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sleepanonymous · 11 days ago

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i saw in a passing comment somewhere, i believe it was on a video of iv’s vocals in rain, someone said he previously did harsh vocals in another band and my brain.. oof. if that is indeed true i wish there was a way to listen to them without things being spoiled. but for right now if the closest we get to appreciating his growls are from rain, vore and tmbte we are blessed. and the antIVist performance, never forget 🙏🏻 that one altered my brain chemistry in the best way

I’m feeling ballsy today, I guess, so I’m gonna answer this one. Under the cut though, so people can scroll past if they wish 🖤

Okay Anon, ty for bringing this up because I’ve wanted to talk about this forever. It’s likely, of all the band's he's been part of, that the comment you saw was talking about an EP IV made with a total of five members from two other bands, one being Wilderness. (UK) and the other being another band that IV was a tech/guitarist for.

This group called themselves Mourn, and IV was the vocalist. They unfortunately only released four songs on an EP titled The Next Life. Mourn’s genre was metalcore, and they described themselves as delivering “a powerful sonic experience of crushing instrumentals, vicious vocals and relentless energy.” The lyrics have a heavily religious undertone, backed by the The Next Life’s artwork being a distorted rendition of the Annibale Carracci painting Christ Crowned with Thorns.

It’s unclear exactly who wrote what for Mourn, as all five members are listed as composers. There are also no credits to a producer, so the EP may have been produced by one or multiple band members as well. In Wilderness. (UK), Mourn’s bassist is credited as the lyricists, and Mourn’s drummer is credited as the recording, mixing, and mastering engineer. In a playthru video on the band’s YouTube channel, IV is the lead vocalist and he is backed up by the bassist (he’s definitely been working on breath control and stamina, compared to some recent videos of his screams in Rain). I was thinking about taking the Full Band playthrough on YouTube and editing IV out, but I have no energy for that 😅 I do have the ripped MP3 in the Lost Media folder, if you want to give it a listen.

The Next Life EP was released September 3, 2021, just a few weeks before TPWBYT. The band was only set to have played one live show, in February of 2022 supporting Decapitated, but it’s possible the band dropped out or the show itself was canceled. All I could find online for the date were some news articles/Facebook posts from the announcement but no photos or videos from the actual concert for any band listed on the bill.

It's theorized by fans that this band dissolved after IV left to focus solely on Sleep Token, but I’m not entirely sure that’s the case, or the sole reason. The first tour Sleep Token did in 2022 began in August, and the last tour they did ended in November 2021, so it’s not exactly like IV would have been incapable of performing with both bands. It wouldn’t be the only instance of one of the members of Sleep Token performing in multiple projects at one time.

I’m not confident enough to upload the music onto Tumblr, but I’ll happily share the band name and YouTube/Spotify links with anyone who asks. I ended up compiling the lyrics to the four songs on the EP in a Google Doc a while back for a fan who wanted to avoid IV’s name (since his name and face are plastered onto this band). Also, there were two posts from last month (? maybe September) that brought this band up, and I’m pretty certain they both had audio attached. Unfortunately, I could only find @kaddyssammlung's post for one song, and its the studio version of the same song I added to the Lost Media folder.

If anyone can direct me to the second post, please do so and I will link it here 🖤

I’ll leave you with this gem of a photograph from the band’s Facebook page. Man loves his hoodies and sneakers istg.

#anon asks #sleepanon answers #uhhh idk how to tag this?#since it's technically not lost media #but i also don't want this in the main st tag lol

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odysseydesigncompany · 2 years ago

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thelightofthingshopedfor · 3 years ago

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Goddamn it Kyra I wasn't even interested in the Lego Lokis before, but now that you've so rudely posted pics of the options I'm probably going to have to buy some. So, couple questions: I'm not familiar with the website you linked to (it doesn't help that I'm on my phone lol) - do you get them from that site or just Aliexpress? I've kind of poked around there but I don't think I've ever actually bought anything - do you have links to those ones you bought or any tips for finding them on the site? (or like. using the site in general without getting scammed or something? Idk much about it other than stuff being low priced lol).

😇😇😇

putting the rest behind a cut because oops this got long

OKAY SO the cool thing about knockoff Lego figures is that a) there are a ton of them, so you can probably find multiple versions of most characters, and b) they're super cheap, so if you do end up getting ripped off, you're probably only out a few bucks. plus if you don't get ripped off, you feel like a genius, because authentic Lego minifigs tend to cost way more than they should (and if you get them online, you probably don't have a good way to know that they're authentic) and here you are getting something just as good or better for way less.

the site I was getting pictures from is HeroBloks, which I only just discovered myself a couple days ago; it looks like mostly it's good for tracking your collection (and learning more about bootleg Lego minifigs in general, maybe--I didn't really realize until now how many different companies there are making Lego-like minifigs) rather than buying, with individual pages including sale links that are only mildly useful. like, the extremely sad TVA Loki has an AliExpress search link that apparently just searches for "blocks," which is the least helpful search term imaginable; the eBay link uses "xinh+xh1745+loki (tva)" as the search term and that's definitely better, although it doesn't actually turn up anything. maybe that one's too new to be widely available yet, I don't know. (I hope that's the case. I need him and his sad little face to come and live with me.)

anyway--eBay is a possible source. searching for "loki minifigure" gets me results for several of the new ones I’ve been seeing, and they all seem to be shipping from Japan or South Korea. the problem is they're all selling for $4.99 plus $7.49 shipping each, which is...more than I want to spend on something I know is a knockoff of some kind when I don't know anything about the quality control and I'm not guaranteed to get what's in the picture. (here's another listing asking $40 total for all 8 figures I bought yesterday, which is actually a better price, and I'd probably end up doing that if I hadn't found them elsewhere, but that's because I have a problem.)

this is why I like AliExpress, because the risks are slightly higher but the prices tend to be much lower, even with shipping prices having gone up a bit over the last couple years. as I understand it, the site is basically just a huge marketplace for tons of different sellers in Asia, like if eBay only allowed fixed-price listings and it was based in China. the vast majority of the site reads like it went through Google Translate, because it probably did. you can find...basically anything there. I have no idea if any of it's authentic. (I also don't know anything about how or where any of the knockoff stuff is made, so...there is that.) I would not, for instance, drop $300 on a Hot Toys Loki from here, even though I absolutely would have the option to do so, for the obvious reason that I'm not going to risk that much money on an item that might be a cheap knockoff or could arrive broken. there is, in general, a solid possibility of breakable things arriving broken, because decent packaging costs more. cheap shipping will be slow (by which I mean like...up to 90 days), and most purchases either won't have tracking at all or won't have accurate tracking, so this is absolutely not a place to buy anything you want to get quickly. you also don't want to just buy something and forget about it, because there are (variable but generous) time limits past which you can't get a refund if you don't receive your items. the site's UI is...mostly functional. you often have to get a little creative with your search terms to find what you want (and sometimes you won’t find what you want through searching, but through looking at related items on the pages of things that aren’t quite what you want or are what you want but aren’t a good price). you will, absolutely, come across a lot of stolen art on things like pins, t-shirts, stickers, and phone cases, which you might not realize until you see something you recognize from a fanartist you like, and obviously that sucks. listing photos are nearly always stock photos, so in many cases they won't tell you anything about the item you're actually getting. you know the Wish app, and all the crazy things people get from that? you can find all the same stuff on AliExpress, at similar levels of quality.

however, if you approach it keeping all that in mind, it can be a great resource. I can't make any guarantees about the site's safety, but to the best of my knowledge it's secure and I've never had any weird charges show up after buying something. it's also my understanding that Alibaba, the parent company, is more or less the Chinese equivalent of Amazon in terms of the amount of business it does, which would probably be pretty tough if customer data were routinely being exposed to thieves, you know? I've also successfully gotten several refunds for items that never arrived, which actually hasn't happened all that often--but knowing that it can happen and that the return period expires, I’ll check back on the site if it seems like it’s been an unusually long time and I’ll make a reminder for myself of the deadline so I can contact the seller in time if necessary.

so the way I shop there is, I don't buy expensive or fragile things in general, because I recognize there's a nonzero chance I'll get a cheap knockoff, or something that was broken in transit because the seller tossed it in a box with no padding and called it good, or sometimes nothing at all. but like eBay, the sellers and items have ratings and reviews from customers, so that helps avoid some risk. items with lots of reviews tend to include at least a few customer photos, which are great for getting a better idea of what the thing you're buying actually looks like. I took a bit of a risk last year buying a Hot Toys (or the equivalent, I actually have no idea) Steve Rogers head for about $20, for instance, but I wasn't super worried about it because the customer photos looked good, the seller I used had a lot of sales and a lot of good ratings, and it was still a lot less than I would've paid for an authentic Hot Toys Steve Rogers head--and in fact he got here just fine and he looked fantastic. I also spent about $20 for a knockoff Iron Studios Loki statue, because in that case it was like...yep I’d love the real thing, nope I’m not willing to spend hundreds of dollars on it, yep I am willing to spend $20 on something that doesn’t look quite as nice but still looks good enough for me in the customer photos. well, and I’ve also bought knockoffs I knew would look bad, because they were cheap and I want all the Lokis and I have enough of an addiction that all the Lokis does in fact sometimes mean “even ones that look really bad” to me.

anyway, uh, Lego-type minifigs. this is an especially good area to go knockoff, because--okay, apparently I can’t link to a page of HeroBloks search results for some reason, but it’s the best resource I’ve found for this type of thing that isn’t just authentic Lego figures. but if you go there and do a search for “loki” you’ll get a bunch of results and you’ll see that they come from like...9 or 10 different brands. Lego specifically has only four Loki options: Avengers Loki in black, Avengers Loki in gray for some reason (which, frankly, looks like a cheap knockoff but isn’t), movie-inaccurate Ragnarok Loki with the blue outfit and the full helmet, an ugly Classic Loki, and a mostly green Loki from I guess the first Thor movie (and then I think they’re going to release a TVA Loki, a Sylvie, and a Throg). all those other results--all those different outfits from every single Loki appearance, and different variations on those outfits, nearly all of them more screen-accurate and/or detailed than the Lego versions--are technically knockoffs. they’re better and you can buy them for way less. (I mean, a lot of them are new so I don’t have them yet, but I do have frost giant Loki, better Ragnarok Loki, better Avengers Loki, opera Loki who actually has another face that’s half-Jotun, and at least one chrome-helmet option, and they all look basically like the photos. so I think I can reasonably expect most of the new ones to look basically like their photos too.)

for reasons that I don’t understand aside from a vague guess that it’s copyright-related, AliExpress pretty much no longer shows full pictures of Lego-type figures in their listings--instead, you have to pick just based on the heads. this is a problem when lots of heads look very similar to each other! luckily, the listings also typically have the actual serial numbers for each figure, as do the HeroBloks listings, so you can cross-reference them to see what you’re really getting. for instance let’s take this listing because it’s cheap and it offers most of the Loki figures that are currently available. say you’re interested in one of the horn-less Lokis. there are...let’s see, five of them, but you have no idea what they actually look like aside from slightly different facial expressions and maybe weapons. however, the first one listed says XH1359 for its color...and what do you know, 1359 is the serial number for this Loki by a company called Xinh. okay cool, how about the last one? the “color” is listed as WM2182--and yes, HeroBloks has a listing for a Ragnarok Loki from World Minifigures with the serial number 2182. (I just ordered all 8 of the new World Minifigures ones yesterday, so again, I can’t personally guarantee yet that they’ll look as good in person as in the pictures--but I think they probably will, and more importantly they cost a whole dollar each.) and if HeroBloks doesn’t have a particular figure, you can probably find something useful just by googling the serial number.

I specifically bought from this listing yesterday because they currently have a bit of a sale going and a deal for free shipping if you buy 10 figures, and I wanted a couple duplicates, so it worked out to be the cheapest option. the same store has another listing for a bunch more Marvel characters, including a couple more Lokis I already had, so it should be pretty easy to get the free shipping so the figures are less than a dollar each and you’re only risking about $10. if you’d rather try one or two and see how it goes, it looks like this listing is probably the cheapest, with figures currently going for a little over a dollar each once you add shipping (although it’s totally possible shipping is more for me because Alaska).

that’s...probably already way more information than you really wanted, but I hope at least some of it makes sense. feel free to ask other specific questions if they come up--I might not be able to give answers exactly, but I can probably tell you what my experience has been, which is better than nothing.

#loki #action figures #lego #marvel cinematic universe #conversations #scintillatingshortgirl19

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fmdtaeyongarchive · 4 years ago

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rewriting ash’s intro post since i link it on his plots page so that the info’s up to date since my last rewrite is over two years old. i added quite a bit about his personality/characterization, so feel free to read it but also feel equally free to ignore it.

tw: mention of depression/anxiety

ashton taeyong kwon, born in san francisco, california on december 24, 1995, and was raised there until age 13

his stage name is taeyong, but friends call him ash. he’s learned to respond to taeyong tho and doesn’t mind fans and acquaintances calling him that; he just doesn’t really like being called ashton unless you’re his actual mom and he will generally make his distaste known if you do that. fans don’t really know he goes by ash in his private life so they call him taeyong and he’d like to keep it that way. (he’s not a fan of fans pretending to have a closer relationship with him than fan-artist... lmao)

was a musical baby from birth so he started taking piano, dance, and guitar lessons pretty early and fell in love with all three

auditioned for bc entertainment’s global audition in los angeles for fun more than anything else as a dancer. he didn’t know a ton about korean music (or korean language) but figured it couldn’t hurt since he knew he wanted to pursue a music career

won a contract offer and decided to go for it with his parents’ approval, so he moved to seoul by himself at 13

he knew very little korean, so he was kind of isolated as a trainee and was really lonely. his parents probably shouldn’t have let him move his life overseas alone at such a young age and on such short notice knowing his personality, but they kinda wanted to live the childfree life again since they had him so young and without plans to have a kid

(his parents are good parents for the most part, though! he loves them to death and they’re very loving and supportive, they’re just the types that didn’t plan to have a kid until it happened on accident)

by the time he debuted, he knew korean well enough to get by but he did have some attitude scandals when they first debuted because he was trying to overcompensate for not being 100% fluent

bc decided his image should be more ~broody and artsy~ to avoid more attitude scandals. since then, it’s evolved into james dean-esque bad boy heartthrob, but for the longest time his image was pretty much being quiet which led to him not being super popular until he eventually started to shape his own solo career (so he now has a lot of akgaes)

things were going pretty well for him for a while ! knight was doing great and yeah maybe he was a little overworked but he was performing ! which is what he wanted ! right ? right ?????

all hell broke loose on valentine’s day in 2016 when one rather minor dating rumor released by a media outlet led to a much bigger scandal which originated in fan communities through “leaked” pictures of him out with other female celebrities in common date locations or, in one case, entering a hotel together on more than one occasion

antis quickly ran with the narrative of him being a player/womanizer/serial dater/cheater, etc. and further “evidence” appeared on fan communities like unsubstantiated “eyewitness” stories and convenience store receipts and it took a big toll on his reputation despite the company coming out with a statement denying everything and claiming he was only friends with the women

it became a big mess and he tried to put on a strong face but in reality it tore him up because now everyone was talking shit about him online and trying to make his private life their business and he ended up in a Really Dark Place

was pretty much dungeoned outside of knight activities for about eight months before he was made one of the members of the white knight sub unit to get him back in the public’s graces which worked on a minor level. he got his first solo activities (osts) around this time as well to test out public response.

in 2017, got caught with another female idol at a convenience store at night which sparked dating rumors, but those were more easily dismissed. late that year, he got in a scandal for causing a commotion when he was wasted outside of a club in tokyo and called a female friend to pick him up from the club... not his best move.

2018 was the year of being criticized for being lazy on stage and allegedly having an attitude problem with fans during fan signs. was a bad look, but the instances causing the scandal were mainly a result of his poor mental health (depression and extreme anxiety) he was dealing with as a result of making his solo debut amidst quite a lot of online hate.

so yeah he made his solo debut in late 2017 and has had a steady career as a solo artist (he’s dropped four full albums and several promoted or non-promoted singles) and a model for endorsements and cfs (his biggest and longest-term deal has been with calvin klein, and that’s become a part of his Brand now i would say — the sexy, modern, all-american image of calvin klein fits his public image to a t) since then. he and bc have worked very hard to redeem his public image and he hasn’t had a scandal in like three years, during which time he’s had six number one singles, so he’s not public enemy number one anymore and his past scandals tend to be more of a footnote to people who aren’t actively his antis lmao

he also had a viral fancam in october 2020 that went viral for him being sexy and Very Into singing you know i’m no good by amy winehouse (because he hates himself </3)... sexy king who has internalized issues with being sexualized that he kinda has to deal with since that’s a big part of his image and also continuously gets rewarded in his career for his Public Self-Hatred Self-Flagellation... anyway

has also done a lot of work as a songwriter/producer since his solo debut for himself and others and that’s his main passion right now. this man does not leave his home studio a lot

doesn’t have much say in knight’s music but he’s fine with that since he’s pretty much over knight. would throw a party if knight disbanded today and considers other knight members co-workers over friends for the most part.

has major depressive disorder and an anxiety disorder (the former is diagnosed, the latter isn’t officially but ash knows something is up there, he just hasn’t seen anyone with the capacity to officially diagnose him) and insomnia and those took a really bad toll on him for a while and still do but he’s actively seeing a therapist again as of mid-2020 and is trying to handle those situations better

ummmmm, his main personal interest is music, he has an impulsive/rebellious streak for days, and he’s a hopeless romantic who believes his own personal search for love is hopeless

his main motivation is just ?? to find happiness that he doesn’t think he’s really felt in his adult life but he also doesn’t think he deserve it so :/ is also very driven by his desire to have a long-term impact on the world and to Mean Something

his biggest fears are heights, not meaning anything to anyone, and The Inevitability Of Oblivion

he hates being Known . he’s extremely private. doesn’t let anyone know about his relationships and tends to be weirdly private about his friendships as well. doesn’t think anything he does is anyone else’s business unless he personally makes it their business lmao

a hufflepuff who could have also been considered for gryffindor tbh but would choose hufflepuff

infj-t (”the advocate”) - “they tend to approach life with deep thoughtfulness and imagination. their inner vision, personal values, and a quiet, principled version of humanism guide them in all things.”

i used to call him neutral good but i honestly think he’s become chaotic good

melancholic

type 4w5 (”the bohemian” / “the free spirit”) - “four wing fives fear having no impact on the world. they may be reserved, but they seek recognition and admiration. they desire their own personal identity, and may retreat within themselves to discover who they really are. free spirits tend to defend themselves either by withdrawing from others or adapting characteristics of loved ones.”

that’s all really but i can talk about him for hours if anyone ever wants to know more about him

#&& there's nobody home | ooc #&& queued

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thebrochtuarachs · 5 years ago

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The Making of Outlander: The Series Author Tara Bennett on Why She is Thankful for What Sam Heughan and Caitriona Balfe Shared

By Paulette Cohn

The countdown to season five of Outlander continues with three months left to go until the Feb. 16 premiere on STARZ. But in the interim, author Tara Bennett has a little something to help the time pass more quickly and provide you with an Outlander fix. It is her new book, The Making of Outlander: The Series: The Official Guide to Seasons Three & Four, which takes a deep dive into the making of the series, and is now available in stores and online.

“We spent a lot of time on the first one trying to frame it with new voices and different ways of telling the stories, or with people that aren’t covered by typical press for the show, and it went over well,�� Bennett tells Parade.com in this exclusive interview. “Because of that, we wanted the second book to look and feel similar, as if you were making a collection on your shelf, and so we kept the format, we kept the relative design, and then we looked into spotlights and head-of-department features, so we could change it out, so you didn’t feel like you were learning the same thing but for a different year.”

The Making of Outlander: The Series is a beautifully crafted tome, and what makes it a must-have for fans of both Diana Gabaldon’s novels and for fans of the Starz TV series – as well as a great holiday gift — is the large number of photos, many that have never appeared in print or online stories.

“I did a cross check of everything that was available to the public via press versus what was made available to us for the book,” Bennett says. “We tried to put in as much new stuff as possible, otherwise, why bother buying the book? I literally made a huge Excel spreadsheet of what was given to press, and then what was given to us, and then made sure that we leaned into those things. If there was a beautiful picture that STARZ and Sony gave the regular press, it was still nice to be able to find a way to feature it, so that you could really look at it in a different way than looking at it on your tablet or your laptop.”

Bennett was also able to coax some interesting tidbits that hadn’t been in print before out of series stars Sam Heughan (Jamie Fraser) and Caitriona Balfe (Claire Fraser), like what lengths they went to for season three and four to accurately portray being parents, as neither of them are in real life.

“They both spent a lot of time trying to establish and understand that dynamic and really create that rapport with their costars,” Bennett relates. “Sam has some really great stories about the hesitancy of that, working with the little boy that plays Willie, his son, and creating that rapport. Then several of the actors also talk about watching him with the young actor and how endearing that was. I think that’s just a nice testament to both of them as actors is the level that they go to, to try to create the authenticity with Jamie and Claire.”

You’ve told us what’s the same about this book, what’s different other than the seasons?

We went into a lot more, specifically, about the production design and visual effects, how they worked in tandem, which was a lot more subtle in the first two years. Then in season three and four, you had tall ships that had to be created in visual effects, you had shooting Scotland for the United States, so for a lot of the environment, they would have to use blue screen to create Jocasta’s plantation house in season four. That doesn’t exist in Scotland.

And so, they basically had to do a lot of visual effects to that house, including an entire second floor, and the environment around it to make it look like it was truly in Wilmington. We decided to peel back a layer with that.

We did a lot about the First Nations, basically, the big immersive sets that they created and then really tried to look at some of the new cast, so that we could give them time in the sun. So, it’s people like Ed Speleers, who played Stephen Bonnet, and, of course, giving much bigger spreads to Sophie Skelton (Brianna) and Richard Rankin (Roger), because they’ve been bumped up in terms of presence, especially by season four, so they equal Sam and Caitriona now in terms of the spreads that they get in the book.

To me these are special coffee table books. I keep mine out, so I can flip through it any time.

Yes. That’s nice. That’s why we try to make sure when we play around with the color and the brightness of the pictures that you’re really getting the best possible version of the picture on the page, so that you really get to look at details that your eyes will get a little tired from looking at on a computer.

In the first book, there was a story about Caitriona’s casting, which was something that I didn’t know before I read it there. Do you have stories like that in this book? Is there one you could share?

David Berry, who is Lord John Grey, is a character that the book readers really, really love and that TV fandom has embraced. He’s Australian, and the story that both the casting director and he tell in tandem — she in her section and he in his — is that he was really part of a wide net that they put out for the show, because there’s so many television shows being produced now that even since the first season of Outlander, it’s harder to find actors who aren’t already engaged in something. So, what they used to do was just look in England and Scotland, but now they have put it out to the world when they’re doing a new casting call for a major character.

So, David Berry has a good story about how, in a casting sense, they went to Australia and were really starting to look for Australian actors who are very good, and then about how quickly his turnaround was. He had to deal with playing that character on the fly the entire first season. He’s been intermittent in the show, so his stories have been really fun about trying to get into character, but really not being with the show very much so that’s been a challenge.

How involved were Sam and Caitriona in the second book?

I have to thank them. It’s been a benefit that I’ve been able to cover the show as a reporter and then also be able to do these books. I first started covering Outlander for print and online outlets, and so, they’ve known me. Then when I started doing interviews with them for the book, there was already a recognition factor. The really great thing is that over a span of — now they’re into production for season five, they know me even more.

As it is with all lead actors in a television show that’s over four seasons, it gets harder and harder to get them, because they’re really busy, and when they’re on breaks, they’re doing other projects. But they have always made time to say, “Yes, I’m going to talk with Tara,” and so I’m always super grateful because, at the end of the day, there is no companion book of value without the two of them. Claire and Jamie are the books, and so, I would’ve really been devastated if we hadn’t gotten them. I ended up sitting on the phone with each of them separately.

In some instances, Sam was in a car literally heading to LAX, so a good way to combat traffic is to talk to me. With Caitriona, she was on a break from shooting, and so, we talked when she was doing a little bit of other press for season four and so it ended up being really great.

I always try to approach their interviews, in particular, as they’re covered a lot by mainstream media, so I try to talk a little bit more thematic and about the work that they do to progress the characters from year to year. I think they really appreciate that kind of deeper conversation that they don’t always get when they’ve got 10-minute hits with media outlets. So, that was always my focus and they were always really gracious. I always know that they really get thoughtful and dig deep to think about those moments that mean a lot to them and how they progress the character.

Any conversations about working with Rollo or the horses?

All those animals make noise and create problems and they’re never fun, so they look like they’re happy around them, but John Bell, who plays young Ian, is the only one that really likes Rollo because he was the one that had to, basically, help train him from its youth, so that he would respond to him.

Everybody else had had enough of those animals. There are good stories about how Matt Roberts, who’s the new show runner who took over from Ron Moore, had to go around the globe to find those animals and bring them back. They would basically make a global search for multiple puppies and other animals that would fit what the readers’ expectations were, so it’s not just going to a shelter and yanking an animal, it’s this whole thing that the book explains as well, which was surprising to me.

And this coming season, they had to look for Adso, too.

Adso will be, hopefully, in book five and six if people buy this book.

Did Diana participate at all? I know she’s been busy working on the next novel in the franchise.

For the first book, Diana, obviously, was establishing the transition, and so, she did the foreword. Then she also was a cameo actor and she also wrote episode 211. So, for season three and four, because of her own book deadlines and production timing, she didn’t end up doing an episode for either season three or four, and we wanted to leave her alone. We didn’t really want to bug her unless she really had free time, which she didn’t.

So, we asked the foreword go to Matt Roberts. So, she isn’t present but she’s been super gracious in terms of doing book signings and with approval, saying she appreciated what we did with the companion for the seasons.

But the nice thing is, she announced that she’s going to be doing episode 511. She’s writing that one, so I have a hope that if this book does well, then she will be back in the next tome, which is great.

In addition to photos, there’s sketches of some of the different sets.

We were able to get some sketches from Jon Gary Steele, who is the production designer, and then we were also able to get sketches from Terry Dresbach, who was the costume designer through the middle of season four.

That was something I wanted for the first book, lawyers sometimes don’t always make that easily happen, and so, because we knew we wanted them and could get the request earlier for this book, we were able to get the sketches directly from Terry and from production design to be able to give a flavor of some of the things that they built. So, you get a general idea of mood board things, which are very important for Terry in coming up with the overall ideas of what a character looks like, especially as they progress through the eras.

Then, for Jon Gary Steele, who really uses the facilities of the warehouses in Glasgow to basically repurpose, he’s a fun part of the book. He really explains when you see a new set what it came from, why he created something so that he could easily retrofit it to something for the next year, and there’s always a sense of they are borrowing from last year to use the footprint for what they’re going to need to do for the next year. So, there’s basically a taste of everything that came before and everything that he builds going forward.

#outlander #outlander article #article #parade magazine #tara bennet #the making of outlander #sam heughan #caitriona balfe #sam x cait #samcait #sam cait #interview #magazine #magazine feature #a good read #though i can see some questionable whoopsies here and there #hahahahah

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odysseydesigncompany · 2 years ago

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The Value of Having a Budget-Friendly Web Design and Hosting

Visit Odyssey Design Co about ==> cheap web design and hosting.

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moneysourceyt · 4 years ago

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My Personal Experience With John Crestani’s Super Affiliate System

How It All Started

It all started on one weekend when I was scrolling on my Twitter timeline. My attention was drawn to this one retweet from one of my friends on Twitter. He had retweeted a tweet by John Crestani. I don’t remember much about what exactly the tweet was all about but it was something in the line of “financial freedom” and “making passive income.” I guess I was a little too excited to pay attention to the details.

So, I clicked on the link provided and found myself on what looked like a well-crafted landing page. On this page, John shared lots of information regarding a system that he had discovered and one that he believed could empower beginner and intermediate affiliate marketers.

I wasn’t new to affiliate marketing at that time. The first time I heard of it was back in 2014 when I was doing some online research on how to make money online. After sifting through dozens of scams, I finally managed to sign up for the Amazon Associate program.

Once my account was approved, I simply went to my back-end, picked a few banner codes and pasted them on my blog. At that time, I didn’t know much about targeting the right audience and the need for being niche specific.

So, as fate would have it, my affiliate marketing dream hit a snag. My account was closed within 90 days and that’s because despite delivering some clicks, no one was buying through my affiliate links. To cut the long story short, I completely gave up on the idea of making money online by getting random strangers to make purchases through some goddamn links.

I chose to stick to my day job which to be honest I didn’t like that much. But as any other person looking to pay the bills would do, I had to keep going to the office, deal with numerous client calls and sit in a dimly lit cubicle all day.

So, when I came across John Crestani’s tweet and eventually the landing page, my dream of being independent once again came back to life.

Who Is John Crestani

The reason John grabbed my attention is that he had a story that was almost similar to mine. He was once stuck in a boring day job but unfortunately, for him, he got fired without a clear exit strategy. I can only imagine if I was the one in such a situation. How would I pay my rent? How would I convince my daughter that there was no food in the house or money to keep the AC working?

But John somehow managed to go through it all, effectively building a $500k business from scratch. Having seen it all, John seeks to help you and me learn the tricks and techniques it took him years to master.

I really liked how genuine he sounded but, to be honest, I was still a bit skeptical. That’s because John kept talking about his current affluent life. I even peeped into his Instagram and Facebook pages and realized that he frequently posts photos of himself standing next to Lamborghini’s. Why do you need a Lambo to sell a $47 course?

I am not a fun of marketing tactics that involve showing off what one owns or drives. If anything, it’s always possible to rent a Lambo and fool people on social media that it’s all yours.

In my opinion, if John could spare us all the stuff about his personal life, he can be a bit more convincing and authoritative. Otherwise, one might mistake him for a scammer despite the fact that he’s selling a really good course.

How It Works

So, I started out by signing up for the Internet Jetset program. It’s a subscription-based service which goes for $47. This program comprises some awesome lessons for beginners. In particular, it walks you through some awesome ways to generate valuable traffic without spending a dime.

These are strategies that other marketers hardly talk about. And even if they talk about them, they hardly bother to get into the details as John does.

The lessons are presented in video format. John narrates everything using screen recordings. This makes his courses pretty easy to follow. In fact, you can do everything he says as he narrates to you and that’s because it’s possible to pause the videos and resume when necessary.

What I didn’t like, however, is that it’s not possible to “fast-forward” the videos. So, if you’re already familiar with whatever John is talking about at any given moment, you’d have no alternative than to still listen to it. This can be quite annoying and time wasting.

Also, I don’t know if it��s just me or that John talks really slowly. Some of the lessons could have been 30 minutes but he talks rather slowly and a good number of them go up to 45 minutes in length. The upside is that you get some highly detailed and in-depth training no matter your level of skills.

Also, the Internet Jetset courses are divided into tiny, little portions. Ideally, you should take 1 module per week meaning you’d need several weeks to finish the entire program. Fortunately, you don’t have to finish it for you to start making real cash. You can start using your skills to get the systems up and running. For instance, you can use the skills learned within the Google Free Traffic Module to tap into the power of SEO.

The Upsells

The Jetset is pretty affordable at $47 per month, so what’s the catch? Well, the catch is that you’ll constantly receive emails from John enticing you to buy one of the premium packages on offer. For instance, if you’re already enrolled in the Internet JetSet program, you’ll constantly be enticed to go for the Super Affiliate program which goes for close to $1,000.

There’s also the JetsetLIVE webinars package that goes for $97. You’ll also find the JetSet Xtreme Members course which goes for $187.

I accidentally subscribed to the JetSet Xtreme Members course when I clicked on the link out of curiosity. And instead of being taken to a check out page, I got a message reading “Thank you for purchasing the Jetset Xtreme Members” course.

My Thoughts on the JetSet Xtreme Members Course

This is a platform full of pre-recorded videos of other affiliate marketers who have used this system to successfully make money. The course also provides you with links to third-party tools that you can use to make purchases. At first, I thought these were free tools but upon clicking on them I realized they belonged to other companies and you had to pay up to use them.

So, in my opinion, while the JetSet Xtreme is full of value especially if you’re looking to learn from the experiences of other affiliate marketers, it doesn’t really provide you with free tools. Just a bunch of affiliate links to other services.

I did not find this part of the program to be worth the $187 they charge for it. And for that reason, I claimed my money back. Fortunately, John kept his word and I got back all the money I had accidentally spent on this upsell.

I really liked the fact that the company is made up of honest people. It’s rare to come across companies that are willing to refund money nowadays – so two thumbs up to the Super Affiliate System team.

My Thoughts on the $997 Super Affiliate System (SAS)

While the Internet Jetset program focuses on the free sources of traffic, the SAS shows you exactly what you need to do to leverage on paid traffic methods. In my opinion, the $997 you pay for this course is worth it but only if you’re willing to sit down and learn the tricks. It won’t work like magic.

You see, everyone can place an advert on Facebook, Instagram or even Google Adwords. But if you ask around, you’ll realize that most of those ads don’t convert. It doesn’t matter how much you invest in the course unless you really understand the psychology of the buyer, you’d end up making shots in the dark.

The good thing with paid traffic is that it works almost instantly. That’s unlike the free traffic methods which take months or even years to materialize. So, if you don’t have the time to build dozens of backlinks and implement other SEO tasks for your site to rank (which normally takes years), this strategy enables you to start making money immediately.

And the best part is that besides exposing you to the language of paid affiliate marketing, the SAS course also provides you with 3 core skills. These include:

Copywriting

Data analysis

Research

In general, the SAS is an 8-week course which comprises 50 hours’ worth of content. It also contains lots of additional resources that can help complement your unique strategy.

Week One – The System Setup

This section of the training mainly comprises stuff to do with creating a website, setting up a presell page and rolling out Facebook ads.

Week Two – Understanding the System

Introduces you to the core skills of online business. It also aims to help you unlock a super affiliate mindset so you can profit from different situations.

Week Three – Marketing Skills

How do you get people to click on your ads and convert? As we all know, it takes an expert to hack this. Luckily, those skills are provided within this section of the training.

Week Four – Facebook & Google Ads

Facebook and Google have more than 2 billion active users per month. So, if you were to get a piece of this pie, chances are that you’d make some pretty huge bucks as well. And that’s what John Crestani does in week 4 of his training.

Week Five – Native & YouTube Ads

Ever thought of leveraging the power of native ads? Basically, native ads are ones that are included within a media format. For instance, you can include such ads on your webpage content and so forth. Besides that, you’ll also get to learn how to do YouTube Ads and so forth.

Week Six – Scaling and Outsourcing

Once you have the skills needed to make the first dollars, you’ll need to find ways to grow and expand your trade. Using the tidbits shared in the 6-th week of this training, you’ll be able to outsource and automate quite a number of tasks so you can focus on growing your business.

Week Seven – More Ad Campaigns

Most people usually limit themselves to Google and Facebook. But did you know that there’s a lot of unused potential on platforms like LinkedIn and Bing? In this module, you’ll be able to learn about all that plus a lot more.

Week Eight – Implementing the System

If you’re wondering which ad network to join and which niche to embrace, this is the module you’ll need to take. It’s a highly advanced section of the training that helps you decide the direction you want your online business to follow.

My Results

After going through this program, I’d like to admit that I learned quite a lot. Most importantly, I was able to re-apply for the Amazon Associates program and got accepted. I have been making quite some bucks over the last few years. One of my sites rakes in $1500 while the other one brings about $2000 per month.

My goal is to scale these two sites up – I know there’s potential to make $10,000 per site (per month) with more content and a stronger SEO presence. But that might take time. For now, I appreciate the fact that the investment I made in the Super Affiliate System is now paying back.

The Pros & Cons

Pros

Easy to use

Contains tons of useful advice

Relevant information provided

Well thought out curriculum

John is a good trainer and he takes time to explain different points

They offer a genuine money back guarantee

Pre-built templates for ads

Cons

Customer support only available via email

Quite a few optional upsells included

Frequent emails were sent to market their upsells

Final Thoughts

The Super Affiliate System by John Crestani is not without its flaws. But that doesn’t mean that it’s bad. In fact, as long as you’re willing to learn and implement its contents, you can truly benefit from it. I personally would recommend it to any person looking to make genuine cash in the vast online markets.

You can check it out here.

#money #makingmoneyonline #make money online #make money fast #making money online

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lashunda61p86-blog · 4 years ago

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Kewadin Casinos Of The Upper Peninsula Of Michigan

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ebookcreator47 · 5 years ago

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How to Create an Ebook That Will Sell

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Selling a book online is much different than offline.

Imagine for a moment you are going to a bookstore to get a book on candle making. You get to the store, find the section on candle making and begin browsing through the titles. You pick up the individual books, examine the table of contents and maybe even read a few paragraphs. Eventually you pick the one which you believe suits you best and purchase it.

Buying a book (or eBook) online is nothing like that-the purchase decision is made simply by the title of the book and the description on the website.

So, in order for your book to sell you must have a compelling "theme" to build your book around. Your theme is what is often referred to as a unique selling proposition or "USP".

Here are the steps to getting that done:

Step One: Examine your competitor's web sites.

At this point many people counsel you to purchase all of your competitor's books, figure out what they go about solving your prospect's problems then decide how you can do it better in your own book.

Good advice but it lacks the most basic fundamental-the one you learned in the first two paragraphs-people don't see the content until they BUY. They make the decision to buy based on the web copy.Click here https://www.youtube.com/watch?v=LSSGn_KQmoI

So, I want you to visit your competition's web sites. For each site, determine what (if anything) is unique about their offer. Are they offering a unique solution to your prospect's problems? Are they giving a unique service? Unique information?

Those are the messages you are competing with.

Step Two: Determine your own unique USP.

Brainstorm on something you can deliver to your customers that others are not. Do you have unique experience no one else has? Can you offer a "step-by-step" approach rather than just "information"?

Sometimes a seeming "disadvantage" can be your advantage...

Several years ago I came up with a great idea for an eBook. My main competition was another eBook at around 175 pages-most of it fluff. As I looked at the product and website of my competitor, and as I heard from his customers (remember: research!) I found many complaining the information was just too long and not simple enough to implement.

I made my eBook just 60 or so pages long, with simple, step-by-step plans and my USP was that I had a "no fat, simple, step-by-step plan".

It worked. The first year that little eBook earned over $50,000-and it took only a couple days to put together.

Step Three: Turn your USP into a title.

Have you read the crazy titles the "tabloids" come up with for their articles? "500 Pound Cat Eats Owner", "Elvis Found Alive in Jamaica", "Something You're Eating Right Now Can Poison You-Do You Know What It Is?."

Pretty captivating, huh?

The tabloids use these crazy titles to get us to buy and read their publication. They understand the high value a captivating title can have in getting their product sold.

The same thing is true for any book you write for sale. You need to have a captivating title that grabs people's attention and forces them to buy.

Here are some ways to create a captivating title for your next project:

1. Have Emotional Appeal

"How to Lose Weight on a Low-Calorie Diet" Yawn.

How about "Suddenly Sexy: How One Small Change Can Give You the Body of Your Dreams (and His!)" Wow, sign me up!

Appealing to emotion dramatically increases the likelihood your article or book will be picked up and read. Appealing to our innermost desires, our ambitions, our curiosity or our vanity can be powerfully effective.

Consider this title for a book on overcoming diabetes: "No More Needles: A Handbook for Beating Diabetes". It appeals to both the fear of pain as well as the hope for a cure.

2. Make it Catchy

"Suddenly Sexy" conveys a whole image in just two words. "No More Needles" does the same. Over the years you have probably seen many titles with a "catchy" theme:

"Chicken Soup for the Soul"

"Rich Dad, Poor Dad"

"The One Minute Manager"

"Don't Sweat the Small Stuff"

3. Convey a Benefit

"Six Figures in Six Months" conveys a compelling benefit. So do "No More Tantrums" or "Fly Free: How to Fly Almost Anywhere on Earth for Nothing". Each has an obvious benefit to the reader.

4. Be Creative by Copying Others

To create captivating titles, look at what titles have been compelling or successful in the past then adapt them to your own use.

If I were writing an article or book on parenting, I might use "Chicken Soup for the Soul" as inspiration.

First, I would break it down:

"Chicken Soup" - a warm, homey, positive image for many "for the Soul" - the target of the image

Next, I would try several variations to see if one works well:

"A Warm Blanket for the Hurried Parent"

"A Soft Shoulder for the Parent"

"Gentle Advice for Frazzled Parents"

Of these three I like the third the best, though I would probably work with this more to come up with an even better title-or look to a different winning headline for inspiration.

Step Four: Outline your book, with sub-points springing from the theme.

Make a detailed outline, with your major points each representing a new chapter. The more detailed you make your outline, the better organized your content will be.

Step Five: Write your book or have it written for you

If you are doing it yourself...

A few pointers:

1. Use a word processor with spell check ability.

2. Short sentences, short paragraphs.

3. Use a "conversational" tone-like you are talking to someone across a table.

Step Six: Add screenshots (if applicable)

This is EASY and almost everyone can do it.

Depending on your eBook topic, you may want to add "screenshots" of things you are doing on your computer as you go. This is how you can do that simply and easily...

Most computers today have a "Print Screen" button. In Windows machines the button makes a copy of everything on the screen and places it on the "clipboard". You can then simply "paste" it into whatever document you are writing.

You can also use the "print screen" then paste technique to capture an image from your screen then paste it for editing into your Paint program or other image editor.

Step Seven: Add artwork

The bare minimum you need is a good-looking cover for your eBook. If you are the creative type and have the resources, you can make it yourself.

If you AREN'T the creative type, then you can get someone to make it for you. Plan on spending $35+ for each eBook cover created.

In addition you can add clip art and other illustrations to your eBook. You can buy these in bulk (we have a directory of 500K pictures we got for about $20) or you can get them from various sites online.

If you have a digital camera it is also simple to make high-quality pictures you can add to your eBook.

Step Eight: Have people read your book

This is crucial...have your family and friends read your book. Print it out, give them a red pen and have them mark up any mistakes they find. (It's often best to give it to your mother-in-law since she will often find more of your mistakes than anyone else!)

After you get back your book, make the changes and you are ready to create an "electronic" version or eBook.

Step Nine: Make your book into an eBook.

There are three main options for creating an eBook.

The first is to create an Acrobat Reader file (also called a "PDF"). This has become the standard over the last few years. PDFs are now so common most people are accustomed to looking at them so you typically have fewer customer service issues with PDFs. PDFs also work on both Windows and Macintosh computers.

The second option is to use a custom eBook creator. Custom eBook creator software typically breaks your eBook down into website-like pages. Custom eBook creators typically work only with Windows computers.

The third option is to purchase a program that creates your eBook then gives each purchaser a unique password to be able to view the contents. This, in theory, prevents someone from giving away the book free to others or purchasing the book then asking for a refund just so they can get it for free.

Here's why I believe the first option is the best one...

When your eBook is done as a PDF file you are going to have far fewer customer service issues than if you use either of the other two options. I have sold thousands of eBooks and in only about 2% of the cases do we have service issues with people being able to read the eBook.

But you need to take one further step to protect your eBook from piracy...

Add this disclaimer to the title page of your book:

If you have received this book from any website other than YourDomain.com it is stolen. We pay a reward for reporting theft. Simply send an email to: [EMAIL ADDRESS]

Of course you should substitute your own website for mine, but you get the idea.

We have been using this method for four years and have had only a few instances of theft.

But what about people who ask for a refund?

Our refund rate is about 2.5%. While I don't know for sure how many people are asking for a refund simply to get an eBook for free, I know it isn't many. I would rather not have the customer service issues than worry about the.5% or so who might try to "steal" from me.

Step Ten: Make a back-up copy of your files to a CD or your external hard drive.

Trust me, it's better to be safe than sorry!

That's it-ten steps and you're done and have an eBook that can set the web on fire and line your pockets with instant cash.

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clexa--warrior · 5 years ago

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Since launching back in 2010, The Walking Dead has seen its fair share of controversy on its way to becoming one of the biggest shows in the world.

Fake-outs, cliffhangers and particularly brutal character deaths have all caused a stir online, but few controversies have been as long-lasting as the treatment of the show's LGBTQ+ characters.

The 'Bury Your Gays' trope refers to the onscreen deaths of LGBTQ+ characters who are viewed as more expendable than their straight counterparts. It's a cliché that has plagued film and TV for decades, with shows like The 100 being slammed by audiences for killing LGBTQ+ characters in service of other, more developed, characters.

Its impact was noted by GLAAD in their report on LGBTQ+ diversity in TV back in 2018 saying: "Broadcast television (and television as a whole) has yet to recover from the past two seasons, which included the deaths of an overwhelming number of lesbian and bisexual women characters."

It's not until recently, when the use of the term 'Bury Your Gays' has received more attention, that LGBTQ+ characters have been treated with more care by writers.

But The Walking Dead, like most TV, has a long way to go.

For large stretches of the show's nine-season run, there have been a number of queer characters in The Walking Dead universe. Tara, Denise, Aaron, Eric and Paul 'Jesus' Rovia have all existed in the background of the show's main conflict, sometimes having a moment in the spotlight but rarely being seen expressing their sexuality.

Unlike The Walking Dead's many straight characters, LGBTQ+ characters are almost never given meaningful screen time, moments of intimacy or significant development to allow audiences to invest in their ultimate fate. This wouldn't be so much of an issue if they were still alive on the show. Of those five queer characters, four have been buried in various and increasingly brutal ways, leaving precious few LGBTQ+ characters behind.

Denise was the first to die, shot by future Savior Dwight in the season six episode 'Twice as Far'. It was a shocking moment that lacked any real emotional impact due to the lack of screen time given to Denise until that episode.

Denise's relationship with Tara had been hinted at briefly but the only meaningful screen time she'd been given was in her role as Alexandria's medic. It wasn't until the hours before her death that audiences were given a glimpse of her morality, which had begun to rub off on Daryl and Rosita, only for her to be killed off for the sake of a cheap shock that only served to motivate Daryl's character.

Flash-forward to season eight and we find another of our LGBTQ+ characters dying for the sake of motivating another character's development. Eric is shot in the abdomen and left to bleed out during an attack on a Savior outpost. Season eight's controversial war with the Saviors saw a great deal of overblown tragedy for all the group but the loss of Eric felt particularly needless. He died to motivate Aaron, whose character already possessed sufficient dedication to the cause having watched as Glenn and Abraham were brutally murdered in the season seven premiere.

Once again, the show was killing off an underdeveloped LGBTQ+ character in order to serve the story.

Even though season nine won back a lot of viewers and critics, it also saw two more LGBTQ+ characters meet untimely deaths. Both Tara and Jesus faced particularly violent ends for the sake of making the show's new villains, The Whisperers, seem all the more threatening.

It's a tactic that The Walking Dead has taken flak for in the past, most notably with the death of Glenn, but these particular instances of a character dying to raise the stakes on the show only serve to underscore how little care has been taken with the show's LGBTQ+ characters.

"I spent a long time hoping my character was going to have more to do," actor Tom Payne, who played Jesus, told The Hollywood Reporter regarding his character's death. Jesus, a fan-favourite comic character, has a deeper, more meaningful arc on the page alongside some incredibly cool fight sequences that the show elected to omit in favour of giving more screen time to heterosexual characters, all before killing off yet another of the dwindling queer population.

This isn't to say that being LGBTQ+ in The Walking Dead universe should make you indestructible. If these characters were developed and their deaths motivated by more than shock value or the need to introduce a more terrifying villain then they might not have seemed so expendable.

But by having them killed in these ways, the show is telling us that they only exist in service of other characters and not because they are fully fleshed out in their own right.

While the show has sometimes mishandled straight character deaths too, they aren't often as noticeable because those characters – take Carl or Abraham, for example – are given much more screen time.

In the case of Eric and Denise, we'd barely gotten to know and understand their characters before they were dispatched. When Abraham was killed, a significant chunk of screen time was devoted to developing his character, making the impact of his death more meaningful – even if he was still being used to establish Negan as a terrifying new villain.

One of the main issues the final season of Game of Thrones faced was the writers keeping main characters alive despite insurmountable odds to serve a purpose to the plot. No character in The Walking Dead should be protected by plot armour – this is the apocalypse after all – but they should at least be more developed, allowing their death to have more impact beyond cheap shock value.

Back at the tail end of season nine, The Walking Dead introduced a new lesbian couple in Yumiko and Magna. Both characters had already appeared on the show, but late in the season they shared a kiss and confirmed their relationship.

The big issue with both Eric and Aaron and Denise and Tara's relationships was the subtlety of their affection. Unlike Rick and Michonne, they rarely expressed any intimacy or displayed affection lessening the importance of their relationship and the emotional power of their deaths. With Yumiko and Magna, it seems the show is trying to rectify their past mistakes.

"Obviously in the comics, it's obvious that they're a couple. But we wanted to make sure that it was also obvious in the show," Eleanor Matsuura, who plays Yumiko, told Digital Spy back in February. Matsuura fought for Yumiko's relationship with Magna to be more overt, hopefully helping to improve queer visibility on the show moving forward.

With season ten now underway, the show has a lot more work to do to win LGBTQ+ audiences. Maybe Yumiko and Magna can be a new frontier in representation for the show? Perhaps the show has learned the tough lessons from their previous mistakes and the future of The Walking Dead is more diverse and future queer characters will be handled with more nuance and care, even in death?

Let's just hope that Yumiko and Magna aren't the show's next victims.

#the walking dead #bury your gays #the lOO was mention again as in what not to do

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news-mashable-yahoopartner-blog · 6 years ago

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How SparkNotes' social media accounts mastered the art of meme-ing literature

Most millennials know SparkNotes as the ultimate no-nonsense study buddy, but today’s students not only receive help with schoolwork from the website, they get high-quality entertainment, too.

SparkNotes remains a crucial tool for text comprehension — full of study guides and supplemental resources on english literature, philosophy, poetry, and more. But over the past two years it’s also become a source of some of the internet’s most quick-witted, thought-provoking, and ambitious memes.

SparkNotes' Twitter and Instagram accounts have carved a unique niche for themselves online by posting literary memes that find perfect parallels between classic works like Macbeth, The Great Gatsby, Lord of the Flies, and Frankenstein, and present-day pop culture favorites like The Office, Parks and Rec, and more.

It may come as a surprise to those who once frequented the site for the sole purpose of better understanding Shakespeare plays before a final exam or catching up on assigned chapters of The Catcher in the Rye before the bell rang, but SparkNotes is cool now, and absolutely killing the social media game.

SEE ALSO: The magic of Book Fairies

As someone who spends the majority of her workday on the internet and splits her leisure time almost exclusively between reading books and re-watching episodes of The Office, I fell in love with the account's near-perfect meme execution after mere minutes of scrolling through posts.

In a world with so many bad brand tweets and tone-deaf memes, I felt compelled to seek out the well-read meme masters behind SparkNotes' social media to learn how it is they manage to make each and every post so good.

How SparkNotes' social media became LIT ✨📚

Chelsea Aaron, a 31-year-old senior editor for SparkNotes, is a huge part of the success. She started managing the site's Instagram in September 2017, and her meme approach has helped the account grow from 5,000 to 134,000 followers.

"When I first started managing the account, I tried a bunch of different things," Aaron explained in an email. "I ran illustrations and original content from our blog, and I also borrowed memes from our Twitter ... The memes seemed to get the most likes, so I started making and posting those on a regular basis, and now I try to do four to five per week."

Image: screengrab / Instagram

Aaron discovered the account's recipe for success by not only making memes about some of SparkNotes' most popular, highly searched guides — which include Shakespeare's plays, The Great Gatsby, and Pride and Prejudice — but by mashing them together with a few modern television shows that she's personally passionate about, such as The Office, Parks and Rec, Arrested Development, and John Mulaney's comedy specials. She's also known for hilariously retelling entire works (SparkNotes style, so, abridged versions) using the account's Highlight feature.

Image: screengrab / instagram

The brilliantly sharp, comical posts seem effortless, but Aaron explained the process takes some serious concentration. Essentially, she stares at a large collection of collected screenshots "in a state of panic" until an idea strikes. "It's wildly inefficient and incredibly stressful, but I haven't figured out another way to do it," she admitted.

Luckily, Aaron always has the SparkNotes Twitter account to turn to for inspiration, which is managed by Courtney Gorter, a 26-year-old consulting writer for SparkNotes who Aaron calls "a comedic genius."

Gorter has been managing the Twitter account for about a year and a half now, and joined the SparkNotes team because she utilized its resources growing up and wanted to help "make classic literature feel accessible" to others.

"I wanted this stuff to seem slightly more fun (or, at the very least, less intimidating) to the average stressed-out student who's just trying to read fifty pages by tomorrow and also has a quiz on Friday," she said. The memes definitely help her achieve that goal.

Scrolling through the SparkNotes Instagram account, you notice it generally uses a recurring but reliably satisfying meme format. Most of the posts consist of a white block filled with introductory text and a screenshot from a television show, like so.

View this post on Instagram

A post shared by SparkNotes Official (@sparknotes_) on Apr 16, 2019 at 10:25am PDT

Gorter, on the other hand, ensures the Twitter account showcases a far more widespread representation of the internet. She posts everything from out-of-context screenshots, GIFs, and videos, to altered headlines from The Onion and trending meme formats of the moment, like "in this house" memes, "nobody vs me" memes, and more. The account is full of variety and gloriously unpredictable.

Hades: Orpheus I’ll let you bring your wife back from the Underworld, but if you turn and look behind you she’ll be lost to you forever. Orpheus: pic.twitter.com/FWD9P2nO0m

— SparkNotes (@SparkNotes) April 16, 2019

Normal heart rate: /\⠀ ⠀ ⠀ ⠀ /\ _ / \ __/\__ / \ _ \/⠀ ⠀ ⠀ ⠀ \/ The old man you just killed, whose heart lies hidden beneath the floorboards yet continues to beat: ⠀/\⠀ /\⠀ /\ _/ \ /\_/ \ /\_/ \ /\_ ⠀ \/⠀⠀ \/⠀⠀ \/

— SparkNotes (@SparkNotes) April 12, 2019

Gorter, who describes herself as "constantly on the internet" feels a lot of her ideas are the result of "cultural osmosis ... our collective tendency to consume references and jokes without realizing it just by being on the internet a lot."

"Sometimes I’ll be reading a book, and I’ll remember a joke I saw earlier that fits. Sometimes a new meme format will crop up over the weekend, and I’ll think, 'That could work for Macbeth,'" she said.

Though the two accounts are clearly distinct from one another, they both give off the same hip English teacher energy and running them has become a truly collaborative effort. "I constantly send her [Gorter] emails asking stuff like, 'Can I still say 'big mood' or is that over?' and 'What's the deal with this whole 'wired vs tired' thing?'" Aaron said.

Together, the two women spend their days discussing iconic works of literature, making pop culture references, and keeping up with the latest memes. (A dream job.) Their separate styles fuse together to make each other's posts the best they can be.

The meme approach works wonders

One might not initially think that Boo Radley and John Mulaney have much in common, or that Michael Scott could effortlessly embody Romeo, Julius Caesar, and Holden Caulfield if you simply alter your perspective. I certainly did not.

But Aaron and Gorter's work will convince you. Once you start merging the worlds of classic literature and modern television series, you won't want to stop.

The SparkNotes instagram is my favorite thing pic.twitter.com/FCc6sXjJly

— Jessie Martin (@jessie_martin97) March 29, 2019

Fun fact, the official Sparknotes Instagram account is probably the best one: pic.twitter.com/sIR6tsw7ZP

— Tommy (@tommy_jacobs92) February 28, 2019

When describing why the posts work so well, Aaron explained that Hamlet, Mr. Darcy, and Gatsby — three of her favorite characters to meme — have super relatable personalities, which makes the process so simple.

"They're dramatic, and awkward, and obsessive, which makes them identical to about 97% of the people on The Office," she said. "I've learned that you can use Michael Scott as a stand-in for pretty much any classic lit character, and it isn't even hard. (That's what she said)."

What wow the @SparkNotes Twitter is extremely good???? It all appears to be this good!!! https://t.co/PyEqTdQ3Ly

— Rachel Kelly 🥛 (@wholemilk) May 2, 2019

Why is @SparkNotes's Twitter so good it has no right to be this good https://t.co/eFBQpLMpe3

— Kelsey [Version 2019.05] (@flusteredkels) May 2, 2019

Gorter thinks the accounts are so appealing because they create a deep sense of community — an online space that isn't so isolating, rather a place where where bibliophiles, television enthusiasts, and meme lovers can all come together and geek the hell out. There's really something for everyone.

"When Steve Rogers said, 'I understood that reference,' I felt that deeply. I think people enjoy being in on a joke, especially when the source material (classic literature, for instance) isn’t particularly hilarious," Gorter said. "There’s a delicious juxtaposition there. I know that I personally get a secret little thrill when I understand something as contextually layered as a really niche meme, and a slight sense of frustration when I don’t."

Engaging followers and changing with the times

SparkNotes as a whole has come a long way since it was launched as TheSpark.com by a group of Harvard students in 1999.

What started out as a budding web-based dating service quickly transformed into a trusted library of online study materials, and over the years, as the publishing industry, technology, and the internet evolved, so did SparkNotes.

Like the social media accounts, SparkNotes' SparkLife blog — full of quizzes, artwork, rankings, advice, and trendy posts like "How To Break Up With Someone, According To Shakespeare" and "Snapchats From Every Literary Movement" — perfectly encapsulates the site's commitment to catering to its audience.

Whoever runs the Sparknotes twitter and Instagram pages deserves a raise

— louise🌻 (@_Fallxn_) February 21, 2019

SparkNotes does a remarkable job of shifting with the times to stay relevant and interesting in the eyes of its readers — and the quest to balance fun and education really seems to be paying off. Recently, the Instagram account tested out a post that called upon students and teachers to request custom-made memes by reaching out via email with the title of a book or subject they want meme'd, along with a message for the intended recipient.

"The response was amazing!" Aaron said. "We got almost 250 emails, and it's so great to see the genuine affection and admiration that teachers have for their students, and vice versa."

Thanks to the social media accounts, SparkNotes is not only helping students learn, but helping entire classrooms bond with their teachers. (And hopefully teaching educators who follow a thing or two about good memes.)

Print isn't dead, it's just getting some help from the internet

Aaron and Gorter are having a blast running the accounts, but ultimately, they hope their lighthearted posts will inspire people to pick up a book and read.

"I hope what our followers take away from this is that classic literature doesn’t have to be totally dry," Gorter said. "If our memes encourage our followers to engage with classic literature and be excited about reading, that's so rewarding," Aaron added.

The present-day approach to selling classic literature is undeniably unconventional, and the crossovers are absurdly ambitious, but they work so damn well. What's great about the memes is they're created in a way that doesn't diminish the literature plots, because in reality, one would have to have such a comprehensive understanding of the text to make such good jokes.

The memes are actually pretty high-brow when you think about it, sure to delight intellectuals with great taste in pop culture. I have no idea how the legendary writers would feel about their greatest works getting the meme treatment, but people online are definitely loving it.

It's refreshing to see a brand account succeed at such a genuinely funny level, but perhaps even nicer to see it thriving off of wholesome content that doesn't drag other accounts or get its laughs at the expense of tearing others down, as we've seen accounts do in the past.

SparkNotes social media accounts are genuinely just nice corners of the internet dedicated to making people laugh and hopefully igniting a love of literature.

WATCH: Steve Carell to reunite with 'The Office' creator for Netflix's 'Space Force'

#_uuid:9b22ebd8-ea58-31ce-9978-8521a7e4e858 #_category:yct:001000002 #_author:Nicole Gallucci #_lmsid:a0Vd000000DTrEpEAL #_revsp:news.mashable

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cmhoughton · 6 years ago

Link

This interview by Karen (the Site Admin for Diana’s pages on the LitForum and previous CompuServe forum) is split up into two pages. It’s been ten years since she started her blog, so this interview celebrates that. However, since the pages took FOREVER to load I will spare everyone the frustration and post them both here.

However, since this is long, I will put it behind a cut:

In celebration of the 10th anniversary of Outlandish Observations, I'm very pleased to bring you my first-ever interview with Diana Gabaldon! Frankly, the idea of interviewing Diana Gabaldon was a little nervewracking for me at first, even though I've known her online since 2007 and we interact almost daily on TheLitForum.com (formerly the Compuserve Books and Writers Community). I've never interviewed anyone before, and it took me a while to decide what questions to ask. I did my best to come up with questions that are somewhat different from the usual things people always ask her. I'm just DELIGHTED with her answers, and I hope you'll enjoy them as much as I did! (The photo above is from my first meeting with Diana, at a book-signing in Maryland in 2009.) You've published a number of novellas and shorter pieces in the last few years. What do you see as the advantages of the shorter format, for you as a writer? They're shorter. <g> I.e., I can finish one in much less time than the four to five years it takes for one of the Big Books. Basically, it's a bit of a mental vacation to deal with something that's very interesting, but on a smaller scale--and offers a quicker gratification in completing it. The novellas offer me the opportunity to go explore the byways of minor characters and interesting storylines that lie outside either the temporal or the logistical reach of the Big Books. Do you still write in "pieces" when you're working on a novella or short story, or is it more of a straight-line process? I always write in disconnected pieces, no matter what I’m writing; that’s just how my mind works. (I had one interviewer recently pause for a long moment after I’d answered one of her questions--obviously thumbing down her list--and then say, “I had a lot more questions, but you seem to have answered most of them already, while you were answering the one I asked you.” I apologized <g>, and explained that I inherited my digressive story-telling from my father--he’d begin (usually at the dinner table) with a recollection of someone from his past, and would start telling you a story about them--but every second paragraph or so, something he’d said would start a digression that added social context or personal opinion or associated history or data on location, and then without missing a beat, the story would swerve back onto its main track--until the next digression a minute later.) As I always tell people, “There’s a reason why I write long books; it’s because I like digression.” You've made very effective use of Twitter and Facebook in recent years, and many fans are addicted to your #DailyLines. How has the rise of social media affected the way you interact with your readers and fans? With your busy schedule, where do you find the time? Well, social media has sort of grown up around me. Back in 1985, I first went “online” (a concept that really didn’t exist in the popular consciousness yet) when I got an assignment to write a software review for BYTE magazine, and they sent with the software a disk for a trial membership with CompuServe (aside from government services like DARPA, “online” in the mid-80’s basically consisted of three “information services”: Delphi, Genie and CompuServe), so I could poke into the support forum the software vendors had set up there, and mention it in my review. After writing the review, I had a few hours of free connect time left (in a time when you were charged $30 an hour for using CompuServe—at 300 baud, dial-up), and so I started poking around to see what else was available. I stumbled into the CompuServe Literary Forum. This was not (as people sometimes assume) a writer’s group. It was a group of people who liked books. There were a few writers there, of course, both established and aspiring, but the main focus was simply on books: reading, impact, thinking in response to reading--and it was also just a fertile ground in which enormous, digressive and fascinating conversations could flourish (there was one truly remarkable conversation that became known as “the Great Dildo Thread,” that went on for months…). Anyway, that was where social media (which didn’t exist as a concept yet, though plainly it existed in fact) and I met. The next step was my website, established in 1994 (I think I was the first author to build a website for readers--and my eternal thanks to Rosana Madrid Gatti, who generously did the hard work of making and running the site; I sent her material and she’d post it for me (this was a looong time before WordPress and other blogging software made it possible for anybody to communicate directly with the world online). I did the website mostly in response to reader’s enthusiasm; I got a LOT of mail (regular letters) about the books, from people being complimentary, asking questions, taking issue with various aspects--but all of them wanted to know more: why did Claire do this, where did I find out about botanical medicine, did people really do that…and most particularly--when was the next book coming out. So the website was a means of answering reader questions--both for the readers who had asked those questions, and for the entertainment of other readers who perhaps hadn’t thought of those questions, but would be interested in the answers. The benefit of only having to type an answer once (many people naturally ask the same questions) was obvious--as was the benefit of being able to inform people of pub dates, book-signings, etc. So, knowing the benefits of such a channel, when other channels became available--AOL, for instance--I’d use them, at least briefly, and see whether they seemed helpful. Some were, some weren’t--I never bothered with MySpace, and in fact, it took some time for me to try Facebook (which I still use sparingly; I never go anywhere on Facebook other than my own page, and it’s what they call a “celebrity” page, which means that I don’t take “friend” requests. Nor, I’m afraid, can I read the private messages that people kindly leave me there--at the moment, the page has more than 700,000 members (or whatever you call regular visitors), and if only one percent of them send me messages…that’s 7,000 messages. There’s no way I can even read that many messages, let alone respond to them. Twitter also proved to be very useful; it provides instant access to a lot of people--and more valuable than that, it provides organic replication. If you post something interesting, many, many more people will see it, beyond the people who actually follow you. And it’s very good for making short-term announcements or asking urgent questions, because somewhere in the world, the person who can answer that question is awake and reading Twitter. <g> What's the most challenging, or frustrating, or difficult part of your role as consultant on the TV series? (I understand there are things you can't talk about, but can you comment on this in general?) Well, frustrations are of two types: 1) when a scriptwriter has done something that I think is not consistent with a character’s…er, character, and I can’t get them (“them” meaning not just the scriptwriter, but the production team in general) to change it, and 2) when they’ve shot something absolutely beautiful, in terms of acting, honesty, emotion, etc.--and then cut it out of the finished episode. What's the most fun part? The fun lies in seeing something remarkable evolve from a huge number of component parts, day by day by day. It’s like watching a forest grow in stop-motion time that speeds everything up. Would you be interested in writing another script for the TV show, after BEES is done? Yes, I would. It was a deeply interesting (if occasionally frustrating) experience. Script-writing is a very collaborative process, in which the script writer ultimately does not have complete control over the final product, which may have been rewritten several times by different people. That’s a very different experience from being a solitary god, as novelists are. <g> But it’s a fascinating experience, both in the consultation and writing (and revision and revision and revision…) and in the eventual final result: the filming. Filming is long, tedious, hard work--but very entertaining. As the OUTLANDER TV series approaches its fourth season, we're starting to see many more readers who've found your books as a result of the TV show. Aside from the effect on book sales (which must be considerable <g>), I'm interested to hear what you think about that. Do you find that people who found the TV show first tend to have different expectations, or different reactions to the books? People who’ve read the books first definitely have different reactions to the show <g>, but I don’t think the reverse is really true. I haven’t heard a lot of show-first people express any sense of shock or disapproval as to things happening in the books--they expect to see an expanded version of the story, with a lot more detail and more storylines, and that’s what they get. Many OUTLANDER fans, including myself, have re-read (or re-listened to) your books many, many times. Do you have a favorite author or authors whose books you re-read often, and if so, what is it about those books that makes them stand up well to re-reading? Yes, dozens. Right now, I’m re-reading all of Dorothy L. Sayers’s Lord Peter Wimsey novels, for probably the twentieth time. (I continue to enjoy them, but to be honest, I’m re-reading them now because I can put them down easily in order to work.) James Lee Burke would be another one, though I haven’t re-read his Dave Robicheaux novels as often as Sayers. And then there are Patrick O’Brian’s Aubrey/Maturin novels--I’ve read the series maybe three times, but listened to it on audio probably twenty times, at least--the reader, Patrick Tull, is fantastic, and the story always holds my interest while dog-walking or gardening. Like these, all the books I feel are worth re-reading depend on unique and engaging individuals. I like to spend time with these people (and on a lower level, I enjoy seeing just _how_ the author did what they did; knowing as much now as I do about the craft of writing, it’s hard to avoid seeing the techniques in use--a book that can suck me in sufficiently that I _don’t_ notice the engineering is definitely one I can re-read).

Part 2:

I'm not a writer of fiction, but I love it when Diana explains various writing techniques. So I thought it would be interesting to explore this particular one. I was astounded, and very grateful, that Diana replied in such detail! Be sure to click on the links about halfway through this post to read the examples from the text. *** SPOILER WARNING!! *** If you haven't read WRITTEN IN MY OWN HEART'S BLOOD (Book 8 of the OUTLANDER series), you may encounter spoilers below. I was listening recently to the section of MOHB that deals with the Battle of Monmouth. It must be quite a challenge to write a complex series of scenes like that, with so many moving parts and different characters involved. Are there specific techniques that you use in writing battle scenes in particular, to give a sense of immediacy or heighten the dramatic tension? Managing a complex situation in fiction comes down essentially to Point of View. You have to know whose head you’re in, and stay firmly there. Until you change to a different point-of-view character, that is… Who the point-of-view character is determines what kind of detail will be available to you, and guides the shape and flow of those periods of the text that belong to that specific character. For example (as you mention the Battle of Monmouth section of WRITTEN IN MY OWN HEART’S BLOOD), the first thing I considered was whose viewpoint(s) to use in depicting it. I’d read several accounts of the battle, including a very detailed step-by-step description provided by one of Osprey’s Men-at-War books, so I knew the general character of the battle: it was a huge military encounter, involving more than 10,000 troops on either side, multiple commanders, and a ragged, rolling terrain that didn’t accommodate the standard eighteenth-century military formations and positioning At All. (No one chose the ground on which to fight; that particular stretch of farmland was just where Washington’s troops caught up with General Clinton’s troops, who were retreating from Philadelphia with a large number of fleeing Loyalists (and their property) under the army’s protection.) It was also a very long battle, fought from slightly before daybreak until well after dark, on one of the hottest days known (temperatures were estimated--ex post facto--at over a hundred degrees during the hottest part of the day). And it was an indecisive battle: neither side “won”--the British withdrew with their dependents and baggage trains and retired toward New York (which is what they’d been doing when the Americans attacked), and the Americans staggered back to their camps to recover, tend the wounded, and bury their dead. The significance of the battle, though, was subtle but Very Important--the Americans didn’t lose. This discomfited the British extremely, and heartened the Americans to an equal degree, enabling Washington to pursue his campaign. OK, so we have a very complex mess to describe. Obviously, no one person could possibly see enough of the battle to have any idea how it was going, let alone what strategy was in use. So I knew from the start that I’d need more than one viewpoint character, and could then switch among them as needed to give their separate takes on what was happening to them, and the reader would get both the necessary information as to what was happening overall, and the sense of chaos and struggle that marked the day. Obviously, Jamie Fraser had to be one of those characters; he’s a central figure of the story, and he’s a trained and very experienced soldier. So I contrived a way for him to be in command of a sizable (though informal) company of militia during the battle. Militia companies were normally fairly small bands of thirty to fifty men, who signed up for short enlistments and returned to their farms or businesses when the enlistment period ran out, and a great many militia companies joined the American army just before this battle--not all of them were documented, and thus it was entirely plausible for the temporarily-appointed General Fraser to be in command of several. So, Jamie would naturally see combat, both personally and as a commander. He’d be in communication with other commanders, and would know the proposed strategy, as well as specific moving goals as the battle was going on. And he’d be interacting with the soldiers under his command and responding to emergencies. [NB: Notice, through these examples, the sort of details that each character is conscious of and how they respond to them.] Example #1 (Jamie in the cider orchard) Then, of course, I wanted Claire. Both because she’d never leave Jamie on a battlefield alone again, and because as a surgeon, she’d have a completely different view of the battle. She’d be handling the wounded who came off the field, in a series of medical procedures/emergencies, but would also have a general sense of the battle as a whole, gained from the things the wounded men told her while she was treating them. Example #2 (Claire tending the wounded at Tennent Church) But we can’t overlook the other side of the conflict. What’s going on, on the British side? Well, we have a choice of POV characters on that side: William, Lord John, and Hal. I used both William and Lord John (Lord John’s thread has been running through the whole book and the punch in the eye Jamie gave him at the beginning is affecting what happens to him throughout the battle and its aftermath). But while Jamie and Claire are carrying out fairly orthodox roles in the battle--a general in command/soldier on the field and a combat medic at a static aid station on the edge of the conflict--William and Lord John aren’t. William’s been relieved of duty and Lord John is essentially trying to stay alive long enough to reach the British lines. Both of them, in storytelling terms, can drop in or pass through just about any situation I need or want. They aren’t compelled to follow orders or fight through a set conflict; we get a revolving set of pictures of the British side of the conflict and its various personalities from them. And finally, there’s Ian Murray, Jamie’s nephew. He’s a scout for the American side, so is not fighting on the ground, but--like William and Lord John--can occur just about anywhere during the battle. And like William and Lord John, he’s fighting a personal battle (whereas Jamie and Claire are fighting the more usual kind of battle involving troops and military movements). So Jamie and Claire are providing a more or less structured view of things, while William, John and Ian are giving us the smaller, vivid glimpses that add both to the overall picture of the situation and to the encompassing sense of chaos. Or at least we hope that’s what happened… And to close this exegesis <g>--note that each character involved in this battle has his or her own arc within the battle: how they enter the battle, what happens to them, what decisions they make and what actions they take--and finally, how (and how altered) they emerge at the end of the fight. -------------------------------------------- Many thanks to Diana Gabaldon for taking the time for this very interesting interview! I really appreciate it.

It’s always interesting to read Diana’s comments on her own process, and I like what a fan of books she is.

#diana gabaldon #outlander #book quotes

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tsukifairy · 6 years ago

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lowkeymedia-blog · 6 years ago

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GTA 5 Money Adder

GTA five Cash Cheat

Grand Theft Auto On the internet is a persistent, open world on the web multiplayer video game created by Rockstar North and published by Rockstar Games. When you start off in GTA Online the initial auto you steal will turn into your permanent ride, at least until you have got a bit more cash to throw at acquiring and storing vehicles, so it pays to select wisely. You never have to be concerned about discovering the tricks or spotting the appropriate heist to make funds now.

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Once you have entered your username choose Submit, if you username is accepted you will be redirected to our package choice web page exactly where you will have a decision of Four GTA 5 funds packages. Additionally, this glitch only operates on the unpatched version of Grand Theft Auto 5.

American Dream (Bronze): GTA On the internet: Own an Apartment, Garage and an Insured Automobile. Besides a store robbery going more smoothly, communication is crucial in GTA Online. GTA 1. Yellow funds is the amount the player has ahead of they can leave the level, red is when they have the required quantity.

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In between other pursuits and misdeeds, gamers of GTA On-line will compete in races of all types, ” from classical city opposition to circuits for SUVs, by racing boats in the ocean or air gatherings Be a component of the craze. If you wish to use the exploit, delete the update patch from your console and disable automatic updating (this will also disable your GTA On the web access).

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It really is straightforward to capitalise on Lester's stock market place shenanigans, but you are always at danger of losing the funds you invest in this considerably significantly less predictable sandbox market. You can really feel free utilizing our tool for producing unlimited quantity of money for GTA, and use this GTA cash to make GTA gaming more interesting and fascinating.

The difference amongst the two markets is that the LCN is straight related to the issues you do in the game, producing it a confident-fire way to make funds. It worked completely for me, I generated a lot of funds to my account in such a short time. Even when GTA On-line players uncover a Job that is relatively effortless to run and offers higher GTA$ payouts, Rockstar seems to constantly find out the strategy and neuter it.

Brucie Kibbutz from Grand Theft Auto 4 returns to Grand Theft Auto 5 on Bleeper (GTA's equivalent to Twitter). Naruszenie regulaminu i nie zapoznanie sie z opisem Income Lobby skutkuje wyrzuceniem z sesji, dolacz do nastepnej ile nie zostaniesz usuniety ze znajomych.

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pixelgrotto · 6 years ago

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D&D With My Bro: The Case of the Almost Assassination

For the last four months, my brother and I have been playing a Dungeons & Dragons campaign that I whipped up called The Case of the Almost Assassination, and we came to a triumphant finale the other night. My bro’s called it a “steampunk mystery set in a fantasy world,” which is a good description, but on a more detailed level, the campaign was also heavily influenced by the Ace Attorney and Professor Layton games and exists in the universe of The Thirteenth Hour, a series of fantasy stories self-published by my brother that are inspired by 80s movies and cartoons. So the whole thing is one huge ball of fun nerdiness, and figuring that it might be cool to chronicle the campaign as we played, I captured each of our sessions on video. You can watch the whole thing on YouTube here in convenient playlist format (listening to it in the background like a podcast is also pretty nice, I gotta say), and there’s over 20 hours there, which is longer than some of the video games I’ve blogged about!

This wasn’t the first time that my brother and I had played D&D, since I’d previously introduced the game to him via a small four hour mini-campaign last time I visited his house. (He’s written some great thoughts on that adventure, as well as the experience of missing out on D&D in his childhood but getting the chance to discover it as an adult here.) But this was certainly the first time we’d played something long that continued from week to week, and it was also the first time we’d used virtual tabletop software - in this case the very useful Roll 20 - to play online. Minus a few minor internet hiccups, it ran smoothly, and I think both of us had a great time. The experience also made me ruminate on three interesting facts about D&D that I think not enough people write about, and I’m going to jot off a few thoughts on them here. Without further ado...

1) It is perfectly possible, and sometimes even more fun, to play D&D with just one other person.

Normally, Dungeons & Dragons conjures up images of a bunch of people - usually three or four at minimum - sitting at a table listening to instructions given to them by the Dungeon/Game Master, or DM. But the hardest part of D&D isn’t juggling rules or even fighting Challenge Rating 30 monsters - it’s getting a group of three or four people to meet up together on a consistent basis! This is why you can tell that anyone who still thinks of D&D as an activity for anti-social basement dwellers hasn’t actually played it, because in truth, the game is a demanding social commitment, especially for adults.

Thankfully, while it might be a less common way to play, you can totally enjoy D&D with just two people. Usually this means that someone more familiar with the rules has to be the DM while the other person acts as the player, which is what my brother and I did. Sometimes, the DM will also have to create a player character for themselves, and I did that in order to assist my bro with various battles and tricky scenes. This is more work for the DM, since they’ll have to juggle both their own character as well as the various non-playable characters (NPCs) encountered in the story, but if you’re up for it, it’s a rewarding exercise.

The best thing about playing D&D with just one DM and one player is how efficient it is. Three or four player D&D (to say nothing of five, six, or even more players) can get slowed down by arguments about how to progress or share loot, not to mention downtime in battles when a player who has a bazillion spells at his disposal deliberates on the one he wants to use that will both do the most damage and look the coolest. Don’t get me wrong, I actually love these sorts of interactions, but it’s also nice to strip all that fat away.

When it’s just one player and the DM, the DM also has the chance to make that player feel pivotally important by basing the story around them. Usually, the “unit” of D&D is the adventuring party, but in a one person + one DM game, the player gets to shine as the main character. Thus, it’s a good idea to choose the sort of story that can emphasize the important actions of an individual, and in my opinion the best ones for this are heavy on role-playing and character interaction rather than dungeon crawling and monster slaying. For example, a rogue adventure in an urban environment might fit the bill...or maybe even a mystery. Which leads me to my second point...

2) If you’re a DM making a homebrew campaign, try utilizing a setting that your players are already familiar with.

When my brother initially agreed to play a long campaign with me, I first thought that we might attempt one of the many published Forgotten Realms adventures that have been released for 5th Edition D&D. But then I realized that while my brother is mildly familiar with the Forgotten Realms, thanks to old comics and fantasy art from the 80s and 90s, he’s much more familiar with the setting that he created for his own fantasy novel, The Thirteenth Hour. My bro originally wrote this book when he was a high school kid and finally published it a few years ago, and in the time since, he’s written some short spin-offs and outlined ideas for a sequel. In the mini-campaign we’d played in October, his character was actually a half-elf ranger named the Wayfarer who’ll play a pivotal role in book two, and I initially pitched the whole idea of D&D to him as “Hey, this can help you brainstorm your sequel concepts before you put them down to paper.”

Once I began toying with the idea of making a homebrew campaign set in The Thirteenth Hour world, I started worrying that my brother’s universe was limited when compared to the “fantasy kitchen sink” setting of the Forgotten Realms. I mean, my bro’s book didn’t even have orcs! Or dwarves! What was I gonna do! But then I stopped being reliant on fantasy tropes and actually re-read The Thirteenth Hour, quickly finding that there was plenty I could work with.The universe that my brother created doesn’t have all of the races that Tolkien coined, but it’s still full of magic and wonder - a place where crafty old wizards inspired by The Last Starfighter’s Centauri run amok, strange technological anomalies like hover boards occasionally pop up and an otherworldly gatekeeper known as the Dreamweaver lets the spirits of the deceased visit their loved ones in dreams. And there’s also a large kingdom called Tartec ruled over by a vaguely Trump-esque king named Darian, who thinks he’s found the elixir of immortality when actually all he’s discovered is coffee. (If you think this sounds amusing, you can pick up a digital copy of my bro’s book on Amazon for less than a cup of Starbucks!)

Darian��s a funny character, and in one of the spin-off short stories that my brother wrote, an older and slightly wiser version of him reflects on how an assassin nearly took his head off with a dagger. This one sentence got me thinking who that assassin might be, and before I knew it I’d come up with the basic hook of a campaign. At the time, I was also reading Xanathar’s Guide to Everything, a D&D book that introduces 5th Edition’s Inquisitive subclass, which is basically a fantasy Sherlock Holmes. Suddenly, the ideas began bubbling in my head - the campaign would be a detective story set in Tartec with two leads trying to determine the identity of King Darian’s would-be assassins. Once I had this hook, I decided to draw further inspiration from the two video game series I think of when I hear the word “detective” - the Professor Layton games (which I like the style of but am rubbish at, since puzzles confound me) and the Ace Attorney series, which I’ve written about before. My brother would be the main character Lester LeFoe (patterned slightly after Phoenix Wright, the star of Ace Attorney), and I’d be the spunky female assistant Claudia Copperhoof (a little similar to Phoenix’s assistant Maya Fey).

I hoped that situating these characters in my brother’s world would breed a quicker sense of familiarity than he’d get from playing a generic warrior in the Forgotten Realms, and I think it’s safe to say that the experiment succeeded. Thus, even though 5th Edition D&D products all use the Realms as their default setting, it’s worth remembering that you don’t have to follow this lead, and can always tailor your campaign to a world that your players are already familiar with. In my brother’s case, he’s a writer who made his own world, but for someone else this can easily be Middle-Earth or the Hyborian Age of Robert E. Howard’s Conan books. The D&D Player’s Handbook and Dungeon Master’s Guide actively encourage modifying published adventures to appeal to your players’ favorite settings, in fact, and not only will this potentially help to decrease the amount of lore you need to explain as a Dungeon Master, but it’ll also help keep the attention of everybody listening to you. Because who wouldn’t want to insert themselves into their favorite bit of genre fiction as a legendary figure? In many ways, the whole point of D&D is to give people a framework to do that!

3) If you’re DMing for someone who doesn’t have much time to play, remember that a linear campaign is not necessarily a bad thing, and simplify the more complicated rules - making stuff up whenever necessary!

On page six of the 5th Edition Dungeon Master’s Guide, there’s a whole section entitled “Know Your Players,” which is all about altering your game to appeal to the personalities at your table. If you’re DMing for people who like acting and appreciate in-depth stories, give them plenty of role-playing opportunities and narrative twists, for instance, and if you’re dealing with folks who’d rather just make their characters look cool, try having them fight lots of monsters who reward snazzy armor and weapons.

There should really be a sub-section there entitled “How to run a game for players who are low on time.” Because that’s my brother in a nutshell. He’s a late 30s dude who works a demanding job and has two small children to take care of, one of whom is barely half a year old. (You can hear my nephew gurgling in the background in a few of our videos, and sometimes we’d even have to stop playing when the baby woke up from a snooze, which is a situation that I’m sure all new parents can relate to.) I know for a fact that my brother is also the type of guy whose eyes will glaze over when presented with a lot of complicated rules - as is probably the case for anyone who only has at most an hour or two, often in the late evening, to sit down to play a game when the rest of the family is in bed.

In my opinion, the way to tailor your game to such a player is to make a brisk, well-paced story that they can actually see to a satisfying conclusion. This means that the campaign might be fairly linear - a word which seems to have bizarre negative connotations to some D&D players out there, who are always ranting about “railroading,” which is when a DM puts players down a predetermined path without any wiggle room. I think it’s important to note that “linear” does NOT necessarily equate to “railroading,” however, and that a sprawling campaign with a trillion different outcomes and choices to make at every interval isn’t necessarily the best approach for someone who can only play a little bit each week and might get bored if they feel like they aren’t making tangible progress.

Let me put it this way - the campaign that I made for my brother was tightly designed. Instead of giving Lester and Claudia a vast landscape to explore, everything was confined to the city of Tartec, and I made an effort to nudge the characters towards certain objectives that they had to complete in order to solve the mystery, such infiltrating a manor house in the upper class section of town. But I also made sure to flesh out these few areas (quality over quantity) and allowed a certain degree of freedom in how the objectives could be cleared. For instance, I initially thought that Lester and Claudia might sneak into the manor house through the sewers. But as I was brainstorming strategies with my bro, the topic of disguises came up, because Claudia owned a disguise kit. And eventually we decided to infiltrate the party with Lester masquerading as a nutty old lady and Claudia as his keeper, which was a fun improvisation that I never would’ve anticipated - but still a viable way to complete the main objective that didn’t negatively impact the story’s pacing.

On the topic of keeping the pace of the story brisk for a player low on time, I feel like it’s also important to minimize the number crunching and reduce D&D’s more complicated rules whenever possible. In practice, this meant that I took care of as much behind-the-scenes stats management as possible so my bro wouldn’t have to, though I did always try to explain to him what was going on (and what all of those funky dice rolls meant) so he’d have some understanding of the game’s mechanics. Also, whenever we were in a situation where I wasn’t sure of a rule, instead of wasting time looking at the Player’s Handbook, nine times out of ten I’d just make something up on the fly. For example, our adventure had a friendly NPC orangutan in it (specifically chosen because I know my brother likes backflipping primates) and she was supposed to be a super strong, unpredictable force of nature in the final battle. I’d lost the stats that I’d used for her when she first appeared, and instead of looking for them, I decided to just roll a d20 for her damage, figuring that the end result would be close enough. In that same vein, there were a few instances where I made mistakes, since I’m still a relatively new DM. Once I totally miscalculated a character’s special attack, leading to a funny NPC death (which I’d expected but not exactly in that way) and on multiple occasions I flat out forgot to apply modifiers to attack rolls. But instead of going back to redo everything I’d either just laugh it off or forge ahead, hoping that my bro didn’t notice, which he never did.

Ultimately, my philosophy for DMing is to not sweat the small stuff TOO much if it probably doesn’t matter in the long run, especially if you’re running a game for just one person whose free hours are precious. I believe this sort of approach might be sacrilegious to some of the more rules-oriented DMs out there, like the ones who spend hundreds of words arguing over damage variables on the D&D Subreddit. But I’m not one of those folks, and I’d prefer to follow the advice of Sly Flourish, a DM who has a great website where he advocates a “lazy” style of Dungeon Mastering which de-emphasizes nitpicking over rules in favor of just having fun.

At the end of the day, having fun is what D&D is all about. It’s a game of make believe that can really bring out your inner storytelling-loving child, and in an era where very few adults are encouraged to even consider the concept of “make believe,” it can be a truly wonderful breath of fresh air. And if you don’t believe me...I encourage you to watch The Case of the Almost Assassination and try not to crack up at some of the situations that Lester LeFoe and Claudia Copperhoof found themselves in. :)

The pics above are either art that I assembled for our adventure or screenshots that I took while we were playing! The little figurines I designed via HeroForge.

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