#i appreciate the brief
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ladamedemartel · 1 year ago
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okanra · 8 months ago
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Since I grew up in the late 90s, all I can think about teen Trunks and Goten is through the layer of nostalgia, with them wearing the late 90s and early 2000s clothing in something like a US setting, and Trunks using the latest phone technology at the time since he's a tech nepobaby: the legendary flip phone.
I think for Goten who was originally a mountain boy to be so hooked on things like phones and texting and girlfriends and dates when he grows into his adolescence, is because Trunks was his original influence until it wasn't.
Them using the trendiest slangs of 20 years later is pretty on point tho.
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ducktracy · 8 months ago
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there are a lot of evil people in the world and a lot of darkness in the world and so it’s very important for me to stress that now more than ever is the time to spread kindness and compassion. combat the evil by not only not partaking in it, but actively refuting it. destroy the notion that being compassionate or generous or kind to someone is uncool or embarrassing or even scary. be the change you want to see. start a chain reaction. positivity only breeds more positivity. do an act of kindness for someone so that that person who is too afraid to do it themselves can see you, realize that they’re not alone, and perhaps sheepishly follow your example. and then the next person who is too afraid but sees that person can do the same. when bad news comes out about bad people or horrible atrocities in the world it’s such an easy impulse to despair, and obviously it’s important to feel what you need to feel. grieve. be angry. be sorrowful. be empathetic. but dust off your pants and get up and be a part of a chain reaction that, no matter how small the scale, and spread compassion and love and care. all the reasons why you might not—“it’s hard! it’s scary! people will make fun of me! it’s useless because there’s too much evil!” are all grade A arguments as to why you should. you have no idea how many people you could inspire to do the same. even if it doesn’t get you anyway far, you can at least say you have the nobility of trying. please choose love and please choose life. you are worth loving and you are worth inspiring others to love
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north-noire · 16 days ago
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It's 1987 - two years since Charlie had been murdered at Fredbear's. Her murderer still hasn't been found.
Elizabeth wants to know more about Circus Baby, but with no luck from either Michael or her father, she hopes Henry will know a thing or two about her.
On the other hand, Cassidy tries to go to Freddy's to get her mind off things, but the past always finds a way to remind her of what she used to take for granted.
Hidden Hands Chapter 8 is out!
AO3 Link Previous Chapter First Arc Chapter
Hey, I would appreciate it if you reblog this post! I try my hardest for this AU fic, so reblogging it and being able to share it goes a long way!
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miss-conner3 · 11 months ago
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En Español: Aquí
This was going to reference a sibling dynamic meme, but I got too excited XD
Brief context: Height difference in a future where Ando becomes a wandering traveler and the lamb digivolves until it reaches its maximum potential.
Or something similar to that, hehe (ouo)
I hope you like it!
Extra: A little idea regarding my two sheep!
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"Forever is a long time, little lamb..."
This is the moment where I comment that I like light angst, but it's rare that I prioritize it, so don't worry (?)
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canisalbus · 27 days ago
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You'd make numbers if you made a sideblog dedicated to Machete snail reviews.
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bocchidaily2024 · 1 year ago
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Bocci the paper and bocci the scissors
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Day 68: And thus, the holy trinity is complete
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randomsporefacts · 2 months ago
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(thanks to A-xesey for linking portfolios i hadnt seen before in the spore discord!)
some of the achievement art from John Cimino's site
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theyre flat-colored, and higher resolution than in the game itself (but instead are jpeg compressed)
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of particular note is this pollinator achievement, which was not tied to any stage in specific judging by the colors
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its files arent found in the game anymore, but its description is still present in Text.package/locale~/achievements.locale
# alg-pollinator - achievementdescription 0x06529c6e One of your creations has appeared in 20 other players' universes #alg-pollinator - achievementtitle 0x06529c46 Pollinator
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side note John Cimino also made these spore animations. the second one is known from a swf from the old spore site, but the audio here is actually much higher quality than in the swf
and is responsible for all of this creature 2d art found all over spores prototypes (some of these here are recognizeable from the space prototype more or less!)
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i never realised it at the time but of COURSE the achievement images were made by the same person who made these 2d creatures!
also according to A Brief History of Spore by Chaim Gingold, John Cimino's art influenced what the creatures would look like in the final game
The decision to incorporate the character design aesthetic of an animator marked a turning point in the visual sensibility of the project. The genetic building blocks of Spore’s life forms, the creature parts, adopted the appeal and personality of John Cimino’s creature designs. And, imagining how Pixar might visually treat a film about bacteria, we put eyes on our single celled organisms. Our planets transformed into expansive landscapes, but retained a toy like sensibility. We made the galaxy more colorful. The entire team became vigilant, seeking opportunities to inject charm and wit into the project, producing the dry goofball humor that characterizes Maxis games.
this article really good read in general, a lot of really interesting insights about spore's development. and check out John Cimino's concept art too!
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iwritenarrativesandstuff · 10 months ago
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Killua and the Power of Wishes
Okay going to try and make this coherent because the amount of wish association all through Killua's character development makes me want to chew plaster.
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As a fair warning, this analysis ended up being long as hell, and I didn't even include everything I could've said. This is also just one lens to analyze Killua's story arc with, and I feel there are other valid interpretations of some of these moments. This is just one of mine, so keep that in mind please.
One last warning that this analysis does discuss emotional manipulation and abuse, as is par for Killua's background.
Let's set the stage with one important piece of info: Killua's birthday.
Killua's birthday is July 7th, the same day as Tanabata. Tanabata is a folklore-rich festival where according to legend, the two lovers, weaver Orihime and cowherd Hikoboshi, represented by the two stars, Vega and Altair, are allowed to reunite once a year after separation. A popular custom of Tanabata is to make wishes by writing them down on tanzaku, then hang it on a bamboo tree so that the wish might one day come true.
Tanabata is also known as the Star Festival. Please keep this in mind, because I'm going to come back to it.
To finish setting up the lens for this analysis, I'm going to need to dig into the game-changer scene for Killua's early characterization - his confrontation with Illumi at the end of the Hunter Exam, and specifically, the exact nature of Illumi's manipulation of him.
I say "game-changer" because it really is - up until this point, it's kind of fair to not fully know what to think about Killua. Certainly, he seems excited to hang out with Gon (he approached him first, after all) and he's friendly enough, but he's also arrogant and claims to be motivated mainly by boredom. For all intents and purposes, Killua seems set up to be Gon's dangerous yet charismatic rival... but then this scene happens and it completely turns it all on its head.
Because Killua may have mentioned his family was controlling before, but he seriously downplayed the severity of it - likely because he has no point of reference for how awful his situation actually is other than it makes him feel bad and trapped. Illumi's appearance immediately shifts our understanding of Killua from runaway murder kid with annoying murder family to straight-up victim of emotional abuse, and dissolves his cockiness instantly to terror.
What does all this have to do with wishes? Glad you asked. Let's look at some of Illumi's dialogue.
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[ID: A screenshot from HxH episode 20 of the 2011 anime. Killua looks up, sweating and conflicted, as Illumi tells him "You don't want anything or wish for anything." End ID.]
This is the crux of Illumi's (and the family's) control. Killua's desires do not align with the family trade. They must be excised from him.
When Killua insists that he does have something that he really wants, Illumi says "Tell me what it is you want", in a mockery of a certain other sibling who would have helped fulfill this wish - Illumi asks only so he can completely dismantle it. And Killua isn't even really surprised at Illumi's words, just heartbroken. You can tell this isn't the first time this sort of thing has happened.
Killua states his wish quite fervently; he really means it. But his words are not rebellious, nor cathartic. Instead, he answers Illumi quietly, as if fearful or ashamed, almost reminiscent of a sinner's confession.
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[ID: Two screenshots from HxH episode 20 of the 2011 anime. In the first Killua looks down with a troubled expression, saying "I want to become friends with Gon...". In the second, his face is hidden as he stands with hands clenched at his sides with a spotlight on him. He says "I'm sick of killing people..." End ID.]
It's such an innocent, simple want.
And Illumi proceeds to make him feel like even something so simple is harmful and selfish of him... not to the family, but to Gon.
In a matter of a few minutes, Illumi breaks down Killua's wish by:
Acknowledging this desire, but twisting it into something that will inevitably fade over time, thereby causing Killua to doubt his own conviction and feelings -> "Gon is a novelty, a radiant presence who has piqued your curiosity. No more than that."
Acknowledging that Gon is someone important to Killua, and undermining this by telling him that by his very nature, he will eventually bring harm to Gon, which makes him feel as though Killua cannot trust himself to be a good friend -> "If you try to be friends with him, you will one day want to kill him... because you are, by nature, a murderer." (As a... delightful... bonus, this is also apparently how Silva and Illumi justify their treatment of Killua to him - "This is the essence of your existence and we taught you accordingly." Like they adapted to Killua's nature, instead of them molding Killua into who they wanted him to be.)
Delivering an ultimatum - to fight Illumi and win, or else Gon will die - that Killua is doomed to fail due to his upbringing and the needle in his head. Since Killua doesn't know about the needle, he assumes this is his own personal failure, something Illumi feeds into -> "You're just not qualified to make friends."
And it's the last point that breaks him. The first two shoot down Killua's present wish, but the last proceeds to shatter any hope he might've had of wishing for anything similar in the future - he has told him that his desires are weak, temporary, inherently dangerous to those around him, and worst of all, aren't enough on their own for him to deserve friendship and love from others. And the clincher: Killua feels like all of this is his own fault, that there is something inherently dangerous and wrong with him!
So, it doesn't even matter to Killua anymore if he fails the Hunter Exam. To him, he just failed the only test that mattered.
10/10 manipulation, Illumi. Fuck you, seriously.
Killua's character arc is mainly his quest and struggle to refute Illumi's arguments and to shake off the manipulation and the ways in which his family have molded and controlled him. And by far, the most difficult part of his conditioning to shake off is this idea that he is undeserving of anything more than what he is already given.
It's almost like the family has drilled it into him that wishes are dangerous. How interesting.
Thankfully, however, there are two parties to Killua's wish here - Gon, too, is a part of it, and it is not simply his reciprocated desire to be Killua's friend that saves him, but also his recognition of Killua's situation for what it is (notably, when no one else correctly identified the true issue).
"You know it wasn't his choice. You manipulated him, kidnapping his spirit!"
The ensuing Zoldyck family arc emphasizes that Gon is 100% correct: the main hold Killua's family has on him isn't physical - it's all emotional.
Killua breaks one of his shackles when Milluki threatens to have his new friends killed, but he only breaks the rest when Zeno tells him he's free to go. So, if Killua could break loose at any point, was this still a rescue like Gon said?
Well, yes - just because he absolutely could've broken out physically at any time, that does not mean he could just leave. That's the nature of situations such as this - it's not as simple as "just leaving". Support is necessary, as is actually having something tangible outside the situation to go to - otherwise there is little point to leaving at all. Gon (and Kurapika and Leorio) showing up to free Killua showed him that his wish was reciprocated and allowed him to break one cuff - this is the start of his journey, but he still has a long ways to go. Notably, he again hesitates and closes off when Silva asks what he wants.
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[ID: Three panels from HxH chapter 42. In the first, Silva asks Killua "...would you like to see [Gon]?" Killua's expression is complicated in the next panel - he's closed off and uncertain. Silva continues "Be honest, Kil... what do you want?" End ID.]
Killua will backtalk and casually break his shackles and death glare his family... but he's too fearful to voice his wants aloud.
And once again, asked by his father what he wants, he is subtly set up to fail. His wish is granted, but made conditional - "Do not betray your friends", something Killua is regrettably set up to do by virtue of the needle in his head that he, again, doesn't know about. Silva fully expects him to fail and come back home, disillusioned, believing it's his own fault due to his "nature", and trusting in Silva still as a "reasonable" figure in his life.
This condition placed on his friendship is what drives much of Killua's fear and insecurity with regards to Gon for much of the series - the idea that Killua has to earn his right to friendship, and that if he doesn't, he will lose it, one way or another.
It really makes me wish that Killua had actually gotten to hear Gon's views on friendship from the beginning of the Zoldyck Family arc, because it entirely refutes this entire philosophy. He even outright refuses to go through the Testing Gates at first, purely because he thinks the sentiment of needing to prove yourself just to be friends is completely outrageous - he only relents because there is no other way.
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[ID: Two screenshots from episodes 21 and 22 of the 2011 HxH anime adaptation. Gon looks up at Illumi and firmly states "[Killua] doesn't need to earn the right to be my friend!" In the second, Gon's face is seen in profile and close up as he asks "Why would you test your friends?" End ID.]
I doubt it would've truly prevented Killua's insecurity from manifesting even if he had heard this, to be honest - his issues with usefulness are very deep-rooted in his upbringing - but still, it would've been nice for him to hear, I think.
However, that's not to say that this exact sentiment doesn't come through in their interactions.
Gon, as Killua's friend, cares about what Killua actually wants and wants to make sure Killua knows that - and that's part of what makes the Whale Island conversation between them really important.
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[ID: Two images, both of the same scene from HxH chapter 64, and episode 37 of the 2011 anime. In the manga panel, Gon has turned his head to look at Killua directly, who looks shocked and taken aback, to say "I like hanging out with you." In the anime screenshot, Gon has turned his whole body to face Killua, and says "I think it's fun to be with you." End ID.]
I see a lot of people chalk this up to just Gon being Gon, but it reads to me as much more deliberate than even his usual honesty. He's turned so he's looking directly at Killua, which is a sure way to make his words come across clearly. The lead up to this is Killua, again, not knowing or being able to vocalize what he wants. He doesn't have a goal to work towards like Gon, he only knows what he doesn't want - he's a mix of envious and admiring towards Gon, who knows what he wants and simply goes for it.
But this conversation makes it clear that they have a shared wish - they both want to be friends, and they'd both like to stay together. It's not about earning, to Gon, it's only about if they both want the same thing - mutual, not conditional. There's a nice almost call-and-response type dialogue here, where Gon asserts that he likes spending time with Killua (very directly lol), then shares that Killua is the first friend his age he's had. This prompts Killua to say that Gon is his first friend ever, and that he does have fun with him. And just like that, Gon replies "Then let's stay together!" and pointedly includes Killua's desire to find a goal in their, now shared, upcoming journey.
Overhead, a shooting star appears in the sky. A mutual wish is granted.
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[ID: A panel from HxH chapter 64. The night sky is full of stars. In the centre is a shooting star. End ID.]
Hm. Stars. Remember how I told you to keep that in mind, all the way back at the beginning? Their association with Tanabata, making a wish on a shooting star, etc. etc.?
Well, buckle up because this star is going to make you experience so much sadness now.
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[ID: Panels from HxH chapter 286. The first is a conversation between Killua and Meleoron where Killua asserts he intends to "go down in flames with [Gon]". When Meleoron looks concerned, Killua brushes off the declaration as a joke. In the second image, Killua is turned away, his outline pale, as Meleoron thinks "Why... did you looks so sad... back there?" The last image is a cloudy night sky filled with stars. At the centre of the panel is a shooting star. End ID.]
Yeah, it makes its reappearance directly after Killua has "jokingly" resolved to die with Gon if it comes down to it, after "since it means nothing to you".
I am assured, in Japanese, the word choice here is 心中 (shinjuu), the word for double suicide, where the intent is to die at the same time in the same manner in order to be reunited in the afterlife. The implication here is that Killua, having increasingly grown insecure in his place by Gon's side but unable to voice this, knowing that Gon is hurtling down the path of no return, thinks back to their conversation under the stars where they both mutually wished to stay together and, because he believes that it is no longer possible for him to help Gon, has resolved to stay by his side in death, and after it.
...holy shit, kid.
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[ID: Two screenshots from the 4th ending of the 2011 anime. In the first, Gon and Killua stand back to back as meteors fall around them. In the second, they stand facing away from the audience towards a body of water under a night sky filled with stars - Gon throws a stone, which flashes in the air like a shooting star. End ID.]
And of course, here's the shooting star again in the 2011 anime's Nagareboshi Kirari ending, as well as it being the subject of the song itself and rather explicitly referencing that wish to go on a journey together, to stay together, because... Madhouse hates us. I guess. :'(
What started off as a simple wish for a friend deepened into a wish to always stay by Gon's side. This is largely good at first! Killua is able to explore and experience genuine friendship, to get a taste for freedom, and use the power of his fervent wish to protect his dear friend in order to rid himself of Illumi's needle. However, the more Killua wants, the more he traps these wishes in monologues within his own head and does not voice them aloud. Part of it is that he already feels he's been given much more than he deserves - seeing himself as a creature of darkness and Gon as light - but a greater part of the issue here is not that Killua is afraid to wish for things, but that he is afraid wishing without "compensation" will inevitably lead to horrible repercussions - namely, losing who he loves.
In order to feel worthy of staying with Gon, of earning his friendship, Killua works hard to help Gon achieve his goals, taking on the role of wish grantor, growing to do practically anything needed to support him for seemingly nothing in return - but that's not 100% true. Killua wants at least some appreciation, whether he admits it or not - it's a security thing, and it also clearly makes him happy, even if he's not great at accepting it. He insists in Chimera Ant arc that friends don't need to thank friends, but this declaration always read as very sudden to me or like a rationalization, and it's relevant to remember that this is at the peak of Gon isolating himself and self-destructing before his eyes, and Killua's own insecurity regarding his importance to him.
Killua might not mind doing things without thanks, but that doesn't mean he doesn't like to hear that Gon appreciates him. He clearly does appreciate verbal confirmation of their bond! We know this.
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[ID: Two screenshots from the 2011 anime. The first is from episode 61. Killua smiles down at the ground with his hands in his pockets, the colours having gone soft and bright. The second is from episode 70 during the dodgeball match. Gon smiles determinedly in the foreground as Killua looks shocked next to him. End ID.]
Keeping all this in mind, Killua's story, or at least this part of it, couldn't have concluded in a better way than his rescue of Alluka, the wish grantor.
Now, I could probably write an entire other analysis on Alluka and Nanika alone, but for the sake of not making this any longer than I already have, I'm going to go through only a few points. Alluka is incomprehensible to her family because they make no attempt to understand her, with the exception of Killua. The only thing they do seem to understand, when explained to them, is the demands made after Nanika grants a wish - this, of course, fits neatly into their own predetermined views on "earning" and "punishment". However, beyond this, they make no attempt to understand her, and since her power is deemed dangerous and uncontrollable, she is locked away.
They are worried, first and foremost, that Alluka will bring harm to the family, and there's two ways in which this could be true:
As a function of failing to fulfill her requests, of course
Because she, just by existing, threatens the family's status quo
I stated at the beginning that Killua's desires do not align with those of the family business, and he's always apparently been more open to understanding others - he asks Alluka and Nanika questions to understand them, and treats them with respect, while his family are more so focused on subjugating anything that might be a threat. This is what Illumi tried to drill into Killua after all; never fight a superior opponent - everything is about assessments of relative strength, which leaves no room for open-mindedness or getting to know people.
Faced with a daughter who is clearly incomprehensibly powerful, and a son, the would-be inheritor of the family trade, who is showing a disturbing amount of willingness to befriend instead of retreat from her, the family made the decision to excise Alluka not just from where she could "harm" the family power-wise, but also likely to secure their control over Killua, who they then set about practically programming to not have any more wishes for himself, or at least to not be able to vocalize them without fear of loss or retribution.
The family's nickname for Killua is "Kil" or "Killu", which is deeply fascinating to me as a reader - nicknames are expressions of endearment, typically, and I actually don't doubt that here. Killua's family does love him, but their love comes with conditions. He must be molded into the perfect son, and every part of him that doesn't fit must be excised.
So: Killua's memories of Alluka are suppressed with the needle, and she is further cut from his life by dropping the "a" from his name (the Zoldyck children are named like a game of shiratori - Illumi -> Milluki -> Killua -> Alluka -> Kalluto). The nickname is also like a command or order "to kill", which is of course what they want him to do.
Saving Gon through saving Alluka and Nanika forces Killua to have to face down the last and hardest of Illumi's manipulations to shake, and that's the notion that a wish, that kindness and friendship and love, cannot be unconditional without severe repercussions - where the people he cares about get hurt because of him, something he cannot envision being forgiven for.
It's a little sad to me that after spending most of the series struggling against his family's teachings that they didn't lead to Killua betraying Gon at all, as he'd feared... but to him betraying Nanika, by sending her away.
Here is this little girl with a bloodstained past, incredibly powerful and dangerous and capable of amazing feats, treated as some evil thing by those who fear her. But she is kind at heart. Her true strength lies in healing, not killing. And she only takes commands from Killua.
Illumi thinks this is because Killua is the only one with control over her. Killua believes this is because she wants praise. They're both partially correct, but this is not the full reason Nanika does what Killua asks of her.
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[ID: Two screenshots from episode 146 of the 2011 anime. In the first, Nanika smiles and says "I love Killua." In the second, Killua looks at her, stricken. End ID.]
Nanika loves him. Everyone has been trying to figure out all these complicated rules and conditions on her wish granting and why Killua is the one exception, but the answer is exceedingly simple. She loves him, and wants to do nice things for him so he can have his wishes granted. It's the only way she knows to get the love that she wants in turn.
Just like her brother, Nanika makes herself useful to earn love and appreciation from someone who accepted her when no one else did.
Even though he knows Nanika just wants to help, he still sees her presence as a danger to the person he sees as pure and innocent who must be protected. He sends her away because her "nature" is to be a threat to Alluka's safety, even if she doesn't intend to be. Killua's fear of Illumi and repercussions causes him to make a horrible mistake.
And Alluka tears into him for it.
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[ID: A set of panels from HxH chapter 336. A furious Alluka glares and asks Killua if he made Nanika cry. When Killua stutters, she demands he apologize to her. End ID.]
You tell him, girl.
Oh hey, this looks a little familiar, huh?
"Apologize to Killua!" says Gon to Illumi after Illumi sends Killua away.
Nanika should not be the one punished for the actions of those trying to control her. She certainly shouldn't be forced to leave those she loves, or have to earn love from them.
And neither should Killua.
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[ID: Three panels from HxH chapter 336. Alluka yells, tears in her eyes, "If you're going to protect me... you have to protect Nanika too!!" Killua looks shocked, then his eyes widen. End ID.]
It's interesting to me that this is the line that snaps Killua out of his fear enough for him to properly speak with Nanika and apologize. One party cannot receive all the protection, nor can the other only give and give limitlessly.
Killua makes it clear to Nanika when speaking with her that he will protect her, and that she doesn't need to earn affection from people by granting their wishes. He promises they will both be there for each other - Killua will praise her whenever she wants, and not just when she does something for him, but he also doesn't refuse Nanika's desire to grant his wishes. It's mutual, not conditional.
And on the heels of this "betrayal", Killua asks for what he never thought he could receive - forgiveness. And even though Nanika is clearly still very upset...
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[ID: Two screenshots from episode 146. In the first, Nanika and Killua face each other, both of them teary. Nanika says "Kay." In the second, he has pulled her into a hug. Nanika is teary, her fingers gripping Killua's back tightly. End ID.]
...she doesn't even have to think about it.
I do think Killua still has a ways to go, but he is in a position right now to learn from his relationship with his sisters about balance - that love is not just selfless devotion, but also allowing those who love you to help you and make you happy too. I think that's what unconditional love is, in a way - supporting and working together with the people you love to make each other's wishes come true.
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starmocha · 4 months ago
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I don't always have to be sad to post caps of Zayne. Sometimes (Always), I just want to look at his hands. 💁‍♀️
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wonder-worker · 8 months ago
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"Administratively, too, [...] queens were considered the legal lords of their landholdings. [...] Grants noted that the queen's officials had administrative autonomy without being subject to the king or anyone else, and evidence of the same assumption can be gleaned from court rolls that were recorded with headings indicating the lord of the manor whose court proceedings were being enrolled. As an example, some court rolls for the manor of Haveringatte-Bower specified that it was the court of [Margaret of Anjou] that was in session, while later rolls recorded Elizabeth Woodville as the lord of the manor court."
— Michele Seah, "My Lady Queen, the Lord of the Manor': The Economic Roles of Late Medieval Queens", Parergon, Volume 37, Number 2, 2020.
#queenship tag#margaret of anjou#elizabeth woodville#I really appreciated how Seah acknowledged the uneven surviving evidence for her subjects and how that affects her analysis.#It was very brief but it was more than what most historians do so it was very refreshing :)#my post#english history#this is for @ anon who asked if its true that Margaret mostly hosted her own courts while EW mostly stayed with her husband#I'm not sure which (if any) historian has said something like this* but I highly doubt it's true !#We don't really have solid itineraries in place for either queen to make any kind of firm conclusions of the sort#(ie: about their residences or anything else) though I'm sure it would have varied depending on the situation#But either way it's explicitly clear that both Margaret and Elizabeth held their own courts in their own lands on multiple occasions#And we also have evidence of both of them residing with their husbands in regular circumstances#*tbh this is too long to get into right now but this assumption does fit into the few 'revisionist' interpretations of both Margaret and EW#(which imo is just as degrading as her traditional interpretation for the latter) so I wouldn't be surprised if some#historians may have framed their situations in such a way and relied entirely on their own assumptions to do so#Either way as far as I know there is no evidence of any such contrast existing - at least not on a consistent basis.#and the evidence we do have contradicts the assumption#Hope this helps! I figured a proper excerpt from this article would clarify the point better than any direct answer from me <3#queue
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emilykaldwen · 8 months ago
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Okay but although the episode had some MAJOR flaws can we please talk about Sunfyre and Aegon because his SMILE when he saw his dragon I can't
Don't mind me and my table flipping and my shattered hopes.
Look, I had one wishlist item: To start the season with a mirror of the Rhaenyra and Syrax flight with Aegon and Sunfyre. It would have been a fantastic re-introduction to the character, show their bond, show that out of everything that Aegon fucks up at/struggles with/deals with hating him, there is one unconditional love in his life, and that is the bond between him and his dragon.
Condal wants to go on about how the Sunfyre thing was TG propaganda and I ask: why? There is no reason for it. This is a family war that decimates the realm, and I appreciate the show doing the Rhaenys and Aegon both hugging and smiling and clinging to their dragons but god. WE DESERVED MORE.
Aegon was denied a cradle egg, he was denied the trappings of what is the role of a first born son in this society. He went and claimed Sunfyre, the literal sun in Aegon's life. The one who does not seek to make him a puppet, to put him in the crosshairs of his sister, how accepts Aegon, unconditionally, and shares a bond with him that the records say was unparalleled.
Yeah, sure, fine, call it propaganda, but why does it have to be made up? What's the harm? What's wrong with, if you're stripping everything else from Aegon's character per the record, that he can't, at least, have this one thing? Why can't we show that, much how Rhaenyra and Syrax have a bond, that Aegon and his dragon do too.
Rhaenyra doesn't address Aegon as her brother. It's Alicent's Son, but is it not more compelling, tragic, fraught, that they're both dragonriders with good bonds with their dragons? That it hints to the fact that one does not need to be purely Valyrian to have a bond with a dragon - because I'm pointing to Jace/Vermax and Luke/Arrax, who are both Half Valyrian themselves.
one of the first things I wrote in Oct of 2022 was Aegon and Sunfyre for my fic. That was the core in me discovering Aegon's character. This fuck up messy idjit and his bond, his love, his tie with Sunfyre the Golden. And so the thirty seconds we get where Sunfyre comes in and senses his rider's distress, and nuzzles him (I WROTE THAT I WROTE THAT EXACT EXCHANGE AAAH VINDICATION) and Aegon embraces him. The smile on his face.
Sunfyre loves me. Sunfyre chose me. Sunfyre found me worthy as his first rider. Sunfyre, nestled warm and safe in his chest. Better than anything else he seeks to fill the gaping holes inside him as his mother claws out everything in him.
Sunfyre doesn't find him a nuisance. Sunfyre doesn't find him an issue. Sunfyre doesn't seek to shove him in a dark corner to be forgotten about until they need him.
Sunfyre accepts him, loves him, for him.
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lilacthebooklover · 11 months ago
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paul crushing on jekyll & frankenstein throughout chapter 15: a compilation
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paul somehow becomes even more of a legend every update. i don't know how he keeps doing it
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psychicthepsychic-daily · 2 months ago
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"sir why is it called a butterfly. sir. sir come back why are you rolling your eyes"
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andorshitdaily · 10 months ago
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Character Appreciation Friday - Xanwan
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Name: Xanwan (aka Xan) Played by: Zubin Varla Appearances: That Would Be Me, Reckoning, Daughter of Ferrix, Rix Road
Happy Appreciation Friday, my friends! This week's character to appreciate is our favorite freight mover, Xan! And what's not to love? Look at that smile!!!
What do you appreciate about Xanwan? Let me know in a reblog, comment, or ask!
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paintpanic · 1 year ago
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What are your thoughts on Susie?
I'm a Susie enjoyer! She's not one of my favorites, but that's been rapidly changing as of recent. She's fun and cute and pink and a little bit evil. I dig it!
Her story is cool. It's very funny to me that like halfway through Robobot decides to have a plot going on, but I'm into it. Her little monologues to Kirby before boss fights are great and a super fun way to characterize her.
I wish her backstory was clearer and not revealed via Miiverse post. I'd love to know more about her time in Another Dimension. How long was she there? In an interview, Kumazaki says she came back "after [she] grew up". How did she get back? How did her time there influence her ideals and morals? It's something that feels like it should have a much greater effect on her character than it's shown to.
I really hate how she's demonized by parts of the fandom. Like yes she's a bad guy but I'd argue that she's about equally as bad as Taranza, a character beloved by fans and who's bad actions are often glossed over (including by myself). Both of them helped an evil person who was trying to destroy Pop Star and made a main character fight Kirby. The discrepancy in how they're treated by fans feels kind of sexist to some degree to me.
TL;DR: Susie is a character with a really neat backstory and potentially interesting morals to play with. She's not a great person but also free my girl she's adorable.
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