#i am still mad at the russos lol

[lokiinmediasideblog]

Sadly it did kill loki to kill abt thor. But can we just see loki caring abt thor with him living for once. I was so excited at the end of ragnarok and iw ruined everything

Not sure what words were meant in the first sentence, but I agree with the rest.

[sexcromancy]

there is so much buckysteve on my dash recently I assume bc of the impending decade anniversary of winter soldier. but um. can I say something unchill guys. I hate that fucking blonde guy. used to be my number 2 after of course bucky sweetie pie war criminal barnes but I have hated him since april 26 2019 and I've searched my heart and I will not be forgiving him I'm sorry. fuck you steve like for real. this hatred has extended to the russos and real life chris evans and steve in all movies prior to endgame. not bucky tho he's still my og and my bestie. like embarrassing to have emotions about a marvel movie in 2023 but I am just so mad lol

[magnoliabloomfield]

This really got away from me and turned into a rage rant lol, but I’m VERY passionate about this.

After Infinity War/Endgame it became unsatisfying and just painful. Not painful like oof that was so cringe it was painful to sit through, no, the stories put beloved characters through so much pain and because you do love them you’re in pain with them and at this point in time, in this world, I HAVE HAD ENOUGH PAIN!

It is NOT boring for the hero to always win, it’s NOT cliche to have a happy ending. When I sit in the theater and during the coming attraction trailers my heart rate is 160 because I am SO WORRIED ABOUT WHO IS GOING TO DIE NOW AND WHO IS GOING TO LOSE EVERYTHING you are no longer writing satisfying stories, you’re not exciting your audience, you’re stressing them out and guess what? We tend to avoid what stresses us out. We also want to see success and happy endings in fiction just to give us some freaking hope for our own pathetic little lives. If movies are as depressing as real life why would I want to see them? I can just exist and be just as unsatisfied. If I’m going to a movie I want to be entertained, I want to forget sucky reality and see something more fantastic to make life bearable.

Don’t get me wrong, you can make it sad still, but it still has to be satisfying, any loss must be an acceptable one. It can make us cry, but at the end we should still be able to say we liked the movie as a whole. You have to put a beauty in the sadness, the sadness must reflect on love, you can’t just do something brutal for no point BUT to hurt the character/audience.

So like when Kerchak dies in Tarzan it serves a purpose, it is satisfying, it makes sense how it happened and there is some closure involved. When Hercule in Dear Lemon Lima dies it’s sad but acceptable. When Rudy dies in The Book Thief it’s HEART BREAKING but it’s still acceptable. When Davy Prentiss dies in chaos walking dear god I was sobbing for hours but it was good somehow, it was good to feel something so strong.

Tony Stark and Natasha Romanoff dying was completely unsatisfying because it didn’t make sense, something inside you wasn’t just sad it was annoyed or angry or generally unsatisfied because it was too hard to accept. It hurt too much, it was upsetting.

Someone said that if you write a story well, the audience can get angry at or annoyed with the characters for things they do but they’re focused on the character, if you don’t write it well the audience will get mad at you personally. You want to make your audience feel lots of things, anger, joy, sadness, encouragement, but you don’t want to upset them, upsetting them just makes them peer at you back there pulling the puppet strings instead of staying immersed in the world you created.

In Force Awakens you get mad at Kylo for killing the beloved Han Solo, but you are focused on Kylo, that means he’s written well. In Rise of Skywalker, since there is the phrase “SOMEHOW Palpatine has returned” THEN I’m mad at the story writer, I’m very mad at JJ Abrams and Russo Bros and I talk about that, I don’t talk about the characters involved. And especially when you know they’re capable of doing better, like Abrams with Star Trek and Super 8, and Russo’s Gray Man you’re left going WHAT THE HELL MAN??

Basically these writers need to read the goddamn room and if they’re going to start a trilogy they shouldn’t be allowed to start filming the first movie until they have the ending locked in place. I didn’t mind The Last Jedi at all, but at the end it was kinda like yeah… where do you go from here?? And I think they got just as confused and to whip out the “SOMEHOW” to fix a plot hole instead of going back to the board and fixing something further back in the story for something farther along to make sense. Like geez you were aiming for canon but you really made a cannon and shot yourself in the foot didn’t ya?

I can’t explain this very well but I think one of the reasons I can’t stand watching the MCU anymore is that at some point that world became a dystopia and now its shows and movies feel like I’m watching propaganda for it.

[floraone]

The King’s New Clothes

So I wrote this for @nari20 because it happened, lol! (And the reason it happened is because Nari is currently doing a compilation of Mamoru Makeover Art over on twitter because she is a gift to this world and there is a MANKINI IN IT and TUX UNDERWEAR and I am LIVING and how do we deserve this woman in our midst making our days So Entertaining lol?!)

Anyway. Talking about Mamoru fashion ended in some mutual prompting so. Enjoy some Fabulous Fashionable Kendy tumblr short!

---

Utopia had taken a surprising amount of time to adjust to, and no one had had a harder time with it than the new queen of the world.

Especially in the beginning, she'd bottled it up and painted a smile over it. But Mamoru - King Endymion now, or so his official royal name, and what the fuck that would need some getting used to - had been with his wife for long enough to see the tenseness of her shoulders, know what it meant when she gripped his hand so tight.

She'd been terrified.

The leaders of the world intimidated her. Not because she was someone easily intimidated, but mostly because some of them tried very hard to do so.

She gritted her teeth through glassy eyes when another old, bald man in a bland, navy suit tried to talk down at her, and stood her ground.

But afterwards, she'd tremble in his arms in the hotel room in any capital city of the world and try to breathe in deeply through her nose. When she'd started whipping out notebooks asking him all sorts of vernacular intentionally thrown her way because she could not understand it, thinking she had to learn and asking him to tutor her even though they’d done it all on purpose, he got mad in a way he started shouting for the first time in his life outside of life and death situations.

Not at her, mind you.

But they were trying to bring down his wife, not even realising the luck they fucking had to have someone with her heart trying to make them be compassionate and humanitarian and good. Someone so unwaveringly pure, someone with her unfaltering integrity. Someone so easily finding the good in others and bringing it out.

But they'd just fucking have to learn.

He'd hired a personal translator for her then, first thing in the morning. One of what was to be one of many. Someone who'd take these terms fired at her in foreign languages and usually translated just as haughtily and arrogantly to her, and instead explain them without shrouding them in pomp and circumstance. 'Habituation' in the end, was only 'getting used to something over time', after all, for a good translator.

They might have tried to hit her at her flaws, but Mamoru was determined, at Neo Queen Serenity's side, to show off where she was better than any of these assholes combined. The world lacked love, not fancy words. Usagi had him for the fancy words.

And so, even though it all began in endless work hours that tore at Usagi, in stuffy rooms half-way around the world at any point in the year, slowly, she grew into it. If Usagi was good at one thing, it was finding positivity and joy in all manner of circumstances, and this was no different.

The climate treaty negotiations in Brussels might have been mind-numbingly infuriating, but she'd snuck them out during lunch hour to a Belgian chocolate vendor nearby who'd been making paradise for the tongue for over 300 years in their little family run-store, and Usagi's eyes lit up like this had suddenly turned into the best fucking day. She might have to try and wrangle power-hungry men, but she could also buy a restored French carousel from 1872 and put it in her sitting room, and yes, she had. And yes, she rode it.

But even those worldly pleasures that made it all more bearable for someone who struggled with having to concentrate for a minimum 60 fucking hours a week most of the time, those pleasures that had the power to balance out the fact that Tsukino Usagi did not get to sleep in anymore at all, ever, were sometimes turned sour for her.

The second time he'd shouted outside life-and-death situations, he'd found her crying over a tabloid as she emptied hanger after hanger of extravagant dresses from her wardrobe.

One of those pleasures that made it all worthwhile for her? Fucking extravagant dresses. Even when Usagi was 14 and had only just learned she'd one day be fucking queen of the world, she'd started to look at couture differently. Started collecting moodboards and clippings. She'd been looking forward to that. A teenage girl's dream of the glamourous life of being Queen.

But now that she was, this life was more work than glamour. The only glamour she got was the one she made for herself. Like carousels in sitting rooms. Like Paolo Sebastian Autumn/Winter 2018 and George Chakra Autumn/Winter 2016 and Isabel Sanchis Spring/Summer 2020 and Ralph & Russo 2017 and Dior Spring/Summer 1992.

The tabloid was horrid. 'Neo Queen Serenity: What a Little Girl Looks Like Who Mistakes Leadership for Playing Dress-Up. Is the Future in Good Hands?'

Underneath it, a spread of Usagi in glittering, sparkling, over-the-top dresses. Everywhere from cutting ribbons at the newly minted Crystal Tokyo Center for Free Childcare to sitting in week-long conferences somewhere in New Brunswick.

Sometimes, he wasn't so sure if the world even deserved her.

He'd personally hung back every hanger into this wardrobe himself, cancelled their meetings for the day much to Ami-chan's organisational horrors, and took her shopping in disguise.

That day, something profound had changed.

"This one," Usagi had said with a flushed giggle. Her cheeks were pink, her eyes were dancing. And really, if it took playing dress up for her, no garment was ridiculous enough to not be worth it.

He stepped out the dressing room in the brightest floral-patterned shiny pastel suit the world had ever seen. Baby blue and pink roses over rococo gold embroidery to bright baby blue patent leather loafers. He looked like a chandelier had fallen into fresh paint and then rolled around in confetti. And his Queen loved it.

"Well, then," he'd winked, and she'd giggled again. "Let's take five."

If they were going to make fun of her choice of clothes, he'd just have to top her game, Mamoru decided.

And really, it made so much fucking sense.

Back when he was a boy with a glimpse of he's future, he'd always wondered how the hell THAT happened. And with that, he'd of course meant something quite specific, and not the fact he'd somehow made it on a throne.

A lavender colored tuxedo that had made him frown into the night for a long, long time. A lavender colored tuxedo that had yet not found its way into his possession. One he'd begun to doubt ever would.

Of course, Mamoru had always liked the more dramatic of clothes. So far, so unsurprising. His favorite attire was a tux and cape that he could flap like no other, after all, and then came a color-blocked puff sleave shirt he'd worn until it fell apart. He'd always liked color. One didn't get married to Tsukino Usagi if they didn't adore a colorful world.

But that?

And yet the royal world they'd found in their future hadn't looked satin and lavender when they'd finally made it there. It hadn't happened. It was navy suits and etui dresses with leaded hems to they wouldn't blow up, covered shoulders and skirts that absolutely had to be no smaller than knee-length, and he supposed it had made sense. After all, the Windsors didn't run around in see-through shift dresses and tiaras, either.

He'd even been a little relieved. He liked blending in. He'd told himself, when he first saw that lavender tux when he was fucking 18 and his mind was blown with too much information he should not have had, that he wasn't gonna do it. No matter what.

Now? Now it made so much sense. Really, he should have known. Of course, this was what was gonna do it.

Someone criticize his wife? They gotta go through him.

If protecting his wife's happiness while she made the world a better place meant Lavender Suits and Capes, then this was what it'll take.

Now, he was gonna fucking do it. Of course, he was.

So no, the Windors still wore unicolor, leaded costumes in the future.

His wife wore skin-tight chiffon, silk and satin.

And he wore mermaid-colored sequined-dinner jackets. He wore heels with flamingo-patterned trousers, complete with a tuxedo stripe at each side. He wore shimmering, metallic athletic wear, skin tight. He wore fake fur collars and thick embroidered velvet robes to black leather gloves. He owned a mankini. A hot pink leather jacket he wore over men's pastel evening wear. The green jacket was jealous somewhere in a closet. Maboroshi no fucking fashion sense.

Nobody ever wrote something offending about the Queen's new clothes once he'd grooved himself in.

(Minako loved it perhaps most of all.)

---

(ANYWAY NARI *ILLUSTRATED* THIS IN THE 50 MINUTES THAT IT TOOK ME TO WRITE THIS AND YOU GOTTA SEE HER ART. LIKE WHAT THE FUCK HOW DO YOU DO MAGIC SO FAST, NARI?!)

[amphtaminedreams]

Paris Haute Couture Week S/S 2020 Plus a Little Jacquemus: Okay, Dior DID Suck (Part 1/2)

Hi to anyone reading,

Oh my god. I completely forgot there was also 2 haute couture weeks. I FEEL SO OVERWHELMED. Here I was getting all geared up for the F/W 2020 shows and suddenly it’s Jean Paul Gaultier’s last show and everybody’s (predictably) buzzing about the Jacquemus collection. I can’t keep up. But Haute Couture week is a lot less intense than the RTW shows so I suppose I should be enjoying this relative peace whilst I can. 

I remember my last post about Haute Couture week opened with me defending Maria Grazia from the wrath of the internet; if Jacquemus is social media’s Lord and Saviour, this woman is the Antichrist. She’s Michael Langdon minus the dramatic flair. But the thing is, I genuinely really liked the Dior collection last time. Maybe because I was newer to the discipline of scouring Vogue Runway, but the lack of originality didn’t bother me; it was still something I’d die to wear, gothic yet delicate and relevant for 2019. 

That being said, this time round, I have to open by doing the exact opposite and concurring: this time round, Dior was in fact, utter shit.

I feel mean saying it but...really? These were the slightly more salvageable outfits and my favourite of the bunch, and to be honest they don’t really capture the full extent of how outdated this collection was to me. I know that the concept behind the show was this idea of the divine feminine but Greek Goddess has been done SO many times. If you’re gonna go down that route, you have to bring something new, elevate it in some way. It can’t be THIS generic.

I can’t believe that in 2020 we’re really seeing plaited hairbands. The individual dresses are basic, but not so much the problem as the styling; they look like outfits I would’ve put together back in 2012. That’s not an exaggeration. I think even 2013 me would appreciate that you need to make things a little twisty. 

The colour scheme is pretty, don’t get me wrong, and I like the cowl necks-the white dresses are the highlights. I think the concept of this collection was conceived with all the best intentions. But as a designer you need to take risks and I don’t see one single risk here; there isn’t anything that wouldn’t already be sold in your local H&M. Dior is such an established brand, Maria Grazia has room to do whatever she wants. And yet it just comes across like she’s out of ideas. 

You’ve got to look at a designer like Ulyana Sergeenko:

When I say elevated (but still in the vein of wearable), I mean something like this. To be completely honest, I hadn’t heard of Ulyana Sergeenko until I saw shots of this show on Twitter. But what a perfect mix of kitsch and glamour. The influences are clear: Priscilla Presley, Barbie, Jackie O, Valley of the Dolls, the rich stay-at-home wife of the 60s, the Alessandra Rich/Scream Queens-esque sorority girl, Paris fucking Hilton. It’s exaggerated and it’s tongue in cheek with total grounds to call it trashy-there’s a corset resembling a Benjamin Franklin, ffs-but it’s all done with a wink and a nudge. And in all honesty, I just think it’s beautiful. Can you imagine Frances O’Sullivan (@Beautyspock on IG) in one of these looks? It would be worthy of the Rose McGowan cultural reset meme ten times over.

Everything is feline, from the very literal cat silhouettes and cat headed boa, to the makeup and the hair clips. It reminds me of the last RTW Ralph and Russo show but with even more attention to detail. And look at the STAGE. If this collection were a song, it’d be Disco Tits by Tove Lo. And no, I’m not just saying that because one of the dresses actually does feature a (cat shaped) disco tit. Like these are the clothes I dreamed of putting my Bratz dolls, and for null I’m sure, myself in. Absolute perfection. Plus, I’ve loved Coco Rocha since she was on The Face with Naomi Campbell; she is, after all, to thank for the iconic “check your lipstick before you come for me” line. Girl is really the martyr for all purple lipstick lovers, cut down in her prime by a pissed-off Naomi. 

Onto Alexandre Vauthier, which I also really liked. An interesting yet effortless blend of the old and the new, the masculine and the feminine, if I could sum this collection up in one word, it would be cool. I know, it’s not the most descriptive, but it pretty much sums up how I feel; I’m not AS gassed about it as I am about Ulyana Sergeenko or this season’s Elie Saab (wait for it), but it’s a fresh offering, even if the styles aren’t the most groundbreaking. Stand outs for me are the almost petticoat like, debutante dresses which have Elle Fanning’s name written all over them.

I was hard pressed to find favourites in the Armani Privé collection if I’m honest. I’m not saying it was awful, all I know is that it just isn’t my style. It’s all a bit TOO tailored for my liking, and kinda reminds me of the Zara pantsuits my Spanish teacher used to wear. In other words, I find it to be a bit dowdy. On a positive note, the colours, fabrics, and beading are all stunning, so I see that a lot of craftsmanship clearly went into it; I think my biggest issue is the styling and the shapes (or lack of) on show. I’m very much getting a 20s, flapper vibe and whilst that’s an era that fascinates me and that I appreciate was cutting-edge at the time, I’ve yet to see it be bought into the 21st century in a way that doesn’t look stiff or costume-y. 

Then there’s Azzaro. At the complete opposite end of the scale to Armani, it doesn’t look expensive, which I’m sure isn’t something any designer previewing their collection at haute couture week is striving for. BUT that being said, I’d be much more likely to wear something from this collection than I would from Armani Privé. I mean, I have no shot at ever wearing either but ya get me. 

Whilst I’m sure it or something similar has been done before, the mesh diamanté dress is exquisite and I’m a huge fan of the stacked gem chokers and belts. The whole collection looks like something a London socialite who parties by night but (deep breath in) plays in a shitty band so fancies herself a bit of a rockstar by day would wear (exhale) and as much as that doesn’t sound like a compliment, I mean it as one. I’m talking about the kind of person you’d see smoking outside a bar and think “I wish I was them but I am potato lol”. I mean, as far as faux fur and fedoras are concerned, I’m gonna find it hard to completely slate a collection so this is pretty up my alley.

Chanel was a huge step up from their last RTW collection, imo, and probably on par with their last haute couture offering. It’s that same blend of preppy Chanel detailing (i.e the exaggerated collars, the checks and the lace) and practicality, only even more austere this time round.

It’s funny because when I looked back on original notes on this collection, before I’d even done any research into the context, I saw that one of the things I’d written was “giving me Victorian orphanage madame” as well as “something something Amish” and I wasn’t THAT far off base. The collection is, after all, supposed to be a tribute to the nuns who raised Coco Chanel at the beginning of the century in an Abbey-cum-orphanage. This makes me really happy; I know not everyone’s a fan of Virginie Viard’s nods back to the past and the brand’s origins but as a history nerd, I definitely am. 

There’s also definitely a lot of things that can be translated into high street trends here: the combination of decorative white socks and black shoes is something I’ve seen making a comeback already, tulle is always a winner (I actually don’t mind it as an overlay, I think it’s pretty, sue me) and I have no doubt we’ll be seeing these dramatic collars creeping back onto tops and jumpers throughout the year. It’s been a while since they were a thing anyway and we all know how cyclical fashion is.

Another high note for Elie Saab this haute couture season; if I was an expressive person, I probably would’ve audibly gasped as I looked through this collection. It is SO FUCKING MAGNIFICENT. The colour scheme, the baroque prints, the floral sequinned embroidery, these are Cinderella style ballgowns taken to the next level. Elie Saab really is the definition of opulence and I’m not at all mad about it. Please, somebody put Lana Del Rey in one of these, PLEASE. Remind her how much of a princess she is and get her out of those “soccer mom” looks.

I’m so stuck between this collection and Ulyana Sergeenko as my favourite, and the latter might just pip the other to the post, purely because of the staging and extravagance of the presentation itself. 

Georges Hobeika was predictably phenomenal. Like, I’m not going to lie, I am easily won over by some sequins and tulle, I’ve never claimed any different, and if you can expect that from anyone, it’s this guy (ignore that phrasing making me sound like his proud mother). The colour scheme is very spring appropriate and so is the 3D flower detailing, and if there’s anything good to take from Ascot and English royal weddings, Georges Hobeika knows it’s the hats.

It was another strong year for Givenchy too:

Though Claire Waight Keller is also fond of the extravagant details along the lines of feather and tulle, it’s always done in a more organic way; the details are always more reminiscent of nature, something created by accident, than they are suggestive of painstaking attention to detail, the image of someone hunched over a dress beading for hours on end à la Georges Hobeika or Elie Saab. That is not a bad thing at all; if anything, it makes Givenchy more interesting to study and gives you more to think about. Sometimes a dress takes you a bit longer to fully appreciate, but I’d say that only lends to its memorability. This year’s willowy, billowing, and at times coral-esque structures  remind me of something I can see being worn down an Iris Van Herpen runway, set apart by that delicate Givenchy finesse. And side not: I know this post is to talk about the clothes, not the models, but I got super excited over seeing Sora Choi and Adut Akech walk too. 

Guo Pei is always fun to look at. I mean, this collection is giving me half Matryoshka dolls, half It’s A Small World Christmas edition and I can’t hate on that. 

And then there’s Iris Van Herpen, who knocked it out of the park once again. At this point, I wouldn’t expect anything less. Every outfit looks like something that could be exhibited in the Tate Modern (I know, it’s a basic opinion, but it’s true: TATE MODERN IS THE BEST MUSEUM IN LONDON), or honestly, the Design Museum, just for the genius that must go into the way these dresses move. Honestly, if I can see a goddess wearing anything, it’s more one of these looks than anything in the Dior collection. Like wife of Poseidon or something; I know it’s not very feminist of me to not know the Greek Goddess of the sea’s name but I only know who Poseidon is because I was a Percy Jackson fan back in the day so let me live.

It’s not like the whole under-the-sea theme is particularly new, Zimmerman did something similar last RTW (I think? Correct me if I’m wrong), but these constructions could’ve grown out of the sea bed themselves, which is more of an original take than “oo, blue and white and frothy hemlines!”. Additionally, we’ve got these dresses with the overlapping almost plaited fabric that are-we’re sticking with the goddess references here-fit for Persephone ruling over hell. As for the Grudge-looking dress (fourth down, far left), I could be reaching, but is anyone else seeing that as a nod to the oil spills polluting our oceans? Because that would just add yet another layer to this collection. 

Regardless, it’s all impeccable and I’m in love. Iris Van Herpen as a MET Gala theme. Make it happen.

Anyway, to end on a high note, that’s it for this post! 

Sorry it’s such a sudden cut-off but Jean Paul Gaultier was due to be my second to last to review and due to it being the final show, there’s an onslaught of photos that would not fit with what’s already in this post. Plus, I’d rather start a post with Jacquemus then end it as I feel like there’s a lot of hype around his collections online right now so 1). it’s clickbait (for what, I do not know, as I’m not exactly making any money off this blog, just losing my sanity as it transpires when Tumblr accidentally terminated it earlier today and I had a minor breakdown) and 2). this Steve Buscemi meme is the most accurate representation of only 21 year old me to grace the internet:

I will aim to post part 2/2 in the next week, including JPG, as I just mentioned, the Jacquemus co-ed show, Margiela, Valentino and more, and as always, thank you for anyone who read until the end! You are an angel:-)

Lauren x

[uncoordinated-house-cat]

pls rant about nicholas ii 👀

dude i am so glad u asked. i mean, u didn’t ask for the entire rant about both russian revolutions, but here u are anyway. (but also im a teenager history student so this is very biased and i checked most of my facts but not all of them so don’t quote me and if a history person who actually knows what they’re doing finds a mistake don’t @ me) ok so nicholas ii was an absolute ********** and had an iq of -1000 and he was still super convinced that he could run all of russia, which is like a freaking huge country with millions of people who are super poor (peasants made up 85% of the population in 1905 when the first revolution happened, the number of people below the poverty line was probably way higher when the actual revolution happened and he got overthrown but bitch had it cOMING) 

so here’s the thing. nick, a spoiled child who let’s say is twelve years old when his dad alexander dies of assassination (omg i googled the dates and HE WAS TWELVE I WAS RIGHT FHDSJKLAFHSD) has been told, since he was a tiny but no less annoying baby, that he was amazing and very smart and was absolutely entitled to rule all of russia and he was like ‘hell yeah bro this is my divine right wahoo guess i don’t have to pay attention in my ‘how to be a good leader’ lessons cos god chose me to be the tsar so i already am one #thuglife’ 

so he met this girl named alix, who was princess of somewhere irrelevant and incredibly religious (and also deluded but that becomes important later) and he falls in love with her and they get married, which is nice but probably not a good long-term decision because through her friend, nick meets rasputin (and i love the ra ra rasputin song but rasputin was very very problematic) and that’s one of the many, many, many stupid things he does that makes literally every single person in russia (again, lots of people) mad at him. but nick is in love, and he marries alix, and this is all very nice if russia was a substantially smaller and easier country to run and nick was actually a competent leader then maybe there wouldn’t have been a revolution! but alas, this was not the case. 

so as we all know, russia is fucking enormous. for people who have never looked at a map in their entire life, this is russia

and it has more landmass than several continents put together. chonky boi. and the capital city where the royal family lives? well, you’d assume it’s somewhere in the middle ish, since russia’s such a huge country and you kinda need to be in the middle in order to have literally any idea what’s going on and stop your people from revolting under your freaking nose, so put it in the middle. 

but nOOOOOOOOOOOOOOOOOOOOOO. they put the capital in st. petersburg, a place that’s like five minutes drive from finland, estona, latvia, ukraine (although that would probably take a while but u get the point) and LITERALLY NOWHERE NEAR ANYWHERE IN RUSSIA. ARGH. 

i’m pretty sure the reasoning for this was ‘it’s been there since forever and everything was fine then so we don’t need to change it’ cos back when russia was actually a country-sized country instead of the mammoth it is now (we’re talking 1539, and by country-sized country it was still bigger than most of western europe put together), the country was all the way over to the left, where st. petersburg is, so they probably had the capital there foreeeeeeever. even after they expanded and became mcfreaking enormous bc sOmEoNe (not naming names *cough cough* ivan the terrible *cough cough*) decided it would be an awesome idea to have some expansionist policy, yay, and now we’ve ended up with this monstrosity. and while you might think that having a big country is great, it’s not. here’s why:

- so many people. soooo many people

- how u gonna keep track of all of them?? it takes like 8 years to get from one side of this bad boy to the other

- since nobody can control russia cos of all the land and all the people, the culture just goes absolutely backward. the peasants are too poor to afford food, let alone an education, and it’s not as if nicky is gonna build free public schools or raise wages or anything, lol, so the collective russian mindset is a bit of a dumpsterfire

- if, say, a revolution were to happen, which of course it can’t hahaha everybody know’s nick’s the divine ruler and overthrowing him wouldn’t be possible cos everyone’s so thrilled with their life in a very cold place with no food, awful policies, terrible wages and working conditions and a tsar who cares more about hanging out with his family than actually doing his duty as leader of the biggest country in the world?? then the tsar wOULDN’T KNOW THE REVOLUTION WAS HAPPENING UNTIL IT WAS ALL OVER THE COUNTRY AND SOMEONE WAS HOLDING A GUN TO HIS STUPID TINY PEABRAIN HEAD

and nick did not do a lot to help the russian people to live unproblematic, non-poverty-stricken lives. in the early 1900s, there was a big move to the cities cos everyone was moving to the cities which meant there were more educated people getting jobs or going to university and going ‘hey, our wages are shit, nobody has any food and it seems like the tsar is doing a really bad job and just living in the lap of luxury while his entire country suffers?? should we do something about this??’

but he did do something. oh, boy. nicky, looking at all his ancestors going ‘bro aren’t u gonna expand the country that’s literally the one thing russia is good at u can’t break our streak’ went and conquered siberia. then he built a railway, cos he needed a water outlet for trade and stuff. he called it the trans-siberian railway. he wanted to make it really big, and cross over into manchuria, so he had a bit of a war with china which he won and then he built the railway in manchuria. 

meanwhile, japan has been practising their war tactics a lot recently and while they don’t have much of a reputation in the west (like at all, nobody takes them seriously) and they also want to expand and flex their fighting skills a bit, they cross into manchuria and are like ‘i want this land. gimme’ and nick is like ‘nah fam i’m good’ and japan is like ‘>:( one last warning’ and nick is like ‘lol ur country is tiny and my country is huge have u seen all these buff russian soldiers i have guarding the railway i could crush u with my boot’ and then the japanese launch a surprise attack! on the russian squadron at port arthur. nick made the pikachu face, then the russo-japanese war started. 

uh oh, bad decision! looks like the russians are losing and even tho there’s lots of them there are more japanese and they have better battle tactics, so nick sends more soldiers. thing is, everyone in russia is already super poor so they can’t afford to have the [relatively] healthy, working men go off to war and die, cos that’s not practical at all and now they have even less money and food. fast forward, russia loses the war, nick makes the pikachu face again, stays in his nice mansion while the rest of russia starts going ‘grrr’ as well as ‘brrrr’.

and then this dude called gapon who’s a nice priest guy goes to petition the tsar to have better working conditions, fairer wages, a bunch of other stuff but they’re all very fair and reasonable. nick is like ‘nooooo!!’ and his uncle is like ‘nOoOoO!!!!!!1!!!’ and orders the army to shoot the peaceful protesters, so it gets called bloody sunday. this makes everyone really unhappy again, and it’s called the russian revolution of 1905 cos there are a lot of strikes and even while nick is like ‘haha this isn't happening’ they don’t reeeally accomplish much bc nick stays on the throne, and the russians are very mad but not mad or coordinated enough to overthrow the autocracy. there was this new parliament thingo called the duma, because nick’s only competent political adviser, count witte, was like ‘bro u literally have no choice but to form a new democratic government’ and nick was like ‘oh ok what if i made a government but it’s not really democratic or effective bc they have very limited power’ and witte was like ‘nick nO’ and nick was like ‘hehe nick yes’ and the duma was formed

--fast forward to 1917-- *time vworp noises*

so russia is poor. again. everyone is mad. again. all the men have been sent off to war. again. this time, it’s because of world war 1! 

and yikes, the russian army have it bad. like seriously, those dude were suffering lots and lots. very ouchy, no food, too cold, everyone is dying. it wasn’t great.

nick was like ‘hmm this war seems to be going well anyway look at my children aren’t they cute one of them broke an expensive vase today that’s so funny!!!’ (i made that up but he really didn’t care much and spent a lot of money u get the gist)

lots of strikes are happening. nobody is happy, and this time there are actually some organised people who can channel the rage into a revolution that might actually get something done this time. 

by the way, rasputin has turned up!! *cue the ra ras*

so rasputin introduces himself to some lady who’s a friend of alix, and alix, being super religious and super deluded and also having a sick son -

oh yeah, she had like five kids (was it five? not sure it was a lot) and the first four of them were girls and she was like ‘oh my god who’s gonna rule the country i have to have a boy’ and then she finally had a boy and his name was alexei and everything was great until they discovered that he had haemophilia, which is a hereditary illness that means ur skin is super weak or smth and whenever u, like, bump a table and u would normally get a little bruise, instead u start bleeding like you’ve been shot and yeah it was super problematic and it meant alexei was constantly sick and bleeding

- and so alix said to rasputin, who proclaimed to heal people like he was basically jesus, ‘yo dude can u pls heal my son it’s pretty urgent ngl’ and rasputin was like ‘uh huh lemme just take a look at him’ and he had a check up with alexei who somehow healed?? i don’t know how, he just sorta did, (he still had the haemophilia but alix was convinced it was gone for good) and so she turned into rasputin’s Number One Fan and started spouting all his very false religious conspiracy theories and made him a very important member of politics which was Not Good

and then count witte, the sensible one, was like ‘hmm this rasputin fellow seems kinda shady also he has thousands of STIs i don’t think it’s a good look if ur wife is hanging out with him all the time bc there are lots of rumours and he just seems super sketchy i reckon we should get rid of him’ and nick was like ‘no U’

he just uno reverse-carded him. witte tried to investigate rasputin and then nick was like ‘hmm i guess i’ll dissolve the duma cos ur being annoying’ and witte resigned like two days later. fair. if i had to deal with nick on a daily basis, there would probably be a lot of punching (of him, by me, in case u couldn’t tell bc im full of rage)

and there were a lot of rumours going around about alix & rasputin (which was kinda fair, because they hung out all the time and rasputin was a very sus person) so alix’s credibility was questioned and she was accused of selling secrets to the enemy, which was a bit dramatic (im pretty sure it was because she came from germany, and she was called ‘the german woman’ by a lot of the public)

--- also this isn’t very relevant to nick but i thought it was incredibly funny how rasputin died and it was time for a break from all that serious stuff so ~INTERLUDE~ --- 

note: start listen to rasputin by boney m cos this is where it gets hilarious (and the song also narrates his assassination lol)

so nobody liked rasputin. he had a lot of sex with pretty much everyone, he was very religious but also spouted a lot of nonsense, he was involved in some very dubious stuff and he was in favour of a lot of policies that the general public did not want at all. so a lot of people tried to murder him. and nearly all of them failed!! turns out, rasputin is really difficult to assassinate. there were a bunch of attempts on his life, all failed, before this one dude was like ‘bro i gotta put a stop to this’ so he invited rasputin to his house cos he was rsaputin’s bud (his name was yusupov btw)

dude gave him some cakes. they were laced with cyanide (poison) and rasputin was like cronch cronch, nom nom. did not die. ate a lot of cake. 

yusupov was like ?????????????

gave him some wine. wine was also poisoned. rasputin was like ‘dude this wine is good where can i get some more’ and he drank three glasses of it. the wine was poisoned with cyanide as well, btw. and the doctors who had helped plan this had carefully put enough cyanide in each glass to kill SEVERAL MEN. still not dead somehow???? 

so yusupov went ‘ok time for plan c’ and shot him. rasputin was like ‘ow’ and fell over. yusupov checked his pulse, there was now, he was like ‘ok good job’

and then while they were discussing their cover story upstairs, yusupov went back down to check on rasputin’s body and dude was sTILL ALIVE.

so they shot him again, tied him up, shot him one more time for good measure (and they shot him in the forehead at some point but apparently he was still alive???) and then they threw him into a frozen river. where he died of hypothermia, after having consumed enough cyanide to kill dozens of men and being shot three times, one of which was literally in his head. hhhh.

*sigh of relief* he finally died. fINALLY. the dudes who assassinated him got exiled but nothing worse than that because everyone in russia was like ‘well someone had to do it’

~~END OF INTERLUDE~~

now shit is getting rEAL. i mean, not for nick, obviously. but everyone else is like ‘ohmygosh rasputin is dead we actually got something done yay!!!’ 

so it’s february 1917 in petrograd. nick is on holiday with his family 800km away with literally no idea what’s going on. 15 million russians were away at war, and 1.7 million had died. lots of strikes and protests are happening. bIG protests. people were breaking into stores to get food, because of the awful food shortages, and it was very very cold so everyone was slightly extra mad. the police shot at some of the people who had gotten up onto the rooftops, so they protests turned into riots. all the people who were on strike from work joined the riots, and the women workers who had come out for international women’s day marched around the nearby factories and got another 50,000 people (including students and teachers) to join the riots (which was A Lot) and by the 25th of february the riots had gotten so big that pretty much every business in petrograd was shut down. literally everyone was rioting. 

the tsar was like ‘hmm that doesn’t look good’ and ordered his army to shut the riots down. there were about 180k troops in the city, but only about 12k were actually able to fight bc the rest of them were all injured from the war. they didn’t want to suppress the riots by force bc a lot of women were in the crowds (guess chivalry isn’t dead?) so when the tsar was like ‘no u gotta do it’ the troops were like ‘fuck u’ and either joined the riots or yeeted outta there. hooray!! 

the tsar was like ‘ok everything is under control’ (partly bc his official informant gave him the wrong info rip) and didn’t accede to any of the rioter’s demandsor do anything for a while. and here’s the thing. the tsar’s cabinet sent a telegram to nick saying ‘bro u gotta resign, we’re literally on the verge of revolution’ and nick read it, wrote ‘lol’ in his diary and refused to answer. 

the next day, there was another telegram saying ‘bro, u GOTTA resign. the revolution is happening now. if u don’t resign, the entire monarchy will be overthrown and ur reign will be o-v-e-r’ 

and nick wrote an entry in his diary saying ‘what nonsense is this? i can’t believe they’re sending me telegrams about this rubbish, as if i’m going to do anything’ (and im paraphrasing bc i don’t have my book w me but he definitely used the word “nonsense” and wrote a bunch of awful stuff about it) 

the next day, nick got another telegram that basically said ‘welp. country’s over. good while it lasted, revolution is happening now and it’s too late for you to do anything about it bc u didn’t listen to my numerous warnings to resign’ and nick was like ‘wait should i... do something about this??? hmm... yeah!! i’ll go up to petrograd and show ‘em who’s boss!! can’t defeat the absolute power of the tsar, huzzah!!’ 

and he went up to petrograd and got arrested. he had no choice but to abdicate, adn then he and the rest of his family were put under house arrest. there was a bit of an argument about whether they should be exiled to some western country, but all the western europeans were like ‘we don’t want nick u can keep him’ so they put him under house arrest in one of his palaces, where nick pretty much just chilled out with his family until they were all executed because everyone in russia was still very mad at them. 

(and in 1981 nick and his family were recognised as ‘martyred saints’, which is fine for the rest of them but nick absolutely did not deserve it)

thus concludes my very, very long rant. i spent way too long writing this, but my history teacher would be proud of me.

[thefinalexperiment]

Black Satin (3/10)

Pairing: Billy Russo x Reader

Warnings: suggestive content, fairly unhealthy relationship lol they’re both kind of sociopathic, villain reader, implied cheating, consented cheating kind of? it’ll make sense if you choose to read it

Previous parts can be found in my masterlist thanks to dumblr and the link censoring.

       When I got home, Billy was breaking things. Again.

       It didn’t happen often, but when it did, I knew something had really set him off. Probably Rawlins. I hated that man. Billy did to, but he was far better at hiding it from the man himself. Still, we both knew he was necessary.

       That’s right, Billy let me in on the whole thing he was running. He refused to let me in on it, though. At first, I had been upset, but I understood. In the worst case scenario, he wanted to make sure I was clean. Sweet of him, I know.

       I set my purse on the kitchen counter and took a breath, steeling myself for Billy’s rage. Even though it wasn’t directed at me - I still had to be ready to face his tendency to lash out at anyone and anything in front of him. No, his rage was never directed at me. We worked too well together for that. We fit each other perfectly, in every way. That’s how I knew exactly how to calm him.

       Even that first time I’d seen him like this, I had known just what to do. Most other girls would’ve done something pathetic. Freaked out, maybe. Called the cops. Or flat out just ran away. But not me. Billy had shouted and I simply spoke calmly. He looked at me like a deer in the headlights. I could tell he was used to people flinching and cowering. Honestly, I think he likes that. But he liked it more when I stood up to him. That had been a great night… After that, he never yelled at me again. That’s fine by me. Thinly veiled anger and a barely controlled tone are hotter anyways.

       Squaring my shoulders, I walked around the corner and casually leaned against the wall, waiting for him to notice me. It took one more kick to the coffee table before he did.

       “What’s on your mind, Mister Russo?” I asked, adding a light, teasing lilt to my tone.

       Before he answered, his dark eyes swept over me. Now, I didn’t have to dress up for work, but most days, I wanted to. It was all worth it for the way Billy looked at me when I got home. He’d look at me the same even if I was wearing a potato sack, but if I wanted to get him really hot and bothered…

       Today was no different. Well, maybe a little different, what with the raging anger and all, but I digress. His favorite thing of mine was that dress I’d been wearing when we met, but I wasn’t about to wear that to the office every day. Still, pencil skirts and button ups have a similar effect on him. I’m not really one to talk, though. Billy wears a suit like he’s the only man who can.

       Right now, his tie was undone, both ends loosely hanging from either side of his neck. Having finished his once over of me, he licked his lips and threw up that irritated smirk. Something was different… something was really bothering him.

       “It’s, uh, Rawlins,” he said flatly.

       “Uhuh… I figured as much. What did he do this time?” I moved to sit on the couch after snagging a bottle of scotch and two glasses from the minibar.

       Billy surprised me when he joined me. I’d figured he would want to give the wall another solid hit or two before he calmed down to this point. Apparently whatever was upsetting him was fairly serious… He took the bottle from me and filled the glasses, nearly downing his in one gulp. I held mine close to my lips, but didn’t drink yet.

       “Billy.”

       “Hm?”

       “What’s up? Seriously, I’ve never seen you like this. And that’s saying something…”

       He chuckled dryly. “I’ve never been asked to do something like this before… and that’s saying something. I’ve done a lot of things…”

       I watched him for a moment, finally sipping at the scotch. I had a feeling I’d need it to hear what he had to say.

       “Out with it, Russo.”

       Billy stretched out and leaned back against the back of the couch, sighing.

       “There’s this Homeland Security agent… Dinah Madani. She’s digging into Kandahar…”

       From the look on his face, I had an idea of what he was about to say.

       “And Rawlins wants you to…”

       “To gain her trust.”

       “By any means necessary, I assume?”

       There was a beat.

       “By any means necessary. Though Rawlins was anything but subtle with his implication about those means.”

       Well then.

       I took a deep breath in, then slowly sighed.

       “Well, for one thing…”

       Billy’s jaw tensed like he was preparing for me to be mad at him for his superior’s orders.

       “Not every girl is as weak to your charms as I am, Billy. If you wanna be effective with this Dinah Madani, I’m going to have to teach you how to step your game up.”

       There was a pause as he looked at me with that adorable calculating face: lips slightly parted,  head tilted, and that adorable crinkle in his brow. Then, he laughed.

       “I’ll have you know, I managed to get my fair share of women before you came along…”

       Smirking, I set my glass aside and straddled his lap.

       “Hmm… for a night, maybe.” I cupped his face in my hands, tilting his chin up to kiss him in that teasing way that I know drives him crazy. “But if you want this woman in the palm of your hand… you have to go for the kill… for her heart. I’ll show you how to steal her affections and blind her with your charms… not that that second part will be too difficult for you.”

       Billy ran his fingers through my hair, nuzzling into the crook of my neck.

       “Mm… and then what?” he murmured. “When I’m done with the mission and we’re safe?”

       “Then…”

       I ran my fingers through his hair, and his hand found my throat, gently caressing along my collarbone. It was our little game; having the power to hurt one another, but choosing not to…

       “Then, you break her. For me.”

       Billy turned his head to kiss the palm of my hand.

       “I will.”

[alexei-protection-squad]

My thoughts on endgame because I really need to write them

(DISCLAIMER 1: THERE ARE MAJOR SPOILERS (DUH)

DISCLAIMER 2: SINCE I KNOW THE USE OF COLORS OR EMOJIS COULD TAKE SOMEONE'S ATTENTION AND ACCIDENTALLY MAKE THEM READ THE SPOILERS I DECIDED TO WRITE EVERYTHING IN LOWER CASE AND WRITE IN ITALIC THE THINGS THAT MADE ME GO ADSDDGJFKTKL)

-at the start I was like yea they ain't gonna put all the stuff in the trailer in like 20 minutes lol

-boi was I wrong

-when the avengers reached thanos I was really confused because wat

-"i went for the head" @ thor I love u bich,,, i gon never stop loving u,,, bich

-then I was like ok fine thanos' purple ass is gone he's not gonna be the villain yea :)))

-boi was I wrong pt 2

-bruce banner learnt the fine art of self acceptance I'm proud of him

-the fact that scott came back like that makes me laugh and be pissed at the same time wth

-tony's daughter is the purest thing in the world and I'm ready to throw hands at whoever says otherwise

-unexcercised beer drinking thor that plays fortnite is extremely cursed and I don't think I deserve it

-natasha having an arrow necklace,,, ashdgn

-carol with that hairstyle makes me gay

-I absolutely loved all of rhodey's references

-Clint became an edgy emo kid and I'm not complaining

-kate bishop wasn't there. im suing

-hulk trying to seem strong af in 2012 and failing is a mood

-tony complimenting steve's ass I can't

-if that bitch aka loki came back to asgard is he alive?? is my favourite bitch alive??

-2014 peter quill was on screen for one (1) minute and managed to bless us

-cap saying 'hail hydra' made me think of that one series of comics and honestly? I approve

-cap vs cap in a nutshell: cap 1 uses bucky card and destroys cap 2

-@ the ancient stop trying to sound smart sis we know you use dark power to live

-guess what thanos is doing shit again

-nebula I love u

-I don't wanna believe natasha died to save everyone and how she fought with hawkeye for it shut up

-the whole thanos family complex was so well done

-thor talking with his mother again makes me soft

-rocket is still the sassiest bitch

-tony talking to his dad is just,,, marvel stop

-steve seeing peggy is even softer jfc

-everyone: omg we did it yea bruce snap and we're all gonna be safe :D

-thanos and nebula 2: its britney bitch

-hawkeye finally had the justice he deserves and proved the non comic readers that he's badass too

-nebula killing herself so easily is my 'fuck you' ultimate goal

-cap holding mjolnir im

-when everyone started appearing me and my best friend almost cried lololol

-tony hugging peter sgnfglljooip

-cap holding mjolnir

-cap was holding fucking mjolnir and beated thanos' ass with it do you understand how hyped was I during that scene

-the fight was so epic I think I'm not worthy of even narrating it

-valkyrie. thats it keep scrolling

-just appreciate pepper's suit you cowards

-tony

-he understood after his father's discourse how he could've saved everyone's life even if he could have lose his

-him using the gauntlet gave me such a weird feeling. He had in his hand what caused him so much pain

-pepper trying to tell peter not to cry and then losing it it's such good acting

-I'm not crying you are

-his funeral was one of the best if not the best part of the movie

-her daughter lost her dad and isn't even aware of it,,, god russo brothers

-"I love you 3000" I swear my eyes are sweating

-thor and quill arguing are my last two brain cells at 3 am

-ok listen marvel

-I love you but stop

-you really did that with cap huh

-thanks for letting him be happy after only 100 years very cool

-they,,, did the last dance,,,

-I'm a stucky shipper but idc they're the purest thing in the world fight me

-but seeing him old killed me do you understand that right

-I'm so mad he didn't give his shield to bucky

-Sam always was a background character and I understand that this could give a start to his tv series but why did he give it to him in the first place

-america explain

-marvel played with our heart, destroyed it and then didn't even give us a post credit scene? Are u ready to catch these hands yes or yes

-truly one of the best movies I've ever seen and most of the critics I have are more subjective than objective so it deserves a 10/10

-it's almost 2 am I should go to sleep

[loxxxlay]

a4 spoilers below

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okay seeing all these posts this morning, im getting upset so im gonna explain where im coming from:

im not mad that thor is fat now. i actually went through 3 phases once i read the spoilers about it:

one, briefly mourning the biceps that we all know i love.

two, GETTING SUPER EXCITED AT THE POSSIBILITIES. i definitely headcanon thor as becoming an alcoholic and losing touch with his physical health post-IW. i have like 3 fics lined up to read that deal with thor being overweight post-iw. i also have considered changing a post-iw fic im writing to include thor as being overweight too. i fucking love this idea of thor in canon showing signs of the huge grief and depression hes gone through. finally!!

and then three: i found more info, and while plotwise it might have been set up this way, thematically it seems to be insensitive. hes shamed by the people he loves--which Im well aware is a common experience, more on that later--but rather than for realism, it seems to be for COMEDY. so basically his weight gain is the butt of the joke. his suffering, his depression, his coping mechanisms are the butt of the joke.

okay more on my personal experience. i am not currently overweight, but i used to be throughout high school. and i got a really fucked up self image because of a few things ppl said. in college, i did ballet and basically starved myself for 2 years and became so thin that everyone started worrying about whether i was annorexic (i dont think i was but the fact is i did become underweight). that was a long time ago. ive finally regained my sense of hunger lol, and i am a decent weight right now, if a little chubbier than im comfortable with. many ppl call me "thin." however, even now i still binge eat during spikes of depression. im also very close to a family member who is currently overweight and used hard drugs and alcohol as coping mechanisms during one of their brutal depressive episodes.

in my weight now, i know i am privileged. but that doesnt mean i was always this way and that i dont understand the reality behind thor's experience. and its really frustrating that i feel i have to self-disclose all this information about myself simply to be able to say "i dont want to risk seeing fatshaming of a beloved character in end game"

like, this doesnt even add to the fact of gamora's treatment in IW. i saw DROVES of people who said that they thought the russos were very respectful of her character and the abuse she suffered. while i respect those ppl's opinions and their enjoyment of the movie, i INTENSELY disagree. and because of that, i dont trust the russos anymore.

and so just because now, loads of people are saying thor's mental illness and weight gain were treated respectfully* doesnt mean i will agree???? like ive read the comments characters made to thor. i know about the "go eat a salad" line. and whether i ultimately agree with ppl or not about whether it's respectful, im too emotionally vulnerable to risk being in a crowded room for 3 hours unable to escape while listening to ppl laugh at a line--a line that has been said again and again to *my* family member when *i* was the one to rebel against ppl who would laugh and *i* was the one to reassure her and make her feel better about herself because she hates that she is fat. if i have to relive these kinds of things during the movie, then there is absolutely no way i will enjoy it. im fucking sorry for not being willing to risk it -_-

so yeah, in short, to all the posts im seeing today trying to imply i (and ppl like me) are fatphobic for not wanting to go see and potentially not liking endgame: it's not that thor is fat. quite the opposite. it's that i dont trust fatshaming used as comic relief, esp in the hands of the russos.

just like, it's not that gamora was abused. as u can see by my focus subjects in writing, quiiite the fucking opposite. it's that i dont trust a representation that has her killed by her abuser, thus validating her abuser's "love" for her.

*i respect every overweight person or every alcoholic person (or anyone who used to be either) if they enjoyed this movie and/or thought thor's experience was respectfully depicted. i, in no way, want to rob you of your much-desired representation. it makes me super happy for you to know you felt fulfilled. ❤❤ all that this post is asking is that you respect me for my opinion.

p.s. i have not seen endgame yet. my opinion might change when i do. the premise of this post is that i dont want to see it right this moment because, based on the knowledge i have, the risk to my mental health is too great.

NOTE: PLEASE DO NOT TRY TO ARGUE WITH ME OR CONVINCE ME IM WRONG. ive read like 5 million different opinions on thor being fat before i made up my mind, and i am WELL-VERSED on anything u could possibly say. (at least as much as i can be without seeing the movie.) i dont want hear it anymore. i dont want to defend my feelings anymore. i already had to like literally 50 times yesterday and im ooooverrrrr itttt. 😭😭😭😭 let me be upset and unwilling to go see endgame at this time. i promise you, despite my opinion, the world will keep spinning. your own enjoyment will stay strong. ❤❤❤❤

[realchemistry]

Avengers: Endgame Review

Spoilers inside.

So I was up early to work. Then went to see the movie. Then rushed through a very late lunch and went to work to another school. I’m home now. I’ve had time in all the betweens (bus time, basically) to think the movie through, and here’s the mess that’s come of that:

First of all, the audience were al F - A - N - S so everything that happened got a proper response, so yay for that.

Steve, oh, my Steve. I fucking knew it was gonna go that way. The moment they had him talk about Peggy as the love of his life, and then about how many gizmos they had and how they were just enough to go and return, and whatever. I was sure they’re gonna have Steve not come back at some point. And then, turns out, they had to put the stones back where they belonged. Fantastic.

And Bucky knew too. Of fucking course he did. 

“Gonna miss you, buddy.”

“It’s gonna be ok, Buck.”

FUCK ME.

Can we talk about how unfair the whole of it was? Cause, like, hurrah! There’s a gay character who’s played by a Russo interacting with Steve. And Steve used the good ol’ Bucky trick to get Past!Steve to stop. And Stucky hugged and had a First Avenger callback. 

Guess what, Marvel? That ain’t enough to fill whatever LGBTQ+ quota you think you’re filling. And I insist: You had a witch fall for a cyborg, but two men we actually know and care about being in love is not at all possible in your universe?

FUCK YOU. Seriously. I’m mad.

I’m mad cause of course they didn’t make Stucky happen. I knew that, they just weren’t going to, not ever, the fuckers.

But they’re also making me feel mad about what Steve got, which in their eyes is a happy ending. And I don’t wanna be mad that Steve got a happy ending, but I am mad that it was all very heteronormative, and there was never going to be any other way. I’m not sure I’m making sense, but like, also, Steve kissed Peggy’s nephew, which ewww. And like, how was Peggy the love of his life? How long did he actually spend with her? Explain. And was it a Peggy from another world or how did that even work? And how did Steve get old? Was that supposed to happen with the serum?

And why in the fucking hell would he choose to live his life without Bucky?

Can someone explain that to me. How come Bucky is the most important thing and then, once it’s not a plot requirement anymore, he becomes an afterthought. Honestly, this was a fucked up thing to do. Like, no, I’m sorry, I can’t celebrate Steve “getting a life” when he left his Bucky behind. The one he fought for in all the other fucking movies we’ve seen them in. That you fucking created, Marvel. FUCK YOU.

Let’s move on, or I’ll never end my rant:

I loved the exploration of the past with the present day characters. Steve’s was obviously the one that stood out the most. The moment he set foot on that elevator, I swear, I was fucking giggling, and the way he bypassed those fuckers... and his beautiful, lil’ ass.

His lil’ worthy ass, and we all fucking knew it.

“On your left.” HELL YES.

There’s gonna be a Marvel series with Bucky and Falcon... This Falcon? Won’t he be Cap? IDGI.

Will Bucky visit old!Steve? How will Buck move on? I--yeah, no, back to the other things:

When the screen read “Five years later” we all freaked the fuck out. It was awesome.

Nat. How the fuck, who do they think, I mean, they just keep killing women, cause there’s so many of them, and all are as important, since they’ve always had them front and center in this universe...

That was just awful.

A guy behind me was sobbing at Tony’s death, and I thought it was funny cause he couldn’t keep it in, and kept trying to not be so noisy anyway. I felt a bit evil, tho I was also tearing up, but mostly cause of Morgan and Pep, since Tony... well, I never liked Tony much.

Is Gamora from the past in the present? Will she be back, since Quill was looking for her?

Loved the small bit where Marvel ladies got to shine. Small because, Marvel being Marvel, went all Girl!Power for a second and then got tired of it and went back to a men’s world.

Even though Carol is clearly the most powerful in all the ‘verse and her being knocked out was ridiculous as fuck.

“It was him or a tree?” I LOLED. Give me Nebula forever. Also, her sorta friendship with Rhodey, yes!

Like Val said, I don’t think I like this weird Bruce Banner/Hulk situation. And I thought he didn’t get to mourn Tony properly.

Fat Thor... I feel like there were so many wrong things with it, but Thor was amazing regardless cause Chris is fucking fantastic. I loved his moments with Frigga, I was so sad about her death (and I still think the soundtrack had to do with it a lot), so it was good to have her back. 

“Eat some salad.” LOL

I loved Scott so much. He was great and hilarious and lovely.

I think the more Marvel tries to get me to care about Clint, the less I do. I don’t even know, I think it’s that awful press junket a few years back that ruined Renner for me, and I just don’t give a single flying fuck about Clint. But I do love Laura cause of ER, so I was glad to see her.

All in all, I did enjoy the movie, and I was completely unspoiled, once more, so I knew nothing, not a single thing, and I loved some of it, liked a lot of it, and hated some of it too.

Music, cinematography, most of the script was on point as per usual.

It had an ending feel to it, for sure, and I don’t know how I’ll feel about what’s to come when there’s no Steve, at least not our Steve, to look forward to.

I’m legit forgetting everything, my head is a mess -- I swear I felt traumatized for real after it was over -- so I’ll keep adding whatever comes to mind, but this is it for now.

Oh, and the “What about Bucky?” chants feel more appropriate than ever.

[papistark]

Okay. I’ve allowed a night to let everything sink in. I’m ready to talk about Endgame now.

*cinemasins voice* spoilers!! (duh..)

so the wounds are still fresh. v v v v v v v v v fresh. but my thoughts during the entire movie were just OMG IM TRYING TO REMEMBER EVERY SINGLE THING THAT IS HAPPENING SO I CAN REMEMBER IT AS LONG AS POSSIBLE BEFORE i inevitably go see this movie again

This is what the movie reduce me to like 99% of the time btw

now, I’m gonna try and break this up to be as organized as possible into 4 main sections which will be general thoughts, the highs, the lows, and closing thoughts. that may sound organized but I promise it won’t be and as always I’ll have to use bullet holes to even stay relatively "organized"

I'm sure I'm leaving stuff out that I either loved or would wanna discuss but tbh the ENTIRE FILM i was just like GOD I WANNA REMEMBER THIS FOREVER!! Every scene that happened i was like god there's still 3 hours of stuff that's going to happen but I want to remember it all!!!

Overall

this movie was good. and i’m mad it was so good and i found it so enjoyable for how dirty they did me. The pacing was pretty well done for a first viewing, but I'm sure after a couple rewatches I'll get caught up on the occasional misstep in the pacing and general direction the story took, but I really liked it!!

I thought the Thor stuff was kinda distasteful and honestly a joke that ran too long. Like ha ha okay we get it but also? He went through so much fucking trauma can we just lay off him? Damn? I don't wanna linger too much on it bc honestly the more I think about it the more I get upset the russos did him dirty

all the callbacks??? made me so emotional????? eleven years and almost two dozen films guys holy fucking shit it felt like such a good homage to bring stuff back

Yo literally when they went up to busted ass thanos i leaned over to my bf and whispered "are they just gonna kill thanos in the first ten minutes is that allowed" and uh YEP! WOW

Also the opening scene being Clint's family getting dusted... gasps in my theater y'all they went in hard on us

TIME HEIST!!!!!! FUCK marvel knows how to take you on a fun journey!! The concept was so fun!!

I also appreciate them mixing up the plot a bunch to keep us guessing!! Like fuck, when Thanos was finding out through Nebula... future nebula talking to past gamora i was SO SOFT... sisters...

Hulk was... weird. It felt a weird kind of fanservicey for a little bit, and honestly a little out of place? But. Eh. Wasn't the worst part. Certain parts of it were fun! I think I got used to it haha

Everyone looked. So good. After the time jump. Damn. Thank you make up department for everyone's new looks. I live for silver fox tony always.

I loved seeing Loki again i know it was so little content BUT I DONT CARE I'LL ALWAYS LOVE MY FUCKING PRINCE

We didn't get as much Nebula and Tony content as I was hoping but god it was so cute and tender in the beginning. Imagine all that bonding. Nebula finding tony on the floor, knowing he's on the brink of death, and propping him up in the seat :'(((( tony helping fix nebula :(((( the father daughter relationship we deserved and didn't get to see come to fruition.

AMERICA'S ASS. THANK YOU SCOTT LANG.

All the New York flash back was so fucking fun. The elevator scene. Brilliant. I really thought they were gonna recreate but it was such a fun tease. Also cap making fun of his past self for saying "i could do this all day" I SCREAM why do the Russo's get steve so well

Carol taking a direct punch in the face from Thanos without even flinching? We stan a goddess

ALSO SHORT HAIRED CAROL YESSSS I LIVED!!!!! YES!!!! (But also that movie could've used like way more Carol thats just mY OPINION)

Also AGAIN, I DON'T CARE THAT IT WAS FAN SERVICE, STEVE WEILDING MJOLNIR WAS E V E R Y T H I N G. They have TEASED US since that one middle avengers movie we don't talk about that he was worthy and!!! Our!! Son!! Is!! Fucking!!! Worthy. And the scene of thor making him swap w/ him "you get the little one" i screamed bitch

also I was living for how much Steve swore in this film lol literally fuck joss Whedon's characterization we don't know her!

Valkyrie on a Pegasus thank you THANK YOU i was living

That entire final action scene..... holy fucking shit y'all. It was just crazy enough without being too crazy. I loved the callback to the original long continuous shot

THE HEAVENS OPENED UP AND SANG WITH THAT A-FORCE SCENE. YES. ALL THE MARVEL LADIES LINING UP. THEY ARE HERE AND THEY ARE THE STRONGEST OF US ALL. A-FORCE. FUCKING A-FORCE. Thank you Russo's for my LIFE

Carol's little "hi peter parker :)" god i love them. I love peter. My fucking spider son. I missed him so much. I missed Tom Holland's sweet peach little face AH I CRIED WHEN HE SHOWED BACK UP

Also last kind of ~general~ thought i know i don't get time travel at all and it is an instant way to confuse me in any franchise but wouldn't steve doing what he did fuck literally everything up idk we'll get to steve in a bit

Highs

morgan

H.

fucking

stark

I CAN’T BELIEVE I GOT FED WITH SUCH GOOD TONY CONTENT THIS FILM ONLY FOR THEM TO STOMP ON MY HEART LMAOOO

DAD TONY BEING AS LOVING AND DOTING AND SWEET AND TENDER W/ HIS DAUGHTER AS WE ALL HAVE HEADCANONED HIM TO BE FOR YEARS!!!

TONY GETTING HIS JUSTIFICATION IN BEING MAD not just mad but PISSED at Cap for how everything fell out. catharsis. felt good scoob.

speaking of good tony content of course i need to just take a moment to YELL ABOUT STONY thank you russos for the fan service thank you for having tony ogle and comment on steve rogers’ ass it almost makes up for all the pain and suffering

btw do y’all think the H. for Morgan’s middle name stands for Harley because I LIKE TO THINK SO

also am i lowkey annoyed that like half of viewers won’t recognize an adult ty simpkin at tony’s funeral at the end even tho i know i shouldn't be because ot everyone is a die hard BUT half the articles im looking up for reviews and shit of that scene literally all the results are “SO WHO IS THAT KID AT THE END OF ENDGAME” YOU FUCKING FOOLS IT’S TONY’S FIRST BORN SON HARLEY KEENER FROM IRON MAN 3. FUCKS. im getting off topic anyway i was just happy they brought him back because I am an iron man 3 enthusiast and his relationship with tony was SO important and this confirms that at the very least tony kept in contact with him over all these years!!! and he wasn’t just some insignificant blip

Not to be stony on main but steve being the first person to hold Tony again once he was back on earth :)))) wrow.

Also the first thing tony telling him being "I lost the kid" WOW BREAK MY HEART MORE HUH!! WHY NOT!!

The first thing Peter doing when he saw Tony again :'') just rambling about everything that happened and tony just so happy to see him alive and hugging him so tight I'M NOT FINE!! NOTHING WILL EVER BE FINE AGAIN!!!

I appreciated the closure with Howard like?? A lot?? I'm the last person to be a Howard stark apologist, but I think his character and his relationship w/ Tony and how Tony viewed him as a father and as a man was so well crafted throughout the series??? Idk I liked that scene it was good to my baby.

And now a pOSSIBLY CONTROVERSIAL~~ opinion but..... I loved Steve's ending. I really did. I thought he got a beautiful and fitting ending and I was so happy. It meant so much especially to hear his reasonging being that in a way, he did it for Tony. He was inspired by what Tony told him. He saw Tony get his happy ending and for so many films now Steve has been searching for that and he missed an entire life. Tony helped him realize that. It just made me!! So emo!! Like Bucky's face when he knew Steve wasn't gonna be coming back. Steve's last convo w/ Sam. It was just amazing. I can't believe I'm seeing hot takes from people calling Steve selfish or blaming the fact that the Russos have a boner for Steggy or whatever. Who cares!!! Steve got his happy ending and it was well deserved and a wonderful arc!! Lay off him bc you ship him w/ Bucky or tony more damn!!!! (Idk about the timeline y'all dont come for me i really have no idea i think the Russos just said fuck it for that one even when talking about not fucking up the timeline)

Lows

Natasha deserved better. She did. I understand why they took her character arc the way that they did, and honestly, this is the first time I've felt we've seen Natasha have even a modicum of actual character traits since like, Iron man 2 and Avengers 1. She found purpose in keeping the family together and trying to help the people left living, while never stopping or losing contact with anyone else in their endeavors to fix what Thanos broke. As tired as I am of seeing a female character die for ~man pain~ this felt like so much more than that. In the end Nat wanted to sacrifice herself for the greater good, and that's what she did. I'm still fucking upset though, even though they've butchered her character across almost all the films she's been in

Thor being turned into an entire fucking joke. That's it. I got nothin left for the writers at this point.

So..... let's talk about Tony's death, shall we

"You can rest now" broke me. It truly did. I've never loved any fictional character across any medium as much as I have loved Tony Stark. But Pepper's line at the beginning "you'll sleep, but will you rest?" Is so fucking telling. I think I immediately knew for sure in that moment. Because she's right. And that's the worst part.

Peter :)))) finally :)))) calling :))))) tony :)))) by :)) his :)))) first :)) name :))) as he was dying :)))) asking him not to go the same way he told tony he didn't want to go when he was getting dusted GOD. AND WE THOUGHT THAT SCENE IN INFINITY WAR WAS ROUGH. HAD N O T H I N G ON THIS.

No offense but where was Rhodey when Tony was dying lmao ok

That funeral scene.... seeing everyone there drawn together..... god. It was beautiful. It really was.

Of course I'm not happy. I'm extremely fucking upset. I knew tony wielding the gauntlet would be coming, but I thought they would find a way for him to make it out alive. As soon as they were showing that even the hulk couldn't handle it with the gamma radiation, I knew the nail was going to be in the coffin.

All that aside... what I can say, is that if they HAD to kill him off, I think it was a proper send off. We saw so many arcs of Tony's come to a close, and I knew it was just a matter of time. Also that being said, I really don't believe in death being necessary to end a character's arc. Yeah yeah blah blah we get the sad and tragic but TRUE message that at the end of the day death is inevitable and that tony had to sacrifice himself for the greater good. He and Strange both knew it, and as soon as Strange held up that finger I knew that was it for him.

It wouldn't be so hard if they hadn't given us everything they did with tony after the 5 year jump. He healed. He was HAPPY. But pepper was right, and as long as Tony was alive... he would never truly /rest/. And that's the only way I'm able to make peace with this death. Tony has always been a character who was just going going going, never going to stop even if it killed him, all to protect the ones he loved, and protect the whole world and make it a better place. He had a beautiful story that was told so well over these past eleven years, with admitted shortcomings here and there. He had the most cohesive trilogy films, the best character development and arcs, and an incredible portrayal. I'm grateful for it, but that doesn't make it any easier that they decided to go and show us that Tony was able to FINALLY settle down with Pepper and see him find the best version of himself as a husband to her and a father to his little baby girl. A baby girl that now has to grow up without her dad, and pepper has to go on without her husband, the love of her life. It's fucking tragic and honestly, we didn't need that imho lmao

The hardest parts is that like.... idk. I feel like the only reason they killed him is for shock factor, but somehow without the shock? A lot of us felt or were worried that this was coming. I think the russos and co. We're just totally set on the idea that like... tony HAD to die and that was the only way for this arc to come to a close not just WITHIN the universe, but meta, outside of the MCU as well. They did the same thing with Hugh jackman as Logan and that shit HURTED me y'all. Eleven years we had RDJ give us this amazing character and he is the SOLE reason the MCU is where it is today. So you know what, the Russo's and everyone can circle jerk about how much ~poetic justice~ there is in this ending for Tony, but at the end of the day... it just ain't it fam.

Realistically I know after wielding the infinity stones there is no way Tony, a human, could've survived, even with his armor on. I knew that. And as biased as I am towards seeing Tony living, if he had wielded the stones and NOT died? It would've felt cheap. So again, if they had to end his life, I appreciate the way they did it and thought it was the best send off they could've given him. I also would've appreciated some kind of alternate option where oh i dont know carol or someone strong enough could've handled the snap and tony could live the rest of his days with his wife and daughter and found family but..... ig that's just me huh.

:(((( Happy asking Morgan what she wanted and her saying "cheeseburgers" SHE'S JUST LIKE HER DADDY I AM SO!!! UPSET!!!!!!!!!!!!!!!!!

And last thought is that I fucking cried AGAIN because the biggest applause moment was during the credits when RDJ's name appeared. My theater gave a standing damn ovation. Also the very last sound after it faded to black... Tony hammering away, building the very first Iron Man suit.... that shit hurted.

If any of y'all read this and wanna yell about stuff w/ me I WELCOME YOU INTO MY DMS LMAO PLS MESSAGE ME I NEED MORE PEOPLE TO CRY WITH!!!

[lokiinmediasideblog]

Loki WAS supposed to permanently die in thr dark world and it was wonderfully done but stupid fans were upset do they brought him back. Guys why? They did the scene so well.

I may be a stupid fan, but I am glad that Loki didn't die in T:TDW. The scene was wonderfully done indeed. I think it'd have been a waste of Loki (ugh, the MCU treats many characters, especially antagonists, like paper plates). The alternate scene where Odin and Thor talk about Loki's death is so boring. You're talking to the wrong person, because I am still mad at the Russos for killing him off like that. LOL.

If Loki had died: I'd not be involved in anything MCU-related at this point because I've only watched it for Loki (LOL. I do dislike I am this obsessed over an MCU character to the point I've made myself watch MCU movies for them.). I also think the surprise ending allowed Loki to show off his abilities (the spell on Odin, who is generally the more powerful magic user).

Loki was brought back by test audiences. Not sure if they were casuals or Loki fans, or some mix of both(usually what the panels want).

I like to think that Loki actually expected to die and nearly did, but somehow didn't. Ties into the "no resurrections" comment from IW. And my HC is that he died in the Void but was resurrected by someone in the Black Order. But that's my HC.

Like I am fine with him dying, just not as early as T:TDW would have been, or the shock-value way from IW. I would have accepted an IW permanent death if it didn't feel shock-valuey and didn't happen so early in the movie. I will be sad, but I don't mind if Loki dies in S2, given that Loki definitely got a fair run at this point, and I don't think it would be in some shock value way. Or at least I hope not.

[andcurioser]

Avengers: Endgame - Here, Have Some Thoughts

At last, it is time to discuss Endgame. I’m still not totally sure how I feel about the movie. It’s the sort of thing I think will take time and rewatches to be totally certain of. But I want to get some stuff down here as a starting point, and then see how my opinions develop as time goes on. So, let’s ramble. 

General Thoughts:

I’ve been trying to figure out my overall sense of it, and I can’t really decide if it was a letdown or not. I don’t think it was explicitly disappointing, but the fact of the matter is, it was never going to be everything we wanted. It never could be. The best way I can put it is this: throughout the past year, I’ve had a lot of fun theorizing about what could happen in Endgame. Infinity War set up enough exciting possibilities, and as a fandom person, I specialize in coming up with things the narrative could do/could have done but didn’t. So the second that one potential plot was locked in as the one they were going with, there was a certain amount of wistfulness at the paths we weren’t going to take. That’s no one’s fault. They had to decide on something, and this was essentially what I’d expected for a long time. Still. When trying to figure out today if I feel like the movie delivered on a general level, I can’t really say it didn’t, but I can’t say I feel wholly satisfied either. Alas. That’s what fanfic is for.

So to that end: the movie was fun. It was a lot of fun to watch. After all that buildup, I was just tremendously excited to see what was actually going to happen. It was an enjoyable watch, and parts of it were quite good. Other parts, less so. I think they did some things very right and had a few very big misses. But I appreciate what they were trying to do, and I appreciate that I saw the care in at least most of it. They dropped the ball hard on a few things, but at least on first watch, I could feel the import of it all. If nothing else, it had the tricky task of placing a capstone (lol, Cap stone) on the extraordinarily ambitious experiment of the MCU, so if I feel a little residual malaise afterwards, well. At least I know they tried. 

When I think back on the movie, it seems like it naturally breaks into three parts, roughly corresponding to each hour of the movie. I think these three parts are uneven in quality, but they all had their strengths and weaknesses. To break them down: 

Part One, which I basically categorize as everything up to the Time Heist

Part Two: the Time Heist itself

Part Three: everything post-Snap Deux

And just as a last note, I’m sort of grouping the Russos and Markus and McFeely into one big team, so when I say the Russos, I’m usually crediting (or blaming) everyone in said team. Just a shorthand. 

For your mercy, since this became genuinely embarrassingly long, the rest is under the cut. I wish I could have collapsed each part into sections, but tumblr is so very limited and I couldn’t figure out if there was a way to do it. So this is what we’ve got. I split it up into sections under headers so you can scroll through to whatever part might interest you, so hopefully that helps its readability at least a bit. Beware: there is a veritable essay under the cut. But let’s bravely forge forward, friends. Onward! 

Part One

The movie was a little slow to start. On the one hand, I truly do appreciate that they tried to give the characters introspective moments instead of having it all be flash bang battle boom. That’s what we’re always asking for, and it’s what these movies need a lot more of. Unfortunately, I’m not 100% convinced they nailed most of said character scenes. I can’t remember everything - after all, I’ve only seen it the once, but I hope to shore up my evidence upon rematch - but while some of it worked for me, some of it didn’t. To make it even more complex, sometimes that happened within the same scene. Prime example:

The Steve and Nat scene. I loved it for Nat. I didn’t like it for Steve. In a very confusing way, this movie both did good and did very dirty by both Nat and Steve. I thought Nat’s characterization was very good. At last, her arc was focused on who I really think she is as a person: someone who cares very deeply about the people she’s let into her life, and someone who puts tremendous pressure on herself to fix everything. Her pain at her failure worked for me. Her inability to let go of what happened tracked. She was vulnerable and emotional but not in a way that betrayed the steel of her character. More than anything, she was allowed to be a person and not just the Sexy Femme Fatale with a snarky line, oh boys, eye-roll hair-flip hip-sway. I’ve said it before and this movie just further proved it: I only trust the Russos with Natasha. They’re the only ones who get her, who let her be multifaceted, who let her be whole. I love them for that, and this movie delivered me Nat in the way I was hoping it would. That’s a definitive Good in its favor. 

Alas. The Steve of it all. I have a lot of things to say about Steve in this movie, and I’m still trying to work it all out. His was the journey I was most focused on, understandably, and the one I was both most anticipating and certainly most dreading. Steve was barely in Infinity War, so I was very curious to see what they’d do with him when he took up a proper leading role again. And...I’m just. I don’t know. It wasn’t bad, mostly (aside from one very large asterisk, but we’re gonna talk about that a lot more later). But it wasn’t great either. It was. Fine. He wasn’t explicitly out of character, but he didn’t feel so essentially Steve like he did in the first two Cap movies. He had great moments, and he had meh ones. I think the scene with Natasha highlights a lot of what felt a little off about Steve for me. In theory, a scene in which Steve and Natasha commiserate would be my absolute bread and butter. But while Natasha worked so well for me, Steve seemed, if not wrong, still a little off. He seemed distant, a bit cold. I guess I just didn’t buy that Steve wouldn’t have been right there with Natasha during those five years. The implication that he’s been largely absent struck an off chord for me. If Nat’s the one in the chair managing the team, Steve’s the first person she’s sending out. Even more, Steve’s the guy in the kitchen, making her a cup of tea to make sure she’s hydrating. Their friendship was there, but it didn’t feel as vital as it did in Civil War. And it was essentially dropped after this scene, which is no good at all. So I don’t know. I think I need to see this scene again - it’s possible I’m not remembering it entirely well. But the fact that it wasn’t a scene I remembered as a standout means there was something missing. 

As for the rest of Part One, I thought it was a bit slow at first. I liked that they didn’t waste much time in going to get Thanos, because that tracked for me, but after the 5 Years Later title card, it started to drag a little. I did like the sense of atmosphere it established, though. Even if the dark, looming haze was a little pathetic fallacy - I suppose Thanos theoretically could control the weather, but I doubt he was bothering - it made for an appropriately effective setting. But Part One felt a little like it was spinning its wheels til Scott showed up. Speaking of which: 

I loved the Scott stuff! Paul Rudd is just so intensely likable, and I think they did a surprisingly good job of incorporating the more lighthearted caper-y feel of the Ant-Man movies into what is usually a more serious Almighty Doom Avengers vibe. But even more, I thought that Paul Rudd did a really good job with the emotional stuff. He’s a good actor! He excels at comedy, but he’s also so good at that stuff because he gets at the emotional cores too. He wasn’t overdoing anything, but when he reunited with Cassie, when he referenced Hope, I felt it. He did great. Scott’s stuff was pretty universally good. 

The Hulk stuff...not so much. On the one hand, it was refreshing to have Bruce/Hulk to be more comedic than ‘woe, for I am a Monster,” but this was...um. Not my favourite. It was just silly. Like, not bad bad. But I definitely didn’t need it. The whole lunch scene was as close to cringe as this movie came, and it was pretty close. I guess I like what it says thematically that Bruce was able to meld the parts of him that had always been in conflict, but I suppose I was hoping for more after the Infinity War storyline. I wanted to know why Hulk refused to come out in IW. I was intrigued by that in a way I hadn’t been intrigued by pretty much any of Bruce’s story lines until then, and the fact that that all disappeared and we got this instead was, well. Let’s use the intellectual term and call it a bummer. 

That being said, Brulk (what I suppose I’ll be calling him from now on) immediately worked better when he went into Thor’s storyline. I maintain that Thor makes everyone better, but I never actually enjoyed any of Bruce’s arcs until Ragnarok, and this movie proved that, unsurprisingly, Thor elevates Brulk like he elevates Rocket and almost every other previously lackluster character he touches. it’s a talent. 

I...did not expect Thor’s strolling to be. That. I really, really didn’t. That was the one true surprise of the movie, frankly. It’s not what I would have picked for him. But I guess I’m not exactly mad about it? For me, Thor is at the point where any storyline, no matter how ridiculous, works for him. Thor’s so good at this point, and Hemsworth is so charming, that I really buy whatever they want to sell me with him (not all they’s. Not Josh Wheat-thin. But we were nowhere near that level of awful). And to be fair, though this was all mostly played for comic relief, I can’t say it’s not also warranted. Thor clearly went overboard with the self-isolation and coping mechanisms, which isn’t strictly in character. But he went through so much, such an outlandishly awful string of events, that I can see how it would break him. It’s a weird way to process all that trauma, but they did the work to get him to a place where I could see him reacting like this. Again, not something I ever expected, and certainly not something I would have written for him. But after all that? I mean, I get it. And the most Thor thing about it was that his version of a breakdown was still sweet and kind to others. He wasn’t great for his people, but he’d given them a home and set them up with leaders who could take care of them, so if he retreated, it wasn’t really abandonment at that point. And when people came to see him, he wasn’t dark and dramatic and all ‘no one can understand my pain.’ He’s not that guy. He’s just too innately good. So even though it was certainly odd, and definitely not my favourite storyline, at least they kept the core of him intact? I’m bright siding here, but still. It’s fair. 

Though truly, I have to say: there’s something about this that I find mildly annoying. Thor and Chris Hemsworth are extremely objectified, and I’m certain that this was intended as a dismantling of the expectations we have for Thor to be the sex god that he is. But also...I don’t know, man. After so many years of us having to endure oversexualized female characters, you couldn’t let us ladies have just this one thing? The one time a male character is openly subjected to the female gaze in any long-term way, and it becomes a joke to remove that? I don’t actually think there was any ill will there. But I do think it speaks to the continuing inability of male writers and directors to really get it. To be absolutely fair, the Russos objectify women way less than the other films do, but still. They might think it’s funny to make fun of a character’s broad sexual appeal appreciated by a female audience by undermining it, but really, it’s just more of the same. 

Yay Korg! Yay Valkyrie being the real leader! Boo Valkyrie still not having a name (seriously, it’s her JOB TITLE. She was one of many Valkyries. Give her a name, for fuck’s sake.)! 

Tony being such a dick at the compound was a surprising move. It was a bad look, but I was intrigued that they’d let their golden boy act that badly. Tony’s always had such deep flaws, but they’ve always been simultaneously excused within the text, so to have him be so rough without excuse was interesting. Of course it was setting up for his ultimate redemption arc, but still. And then cut to 5 Years Later, and finally. This is the TonyI was promised in Iron Man 3, the Tony I still cared about. I liked him again in Infinity War, but I needed to see how they’d follow up to cement it. I’ll never love him like I do some of the others, but the only Tony I ever wanted to invest in is the Tony we finally got, the one who was fully and properly committed to Pepper, and the one who did the work not for his ego or his lack of impulse control, but who did it after a mature and honest discussion with his partner about the pros and cons, about what he was risking and what sort of person it would make him. This movie was primarily a sendoff of characters, and I’m not sure how many were supposed to be fully sent off. Btu there were two characters as the main objective, and the movie at least nailed one of them. 

I was so overwhelmingly ready for Tony Stark, billionaire playboy philanthropist, to go to bed, and for Tony Stark, devoted husband and father who uses his intellect responsibly and thoughtfully, to come forth. He got to keep an edge, but it tempered the parts of him that made him so easy to dislike. It’s too late for me to be a full Tony convert at this point, but I enjoyed him in this movie, and thought he was served better than most, which was 100% to be expected. But frankly, what some people think is a good sendoff is not always what I think is, so I was worried. And I was right to be worried, but surprisingly, not about Tony. More on that later. 

The time travel tests were fun, but I still found everything involving Brulk to be kind of painful to watch, so. Not saying I didn’t laugh here or there, though. 

Was Endgame sponsored by Audi?? Seriously, why was there so much Audi product placement. 

I’m not sure I even want to touch whatever was going on with Clint. I don’t think it was handled particularly well. In theory, the idea that one of them snapped (lol, sorry) at the unfairness of the random dissolving and decided to take out the bad people who should have been snapped away is interesting. But it was so barely glanced at, so underdeveloped, and then proceeded to go nowhere. We were clearly supposed to be concerned at what Clint was doing, but then he suffered no consequences for it? No reckoning, no moment of remorse, no acknowledgement that he’d let himself go too far? What was it all for? I buy that Nat would sacrifice herself to save hi, but it was an extra bitter pill to swallow given that I’m not entirely sure this version of Clint was worth saving. Certainly giving up Nat for him was a price too high. 

The Biggest Flaw

One of the things that disappointed me the most was the lack of presence for the characters who were lost in Infinity War. For a movie that was supposedly about loss and a drive to regain, there was absolutely nothing specific about it? So the whole mission read as generic hero-type “we need to save everyone because it’s the Right Thing to Do,” rather than a need to get their friends and teammates back. Of course the team wants to bring all the millions of people back, and of course they feel a responsibility to them because they had failed to protect them. But where was the sense of loss about their personal friends? Where was the feeling of lacking, that they had to adjust because the people they’d been fighting alongside for years were now gone? Where was their guilt that they’d not only let down the world at large, but the people whose backs they’d promised to always have? I think that’s part of why the first hour felt a little lacking to me. They were all so ad, but about what? The personal stakes were completely removed. The only one who had any degree of it was Clint with his family, but we don’t care about Clint’s family beyond an abstract familiarity. I suppose Tony had his moment with Peter’s picture, which served as an effective motivation. But what about the others? Why were Wanda, Sam, T’Challa, hell, even Vision, never even mentioned? The people they’d lost, the soldiers who’d fallen. That’s what should have made this movie different from the other Avengers ones: not that the team lost a big battle, but that they lost so many of their own because of it. That’s what hit so hard in Infinity War, and why it felt unique. And they didn’t pick that line up again. Such a missed opportunity. 

It’s taken me too long to write all this and I’m starting to forget everything, so fuck it, let’s move on to Part Two. 

Part Two

This was unquestionably the most fun hour of the movie. It's also probably the hour that's going to hold up the best in retrospect, simply because it was a lot of fun and had a good amount of drive without feeling overwrought. A lot of it was gimmicky, but it was the kind of gimmicky that I'm fine with in this type of movie. It was an unrepentant trip down memory lane, complete with all the cameos that get people so excited, and it was a little silly, but it was also a good time. If it was a bit scattered, it was also nostalgic and served as a neat little retrospective of where we've been. So, while it was definitely a little trite in its execution, it was also a lot of fun, so I'm cool with it.

I was highly suspicious of who was assigned to which stone because I knew it was setting up for more meta things rather than practicality. Steve and Tony had to go together to have one last bonding trip, and to be somewhere where they could meet their respective Important People from the past. Nat and Clint had to go together because they were the only team who would be resonant enough for a sacrifice (it couldn't be Steve and Tony that early in the movie, and they would never let Steve and Nat be a team even though by rights they would be). There were definitely more logical times to get some of the stones (seriously, why wouldn't they grab the Tesseract when it was just hanging out in that wall in Norway? Or when it was safely on Asgard in the vaults before Loki took it? Or or or, etc. etc. They chose a window that gave them about 30 seconds to enact the plan. I know, I know the first Avengers movie is a soft spot for most people. But logically, that was very nah.). But whatever. 

The cameos! There were so many, and they were surprisingly high-profile. I had always expected to see Loki again in pretty much this exact scenario, but I did not expect for Robert fucking Redford to make a two-minute cameo. Damn, son. Once I realized we were in the big leagues of cameo season, it was fun to guess who might make an appearance, and even more fun to see people I never would have expected. 

You know who I was surprisingly happy to see? The Ancient One. We rewatched Dr. Strange as part of my Marvel marathon a few weeks ago, and as thoroughly mediocre as that movie is, I forgot how much fun she is in that movie. Tilda Swinton is just really good. So she was kind of a delight. I still don't get her absolute faith in Stephen Strange, of all people, but I liked her scene even if I still don't really understand what the weird wizards do. It was also really nice to get to see Mark Ruffalo instead of Brulk for a bit. 

Seriously, Robert Redford! And holy shit, Rumlow! Super didn't expect that. And that elevator scene! I totally expected a repeat of the Winter Soldier elevator fight, though I'm not actually mad we didn't get one (it would never live up to the original, the Best).

Loved seeing Frigga again! I don't know that I buy Thor being that unable to rise to the occasion, and his therapy interlude with his mom was kind of a weird left turn. That being said, I liked it, and I'm happy they got to have that time, and I love Frigga and want to bask in her wiseness and perennial chillness always. It was sweet. 

I was also totally shocked to see Natalie Portman again (though I think I saw a headline that it was actually just old footage? I haven't confirmed that, but it would make more sense than Natalie Portman coming back for all of four seconds of filming), and I 1000% appreciated her (mostly off-screen) request for pants as her Asgardian wardrobe (which was subsequently denied). I love Jane. I miss Jane. 

So this now paves the way for random Loki appearances in the future, yes? Ngl, I grinned when Loki just noped out of space, and I'm all for vague possibilities of further Loki. Even if it raises a ton of questions about the space-time continuum (seriously, we're gonna talk about that), it was still fun.

I actually liked the Howard/Tony stuff. It was definitely a little saccharine and on the nose, but not too much. It worked, and it was sweet, and it gave Tony a nice moment that I think only really worked because he'd finally become the more mature version of himself. I buy that the Tony of 5 Years Later had a better understanding of Howard, and tried to give comfort instead of taking his own absolution. The Tony of all the other movies would have made this interlude about how he could assure himself of his father's love. This Tony just tried to connect in a way that seemed unselfish. While I was still lowkey stressed because, seriously, you guys are gonna get caught if you're just strolling out in the open like that, we know they're looking for you, I still liked this part well enough. 

Steve and Peggy, though...look. I don't know. We're gonna go much more into detail about this later, and some of this is clearly my own bias. But a) I do not care for the weird clearly film screenshot photo on Peggy's desk, which is a 100% no, and b) something about the chance of it all irked me. I'd buy Steve seeing Peggy's office and going in, but that he happened to hide in there? Nah. Not my fave. And him gazing wistfully at her...like, in theory, romantic? But I was already certain about where we were going with this, so all I could see were the problems in store, and I couldn't really enjoy it. Much more on that later. 

For the Agent Carter fans, I certainly appreciated the Jarvis cameo. I still haven't watched the show, but nonetheless. Cute. 

Steve vs. Steve

Look, I should have known better than to think that an Avengers movie could go without a big set piece internal conflict fight. This one was slightly less egregious because at least it made sense, but man. Every Avengers movie (Civil War included) features some big fight scene between friends and colleagues, and I’ve never known why Marvel is so into that when there are so many actual bad guys to fight. This scene at least led to some funny moments, but for real, why can’t these movies resist having the Avengers fight themselves, and in this case, literally themselves? I’ve always found it baffling. 

Meanwhile, more of me close-reading things that probably aren’t there: I like to think that the absolute bland stodginess of 2012 Steve is a veiled reference to Josh Wheat-thin’s paper-thin one-dimensional understanding of Steve Rogers. Maybe I’m giving the Russos far too much credit for this (I probably am), but Russos-brand Steve knocking down Wheat-thin’s Not!Steve was a physical manifestation of something I’ve long intellectually felt, so. It’s only that reading that kept me from sighing at how boring 2012 Steve was for a thousand years. So I’m sticking to it. 

That is America’s ass. 

Much like with RDJ and Tony, Steve has always been at his finest when they let Chris Evans and his charm bleed through. So the “I could do this all day,” *sigh( “yeah, I know,” was a clear comic highlight of the movie for me. That sounded like something Chris would say in an interview. Chris Evans is a funny guy! His actual personality (at least his public personality) is what won me over to him long before I started to like Steve. So whenever these movies let him be Captain America as played by Chris Evans rather than dull manifestation of watered down American values whatever that means Captain America, played by Man Who Is Not Robert Downey Jr., I consider it a win. That’s one of the Russos’ great strengths: that they let Steve be fun and quippy too. Not as much as RDJ gets to be, naturally, but still, their Steve gets to have a personality intend of being just a haphazard pile of tropes. The Russos nail him in varying and inconsistent degrees, less well in the bigger movies and never so well as in Winter Soldier, but at least they understand that you can have more than one character with a personality, unlike certain unnamed hack writer/directors whom I shall never stop excoriating. 

You know what I didn't love, tbh? Steve using "Bucky is alive" as a cheat phrase to shock 2012 Steve into letting him go. In theory, I can appreciate it. Steve knows that the only thing that can make him freeze is a reference to Bucky. It's a callback to what he talks about in Civil War - one mention of Bucky and he becomes 16 again, etc. etc. I get it. I understand that the Russos are sort of trying to throw a bone to the Steve/Bucky fans out there. However. Given Bucky's complete lack of presence in the rest of the film, it felt cheap? I never fooled myself so thoroughly into thinking the Steve/Bucky crew would ever get anything but crumbs, and that's exactly what they're giving us. But it's about what I discussed before: there was no feeling of loss throughout the entire movie, no lingering presence of the friends who'd been snapped away. I never thought they were going to have scenes of Steve caressing a picture of Bucky and weeping. But Steve didn't seem to care at all about who specifically was gone beyond a vague "we let down the world," so when he said this, it felt like a trick. It felt like manipulation, which it was, but it made Steve seem cold and dispassionate. Like he was playing his past, more emotional self. Idk, Steve was just so weird to me in this movie. He had awesome moments and then 30 seconds later, would have moments like this, which don't feel like Steve at all. Because he uses this cheap shot, gets 2012 Steve knocked out, and then doesn't follow it up with anything relevant. Just makes a quip and bounces. And don't get me wrong, I laughed at the quip! I did! But it further diminished the moment before, how he'd so casually thrown out this bit of information that had been so important to him in previous movies. It was his entire character arc in Winter Soldier and Civil War. And here, it felt meaningless to him, and the rest of the movie sort of supported that reading, and man. It just made me sad. 

And now we come to Natasha and Clint and the damn Soul Stone. 

First of all, a lot of this scene was repetitive. I get that they have to understand how it works, but man, we just did this. 

Next, did Nebula seriously not prepare any of them for this possibility? I suppose she couldn’t have known for sure how it worked, but afterwards, she sure seemed to connect the dots pretty quickly. Sure would have been logical for her to at least mention that there might be something shady going on over there. 

Ok, so. The sacrifice. I don't mind how they played it. One of the most in-character things in the whole damn movie was Nat and Clint physically fighting to sacrifice themselves to save the other. It works. HOWEVER. I really just...can't with the Soul Stone. I think it's so flawed. I understand the notion of a soul for a soul, but sacrificing someone else's soul? That's not yours to give. I don't understand why the Soul Stone would decide that you understand its power because you're willing to kill. And even if you have to specifically kill someone you love, that doesn't make you responsible, it makes you a zealot, which is exactly what Thanos is. I know this is how it went in Infinity War. But in the ensuing year, I've thought about it a lot, and I became convinced that there must be another way, because the logic is so bad. So I came up with the idea that the Soul Stone will also reward people who understand that the initial deal is bullshit and won't give someone else for their own agenda. And during this scene in Endgame, I basically started to write my own version, in which whoever won the fight to sacrifice themselves, not for their own designs, but to achieve the true greater good that they wouldn't even be alive to see, would be rewarded with the Soul Stone. So if Nat jumps off, sacrificing herself for her friend, to save him and save the universe, she would become the master of the Soul Stone. This makes sense to me. This is a cool twist. And once I thought of this, I became so sure that this made so much more sense than the Soul Stone rewarding murderers that I wasn't even able to fully feel the emotion of it all. I was just surprised that I'd been wrong, even though of course I'd been wrong. They weren't going to do something clever like that if they had a chance for an emotional sacrifice. I got too in my own head about it all. So I had to react very quickly to a scene that was already ending because I just wouldn't take the signs for what they were. 

Nat was always at risk, and I can't be mad about how she went. Of course she'd sacrifice herself for Clint, and for everyone else. But as I mentioned above, is this really the version of Clint that Natasha should give herself up to save? It's not out of character for her, and hell, at least Clint brought up what he'd done for the only time in the movie, but still. This wasn't a good trade to me. To quote another super lady I love, I suppose it's not about what they deserve, but still. 

But most of all, the problem was that once again, we had to sacrifice a female character for the good of the men. Individually, neither of the Soul Stone sacrifices were bad choices. In Infinity War, it could only be Gamora for Thanos, and in Endgame, Nat's arc had been building up to this. It wasn't a bad sendoff for a character like Nat. But on the macro level, just. I'm tired. And all it does for me is pinpoint the problems with having such a lack of female representation in the movies. They're doing better now than they were. Truly, they are. But after Nat dies, we have this scene of five men being sad and angry and throwing things, and it just drives home again and again that Nat was the token girl in the Avengers. There couldn't be another woman in that reaction scene, because in 2012, Marvel wouldn't invest enough in female characters beyond the Only Girl, so that's what we're left with now. If we want to foreground the original six Avengers, and we want to give Nat a dramatic death to finalize her journey, all we can do is filter that through manpain because those are the only characters we have left. And I know this is an old wound. It's futile to rail against it, and at least Marvel's kind of trying a little now with their newer movies. But the rot is still there, deep in the foundations, and it makes this stuff hard. Nat has as much right as anyone else to get a dramatic sacrificial death. But I didn't need both the Soul Stone sacrifices to be both the token girls in two sausage fest teams. I'm simply tired. 

Beyond that, when Clint comes back and the team reacts to Nat's death, Brulk didn't deserve the first reaction. He just didn't. At that moment, I was literally sitting there thinking, if they don't cut to Steve, I swear to god...and they did eventually. But Steve and Nat's relationship was so much more developed and meaningful than Bruce/Nat, so it frustrated me that Brulk got to have the big reaction. And frankly, it frustrated me that once Clint showed up, Steve and Nat's friendship was essentially dropped. I like Nat/Clint. I do. Their friendship worked for me in Avengers 1 in a way that pretty much none of the other relationships in that movie did. But Clint isn't Nat's best friend anymore. I don't begrudge them getting their moments, but I do begrudge the movie for sidelining Steve/Nat after that one scene, which already sidelined Steve/Nat in its implications. Frustrating, and out of character for the Russos. 

Not to mention the scene of them being sad together was very meh. I don't go for manly displays of sad aggression, even if you are part-Hulk. And their whole handwaving of 'she just can't be brought back, just deal with it!' Weak. I don't care for being told to just accept something you haven't explained. I think we all hoped there would be a more nuanced portrayal of whatever the Soul Stone is, shadowy and mysterious as it seems, and there just wasn't. We had to take it all at face value. I'm not one for willfully undoing deaths, because of course that lowers the stakes, but still. If you have an all-powerful gauntlet that can make and unmake a universe, you're gonna have to explain to me why you can't bring someone back, even if the circumstances were particular. Clint is not some expert on the Soul Stone. He just decided this was how it had to be just...cause. Nope. 

The Snap

This was, if nothing else, interesting. It was perhaps closest to the detail that we fic writers crave, because they actually discussed who would wield the gauntlet and why. It was akin to something I'd write for this scene, though it went differently than my own would (will...you'll see.). And I'm glad that at least the arguments were logical. I always assumed it should be Thor but wouldn't be Thor, though I don't know that I buy them sidelining him like that. I think he could have handled it. But whatever. I had assumed that for thematic reasons, they'd make it be Steve or Tony, so I guess I appreciated that Brulk did it, because frankly, the gamma radiation explanation made sense. I didn't think he was a frontrunner going into this movie, but the reasoning was logical and sound, something I wish there'd been more of in some of the big events of the movie. 

What I don't understand? The gauntlet itself. I don't really see how a random Iron Man suit glove would be enough to channel the Infinity Stones? They never fully explained how Thanos's gauntlet worked, but presumably metal forged from a collapsing neutron star would be formidable and unusually strong. I get that the Iron Man suits are fancy, but they're still just Earth metals. This has always been an inconsistency in the MCU that's bothered me - Tony's suits have intermittently been able to stand extreme displays of force only to become vulnerable to the elements a few scenes later - but this still seemed a bit handwave-y. It certainly won't make or break the movie for me, but hell, if I'm airing every single thought I had during this movie, which judging by the length of this thing I sure seem to be, well. Might as well mention it. 

I've forgotten to discuss all the Thanos/Gamora/Nebula 2014 stuff. Frankly, that's because it was the least interesting part of this segment. It was fine, but when I figured that Nebula would have a big role to play in Endgame based on what I'd heard about the comics, I didn't think it would be to our heroes' detriment. I grant that it wasn't her fault, but man. Everything that went wrong did so because of Nebula, and that's a rough thing to put on one character. 

This part also falters because in retrospect, that was another aspect of the time travel set up that failed. We're gonna go into the time travel problems in a devoted section, but if anything didn't make sense even at the time of watching, it was this stuff, which made it hard to love. Also, I've had more than enough scenes of Nebula either being annoying or tortured, and I just. Don't care. I've warmed to her more lately, but I'm still not invested in any of that stuff. I stand by my statement that Gamora is the only one worth anything in the entire Guardians franchise, and while it was nice to see her again, I don't love all this stuff going wrong because of an inconveniently timed technical glitch. 

The abrupt and brutal transition from Part Two to Part Three was intense, and I was into it. Part Three had some problems, but a lack of excitement certainly wasn’t one of them. So let’s get to it. 

Part Three

The momentum of the big battle was pretty excellent. Once it got going, it didn't stop, and if this is what these movies were building towards, well, it certainly did the job. As epic battles go? This one was really good. I think it got that edge because for once, we genuinely didn't know who would make it out. Shows and movies always tease that this one could be the one, no really, we mean it, so much stakes, such high stakes! And they never follow through. But we knew someone wasn't getting out of this one. It was even money at this point whether it was Steve or Tony or Thor (yeah, I said it. I wasn't sure about him), but I think we all knew that all of them surviving after all of this would be a cheat, so. Someone was going. And yeah, we all fretted about it in Infinity War, but we always knew there was another movie to go. This one is the confirmed end for some of them. So it wasn't a matter of if anymore, but when and how. And that, finally, made this battle feel breathless in a way that none of the others could. It's not that I'm bloodthirsty. I am absolutely not someone who thinks you need to kill off major characters in order for it to mean something. But to genuinely not know what was going to happen for once? That's an experience that a jaded over-analytical girl like me doesn't get a lot, and it's pretty unbeatable in terms of anticipation.

Having them split up like that from the get-go was fun. Clint clutching the gauntlet and running through the hallways away from those awful unexplained monsters was exciting as hell. Scott running to save the ones trapped in the flooding basement was great. I don't really understand why Thanos was just sitting there, but having Steve, Thor, and Tony as the ones face to face with him was smart, because those were the main guys, so you never had that sense that nothing important could happen yet. The big characters were present at the epicenter from the get-go. 

The billowing dark smoke and crumbling rubble were an excellent atmosphere. If nothing else, this movie did scenery very right. It felt apocalyptic without being unexplained. 

The Fight

The thing about me and fight scenes: I get super tired of formulaic, generic fighting. Big car chases, too much CGI, muddled directing, it bores me. The first couple of Avengers movies were like that, which made the fight scenes eminently skippable to me. But a good fight scene? I love it. I absolutely love good choreography, sharp directing, the way it can feel like a dance. This is why I can't say enough about the Winter Soldier fight scenes. They're exquisitely put together, and I find them utterly invigorating every time, no matter how many times I've seen them. This fight scene? It was somewhere in the middle, but it edged more towards the good end of the spectrum than the bad. The Russos are very good at directing fight scenes. They're not always awesome at articulating the reasons for said fight scenes (looking at you, Civil War), but they are adept at making fight scenes feel coherent and exciting. This is often because they understand that you need a focus. The focus can shift, but in every aspect, you need to have someone you're following, and you need to be able to understand what's going on. And more than anything, I think the Russos are good at centering on the physical toll that a fight takes out of the characters. Sure, there's a ton of CGI. You can't get away from that with a Marvel movie. But they're great at filtering it all through the perspective of a character, and they're best at it with Steve. They get right to the core of the grittiness of Steve in a battle. You feel his struggle, you feel how much it hurts when he gets knocked down but still gets up, again and again. This was not my favourite battle scene in the MCU, but I liked it a lot, because you feel like it means something. It isn't just an excuse to have cool explosions and CGI weapons going wild. This battle said something about who the people fighting it are, and that's the best case scenario for what this scene was going to be. 

I can't remember everything about the battle. I'll have to fill in some of the blanks upon rewatch. But hey, it was fun. I don't really understand why Thanos's weird blade thing was so powerful. I really don't know why it was able to slice through Steve's shield like that. But if I try to close read a battle too deeply, well, there lies madness, so. There was enough going on in distinct sections of the field that it kept things interesting. I knew everyone was going to show up at some point (thanks, Sebastian Stan, for spoiling that, like, a full year ago), but I didn't feel like we were spinning our wheels til then. And let's be real, most of it was Steve vs. Thanos, which was a good time for all sorts of reasons. Especially this one: 

STEVE AND MJOLNIR!!!!! Listen. Listen. I know I'm being played to. I know this is just one of those overly manufactured moments specifically designed to make you go "fuck yeah!" I knowwwwww. But goddamnit, it worked. Boy, did it work on me. The way they directed it, the way they hadn't tipped us off too much (like they did with some other things), all of it...I did go fuck yeah. Fuck yeah, man. That's my guy with Thor's spare hammer, because he's worthy and he's wonderful and he's gonna fuck Thanos up with it. And I remember when this stuff was first teased way back in Ultron, it annoyed me, because a) I didn't care about Steve at the time, and b) it didn't make any sense. Mjolnir is supposed to choose the person who is worthy to rule Asgard, and that was already Thor. Why would the hammer switch allegiances, and what, would Steve then rule Asgard? But at this point, Thor's got a new weapon, and more than anything, Asgard is gone. The hammer's choice no longer has real world consequences. It's merely an indicator of personal value. And that's Steve. So, fuck yeah. 

Again, it only really worked because the hammer wasn't choosing Steve instead of Thor. It was in addition, and Thor had Stormbreaker anyway, so I didn't have to feel threatened on Thor's behalf. But also, it allowed for little moments like, 'no, you get that one, I get the big one,' from Thor, which was delightful, simply because Steve and Thor's mid-battle engagements are always delightful. That's a tradition I'm pleased got to be continued in this movie. 

I know what they were doing, I see what they were doing, but hell, I'm gonna treasure the image of my man wielding the shield in one hand and Mjolnir in the other. I never knew I wanted it until I got it, but I will take it and cherish it always.

I'd been waiting for everyone to show up. I didn't know how they were going to do it, but I knew they were, because, well, Sebastian Stan had told me so, but also because I knew Marvel could never resist having everyone fighting all at once. That's what this movie was made for, let's be honest. So it was only a matter of time. However, I didn't know how they were going to do it, and frankly? On your left. ON YOUR LEFT. Reader, I loved it. 

Sure, all the portals were a little silly. How did they coordinate so quickly, and why did they all show up at once instead of each of them just coming in when they were ready so they could help as quickly as possible (I mean, we know why. But diegetically, etc. etc.)? And this was another one of those tailor-made 'fuck yeah' moments that more often than not make me roll my eyes instead because of the desperate transparency. But you know what? It was fun. I know what this movie was, and this was what it came to do, and I am capable of just enjoying it. So I did. Everybody shows up and the wizards are finally being useful and you know it's time to just abandon yourself to the crazy and let it all happen. It's grand. 

But truly, on your left was a perfect way to do it. Maybe I should have called it, except that I never would have assumed that something so precious to fandom would actually be what the film itself chose to do. There were certainly a disproportionate number of references to Winter Soldier in this movie overall, which I appreciated, but this was a dream. I got chills. Elegant, lovely, character-appropriate. A++. 

Once the madness got going, I was just along for the ride. I don't have a lot to critique about the battle royale. It was a lot of fun. There were little things peppered in that elevated it - particularly whatever character reunions we could get quickly. I was particularly partial to Scott and Hope and their smiles at each other (plus Hope calling Steve Cap. We'd just watched Ant-Man and the Wasp the night before, so I freshly remembered Hope mocking Scott for calling him Cap, and then here this was as a cute little reference to reward the loyal. Not too heavy-handed, but little sprinkles for the devoted fans, and that's the kind of care for the seriality of the MCU effort that I appreciate from the Russos). It was impossible to give every character fair play, but I enjoyed the characters who did get moments. I liked the team work of passing the gauntlet between people. I did wonder if anyone would put it on, but no one did, and I see why. Still, it was a fun sub-mission within the larger battle. 

CAROL. I haven't talked nearly enough about Carol in this movie. She was sadly not in it that much, which I suppose makes sense (apparently she filmed this before Captain Marvel? So she really wasn't fully Carol yet when they were doing this movie). But I appreciated that her clear power superiority was suitably respected. And before she turned up, that moment when the guns turn around and everyone's like, 'what are they firing at?' And I knew, I knew. And my mind screamed CAROLLLLL and there she was and it was glorious. 

The charge of all the women. Look, I know 100% that I was being played. This is the kind of soulless pandering to your female audience to make them think they're getting a lot more than they are. We've already talked about the iffiness of the female presence in this movie, and how they're continually sidelined for plot reasons. That being said. I can see what they're doing, I can roll my eyes at the manipulation within it, and still fucking love it. I can. I contain multitudes like that. And when all the women marched boldly across the screen to protect each other and break through the fight, I absolutely fucking loved it. I teared up, honest to god. I LOVE THEM. I love these women and I love their power and I will cheer with abandon at their strength and solidarity. I absolutely understand that this was yet another manufactured moment designed to hit at people exactly like me. And yes, I can be critical of the fact that they're not giving us more than token moments. But I will still love this moment, because look at all those women. I meant what I said when I admitted that Marvel's at least been doing better in recent years, because the fact that we even have women in the double digits to fill this scene is the result of maybe just the last three years or so. It's not enough, but it's better than it was, and I hope it leads to a better future. So my heart swelled and I smiled like crazy while my ladies got their moment. May it be merely one of many more. 

Also, Pepper got to fight! Loved that. I have long felt cheated out of the Pepper Extremis storyline, so while this doesn’t make up for it, hey, it was something. 

I don't know why it is that Tony and Dr. Strange as a pairing work for me. They're two characters I've had tremendous problems with who are somehow very interesting together. But when Strange looked at Tony and held up the one, and it was a quiet, intimate little thing amidst all this chaos - it got me. I don't know. Something about it was very affecting. The moment of understanding between them, and what Tony rose up to do. It really worked. 

So, Tony. Frankly, this was precisely the kind of moment I anticipated Steve going out in, but they gave it to Tony instead. I'm both surprised and not. They were always going to prioritize Tony and his journey. That being said, while I intellectually understood that Tony was at risk in this movie, I never really thought Marvel would have the stones to actually kill him and thus make it impossible for him to return. I was too spooked from the last round of wrapping up Tony's character arc only to strike a deal with RDJ and thus rework the entire MCU specifically for his benefit. So yeah, I could never fully wrap my mind around Marvel really letting him go. So in that, I was genuinely surprised. But on a narrative level? It worked. Yeah, this is something I'd have expected Steve to do instead, but honestly, Steve didn't need to do this to prove what kind of person he is. Steve was always the person who would sacrifice himself to save everyone. He's done that already, and he'd do it as many times as he needed to (the ending of this movie notwithstanding, I guess...). There would be nothing added by Steve sacrificing his life by using the gauntlet except an extra sharing of tears. Tony, though? Tony needed something like this to fully complete his journey as a character. Let's be clear: he didn't need to die. I'll never say that someone needs to die to achieve full redemption or growth. There are other ways they could have come to this point with Tony. But this is one way to do it, and it's not wrong. Really, it should have been someone else. There was probably time, and other people on the field had a better chance of surviving the Snap. But if you're in that situation, and you're maybe not thinking totally clearly and things are looking rough and you see an opportunity like that? Yeah, I get it. Tony's always been impulsive, and his growth in this movie tempered his impulsiveness. But if he's going to have impulsive moments, it's progress that they're for the genuine good. 

In a lot of ways, this climax was formulaic. While it's a stretch to call Tony a father figure, he's still a sort of father figure of the MCU, and they're usually the first on the chopping block when it comes to epic fantasy conclusions. But I didn't really have a problem with it, because it was clearly meant to be a tearjerker, but it wasn't just that. More than any other character, Tony needed something that would really indicate that he'd changed as a person, become better. Of course Tony has put himself at risk to help others throughout these movies. But it's never been entirely selfless in the way this is, somehow. I don't know that I can articulate why it's different. But it felt different, and it felt like something that worked for his character more than it would for others. I don't doubt for a second that Steve or Thor would use the gauntlet without hesitation, and Nat already proved that she'd do the same. When Tony used the gauntlet, he suddenly held more control than he's ever had in his life, and yet he gave up control in the most powerful way he could have. Tony has always been obsessed with directing the narrative, creating monsters in his attempts to control the future. But by using the gauntlet, knowing what would happen, even as an extraordinary display of power, he's relinquishing his stranglehold on control and fully giving himself over. In order to win, we have to lose. In order for the Avengers to win, Tony has to lose. At the end, he understands that, and he accepts it, and Iron Man can really, finally die. 

His death scene was effective. I felt things, and I could definitely hear a lot of the theatre sniffling around me. They also did the right thing in terms of the relationships they foregrounded. I was genuinely worried that they'd have Pepper move away for Steve to be the final moment with Tony, and I was ready to riot, but that's not what happened. I'll give them credit for that. Rhodey, Peter, and then Pepper, and it absolutely should have ended with Pepper. I have always said that Tony only works with Pepper, and this movie did a good job of establishing his devotion to her and the way it's inspired him to finally be better. And I really liked how quiet this moment was, and how calm and strong Pepper was. It felt like a natural continuation of that scene they'd had earlier in the movie when they'd discussed what to do. They have matured together as a couple, they went into this understanding the stakes, and they are genuinely prepared to face the consequences. It was really nice, and it gave me emotions in a way that a more desperate show of misery wouldn't have done. 

I saw it coming, but I still appreciated the parallel of “but would you be able to rest?” to “you can rest now.” It was lovely. 

If Tony's death scene was handled well, his funeral was a bit more meh. I get what they were going for, and it was fine, but it didn't get me the way the previous scene had. It was a little too grandiose. I enjoyed seeing some of the groupings - special mention to the Pym/Lang clan, which I'm surprisingly invested in - but the slow pan to every single group was a bit overdone. At a certain point, we were reaching clusters of people who had no real connection to Tony, and a general pan up to include the crowd as a group would have sufficed. It definitely started to feel a little overindulgent. But what else did I expect. 

That video, though - that was the kind of stuff that does get to me more, even if it’s an easy get. I don’t have much to say about it. It was nice. 

And now we must discuss the thing I’ve least been looking forward to going through...

That Ending

I've been having trouble figuring out how exactly to tackle this. I'm honestly really curious about how other people viewed the ending, particularly people who actively ship Steve/Peggy. Because truthfully, this whole ending felt incredibly off to me. I'm trying to parse out how much of it is that it's an extremely fanservice ending for a ship I don't fully ship, but I don't think that's all of it. Regardless, I'd love to hear what people who do ship them thought, and if the pros outweigh the cons if you ship them enough. I've been trying to sort out if I'd feel the same way if it had been, say, Bucky that Steve went back to live with (in a 10000% hypothetical world in which a Disney-owned franchise would ever dare). It's hard to discount the effect of shipper goggles, and maybe I'd be more forgiving if I were more attached to the pairing in question. But I've been thinking about it a lot, and I just can't get past a few major things.

For one, let's get it out in the open: I didn't like the ending, at all. That being said, I was absolutely certain they were going to go this way. Not the whole time - for most of last year, I was still putting even money between Steve dying heroically and Steve getting stuck back in time. But once the trailers started coming out, I became increasingly sure. First, the Peggy compass makes an appearance despite the fact that I didn't even know Steve still had it (seriously, did it show up in any of the previous movies? Maybe it did, but it was unremarkable enough that I didn't remember). Alarm bells started to ring. Then they had that trailer with Peggy's voiceover, and I was certain. Listen. I know when I'm being primed. I see when they're trying to 'subtly' remind me of characters, themes, relationships. They were laying groundwork to make people think they'd earned this ending. And I tried so hard to make myself ok with it. I really, really tried. I prepped myself, I talked it through with myself, I warned myself again and again to make peace with it, because this is where they were going. But still, but still...man, I hoped it would be better than this. Even when Steve mentioned Peggy as the love of his life during that therapy group, which was more than a little heavy-handed and definitely not his style, and I became 100% sure that we were locked into this path, I gave myself another shot of 'prepare for this! It's happening!' and just hoped for the best. And instead. Well. 

The most essential problem of this whole, messy thing, is that time travel just doesn't work. It just doesn't. We'll hit on that again later, but if you're trying to come up with an elegant solution to a problem involving time travel, it can't be done. This movie came closer than some, but it's an impossible problem, and it always will be. Separate from the logical pitfalls, though, there are myriad character problems that this movie just didn't deal with, which kept me from being able to find any satisfaction in the ending. First and foremost, they never committed to whether Steve was going back in this original timeline or branching off into an alternate timeline. The only logical thing would be the latter, because otherwise things would start to become undone before our very eyes, but the fact that he's sitting by that lake in our original timeline at the end ruins that option. In the days it's taken me to write all this, it's since come out that the Russos claim that it was in fact the former - that he was in an alternate timeline and it's a mystery how he ended up back in this one - but the problem is, that is not at all supported in the text. I 100% believed he had stayed in this timeline based on him appearing in our timeline at the end, and there's literally nothing in that scene that would indicate otherwise. So, frankly, no matter what the Russos are saying in interviews, the film itself does not make that clear, and there's no guarantee that any subsequent films will reference what the Russos are hinting at in the future. So for the moment, we can only assume what we've seen, and that's that Steve went back in this initial timeline and lived out his life from 1970 to now with Peggy. And the problem with all this, the risk you take in taking on time travel, is that if Steve goes back to 1970 to marry Peggy and live out his life, there are two and only two options. 1. He goes back in time and alters things, because how could he not? All the things he knows, the people he can help, hell, the very fact that he's there at all - they all change what the reality of this timeline is, and the repercussions echo through to the present and the whole world suddenly shifts. But clearly, that's not what happened, because Sam and Bucky and Brulk are still there, they don't feel a thing, nothing's changed. Which brings us to 2. Steve goes back in time, understands he can't change anything because of the risk involved, somehow manages not to change anything unintentionally despite his presence there (in itself, a complete impossibility - time travel doesn't work), and chooses to live his life quietly, without affecting anything, and that's his happy ending. And that? Is awful. 

So let's say I buy it. Let's say I believe that Steve can go back like that and not significantly unmake the world. To me, understanding Steve's character the way I do? That isn't a happy ending. That's a tragedy. That means that Steve will have to watch everything that he knows is going to happen, every injustice, every crime against humanity, and just let it happen. He takes a back seat throughout all the wars and the misery and the atrocities. He sees someone walk into the road in front of a bus and doesn't try to help, because that would alter the timeline. There's letting Steve retire, and then there's letting Steve become an apathetic drone out of necessity. 

But even worse is the personal scale. When I complained about this to my sister, she said that a person wouldn't necessarily feel the need to avert, say, the Vietnam war, just because they knew it was going to happen. Sure, fine. I'd argue that if any person would, it'd be Steve, but ok, let's say for the sake of argument that I agree. But what about the stuff that hits closer to home? Even if we can accept that Steve wouldn't care that Bucky was still in Hydra's clutches for roughly 40 more years (and hey, this movie made an honest effort of trying to say that Steve only tangentially cares about Bucky, so maybe we are supposed to believe that), could he really be happy knowing that Hydra is growing and taking over the very organization that his wife founded, and is currently working at?? We know from Ant-Man that Peggy remains involved at S.H.I.E.L.D. until at least the 90s, if not longer. How could he watch her go to work every day not knowing what she was helping to create? What about the Starks? Seeing little Tony born, knowing he could help, maybe ease the tensions between Tony and Howard, help them come together? Only you can't, because if Tony doesn't have the childhood he has, then maybe he never becomes Iron Man, and what would happen then. So watching all that happen, and then knowing the exact day his friends Howard and Maria get violently murdered, and sitting back and letting it happen. Knowing that somewhere out there, Natasha is a child being trained to be a killer, being gaslit, being owned, and just leaving it alone. This doesn't sound like a happy ending. This sounds like a genuine nightmare - paralyzed, watching a slow-motion car crash that you know you could stop if only you could just stand up. It's horrifying. And that's what I'm expected to rejoice in? Because him getting to date Peggy again makes that all worth it somehow?

But fine, let's be absolutely, totally fair. Let's say it's ok for the Russos to just tell us what happened vs. everything they showed us in the movie itself. So, cool, Steve went back in time and sprouted off an alternate timeline. Fine. It's better than the alternative, that's for sure. But it still feels wrong for him, and here's why. The tragedy of Steve's story has always been in the longing to go back while facing the impossibility of it. He lost his friends, his girlfriend (I guess...more on that later), everything he knew. It's heartbreaking. It's a lot of why Steve and Bucky are so popular in this fandom - they represent that feeling of nostalgia that we all feel about our lives, brought to an extreme and fantastical degree, and it's fascinating material. You can't go back, but oh, wouldn't it be lovely if you could? Except what makes Steve so incredible, so resilient, is that he adapts. He wakes up 70 years later and everything is different and he finds a way to move forward. It's sad! It's so sad to think of him like this, this man out of time. That's why we have so many fics about some magic trick that lets him go back in time like he's always wished to. But I ask you - how many of those fics end with him staying in the past? Genuinely, I'm asking. I've never read one that ends like that. Because that's not how these stories need to go. Returning to the past is so alluring. It is. I'm an exceptionally nostalgic person, and I absolutely romanticize my happy childhood, or my teens, or my college years, when things were good, when things were easy. Everyone does. But you can't go back. Even if you somehow could, it's not the same, because you're not the same. That's always the moral of these stories, because it has to be. Because humanity is about adapting, about moving forward because there's just no other choice. And of course escapist fantasies of going back and fixing everything are fun. But I've watched and read a lot of sci-fi, and the message is always that that isn't really what it's cracked up to be. And there's a reason for that. 

But sure, let's move forward. Let's say he creates a branched-off timeline and is thus able to affect change in a truly Steve Rogers way. Cool! So I'm gonna assume he roots out Hydra from S.H.I.E.LD., he goes and saves Bucky, he improves the lives of his friends once they're born. Awesome! What a cool AU! Except. It's still kind of a miserable fate to wish on Steve. He can't save everyone, and he knows that. He can do some good, but rewriting half a century of history is too much for any one man, even Steve. But god, imagine the pressure. Imagine the guilt. He does what he can, but he can't fix everything, and he's Steve Rogers, so of course it weighs on him. And yes, you can say, that's what people live with every day! We know there's suffering out there, but we find a way to live through it! Yeah, of course. But you know why? Because we have the blissful luxury of not knowing for sure. We know there are terrible things out there, but a) we're not super soldiers, and b), we don't have advanced knowledge. We can know things are going on out there, but we also can't know that it isn't going to get better, that there isn't someone out there about to fix it. If you go back in time? You know for sure. You know how many people die in useless wars. You know about the epidemics, the awful chapters of human history. And you know it doesn't get better. What do you do?? You can't save everyone. But then your wife comes home from work and turns on the news, and you see the latest death count from something happening out there, and you sit there and think "maybe I could have stopped that." It's ghastly. Time travel is great for fantasies and quiz questions, but it's a gift that it isn't possible, because it would drive you to ruin. It would break your heart every day. So when people say it's wonderful that Steve got to be selfish and live out his life in the past? I can only see the things that are going to make his life miserable. I'd love to be happy for him, but instead, it's this. 

But even beyond all that, what about what it says not only about his character, but about everything that's happened in the MCU so far? Listen, I'm the first to say that his friendships with most of the Avengers were tenuous at best. When the Team Tony contingent of the internet railed against Civil War Steve for picking Bucky over his 'new family,' well, I didn't have a problem with that. It made sense to me. But he also wasn't abandoning everyone. He wasn't completely giving up the life he'd built. But by doing what he does in Endgame, Steve's basically saying he doesn't care about any of the people he's formed relationships with over the past 13 years as much as he cares about dating Peggy. And I...look. Some people will find that super romantic. Maybe I would have when I was, like, 19. But at this point in my life? Romance is great, but so are friendships. So are the bonds with people you've formed over years of trust and companionship. And giving up all of them for a chance at a girl you were into for a couple of years a decade and a half ago? That's not romantic to me anymore. That doesn't do it for me. Steve deserves his chance with Peggy if that's what he wants. But not at the expense of everything else. And I'm supposed to rejoice in that? That after 5 years of missing his friends, he spends, what, a week with them, and then leaves them forever? I'm very carefully trying to remove my feelings about the Steve/Bucky of it all for fairness, but what about Sam? What about Wanda? Remember that relationship that I was so attached to? Even removing the Avengers, there are people Steve loves who I can't wrap my head around him willfully leaving forever (especially since, god, doesn't Wanda need support more than ever right now? He doesn't even stick around for that?). I'll admit, I buy it slightly more now that Natasha's gone (sighhhhh), but even if she'd lived, I don't think the writers would have changed their minds about this ending, and then you'd better believe I'd be screaming bloody murder about this. I don't know, man. Maybe it's me! I have definitely turned on a lot of mainstream romance plots over the years! But god, isn't that what these movies were supposed to be about? The bonds of friendship, the bonds of brotherhood and comradeship, soldiers banding together against an insurmountable army? Am I still, after all of this, supposed to be happy that Steve drops all of his relationships so he can have another shot at an almost girlfriend? 

So let's talk about the Peggy factor. I love Peggy. She's wonderful. But you know what's a real sticking point to me in all this? We know for a fact that she had a life that she loved, lived fully and without regret. In her own words, her only regret was that Steve didn't get to live his. But I never took that to mean she wished it for him at the expense of hers. And yes, I'm sure she would have been happy with Steve too! Well, at least we can hope. But one of the greatest gifts Winter Soldier gave us was allowing Peggy to be a character separate from Steve. As much as I love her in The First Avenger, she still mostly served as a support in Steve's journey. But in Winter Soldier, they made it very clear that Peggy was her own person. That she was there for Steve, that she loved him and cared for him, but that her life was not dependent on him. She found her own adventures, her own happiness. Everything she built, she did on her own, separate from her connection to Steve. I loved that. It was so refreshing to have a character who had been conceived as a love interest get to boldly make clear that she was her own entity. That she was a whole person. And then...this. 

I'm sure that lots of people don't think Steve going back in time and marrying Peggy alters this. None of my irl friends seem to mind this ending like I do. But for me? It feels like a life stolen. Peggy got married! I'm not sure if she had kids, but she might have, and she had a brilliant career and made a name for herself. And Steve knew this. And he decided to make it all never happen. He inserted himself into a place he no longer belonged and took it all for himself again. I know that some people are celebrating this choice as Steve being finally, rightfully selfish, after a lifetime of sacrificing his own happiness for others. But this? It feels wrong. It feels willful. And sure, if it's in a branched timeline, maybe you can look at it sideways enough that it doesn't feel like the theft of a happy life to you. But it still says something about Steve that doesn't sit right with me. I'm all for Steve being less self-sacrificing. When I headcanon my ideal ending for Steve, it always involves him getting to take a slice of happiness for himself. But not like this. Not by undoing someone else's life, not by taking something directly from others. That's not Steve Rogers. 

Meanwhile, let's settle an area of confusion. When I watched the movie - hell, when I first started writing this - I thought he went back to live in 1970 after he dropped off the Tesseract. Frankly, that was the only good thing I had to say about this ending (and I did say it when I was discussing the movie with my friends directly after) - that by going back to 1970, at least Peggy had some time to live a life without him, and he just joined her partway through. But given how long it's taken me to write this, other things have filtered in, and I guess the prevailing wisdom is that he actually went back to the 1940's? I know the cars looked old, so maybe that was the clue, but I wasn't certain, and maybe I just hoped it wasn't the case. Because while this maybe makes it better on the Steve front, it makes it worse for Peggy. She doesn't get to live a life without him at all. And listen, I don't doubt Peggy Carter! I think she can do anything, and she certainly doesn't have to be alone in order to establish herself. But do we really think that in 1945, hell, 1950, 1965, anyone would think Peggy did it all on her own when she had Steve Rogers on her arm? That was part of what I loved about how Steve/Peggy went down. While it was sad for them on a personal level, it meant that after the war, during a notoriously sexist backlash era, Peggy's success was never attributed to her connection with Steve. But with this? It's absolutely unfair, but it would absolutely tarnish her own agency. And I think she would suffer with it. I have long thought that Steve and Peggy, if given the chance to be together in the 40s like they planned, would have actually run into some problems once the war settled down. I have a whole treatise to write on this that perhaps I will someday. It's not that I think they wouldn't have worked. But I'm not certain they would have, because I think the things that make them wonderful as people would have made it difficult for them to be a couple. And this kind of timeline fuckery is exactly the kind of stuff that I think would have tested them, and not necessarily in a strengthening way. Maybe I'm not giving them enough credit. I absolutely don't think they're doomed to fail. But by forcing them into this kind of trite 'happy ending,' this movie is asking me to ignore what I know about these characters, who they are and how they live and what they've done. That doesn't feel like a satisfying end to me. 

Beyond that, it's impossible at this point to separate the way I feel about Marvel's treatment of its women from what happens in the narrative. In the same way that I don't dislike Nat's storyline for her character individually, but I'm fully raising my eyebrows at them killing off the token girl in the team, it's hard for me to separate all that stuff regarding Peggy. Diegetically, Peggy deserves her chance with Steve. But on an outside level, it doesn't feel great that she exists solely as Steve's Reward in this movie. She doesn't even have any lines. She exists to be gazed at, and then to be danced with. I know we know Peggy's powerful and amazing. But the fact of the matter is, if you only watch the MCU, Peggy's only been in two movies, and one of them for only a few minutes. They killed her off-screen in Civil War. And then she's this in Endgame. Howard Stark gets a long, extended walk and talk with Tony, and Peggy gets this. It doesn't feel great! The exhausted feminist in me is always struggling with this stuff. Peggy doesn't have to be alone in order to be her own person! But I don't trust the MCU to put any of their women in relationships with men (even friendships, frankly), and have them still be the main characters. God, no one even says her name in the whole damn film. I'm probably nitpicking! Welcome to the hell that is living in my own head 24/7! Pity me.

God, I don't know. It's all so complicated. I might be entirely wrong in this. I really would love to talk to others about this and see if I'm just looking at this all wrong. But even though I've long known they were going this way, it's still precisely why I was hoping this movie wouldn't go the time travel route. That way lies madness. It just creates so many more problems than it solves. Problem is, when I planned for this eventuality, I always thought it would be an accident or some sort of necessity and that Steve would get stuck in the past. He'd get cut off back in time and adapt like Steve Rogers does, find the happiness in his new circumstances like he always has. But somehow, it never occurred to me that he would choose to go. That he would willfully decide, all on his own, without consultation or discussion, that he was doing this. And something about that particular change has just been rankling me. For all the reasons outlined above, it lessens Steve's character to me in a way that I never anticipated. I always wanted Steve to retire. My happy ending for him is having him find other, non-fighting ways to help people while also getting to live his own life. But I always wanted it to be his own life, not someone else's. I'm certain people will argue that Steve was never supposed to be in 2012 in the first place, that he was meant to live out his life in his own timeline. But that's not what happened, and the MCU asked me to invest in the last 8 years of Steve learning how to adjust to the extraordinary things that happened to him. If I wasn't interested in seeing that, I would have stopped after The First Avenger. While I understand that Steve getting stuck back in time would have done iffy things for his agency, I think I could have made this work if that was how it all played out. But by him choosing this fate instead, I'm having trouble embracing it as a triumphant end. I wish I could explain it better. I've been soul-searching all week trying to figure it all out. But it just makes me sad at the end of the day. 

Last of all, but it must be said: Sharon Carter deserved better than this. Listen, I remain the first to eviscerate that weird romantic curveball in Civil War. It was a hot mess. But the same damn writers who wrote Endgame wrote that romance too, and they don't get to nope out of their own mistakes. Listen, I'm a fan of acknowledging when something didn't work! I am very pro how the Russos handled the failure of Bruce/Nat! But the thing I liked so much is that they breezed past it, but still allowed it to have been a thing that happened. That significant look in Infinity War was literally all I needed. That was a 'we know this was a misstep and we're calling the loss, but it still did happen and we can't ignore that completely, so we're allowing a diegetic reference to it and then closing the book on that.' Perfect! All I ever needed! Steve/Sharon as it was handled was thoroughly a mistake and absolutely should have been backtracked. But it definitely feels a little gross for Steve and Sharon to kiss and then for Sharon to never be seen or mentioned again. Not even once. All it needed was some side-reference in Infinity War about how Steve's life on the run had been too much to manage between them. That's it! Call it a loss and be done with it! But to completely cut Sharon out of everything just to gloss over the narrative stumble and smooth the way for Steve to get back with her aunt? Yikes. And I say this as someone who has absolutely zero attachment to Steve/Sharon. I appreciate that they didn't double down on that. But snapping Sharon out of existence from the entire MCU was a cowardly way to do it, and I judge them for it. 

Two final petty things: 

I am a little salty about them using "It's Been A Long Time" as the final song, which I understand is a bit irrational. The only reason I know that song is because of Winter Soldier, but man, it's always been a Steve/Bucky song. And I guess the Russos didn't see it that way, and hey, Winter Soldier is their movie, but it only makes sense if it's about Bucky, because in Winter Soldier, Steve has been hanging out with Peggy for a couple of years now, and the song takes place just before Bucky shows up. I know, I know. Shipper goggles are powerful. But I also know how to close-read a film, so. My perspective is probably skewed, but it's also not wrong. 

During that ending, I so, so hoped the Russos would just leave it up to interpretation. When Sam asks about the ring and Steve elects not to tell him about it, I sent a prayer up hoping that the movie would cut off at that. Of course it didn't, for fan service and heterosexual romance reasons, but I really wish it did, because of this: 95% of people would have understood that the ending was exactly what it turned out to be. But for the other 5% of us? For god's sake, dudes, give us that sliver of wiggle room. Let us headcanon what we wanna headcanon. I've always wished this, even for fandoms that I'm not in - fans are great at running with things if you just give them the slightest bit of room. Just let them have it. I've always thought that J.K. Rowling put "19 Years Later" into Harry Potter precisely so that people couldn't do this and they'd have to accept her version of the future, and frankly, I think it's why people have always hated that epilogue, even casual fans. Let us imagine the future. Give us hints, do whatever, but throw a bone to the fandoms out there and let us have some fun. I mean, yeah, we can still headcanon elements of that ending (and we certainly will), but it's still disappointing. Unsurprising, but disappointing. 

Time Travel Doesn’t Work

It just doesn’t, guys. Every movie that takes it on thinks it’s different. They’re all convinced that they have the solution. And they never do. It always, always breaks down. And yeah, that sucks! Time travel is super fun! But it just doesn’t hold up, and I’m tired of movies telling me they’ve cracked the code when they just haven’t. 

I really don't understand why they thought one throwaway line from Brulk was going to satisfy all the issues with time travel. I appreciated that Rhodey and Scott brought up all the other time travel movies that thought they had it down, but Brulk's brush-off was nonsensical. Yeah, if you go into the past, that becomes your future. Everyone gets that. But that doesn't protect the rest of it. Steve can go back in time and live out his future in another period. I 100% get that. But everyone he talks to - their paths will all change because they met him. Events will alter, timelines will branch off. It's a mess. Don't talk down to us like we just don't understand how it works. We understand that it doesn't work. Fuck off, Brulk.

I briefly thought they had a pretty good thing going, though, when they came up with the plan of returning the stones to the exact moments they took them. Honestly? That would have worked. That time travel storyline would have been clean and logical. They were almost there! But then they had to go and have Thanos and crew come to the present from 2014. And then it all breaks down. I don't get it! Are we just branching off another timeline, but in the original timeline, the world is still terrible? I like the twist that we get Gamora back through 2014 version showing up just cause I love Gamora, but it simply doesn't make sense. Ugh, the more I think about it, the less it makes sense. I similarly love Loki grabbing the Tesseract and bouncing because a) it's a very Loki thing to do and b) it gives us a vague but real chance of seeing him again. But it also doesn't work! If Thor doesn't bring Loki back to Asgard, all of Thor: The Dark World doesn't happen, which means present day Thor can't get the Aether, etc. etc., and fuck, is anyone else's mind spinning? Say it with me: TIME TRAVEL DOESN'T WORK. It's just exhausting. But they were there! They were almost there, to a place where it could have worked! We were so close! Oy. 

A Confession

Alright, I have to admit it. I was wrong about how much this movie would center on Steve and Tony’s relationship. I’m very glad I was wrong. I am pleased that the writers understood that there were more important relationships to focus on. There was still a healthy dose of Steve/Tony thrown at us, but it didn't supplant too much. So, I’ll allow that I was more worried than I needed to be (about that, at least). I’ll give you guys that, Russos and co. 

Final Thoughts

This has taken me so long and gotten so thoroughly out of control that I'm certain there were big things I was planning on talking about that I'm just totally forgetting now. But I just need to be done with this thing. I'm sure I'll write a lot more about this movie over the coming months, but for now, here are just a few more things.

SAM!CAP!!!!!!!!! It could only be this way. But I'm so, so happy that the MCU acknowledged it. I have always, always said that it needed to be Sam. That Sam was the only one who made sense, the only one who was really capable of taking up that mantle. But I still thought Bucky was the frontrunner because he's a fan-favourite pretty white boy, and you can never discount the odds in favor of that. But they did the right thing! I'm so glad. All hail Sam!Cap. 

Thor becoming one of the Guardians of the Galaxy was legit the only thing they could have done to make me interested in seeing another Guardians movie if Gamora isn't in it, so damn them. Damn them for hooking me when I thought I could get free. Fucking genius move, that. Presuming, of course, that Thor is actually going to be in the next one. If he isn't, I riot. MORE THOR ALL THE TIME. 

So where do we go from here? I assume there are going to be more Avengers movies, but how and when? Are we going to establish a new core team? Do we really need a team when Carol's around? It'll certainly be interesting. I don't know how long the MCU is going to be able to sustain all this, but man, as someone who takes an interest this kind of stuff, it sure is fascinating. 

Ok, so this whole post got super embarrassing. I set out to write a series of bullet points and instead ended up with a 10-page essay. It's truly unreadable, and I know that. I tried super hard to make the format bearable on tumblr, but such a thing is obviously impossible, so instead it's this. I genuinely expect no one to have gotten through all of this, but hopefully some of you have found bits and pieces that interested you, because I'd absolutely love to talk more about this movie. I've been stewing in my own thoughts all week, and I want to bring in other perspectives. So come join me in over-analytical hell! 

[ellewritesfiction]

Endgame Thoughts

I’m aware that no one really gives a fuck about my thoughts or feelings lmfao and that’s cool lol I barely do tbh and I’ve not been on here in like an entire year and all of you have changed your usernames and I don’t even know who I’m reblogging but I just have to say -- I’m so damn tired of being mad at MCU like. I’ve been wielding this big fucking sledgehammer since AOU, which came out in 20-fucking-15, and I’ve been pissed off ever since. I was pissed about everything from how the actors were treated to the basic plot to the complete misogyny to just... everything. And every Marvel movie that came after I had to fucking harden my heart against it and hope that it wouldn’t be an absolute dumpster fire. And like?? For the most part they have definitely been improving. But this -- the last vestiges of the original team? It was always going to be problematic to some degree -- we’re saying goodbye to the men that started this franchise. I got to a point where I was finally like, as long as my two boys are okay, I’ll be okay. 

And you know what? They are. Tony, albeit he had to die, is finally able to rest, and like??? That is such a fitting end for him? He was never going to chill the fuck out. If he was able to just be happy any other way he would certainly not have been tinkering around with time travel after Steve asked him to. He could never live with himself in peace, never, that was it. 

And Bruce? He finally learned to deal with the Hulk in a constructive way. As someone with mental health issues like that is such a validating fucking thing, to embrace his trauma and the scary, angry, disgusting parts of himself and live with them and be comfortable with them, facing them every day? Oh my god. Like. Bruuuuuuce. Bruce. I am so fucking happy for Bruce. 

And even on a level beyond that, they pretty much gave me everything I could want in that movie like. Tower times like we all talked about post Avengers 1. And they added so many dumb memes and we got a powerful Nat/Clint moment and Thor somehow morphed into my personal headcanon of him and Steve got to do the selfish shit I think he always really wanted to do and yeah they didn’t do much with the women of MCU but they were never going to, this was about saying goodbye to the old team, and the entire fight sequence at the end was about that -- the newbies taking the gauntlet across the field as a hand off and even the scene with all the women like I guess I interpreted that completely differently. To me it was like a promise they weren’t going to do again what they’ve done with the first four phases -- women would be there and they would be carrying it too.

Like I’ve just felt such a fucking relief watching that movie like this is it, this is finally it and I can set down this burden and I can be okay. And like I really wish that’s how other people felt about it? Because like I keep wanting to see things like this on here but what I’m finding is that people are still mad and like trust me -- I do NOT blame you. There are things to be mad about. But I just... I’m tired and I don’t want to hear them. I don’t want to think about RDJ tortured over this role and I don’t want to think about the Russo brothers dicking the actors over and I don’t want to think about the misogyny inherent in the past ten years of films. I only want to think about how bright the future of these films could be with canonical queer characters and badass women and men who are true to themselves and not wrapped up in all this masculine bullshittery like. The generational shift should be coming and I am SO excited I don’t have to constantly be pissed off and hide from trailers so I don’t have to live in anxiety about what they’re going to completely fuck up this time.

I know that’s... whatever. Like. I just needed to say you know... it’s done. It’s done. And now I can write my little fan fiction over the first four phases in peace lmfao ugh.

[teamironmanforever]

Hi! I was just wondering how much contact do you think Peter and Tony had between SMH and IW, because they seem much closer but apparently in the Heroes' Journey book it's said that Tony is again mostly in his workshop obsessing over aliens and Happy is keeping tabs on Peter and it made me sad 🙁 I haven't actually read the book though and besides who said it's canon anyway...

Fuck the book man, honestly just look at their onscreen interactions and it will be pretty clear they have been seeing each other. 

evidence: 

1) “kid, where did you come from” “I was at the field trip” not a field trip but the field trip which means they have had this conversation before. Tony knows about it, knows when it is, knows what it entails, knows pretty much everything there is to know about it. Could it be that Peter is assuming Happy reported? Maybe, but also highly unlikely considering how comfortable he seems with Tony knowing random details/expecting him to know exactly what the hell he is talking about in the middle of a fight. He is thus reporting directly to tony. 

2) Peter understands Tony lingo. He didn’t quite in Homecoming. He thought Tony was dismissing his worries, because Tony makes light of pretty much anything as a means to cope. He gives people nicknames and is irreverent at times when most wouldn’t be. Peter now understands this which means he must have been spending a lot more time around Tony to see that the man puts up fronts. He also, unlike prior Avengers, doesn’t judge Tony’s snark and irreverence but rather tends to emulate it (in a more naive/pure way) and easily falls into step which means they have been fighting together (and considering the deleted scene of Tony flying off while peter is swinging by the web, we know they indeed have been doing the whole crime fighting together). 

3) Tony doesn’t call peter just kid anymore. He doesn’t really use any of the old nicknames either. He calls him Pete or Peter, and then the occasional kid. That, if anything, tells you how much more comfortable tony is with Peter. Half the time, Tony uses nicknames to distance himself from people (i.e. rock of ages, squid-ward, mr. clean, etc) and they are often unflattering or they are based on physical traits or abilities. There’s a select few that have gotten personal nicknames which means they are in his inner circle (i.e Rhodey, Pepper, Hap). Peter was at one point “spider-kid” or more often than not just “kid”, but in this movie there was a lot more of a personal touch to peter’s name. “Pete, you gotta let go I’m going to catch you.” And the strongest use of the kid nickname was when Tony was pissed at him (i.e the entirety of their trip on the spaceship where peter didn’t listen). 

4) Peter is no longer intimidated by Tony. at all. In homecoming, there was this whole pedestal/fear/awe/omg what if he doesn’t like me thing going on. He was trying to live up to the expectations of someone he had built in his head. In this movie, he is clearly very comfortable near Tony. He knows the man. He knows what the limits are of what he’s allowed to do, and he also knows how to break the rules like any teenager would and try to do it by one upping the parent. The whole fight they had in the ship is proof of that. They were both cutting each other off, Tony tells him “I don’t want to hear it” and Peter just keeps talking because lols dad isn’t actually gonna stop loving me if I try to get myself out of this whole but WHOOPS I am actually digging my grave deeper because I said something I shouldn’t have. He knows when to back off (i.e immediately apologises after tony tells him what did you just say) 

5) I can’t remember the exact line but Tony tells peter in no uncertain terms that he wants no more movie references “for the entirety of this trip”. He makes it sound like there have been others before, which, again, we know they have because of deleted scene(s) and because they are very clearly used to one another’s fighting techniques by now. 

6) Tony is extremely physically protective over Peter. If you notice, throughout the movie, Tony stands in between peter and literally everything else. When Drax and Quill are too close to Peter, tony physically moves closer to his kid. When strange is too close to Peter, tony takes a step closer to the kid. Tony generally is VERY uncomfortable with people being all up in his face. He doesn’t like people to stand close to him, but with Peter, he has no problem. The kid is 9/10 standing next to him. That speaks volumes to how much closer they’ve gotten. 

7) In the deleted scene/scene shown in one of the previews, we saw Peter dying (we saw him hurt we didn’t know he was dying) and so we know that the original line was “Tony, I’m sorry.” Again, he addresses Tony by name. Yes, it was cut, but it was still filmed and shown in the trailer. It still happened and thus we know just how much utterly closer they are. 

8) Peter seems genuinely comfortable with Tony barking orders at him (even if he doesn’t always obey). He is comfortable with Tony giving him dad!talks, and being mad when Peter doesn’t listen. Tony acts A LOT more like an up and close dad in this one and less like a helicopter dad, and Peter allows it. That is not something that happens overnight. That takes time and trust. 

So don’t you worry your pretty little head off anon, I assure you, they are close and that, like Anthony Russo himself said, they have a father and son relationship. 

[dialux]

Infinity War Reaction: so, like, spoilers through this whole post.

I think.............................. there’s a lot to be said for the acting. This cast is really good, and though a lot of people had like, three lines (cough SebStan cough) they made those three lines memorable. And the plot itself was so disjointed that the cast must have had a hell of a time weaving the storyline together into something coherent. 

I also went in ready for a mess and came out with a more positive impression than I entered, which is not what happened with cacw, the other ensemble cast film, so I’m pleasantly surprised about that. And the movie is... a culmination of the entire mcu, so I wasn’t expecting it to be very character-driven or deep (and imo this is where people are getting irritated with the movie, as well as the fact that marvel chose to dump the movie’s minimal exposition on its villain instead of any one hero)(but unpopular opinion: i’m glad they didn’t have strange ‘’’grow’’’ out of his moral ruthlessness, or wanda declare that she can’t turn her back on the fight, or tony sob about peter’s death- this was a movie about loss that is just... shoved onto you, the disappearance of billions of people in a matter of minutes- and idk I think people changing drastically over that length of time is unlikely, and once you’ve set that aside, imo, the movie didn’t feel as exhausting.)

I think I read two reaction posts right after exiting the theater  (@him-e‘s and @subjunctivemood‘s) and it’s kind of funny but I agree and disagree with them on a lot of points, despite each having relatively separate reactions themselves.

Funniest bit was that Clint/Ant-man just......... took a plea deal. I could not stop imagining the poor data entry person who had to process that nightmare of a thing, like, Clint goes “first active, then I brought in a Russian spy who might be brainwashed, then I got married and hid the family, then I retired, then I un-retired and became a fugitive, now I’m.... retired again bc my wife’s mad at me and I miss the kids???” this convo has no room not to be hilarious, I’m forever mad at marvel for cutting it lol

I liked the beginning.

ngl, it was heartbreaking. 

also though, the movie starts by someone pleading- “this isn’t a warship, don’t fire- please- don’t fire-” and we see Thanos ignoring that, we see Heimdall on the floor, we see Thor bleeding; there were a lot of ways to establish that Thanos was a villain but none so dramatic as this one

And this movie is if nothing else #iconique 

So not exactly a surprise, if you get my meaning

The total message behind the villain’s ideology was screwed up, but the hero’s answers to that? Reminds me of this meta in the asoiaf fandom, tbh: “we don’t trade lives” vs "’Everything,’ Davos said softly.”

It was powerful. I’m still in love with it. 

In fact, I’m in love with the entire idea of the movie- where everything hurts, and hurts, and hurts, and nothing you do is enough, where all you can do is keep pushing against the darkness and it’s winning all the damn time and you know you cannot win, you know it’s absolutely impossible- but you rise and you stand and you fight nevertheless.

Yeah, I don’t like Peter, I never have and never will

honestly I couldn’t get through any of the gotg movies 

I still haven’t watched either of them because he scrapes on my nerves like nothing else

That said, let me just say that I fucking loathe Peter Quill okay this is me hating him 

Pssh Nebula though is gorgeous. Nebula is just. W O W. I might watch specific clips of her and Gamora alone because I have been missing out on that relationship. (SISTERS??? RAISED TO HATE EACH OTHER??? NOW REPAIRING THAT RELATIONSHIP??? I LOVE)

Gamora didn’t deserve to die, but- I think.... I’d have liked it more if Thanos had killed her and realized that it wasn’t love, not in the end, so he gives up something else- I understand why that didn’t work out, because of screen time- but maybe another gem?? Or one of his best lieutenants? Idk that would’ve been a better route, imo.

Relationships what relationships. Who knows who? Who cares about who? What cacw baggage? The only thing the Russos know is that Tony isn’t talking to Steve, and even that isn’t resolved properly, jfc.

I’m glad they piggy-backed off of Ragnarok’s humor, though, using both Banner and Thor to deliver those lines- it was good, and both actors are really good at those punchlines, so.

Though CA’s “I am Steve Rogers” in response to Groot still has me in stitches, that’s one of the best lines in cinematic history

RED SKULL. RED SKULL. RED SKULL.

I’ve never known anything more legitimately weird or jarring.

Was that supposed??? To be a point??? For the next movie???

idk but it looked damn stupid in this one

(Though if the entire point is to bring Steve Rogers to Vormir as a sort of full circle cycle and then Steve jumps into that hole and then he finds out that Gamora isn’t actually dead........ I think I might forgive everything. But only if all of that happens. Not before.)

Re: Strange/Tony, I went in expecting to ship it from multiple friends, but I came out kind of.... lackluster? Idk, I don’t see the chemistry that much- it seems like... they’re both just snappy assholes and used to being the smartest in the room and build off of each other. The Pepper scene in the beginning made my day, lolol.

The deaths could have been better. Ngl, the only deaths that made me feel things were T’Challa and Spiderman. The rest just- happened too fast. 

Though Tony’s face (and Steve’s, and Rhodey’s)- oh, yeah, that was good. 

Anyone else realize that the majority of the people that are left are the original avengers? Avengers4 will be more similar to the first avengers than either Ultron or this one, mark my words, and hopefully better for it.

I really really hope they put in one thing in the next movie of Tony panicking on Titan because he’s faced the thing he’s been afraid of for years now, he’s faced his biggest fucking fear-

Yeah, they probably won’t have time, yada yada yada, but it’d be damn cool if they gave me another panic attack a la IM3. That was good shit right there.

So, overall- I liked the movie, and the best shot of the entire thing (the five minutes that summed it up) were where all the Avengers come to try to stop him, and it doesn’t work, they’re batted aside like little toy pieces, and they face their darkest fears, Wanda kills Vision-

And it isn’t enough.

Thanos has time, has reality, has everything on his side. Wanda isn’t enough. Vision isn’t enough. Strange and Tony and Spiderman and everyone- they aren’t enough.

14 million possibilities, and only one where they win. But that one is a chance, and they aren’t going to let go of hope while that chance exists. There’s almost no likelihood that they’ll succeed, but goddamn does that mean they’ll give up.

That’s a really good motif for the entire movie.