#i can never get the tone of these right

[soapdish290]

I initially read 'In The Woods' by Tana French in 2013, after seeing a recommendation basically saying that, after reading a Tana French novel, the reader "has to go and hug my dog for a long while", to paraphrase.

Re-reading it over a decade later I wasn't expecting to finish the book feeling just as desolate and affected as I did the first.

I know we here all love the phrase "doomed by the narrative" and let me tell you, there are so many characters here doomed in so many narratives. Sometimes the reader knows the details from minute one. Sometimes you can feel the doom, formless and cloying, and have to read on, aching and helpless, to watch it land.

French is an absolutely stunning writer. She fully leverages the first person perspective to create all the isolated inevitability the format can give. A sad, lonely, nostalgic autopsy of interwoven tragedy. Actually that's my blurb quote, fuck it.

I choose the word "nostalgia" very deliberately. It's a strangely butter feeling, to me. A sort of empty longing. French evokes it frequently and beautifully.

French writes slow and lets the characters and atmosphere breath and grow and move, in fits and starts, to the preordained (but, to the reader, still hidden!) conclusion.

I'm chucking a line break here because below this I'm going to spurt a bunch of spoiler shit I want to talk about and there's a (very faint) possibility that someone might read this and be pushed into reading a novel.

If you are planning to read, however, know this: The narrator is a bit of a prick. He's 100% written that way on purpose. He is what makes everything work.

Embarrassingly, when I first read the book as a 20 year old eejit, I saw Ryan as a likeable, sympathetic protagonist. I do not like who I was as a 20 year old. Luckily, inall subsequent readings, I recognised him as an extremely well drawn example of the casually misogynistic, genuinely thinks he's a good guy, thinks "political correctness has gone mad" prick everybody knew at least one of.

Honestly these days I think it's a testament to French's writing - he's very well drawn, entirely realistic, and completely vital to most of the twists. If he wasn't a fucking arsehole half of it wouldn't work.

One thing I noticed this time, is that it's heavily implied Ryan did to his flatmate Heather what he did to Cass, in part. When he fordt introduces Heather, he says he took the flat in part because he fancied her, but "we both worked out that Harry and Sally were never going to materialise" (page 103 of my kindle copy).

Later, when Heather works out that Ryan slept with and is now shutting out Cassie, Heather says "she doesn't deserve that, [...] any more than I did." (Page 491).

I'll admit this might be really obvious to everyone but my aro/ace arse, but it hit me like a truck this time around.

Another very tenuous thing I noticed and really fucking like is right at the end, when Ryan drunkenly calls Cassie and she leaves the line open and he hears her and Sam. The narrative is unsure whether this was accidental or deliberate. I choose to interpret Cassie's word choice in a way that leans deliberate. She tells Sam it was a wrong number. "He told me he loved me [...] but he turned out to be looking for Britney." (Page 587).

Now it's very likely I'm reading faaaar too much into this, but the phrasing matches Cassie and Ryan joking around about a hypothetical personal ad for Ryan, "male, six foot [...] seeks his very own Britney for..." (Page 188). I love this interpretation. Gives the scene such a delicate, devastating impact. If its a callback its so soft and intimate in its kindness or its cruelty.

There's literally an entire essay topic based on close reading the archaeological dig mirroring Ryan digging up his past, the respective value of one over the other, the effects on the present etc. On the way Ryan goes back at the end and the wood is almost gone, he connects to the people destroying the past, the arrowhead pendant he refuses, etc etc etc. The symbolism be RICH.

Fantastically written novel. I'm rambling.

[skrunksthatwunk]

actually i'm still thinking about the moral orel finale.

he has a cross on his wall. do you know how much i think about that bc it's a lot.

a lot of stories ((auto)biographical or fictional) centering escape from abusive/fundamentalist christianity result in the lead characters leaving behind christianity entirely. and that makes complete sense! people often grow disillusioned with the associated systems and beliefs, and when it was something used to hurt them or something so inseparable from their abuse that they can't engage with it without hurting, it makes total sense that they would disengage entirely. and sometimes they just figure out that they don't really believe in god/a christian god/etc. a healthy deconstruction process can sometimes look like becoming an atheist or converting to another religion. it's all case by case. (note: i'm sure this happens with other religions as well, i'm just most familiar with christian versions of this phenomenon).

but in orel's case, his faith was one of the few things that actually brought him comfort and joy. he loved god, y'know? genuinely. and he felt loved by god and supported by him when he had no one else. and the abuses he faced were in how the people in his life twisted religion to control others, to run away from themselves, to shield them from others, etc. and often, orel's conflicts with how they acted out christianity come as a direct result of his purer understanding of god/jesus/whatever ("aren't we supposed to be like this/do that?" met with an adult's excuse for their own behavior or the fastest way they could think of to get orel to leave them alone (i.e. orel saying i thought we weren't supposed to lie? and clay saying uhhh it doesn't count if you're lying to yourself)). the little guy played catch with god instead of his dad, like.. his faith was real, and his love was real. and i think it's a good choice to have orel maintain something that was so important to him and such a grounding, comforting force in the midst of. All That Stuff Moralton Was Up To/Put Him Through. being all about jesus was not the problem, in orel's case.

and i know i'm mostly assuming that orel ended up in a healthier, less rigid version of christianity, but i feel like that's something that was hinted at a lot through the series, that that's the direction he'd go. when he meditates during the prayer bee and accepts stephanie's different way to communicate, incorporating elements of buddhism into his faith; when he has his I AM A CHURCH breakdown (removing himself from the institution and realizing he can be like,, the center of his own faith? taking a more individualistic approach? but Truly Going Through It at the same time), his acceptance (...sometimes) of those who are different from him and condemned by the adults of moralton (stephanie (lesbian icon stephanie my beloved), christina (who's like. just a slightly different form of fundie protestant from him), dr chosenberg (the jewish doctor from otherton in holy visage)). his track record on this isn't perfect, but it gets better as orel starts maturing and picking up on what an absolute shitfest moralton is. it's all ways of questioning the things he's been taught, and it makes sense that it would lead to a bigger questioning as he puts those pieces together more. anyway i think part of his growth is weeding out all the lost commandments of his upbringing and focusing on what faith means to him, and what he thinks it should mean. how he wants to see the world and how he wants to treat people and what he thinks is okay and right, and looking to religion for guidance in that, not as like. a way to justify hurting those he's afraid or resentful of, as his role models did.

he's coming to his own conclusions rather than obediently, unquestioningly taking in what others say. but he's still listening to pick out the parts that make sense to him. (edit/note: and it's his compassion and his faith that are the primary motivations for this questioning and revisal process, both of individual cases and, eventually, the final boss that is christianity.) it makes perfect sense as the conclusion to his character arc and it fits the overall approach of the show far better. it's good is what i'm saying.

and i think it's important to show that kind of ending, because that's a pretty common and equally valid result of deconstruction. and i think it cements the show's treatment of christianity as something that's often (and maybe even easily) exploited, but not something inherently bad. something that can be very positive, even. guys he even has a dog he's not afraid of loving anymore. he's not afraid of loving anyone more than jesus and i don't think it's because he loves this dog less than bartholomew (though he was probably far more desperate for healthy affection and companionship when he was younger). i think it's because he figures god would want him to love that dog. he's choosing to believe that god would want him to love and to be happy and to be kind. he's not afraid of loving in the wrong way do you know how cool that is he's taking back control he's taking back something he loves from his abusers im so normal

[samarecharm]

tw disordered eating (not in explicit detail)

Whenever i write Yusuke and his relationship w the thieves, i try to emphasize that Yusuke was in a really really Really bad space not only mentally (like the others) but physically; hes bone-stick thin and you can feel his ribs jutting out if you go for a hug. Hes a bit gaunt in the face and hes got next to no muscle mass. He tires easily and hes kind of a shit fighter bc of it. The metaverse fills in the gaps a little bit, but his body is still very frail and unprepared to transition to an active lifestyle after years of surviving off of such a bare bones calorie diet. For my Akira, it is the driving force behind wanting to takedown Madarame; hes a sucker for a pretty face but hes also unable to look away from someone actively wasting away because of the actions of their guardian.

If any of them try to mention Yusukes physical state or diet, he often deflects, angrily, reminding them that he is abnormally tall, and that that obviously contributes to his thin (frail) stature. Its very hard to get him to eat while theyre in saferooms, and he often lags behind while exploring the museum. He cant stay in combat for too long, and at some point, Akira debates if he should even allow Yusuke to stay on the team; if he passed out or Worse under Akiras watch, hed never forgive himself.

BUT. As the thieves gain his trust, Yusukes a bit more willing to indulge them. He learns quickly that they arent pitying him like he initially assumed (he is far too aware of how much he feels like hes neglected his own body; and how others can easily see that neglect). They routinely eat and hang together bc thats just how they bond, and theyre just trying to invite him into their circle properly. Akira has zero experience w this kind of thing, but Ryuji and Ann are athletes and models respectively; theyre both in fields that encourage that kind of self destructive behavior, and they have some kind of insight into how to avoid falling for those same traps, and helping people who Do end up in those scenarios.

(Anns parents, despite their absence, do their best to prepare her for how cutthroat the modeling world is; to keep her from developing the kind of habits and mindsets that let young men and women destroy themselves. ESPECIALLY bc my Ann is a plus sized model. And Ryuji, as a promising track star, would know how bad it can get for professional athletes, the lengths at which theyd go to maintain their positions and ability to compete. Hes a gym rat who loves food and nutrition and knows what he needs to keep himself fit, and thats all he really needs)

They cant feed Yusuke the way they WANT to bc hes already so thin, so they just let him take from their plates to sample things and let him feel included. He starts taking up Ryujis offers to go get meals together, even is Ryuji ends up taking almost an entire extra serving home as takeout. He lets Ann drag him away to the crepe shop and her other little snack havens, even if he only leaves w a small chocolate of sorts to take home. He lets Akira make coffee and curry for them to split when he comes to Leblanc. And maybe he lets Sojiro cook a full plate for him to take back home to eat at his leisure and away from prying eyes. Yusuke goes from bitter to extraordinarily fond rather quick, and he finds himself angry that this is yet another thing Madarame has stolen from him.

By Futabas palace, hes filled out enough that Akira doesnt immediately panic when Yusuke gets tossed onto the floor by some brute of a shadow, worried that hed shattered every goddamn bone in his body on impact. He doesnt have any real muscle by any means but his face has the faintest bit of cheek fat that Ann is able to pinch w her evil little hands, and when he looks in the mirror, the ribs peek out but they dont jut out. His breathing is better, his skin is just Pale and not Ghostly white, hes got a healthy flush when he laughs at Akiras stupid puns, and he finds himself allocating a bit more of his budget towards stocking his fridge. Sometimes, Akira can even convince him to people-watch out in the sun instead of in the subway tunnels.

At some point, Yusuke becomes very vocal about things he wants, but importantly, about Food he wants. He will eagerly allow his friends to treat him if they ask, and he picks whatever sounds nice to his ears or whatever Ann and Ryuji recommend him. Part of it is due to him feeling safe enough to ask for such things; the thieves kinda laugh about his eccentricity and forwardness, but Akira, Ann and Ryuji know how different and comfortable this Yusuke is compared to the one they met. Its silly but its good; he gets to act like this bc the thieves let him be forward- they let him voice his wants and needs without a fight.

By post game, hes got the barest hint of a tummy pouch, and Ann will attack it relentless with a firm poke whenever hes foolish enough to stretch and lift his shirt to expose it. She thinks its cute 😭 Shes really happy to see it, bc she thinks of Yusuke all skin and bones and angry and scared like a feral dog barking mad, lashing out at any help they offered and working himself sick (figuratively and literally) trying to help make things right. It makes her so sad recalling it, so she likes to remind herself that hes okay now, even if hes a little embarrassed by it. She knows Akira and Ryuji do the same, inviting Yusuke to hang and just see him w their Own eyes that hes better, and that they did the right thing by insisting he join their little ragtag group.

[thepersonperson]

I think JJK going on break after the last chapter is a bit cruel. This is nerve-wracking. We still have 3 chapters left and so many things can happen there. 268 feels too good to be true and the title is weird.

I'm not sure what is the right translation and I don't have access to raws. Right now, it's 268 title is "Finale" or "Conclusion" but I heard from someone that it can be also be read as "Curtains".

If it can be read as "Curtains", then it could be a reference to "final curtains". The problem is JJK has its own version of "Curtains", right? Idk what to think.

Gosh I wish it was “Curtains”. The chapter title is 決着 (Kecchaku) which means settlement/conclusion/end.

For example, at the end of an extremely brutal fight in Jojo's Bizarre Adventure, Jolyne screams “Kechakuuuuuuu!” (決着ゥゥーーーッ!!) (It's actually a small Jojo meme in the JP fandom.) This got translated as "Game set!"

I love the localization they used for this since that entire battle was like struggling in arcade mode for a fighting game.

Anyways, in the context of JJK, especially since this has been a literal Sukuna Gauntlet and the previous chapter had the “Ringing the bell on a long fight.” editor’s comment, I don’t think there’s an ambiguous way to read Kecchaku. The Curtain/Veil kanji in JJK is 帳 (Tobari). (Though if there’s some fancy wordplay I’m missing please let me know.)

However…I would kneel before Gege if this was an elaborate trick by Sukuna—him giving Yuji delusions of a happy ending only to yank it away last second. It’s very hard to make characters feel familiar but slightly off on purpose for misdirection. That kind of tonal control is something I praise Umineko for. (Dungeon Meshi does it excellently for the shapeshifter scene.)

But that is pure copium I think. Sometimes otherwise good media just fumbles the endings. (Not an example of good media, but I was around for the Secret BBC Sherlock Season 4 Ending meltdown so I’m not too hopeful about a turnaround.) I personally blame the JP work culture/crunch since a lot of modern mangas have rushed endings due to burnout/unfair contracts.

I think the most heartbreaking examples of this phenomenon for me are The Owl House and Moral Orel. Those shows still stick the landing imo, but the creators are very open about how studio interference forced them to condense everything. You can feel that suffocation in the final episodes. Everything is just slightly off and you know it would be better if the creators were allowed their breathing room.

[strawberrycloudmjj]

Editing sci-twi (who's me) to look more like me (who's her). /hj

(The way I gone from a sci-twi kin for fun to a literal sci-twi kin will never not be funny asf to me 😭💀)

[uygfiug]

sometimes my parents make me want to commit violent crimes

[finncakes]

"Nana lied to us. She hid the truth. She wrote the letters. She gave the gifts. Our parents ran."

listening to ExU after everything makes it 100% more painful! you should try it!

[honeyviscera]

have i ever said how much painting skin is the Bane of my Existence

[byanyan]

if you think byan hasn't broken bones numerous times in their parkour adventures... you would be wrong. they don't make mistakes often these days, but in the past, especially as they were first learning (as in, teaching themself), there were many mishaps to speak of. their largest scar, one which runs up along their right side, came as a result of a parkour accident (and included a couple of fractured ribs, as well). they've broken an arm, a wrist, a couple fingers, and had many, many sprains over the years. learning was nothing if not a messy process, but it paid off - the talent they boast now is pretty high, and they only get better as they keep putting everything they've learned into practice.

[deanpinterester]

i have this unfounded theory that a lot of media is so consumed with trying to one-up each other and be different that they forget that simplicity is often just as effective of a tool in telling a compelling and cohesive story

[sysig]

Finally doodled HL Mod Stanley <3 (Patreon)

[persephoneflouwers]

Anons ✨

[netaro--yowa]

YAYYY MISHA THEME!!!

MISHA 💖💓🩷❤️💕💖💓🩷💖❤️💖💓💓💖🩷💓

[perenlop]

terribly sorry for progressively getting more and more annoyed and tired with jn. this show kinda gets a lot more exhausting on a rewatch when you know its not going to get better

[rainingincale]

Why is being a living exisiting human being so very confusing 🙃

[yami-in-leather]

Oh man you can tell from the first episode that this season is going to be outstanding 😭❤️ there’s love and care put into every detail of every scene