#i apologize for how long this got

[skyartworkzzz]

Like The Other Ones

HI YES IM FINALLY DONE HOLY SHIT

OKAY SO this was based off on my own gameplay of COTL, I noticed that everytime Id put food orders in, Narinder would usually be the one to prepare them And honestly? We love a malewife in this house so I dig that for him, ma guy is a skilled cook <3

As I wrote down the dialogue, it just got deeper than I expected SO HERE YALL GO WITH A FULL ASS COMIC ABOUT THEIR RELATIONSHIP, ENJOY!!!!

This shit took me weeks Ill go recharge my soul now brb-

EDIT: I DECIDED TO PUT A UNDERCUT Tab so yall dont have to scroll too much in order to read and see other posts ure welcome 🤼‍♀️ <3

[xxplastic-cubexx]

Snap: *draws a Megaman-inspired Magneto*

Me: ...Perfect modernization.

wait now that its not 3AM i can do you one Slightly better

bonus:

[cubicpeebles]

????.??? - PUBLIC

Big Sis Moon, Five Pebbles, Seven Red Suns, No Significant Harassment

BSM: I have put Ruffles into a little costume! Aren't they adorable!

FP: It is a pleasant surprise to see you taking part in events that used to be celebrated by our creators.

FP: And yes, the costume is adorable.

SRS: Putting our companions into costumes is a nice idea. I think I'll try that as well!

BSM: Oh dear.

NSH: Hah!

BSM: I am going to remove the costume now. Ruffles looks... uncomfortable.

SRS: The messenger looks quite charming all dressed up!

BSM: Aww!

NSH: I've found a costume. I'm gonna try putting it on the beast... Wish me luck...

FP: Shall I join in on the festivities as well?

FP: I doubt I will have much luck concidering the uncooperative behaviour of the Ruffian.

BSM: You should try!

NSH: HAHAHA!

NSH: Look at this thing!

NSH: Agh! It's biting!

SRS: Oh my.

FP: This is not going very well.

FP: It is growling at me very loudly.

NSH: Come on! You can do it!

NSH: Don't be scared Pebbsi ~

FP: You are not helping. And do not call me that.

BSM: Please be careful...

FP: Well then. That did not go as planned.

BSM: Oh no!

NSH: Well there goes the Overseer!

SRS: Perhaps you should refrain from attempting to dress it up again.

FP: I agree.

[northstarscowboyhat]

I love your Clover and Staroba art!! It has me wondering, though... Do you have any ideas regarding a possible amalgamate Kanako, and how she could fit into the picture?

"....Kanako..?"

So, I'll be honest. Kanako being an amalgamate has been utterly stumping me for this AU.

Partially because I think it's just so tragic and it hurts to think about and draw! And partially because I wonder if she even turned into one, given the unique circumstances of how she fell down. So while this isn't concrete, this ask did make me think of a scenario in which Clover overhears Ceroba receiving news about Kanako, and breaking into the Lab with Martlet in order to find her.

How sad it might be that the the adopted child of Ceroba's is the first to find out what truly happened to her first child.

Bonus note: Kanako's amalgamate form is based off this. I like to think if she did become an amalgamate, she's the one that tucks you in.

[galactaknightyaoi]

It's my OCs' first birthday today, yippie!! They're enjoying their birthday with some tiny company and a horribly baked cake. But it's the thought that counts!

These are Pai, Aurelio, and Lizzie. They are a couple and run a diner together in the low suburbs of Halcandra. Their shop also serves as a safe space and shelter for other Star Borns just like them.

They also tend to take in the more little ones of their kind, soon after they've first formed. They look after them and teach them stuff, before letting them go to live independently. But they're always welcome back in their house! Be it for shelter, or a nice cup of coffee.

More about them under the cut. Be warned it gets kinda long.

Pai's ability is Cook. When he was little, he used to use his ability to make food to share with his whole neighborhood as a way of uniting everyone.

Since then he's been steadily building towards a goal, to open his very own Diner. He wanted to create a space for his community to thrive in, though he was severely disadvantaged in such a large city.

He's not one to give up and he always looks on the positive side of things. He tends to spoil the kids they look after with treats, and has a hard time saying no, so he often takes on more than he can handle.

He is the one that looks after the well-being of the kids, and generally, things that require a bit more... Tact. He looks after them when they're sick or injured, which is how he ends up meeting future GSA founders Arthur, Erebus, and Anansi.

Aurelio grew up in a scrapyard with 6 others of their kind, being kept there as guard dogs for the paranoid old man who owned the place. They were encouraged to fight each other for fun, which is how they got the scar across their face.

When they got too big and troublesome, most of them were kicked out of their home and left to fend for themselves.

Aurelio's Spear ability eventually landed them a job as a Knight for Halcandra's elites, where they worked alongside a few of their friends. Their job was to guard the meeting room and defend their assignment from threats.

A few years into this job, they and other soldiers were given a mission. A pair of dragons were nesting at the bottom of the Haldera Volcano, they had to get them out. Dragons are calm if not provoked, so relocation shouldn't be difficult...

As it turns out, the dragons were a mated pair. A male and a female, and they were viciously protecting their egg clutch.

In the battle against the dragons, Aurelio was injured and burned by fire, but their natural fire immunity allowed them to be one of the few survivors. Nevertheless, the Knights were successful in their mission and managed to drive the dragons out.

The 4 eggs that weren't crushed during the battle were passed off to the Ancients for research. They became the Guardian Angel Landia later on.

She was forced to retire from Knighthood at age 31. Due to the lasting effects of their injuries, Aurelio is the one who spends most of the time with the children. For better and for worse.

Because of their childhood, they have very skewed ideas of how to treat children. She'll often put them in dangerous situations unintentionally since she has no frame of reference to tell her that taking kids out to the Gator Pond isn't a very good idea.

Aurelio teaches the rougher life lessons. They've been through quite a bit, so they want the kids to learn how to defend themselves, and to be careful and not have others take advantage of them.

She does most of the disciplining and the one that gives timeouts and other such punishments. She is of the opinion that sometimes rough love is necessary to set someone straight. She's calm and loving, but a bit stuck in the old way of doing things.

Lizzie, real name Angeliz, is a 2-time college dropout who grew up upper class despite her species' disadvantage. She never had many friends growing up, since other kids didn't really like her, and resigned herself to being what her parents wanted her to be.

She tried to study medicine but quit after 2 years. Not wanting to further disappoint her parents, she went into law. Which she also hated but tried to commit to finishing despite how miserable it made her.

Meeting Pai and Aurelio helped her get through the year, but after Aurelio was injured, she quit law and started living with them. She helped Pai balance his business with taking care of Aurelio and eventually used some of the money she still had left to give Pai's Diner the little push forward it needed.

Despite the many etiquette classes she took as a child, Lizzie completely lacks social skills. She's a total disaster, especially when talking to someone she likes. Once she gets comfortable, her true personality starts to shine through.

She's a huge slob and kind of vulgar despite her cute appearance. She's easily angered and does not like to be teased, which makes putting up with bratty kids more difficult for her.

She tends to treat kids as little adults instead, which causes her to not be very mindful of their sensitivities. Even when in a good mood, trying to do her best, she always ends up saying the wrong thing and makes everything worse.

She handles the business aspect of their Diner, crunching numbers and reading over legal documents. She's really smart and knowledgeable, so she's the one who tends to teach kids reading, writing, and math.

Her ability is Bubble. She never used to like it, it was silly and useless to her, so she kept it hidden for years. After meeting her partners and becoming happy, she's started blowing bubbles more frequently. The kids love them.

[skyloftian-nutcase]

Ok Wild Angsters, you wanted a continuation, so here you go :)

Four already knew what he would be walking into. His phone had been blowing up for hours. He’d come in to work early. Whether he was assigned to take care of Wild or not was another matter - Vaati loved to try and take all the admissions, convinced he was the best nurse on the unit. If Four could just keep Vaati out of Wild’s room, he’d consider it a success.

When the charge nurse told him he would be admitting the trauma alert, he knew who he was getting.

Pre-admission jitters always made Four anxious, but this was an entirely other level of fear. He almost wanted to request a different assignment, but it was too late now. What if he couldn’t take caer of him because he was his friend? What if that impair his decision making? What if he just wasn’t skilled enough to handle it? He knew Ezlo wouldn’t give him an assignment he couldn’t handle, wouldn’t be there to support him, but still…

Four went over the supplies in his room once more. Safety checks were fine—they had suction, they had a bag valve mask, the code card was nearby—and he had all the supplies he needed. It was just a waiting game.

Four paced the unit at least three times before he looked at the OR status board again. Wild was still in surgery. He poked in his chart, glancing at injuries, looking at vital signs and anesthesia notes. The last update he saw was that Wild had gotten another unit of blood. Estimated blood loss so far was around 2200mL.

2200mL. That… wasn’t too terrible, Four supposed. He’d… seen worse.

Please don’t get worse.

Four knew for certain that Wild had been mass transfused in the ED. Warriors, his primary nurse when he was there, had told him as much. Between that and the multiple blood products he’d gotten in surgery, as well all the crystalloids he was likely getting as well…

Four took a breath. Then another. He grabbed his phone, texting Warriors. You doing ok?

Wars didn’t reply.

Four wasn’t entirely sure where everyone was at this point. Hyrule had stayed at the hospital, lingering in the emergency department and then the operating room waiting area, but Four hadn’t seen him since he’d clocked in. Warriors and Legend should be getting off shift now, but whether they were going to stay up was another matter. Time was obviously in the OR (Wild’s wreck had been around 10pm, he’d arrived in the ED around 10:45, and he’d been stabilized for surgery and gone to the OR by around midnight - it was 7am now… he wasn’t sure how long this was going to take, but it couldn’t be much longer). Malon should be getting on shift now as well - she had come in last night when everything had gone down, alongside Twilight. Wind had been cautiously left out of the loop until Wild had gone to surgery, simply because nobody had really had much information at the time, so no one wanted to worry the kid until they could figure things out. Everyone had their hands full as it was. But by now, Four knew Wind was either in the OR waiting room, harassing every respiratory therapist he knew, or in the hospital library pacing anxiously. As for Sky, the last Four heard he was bouncing between different people, checking in on everyone.

He clicked through more anesthesia notes, looked at flow sheets for blood products. There wasn’t much to go on, as charting was sparse. What Four did know was that Wild had been obtunded, got mass transfused, had gotten a chest tube, had been intubated, blood was evident in his abdomen, and he had an open femur fracture. He’s been taken to Time’s OR for a ex-lap. Head CT had shown a bleed, and they were monitoring it. That was all the information Legend had told the group when he’d had a moment to spare.

Four’s vocera activated, telling him he had a call from the charge nurse. When he answered, he was told Malon had called and said they’d be finishing up in about thirty minutes and were likely to come up open.

Why was he coming up with his abdomen open? When had they gone from exploratory laparotomy to a full on open abdomen?

Ten minutes later, Malon called back to give report. When Four answered, the first thing he asked was, “How’s he doing? Is he okay? Are you okay?”

“I’m fine,” Malon said, even though she sounded exhausted. “And he’s… hanging in there. I’ve seen worse, I’ll say that. I’ll give you the full rundown, okay?”

Four listened as Malon gave report, feeling his heart settled into his stomach, which was tying itself in knots. Multiple spots of bleeding, possible compartment syndrome in his abdomen, a likely kidney injury due to compression from the bleeding on some major vessels, a small hematoma in his brain… they’d had to call neurosurgery to do an emergency craniotomy out of overt concern of swelling, given that Wild had apparently had previous head trauma, based on what they saw in the OR.

Open abdomen, craniotomy, ICP monitoring, bleeding, one chest tube… this was a disaster. Four swallowed as he wrote, feeling his hand shake a little as his heart raced. He was not qualified enough to be admitting this. He was not.

But the turnaround on his unit was pretty insane, and he was the most experienced nurse on the unit today. At least Ezlo was charge; he knew he’d be well supported.

This was a nightmare. But Four had dealt with nightmares, and he would deal with this. He wasn’t going to screw up taking care of any patient, but especially his friend.

Sighing, he hung up the phone after thanking Malon, pushing worries for her and Time aside, trying to focus on what he would need, who he should grab to help him, and how he should prep his room.

It was time to get to work.

When everyone arrived from the OR, Four made brief eye contact with Time. He couldn’t read much from the man, who was stone faced, aside from the exhaustion evident in the dark circles under his eyes. Four got to work quickly, assessing Wild from head to toe as he looked to see what IV medications he was on. A coworker wrote the note while Ezlo helped detangle his lines (the OR always brought up a mess, after all). Time gave an overview of the surgery, and Four listened along as he checked pupils, as he zeroed the arterial line and the ICP monitor, as he listened to lung and heart sounds, as he checked the chest tube and stripped it with his fingers to ensure patency, as he checked peripheral pulses, as he looked at the abdominal dressing to get a baseline in case there was swelling from bleeding later. One of the techs connected the chest tube to wall suction, and Four looked over his drips. Only having levophed at 2 wasn’t terrible, and he was getting a unit of red blood cells, which was in a transfusion set that was y’d to some lactated ringers fluid. He was on propofol for sedation. Another nurse grabbed a blood gas from his arterial line and sent off labs. His foley he had was temp sensing, and Four quickly ascertained that Wild was cold, so he set up the blanket warmer and covered his friend up.

His friend. His friend.

Four shook his head. He had to focus.

As Time left the room, he put a hand on Four’s shoulder, making him freeze. The surgeon didn’t speak, just locking eyes with him. Four wasn’t entirely sure if it was for his own benefit or not. But he had no more time to let his emotions make any decisions for him. He nodded to the doctor, who nodded in return, and then the two went their separate ways.

This was going to be a long day.

[stop-breaking-my-heart-telltale]

I think for all the discussions we have of "everyone hears the jokes and the piano; after that, they stop listening" surrounding Louis, we tend to still simplify his connection to the piano.

Yes, it's very cute that he sings Clementine a little song when they first meet, and it's very cute that he plays a little prank on her while "tuning" the piano. It's super cute that they carve their initials into the piano and Clementine carves a heart around them. It's mega cute that he names his song he wrote after her when she confesses her feelings. Louis playing Don't Be Afraid at the party is, in my opinion, one of the best moments in all of TFS.

But here's the thing: That piano is Louis' heart.

I don't mean to go all metaphorical on you, but I'm dead serious—the piano is Louis' heart, and when you think about his arc and his romance route with that in mind...?

That piano is his one comfort in a world where the dead walk. It's been with him from the beginning of the outbreak. We know from his backstory that Louis wanted to take singing lessons so he could be a real musician, and his father denying him of that was what set him off to be a "vindictive fuckhead." Louis never got those singing lessons, and it's a very real possibility that Louis taught himself how to play.

Sure, others could've taught him; we know Minerva was musically talented, perhaps she showed him a thing or two. But learning piano, or any instrument, is brutal even with professional guidance. It takes hours of practice until numbness wears fingertips raw; dedication to memorize every key and finger placement to make music pleasing to the ear; self-discipline to keep going through every fumble, every failure, every single cruel thought of self-doubt; intelligence and a creative ear to write his own songs.

And yet, it's severely under-appreciated by everyone. It's annoying. It's distracting. It's unimportant. It's an excuse for Louis to mess around and not do any real work. He doesn't have any actual talent. The music and the piano are brushed off, unheard.

Yet, Louis keeps playing. He keeps singing. He keeps making jokes.

Creating music, the one thing he wanted so badly as a kid that he destroyed his parents marriage, was possibly the greatest comfort he had... a welcome distraction to disassociate from the horror and death happening around him.

It's bittersweet, like a purpling bruise that you can't stop pressing on; it hurts, but there's something else below the pain. The piano is out of tune and it's something that brings him joy... but will always act as a constant reminder of who he was and what he did, why he's at Ericson to begin with.

We first meet him while he's playing; Louis' heart is exposed, but is it really? Is he playing to his true potential? Louis hides behind the mask of a charming, charismatic goof. It's what is expected of him, so he plays a silly song intended to poke and prod at Clementine, to gauge a reaction. That's something we see him do at multiple points in episode one. In fact, we can consider a majority of episode one to be like the song he's playing when we meet him; it's mostly cheery or fast-paced.

Louis is able to soothe AJ with his "alluring" music after the kid bit Ruby is an indication that the two of them will share a bond. Louis is a natural at communicating and bonding with the younger kids [another talent that's overlooked] so it's interesting that he praises AJ for being a natural at piano, as well.

But the song stutters just a bit when Louis and Clementine are in the woods together, though; "There's only one guarantee: this moment. That's the only you got, only thing any of us got. Might as well enjoy it." ...Only for Louis to compose himself and send her away.

It's only when Clementine has a gun in her face, held by Marlon, that the music isn't fun anymore; it's rainfall and thunder and the words "I thought you were more than that" sung through the wind in a melody only Louis can hear.

Then Marlon's dead. The song is over, and reality has arrived.

I've talked at length about Louis in ep2 and his vote in the past. It's one of the most compelling things about Louis' arc and romantic route. It's a tragic mistake driven by trauma and guilt. It's people simultaneously telling him to shut up and telling him to be angrier than he is. Telling him to stop burying his head in the sand when he's never been more aware of everything happening. It's AJ peering up at him with pleading eyes that Louis can't stand to look at. It's Clementine wrapping his heartstrings around her fingers and tugging just enough to hurt, but not break.

Louis missed Clementine. He says as much when Clementine admits she missed him first. I don't even know where to begin with that! I can think of no other way to describe it other than they are half agony, half hope over this... and if you get that reference, you get a gold star. I just- the ache, the tension, the conflicting feelings of finally having a quiet moment to talk but Louis not being ready yet.

Y'know how someone carved "you suck at playing" in the side of the piano? It's something you might not initially notice while playing the game, just as Louis' insecurities aren't apparent at first.. but they're carved in him; never fully healed, still scabbed and bleeding... Until Clementine offers him a bandage.

She won't clean the wound for him, but she'll be there. She'll help him figure out how to do it himself so he can heal. She'll listen to him, not belittle his feelings or pain. She'll make an effort to know his keys and notes and practice playing his song until she understands.

When Clementine chooses him to spend time with him, it's a mirror of their first time meeting... but this time, Louis plays something real: a song he wrote, one that I believe he crafted during the two week time skip... a song he wrote with Clementine on his mind, for better or worse.

If the piano is Louis' heart, he literally asks her to sit there and try to tune it, which ends up being a joke but I say she's already tuned your heart, my guy. It's there before them, changed in the warm candlelight. He plays for her and opens up about how no one actually listens, but Clementine did.

And remember, this is the night of the raid. They don't know it's coming, but they know it'll be soon. Louis understands that he could very well die, so what does he do? He carves his initial into the one thing he's always had, and he asks Clementine to do the same.

I'm sorry, how are we NOT more feral about this? Prior to this scene, the only thing we see carved into the piano, into Louis' heart, is an insult. This thing that Louis cares so deeply about, this instrument that's become so intertwined with who he is... he wants to leave his mark on it just in case he dies. A reminder that it was his and he belonged to it just as much. Something so important, and he asks Clementine to carve herself into his heart where no matter what, they will be immortalized together in this moment.

And when Clementine carves a heart around their initials? Yes, his reaction is very cute and that's great... but she's not ashamed of him, or her feelings for him. She wants everyone who looks upon his heart to know that. She tells him how she feels and Louis is so giddy, and warm, and he names the song after her and I am going to start biting anything that moves, I can't-

Oh, and let's discuss the party scene in episode three, shall we? Y'know, where the heart covered initials are on full display? Where Louis tells the story of why he was sent to Ericson to everyone?

Louis is so... vulnerable. Sincere. Ashamed of what he did. This is the exposed nerve, the one he was so afraid of showing Clementine but there it is... and she doesn't reject him. Sure, she can say it's fucked up if you choose to, but she doesn't break up with him over it.

Also the fact that everyone sitting around him finally listens when he's at his most unshielded only for Tenn to ask him to play Don't Be Afraid for them after...? How do you not see the connection? Are you trying to make me cry? In that moment, Louis' heart was heard and appreciated and beautiful and strong and-

Listen. I am fine. I'm so normal about this. And fine. I'm fine.

But I also have to add that during the walk in episode four, if you let Louis choose what to add to the imaginary house, he picks a brand new piano because he wants a new heart to reflect the confidence and growth Clementine helped him achieve and because he loves her and AJ so much that wants the new heart to not just be his but also theirs and I am so fine with this, okay.

[oddly-casual]

Mutant Mayhem spoilers

It’s such a small moment and maybe I just have brain rot or something but in the beginning when Splinter is talking abt why he hates humans it’s Mikey specifically that chimes in with that little “you don’t know that.” And just UGH

Even just by his tone you can tell that he knows his words aren’t going to change anything because they’ve had this conversation too many times. But also Mikey was the one Splinter almost lost that day, like if Splinter was any slower Mikey would’ve been gone.

And you just know in the minds of children Mikey equated their isolation from humans as being his fault because he almost got ran over as a baby.

Like I don’t wanna say it because sometimes leads to unnecessary angst, but children who grow up isolated from everyone else believing that they can’t confide in their parent often blame themselves for their parents decisions.

Donnie and Raph back talk and make fun of Splinter the most but Mikey does it like once and Leo does it never. So you can tell Leo and Mikey don’t get upset with their father, they get upset with themselves for the way things are and I just

[valdotpng]

[tommygotwrittenoff]

i just think if roles were reversed and buck was the one saying those gay ass lines to eddie, eddie wouldve proposed like four seasons ago

[meirimerens]

MEIRI!!!! i am taking a class in art history and i wanted to ask about your favorite paleolithic cave paintings, cause i know you're very passionate about that!

OOOHHAHHGRGHH MY GODDDD

YOU'VE AWAKEN MY EVIL POWER......

okay so this is gonna be real hard for me to choose. like reallll hard. but i think i can narrow it down. i don't know how much #info you need or how much Lore you care for me to add, but you've activated my trap card, so now you're stuck in the cave with me, i have the torch, and if you try to leave you won't find your way back. okay. let us start.

GENERAL LORE:

at least in the Franco-Cantabrian geographical and paleo-cultural area [this thing], which contains some of the most famous painted caves such as Lascaux, Chauvet, Pech-Merle, Altamira, etc, one main currently reigning hypothesis, because it allows to explain the most amount of [gesture] Stuff Going On, is that cave art exist within a magico-spiritual system of belief of the animist persuasion likely with shamanic elements. The places where walls were painted in the caves, were very, very rarely Living quarters. paleolithic tribes prefered to make camps outside, or just at the very entrance of caves: the depths were Hard to navigate, dangerous, possibly inhabited by predator animals. you didn't got to these places to fuck around; you went because you had a drive, you believed in something about them.

Jean Clottes (one of our main prehistorians in France, who wrote Pourquoi l'Art Préhistorique ?, or "Why Prehistoric Art", translated into english as "What is Paleolithic Art" which is fucking stupid, the "why" is the whole question he's trying to answer in the book, is this guy fucking stupid) identifies 4 main concepts that exist within indigenous, nomadic or semi-nomadic, hunter-gatherer, animist & shamanist societies and peoples, that are widely distributed (as such having "universal" elements) and could, likely, have been found within paleolithic societies, and possibly give us clues to their belief system, which are:

the INTERCONNECTEDNESS: of animal species between one another (explaining the numerous accounts of paloelithic art depiction species together, or separated), and of human and animal: including through mythologies in which humans were created from animal(s), or animal(s) later changed into human(s).

the FLUIDITY of the living world: animal species are recognized as kin, for they can become it; animal species are given, or projected-onto attributes that make a tribe, a clan, recognize themselves in it

the acceptation of the COMPLEXITY of the world: paleolithic people likely had deep, complex mythologies and cosmogonies, which we might Never, Ever, know anything about (this drives me insane.) their language, and their rites, might (have) reflect(ed) an understanding of the complixity of nature, or animals, that sedentary, then later capitalist societies might have lost the nuances of.

the PERMEABILITY of the living world(s). this again is seen in beliefs in the permeablity between human & animal, human a animal, animal as human: this is also where Shamanism might come into play. shamanism(s) rest(s) upon the conceptualization of the world as divided-but-permeable between a physical, living world, and an unseen, spirit world: the Shaman is the mediator, the person who can freely go between these two worlds, to communiate, to heal, to direct, to plead, etc. AND, and this is where it gets real interesting for The Caves: potentially, the belief in the permeablity of the cave rock itself: multiple painted sites might contain hints of a belief in the cave being the place where spirits dwell; and painting them is less "calling" or "invoking", even if there might be some of it, but rather "revealing". the cave itself, maybe, could (have) be(en) considered the place where spirits dwell, and come forth/from. more about that later.

WITH ALL OF THAT IN MIND. at least in the franco-cantabrian area, the placement of cave art is, very Very likely, extremely deliberate. it is not just the art that counts, but where it was made. we can ask ourselves, why it was made here, and not elsewhere. i am picking my answer on this axis. some caves might be so beautifully painted, but are The Vibes here? if the expression of this potential magico-spiritual complex and tens-of-thousands-of-years-spanning(!!!!!!!!!! this is nother thing that's fucking insane btw. did you know we are as close to Lascaux as Lascaux is to Chauvet, another very ornate painted cave. MULTIPLE TENS OF THOUSANDS OF YEARS) is visible, or #feelable, let's mention it. now onto the good part

CAVE ART THAT DRIVES ME CUCKOO CRAZY:

THE NIAUX (pronounced "Nyo") CAVE

reason: i've been there. twice. sobbed both times. came out changed like genuinely. made me go back to uni. the Niaux Cave is located in the Ariège (a-ryeh-juh) département [think smaller than a state bigger than a county] of southern france, in the Pyrénées (pee-reh-neh) mountains making the border with spain.

the almost entirety of the art is concentrated in the "Salon Noir" of the cave.

now. come close and listen to me. the Salon Noir is some 700 meters from both the modern entrance and the prehistoric one. today, like back then, you have to navigate rough, slippery terrain, crouchspaces, and generally accident-inducing (source: my dad slipped & fell just like our guide warned us about) walking space. for most of the way, the ceiling is 5 to 10 meters above, and the walls relatively close together (but not claustrophobic). the Salon Noir seems to be "indicated" by, on both of its sides, red symbol markings. now listen to me. the Salon Noir's ceiling is twice as high. even with modern lamps, you struggle to see it. now imagine. having walked all the way there, in the Wet, the fire of your torch or your grease hand-lamp to guide you, and suddenly not only can you not see the ceiling anymore, but the rock seems to speak back to you. the echo is intense, in the Salon Noir, way more than anywhere in the lower-ceiling'ed cave. your voice carries on for 5 full seconds, if you sing the rock continues singing after you. did you know? in france and spain, studies have shown that most parietal (=cave wall) art corresponds to particular acoustic features. did they sing? did they play the flute, the drums? did they use lithophones: the stalagtites & stalagmites, hit of small sticks, to make them ring? in the Salon Noir, most of the animals are bisons, as is very common in the franco-cantabrian area. now this is just something fun that our guide told us, possibly nothing more than an interesting coincidence, for its truth would rest on an unproven-hypothesis-within-an-unproven-hypothesis, but did you now that the female bison has the same gestational period as the human? 9 months.

the bison to the right, with the red markings and the "eyebrows", is my dad's favorite: he says its profile looks like him, with his beard and his big nose, which to be fair, truly it does. in a previous-previous-previous-previous life my dad as an upper paleolithic era bison. this is my dad's paleolithic fursona.

my favorite is this horsie. see? she smiles.

so does this one on the left, a protome (= name for the depiction of only the front of an animal, of a human)

PERGOUSET (pronounced per-goo*-zeh) CAVE

(* but the "oo" sound is short)

i'm cheating a little. because this is not painting, it's carving. but i consider sculpture an art, and parietal carving to be as important and interesting as parietal paintings, so. take it or don't!

yeah the whole cave. you'll see why. basically if i think about Pergouset for too long my skin starts melting i foam at the mouth etc. anyways. since the cave is closed to the public, and basically only available to researchers' viewings, it is quite hard to find images of it, so we'll just ball on this one.

Pergouset is located in the département of the Lot, in southwest-central france. this region is Plentiful with caves, including Pech-Merle that is basically next door, and Lascaux 1.5h away. why this one & not any of those two? well. come closer.

okay. the pussies & this guy with his penis out cave. what's her deal. Well, first piece of lore is to know that, in the grand scheme of franco-cantabrian paleolithic cave art, human representations are minimal. animals make up the majority of depictions, however, "archetyped" or "stereotyped" human figures that insist on sex characteristics are Plentiful. and within representations of that, "female" archetypes outnumber "male" ones by a lot. basically you cannot cough on a paleolithic "human" depiction without landing on a vulva frankly. many such cases in life as well. one of the hypotheses, which Michel Lorblanchet brings forth in his book La Naissance de la Vie: Une Lecture de l'Art Parietal (from which the picture above is from) is that it could be part of a belief system in which the cave, the whole cave, itself could be a "female" principle or archetype: the whole of the cave a matrix, a uterus. basically its giving, it's giving birth. one of the biggest data point he has for that hypothesis is the Pergouset cave. in the Pergouset cave, carvings of vulvae rhythm a long narrow passage following an underground river. the 3 vulvae could represent that of pre-birth, that of currently-pregnant (with the line in the middle, like the pigmentation line on pregnant belly + carved over a convex part of the stone), and that of currently-actively-giving birth: "vulva 3" is just two streaks in the rock, surrounding a naturally-occuring hole in the rock: as if that feature of the cave itself had been recognized as It's Giving Birth / hereditary voice I Am Your Mother. as you can see on the picture, vulva 1 is all the way back in the #depths, in the #dark, and vulva 3 the closest to the exit, indeed to the light ( -> it's giving birth). now. and this is the insane thing. foaming at the mouth like unwell arms shaking rn. i've had to go pace 4 times since i started typing. in the depths of the cave, the animals that are carved are less (see the numbers on the picture). but also, they're... more fantastic. stranger, more unusual. lacking the realism that is typically associated with parietal art. they're... as if from a dream, an undetermined land of weirdness, of amorphousness. as they get closer to the light, they get more numerous, they proliferate, life crawls the walls: they become also more and more realistic. as we reach the last carved vulva, as it is giving, what is it: giving BIRTH, animals are numerous, abundant, fully formed, their visible selves in the world outside: it is as if the cave itself, the depths of cave itself, gave birth to these animals, formed them inside of itself, let them out from this unknown, amorphous, strange land beyond the stone, where human cannot reach. humans went in, and meticulously, sometimes using a natural relief in the stone for an eye, a feature, "released" the animals from the stone, "revealed" them from their state of hidden-inside-of-the-depths-ness. the whole cave this Mother from which all the animals drawn on the walls emerged.

tldr

[desultory-novice]

White-Haired Noir (Older)

I wasn't kidding when I said Noir has become more of "my OC" than before. Anyway, they tell me cringe is dead, so let's get on with it!

BE HAPPY TEENAGE BOY ...Uh... ADULT MALE??!

(Pictured: Would you believe this guy was once my Dark Matter Swordsman???)

No longer a teary-eyed apprentice, White-Haired Noir in ~the future~ (circa Star Allies??) has become a knight in his own right, swearing his service to Dedede as thanks for helping house the bruised, battered, emotionally unstable teen boy so many years ago.

Dedede Stop Adopting People Challenge (impossible)

Over the years (and with plenty of hard hitting, gloves-off training from Meta Knight) Noir has both grown up and grown accustomed to life on Popstar. He's regained some semblance of a life (gasp!) and inner peace. (...When Popstar's not being invaded, that is.)

He has friends (and rivals), is able to stomach food and drink a bit better, and has accepted Gooey, finally. He can even speak positively of his lost childhood with his little sister, on occasion.

Despite Popstar's generally warm weather, the Shiver Star native continues to dress in highly concealing fashion, as his upper body still bears the scars of his interrupted Dark Matter transformation; one reason he grew his hair out long was to help conceal the ones on his neck better, so as not to frighten the younger Waddle Dees.

[Assorted Text Wall Below]

-

Age Range: Mid 20s and up (Tbh, his specific age'll probably fluctuate depending upon the kind of story I want to tell. This is, quite simply, an adult Noir who's got his life more together.)

Abilities: Mild regenerative abilities, magic reflection, healing/purification, light projection [Rainbow Sword] 

Protective magic and various physical ability-boosting magic [These come courtesy of the crystals adorning his jacket, a gift from the Queen of the Fairies. Noir is still a squishy human, after all. His fine swordplay aside, he needs magical enhancements to not get accidentally steamrolled by Kirby's other friends.]

Hobbies: swordplay, stargazing, crochet (Taranza taught him the last one, both as a mental grounding exercise and to help rehabilitate Noir's Dark Matter corrupted hands for performing delicate tasks. Half of Dream Land has one of Noir's early crochet octopi sitting in their storage. Nowadays, he makes toys for the younger Dees.)

Etc: Because of his closeness with King Dedede (and in large part due to their matching scarves/sashes), his general protectiveness of the Waddle Dees, as well as his fairy-tale outfit (which Ribbon helped with) Noir has picked up nickname of the "Prince of Dream Land"

A highly unfitting one, Noir has been heard to privately complain. In what world could an unwashed, damaged, sharp-tongued orphan with hands near-literally dyed in blood become a prince...?

Height-wise, if we consider King Dedede to be one of a breed of extinct "mega penguins" then Noir, fully grown, is of comparable height. (Dedede insists he's taller because of this crown puff. Huzzah! His title as king is safe!) In human terms, this does make Noir a short king :cough: prince, which in his case is due to malnourishment, physical abuse during puberty, and just plain genetics. ^^;

Anyway, despite how shockingly decent he looks cleaned up, Noir is still a feral cat at heart, and he hasn't lost his sass either, even if the edges have been somewhat filed off with time.

(Even the most angsty and tragic of emo boys can only go so many years with sparkly, shimmering, pastel rainbow hair (1) before they give up the act and start smiling ju~st a little more! ^_-)

-

(1) It is completely impossible for Noir to return his hair to its original dark maroon/black, btw. Even the strongest dye refuses to stick.

...And yes, he has attempted.

--

(Q: When is this...? Cause he still looked 16 in that FL comic you did.) (A: That's because I hadn't thought ahead when I wrote it! This form is basically meant as something to pull out for the later games with some extra padding for any future games/events. >w< )

(Q: So... is that FL comic still Apologies canon?) (A: ~ish! He would definitely be his older self now. That said, this Noir did still encounter Elfilin by chance, immediately recognized him as ID-F86, and had a PTSD episode over it, dredging up old memories he'd believed he had come to peace with. It was the closest the Dark Matter in Noir had come to re-awakening in years. Elfilin's sincere apology to the innocent victims of Forgo's rage helped Noir keep from losing himself completely and he was able to recover.

Also, following Crystal Shards, Noir DID resume having daily nightmares about Adeleine and her fate. That was why MK encouraged him to stay with the fairies of Ripple Star for a time and recuperate; that Noir could resume his training with Meta Knight later on. The grateful fairies all turned out to completely ADORE him - particularly, his shining rainbow hair. This period away from Popstar meant that he totally missed out on Amazing Mirror though.)

(Q: If he missed Amazing Mirror, what games DIDN'T he miss?) (A: He was actually there for a somewhat altered version of Meta Knightmare Ultra in Planet Robobot! It was his first "mission" with his teacher. (And I have a fanfic brewing about that, thanks to the anon who asked what if Noir got within wishing distance of Star Dream...)

Unlike Meta's relationship with Kirby, where Meta trusts Kirby to bounce back from everything and is excited :wipes drool off face: to see how much Kirby will grow, Meta Knight tries (somewhat) to keep his very human disciple out of danger, if he can. He's not soft on him by any means, with hard blows and even harder life lessons, but he knows that Noir came to them hanging onto life by a very frayed thread and he only pushes as far as he believes Noir can take.

Nowadays, he's much more trusting of him to handle himself.

(Q: Assuming he was in SA, where was he during TDX, RtDL, and FL? (A: In both Triple Deluxe and Forgotten Land, he was away from Popstar. Record of Stopping Dedede Abductions: 0/2. He rolled his eyes at a giant beanstalk erupting from Dream Land leading to a kingdom in the clouds "...You're kidding?" and Dedede was stomping mad when Noir laughed outloud about the story of the abduction - which concealed the fact that Meta Knight WAS LAUGHING TOO.

In Return to Dream Land, Noir was still on Popstar but didn't participate in the adventure in any capacity. When everyone returned and told the tale of Magolor's betrayal, his response was a deadpan, "Okay but you all saw that coming a mile away though, right? .........Tell me you saw that coming." He was a little less sassy when he heard Magolor's downfall came at the hands of a corrupting artifact.)

(Q: Wasn't Noir taller than Dedede in that one random sketch?) (A: As an Earth human. Noir eventually became Popstarian size.)

(Q: It's nice that he's okay but... but Adeleine... ; _ ; ) (A: Yeah... However, similar to Blade and Gooey in the main verse, in the AU AU, it was Painter who took care of and sheltered the Dark Matter outcast. Noir initially hated Gooey, because he despised Dark Matter for destroying his family and he hated it every time Gooey tried to approach him - like a sign that he would never escape his mistakes. Only later was he forced to confront Gooey and realize that Gooey was always seeking Noir out because of Adeleine's memories Gooey had taken in. They eventually had a painful heart to heart, where Noir was able to experience his sister's last memories through Gooey. Noir now lets him wear Painter's beret in memory of her.)

--

Anyway, that's now two (and a half (?) if you count "Snowflakes") Noirs who have escaped the cycle of misery! Hooray!

Don't worry, Main Timeline Noir, your salvation comes next............Probably???? >w<

[jinzouactor]

Mayfly act 3 chapter.... 7?

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i forgot to mention!! bridget featured here is one of my gf @kesobun's ocs. this comic is an elaborate plot to get as many of them to interact with shimazaki as possible

[sanderssideswriting]

Yeah the ts crit community really is mostly on tumblr. If any crit on twitter is brave enough to call out thomas or even just ask a SIMPLE INNOCUOUS question like ‘hey whens the next sanders sides coming out’ they get dog-piled by his followers. Just now my twitter tl algorithm made some posts pop up from ppl I don’t even follow and they’re just defending thomas + his patreon and saying that we’re just angry jealous ppl who don’t understand what goes on behind the scenes for him (as if THEY do?).

I swear, the die-hard fans that are still left, I’m sorry, they’re not a fandom. They’re a cult. A cult of personality centered around one man, purely there to keep stroking and defending his fragile ego. They’re no better than the sw*fties or any other group of ppl driven by blind devotion, obsession and white knighthood.

Oh 100%, there's next to no ts crit community on twitter, I got curious and checked a few days ago, searching stuff like Thomas Sanders Critisism, TSS Criticism, TSS critical, stuff that's used over here and the only thing that got anything was the first, but then it was just showing stuff with "Thomas Sanders" or even just "Sanders" in the post. So it's hard to organize that kind of community, plus the die hards and Thomas being on there.

I'd say the only place the fandom is pretty active is on Twitter, and that's soley because of Thomas, because he interacts with the fans and makes it so that there's motivation to make tss stuff. You know there's a community on there for it and if you're lucky Thomas will see it and retweet it. Otherwise it's kind of a joke that the fandom is dead until it's breifly revived whenever a new episode comes out. Which then leads to parasocial relationships and the idea that somehow continues to persist that Thomas is a poor boy who can do no wrong and if he did do wrong he didn't actually know any better. Never mind he's thirty-fucking-4. And his fans are half his age.

One this I do kinda disagree with is the idea that all his die hards and current fans are like 14, which I just don't think is true, I think they were like 14 when the last proper episode came out, and are now more along the lines of like 18 or around there. He's got a lot of patrons, including 17 people who paying $125 a month, that money has to come from somewhere and I doubt it's all from allowances.

[human-for-tonight]

the thing about watcher is I think buzzfeed unsolved fucked them over. both in terms of numbers but also in terms of output. if you go to buzzfeed unsolved network and sort by popular, you have to scroll past 84 videos before you get below 10mil views. and a lot of those are 5-7 years old, so those are numbers they would've been looking at when deciding to break off from buzzfeed (the first watcher video was posted 4 years ago). they thought they could get big numbers without constantly churning out videos, because that's what they'd gotten with buzzfeed unsolved. and I'm sure they adjusted their projected numbers to account for people not following over to the new channel, but I doubt they predicted their top videos would be in the 8mil views range (which is still a lot, but not what they had pulled in the past).

so they aren't getting old buzzfeed unsolved numbers, but that's okay! look at the try guys - they aren't putting up millions of views every video and they're able to have a company with a decent amount of employees. and this is where the output issue comes in. between their main channel and their various podcasts, try guys is putting out 5 videos a week, with 2 being main channel videos. watcher is putting out 3 with 1 being a main channel video. plenty of people who have been making videos for a while have talked about the youtube grind and the algorithm - there's a reason daily vlogs and content houses got so big. and watcher didn't want to do that grind. from the beginning they've said they want to do seasons of shows. which is feasible! again, this is something try guys does with without a recipe. but the difference is try guys has quick and cheap videos they can put out in between and concurrently with those big shows that help support them. eat the menu is their best example of this because it gets big numbers. watcher doesn't really have filler videos.

to further the try guys comparison, buzzfeed unsolved limited the type of content fans were looking for in a way try guys was never limited because trying new things is a really fucking broad category. try guys was always more about the people than the specific thing they were trying. obviously a lot of fans of watcher like ryan and shane (and to a lesser extent steven, based on how many people are blaming him specifically for this). but I'm sure there were also people only watching because they liked true crime and/or ghost hunting content, which makes it harder to branch out and retain ghost files numbers on their other shows.

overall, they thought they could be buzzfeed with just unsolved, and that's not how youtube works and now it's fucking them over that they got too ambitious too fast

[beanghostprincess]

Sanji might be a lightweight and a painfully honest drunk, but Usopp is so careless when he drinks. Not a worry in the world. Zero anxiety. He's even more dramatic than usual and dances like everybody is watching but doesn't give a fuck. And while Sanji sits in a corner, being overly emotional, he watches Usopp acting like the idiot he is. He catches a glimpse of his carefree smile and the way his cheeks are a bit red from drinking. He notices Usopp doesn't know what to do with his hands either. The way he takes Nami to dance or starts bothering Zoro without even thinking about the consequences. He doesn't look at Sanji, but the cook can't fight the dumb smile on his face when he stares at Usopp from across the deck. He hopes nobody asks, because he knows he will tell the truth if they do.

So Sanji thinks Usopp isn't watching him, but he does. He takes little glances at Sanji without him noticing. He likes the red on his whole body and the way he laughs at everything Robin says, even if it's not funny at all and just probably dark. He likes the way he holds his glass of wine, with both hands, as if somebody might take it away from him. He looks silly. Without realizing he isn't covering his laughter the way he always does and talking a bit too loud. Usopp likes this Sanji because he's honest, with himself, he means. And it's not like Usopp is going to approach him just like that, he still has some common sense even when drunk, but he lets his usual stare last longer than usual. He lets himself get lost in Sanji's eye. And somehow, on these nights, it is even brighter than usual.

At the end of the night, everybody goes to sleep, but Usopp doesn't like it. He isn't fond of his headache the second his body hits the bed and needs to sober up a little before actually trying to sleep. He isn't Zoro. Besides, Sanji is still there, curled up on the floor, in a corner of the ship, sipping on an empty wine bottle and hoping for more alcohol to come out. He looks tired and a bit nostalgic. When nobody's looking (or so he thinks) he seems... Sad. And perhaps that's what being honest with himself also means.

Usopp's shame, at this point of the night, has disappeared completely. And he still has some cocktails and beers on his body to not care about what he's doing. Especially since they're... All alone. On deck. Under the stars. He's starting to feel a bit dizzy, even if Sanji is only paying attention to the waves cradling the ship and nothing else.

With a nonchalant, quick move, before Sanji can even notice he's there, Usopp sits right next to him and rests his arm over the blond's shoulders. It doesn't perturb him in the slightest, Sanji just leans closer to him absentmindedly and Usopp feels that saying: "Hey, man." Trying to sound flirtatious has failed because his voice falters the second Sanji's head brushes his cheek. Maybe he was going for the shoulder.

But Sanji doesn't seem to notice or care about it, and Usopp's self-confidence comes back because the dizziness is enough to make him forget within seconds. Besides, Sanji seems too out of it to notice Usopp can't speak properly. His words are not connecting to his brain. Or mouth. Or maybe his brain doesn't control his throat. Whatever- He- he can't think. It's okay. Sanji is cute.

He doesn't expect the cook to have such a shitty balance, but he ends up falling on Usopp's lap, resting his head on his legs instead of his shoulders. Usopp's heart skips a beat, and it takes his breath away for a few seconds. It seems like an eternity. He's not choking, but damn, he does feel like it for a while. He probably will if he keeps staring at Sanji (drunk and red and bright and dizzy and pouting in the most adorable of ways) right on top of his legs.

The blond doesn't pay much attention to him, and Usopp guesses he might've forgotten he's the one there. But then, Sanji speaks, holding the bottle tighter to his chest and trying to squint his eyes at the hole. Perhaps that way he might be able to see the bottom of it. "Somebody- Someone- Uh- No wine."

Usopp frowns, but chuckles at the way Sanji slurs his voice. "What're you talkin' 'bout?"

And suddenly, Sanji feels like he's about to start crying. "Somebody drank my wine..."

He pouts, about to place the bottle on top of his eye. Usopp takes it away from him before he can do something stupid. "You-" He can't hold back his laughter when Sanji tries to reach out for the bottle and manages to place it to his side where Sanji can't see. He will forget about it in seconds. "You drank it."

Sanji frowns as if thinking about it, a bit offended by the statement. "I did not I- I didn't... I didn't drunk."

"Drink."

"Huh?" He makes the funniest of faces. Usopp notices his tie is messy and his aquamarine shirt is unbuttoned to the point of his collarbone being a bit visible if Usopp tries to look at it. He wants to bury his head there.

He shakes the thought away to respond. "You mean drink, you didn't-" But Sanji isn't even processing his words, because he keeps getting lost at something on top of Usopp's head. Idiot. Idiot. My idiot. He wishes. "Actually, you did drink. So. Uh- Doesn't matter."

Sanji hums under his breath and finds one loose strand of Usopp's hair that rests on his shoulder and falls on his chest. Sanji takes it in his hand and starts playing with it. He almost looks like a cat, although Usopp has always said he's more of a dog person. Maybe. In reality, Sanji isn't either of them. The guy likes rats. Fucking- Fucking rats. It's something precious to Usopp, because Sanji has only told him. Or so he said.

The sniper stares down at Sanji, who keeps getting lost between the strand of hair and the buckle of Usopp's new overalls. Tapping on the metal every now and then. It seems fun for him, so Usopp doesn't say anything. The weight of Sanji's body over him grounds him more, he figures, because he's still dizzy but he certainly can think better than Sanji. His mind might not be connecting the words correctly but... But he can think. Kind of. Better than he usually does when Sanji is around, at least.

His eyes travel to Sanji's bangs, covering his right- Left? Usopp's left. Sanji's right. He thinks. Yeah. Because the eye he can see is deep blue, and that's Sanji's left. The other one is clearer, with green undertones. He knows this because he remembers thinking it looked like seaweed once. Sanji almost hit him when he said so, but it was a compliment. Idiot.

It's a shame it's covered, he thinks, and before he can process his actions, his hand moves on his own to move the bangs out of the way. Usopp rests his hand on top of Sanji's head, staring intensely at his eyebrows. The sniper doesn't smile like he usually does, because he finds them extremely cute. This time, Sanji just looks... "You look handsome like this." Oh. Saying out loud stuff he doesn't intend to now, huh?

Sanji doesn't blush and runs away the way he would've probably done sober. Instead, he starts laughing like a lunatic, as if Usopp had told the funniest joke of the night. But it's not- He's not laughing at Usopp or even at himself. It's a smile of pure joy. It barely is a laugh, though. He's giggling. Usopp just hears it louder. Sanji's voice always resonates louder in his heart. "You look handsome every day." He says, out of breath, blushing and never looking away from Usopp.

Normally, the sniper would go into cardiac arrest for something like this. Now? He just wants to hold Sanji closer and never let go. After a few seconds of staring at each other, Sanji resumes his laughing. Usopp thinks he's the most beautiful thing he's ever seen. "You're-" Suddenly, he can feel the grass under them everywhere. He wishes he could do the same with Sanji. Feel him everywhere. All the time. In his skin. Inside. His heart. "You're so regretting this tomorrow. Idiot."

Because he knows Sanji won't like it when he wakes up. The flirting. The touching. He won't do it then. He hides in between bottles of wine and starry nights. And he's painfully honest, but it's better than sober lies.

Sanji doesn't seem like he's listening to him, though, as he keeps playing with his hair. He leans his head closer to Usopp's stomach. "Did you like the cocktails?" He asks, his voice muffled by Usopp's body and one of his arms moving to hold Usopp's waist closer.

Usopp wishes he could have this every day and not whenever Luffy says it's time to party for no reason at all.

But it's nice. It's warm. Usopp can have this tonight.

He gets hold of Sanji's cheeks with only one of his hands and squeezes slightly, making him look up at his eyes. "How could I not?" And he decides to rest his palm in between Sanji's chin and neck. Sanji looks a bit lost. Usopp thinks he does too, probably. He sighs. "Everything you make is good." It's something he always says, but never in this way.

Never wanting to reach out and kiss him. Never actually considering to do so.

The cook does something he isn't expecting, though. He grins. A huge smile decorating his face. And it grows, ever so slowly, until it turns into the brightest of expressions Usopp has ever seen. Sanji's hand grips on his waist, as if he was holding back an excited scream. "Used your favorite fruits!" He turns his head to the side to kiss Usopp's palm. "I like thinkin' 'bout you when I cook."

He thinks about how easy it would be to kiss him now.

But Usopp only smiles back at him.

No amount of alcohol can take out of him the fear of Sanji pushing him away.