedule. A regular schedule is more important than a fast one (ideally it should be both, but if you have to pick between the two, pick regular).

2. Pay attention to your readership, listen to what they want from you

Your income is based on a pretty complicated support structure when you're using the sponsorship model. this model relies on people finding your story, liking your story, and continuing to find it valuable enough to keep paying you month after month. This means that your rewards for your sponsors should be things that they value and will continue to pay for ('knowing I'm supporting an artist whose work I enjoy' counts as a thing that they value, to my great surprise; there's a lot of people giving me money just for the sake of giving me money, so I can pay my mortgage and keep writing for them without needing a second job), but it also means supporting the entire network that attracts readers and keeps them having the best time they can with your story -- being part of a rewarding community. Because this is advice on making money, I'm going to roughly divide your readership into groups based on how they affect your bottom line:

sponsors. People giving you money directly. The importance of keeping this group happy should be obvious.

administration and community helpers -- discord moderators, IT people, guys who set up fan wikis, whoever's handling your mailing list if you have a mailing list. You can do this stuff yourself, or you can hire someone to do it, but if you're incredibly lucky and people enjoy being a part of your reader community, people will sometimes volunteer to do the work for free. If you are lucky enough to get such people, respect them. They are doing you a massive favour, and they're not doing it for you, but to maintain a place that they value, and you have to respect both of those things. My discord has just shy of 1,300 members and is moderated by volunteers. I'd peel my own face off if I had to moderate a community that large. If you've got people stepping up to do work for you, you need to respect them and you need to make sure that they continue to find that rewarding by doing what you can to make sure that the community they're maintaining is rewarding. Sometimes this means taking actions and sometimes this means staying the fuck out of the way. Depending on the circumstances.

fan artists. Once you have people drawing your characters, writing fanfic of your stories, whatever, treat these like fucking gold. Give them a space to do this, and more importantly, give them a space to do this without you in it. Fanworks are a symptom of engagement with your work, which is massively important. They are also a component of a healthy community, an avenue for readers to talk to each other and express themselves creatively to each other. Third, fanworks act as a bridge for new readers. When readers share their art on, say, Tumblr, it can intrigue new people and get them into the story. Your job in all of this is to give them the space to work, encourage them as required or invited (I reblog most TTOU fanart that I'm tagged in on Tumblr, for instance), and other than that, stay the fuck out of their way. These people are vital to the liveblood of your community, the continued engagement of your audience, and the interest of your sponsors. Some of the fan artists will be sponsors themselves; some won't be. Those who aren't sponsors are still massively valuable for their art.

speculators, conversers, theorists, livebloggers, and That Guy Who's Just Really Jazzed For The Next Chapter. Some people don't make art but just like to chat about your story. These people are a bedrock of the community that's supporting your sponsors and increasing your readership, and therefore are critical to your income stream. Give them a place to talk. Be nice to them when they talk to you. Sometimes, they'll ask you questions about the story, which you can choose to answer or not, however you feel is appropriate. They'll also want to chat about non-story-related stuff with each other, so make sure they have a place to do that, too.

that guy who never talks to you or comments on anything but linked your story to ten guys in his office who all read it now. Some of your supporters are completely invisible to you. You can't do anything for these people except continue to release the story and have a forum they can silently lurk on if they want to. But, y'know, they exist.

If you want to focus on income then these are, roughly, the groups of people that you will need to listen to and accommodate for. You can generally just make sure they have space to do their thing, and if they want anything else, they'll tell you (yes, guys, paperbacks will be coming eventually). Many people will fit into multiple groups -- I have some sponsors that are in every single one of these groups except the last. Some will only be in one group. A healthy income rests on a healthy community which rests on accommodating these needs.

3. If you can manage it, try to make your story good.

It's also helpful for your story to be good. Economically, this is far less important than you'd think -- there are some people out there writing utter garbage and making a living doing it. Garbage by what standards? By whatever your standards are. Just think of the absolute laziest, emptiest, hackiest waste-of-bandwidth story you can imagine -- some guy is half-arsing that exact story and making three times what you'll ever make on Patreon doing it. And honestly? Good for him. If he's making that much then his readers are enjoying it, and that's what matters. Still, one critical component of making money as a writer is writing something that people actually want to read. And you can't trick them with web serials, because they don't pay in advance -- if they're bored, they'll just stop. So you have to make it worth their time, money and attention, and the simplest way to do that is to write a good story.

This hardly seems mentioning, since you were presumably planning to do that anyway. It's basic respect for your audience to give them something worth their time. Besides, if we're not interested in improving our craft and striving for our best, what are we even writing for? I'm sure I don't need to tell you to try to write a good story. The reason I list this is in fact the opposite -- don't let "I'm not a good enough writer" paralyse you. The world is full of someday-writers who endlessly fuss over and revise a single story because it's not good enough, it's not perfect, they're not Terry Pratchett yet. Neither was Terry Pratchett when his first books were published. If you're waiting to be good enough, you won't start. I didn't think Curse Words was good enough when I started releasing it -- I still don't. I started putting it out because I knew it was the only way I'd get myself to actually finish something. I don't think it's all that great, but you know what? An awful lot of people read it and really enjoyed it. And if I hadn't released it, I'd have been doing those people a disservice.

Also, it taught me a lot, and based on what I learned, Time to Orbit: Unknown is much better. If I'd never released Curse Words, if I hadn't seen how people read it and reacted to it and seen what worked and what didn't, then Time to Orbit: Unknown wouldn't be very good. And it certainly wouldn't be making me a living wage, because it was the years writing Curse Words that started building the momentum I have today.

And Time to Orbit: Unknown as it is today has some serious problems. Problems that I'm learning from. And the next book will be a lot better.

So that's basically my advice for making money in this industry. Be patient, be lucky, be consistent. Value your community; it's your lifeline, even the parts of it that don't directly pay you. And try to make your story as good as you can, but make that an activity you do, not a barrier to prevent you from starting.

Good luck.

[edenfenixblogs]

Let’s put some numbers to Jewish fear right now.

In news that I’m sure will thrill all antisemites, it would take startlingly little effort to foment widespread violence against us and cause another genocide of the Jewish people.

I have had many fellow Jews express to me how overwhelming it is to see the rising antisemitism. I have seen many Jews express fear at being drowned out of public, online, and IRL spaces due to dangerously violent vitriol.

I have also seen people who claim to advocate for Palestine—especially western leftists—openly mock Jews who express this fear.

Finally, I and my fellow Jews have often expressed that, while we wholeheartedly support Palestinian freedom and self determination, it is exhausting to have to say so repeatedly, especially when we are trying to advocate for ourselves. This is not due to any latent or widespread hatred of Muslims, Arabs, or Palestinians. It is because we are an extremely maligned and marginalized minority that is fighting to be heard against strong, hostile forces that at best wish we’d shut up and at worst want us eradicated from the planet.

There is a disconnect about how much harm people can do to Jews by spreading antisemitism and refusing to dismantle their own internalized antisemitism—and everyone has internalized antisemitism. It is one of the oldest forms of prejudice in the world and is found in almost every single culture. It is as, if not more, pervasive than white privilege. Yes. You read that right. And if asked to elaborate, I will provide numbers on that to the best of my ability. For the purposes of this post, however, I want to focus on the global distribution of religious groups only.

Specifically, this disconnect is between Jews who are fully aware and feel the affects of this damage and goyim who simply do not comprehend our marginalization.

To help, let’s put some numbers to this. In this post, I’ll be using the Pew Research Center’s survey and findings on the Global Religious Landscape. This is the most recent data from a reputable source that I could find which surveyed every world religion at the same time. While the Jewish population has grown slightly in the intervening years, so have most (if not all) other religious populations around the globe. I wanted to use figures measured at the same time to avoid bias for or against any religious group.

For the purposes of this post, I will not be discussing folk religions or other religions. This is not because they are not important. This is because they are not a monolith and individual folk religions and other religions may have even fewer adherents per religion than Judaism. I am currently only focusing on religions and religious groups who have more adherents than Judaism.

In descending order of adherents, there number of people in the world belonging to these groups:

2,200,000,000 (2.2 Billion) Christians

1,600,000,000 (1.6 Billion) Muslims

1,100,000,000 (1.1 Billion) Religiously unaffiliated people

1,000,000,000 (1 Billion) Hindus

500,000,000 (500 Million) Buddhists

14,000,000 (14 Million) Jews

Reduced to the simplest fractions there are:

1100 Christians for every 7 Jews

800 Muslims for every 7 Jews

550 Religiously unaffiliated people for every 7 Jews

500 Hindus for every 7 Jews

250 Buddhists for every 7 Jews

Combined, there are 6,400,000,000 non-Jewish people in religions or religious groups (including religiously unaffiliated people).

This means that for every 7 Jews there are 3200 people in religious groups who outnumber us.

Jews are 0.2 % of the global population.

When we tell you that hate is dangerous, it is because…

It would only take 0.21% of 6.4 Billion people to hate us in order to completely overwhelm and outnumber every single Jewish person on the planet. In other words, only 67.2 out of every 3200 people.

And given how violent and aggressive people have become toward us in recent weeks, that doesn’t seem far off.

No, most Christians, Muslims, Atheists/Agnostics, Hindus, and Buddhists do NOT hate Jews.

But if even 0.21% of them do hate us, Jews are at a legitimate and terrifying risk of ethnic cleansing and genocide.

It is not possible for Jews alone to fight this rising tide of hate. There simply aren’t enough of us. And many of us are too scared to tell you the truth: if you don’t vocally and repeatedly stand up for Jews (and not just the ones you agree with) you will be complicit in the genocide that follows. Police your own communities.

Nobody acting in good faith is asking you to abandon Palestinians or their fight for self determination and equality in their homeland. All we are asking is for you to learn about antisemitism, deconstruct it in yourself, and loudly condemn it when it occurs in front of you. We are asking you to comfort us and not run away when we are scared or even angry at you. Because a lot of us are angry with you, because we are extremely scared right now and many of you are not helping us. Many of you are actively and carelessly spreading dogwhistles that further the global rise in hatred against us.

You can support Palestine AND avoid Islamophobia WITHOUT making antisemitism worse. But you can’t stop antisemitism by staying silent in the face of it. And if you don’t speak up, you will get us killed. Silence, in this case, is quite literally violence.

Many of us have armed guards posted at our synagogues and schools and community centers because of this. I certainly had times where my synagogue and school had to have armed security for our safety.

The only reason more of us haven’t died already is because we have millennia of experience in confronting this kind of hatred and guarding against it.

But in pure numbers, if you don’t speak up for us now, we don’t have a chance at survival without support.

So, what can you do, specifically?:

* Make a stand or public statement about condemning antisemitism without mentioning another group. Acknowledge Jewish fear, pain, and current danger without contextualizing it in someone else’s. It could literally be something as simple as “Antisemitism is bad. There’s never a reason for it. I won’t tolerate it in presence in real life or online.” If you cannot bring yourself to publicly make this statement, you should have a serious look at yourself to understand why you can’t.

* Learn about the six universal features of antisemitism and the many, various dog whistles affecting the global Jewish community

* Do not welcome people who espouse rhetoric that includes any features from the above bullet point in your community unless you are able to educate them and eliminate that behavior.

* Check in on your Jewish friends, regularly and repeatedly. Do not wait for them to reach out to you. They are scared of you. Even if you don’t have the emotional space to have conversations about antisemitism. Just send a message once in a while, unprompted, “Jfyi, antisemitism still sucks. I support you.”

* Redirect conversations about which “side” is “right” to how to attain peace. Do this by saying that this line of argument is not conducive to peace, and link to a well-respected organization not widely accused of either antisemitism or Islamophobia that is devoted to achieving a peaceful resolution, increasing education, or providing humanitarian aid to relevant affected groups—including Jews, Israelis, Palestinians, Muslims, and Arabs. You can find over 160 such organizations at the Alliance for Middle East Peace https://www.allmep.org/

* Look to support experienced groups without widespread and verifiable claims of prejudice against either Jews or Muslims or Arabs or Palestinians. Many of these organizations can also be found at the AllMEP link above. Avoid groups on the shit list as well as unproductive and harmful movements.

* Do not default to western methods of political demonstration. Specifically, protests are not useful in attaining peace in western nations at this time. Israelis and Palestinians can and should protest to the best of their abilities in Israel and Palestine so as to pressure their own governments. However, protests in western nations have proven to be poorly regulated and to further the spread of bigoted rhetoric and violence against Jews, Muslims, Arabs, and Palestinians. Furthermore, there are nearly as many Palestinians in the world as there are Jews. It is extremely easy and common for the voices of bad actors and bigots on all sides to completely drown out Jewish and Palestinian voices and concerns at these events.

* Spend more time listening and learning than speaking and acting. Anyone who tells you this conflict is simple is someone who is lying to you. Take the time to learn the ways in which your actions and words can get people hurt before joining the fray.

* Stop demonizing Zionism as a concept, even if you disagree with it. Understand that it is a philosophy with many different movements that often conflict with each other. The Zionism practiced by Netanyahu and the Likud party is NOT representative of most Zionists or interpretations of Zionism. It is an extremist form of Zionism known as Revisionist Zionism.

* Don’t deny Jewish indigeneity to the levant. It doesn’t help Palestine and hurts Jews by erasing our physical and cultural history as well as erasing the Jews who remained in Israel even through widespread diaspora.

* KEEP THE HOLOCAUST OUT OF YOUR MOUTH

Things That Are Always OK

* Denouncing Antisemitism loudly and publicly

* Denouncing Islamophobia loudly and publicly

* Telling your Jewish and Muslim and Arab friends you support them and won't abandon them

* Elevating the work of respected, widely accepted people and organizations devoted to attaining peace for all, rather than just one group of people.

* Develop media literacy

* Understand what aspects of the current western leftist movements Jews are criticizing, rather than assuming our criticisms are motivated by hatred for Palestine or Palestinians.

* Expressing sorrow for civilian deaths regardless of religion or nationality.

* When you are not Jewish and you share a post about antisemitism from a Jewish person, please say you’re a goy. This isn’t because you’re not welcome to share. This is because it is indescribably comforting to know we aren’t just talking amongst ourselves and screaming into the void. Let us know you are supportive of us. It doesn’t mean that you or we hate Palestine or Palestinians or that we oppose their full and equal rights in our shared homeland.

[letters-to-lgbt-kids]

My dear lgbt+ kids, 

“My therapist told me that, according to psychology, girls who often stay up til 3 am for no reason actually show a trauma response. You lacked a loving mother figure in childhood, so you deprive yourself of sleep because you weren’t taught to love yourself.” 

I came across that piece of info on social media recently, and I’d like to offer an addition: 

My therapist told me that, according to psychology, you can make up random things and pass them off as scientific… if you just put enough meaningless phrases in front of it. 

You probably caught the irony here. In fact, “according to psychology” and “my therapist told me” are completely meaningless phrases in my statement here! They make it seem like I’m presenting a scientific fact, but there’s no substance behind them. I’m just telling you my own thought. 

I did it on purpose and wanted you to catch it, but it can be more tricky to spot out there in the wild (or, well, on social media) - because intuitively, that quote up there sounds pretty trustworthy, doesn’t it? We are taught to look for a source and it conveniently provides one for us: psychology. Psychology says this, so it’s legit! 

But phrases like “according to psychology”, “my therapist says” or even “studies say” may only pose as sources. Let’s look into it a bit closer: 

“According to psychology” - Psychology is not really a source that can be quoted like that. Psychology is an immense field of study that covers lots of different areas (biological psychology, neuroscience, social psychology, behavioral psychology etc.), so who or what exactly is being cited here? A specific expert? A specific study? A specific book? 

“My therapist said” - in which context? Therapists usually give advice that’s tailored to the patient’s individual situation which likely looks different to yours (since no two people lead the exact same life), so how do you know this specific piece of information is also applicable to your situation (let alone applicable to everyone)?

The next one is especially tricky:

“Studies say” - studies can be a great source, but which study are we talking about? Who did the study? How was it done? How many people participated in it? Are the results generalizable in the way the post claims? (And before all that: is there even any specific study being cited at all here, or is this just a fully meaningless claim?) 

While we are on the topic of generalization: obviously I’m not trying to make some blanket statement that everyone who ever uses these phrases is a liar with evil intentions. Sometimes we just use simple phrases for complex concepts to make them more accessible or easily digestible, and that’s fine. 

And just as importantly, sometimes we are just human and make some thinking mistakes (such as “this connection my therapist made about MY childhood and MY behavior in adulthood must be applicable to everyone who shows that behavior. Making that connection helped me, so surely I’m helping others by posting about it!”) without any bad intentions. 

I’m just encouraging you to critically think about the information you read or share online - even beyond the basic “is there a source” check. 

With all my love, 

Your Tumblr Dad 

[libraford]

Legit, the more you talk about how hard it is to get people to just... let you do your job as a photographer, the more I think this is why the stereotype of photographers in movies is Like That. Of course they're yelling at everyone and bossing everyone around and acting like total divas! That is probably the ONLY way to get people to get the heck out of your shot! Yes I ONLY want Evian water at exactly 74 degrees Fahrenheit and I also want for you to LET ME TEST MY LIGHTS BEFORE THE SHOOT, KAREN!

The reason why the Evian water has to be 74F exactly is because if you hired me and I put the exact degree and brand of water in the contract, that means you also read the part of the contract that said 'producer agrees to keep the stage clear' and 'producer agrees to provide power source nearby the stage, free of trip hazards.' If I put a weird request in my contract and it is not met, that's an indication that you did not read the contract or that you did not relay the contract specifications to your crew.

So let's say that food is provided and I have a nut allergy and I request that the food be verifiably nut-free with no cross contamination. I might suggest that the services table be dressed with a single white carnation. I see a white carnation- I am less suspicious of the food. I do not see a white carnation- I am suspicious of the food.

Rock stars do this, especially if they have stage specifications for suspension wires and pyrotechnics. If you read the part about the green M&Ms, you read the part about the safety protocols.

The part of me that wants to have consistent work is says 'bend over backwards for them and do everything you can to make sure no one is displeased with your work.' The part of me that wants to stay alive says 'demand that there be a power source that does not put my extension cord straight onto a wet floor and be an entire bitch about it.'

[daydreamerwonderkid]

Me, after doing 15 minutes of excessive googling on every Batfam member's birthday only to then realize I've accidentally missed the majority of them this year, and then also finding out that people are still aggressively debating over whether Bruce's birthday is April 7 or February 19, Dick's birthday happens 3-6x throughout the year, and Stephanie might have just popped into existence for all that DC cares:

Batfam birthday dates btw for anyone who needs them are listed beneath the cut:

DISCLAIMER: DC is notorious for being super inconsistent with everything and I am a mere tadpole caught in the tidal wave of DC's ocean. This post will be regularly updated with edits and corrections so please do not use it as word of law, I am begging you.

Update (8/24/23): To keep things more simple and easier for everyone I am going to start categorizing the birth dates I've collected into 3 categories.

-Most popular: Self-explanatory. These are the birth dates that have been canonized and confirmed by DC and are also more wildly celebrated by the fandom. Typically, this should be the first result you see when you google the character's birthday. But not always because DC sucks ass.

-Other date(s): These are the additional birth dates I come across that have been canonized in some form with multiple sources, but are not as wildly celebrated or popularized by DC and/or the fandom. Why am I including them here? Mostly because I don't want people coming in saying I forgot a date. But also because if I have to see this mess, then y'all have too as well.

-Potential but unconfirmed date(s): This is where I will put all the other additional dates I find, but specifically those that are lacking in complete sources or seem to be highly debated and scrutinized.

Also fun emoji ranking guide for me and me alone:

👑👑: Queen Shit. Characters with a consistent and simple birth date(s). Can absolutely do no wrong.

👑😮‍💨: In the Running. Characters who don't have a set birth date, but the mess is minor and completely DC's fault. They shouldn't have to be punished for DC's crimes.

🤡🤡: Gtfo. Shit is so inconsistent and stupidly messy that it's making me lose my shit. I'm putting DC and the characters on trial for this bullshit.

👑Alfred Pennyworth👑

Most popular: August 16

Other date(s): April 8 and March 31

(I think it'd be hella cute if Jason and Alfred shared a bday. But if you keep scrolling through the rest of the list, you'll see that August is kind of an overcrowded bday month for the Batfam.

Depending on what you prefer, though, I still think Alfred's worth being celebrated. Lord knows he deserves a special day for himself)

(Update ((8/24/23)): No big inconsistencies between these dates. I just thought it would be fun to provide some info on why Alfred has two canonical birthdates.

So the reason August 16 is viewed as the most popular is for two main reasons. One, obviously, is that he shares a birth date with Jason Todd. So many fans latch onto this date because of how sweet it is for them to share a birthday together.

The second reason has to do with the origin of the birth date. This is because of the more recent retcon that was made by the prequel comic to the Injustice: Gods Among Us video game that was published in 2013. There is a panel in the comic that shows Alfred's birth certificate in full detail from his full name, his place of birth, etc.

As for April 8, this specific date technically has more history compared to August 16. Fans will cite that April 8 was the official date selected by DC according to their Super DC Calendar back in 1976 (which btw was made in 1975).

Compared to August 16 and April 8, however, March 31 oddly enough isn't that popular or recognized by DC or the majority of the fandom. The reason March 31 does come up is because March 31, 1943 was the date when Alfred made his first appearance in the comics, one day after Bruce/Batman)

🤡Bruce Wayne🤡: Hey. Hey, DC, look at me. Bitch.

Most popular: February 19 or April 7

Other date(s): April 25, May 27, March 30, "October," October 7, and "November"

(It looks like most people go with February 19, but don't come at me if you're a April 7 truther. I'm just existing)

(Update ((8/20/23)): I'm gonna shoot somebody. So after doing a little bit more research, I came across-you'd never guess it-even more conflicting info on when Bruce's birthday is supposed to take place.

While April 7 and February 19 are still popular days for fans to celebrate Batman's bday, March 30 is also considered a popular date due to March 30, 1939 being the day Detective Comics #27 ((the issue Batman debuted in)) was put on shelves.

HOWEVER, even Batman's debut is contested to actually be May 27, 1939 because despite the fact that Detective Comics #27 first appeared to the public on March 30, 1939, the cover issue depicted May 27, 1939 instead.

This is because it was a popular practice for comics publication houses to falsify their cover dates as a way to give the impression that the latest issue was newer than it actually was. So if you really, really wanna get super fucking technical about it ((and I know there are some of you out there who do)), Batman may have debuted on March 30, but the cover-issue date was May 27 so, yes, I guess Bruce could have been a May baby instead.

I hate it here.

Oh, and to make matters more complicated, let's discuss the issue of April 7 vs April 25. So the reason April 7 is a popular bday for Bruce is because the original 1930-40s run just outright stated that April 7 was his birthday. Simple enough.

So what does April 25 have to do with this? Well, that's because technically-I think I hate that word now btw-Batman didn't get his own solo comic until April 25, 1940. If you want to go by April 25 because of this logic, however, that means that you'd have to share Bruce's birthday with the Joker. Because guess what? That's also the exact date that the Joker debuted.

I'm personally not a huge fan of Bruce and the Joker sharing a bday. Mostly just because the dates are clearly already complicated enough. But also I feel like April 25 is just known as the Joker's bday at this point, at least in the DC fandom. And Bruce has so many options at this point that it'd be kinda silly to make them share a bday.

As for the "sometime in October" and "sometime in November" additions, we have Batman The Animated Series and Frank Miller's "Batman: Year One" to thank for those extremely vague options.

BTAS Bruce states that his birthday is "sometime in October" and "Batman: Year One" Bruce is responsible for "sometime in November." I repeat: I hate it here.

So when is Bruce's actual birthday? Well, the latest change that DC has "officially" made was the February 19 retcon during the 1970-80s. When a fan sent a question into Detective Comics about Bruce's birthday, the answer given was "February 19" in the letter column. Issue #494, to be exact.

And the reason this answer was given? Because the Super DC Calender for 1976 (again made in 1975) said so.

However, there are still people who prefer to celebrate his bday on April 7 or March 30 instead. And there's also a question floating around if the New 52 run could potentially retcon Bruce's bday AGAIN at some point in the future.

I. Hate. It. Here.

Personally, I liked February 19 because then Alfred could maybe have the month of April to himself. But after seeing all this new info, I'm just sort of resigned to whichever date that the fandom prefers. Y'all can decide. I don't have any energy left.

Also, I can't believe I have to accuse Bruce of having possibly taught Dick his bday scam. Just .... wow).

(Update ((8/24/23)): Well, DC did it to me again. I found this extra little tidbit while googling the Super DC Calendar for Alfred, actually.

So Issue #10 of the 2021 Legends of the Dark Knight decided to give the BTAS's "sometime in October" an actual sometime.

How do I feel about yet another Bruce Wayne bday retcon? Honestly, I think I'm moving closer and closer to just a bland state of acceptance at this point. Tbh, I don't think all these retcons actually matter that much in the end. DC is gonna keep being DC.

Which is annoying. But Idk I'm personally gonna stick with February 19. No shade to you if you prefer any of the other dates. I just like February 19 more than the others)

👑Kate Kane👑

Most popular: March 21

Other date(s): January 26

(So ... where to start to with this one?

Well the official DC canon birth date for Kate Kane is listed as March 21. That being said, if you were to google Kate's birthday right now, you might be confused because that's not the first result that comes up.

Instead, you'll be greeted with January 26, 1990.

So what gives? If there's already an official DC approved birth date, then why the fuck is January 26 coming up all of a sudden?

Well, folks, you have the CW's Batwoman to thank.

Tbh I was very confused as to how I completely missed that there was an entire Batwoman TV show in the first place.

Apparently the show is considered a part of the CW Arrowverse (in reference to the CW show Arrow featuring Oliver Queen, for those of you who need extra info) and ran for 3 whole seasons before being cancelled on April 9, 2022.

And they gave us actual canon lesbian Kate Kane rep. I mean, she is a lesbian. But yeah. CW actually acknowledged her sexual orientation. So kudos for doing the bare minimum?????

Anyway, I guess the showrunners just decided they wanted Kate's birthday to be on January 26 instead of March 21??? Idk if this was supposed to be a reference or an homage to Cassandra Cain's birthday. I doubt it, but who knows?)

🤡Dick Grayson🤡: Greedy bitch who keeps lying about his birthday so he can scam people into giving him more presents jk jk

Most popular: "On the first day of spring" (bruh) or March 20/21

Other date(s): March 6, "April," October 24 (aka "the week before Halloween"), November 11 and December 1

Potential but unconfirmed date(s): June 24

(Dick's canon bday seems to be influx. March 6, March 20, March 21, November 11, June 24, December 1, and so on. I did see multiple sources state Dick was born "on the first day of spring." I'm unclear atm about whether this is a fanon take or if it was actually stated in a particular comic at some point.

As far as I'm concerned, Dick just keeps lying about his birthday for the lols)

(Update ((8/24/23)): Well, guess what I found, folks?

It's a return visit from our favorite friend, the Super DC Calendar of 1976. And according to it, Dick's birthday should be November 11.

You can also thank the Young Justice comic for the confusion surrounding Dick's bday being on December 1.

Also, I found this post by @theflyingwonder that helps clear up a LOT of the mess surrounding Dick's ever changing birth date. Honestly, amazing work and extra kudos to them for putting all the work in and finding all the sources. I just wished I had found their post earlier, holy shit.

And if you have some extra time, please give some love to @inkydandy for their hilarious and very sweet comic about all the confusion that comes with Dick's bday)

(Update ((8/25/23)): Many thanks to @poisoned-ivy for clearing up even more of the mess surrounding Dick's bday. I went ahead and took a screenshot of their response to my old "Which date is Dick's canon bday?" poll.

They also provided a link to the DC Universe Calendar which was lovingly compiled from the original 1976 Super DC Calendar and then put together by the people who run the Five Earths Project .

Also found out from them today that October 24 is one of Dick's bdays ((at least for Post-Crisis Dick Grayson)). So that was a fun new discovery!

They were also very helpful in helping me realize that the original article I had found that stated "sometime in April" was actually in reference to Dick Grayson's first appearance in the comics, which was April 1940.

So, yes, "sometime in April" is technically--again I hate this word so much now--still a valid candidate for Dick's bday. And before you ask: Detective Comics #38 was actually published on March 6, 1940.

Hence why people will cite March 6 as Dick's canon bday instead.

This project got a lot bigger than I ever expected it to ... god)

👑Barbara Gordon👑: September 23

👑Jason Todd👑: August 16

👑Cassandra Cain👑: January 26

👑Tim Drake👑: July 19

👑Stephanie Brown😮‍💨: She emerged from the void with the sole purpose of dragging Bruce's ass to hell and back. Nothing can stop her. We all exist in her world now.

Potential but unconfirmed date(s): June 23, "August," or August 11

(For real, though, some peeps will say June 23 since the month she officially debuted in the comics was June 1992.

But I've also seen August 1992 listed as her bday month as well--lot of August babies in the Batfam, huh--but I haven't found June 23 specifically listed as her canon bday, either. It honestly feels like the fans are putting in more work than DC at this point. Which, like, I'm not surprised. Just disappointed)

(Update ((8/24/23)): Someone mentioned August 11 as a potential birth date, but I have yet to see an actual source that specifically states this. If I do find one, I'll edit this section. Figured I should put it here just in case, though)

👑Duke Thomas👑: August 13

👑Damian Wayne👑: August 9

👑Terry McGinnis😮‍💨

Most popular: August 18

Other date(s): June 27 or August 10

Potential but unconfirmed date(s): September 19 (fml)

(Yes, I'm including Terry, fuck you lol

Also SERIOUSLY WTF is up with so many of these August birthdays!!!! Fuck, was everyone just getting crazy BUSY in November!!!! What's going on in the DC universe that is making November of all months the HORNY MONTH????!!!!)

(Mini update ((8/18/23)): Well, I just found out that apparently June 27th 2023 is also a highly debated birth date for Terry. As is August 10 2023/2024 and August 18 2023/2024. I even saw a mention of September 19 2023, but I don't know how credible that source actually is. I'm just putting it here because I'm losing my mind and I don't want someone to pop in and say I forgot it omfg I'm dying

I'm just ... why? Why is it so hard to just commit to one month and one date. I'm not even concerned about the exact year. Just commit to ONE, man.

Excuse me while I march over to DC HQ and burn the whole place to the ground iswtfg)

Feel free to correct me if I'm wrong on any of these. I have a massive headache now and am open to any suggestions or clarifications y'all have to offer.

Also, I'm going to fist fight Dick in a Denny's parking lot.

Update (8/17/23): So a mini post that I meant to use as a way to vent how insane Dick was making me somehow blew up way more than I ever expected it to, and now I feel obligated to clarify again that I am open to any corrections and additional info that anyone has to offer.

I'm saying this because I've noticed people reblogging this post for actual Batfam bday references and someone already pointed out I fucked up Tim's bday and now I feel bad for everyone who reblogged this post prior to that edit.

It's probably just the anxiety talking, but yeah I just wanted to put that out there.

Also justice for Stephanie Brown! She deserves to have her own special day and if I have to bully DC into giving her a canon birthday, then you bet your ass I fucking will.

(And to all of y'all who are encouraging Dick to keep running his side scam business, I just have this to say: There's an empty Denny's parking lot somewhere out there just waiting for you, too lol)

[caffichai]

Food Bank Fundraiser

Hi everyone!

First of all, I want to say thanks to everyone who's been leaving such nice tags/comments on stuff I've posted! It's been really encouraging (o^▽^o)

Anyway, I think we all know it's very dark days on the economic front for many of us. So as such, I'd like to help raise some funds for Food Banks Canada! In exchange for you making a donation to the food bank, I will draw a character suggestion!

I know this is not really the sort of thing I normally do or post here but... many folks are struggling to put food on the table right now, and the food bank is a source of support for many and provides an absolute necessity. I've seen many people struggling in my own city, and food security has become an even bigger issue than it already was in the last couple of years with the food bank struggling to keep up with demand. Of course, food security is an issue across the whole country that's putting a huge strain on food banks, with nearly 5% of the entire population making use of food banks monthly, and 23% of the population reporting food insecurity (CBC, 2024; Global News, 2024). Unsurprisingly, those who are already most disadvantaged suffer the effects of food scarcity even more (Statistics Canada, 2023). To make matters more desperate, Canada's food bank system is on the brink of collapse (CTV News, 2024).

I know this isn't going to something big enough to change the world or anything, but being able to make even a small impact for individual people is important too!

✨Incentives✨

Of course, I'm sure people aren't just in it for a reward, but rewards make things all the sweeter, right?

For those who want to contribute, I'll take a character suggestion and add it to a poll (depending on the number of contributors, it may be split up into multiple polls), and then I'll draw as many as I can from top to bottom ranking! If you contribute, please send me a DM with your donation receipt and your character idea! They won't necessarily all be drawn in the same style, and they'll be done according to how much time I've got. (I know that commissions are probably the biggest incentive, but realistically, I struggle to get them done quickly and they're probably not that affordable to everyone)

If you prefer SFW or NSFW, you can let me know (But NSFW will be posted to Cohost). If you make a bigger contribution, I'll reach out to you and ask if you wanna see more specifics/details in your piece. How's that for sweetening the pie? :3

For those who can't make a donation (which is completely understandable), simply spreading the post is also helpful, and I appreciate that greatly as well!

Don't forget that giving a donation allows you to get a tax break based on the amount donated as well!

Alternatives?

If you'd rather donate to your own local food bank, that's great too! You can DM me and send me a pic of your receipt and I'll still add your suggestion to the poll.

If you REALLY want a commission, you can also DM me and I'll do my best to fulfil it! I won't be taking commissions for this till/if there's at least a couple of items on the poll though. The proceeds will go to my own local food bank. The commission will be done later though, and may take some time to fulfil. I take payment only after starting.

When do we start??

I guess once there's a good number of poll options? I have no idea how long that will be, but rest assured I'll keep you updated!

Where do we contribute?

You can make your donation to Food Banks Canada! They really need it!

Alternatively, you can make a donation to your local food bank or equivalent charity.

Other Questions?

Feel free to send me a message or an ask! I'll get back to you ASAP. If I need to include more details or clarify something, let me know! It's my first time doing this!

TL;DR

I want to help raise money for food banks! Anyone who contributes to Food Banks Canada (or donates to their own local food bank or equivalent charity) can DM me with their receipt and give a character to add to the poll. Poll characters will be drawn in order of their ranking, as many as I can manage, over as long a period of time as I can manage!

No pressure to donate of course, I just figured this would be a fun way of raising a bit of money to help out, and allow us to donate more than what I personally can

Current Contributor Count: 13

Suggested Characters:

Imagine your beloved, obscure or popular character here on this poll list! Oooooooh, how lucrative :3

Total funds raised:

780.36$!!!

[eff-plays]

Veilguard's lamppost problem

So I was doing a quest in DATV, as one does in video games, when I stumbled upon this here conundrum.

It baffled, amused, and enraged me in equal measure, which is to say: enough to write a snarky post about it.

Gaze upon this lamppost. It is one of many in this area. Really think about the essence of a lamppost.

Why do we have those? Why did people invent lampposts? Well, to be able to see outside when it's dark, correct? To provide light to the general populace, to illuminate spaces without relying on people having their own sources of light or real flesh guys standing around holding lanterns. But why are the lights ... on top of the posts? 🤔 why not just put them on ze ground? Well, pilgrim, because when the light is high up, it can spread farther and cover more of the area, so you can put fewer lights over a greater distance! It also protects the light from people or other things snuffing it out, by keeping it out of reach!

So in summary, a lamppost must fulfill the following criteria:

spread light in the dark

support the light source

protect the light

And with this in mind, you might now wonder -- why is this lamppost floating?

What is the point of this lamppost floating? Someone, presumably, enchanted it, yes? Somebody enchanted the post to which the lamp is affixed. Somebody affixed a lamp to a wooden post, lit the lamp, then enchanted the post to hover, so as to fulfill the requirement of a lamppost, which is to hold the lamp aloft, upon the post. The magic exerts no power over the position of the lamp, only over the post, which is enchanted. Are we in agreement? Good. Now please draw your attention to the end of the post:

We can see that this post has been designed with the floating enchantment in mind. Should the magic fail for whatever reason, this lamp post will be incapable of standing upright and fulfilling its intended purpose. Of holding the light up and out of reach.

Based on this design and function, we can assume the process of creating this post: elaborately carve a large piece of wood (upon closer inspection it might be stone, which is even worse) > elaborately design and create a piece of metal (and glass??) > affix upon this a lantern > light the lantern > enchant the light post to float > enchant the lamp post to float firmly in one location.

So now we come to the big question: Why? Why is this designed this way? Why would they do this? If you have the power to make the lamppost float, why not just get rid of it entirely? Why not just make the lantern float separately? Why go through the trouble of gesturing at mundanity by using a post at all? Why waste time, money, and resources?

I can think of a few theories as to why people might think this works as a design.

Let's say the lampposts float, and are thus able to be manipulated to move where they're needed. This is fair, but makes no sense, because then any passing mage (and there are many in Tevinter) would be able to move them around at will, which rather defeats the purpose of illuminating one specific area for public use. Remember, one of the purposes of a lamppost is to keep it out of reach of bad actors or accidents in general. Controllable lampposts would be just as unreliable as everyone having their own lanterns.

Okay, then let's say there's a specific mage that can move these because of some personalized ritual or binding, so that keeps the lights safe. In that case, what happens if that mage isn't available? Are these lampposts stuck in one place now? This would defeat the purpose of them being movable, if you need to go through one fucking guy to get them where you need them to be.

But alright, let's assume this is the intended use, their flexibility. This still doesn't explain why they need the lampposts to begin with, and don't just use floating lanterns. Why is there a lamppost when a lamp would suffice? Well, you might think, if the enchantment fails, you'd want the lamp to still be up high and lit, so it doesn't shatter, right? But once again, I draw your attention to the design of the post: if the enchantment fails, that post will not be a crutch, and it will not be there to catch and save the lamp. It will fall, because it is designed only to float.

(This is a subjective note, but the lamps did not float or animate or move when I looked at them in-game. They were entirely static. Just like regular-ass lampposts.)

Now, if they could be moved, in theory, why are there so many, and why are they placed so evenly throughout the area? It's almost as though their placement and distance from each other was meant to maximize the light from each lantern to cover bigger ground. Which would be pointless to do if they could be moved.

Okay okay, fine, let's say the lampposts snap back after a certain time! That would explain why they can be in a certain spot and need to be placed out evenly, but also why they can float. Cool. But what if there's something in the way. This is a harbor with bighuge cargo boxes and fuck-off stone statues. What if you need it for a longer period than you have before it snaps back? What if somebody needs it back in its origin point? It's far more reliable to just use your own light, which defeats the purpose of it floating, and it's too unreliable to light up a specific area, which defeats the purpose of a lamppost.

This screenshot up here also illustrated the only other "defense" of these posts that I can think of: Well, it's Tevinter!! Those guys will enchant anything just to flex on people!

First of all, who are they flexing on? Fereldans? Orlesians? "Hey, we also have stupid mundane lampposts, but ours float, so fuck you?" Sure, I guess, but look where these particular ones are. A drab, dirty, empty-ass dock, where there was only a handful of enemies and one minor friendly NPC. There was NOBODY ELSE there. No workers, no traders, nothing. But the lights were lit. For whom? Who is meant to be impressed by this? If you have enough magic to waste it on frivolous shit, why is this the only way you can express it?

Do you see my fucking issue?

And yeah, I know. It's just a fucking lamppost in a video game. But I want you guys to understand that this lamppost went through at least one concept artist, one art director/lead artist, one 3D modeller, and a level designer. None of those people went "hey this is fucking stupid," or if they did, they were incomprehensibly vetoed by somebody higher up the ladder.

This fucking lamppost encompasses so many issues with Veilguard. Like hey, this sounds pretty cool, right? And it's plausible in the world, right? So just do it. Don't think of the implications or impact of these things at all. Just do it! It's cool, right? Floating lampposts? Those are unique and cool and show off how magic-y Tevinter is! That's all you need! It's Tevinter, so they do normal stuff but with magic! Yes they use very mundane ways of illuminating an area but!! It floats!! So it's magic! Like in Tevinter? With the mages?

Environmental storytelling isn't just putting skeletons on toilets and leaving bloody notes next to a pile of gore. It's shit like this, too. And Veilguard just went "well this could totally happen and if it's cool then it should be in there!" and just didn't bother thinking a single step ahead of that.

Blech.

[mediaevalmusereads]

Baking Yesteryear. By B. Dylan Hollis. DK, 2023.

Rating: 4/5 stars

Genre: cookbook

Series: N/A

Summary: A decade-by-decade cookbook that highlights the best (and a few of the worst) baking recipes from the 20th century

Friends of baking, are you sick and tired of making the same recipes again and again? Then look no further than this baking blast from the past, as B. Dylan Hollis highlights the most unique tasty treats of yesteryear.

Travel back in time on a delicious decade-by-decade jaunt as Dylan shows you how to bake vintage forgotten greats. With a big pinch of fun and a full cup of humor, you’ll be baking everything from Chocolate Potato Cake from the 1910s to Avocado Pie from the 1960s.

Dylan has baked hundreds of recipes from countless antique cookbooks and selected only the best for this bakebook, sharing the shining stars from each decade. And because some of the recipes Dylan shares on his wildly popular social media channels are spectacular failures, he’s thrown in a few of the most disastrously strange recipes for you to try if you dare.

***Full review below.***

Since this book is non-fiction, my review will be structured a little different from normal.

I've had this book for a while, but I didn't want to post a review before making a few of the recipes myself. I was already a fan of Hollis from his TikToks, so that might introduce some bias into my review - just so you're all aware.

Overall, I found this book to be quirky, easy to follow, and fun. I loved the bright colors and retro-feel to the photo shoots, and I appreciated that almost all of the recipes were accompanied by a picture of the thing you're supposed to be making. I also liked the blurbs written by Hollis himself; they very much felt like his voice, with his characteristic sense of humor balanced by his genuine love for baking and "old things."

Perhaps the most valuable part of this book, however, was the emphasis on lowering barriers to entry. I've read my fair share of baking guides that call for special ingredients or equipment, and there are a lot of recipes out there that are finicky and sure ton dissuade new bakers. Hollis's book, however, emphasizes that most (if not all) of these recipes can be done with basic tools - one does not even need an electric mixer (though it does make some recipes easier). There also aren't many fancy ingredients that aren't readily available at most grocery stores, so that also helps.

I do, however, have some minor criticisms which relate to the usability of this book. For one, the organization makes it rather difficult to find a specific recipe (or even category), particularly if you're like me and don't recall what decade it came from. While organizing the recipes by decade makes sense given the book's premise, it does make it more functionally difficult - you can't flip to the cake section, for example, and browse or put yourself within the general vicinity of the recipe you're looking for. Thus, readers will have to rely on either the TOC or the index a lot more, but this is a minor inconvenience rather than a huge drawback.

I also don't think the majority of the recipes are blow-your-mind good, but honestly, given this book's premise, I don't think that's the worst thing. The recipes are largely taken from sources aimed at home bakers, so you're not going to get professional-level pastries out of them. You will, however, get things that are fun and relatively simple to make, and they taste good enough to me that I'd consider making them multiple times.

TL;DR: Baking Yesteryear is a fine book for fans of Hollis's TikTok, but it goes beyond being mere merch. It not only provides historical recipes that are easy to replicate, but it also does a good job of lowering barriers to entry for new bakers. Experienced bakers might not be overly impressed by the recipes, but engaging with food history is a treat in and of itself, and it's delightful to see someone like Hollis engaging with the past with such enthusiasm and adoration.

[writers-potion]

Hi! This is super specific but how would I introduce my main character with amnesia? It's so hard to write bc I want my book to be from her pov, but she can only get her name from outside sources. And the book starts off kinda traumatic

Writing a POV Character with Memory Problems

If your character is experiencing amnesia due to a traumatic event/accident, you can allude to it as "that day", "accident" or "event" early on and let your readers pick up on the pieces of memory that may come back to her or derive what happened from snippets of information provided by other characters.

Her are some ways you could introduce the main character in the opening scene:

Show her frustration at not being able to remember: When I woke up from a hospital bed, I didn't remember. What I was supposed to remember, I couldn't remember.

Let someone else call her name: "Susan!" A shrill voice said. Susan? Who's that, I wondered.

It can be a little retrospective: According to the stout woman crying next to my hospital bed, my name was Susan and she was my mother of twenty-one years.

Or, she can be in denial and lash out to those around her: "Look, just leave me alone! I want to go home!" "You are home!" someone screamed in the background. I swerved around to him, but I didn't know who he was.

If your main character has somewhat accepted the situation and is trying to get better, you can show how she develops new habits due to her amnesia, like taking excessive notes or trying to get her loved ones to tell her what happened because they can't talk about it in front of her.

You can choose to start off with a traumatic snippet of memory and show her thoughts slowly slipping into confusion as she realizes that she cannot remember much about herself: The dark, black shadow towered over me, choking and screaming. I vaguely sensed he was calling a name, my name, but panic seized me in a tight fist that I couldn't recall my own name. God, what was it? Who was I? Just as the man drove a knife into my left breast, my eyes snapped open to a clean, white ceiling.

─── ･ ｡ﾟ☆: *.☽ .* . ───

💎If you like my blog, buy me a coffee☕ and find me on instagram! Also, join my Tumblr writing community for some more fun.

💎Before you ask, check out my masterpost part 1 and part 2 

[felassan]

From Game Informer:

Solas plays an important role in the game as a central figure and significant character, but the game is not about Solas, hence the title change

Rather than focusing on a specific individual, the focus and centerpiece of the game is Rook's team, stopping the end of the world with this group of specialists

"I think you could argue [these companions] are the best the franchise has ever seen". We will have the opportunity to interact with them in a way that both shapes their story and also influences the main story, including having the opportunity to impact their fate

"Arguably, this game has kind of, in a way, been called Dreadwolf to some degree since its earlier days"

Excerpt:

"When I ask about Solas' role in the story after I learn his namesake is no longer in the game title, Darrah says Veilguard is still taking the Elven God's narrative in a good direction. He adds, "It allows us to, hopefully, give a good conclusion to all the varied attitudes toward Solas that are going to be coming from people who love Solas, who agree with Solas, who hate Solas, people who want to kick Solas off of a building – I think that we give you the opportunity to bring that to a close, but then tell a greater story about The Veilguard and about the world as a whole." Talking to Epler, I learn more about how Solas isn't exactly the big bad I expected before seeing the opening hours of Veilguard. There's a lot more nuance to everyone's favorite bald elf.  "The most interesting villains to myself, and honestly most people, are not just straight up, 'I want to end the world.' To them, they are the heroes of the story, and Solas is no exception," Epler tells me. "Solas always feels that he is a tragic hero but a hero nonetheless, so he's coming into this believing firmly that what he did, that which you stopped him from doing, was the right thing – that you made a mistake. But now he's trapped and can't reach out and actively affect [Thedas], so he needs to work with you. "That allows us to provide a lot of nuance to that relationship," Epler says."

Solas is literally trapped in the Fade after the game's prologue. Rook and co stop his attempt to destroy the Veil. Rook passes out and wakes up in a dream-like landscape to Solas' voice. He explains that he was trying to move Elgar'nan and Ghilan'nain to a new prison because the old one wasn't containing them properly anymore. The two blighted gods are now free and roaming Thedas. Rook has to stop them, but it seems that they will have to work with Solas ("or at least listen to his guidance and advice") to do so

Excerpt:

""So one of the principles we took to when we were building the story of The Veilguard early on was we wanted the beginning of the game to feel like the final chapter of an earlier story and you're coming in right at the end, you're coming in as if you've been chasing Solas – the [Solas at the end of Dragon Age: Inquisition's Trespasser DLC] who said he was going to end the world and tear down the Veil," Epler adds.  Epler says players will see early on (and as the narrative develops across Veilguard) that Solas sees much of himself in you, the player-controlled Rook, especially "the parts that maybe he doesn't like to face." As a result, there's an interesting push and pull between Solas and Rook. He says players can define the relationship between these two characters with their choices in dialogue.  "You can continue to be suspicious and hostile towards him, or you can start to see him and find that common ground, that connection between the two of you, and really develop a different relationship over the course of the story," Epler says."

[source]