#i am who i made myself

[eimearkuopio]

There was a time in Ireland when children would only be baptised with saints' names - by custom, it wasn't a rule but at least some priests refused the parents' chosen name if they decided it wasn't "saintly enough". My name is Irish, pre-Christian, pagan, a woman of legend who married our greatest hero but bore him no children. I think the custom may have been based on a misunderstanding of how mycelial networks work. We don't all have the same name (I'm not Barbie! Maybe if people worshipped me the way they do Barbie, this would be easier!) but maybe the archetypes we fall under have true names and it is easier to write straight with crooked lines when the screen you are projecting onto already has some strategically positioned damage. Maybe that's what constrains the messages our infinite selves can pass along: the cracks that let the light in must of necessity be the pattern that the message aligns with to be interpreted correctly. I have an awful lot of cracks, and I've put a lot of time and effort into repairing them as best I can, because I am painfully compelled to pour water, to serve, to take on the worse part for the ones I love, by both my nature and my nurture and by some secret infinite third thing. You protected me from the world as best you could, but you never knew how to protect me from my own self; so for your sake, I learned how to protect you from me. My name means Swift (but makes no promise of common sense). The woman who last used my name in a role of sovereignty goddess (though neither of our husbands ever wanted or wore a kingly crown, and my husband owes you less than nothing) was said to possess the six gifts of womanhood: beauty, voice, speech, needlework, wisdom and chastity. I leave it to history to judge my skill at the above, but my husband finds me worthy of his love, and I think those six gifts are seriously underestimating womanhood. My family used to say that if anyone objected to the lack of a Saint Eimear, they would just tell them, "You might be looking at her." I don't think they really understood what they were calling into being, and I honestly don't know or care if they were right or wrong. They have loved worse sinners than me. Let's all fail better together.

[lauraneedstochill]

if I see one more post about Aegon “bullying Aemond his entire life”, I will go fucking ballistic, I swear to g—

scratch that, I will actually go ballistic right now. this is the “Aegon doesn’t deserve such a shitty treatment” club and I���m the self-proclaimed CEO. we are about to do some analyzing and reading so BUCKLE UP.

gonna make one thing clear first — Aemond was bullied when he was a child. no one denies that, no excuses can be made for that. I’d only like to note that there wasn’t only one bully. here’s a quick reminder:

now that we successfully counted to three, let’s look over Aegon’s other horrible crimes relationship with Aemond throughout the years.

📍 the night Aemond lost his eye (S1EP7), Rhaenyra suggests he should be “sharply questioned” (she means tortured) so they can learn who told him that her sons were bastards. Viserys, in his perpetual denial, angrily asks Aemond “who spoke these lies” to which he replies that it was Aegon. it is clear that Aemond does that to deflect suspicion from their mother but his words come as a surprise to Aegon.

he’s in a tough spot — Viserys demands the answers “as their king”, not their father (to signify his authority and pressure them into telling the truth). and Alicent screamed in Aegon’s face and slapped him just a minute ago, so he may be less eager to defend her. he can easily lie and say that he overheard some maids gossiping or that he can’t remember where the rumor came from. instead, it takes Aegon about 5 seconds to back Aemond up.

📍 we didn’t get many scenes with young Aegon and Aemond in general, but here’s a short bit people keep overlooking: when Harwin and Criston start fighting, Aemond and Aegon instantly gravitate toward each other. and moreover, Aegon puts a hand over Aemond’s back (which to me is either a protective or a comforting gesture). what a horrible brother, truly.

📍 next we see them all grown up before dinner in S1EP8. I think it’s safe to assume that if Aegon has been bullying Aemond all these years, Aemond wouldn’t want to spend a second in his company. he’s seated between Helaena and Otto, both of whom are dear to him, so Aemond can stay at the table and chat with them. and YET, not only does Aemond voluntarily talks to Aegon, but their conversation seems friendly (you can barely hear it in the show so here’s the enhanced audio). Aemond makes a joke about Aegon’s drinking habits — Aegon quips back — and then, what a shocker! Aemond starts venting his frustrations to Aegon (“Even when the noose is so tight, they expect us to break bread”). nothing would’ve stopped him from venting to Otto but Aemond stays with Aegon. he wouldn’t have done that if there hadn’t been some level of trust between them. he wouldn’t have done that if he hated Aegon’s guts.

📍 at dinner, when Aegon pisses Jace off and the brunet springs to his feet, Aemond stands up too, which forces Jace to act as if nothing happened and come up with a toast. Aegon watches him with a shit-eating grin on his face. it’s the face that screams “I know you won’t dare to act up in front of my brother and my brother has my back”.

when Aemond makes a toast and calls Rhaenyra’s sons “strong”, Aegon raises a cup to that. he can sit this one out — Aemond has his personal vendetta against the boys, and it would be safer for Aegon not to meddle. but what does he do instead? when Luke gets up from the table (clearly intending to go to Aemond), Aegon instantly stands up, comes up to Luke and not just stops him but slams his face into the table right in front of Rhaenyra without thinking twice. and it doesn’t look like Aegon is just messing with him — no, it looks like he wanted to do that for a while. like Aegon finally got his chance to stand up for his brother too. AND he also stops Baela from joining the fight.

📍 S1EP9 is when we get a glimpse of Aemond’s ambitions: he deems himself better than Aegon, he thinks he deserves to be king. but once he finds Aegon and they get into a fight, it turns out that Aegon knows that Aemond is a better choice. he doesn’t want to fight him, he begs Aemond to let him go. and Aemond can do that — Criston has his back to them, so Aemond could’ve pretended that Aegon managed to break free. and even once they caught Aegon, I have no doubt that Aemond could’ve helped him escape. but it seems that, despite his displeasure, Aemond values his family the most. he can’t betray his mother’s trust, and he knows Aegon is the first in line to the throne. Aemond envies him, yes, he may even hate him because of that. but he values his family the most.

📍 as @florisbaratheons noted, during the coronation scene, when Aegon glances at his family, Aemond looks right at him and gives that tiny nod that says “I may hate this and think I am better for the job as king. But I’ve got your back.” I like that Aemond is the one who keeps eye contact in that scene. He could’ve turned away to signal his dissatisfaction with the situation, there wouldn’t have been any consequences for that. But he didn’t.

📍 what I find interesting about S1EP10 is the beginning of Aemond’s dialogue with Luke. that’s the boy Aemond wished to get back at for years and yet, he starts by saying “Did you think that you could just fly about the realm trying to steal my brother’s throne at no cost?”. Aemond could’ve skipped that part — imagine him saying smth along the lines of “Wait, Lord Strong! Don’t you think you and I have other matters to discuss?” (to which Luke answers that he doesn’t want to fight and the conversation goes on). instead, Aemond makes a point to remind Luke: my brother is the king, and I came here on his behalf. you can argue that Aemond doesn’t do it for Aegon specifically but for his family in general. but Aegon is a part of the family, and S1 Aemond has his priorities straight.

📍 as much as I hate comparing the show and the book (these are two different things and should be viewed as such), I’d like to remind you that Aegon was the only one who stood by Aemond’s side after Luke’s death. I wonder why we didn’t get that scene… I guess it’s because it would be kinda hard to call Aegon “the main bully” after he literally throws Aemond a feast. but we do get to see Aegon supporting his brother: in S2EP1 he welcomes Aemond at the small council meeting despite his mother’s protests (“Aemond is my closest blood and my best sword”). and he trusts Aemond wholeheartedly, that much is obvious.

📍 let’s get to the most controversial part — the brothel scene in S2EP3: some people believe Aegon is being a bully at that moment. those people seem to forget one little detail:

it’s been only a few days after the death of Aegon’s son whose murder was a direct result of Aemond’s ruthless actions. does Aemond ever address it? does he express his condolences? does he mayhaps help to catch the killers, being the skilled fighter that he is? the answer is NO.

I do think Aegon’s joke was cruel (I wrote a whole post about it) but that’s all it ever was — a JOKE. the humiliation comes not from the things he says but from the fact that Aemond is found in a vulnerable position and surrounded by a group of strangers while his brother laughs at him. TGC explained it best:

I also love @notbloodraven’s take on that scene:

Aegon lashing out so cruelly at Aemond seems to be an effort in making Aemond feel as badly as he does and blaming him for Jaehaerys without actually saying the words.

would this be the right way to act? no. but there’s no right way to grieve and to cope with the loss — and HIS SON WAS BEHEADED so maybe take 1% of the sympathy you show your favorite character(s) and cut Aegon some slack.

+ other things worth talking about:

📍 @bietrofastimoff23 analyzed S2EP3 beautifully and I can’t help but mention the scene that happens before Aegon goes to the brothel. it’s the moment when Larys suggests that Alicent and Aemond are plotting against Aegon. he isn’t surprised by the idea that his mother can do that — but the second his brother is mentioned, Aegon’s face falls and he shakes his head no. because there is no way Aemond would ever do that to him. and instead of asking for any proof, he asks Larys “who spreads these lies?” and then commands him to “tend to them.” Aegon can ask him to spy on Aemond, to find any dirt on him, find any weaknesses he can use — he does not.

📍 it turns out to be true — Aemond was plotting behind his brother’s back. which is treason btw (I don’t think Criston intended to keep things from Aegon — he probably believed that Aemond would let Aegon in on their plan). and Aegon does have the power to remind Aemond of his place — he can throw him off the council with a snap of his fingers, he can take offense at Aemond’s attempt to publicly humiliate him (their conversation in High Valyrian — Ewan himself calls it a “public execution”). but that’s not what happens: as TGC phrased it, Aemond’s betrayal “breaks a bit of Aegon’s heart off”. an actual bully would’ve immediately pushed back, but Aegon silently sits down and doesn’t argue, he’s so defeated he can’t utter a word. he has the means to be a bully but he doesn’t contemplate it for a second.

📍 I don’t want to talk about S2EP6 because it makes me sick but I will reiterate one thing: never ONCE Aegon made fun of Aemond’s disability or tried to cause him any physical harm. just want to point that out.

there is no moral to this story, I guess. if you managed to read till the very end, thank you. if you still hate Aegon, that’s your opinion and you are allowed to have one — but please, for the love of god, just stop making shit up. no, Aemond was NOT bullied as an adult, absolutely nothing suggests that he was. Aegon was naive to blindly trust him and it backfired on him, that’s the actual story. and if you are so eager to hold Aegon accountable for his mistakes, maybe it’s time for Aemond to take responsibility for his actions too.

+ some of my favorite critical posts about Aegon and Aemond: x, x, x, x, x, x, x, x.

P.S. I will not argue with anyone so please don’t waste your time — I consider all my arguments solid and that’s enough for me. if you are thinking of sending me anon hate, pls go take a walk instead, it will do you more good. 🌿

[egophiliac]

I DID IT I GOT MY PINK HAYATE now I am never doing that again!

(at least until they give me, like, a frilly unicorn Kamui or something)

[wyervan]

hi I'm crazy. if you're still taking requests ☝️ the image of your moon being kind of a freak about human blood crawled in tk my subconscious at work

hi crazy. im kooky 😵‍💫. i just spent the last 24 hours thinking about this

comic below the cut. content warning for blood and … probably suggestive 🫠…

i can’t believe i did this on a sunday… the lord’s day…

[panthermouthh]

And I said, “Hello, Satan

I believe it’s time to go.”

[heymacy]

IAN GALLAGHER + his journey with bipolar disorder

╰┈➤ “At times, being bipolar can be an all-consuming challenge, requiring a lot of stamina and even more courage, so if you’re living with this illness and functioning at all, it’s something to be proud of, not ashamed of." - Carrie Fisher

[dykedvonte]

You ever just see a Mouthwashing take that makes you want to bang your head into a wall? I literally just saw someone claim Curly couldn't have been emotionally abused by Jimmy before the crash because he was in a higher position of power than Jimmy.

-Shrimp Anon

The mouthwashing fandom has shown me that people genuinely do believe that certain types of abuse are not as detrimental as other types especially when they deem those immune/resistant, ergo, believing one is objectively worse no matter how it affects the person nor the intersections of power, history and dynamics at play.

Get ready cause this is a yap session:

Cause like it's heavily implied that Curly and Jimmy's friendship was toxic and abusive, pointedly in the direction of how Jimmy uses Curly's belief/comfort in him. Curly wasn't forced to enable Jimmy but he was emotional and mentally on edge around him in almost every scene in some way. Mental and emotional abuse are not contingent on what positions you have at work. Yeah, he's Jimmy's boss but he was Jimmy's friend first and it's like getting into Psych discussion to talk about how social power tends to overshadow any perceived organizational power in the human mind. People are concerned about their jobs ofc but they tend to hang onto and put more value/investment into their personal relationships, hence why there tends to be laws and restrictions around mixing the two.

I always see the sentiments that "Curly is a grown ass man", "Curly is bigger than Jimmy", "Curly is Jimmy's boss", "He just needed a backbone" as criticisms of Curly and while I do agree that on the surface level all of these to be true and viable ways Curly could've taken more control of the situation, I often look at the parallels of Anya and Curly as victims of Jimmy pre/post crash.

The way Jimmy talks to Anya post crash is how he talked to Curly in the pre-crash segments. It's hard to pin-point mainly because we know he hates and wants nothing to do with Anya compared to his contrary but similarly handled obsessions with Curly. It's a weird sort of "honey-moon" effect of abuse Jimmy does in terms of emotional and mental victimization. He is always horrid to Anya, always talking down or questioning her abilities and thoughts in a situation, this of course includes the harassment and assault. However, he has a moment of attempted gentleness/conditioning when he question her about the mouthwash when she's contemplating drinking it at the table. The key difference is he has no personal investment in Jimmy outside wanting nothing to do with him, meaning there is no sort of romanticized version of him that he can condition her off of. He knows this, hence, why he always reverts to trying to make her to scared to oppose him.

This sort of give and take of "kindness" doesn't work on her because she knows he is just doing it to take more from her than whatever he could possibly give but it reflects even the "softer" scenes between him and Curly where he always rewords or rephrases Curly's sentiments and concerns to sound more shallow. He is feigning a deeper understanding by reworking Curly's emotions into something bad and needing to be hidden. Everything is laced with envy and resentment, an outburst just around the corner, I mean he even slams the table in the birthday party scene, a tactic in emotional manipulation to set the victim on edge and cloud their ability to respond. Even if Curly knows Jimmy won't get physical in that moment, the physical actions is intended to make him back down in the confrontation in case it does. This is something that is just not person specific. It ingrains itself into how you interact with the world and life and it shows in major and minor ways with Curly.

Post-crash, the abusive nature is more in tandem to the physical victimization Anya went through and the stripping of voice and autonomy we see take place. Like the parasite in HFIM, Jimmy speaks for Curly most of the time and puts words in his mouth, similarly to how he takes Anya's plans as his own. He very commonly, with the both of them mind you, supplements the worst aspects of himself into them; pettiness, selfishness, lack of understanding... And tries to cover himself with their best qualities; kindness, planning, initiative, etc...

These parallel are just to say that positional power has little to do with if a person can be abused and how it can even be flipped to further the abuse. There is no doubt that Curly could've picked up on Jimmy's envy of his position hence another reason he never confronted him as a Captain but as a friend as doing so would immediately put Jimmy in a space to be confrontational/combative.

I think the disdain some people have when they talk about the heavily implied if not implicitly stated emotional/mental abuse Curly experienced being Jimmy's friend is when treating it as an excuse to why he didn't do more. I can understand that completely because it is not an excuse to why he didn't do more but is a very real reason people in his position in these scenarios can experience whether in the context of a work or social environment. However, I also think the way people talk about it really does demonstrate a bigger problem when talking about abuse when somehow who is/was abused is either part of the issue or enabled it.

Harkening back to the sentiments about Curly's inaction regarding Jimmy, I think the exact phrases I used/have seen show how there is an inherent belief that it is easier to overpower the effects of emotional/mental abuse that go in tandem with the perception of Curly as someone who should be able to. There is not an age you suddenly stop being susceptible to abuse nor a set point or low where you realize how it has affected you. You don't suddenly know to stand up or put a face on to face your abuser nor admit that you inadvertently enabled them to subjugate someone else to the same treatment. Maybe it's my psych brain but their is this growing belief that direct action is somehow easy or always the best method with the game shows you instances where it is not always the case. In real life that rings true too. He should have done more, but it's not impossible to see why he struggled to find a way or didn't even if it makes us mad.

It's not easy to suddenly gain a "back-bone". You don't immediately want to resort to aggression, especially if it mirrors the type you were a victim to. You don't want to believe you allowed yourself to be treated this bad, let it get that bad or allowed something bad to happen to someone else. It is easy to be in denial, to retreat to your thoughts or make excuses to avoid the painful truth. It's frustrating but in a way we know is relatable. It why we both hate and love Curly for it. We know we'd be better, we think we'd be better, we like to think we wouldn't falter in the same ways but it's always easier to say that from the outside looking in. It's easy to see what he was doing wrong because we are seeing it, not him, but the game really does make you picture what you would do if this was your raw reality and it's why this debate about Curly seems so never ending/contradictory. We can all say what we'd do but bottom line is that's much different when you're in the moment with all the emotions and human feelings attached.

I personally think Mouthwashing tackles the themes of rape culture, enabling, toxic masculinity, types of abuse and patriarchy in ways that are meant to deconstruct the typical straightforward views we mostly have of these concepts and how little subtilities of them are just as, if not more, detrimental than the overt/obvious parts. The game deals with the idea of little details and bigger picture in a way to show that sometimes the bigger picture is not the issue but the little details that make it up. It's why I have a personal dislike of depictions of Jimmy as the typical horrible person who would of course do something like this because the game is about noticing the little warning signs, the foreshadowing and foresight.

It's why I dislike the typical discussion of "bro code" and "boys will be boys" for the game because the game makes a point to avoid the standard depictions of such. It is about the type of men who still enable despite not condoning, agreeing or even perpetuating harmful beliefs because they can't see the little details or the ways it seeps into their everyday. The severity is not obvious to them as it was not obvious to Curly, Swansea or even Daisuke the way it was to a woman like Anya. There are little details about Jimmy that should ring alarms but if you are too naive like Daisuke, too distant like Swansea or too conditioned like Curly, they are just off markers.

There is 100% more constructive/concise ways to say "Curly was a victim of Jimmy's abuse on an emotional and mental aspect that clouded his judgements and perceptions in the scenario" while also critiquing on the side of "Curly still had a responsibility to protect Anya as a crew mate and Captain that he failed to do due to biases and stigma's he failed to surpass" without the weird condemnation people give him about should've knowing better than to let himself be manipulated by a person he considered a close, if not family/best-friend and had his own reasons to trust initially. Also stop being weird about victims of abuse in general with this fandom, like sorry not everyone has a like social epiphany the moment someone's nasty to them. People are treating it like you immediately know when you are in a toxic relationship immediately or comprehend when a person is actively dangerous and either it's your fault for not knowing how to leave/cut them off or you deserve it. Like the hypocrisy of people believing how certain fans treat the story reflect their irl views but not their own is crazy.

End statement is: I honestly don't even know man, I've been writing this too long and just like no man on that ship was perfect or really helped Anya when it mattered and I feel like pitting them against each other in discussion on who did the least or most or how it was justified sucks cause in the end Anya always did the most and best thing for herself.

[mossy-paws]

Get in the fucking biograft, Shuriken. (EVANGELION/PHIGHTING!)

(og screenshot’s/cover under text!) Why hello there to my tumblr followers, it’s been a awhile /silly

ANYWAYS!!! Guess who recently finished the EVA franchise minus the rebuilds and has been in a horrible chokehold over it, this anime ruined my life but hey at least its intro theme is nice……

Well, I wanted to draw some stuff for it! All together these pieces took exactly 48 hours and 20 minutes… with the cover-piece taking ~35(?) of those hours. These were… very, VERY time costly safe to say LOL,,, I am super, SUPER proud of how the cover came out though, everything on it was drawn, colored, rendered, edited, whatever, BY HAND stroke by stroke (as you can see below)

The text, the lineart, the shadows, the colors, the snowflakes on the bio and Shuri, EVERYTHING was done by hand, it was horribly time costly but it did come out very, VERY well in the end I would say (fun fact! I also didn’t originally have the textless version of the cover, and I had to trace all of the lineart for bio’s tophalf by just guessing what line when where and what the hell was going on /silly)

this was a very, very hard project to do all together, but it was also a really nice learning experience too, I’m happy i did it that’s for sure :3!

(og screenies + cover)

[poorly-drawn-mdzs]

"See you tomorrow"

MDZS Disco Elysium AU part 4 [prev parts]

[copia]

COPIA'S JOURNEY TO RITE HERE RITE NOW ⛧ PREQUELLE ERA

"We need someone new. A firm leader; with youth, and stamina—and sexual charisma...."

video sources | comic bubbles | latin transcript | title font

[aueua]

!

[gunsatthaphan]

kluen: *breathes* phum: so you've chosen death.

[greenleaf4stuff]

The tragedy that is Adar mourning each of his fallen children, crying tears grief and sorrow, giving them a farewell when nobody else did, whereas he himself died without being given any of that – neither by his children, nor by other characters, nor the narrative/the show itself.

He stood by them when nobody else did, only for nobody to stand by *him* when he needed it most.

Oof.

[teaboot]

(I'm a security guard.)

[faunandfloraas]

The Nobleman or 양반 (yangban): The smiling face represents the bluff and composure that an aristocrat is often known to have. The chin is a separate piece from the top of the mask, and the actors can lean forward and back to make the mask smile or frown as needed.

This monk who abandons his doctrines, or 취발이 (chwibari): Chwibari was originally a monk, but he had no intention of joining the monastic order, so he came down to the world and wanders. Represented with a forehead full of wrinkles and spots.

The widow or, 부네 (Punae/bune): represented to be a widow, or a kisaeng ( a woman who sang, danced, or played an instrument to provide entertainment for company at a drinking party), or a mistress of the Yangban. She has a very small mouth, round cheeks and forehead- giving a general look of happiness good-humor.

[cosmicallyavg]

forgive me if this is like. common knowledge but i just realized thirteen's sonic is shaped like that because it's made out of spoons. and so its literally the shape of a spoon