#i am probably better off doing illustrated lore on this
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Okay, so a quick update regarding my YouTube video projects.
Hello, it’s me again, so, I’m back to quickly talk about my videos from this year, and what I might have planned for next year.
Yeah, so you might have noticed that my videos tend to end up pretty long, and so take quite a long time to make. I am considering changing the way I make videos to some degree to hopefully get stuff out a bit faster. The big time sink is mainly the “extra” illustrations, so I think I might try making visuals that revolve more around speed paints, than these extra images (putting a few in here and there, but maybe having a cap for the number). Plus with les time on those I could be able to spend more time on the writing.
As for the projects themselves, we have a few options. Naturally, there can be more entries in the My Take On series, where the next one would probably be part 2 of the Ultraman video with aliens.
Next up is Splatoon: Operation Rock Out!...This one for now I think I’m gonna make just as a one-off story, rather than a full series, but it could get more entries in the future. Honestly, if there’s any fandom project I do end up committing multiple entries to, there’s a high chance it would be this one.
This also leads to potential for similar one-off original short stories. I do wanna pull myself out of the “fan art sinkhole” I’ve been stuck in for a few years now and start making original stuff more often.
Now for the big one-Ryan and the Quest Crew/Project Pheonix.
This was originally gonna be a narrative story series, but I’m thinking I might do something different. The main piece of tangible material I have for this project is actually a Dungeons and Dragons homebrew setting and campaign (which for the last few weeks I’ve actually been running) that I started working on back in November last year.
So…This might actually end up becoming more like a worldbuilding project (with some story bits here and there maybe), where I share my homebrew setting, as well as things like the custom quests and monsters that I make for the game (while drawing proper art for them and giving them lore and all that.). This could even become inspiration for your own games or something.
Finally, I wanna say that I don’t think I’m going to continue Fazbear Collection…And honestly, a big reason for that is that I feel like it’d be better more me if I just enjoy FNAF a bit more casually, and am able to dip in and out, rather than have the obligation to stick with a long-term project. Okay, another reason I tried that idea is because if you’re reading this, you probably found my channel through Alone at Freddy’s, so since my most successful video was a FNAF one, I felt like I ‘had’ to make more FNAF videos. Plus, I’m not a huge fan of how the final Episode One actually came out, dunno, think it dragged on for too long and the tone ended up too dark and serious. Don’t get me wrong, I still like FNAF, just not enough to spend potentially years on a fan project.
So, yeah. That’s my update for the year. I’ve learned a fair bit, and for next year I’m gonna try working on efficiency (though note due to things like me running DnD games, video production might still end up being a bit slow).
#fan art#fnaf#splatoon#digital art#project update#ultraman#dnd#dnd homebrew#dungeons & dragons#original character#project ideas#digital illustration#artists on tumblr#Yeah I thought I'd share my thoughts at least#Been dealing with artblock lately which hasn't helped
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Wait wasn't logo allways against Nietsche? What makes this rant unique? (Don't use twitter anymore so cant check it for myself) Still, I kinda get his position, there is that very anti-human bend of modern "nietschians", that allways have this misanthropic and mechanistic outlook, with everyone being just stupid and evil, which justifies their cruelty to them. And, because I am simmilar to logo, with being at the same time very emotioanl/moralistic while ironically being very logical, I just take the spite out in doing the whole "yes, and" thing from standup and turning the logic of nietsche back on the nietschieans - Aren't they the real last men? Just crying about the loss of traditions they only care for some abstract pragmatic value, allways whinning about the hypocrisy of the true alpha predator of the gendergoblin class of real overmen who actually are beyond morals - using them actually cynically to enforce their will of power - basically what I mean is that "the cold truth" is what exposes the absurdity of nietschianism - the aphex predator, the strong or better said "fit" isnt some homo-erotic ayan fantasy, some Aragorn photoshoped with blond hair blue eyes and sonnenrad on his shield, but the same "cockroaches" that they despise - as they are the only once surviving meteors and nuclear blasts that kills both the mighty dinosaurs and caesars, so are the "dysgenic woketards" the once that seize the day, the once that live like they would if they had to live again (cause thats the most optimised way to get power lol) Anyways, prolly should just put this all in my comic as a heavy handed illustrated didactic parabell, but till I get till that, this will do (or due? idk I cant spell in my mother tongue so english - no chance) Ofcourse, I know this is more than a vulgar way of making a charicature of nietsche, but maybe that is not so bad - cause that lets one get, what one means when they say "Nietsche is bad/stupid/midwit/propoganda". Still I will apreciate Nietsche for shitting on universitys, cause I felt so "validated" feeling the same while studying, one could really see how I was some loser with a tumblr account who writes questions anonomyosly on the off chance somebody will track this down lol
Yes, Nietzsche has to be read against himself, because all the biological stuff about eugenics that's in e.g. Twilight of the Idols is at odds with the other material about the shaping power of language in discourse and art (in "Truth and Lie" or The Birth of Tragedy), with the two strains confronting each other directly in The Genealogy of Morals, which I've recommended reading exactly backwards, so that the Jews and Christians are its heroes. Then there's also the very different Thus Spoke Zarathustra, which seems to me to lead to spiritual discipline and something like Jungian psychology. He's a suggestive, poetic writer interestingly and poignantly at war with himself, not a guide to life to be swallowed whole. His greatest legacy is the major modern writers he inspired. This is why I suggest thinking about him in a literary rather than philosophical lineage, alongside Goethe and Emerson and Joyce. But even he shrewdly warned his readers against going around calling themselves supermen and denouncing everybody else as last men in Zarathustra. He predicted how his own work would become for a certain type of alienated male its own bible of ressentiment.
Logo probably was always anti-Nietzschean, because, if I recall his "lore" properly, he's been under the influence of Groys and Kojève since his undergraduate days. Those men, however, are/were capable of confronting the heat-death of post-historical culture with a beatific bodhisattva smile. They would even be the types to welcome Nietzsche as the needed negative moment in the historical dialectic they so calmly diagnose and submit themselves to. I think. But I don't really care enough about philosophy to know for sure.
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Kin headcanons (Bloodborne)
- There are roughly three types of Kin - celestial, marine and cursed.
- Celestial Kin are associated with lumenweed that reaches to the stars for salvation, you know, the flowers, the effect of Milkweed, etc. And with blue starry aesthetic, naturally. Prime examples are Living Failures, Celestial Emissaries and Ebrietas herself. Flora too, before she became more beastly.
- Celestial =/= cosmic, all Kin are connected to the cosmos! Cosmos is generally a higher plane of existence, whereas ‘stars’ is more specific affiliation. Ebrietas is daughter of the stars, not cosmos, either. A bit slightly lost in translation of boss names ( x ).
- Marine Kin are, naturally, connected to the ‘bottomless sea’. Kos and OoK are prime examples. Marine kin is also what Research Hall patients were initially aiming for, before they turned to the stars instead, to avoid horrors of the sea as it is full of human dregs. Brainsucker is a marine Kin too - this is what happens with a patient that became addicted to brain fluid to the no-return point but didn’t die. This is also why they stopped letting unsuccessful patients return to their homes - they just turn into Brainsuckers in the wild!
- Cursed Kin are affiliated with arachnid theme and ‘evil’ yellow eyes, examples are Amygdalas, Children of Rom and Gardens of Eyes! Interestingly, internal name for Gardens of Eyes are ‘cthulhu spider’. Gardens of Eyes were Research Hall patients that pursued cursed route instead of celestial one to be saved from the Sea, and were taken back in Byrgenwerth to live some semblance of life and recovery, since Choir had no interest in them.
- There are hybrid Kin! Fluorescent Flower is a hybrid between celestial and cursed Kin - note arachnid legs and body elongated in similar fashion as Amygdalas, but it does have glowing plantlife on its body! Milkweed reflects what would a celestial+marine hybrid be like. Rom is the only example of all three affiliations meeting - celestial (her glowing plants), marine (tentacley tails) and cursed (spider legs and bloated skull full of eyes).
- There are mutants - people who merely have their bodies change to adapt to affiliating with Great Ones better, without becoming their ‘family’! Nightmare Apostles like Patches are affiliated with cursed Kin, everyone in Fishing Hamlet is affiliated with marine Kin. Willem and Slime Scholars mutated to affiliate with celestial Kin better; even though slime scholars are ‘liquid’, don’t forget that Ebrietas and augur slugs are creepy and wet as well! Marine is less necessarily wet and more as in, marine creatures. Jellyfish, fish, squids, all that.
- Gravekeeper Scorpion is essentially a failed Fluorescent Flower, someone too far gone into being a zombie (or whatever happens with Pthumerians that have been pushing for immortality too far) to ascend. It used to happen often, too, as celestial and cursed affiliations oppose each other, like angels and demons - marine affiliation is value neutral.
- Winter Lanterns and Brain of Mensis are the closest thing to marine+cursed hybrid seen, notice them being full of evil eyes and seeming quite like jellyfish (Lantern’s head and Brain having many tentacles underneath). They are unique cases though - rather than it being one person mutating, they consist of many dead people (head of Wintern Lantern made of messengers and Brain of Mensis made of people - everyone else in Mensis Ritual room).
- Whereas Augurs of Ebrietas exist as their own entity, parasites like those found within Kos and phantasms used for Call Beyond are, indeed, parasites. Sea parasites nudge the host to crave Insight and brain fluid even more, which did not help Research Hall patients at all. Call Beyond, similarly, causes hunger if not addiction for being in touch with the ‘stars’ - notice how its glowing tendrills are similar to what ‘advanced’ celestial emissaries protrude from their skulls:
- There is no cursed kind of parasitic phantasm from what we’ve seen in the game, however Vermin is the closest thing to such. It is born from human dregs, whereas Call Beyond is external cosmic parasite, and marine parasite is mix of a both human dregs and the divine.
- Needless to mention that Kos Parasite is not exclusive to her - variants found in dungeons are known as Uncanny and Lost parasites, without her name mentioned. It is entirely possible though that dungeons had experienced the flood of the great Sea long ago - dungeons are QUITE wet, and also, for example, this creature is found in both Fishing Hamlet and dungeons:
#bloodborne#bloodborne headcanons#bloodborne theory#use later#thats a longread lol#i am probably better off doing illustrated lore on this#but with my sort of ADHD i might forget all my ideas the next day so i am writing as read only for now
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dk if you’re taking asks for it but. 17 and 18 for the writer’s ask game? 😳
I am always taking asks that give me an opportunity to blabber about my writing process! <3
Weird Questions for Writers
17. Talk to me about the minutiae of your current WIP. Tell me about the lore, the history, the detail, the things that won’t make it in the text.
You actually caught me WIP-free for the first time in 7 years! 😳 I finished all of my big projects this year. I’m currently working on the outline for the Irish Problems rewrite, but I am still waffling around a lot and there isn’t much to tell, I’m afraid. And if I started to talk about the history of Irish Problems, we’d still be here tomorrow. That’s for another day, perhaps.
However, this is why I waited for the prompts of hwsrarepairweek to drop! I had a lot of fun with it last year, so I’ll hopefully be able to participate in it again this year! I’ll keep the ships to TurGre, SicIre and GreSic again, but here are the ideas I had so far:
Writer & Artist: I may finally be able to deliver a scrap for the Neighbourhood AU for @needcake that I never had the time to write for 👉🏻👈🏻 It’d be about Sadık reading his poetry at the monthly “Everyone can come and read their pieces for 10 minutes to the interested public” event of the local literature club. Little does he know though that Dilan told the twins about him doing this and that after he told Herakles he would have liked to study Literature, Herakles talked about it with the twins, who in turn told him about the event. Either way, it’s shortly before his reading when Herakles either comes in or Sadık spots him, so … little time to panic and wonder what the hell he is doing here. Afterwards, he is also contemplating whether or not he should sneak away and never bring this up again or if he should walk up to Herakles, but Herakles takes the choice off his hands. They talk a little bit about it and Sadık asks him if he liked it. Herakles gives the evasive answer of “Well, I liked it better than that one guy’s crime short story.” Sadık laughs, says that guy (Gilbert) has been trying for so hard for so long, but maybe some things aren’t meant to be. Wanna grab a coffee? So they grab a coffee <3 I suck abysmally at writing poetry … and I would have to research Turkish poetry/poets … but it’d be interesting and I can probably weasel myself out of writing the actual poem.
Historical: Since me re-using the topic of my term paper worked so well last year, I thought why not do it again! It’s a bit trickier than it is with the curse tablets at Bath, but I finally realized I should put my knowledge about the Siege of Syracuse to good use! It’d be SicIre again, set in the Imperial Rome AU, but many years later. Not only did they move to Ostia, but they also moved into Herakles’ domus, while he found his calling working on his villa rustica. Michele contemplates another trip to Syracuse, his home, and Harry wants to tag along this time. They talk a lot about the city and Michele goes on and on about its beauty. To illustrate his point, he gets out his books which talk about it, which would include some texts like Plutarch mentioning both the Siege of Syracuse and Marcellus’ ovation, where he paraded around its spoils. It’d be bittersweet, too, if they talk about family. Michele’s mother may or may not be alive anymore and Harry hasn’t heard from his family ever since he left Hibernia, basically.
Supernatural: Sicily Is A Monstrous Island, Baby!!! I’d love to put my book “Creature Fantastiche di Sicilia” to good use and Michele tell Herakles about some of the ghastly inhabitants of the island. I’d set it some time, like weeks, months or even a year after last year’s GreSic oneshot. Whereas in that one they were in Herakles’ house, now they spend the night in Michele’s mansion. Perhaps Maria, Michele’s mother, has gone off with the twins elsewhere for a few days; perhaps they are simply asleep, in which case Michele would take extra precautions to not wake the twins. He’d also suspect them behind every moving shadow, since they’re two ne’er-do-wells and tricksters. They’re also, like, 13 or 14, so complete little shits. He probably tells Herakles the story when he hired Alessia, an older teenager that recently started to work for him, to scare the twins into believing that there ARE bedtime monsters like the Grecu Livanti, who will get and eat them if they don’t wise up real quick. Nothing about that plan went as it should have been, Michele apologised for it all profusely in the end, Alessia will still never let the twins hear the end of it. However, the house isn’t haunted by Alessia, or the twins or a Grecu Livantu … it is haunted by the memories of Michele and Herakles making out in his childhood room. It’s haunted by the people who built it and whose burden Michele yet chose to carry, not strong enough to do the right thing. It is, if anything, haunted by a Turnatu. A body that just couldn’t stay dead … someone who crossed back over from the other side, only to drain the living he left behind of their energy … If the last drabble was about the comforting shared past of language, this one is about the horrid, personal one of ghosts.
Pirates & Mermaids: IT’S CORSAIR AU TIME BABY!!! I’d have to research so much for this one, but I want to write it soooo badly 😭 I think the mermaids would be metaphorical, though, and would lend themselves as an excellent metaphor for some parts of the story. You see, the idea behind this one is that in the 16th/17th century, Omar and Timothea ran away from home. Not intending to do their poor mother and father any harm, but Omar had fallen in love with one of the crewmates of an Ottoman corsair ship and wanted to be with her. Thea came along for the ride and to help her brother out, of course. Either way, Natasa asked Herakles to go after the twins, so he embarked on the journey to find them … and promptly ends up on an Ottoman Corsair ship, but not on his own volition. Its captain is Sadık, who takes a liking to this stowaway and his pretty face. I actually don’t have a concrete timeline for this AU, or anything resembling a plot, but that are some points that definitely happen in the story. Hijinks ensue, which also include a Sicilian taverna owner, a brief cameo of the Spanish navy and, in a much more central role, their allies, a bunch of Irish Pirates! This story has got it all, baby! Either way, for the Oneshot, I’d set it sometime after these events though, when Herakles sails on the corsair ship for work reasons and … perhaps companionship? They start talking about sirens and joke a bit about how Omar had indeed been lured to sea by Dilan. Ah yes, those Sirens … “But perhaps, it fits the story better if it was he who lured her in? Spotting him from the ship, watching from atop the rocks … there certainly is something very tempting about your kind …” Sadık says and perhaps an arm snakes around Herakles’ waist …
Fantasy: I was thinking about using this SicIre scenario for rarepairweek anyways and this AU is a) literally called the “Myth AU” and b) I don’t know what is going on there anymore. The timeperiods are all a hopeless mess, there’s normal humans but also, Paddy is a giant, Charlie is a changeling, Tahir a sorcerer and the Bontade twins are the sons of Hermes. Whatever the fuck it is, it should be able to qualify for Fantasy. And because I am dying to tell this story to someone else, you’re also getting the rundown of what happened before the actual Oneshot idea but is tied to it. So, here is the rundown: 1. Tahir is currently working on magic portals, however he keeps being interrupted by Charlie’s changeling fuckery and the twins’ semi-divine bullshit, because the Irish and their friends LIVE to frustrate the English 2. Tahir asks Robert if he wants to make him a very happy man, which Robert sure does want to, but he'd also kill Charlie for just the pleasure of it. 3. A plan is hatched, Arthur, their king, is involved and it goes as followed: Robert, as a loyal knight to Arthur, will be sent as a delegation, alongside with some other knights, to the Irish castle. They cannot refuse them on the grounds of hospitality. So they get in and when Charlie one night sneaks around, like the twins, to see what is going on, Robert finds him and … just splashes a potion on him. Charlie is mightily confused that that’s the only thing Robert has done. He doesn’t like the smug expression and the predatory grin on his face when he tells him: “Oh, you’ll just … wait.” 4. Charlie continues to be confused, but starts to feel strange over the next couple of days … more aggressive, more anti-social, less able to control his powers and his strength. Because! What they don’t know! The plan was to craft a potion that would bring out Charlie’s changeling nature in full force. Thusly, if he then rampaged through the court, nobody could fault Robert for taking care of the problem! He was out of control! The beast had to be killed before it hurt anyone, as tragic as that is! 5. However, when the rampage eventually happened, they did not bank on the Irish REFUSING to let Charlie go. They did not bank on a good old “I know you’re still in there” fight! Harry just beats the SHIT out of Charlie, while he also gets the SHIT beaten out of him, invoking their brotherly bond! We grew up together, remember? Side by side! I’ve known you all my life and this isn’t you! I know my friend’s still in there! I KNOW IT! 6. And it works! Probably just when or before Robert has had enough and still tries to bring the plan to fruition as planned. Either way, the English are found out and get back home with their tails between their legs, Robert both incredibly disappointed with himself and also simply frustrated that all this ordeal was for nothing, stifled so shortly before he got the pleasure of finally shutting that annoying little fairy up once and for all. In the meantime, Harry contemplates how to handle the aftermath of the situation in the evening, while Michele already sits in bed and does some reading. It's here we get to the actual Oneshot. So Harry asks Michele for his opinion, Michele says You should ask your men, not me, your politics isn’t my lane now as guest of the court, is it. And Harry says, true, true, but as he slips underneath the sheets, he says that it would be his lane to advice the King as a King’s consort. And in my head, I just have Michele staring into nothing, past Harry, elated but surprised, a blush on his face and Harry already either cuddling him or kissing him, while he says: “Oh? I’m the King’s consort?” And then we’ll either have a bit more serious discussion about Michele’s future and role at the court or just some absolute teeth-rotting SicIre fluff, perhaps with some spicy fading to black <3
18. Choose a passage from your writing. Tell me about the backstory of this moment. How you came up with it, how it changed from start to end. Spicy addition: Questioner provides the passage.
God, that question. I’ll be honest with you, I forgot most circumstances under which I wrote most of my stories. I think it’s also because good moments often come to me on the go, later get implemented into the work and then polished a bit. Or I’m often working on scenes for at least two days, sometimes longer, because I rewrite them when I come back and didn’t like what I wrote last.
One of the clearest moments I still have in my memory is … tbh also very foggy, but I remember sitting on my bed and being up very late for a schoolday, writing with my daylightlamp right in front of me and probably chugging Soda. And you know what I wrote? Irish Problems, Chapter 4, Scene 2 The one where Paddy has to squeeze himself into the Mito. THAT is the one I still remember.
I still have the “raw draft” document for Italian Affairs, aka the document where I dump all ideas for a scene as they come to me. I actually got lost for a while, rereading bits and pieces I had written for the draft that never made it into the story … I am actually surprised how many ideas I had before I ever reached many scenes! It’s also such a great testament to how fundamentally the tone of the story changed over time; a lot of these snippets are so much goofier, contain so many more asides for the sake of asides. Here is an example – From a scene that was described like this in the outline: “Okay let's figure out how to drive on italian streets. Very very gay moments between Charlie and Marco, also - they took the baaaiiit ~”
"Nice cabrio." "I see, someone finally found each other." "Ach hör mir auf!" [Oh, stop it, you!]
You know which scene this is? Chapter 17, Scene 1. The Chapter called “Running Beneath”, the scene that starts in Charlie’s Porsche, just after they picked up Marco. The dialogue snippet above was about them running into Francesco during the chase sequence, where they would have actually talked with one another. Charlie would have complemented Francesco’s car, while Francesco would have commented on Marco clinging to Charlie. It would have been comedic banter, good-natured.
Here's what the scene looks like in Chapter 17:
They both kept silent. Not for long however, as Charlie looked around. It was a mystery how he, or Marco, hadn’t noticed the car in the lane next to him yet. You didn’t overlook a Ferrari, much less when its white coating blazed in the autumn sun. And yet, only now he stared at Francesco Belfari’s face, barely half a meter away from him. “Fuck,” he said. The other two followed his looks. Marco jumped; Charlie heard his legs shuffle on the backseat and felt the vibrations as his head collided with the headrest. “Ou, fuck,” Marco cursed and asked in the same breath: “Where did that bastard come from?! We’ve been staring behind us all the time, the traffic was so thick that if he’s here, he must have been behind us before! What the fuck?!” Charlie threw a look at the traffic light, but it was still red. When his look went back to Belfari, the other was letting down his window. He looked at him with a smile on his face. His eyes were hidden behind sunglasses. He wagged his hand down. “What?” Charlie whispered. “What in the hell’s this shit about?!” Marco asked. “Whatever he wants to tell us, I don’t want to hear it,” Harry said. “Let’s get out of here before him!” Charlie’s eyes snapped back to the traffic light in the same moment Marco said: “Go!” This time, he was readily colour blind and ran the yellow light.
Quite the tonal difference, huh? I don’t think I ever realized how much my stories have matured ever since their conception. I’ve came a long way, truly and I think it’s very interesting to see all the components. Yes, my writing skill has improved since I started, but Francesco’s character also has changed as the years went on. My focus regarding what the story is about has shifted. Writing isn’t just the words on the page; it’s every thought behind them. But you can only approach and unpack them if you have words to put on the page, which I think it is very important to keep writing. Yes, maybe you aren’t equipped yet to tackle a certain story. Yes, maybe you will write something you will think about differently in a few months or years. But if you didn’t know what you were focusing the first time around, you cannot shift the focus anywhere else. If your characters only ever existed in your head, they will never get the chance to grow into fully fledged fictional people. You have to let them take baby steps on the page. So keep writing, keep writing messily, keep writing with all the care in the world, but don't stop.
#beareplies#writing#ashley#that is a super long answer but I was so excited about that idea I had for the Myth AU#I don't have enough Charlie and Harry quality content I cannot wait for returning to the main series#also man what a blast to the past that IA document is ...#You never realize how much you really grew until you look back#I am glad I abandoned the goofiness tbh#of course not overall. I will always write funny things. but I am glad it is overall more serious.#I love to write tense moments love love love it I love that there is something deeper and more meaningful to my story universe#and Charlie and Marco argueing about the red light before the snippet I posted is so much funnier than the raw draft#don't derrive comedy from stock interactions between friendly enemies.#derrive comedy from Italian traffic <3#storie nostre#harry#miche#charlie#robert#tahir#arthur#hera#sadık#thea#omar#dilan#natasa#gil#sicire#gresic#turgre
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Space Ghost Coast to Coast #85: “In Memory of Elizabeth Reed” | December 7, 2003 - 11:30 PM | S08E04
Happy 20th anniversary, Adult Swim. And, boy, what a momentous episode of Ghost do we have here to celebrate. There are a number of episodes where the guest is an event unto itself and this is truly one of them. Frequent punchline William Shatner is an absolute cunt... and a proper legend. His cuntiness and legendary status are two things that seem to be at odds with one another, and the Space Ghost crew have managed to come up with an artfully idiosyncratic episode to match Shatner’s weird-guy-ness. It’s a classic for sure, and important. But (making a “smug dipshit” face) is it funny?
YES! It’s FUNNY! I will admit though, the first time I saw this episode I didn’t quite know what to make of it. This is partially because I’m very much a Star Trek agnostic. I’ve never been into Star Trek. In the last few years I’ve watched most of the pre-Next Gen motion pictures for inane list-making reasons, and I enjoyed them to varying degrees, but Star Trek is truly not for me. I’m more of a... well, I’m not a Star Wars guy either. What’s the other one? Uh... Spaceballs. That’s it. I’m more of a Spaceballs guy.
But I feel like I’ve absorbed a lot of Star Trek lore through cultural osmosis. I vaguely understand that William Shatner has had some deliberately-paced choreographed fight scene on those rocks from Bill & Ted’s Bogus Journey. When I hear music similar to the the music that Jim Carrey hums in The Cable Guy, I’m pretty sure whatever it is I’m watching is doing a Star Trek thing. And yes, I’ve watched every single Red Letter Media “Mike and Rich talk about Star Trek for 4 hours” video. But even today, after having picked up more Star Trek knowledge on my journey to the grave, I still have this nagging feeling of “I only sort of get this”.
Still, this episode has a handful of screamingly funny lines, and the episode ends wonderfully, with Space Ghost in his death throes, suffering the ultimate indignity of dying in front of William Shatner. There’s also the part where Zorak asks why everyone in Star Trek is black, and a part where Moltar nervously reads from his fan fiction (from a book labeled TARD WARS, hahaha). Shatner, who has a reputation for being arrogant and difficult, is as good a sport as one could hope. The show makes good use of his hammier moments, and only shits on him slightly in the process. The most notable moment is when Shatner says to Zorak “didn't you and I fight to the death?” to which Zorak replies “That sounds pretty dumb, man”. I’ve actually quoted this line many times. It’s one of the best.
Also, for those of you who like to track these things: the show features callbacks to other episodes and shows; the handimen at Zorak’s apartment are clearly extras from Sealab 2020/2021, one of the Leprechauns from Aqua Teen Hunger Force shows up, and there’s a poignant callback to classic Space Ghost episode “Banjo”.
The title motif of this season is naming the episodes after Allman Brothers songs, and I always wondered about this one. Maybe I’m reaching, and it’s probably too disrespectful to be true, but I always thought that it was somehow a veiled reference to Shatner’s wife, whom he supposedly killed or let die. It’s simply too dark to be true, but it’s the first thought that immediately jumped to my mind when I first heard the title of this episode. Am I stupid for thinking this? Am I stupid because it OBVIOUSLY is a reference to that?? I simply do not know. I would like to know.
MAIL BAG
The big anniversary is upon us. What are your 20 favorite things about adult swim for 20 years going. Don't sleep on this question!
I gotta do SOMETHING special, so I might as well do this. More thought could have gone into this, but I spent about an hour trying to come up with episodes or moments from 20 different shows and putting them in rough chronological order. I limited myself to one episode/scene/moment/joke/whatever per show so it’s not all Space Ghost jokes. So, here we go:
Sealab 2021: “I, Robot”. Adult Swim proved it could be brilliant right out of the gate with the stealth premiere of “I, Robot”, but for Sealab it’s all downhill from here. (2000)
Space Ghost Coast to Coast: Space Ghost stops in his tracks to reminisce about the time Bobcat Goldthwait said "crack a window". The entire episode “Kentucky Nightmare” is brilliant, but this moment in particular so uniquely captures my sense of humor that it’s inexplicable. The dumb look on Space Ghost’s face when he stops in his tracks. Goddamn. (2001)
Aqua Teen Hunger Force: “Mayhem of the Mooninites” I tried very hard to make this all be individual jokes or scenes or whatever, but this is another episode where the entire thing is just line after line and I can’t really pick. This, “I Robot”, and “Kentucky Nightmare” is like a perfect trio illustrating how good Adult Swim really was right out of the gate. (2001)
Home Movies: Jason casually reveals that his parents have no idea who Brendon and Melissa are and that he spends most of his free-time making movies with them. This is the episode “Storm Warning” which is overall one of the best episodes of Home Movies, but this scene is probably my favorite. Illustrates how simple and hilarious the comedy is on this show. (2002)
Tom Goes to the Mayor: the end scene in “Undercover”, where they’ve shoddily reversed Tom’s various unnecessary surgeries and called him “Taumpy Tears” to boot. Positively sublime. (2006)
Metalocalypse: Dr. Rockso’s music video. From the episode “Dethclown”. I was never in love with this show as much as the true fans were, but there were a handful of incredible episodes. This episode basically tells one joke over and over and it’s very funny. It really ends with a bang showcasing Dr. Rockso’s shitty music video that celebrates cocaine use. His singing voice is hilarious. (2006)
Assy McGee: I am the only person in the world that defends Assy McGee as being “actually pretty good” and it’s all entirely due to this one line: Assy McGee (a pair of naked buttocks with legs, whose ass functions as his head) is forced to attend a black tie event and is just milling around wearing nothing but a black bow tie. Through clenched anus he delivers the line “I can barely breathe in this penguin suit”. The whole show is worth it for that joke. I don’t even know what episode it is except that it’s from one of the first few. I might not even have the line exactly right. But, I remember laughing so hard. I may not have laughed at Assy McGee again. (2006)
Saul of the Mole Men: The opening theme song. And nothing else. (2007)
Tim & Eric Awesome Show, Great Job!: Jim and Derrick. I should pick something more user-friendly maybe, since this episode almost entirely relies on being familiar with Tim & Eric’s previous episodes. But goddamn, this episode is such a funny concept (which is basically Tim & Eric doing an alternate MTV-ified version of Awesome Show) (2008)
Moral Orel: “Numb”. When Moral Orel suddenly stopped being a quirky Adult Swim comedy and suddenly started doing episodes that resembled art films. This episode is a fucking masterpiece. I remember sobbing the first time I saw it. There are a few in season 3 that are like that, but this one is my favorite. (2008)
Check it Out! with Dr. Steve Brule: Terry Bruge-Hiplo reviews “Dumpster’s Children”. Another bit of comedy that I’d describe as “inexplicable” and “sublime”, and it all hinges on an old man’s mouth. Holy fuck. I don’t think I’ve laughed harder than this at a TV show since. (2010)
Delocated: The ending of “Mole”, an extended Face/Off riff where Jon goes undercover as the scary mobster Sergei. In the final moments of the episode he marries a woman, fathers multiple children with her, and only then is pulled out of the mission. The episode is a tour-de-force of comic acting by Steve Cirbus, who is graciously allowed to shine for most of the episode. But man, that ending is fucking wonderful. (2010)
Venture Bros.: The ending of “Operation P.R.O.M.” a flurry of emotions hit me when “Like a Friend” by Pulp starts playing. The scene is so well done and weirdly touching. Brock realizes that deep down he gives a shit about the Venture family and is genuinely terrified something might happen to them. And then he gets to slaughter a bunch of Zorak monsters, which is also weirdly sweet. It’s even touching on a meta-level knowing that Jackson and Doc tried many times and failed to include licensed music in the show. I love Venture Bros, but I think we’d all be better off if this were the series finale. Sorry. I had to say it. (2010)
The Heart She Holler: The first scene with Patton being taught the way of the world posthumously by his father on a VHS tape. The first season of this show is amazing, but that scene, especially where Patton does a little Japanese bow and says “oh, hot dog!” is just hysterical. Literally every time a hot dog comes up in conversation my wife and I quote it. Please, do not scorn her, it’s not racist when SHE does it. (2011)
Eagleheart: The All That Jazz inspired finale. “Paradise Rising” is mostly a masterpiece, and how it ends is so fucking incredible. Easily the most under-rated show on Adult Swim and I’m not just saying that because... you know (mimes dick-sucking) (2014)
Rick and Morty: I watched the first two episodes of Rick and Morty, thought it was good, but for some reason didn’t become a devotee until my wife made me watch the Mr. Poopybutthole episode. It’s still my favorite episode, I think. (2015)
Brett Gelman’s Dinner in America: The “Dinner with” specials are all really good, but goddamn, this one hits. Should be shown in schools. I am going to go to every grade school in my county with an AR-15 (to get past the guards, of course) and I won’t leave until they call an assembly and they let me fumble around trying to find it on vimeo and play it for the students. (2016)
The Eric Andre Show: Eric interviews Steve Schirripa. The bit where he has an intern dip his balls in Steve’s spaghetti sauce is hilarious, naturally, but I’m here to showcase the running gag where every time Steve complains how hot the studio is, Eric just wordlessly hands him an ice cube until Steve explodes. It’s one of the most childishly hilarious things I’ve ever seen. It’s perfect. (2016)
Million Dollar Extreme Presents: World Peace: The Pick-Up artist sketch. I’m mostly unimpressed with MDE, and all but a few Sam Hyde bits leave me cold. But this sketch is a crowning achievement. I mean, I think these guys suck politically and are more mean than funny, but their sensibilities yielded one really incredible piece of comedy. Okay, I laughed at the blackface sketch too. There. You dragged it out of me. (2016) Joe Pera Talks With You: This show is beautiful and I love every episode. But the episode “Joe Pera Reads You The Church Announcements” Wherein Joe discovers a new-to-him song and can’t stop listening to it, is one of the most joyous episodes of television I’ve ever seen. A gateway episode. I tell everyone to please watch this one first. (2018)
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March 1, 2021: The Hobbit (1977) (Part 1)
In a hole in the ground, there lived a Hobbit.
When I was 9, my school let us read a very special book, originally meant for kids, but beloved by everyone. My folks and I went to Borders Books (FUCK ME, I miss Borders), and we got an illustrated copy of J.R.R. Tolkien’s The Hobbit. I can’t find that book, but if I ever find it again, Imma buy it IMMEDIATELY, I tell you what. And...oh shit, it’s on Amazon for $12?
Well. I just made that purchase, I guess. But yeah, I loved that book when I was a kid, and this was during the same year that Peter Jackson’s Lord of the Rings trilogy began, with Fellowship, of course. And I wouldn’t end up watching those until a few years later, but I loved those too when I saw them. And I’ve NEVER seen the abridged version, by the way, I’ve only ever seen the extended editions.
Although, I can’t call myself a hardcore fan. I’ve never read the Silmarillion, for example. Although, weirdly, I wanted it as a kid at some point, so I was almost there. But no, I ended up getting into comic books hardcore instead, so I can’t tell you the history of Tom Bombadil, but I can tell you about at least one of the fuckin’ 87 tieles that the Legion of Super-Heroes has been involved in. I’m not gonna like it though.
...Yes, I will, who am I kidding, I love the Legion. Anyway, I’ve still always been a fan of the franchise, and I was extremely excited when Jackson announced that he’d be doing an adaptation of The Hobbit! Seriously, I WAS FUCKING PUMPED, you have no idea. I re-read the book, I was super-excited...and then Harry Potter changed EVERYTHING. Kind of.
See, Harry Potter’s development as a two films made from one book seemed to kick off a trend. Breaking Dawn and Mockingjay are the two that immediately come to mind, as does this film. However, to be fair...that’s probably a coincidence. Yeah, this film was originally developed as two parts, WAY before Deathly Hallows got that treatment. And even then, Jackson and Del Toro had difficulty breaking it up into two parts, and three ended up being easier. Still...the change from two-to-three does feel a little connected to that trend.
Anyway, in celebration of that decision, I’m gonna break this review into three parts! Yes. Really. I want to see if it works. And so, let’s talk about the other most famous adaptation of this book by talking about its creators.
Yup. Rankin-Bass did 2D-animated cartoons, too! And this was one of their most famous ones, dating back to 1977. But wait! There’s more! This was followed by Ralph Bakshi’s version of Lord of the Rings by a different studio. You know, this one?
Yeah, that one. It was only based on the first two books, Fellowship and Towers. But it was technically unconnected to the Rankin-Bass version. Which is why it was REALLY weird when Rankin-Bass came out with an adaptation of the third book, Return of the King, right afterwards!
BUT WAIT THERE’S MORE. Because both of Rankin-Bass’ specials were animated by a Japanese studio called Topcraft, who’d actually worked with Rankin-Bass for years. But then, they went bankrupt a few years later, and was bought by Isao Takahata, Toshio Suzuki, and...Hayao Miyazaki. And it was renamed as...
So, this is a Hobbit adaptation produced by the Rudolph people and animated by the people who would eventually become Studio Ghibli. Well, uh...holy fucking shit. Let’s DO THIS BABY. SPOILERS AHEAD!!!
Recap (1/3)
As we’re wont to do in this story, we head to Hobbiton in the Shire, where we meet Bilbo Baggins (Orson Bean). A simple Hobbit in a simple home, with a happy and simple life. But one day, he’s approached by Gandalf (John Huston), who seeks a burglar to help with the mission of a group of dwarves, led by Thorin Oakenshield (Hans Conried).
We also immediately start off with two songs from the original book, and I have to say that I like them a but better in the Jackson movies, but they’re still well performed here. Anyway, after dinner, the true goal of their quest is given. Beneath Lonely Mountain, the ancestral home of the Dwarves, there was a kingdom ruled by the King Under the Mountain, Thorin’s grandfather.
Through reading the lyrics of the song “Far over the Misty Mountains,” Thorin tells the tale of the takeover of the Dwarves’ great golden hoard by the dragon Smaug. Bilbo is tasked to help the Dwarves steal back the treasure stolen from them. And, while he’s extremely reluctant to be a part of all this, Gandalf basically forces him to, the pushy bastard. And Bilbo’s Greatest Adventure now lies ahead!
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Speaking of, here’s the song “The Greatest Adventure”, sung by Glenn Yarborough, who is the living personification of vibrato. Fuckin’ seriously, this guy’s voice is ridiculous, but I love it so much. As the night passes underneath Glenn Yarborough’s hypnotically shaky voice, and uncertain, Bilbo stares out at the moon. Once it’s over, we’re on our way to the Misty Mountains.
Bilbo’s having a tough time with the long journey and rough weather, and it doesn’t get much better when they encounter a trio of trolls. They send out Bilbo to try and steal some mutton from them, but he’s IMMEDIATELY a failure, and also manages to tell the trolls that the dwarves are present. Nice one, Bilbo. The trolls catch all of the dwarves, although Bilbo manages to escape.
The trolls argue about how to cook the dwarves, but before they get to do anything, Gandalf shows up and summons the dawn, turning the trolls into stone and saving the dwarves. While they’re initially quite frustrated by Bilbo’s failure, he makes it up by discovering a horde of goods and weapons stolen by the trolls. This is also where Bilbo gets his classic weapon, Sting.
Gandalf, cheeky bastard that he is, suddenly reveals a map that he’s kept secret from Thorin, its rightful owner. Bilbo, a classic cartomaniac, is able to interpret the map. But there are also runes that they can’t quite read. And so, Gandalf brings them to his friend, Elrond (), who’s wearing a sick-ass glittery tiara that’s hovering off his head. How come Hugo Weaving didn’t have that?
Anyway, Elrond identifies the swords that Thorin and Gandalf grabbed as Orcrist, the Goblin-Cleaver and Glamdring, the Foe-Hammer, because FUCK YEAH, BABY, those are some fuckin’ NAMES! WHOOOOOO!
Anyway, he also points them in the direction of the mountain, and shows them hidden features to the map. They head through the mountains after this, and rest in a cave. Unfortunately, this cave is on Goblin territory, and the group (sans Gandalf, who’s disappeared to make out with Cate Blanchett or whatever) is quickly ambushed by a group of now-horned Goblins, who chant their song as they go “Down, Down, to Goblin-Town”. Which is a song that I love, unironically. It compels me to sing along.
The Goblins nearly kill them when they discover Orcrist in Thorin’s possession, but they’re saved by the sudden appearance of Gandalf with the glowing sword Glamdring. He kills the Great Goblin, and the group run out with the Goblins in hot pursuit. Well, except for Bilbo.
Yeah, Bilbo falls into a cavern below the mountain, and the dwarves think him gone for good. However, he’s miraculously safe on the ground, having landed in an underground aquifer, in which lives THE GREATEST CHARACTER IN THE MIDDLE-EARTH FRANCHISE FUCKIN’ AT ME I DARE YOU
And just so we’re clear, I’m not talking about the film version only, I’m talking about Gollum/Smeagol in general. Granted, I don’t want a film starring him or anything (coughCruellacoughcoughMaleficentcoughcoughClaricecoughcough), but I love this dissociative little dude so much. He’s one of my favorite fantasy characters in general, and is also maybe the best example of a sympathetic villain, in film at least.
OK, to be fair, I love Andy Serkis’ version of the character a LOT, like a LOT a lot, and it’s a great version of the character. OK, so what do I think of this version? He’s...interesting, actually. If I’m honest, I kinda like him. This is similar to how I always pictured Gollum when I was a kid.
I mean, listen to this description from the book, yeah?
Deep down here by the dark water lived old Gollum, a small slimy creature. I don't know where he came from, nor who or what he was. He was Gollum - as dark as darkness, except for two big round pale eyes in his thin face...He was looking out of his pale lamp-like eyes for blind fish, which he grabbed with his long fingers as quick as thinking.
I dunno, that does sound more like this version of Gollum to me, just saying. Anyway, while Gollum is off fishing in the water, Bilbo gets up on the shore, where he finds a little golden ring Not important, just a ring, definitely means nothing at all, NOTHING AT ALL, NOTHING TO SEE HERE.
The hungry Gollum (Brother Theodore) happens upon Bilbo, precious, wonders if Bilbo would taste good, and is basically about to kill him for his sweet hobbit meat, before Bilbo takes out Sting. Now afraid, Gollum offers a game of riddles. The two make a deal: if Bilbo wins at a game of riddles, Gollum will show him the way out. But if Gollum wins, precious will eat him raaaaaaaw and wrrrrrrrrrriggling!
The riddles commence, in a super-fuckin’-classic moment, and also ends with maybe the most bullshit moment in all of fantasy lore. After clever riddles with answers involving eggs, wind, and time, Bilbo’s last riddle is “What’s in my pocket?” The fuck, Bilbo, that’s absolute BULLSHIT!
Not that it matters. Bilbo wins, but Gollum goes to find his ring to show it to Bilbo before he takes him away. Thing is, though, that’s what was in Bilbo’s pocket, which Gollum quickly figures out, my precious. He’s about to kill Bilbo to get back his birthday present, precious, but Bilbo discovers the secret trick of the ring: it turns the wearer invisible, AND THAT WILL NEVER BE A BAD THING EVER.
Gollum thinks that Bilbo’s escaped and runs after him toward the exit. This, of course, leads Bilbo towards the exit inadvertently, and he follows Gollum, then jumps over him to get back. To which Gollum screams the following:
Thief! Thief! Baggins! We hates it! Hates it! Forever!
I hear you, buddy. I hear you. Well, once Bilbo escapes, he reconvenes with the rest, and shares his adventure in the cave, but leaves out the ring. And Gandalf seems to know, based on his dialogue. And I checked, and he figured it out in the book and Jackson movie, too. And I gotta say...WHAT THE FUCK GANDALF
I mean...DUDE. CHECK UP on that shit. Do you wizard job, man! If you’d been like, “Dude...you didn’t find a magic ring that turns you invisible, ight, because we’re FUCKED if you did”, NONE OF THE LORD OF THE RINGS WOULD’VE HAPPENED, AND BOROMIR WOULD STILL BE ALIVE
Everybody talks about the fuckin’ eagles, but WHY DO I NEVER HEAR ANYONE MENTION THIS SHIT? Gandalf the Grey: Middle-Earth’s most irresponsible asshole, I swear...
This seems like a good place to pause, actually. See you in the next part!
#the hobbit#the hobbit 1977#rankin-bass#orson bean#bilbo baggins#thorin oakenshield#john huston#gandalf#otto preminger#cyril ritchard#brother theodore#gollum#don messick#paul frees#glenn yarbrough#j.r.r. tolkien#rankin bass#hans conried
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Elena of Avalor 5 Best and Worst Episodes, As Rated By Me
What the title says. The show that’s dominated our lives and hearts for four years is coming to an end, and I’m feeling extremely nostalgic. Before Coronation Day airs, I wanted to try ranking the best and worst of the 76 previous episodes (not counting EatSoA).
Rankings below the cut.
Worst
Honorable Mention: Finding Zuzo
This episode is saved from the bottom five by the Elenaomi moments at the beginning and end and the fact that it introduces Bobo/Cacahuate as a ship. Everything else about it is boring. The spirit tunnels are just a long dark cave with thorns? Orizaba finally enacts her revenge, and it’s dangling people over a pit while monologuing? Lame.
5. Flight of the Jaquins
Skylar... really works best as a supporting character. Nico’s good in the season finale but very annoying here, and Ciela and Avion each have half a personality trait. Also I lowkey hate the song. This episode does get points for Jaquin Lore and setting up the events of the finale, as well as Troyo’s introduction and arguably his best appearance.
4. Model Sister
The song is good, at least. But this episode suffers from incredibly strong secondhand embarrassment the whole way through (the dance scene, anyone?), Esteban’s weird early season 1 asshole tendencies, and a terrible moral. Yes, kids, you should always put your family first, even above actual critical foreign policy that might determine the fate of your country!
3. King Skylar
It looks cool, and the song is good. Alas, once again, Skylar does not do well as a focus character. They just never make his development feel convincing or appropriate to me, I guess, which is especially egregious here because this is probably the end of his arc. But ultimately this rates worse than the last few because of that. fucking. frog. Why is he a recurring character. Why.
2. A Lava Story
I hate the volcano rocks. Not as much as the frog, but close. Why are they back again. Why is there a girl rock who is smaller and rounder and pink and has eyelashes. Why is volcano rock sexual dimorphism a thing. This is possibly the show's most unbearably heterosexual episode. The one good thing about it is Alonso and his attempts to be a decent person.
1. All Heated Up
I feel bad for hating this episode so much because there’s nothing wrong with the moral, but that has not stopped me from hating the episode. I am not compelled by the plight of the volcano rock. I hate the song. I hate how Elena didn’t just turn around in the hallway and go “hey council I figured out he’s mad because kids keep stealing his rocks”. Also Esteban’s peak asshole in this one.
Best
Honorable Mention: The Scepter of Light
The first of many episodes that blew my expectations out of the water. Elena actively using her scepter for the first time is a big game-changer, the escalation of her connection to magic and her role as protector of her kingdom. Orizaba, the show’s second major villain, has a killer design and song, and her threat level establishes a new seriousness to the show. Also 3.5 years later(!) and I’m still not over the hand-holding scene. Eleteo rights.
5. Rise of the Sorceress
The Magic Within does not make my top five, but this does, because it pulls off the transition of plot arcs, shifting villain alliances, and resurfaced trauma in the midst of a joyful celebration much smoother. It boasts some amazing visuals, like the song lyrics about triumphing over darkness juxtaposed with Shuriki breaking into the treasury and forming her new wand, plus the ending of Team Elena riding back to the castle as the sun emerges from the clouds.
4. King of the Carnaval
The episode that answered the question, “Will Esteban’s betrayal ever be relevant?”. Establishing the conflict between fear and family that continues to drive Esteban’s decisions, it sets up his arc for the rest of the show, as well as several other arcs. It also introduces two of the show’s most important recurring characters in Victor and Carla, giving both solid characterizing moments from the start. Featuring sweet family moments, a great chase scene, and that amazing song.
3. Dreamcatcher
One of the series’ most important episodes, tackling grief and complex emotions in a way I've seen very few shows do, ever. Just. Telling kids it’s okay to be upset and have really confusing feelings, but you have to be honest with yourself and process those feelings to move forward? Amazing. And it does so with a truly gorgeous visual and heartbreaking dialogue sequence. The only reason it doesn’t rank higher is we never get to hear Isabel’s feelings about Esteban’s betrayal.
2. The Jewel of Maru
This episode does for Elena what “King of the Carnaval” did for Esteban, establishing her motivations and personal challenges that return to plague her in season 3, like her stress over an unknown future. It opens season 2 with one of the show’s most moving songs, stunning visuals, a fascinating look at Maruvian history, and the absolute tearjerker of Elena’s parents appearing. The Delgados’ continued villainy and Mateo’s steadfast support also make for an excellent side cast.
1. Song of the Sirenas
Easily the best special and my bar for the series finale. Filled with evocative character designs and layers of symbolism showing both the new challenges the characters face and how far they have come, “Song of the Sirenas” provides the perfect conclusion to the Shuriki arc. The introduction of the sirenas adds moral complexity to the show, while illustrating a core message: we are stronger when we bridge our differences and work together for a better future. And the climactic fight is one of the show’s best, giving everyone a chance in the spotlight and seeing Elena deliver the justice her family and people deserve by killing Shuriki for good.
#elena of avalor#princess elena#naomi turner#mateo de alva#skylar#chancellor esteban#shuriki#song of the sirenas#my stuff#analysis#episode review#episode ranking
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2020 writing review
Thanks for the tag, @gladiowrites! (I know it’s not a tag, but this is fun to do lol)
I.. honestly wrote a lot this 2020. No kidding. Quarantine productivity was real, but so is residency languishing by the wayside while everyone was busy surviving and adjusting. I highly doubt 2021 will be the same, but I’ll always cherish 2020 just because of the writing and nothing else.
This is gonna be long.
FIRST CREATION + MOST RECENT CREATION OF 2020
8:15 am - Final Fantasy XV. Lunafreya. February 2020. - First piece ever written for the year. - Intended to be a Luna-centric AU, in which the Nox Fleurets were deposed and she’s now a regular teacher. Never managed to write anything beyond that, though, because residency. (Back then, I didn’t know it was gonna be the beginning of the end, so I had hopes. Oh well.)
irresistible!, or the summer ramblings of nene yashiro and everything that followed - Toilet-Bound Hanako-Kun. Nene, Hanako. March 2020. - First one published on AO3 for 2020 (yes, there’s a distinction). - If you think the title sounds familiar, you’re right.
versus
first yuletide - Final Fantasy XV. Nyx. December 2020. - Written for the FFXV Secret Santa event on Twitter. - Before y’all object and say what unwinding is, that’s an old fic uploaded late.
ONE OF YOUR FAVORITE CREATIONS FROM 2020
Do I seriously have to choose? Omg.
take heart - Bungou Stray Dogs. Dazai/Chuuya. Gods/Humans AU. - Discovered so much about myself writing this. Also (hopefully) I managed to get into Dazai’s headspace correctly. He’s an extremely difficult character to write, so finishing this brought so much gratification.
you don’t raise heroes, you raise sons - Final Fantasy VIII. Laguna, Squall. Post-canon. - Probably my most heartfelt work of the year- scratch that, ever. Also happy with how I just let myself go writing this and didn’t need to think twice.
A CREATION YOU’RE REALLY PROUD OF
oneiric moments (or, five nights with you) - Bungou Stray Dogs. Dazai/Chuuya. - Written for the SKK Fic Exchange for Summer 2020. - Five interconnected fics. 18,985 words. - Might not be a big deal for others, but this was taxing because I don’t usually write long, multichaptered stuff. I got carried away, though. It ain’t as well-polished as my more recent stuff, but I’m proud of myself for pulling this off.
A NEW STYLE YOU TRIED THIS YEAR & A FIC THAT USES IT
I... don’t think I have tried anything of the sort. My repertoire is sorely limited compared to others, I’m afraid. I’d probably have an answer for “explored new themes,” but again, I’ve a limited arsenal, too, in that regard.
A CREATION THAT TOOK YOU FOREVER
all in a day’s work - Bungou Stray Dogs. Atsushi, Akutagawa. Cells at Work AU. - It’s still being written, with a lot of side stories planned but never drafted. - I fell out of love with BSD, recovered from that, then got busy with residency.
YOUR CREATION FROM 2020 THAT RECEIVED THE MOST NOTES KUDOS
Also take heart. While I am proud of it, I guess it hit the right spot for mainstream shippers, too, somewhat? My feelings about mainstream things have changed a lot because of things, but I am still happy.
A CREATION YOU THINK DESERVED MORE NOTES KUDOS
amīcitia - Bungou Stray Dogs. Dazai, Chuuya. Final Fantasy XV AU. - Petty indignancy for my self-indulgent baby aside, I’m also proud of how I wrote Dazai in this one, similar to take heart. the fun they had - Bungou Stray Dogs. Kajii, Port Mafia Ensemble. - ... Guys. Please notice genfics.
A NEW FANDOM YOU JOINED AND A CREATION YOU MADE FOR IT
Everything I wrote for Bungou Stray Dogs. (I kid you not.)
If you want a single answer anyway:
on the flaming mountains - act-age. Chiyoko, Kei. Princess Iron Fan Arc. - arc words: “what shall i do with this ire?” - I wouldn’t really say I “left” the fandom, more like it fizzled out after Matsuki-sensei got arrested.
A CREATION YOU MADE THAT BREAKS YOUR HEART
a cycle of; - Bungou Stray Dogs. Dazai/Chuuya. Medico-legal AU. - Written out of much anger and frustration over things. Also because this in itself was frustrating to write.
Also you don’t raise heroes, you raise sons. Because no matter how much I hate my family at so many points in my life, I know I can’t truly hate them from the bottom of my heart. This fic is a reminder of that.
A SIMPLE CREATION THAT YOU REALLY LOVE
express delivery for love - Bungou Stray Dogs. Dazai/Chuuya. Real World Quarantine AU. - It’s funny. It’s orthodox. It’s sweet. I don’t think it can get any better than that.
A CREATION THAT WAS INSPIRED BY ANOTHER ONE
rather be - Bungou Stray Dogs. Yosano. Pre-canon. - Inspired by yesterday is another world by @wctercress - The whole of primum non nocere, actually, but specifically this one, and the rest followed. - This is also my first BSD fic. Ever.
A FAVORITE CREATION CREATED BY SOMEONE ELSE
... You sure? There’s a lot, and this is just on the surface. (unleashes the proverbial waterfall)
The aforementioned yesterday is another world by @wctercress
silencer and snow white days by EKmisao - Bungou Stray Dogs. Dazai, Chuuya. Dead Apple canon-divergent. - The aftermath of Dead Apple, in which one of two goes wrong. - They’re unrelated, I know. But they’re both sisters! Just trust me on this. - The proper entry for this would be silencer, but I can’t very well mention one without the other, so have both anyway. I read both only this year, after all. Waiting for Godot by @eternal-aegis - Bungou Stray Dogs. Dazai, Fyodor, Chuuya. Canon-divergent. - Amazing theme, amazing philosophy, amazing writing. It makes you think. It makes you analyze and explore. This writer definitely knows her stuff, and it shows. Catharsis by @gladiowrites - Final Fantasy VIII. Rinoa, Gen. Caraway. Post-canon. - The denouement to the Caraway family drama we all deserve. I love how Rinoa is presented in this fic. She’s a normal person who makes mistakes and learns her lessons. So is Fury. Burned bridges don’t always have to stay down, and this fic illustrates that wonderfully.
Culmination by @gladiowrites - Final Fantasy VIII. Squall, Rinoa. Post-canon. - We can’t all have happy endings. This fic also illustrates that very well. While I, a Squinoa fan, personally ascribe to the happy ending Squall and Rinoa must have had after the events of FF8, this fic is so compelling and grounded and reflective and I totally buy this.
Here Without You by @muselover1901 - Akagami no Shirayuki-hime. Zen/Shirayuki. Real world quarantine AU. - One of the sweetest stories I’ve ever read this year. I can definitely relate to a lot of things in this fic. I’ve been rereading all of Muse’s ANS stuff whenever I feel down, and they all hit the spot.
Savor The Moment by @joeys-piano - Bungou Stray Dogs. Oda. Pre-canon. - Yes, yes, YES. One of the best stories I’ve ever read this year, ever. (And I mean stories, not fanfics.) Great character study about a man named Oda and a day in his life and a page (or three) out of his book of relationships. The love poured into this is simply overflowing and precious. I’ve been following Joey since this fic was being written, and I’m so proud of him.
False Equivalences by @slowquotesquill - Dai Gyakuten Saiban. Asougi, Ryuunosuke. Fullmetal Alchemist AU. - This fic also! Oh, My Heart. The cynicism of a state alchemist and the optimism of a foreign doctor. It perfectly hits the spot for everything FMA, and we all know that SQQ’s Asouryuu fics are always to die for. It’s the ultimate combo.
The whole Promptober Leo/Will/Despair series by @eternal-aegis - Kekkai Sensen. Various themes, many of which are dark/mature. - I’ve said this with Waiting for Godot, and I’ll say it again: Aegis knows her stuff. This is her exploring further in that direction, and you can feel the improvement with every fic in the series. I really love how adventurous these stories are, and how much depth you can go with every one. Her characterization is layered and exquisite, and the underlying lore is well-thought-out. - tl;dr: B3 Goddess.
Predestined by Galkimasera - Final Fantasy VIII. Rinoa, Squall. Reverse/Fateswap AU. - A very well-written reverse AU! The circumstances of Squall and Rinoa in this ‘verse fit so well and are so well thought out. I love this AU so much, you don’t even know. It also fills my nostalgic shipper’s heart with much joy at seeing quality content in this Year of our Lord 2020.
For auld lang syne, my dear by @by-nina - Fullmetal Alchemist. Roy, Riza. Canon-compliant + post-canon. - Holiday feels, snapshots through time, and all over showing Roy and Riza’s budding relationship over the years. And it does remind me of a lot of the SKK fics I’ve written (thematic-wise). This was such a treat to read and to follow. All her FMA fics are. She does Royai so much justice. Am not yet finished reading smoke without fire, but I’ll get to that, too!
SOME OF YOUR FAVORITE CONTENT CREATORS FROM THIS YEAR
Everyone in the answer above. There’s honestly a whole boatload of more, but this is getting too long already lololol
(might edit this when I feel like it, tho!)
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「maxence danet-fauvel & nonbinary」⇾ samuels, viktor, the senior radcliffe student’s records show that he/they are a capricorn and 24 years old. he/they are studying visual arts, living in noland and can be observant, ingenious, reticent & dependent. when i see him/them i am reminded of a sculptor’s hands clay-ridden, the insistent hum of tv static, and a crying preacher inside a dusty funeral home. ⇽「james & 21 & est & they/them.」
hllo !!! i’m james n here’s one of my big idiot muses <3 he’s not actually dumb he’s :/ a bit evil. bt thts okay hes still <3 beloved <3 LKDSFHLSADLKGFSHLKD anyways!
TW DEATH, HEAVY GRIEF, OVERDOSE / DRUG ADDICTION, HOSPITALIZATION, HYPERSEXUALITY, RELIGION MENTIONS, MENTAL ILLNESS
aesthetic.
old tvs and their static, worn tapes, horror movie screams, spilled ink, a sculptor’s hands, clay-stained, chicken scratch handwriting, messy notes, messy hair, scoffs and eye-rolls, bruised knuckles, sore throats, funeral homes and a crying preacher, shattered ceramics, knife fights, high ledges, vertically-striped pants, red lights, the moon shrouded in clouds, cigarette butts, graveyards and half-empty wine bottles, sitting there for hours and talking to nothing, about nothing, a god complex, gold rings adorning both hands, barbwire baseball bats, having never played baseball in your life, deep eyebags and broken mirrors, a permanent chip on one’s shoulder, yearning, longing, wishing.
basic info.
full name: viktor phillip samuels
nickname(s): icky vicky :/
b.o.d. - jan 2nd
label(s): the black hole, the crepehanger, the impious, the opaque, the tempest, etc.
height: 6′1″
hometown: rochester, new york
sexuality: pansexual uwu
pinterest
stats
inspired by: beetlejuice (beetlejuice), sid (toy story), jack sparrow (pirates of the caribbean), francis wilkerson (malcolm in the middle), azula (avatar: the last airbender), vicky (the fairly oddparents), stu macher / billy loomis (scream), marshall lee (adventure time), bojack horseman (bojack horseman), any it’s always sunny character :/
biography.
born to mama and papa (preacher) samuels in rochester, new york - fifteen minutes after his twin sister, tatiana samuels. years later, rosa samuels joined the gang.
was an awkward, quiet kid growing up, he didn’t interact well with others and preferred being left alone to dig up worms and draw on the walls of their childhood home. the only exception was his twin, really.
as he got older he grew out of this, but instead became like … sort of an asshole? maybe to compensate for years of childhood awkwardness. he’s the sort of person who will bite the hand that feeds him & developed into a full time nuisance by middle school, unlike tatiana who was much more subtle about her conniving manners.
always has been a fan of ‘darker’ materials. grim & creepy morbid shit. probably the biggest tim burton fan, ever since he was a kid … not a good look for a preacher’s son, but he never really felt ‘in’ with the rest of his family to begin with. classic black sheep syndrome.
drew disturbing pictures as a kid that probably prompted one or two or five phone calls home to assure everything was fine.
just really had a knack for art at a young age, from drawing to painting to playing with clay. it’s always been his Thing and probably is the only thing he’s good at.
being twins with tatiana was hard. they were near opposite besides both being quite mean-spirited. tatiana handled being in public better, left a better image behind - but viktor had talent, more than she did. they loved each other deeply - y’know, those unbreakable twin bonds as cliche as it sounds - but found each other as competition for their parents’ attention. a rivalry for affection.
in high school is when viktor really started to act out. it started extreme, like losing his virginity in their church and vandalism around the neighborhoods. faked being possessed in the middle of sunday service & almost had an exorcism performed on him.
his only redeemable trait was like … just his sheer talent in the arts. was in a 3D art AP course and specialized in sculptures. he could pretty much create anything he wanted with enough dedication.
because he was the problem child, the one who deserved to be disciplined for all his antics, tatiana could sneak away and get away with whatever she wanted much easier. on the bright-side, for her, i guess.
not a very motivated person - wasn’t planning on going to college, much less going to radcliffe but his parents literally wrote & sent his college application for him because they weren’t going to house a deadbeat but had too much heart to kick him out onto the streets. cool!
he’s actually pretty smart but he just doesn’t apply himself. has a minor in english because he didn’t care for an extra course-load, but he’s good at writing & analyzing literature. is going to use it to write and illustrate his own series of children books with a style similar to tim burton’s. not for the kids, but because he likes to leave a trail of terror in whatever he does.
has been experimenting with himself since high school but college is where he really had started to crack down on himself. was out as pansexual & nonbinary by his sophomore year of college just … not to his parents, who don’t really need to know.
if you asked him if he believed in twins having a psychic connection with each other - he’d tell you he wouldn’t know. it felt believable at times, but sometimes he had no idea what was going on inside of tatiana’as head. on the other hand - viktor had always felt oddly transparent to her, like she knew all of his moves before he did. the only person who could predict him accurately.
( TW DEATH, GRIEF, OVERDOSE / HOSPITALIZATION BEYOND THIS POINT )
when tatiana disappeared, viktor knew something was up. it was a twist in his gut, pure instinct that something wasn’t right. and it wasn’t right - and when she was proclaimed missing, they couldn’t find her.
and when tatiana died - viktor knew. it felt wrong, something cut so severely in him he could pinpoint her death to the second. he didn’t know how, or why, but he knew it. knew it before anybody else had.
afterwards he went on a sort of bender. he’d begun to struggle with a mild drug addiction late senior year of high school / early college, but he was managing it up until this point.
his mental health had also sunk to an all-time low, when it’d never been great to begin with. (manic & depressive episodes. once fixated on a sculpting project for six months and then knocked it off the table and destroyed it as soon as he finished it for no apparent reason.)
tatiana’s body wasn’t found immediately, and when it was … viktor went off the rails. ended up overdosing & being hospitalized. spent six months in & out of psychiatric care after that.
came back to radcliffe to finish his senior year because … for the reasons above, he hadn’t been able to complete it. just wants to get his credits and get out of here.
is still dealing with a lot of trauma & grief, especially since the one year anniversary of tatiana’s death was this month (january) - causes him to spiral and be unpredictable in regards of his mental health. he stopped taking his medication, so. :/ some days are alright, other days are pretty bad.
UPDATE: now that summer’s come n go ... viktor hs been thru <3 a lot <3 recently. switched therapists (his :/ last one got her license revoked) & started new medications, went to a treatment center briefly ‘cos .. he wasn’t doing too well :/ bt now he’s back baybey! trying to be better n trying to be sober but ... :/
personality.
the human embodiment of a gremlin that was fed after midnight. a goblin, if you will. one of those cats with a narrow head and really big ears … that’s them!
a big horror & halloween enthusiast. loves the old campy horror movies & probably has an abundance of masks from different movies. dresses like a grimy millennial beetlejuice more than they should because they just … love those black & white vertical-striped pants.
can appreciate the lore & cryptids at radcliffe and likes to feed into the fear that surrounds them. is probably the cause of a few ‘anomalies’ and ‘paranormal sightings’ because they’re just … a jerk.
fashion alternates between e-boy (they would be tiktok famous if they were 17 & didn’t think that a majorly minor based app was weird.), millennial beetlejuice, and goth in a crop top & sweatpants. big fan of crop tops and a big fan of sweatpants.
they can be really fucking mean? petty, aggressive, a major instigator. will literally spit in your face for little to no reason, you could just look at them the wrong way. the kind of person who will stick their gum into someone else’s hair. other than that? they’re like … sort of okay. they’re not always mean, just a dick about 90% of the time lmao
like okay yeah they’ll call someone a stinky bitch for no reason except they feel like it and believes it. it’s fine, they’re fine, we’re fine.
despite the fact that they’re probably getting into a fight whenever, considers themself to be a lover and not a fighter but that’a primarily because they fuck a lot. uses it as a coping mechanism, like they’re this big fancy carnival show that’s like ‘come one, come all! fuck the dead girl’s twin brother!’ and it’s … a Lot. might have a problem with hypsersexuality but they’re not fully aware of it.
the preacher’s whore son, basically :)
pansexual & nonbinary, switches between he & they pronouns often and without a pattern, but they have such a fragile grip on their identity that you could call them ‘dog-faced bitch’ and they’d turn around like. sup.
vastly impulsive … like i said, they destroy their own creations for the fun of it. spends all teir money on useless shit, will cheat on someone because they feel like it & likes the thrill, screams into the night sky frequently like a cat in heat.
will also spend months creating useless shit for no reason too. spent six of them sculpting a hollowed out tree the size of them & then took a sledgehammer to it.
they’re very super dramatic. would play the organ at church when nobody was looking after them and service was about to start. would just churn out these super haunting, creepy melodies like they were phantom of the opera. would do the same exact thing at home on their keyboard with the pipe organ setting whenever they got grounded until their parents took it away HBDSJFNGKH
will absolutely not talk about their ‘time away’ because it’s not anyone’s business, not even their own younger sister. still refuses to talk about tatiana’s death, or their mental health, or their addiction (fallen back into it but it hasn’t gotten severe … yet :/), or anything involving their own emotions.
will just change the topic abruptly, no warning. asks about the jonas brothers instead and they fucking hate the jonas brothers.
that being said they’re absolutely not over tatiana’s death & it’s to the point of obsession over it. like there’s some kind of secret that needs to be uncovered, even though there just. isn’t. tatiana was their rock and they were pretty much dependent on her. kept them grounded. could control them when nobody else could, got into their head easier than others. it’s sort of like rosa lost two siblings that day because viktor hasn’t been the same since.
emotionally unavailable while also crying twice a day. cries during their brawls but still wins. is stony-faced when they tell you they cheated on you with your much hotter best friend.
will tell you straight up what they want from you, no bullshit & no beating around the bush. just blunt. if they want to fuck, nothing else, then that’s it. if they feel deviation or developing feelings then they’ll ghost in less than a second. is awful like that but feels no shame.
but also emotional as shit and it’s confusing. will cry on a whim and then flip you off if you try to console them or ask them what’s up. will bite you.
they go to therapy but they just fuck around and wastes their therapists’ time … also is fucking their therapist, but that’s neither here nor there. so they’re not really getting the help they need.
likes to be intimidating but not … with their body or anything because they’re a TWIG but uses their love & knowledge of horror and creepy shit to their advantage. has an abundance of fake blood. has channeled the energy of jack nicholson and used it on tatiana’s boyfriends before (also is a big fan of sfx makeup & has dabbled in it)
probably chases kids around with a chainsaw without the chain on halloween every year.
generally never doing good, both mental health wise & morally. would probably steal candy from a baby for funsies.
i don’t know if there’s a good to them somewhere deep down, but they don’t see any issues with themself either. nothing really breaks through to them anymore because the only person who ever made them stop and think about their actions was tatiana, and well, y’know. :/
an introverted reclusive type who doesn’t like most people or going out, but does so anyway if it means a quick high & a cheap thrill.
pretty observant and likes to analyze people even though they’re often like … partially wrong. judgmental because they like to make people feel bad, not because they’re a righteous mighty person. because they’re not. so like, a hypocrite!
wanted connections.
a roommate… but it’s an absolute nightmare to live with him.
enemies… because viktor would have a lot of them…
familiar faces… people who knew tatiana or of her / were her friends. maybe even those who dated her, and who viktor would’ve tried to intimidate / scare at any given chance :/
pitiful glances… people who take pity on viktor and he hates it sooo much.
hooligan gremlin kids… just a friend group of grown ass adults who do drugs and fuck shit up around town like they’re edgy teenagers.
high school girlfriend… probably the one he lost his virginity to inside his family church :/
childhood acquaintances… people who knew him from his youth.
exes… good & bad terms, but mostly bad terms because viktor is an actual demon. probably cheated on them.
soft… i don’t know if he’s soft towards anyone and/or is capable of it but we can try. we can try.
unrequited… either viktor just doesn’t like them or he’s holding back because he’s :/ got issues with relationships & is self-sabotaging as one does
enemies with Tension… of the … spicy kind if you know what i mean. wink.
friends… old friends, new friends, bad friends, good friends, close friends, frenemies, etc. i don’t know how many he had but if your muse likes to cause a ruckus and fuck shit up then viktor’s your man.
hook-ups… current or old. friends with benefits, one night stands, anything and everything because he fucks around a lot.
ride or die… friendship but make it extreme.
bad influence… he’s just toxic to be around and brings out the worst in people :/
bad egg… he’s gotten into a few fights :/ maybe you witnessed it. maybe you were in it.
literally anything i wld love all sorts of plots.
#ruhqintro#death tw#grief tw#drug abuse tw#addiction tw#overdose tw#hospitalization tw#hypersexuality tw#religion mention
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Yuletide letter
I am laughingpineapple on AO3
Hello dear author! I hope you’ll have fun with our match. Feel free to draw from general or fandom-specific likes, past letters, and/or follow your heart.
Likes: worldbuilding, slice of life (especially if the event the fic focuses on is made up but canon-specific), missing moments, 5+1 and similar formats, bonding and emotional support/intimacy, physical intimacy, lingering touches, loyalty, casefic, surrealism, magical realism, established relationships, future fic (when in doubt, tell me what’s happening to them five, ten, twenty years in the future!), hurt/comfort, throwing characters into non-canon environments, banter, functional relationships between dysfunctional individuals, unexplained mysteries, bittersweet moods, journal/epistolary fic, dreams and memories and identities, tropey plots that are already close enough to characters/canon, outsider POV, UST, resolved UST, exploring the ~deep lore, leaning on the uniqueness of the canon setting/mood, found families, characters reuniting after a long and/or harrowing time, friends-to-lovers, road trips, maps, mutual pining, cuddling, wintry moods, the feeling of flannel and other fabrics, ridiculous concepts played entirely straight, sensory details, places being haunted, people being haunted, the mystery of the woods, small hopes in bleak worlds, electricity, places that don’t quite add up, mismatched memories, caves and deep places, distant city lights at night, emphasis on non-human traits of non-human characters (gen-wise, but also a hearty yes xeno for applicable ships), emphasis on inhuman traits of characters who were human once and have sort of shed it all behind
Cool with: any tense, any pov, any rating, plotty, not plotty, IF, unrequested characters popping up.
DNW: non-canonical rape, non-canonical children, focus on children, unrequested ships (background established canon couples are okay, mentions of parents are okay!), canon retellings, consent issues, actual covid (fantasy plagues are okay)
Les Cités Obscures: any
This is a very general “please, anything in the style of canon, just maybe with less thoughtless sexism” request. I want to lose myself in these cities again, and in the strange lands that connect them. I’d be happy to follow any of the known characters and/or OCs, or eschew characters altogether and write about the cities themselves. What caught your imagination in Brüsel, Xhystos, Taxandria, Alaxis...? The history of some cool building that was only marginally featured in one of the stories? Or an OC city! If you’ve got a favourite European city that doesn’t already have its obscure counterpart, please tell me all about it! Go big, go wild! What strange and classically surrealist happenings take place within its walls? Or even... outside Europe... Nerding out about architecture is of course very welcome. I would also love to read a story based on any Schuiten illustration, contextualizing it as if it were part of this ‘verse. Here’s a bunch of them, for example!
Ghost Trick: Cabanela
You know.. him. Dazzlingly OTT, untiring, rock-solid self-esteem, loyal to a fault, following a rhythm of his own, flawless intuition until it fails and it all burns down… him. I just want to see more of him doing stuff! The way he’s chill and open toward new people (like Sissel and Missile in ch15) makes him perfect to throw at most other characters and see how they react to the sparkles… I’d love some focus on how ridiculous his aesthetic is, half Saturday Night Fever half hardboiled detective half bubbly preteen (for a total of 150%) and yet he makes it work. Or how ruthless he can be, possibly for the sake of the people he cares for. The quote “The intimacy of big parties”. Him and Alma in the new timeline bonding over knowing (once Jowd has spilled the beans) but not remembering that terrible timeline. Some tropey scenario on the job. Snark-offs with Pigeon Man, by which I mean PM snarks and it bounces off him like water off a spotless white goose’s back.
Ship-wise it’s only Cabanela/Jowd whenever it’s not infidelity, Cabanela/Alma in what-ifs also if it’s not infidelity and Cabanela/Alma/Jowd for me (and Lynne/Memry and Yomiel/fianSissel on the side). There are a bunch of shippy prompts in all my past letters - I would however reiterate here that Jowd. is. the worst tease. always. Like, just saying, but assume he’s pining big time and Jowd and Alma figure it out - they’d make a national sport out of excruciatingly protracted teasing.
Conversely, Cabanela/Lynne and Cabanela/Yomiel are NOTPs especially from Cabanela’s side. So while I appreciate the thick tension of a good Yomiel VS Cabanela confrontation like everyone and their cat, and also really appreciate a roughed-up Cabanela, and I do love Yomiel in his own right… I don’t want Cabanela being into it. Adrenaline junkie he may be but this hurts and his coat’s a mess and there’s no perfect winning scenario so he hates every second of it. (JOWD being super into Cabanela being roughed up is another matter altogether and he should probably mind his own business. ...incompatible kinks, truly tragic. they’ll have to find some other common ground. they’re smart, resourceful, playful fellows, I’m sure they’ll manage)
Kentucky Route Zero: Donald kentuckyroutezero
I love everyone in the cast, all acts and interludes, and I am extremely into all the themes this incredible work of art ended up exploring. Agreeing with the overall doom and gloom up to Act IV, I was blown away by Act V’s strong affirmation of the importance of the arts and of the bonds we make and of carving up spaces for ourselves in capitalism’s wake. Donald was, indeed, not a part of any of that. Even the final interlude updates us on Lula and mentions Joseph, but the big guy is nowhere to be seen. So, you know, there’s fanfiction! He’s so static, defeated. I am fascinated by the chain of metaphysical spaces that goes surface -> Zero -> Echo -> Dogwood and even within that framework, the hall of the mountain king is like a hopeless dead end. Dude’s terminally stuck. So - once again, in the spirit of transformative works, how could he get... you know... unstuck? Did Lula’s momentous appearance in Act III shake him? Having a functioning Xanadu again, perhaps? How could he interrogate that oracle, what recursive wonders would it show him? If he decides to leave, what does it feel to be on the surface again after so long, or on the river perhaps? Maybe he is forced to leave by the flood, if not this one, the next... Having him meet any other character would be amazing. Past or future time spent with Weaver... seeing Conway again, changed... programmer guy chatting up musician androids... did he know Carrington from his college days or was Carrington only a friend of Lula’s?
As for Lula herself and Joseph too: “Flipping through the pages, Conway is able to gather that it’s a story about three characters: Joseph, Donald, and Lula. It’s something like a tragic love triangle, but much more complex. Some kind of tangled, painfully concave love polygon.” 😔 I ship them as a full triad, if you can nudge them in that direction, good. But I’m very open to non-romantic resolutions as well, going past their messy feelings to find each other as friends after so many years maybe. Or... a start. idk.
I’d be interested in fic that leans on the game’s adjacent genres: wanna go full-on American Gothic? Dip into surrealism? Take a leaf from Twin Peaks with tulpa / split narratives to explore the characters’ issues? I’m also open to AUs, real or through Xanadu. This also feels like a good place to stress that I really, really like caves.
And now for something completely different: FAQ: The “Snake Fight” Portion of Your Thesis Defense is in the tagset this year. I’d say that the crossover with the snake portion of Here and there along the Echo writes itself, but it would not be correct, as in fact I would like you to write it for me. Feel free to not feature Donald if you focus on this crossover instead!
Uru would be a fun crossover too, for Donald specifically. He’s very DRC-shaped in how he tilts at doomed projects which just so happen to be deep underground.
Pyre: Volfred Sandalwood
This is a Volfred solo, Volfred&literally anyone or Volfred/Tariq, /Oralech or /Tariq/Oralech request. I adore everyone in that Blackwagon+Dalbert+Celeste, so if you want to add a Nightwing or two to any prompt, please do! I also love all the Scribes and find Erisa a compelling tragic figure, while out of the other triumvirates, I’m “love to hate them” for Manley, Brighton, Udmildhe and Deluge and would not like to see them featured in sympathetic roles. fwiw I also enjoy Jodi/Celeste and Bertrude/Pamitha a lot!
I feel deeply for all of Pyre’s main themes - literacy, degrees of freedom, the fragile time that is the end of a historical cycle, nobodies rising up to the occasion, building a better society, and of course found family, “distance cannot separate our spirits” and all that jazz, and Volfred is squarely rooted at the center of all of them. I really really love everything he stands for, even if he’s overbearingly smug in standing for it. Just please tell me things about my fave. His relationship to the Scribes (as a historian, a some kind of vision, via *ae or once he’s a star himself)? A ‘forced vacay’ Downside ending where he looks at the Union from afar and keeps living in this strange transformational place? Life in a cramped Blackwagon that was meant for like 5 people tops and is currently eight Nightwings, a herald and an orb? Since he picked him for the job to begin with, does he respect and cherish Hedwyn as he dang well should? What does it feel like to try and Read a herald? Was he ever in danger, in the Commonwealth or in the Downside? What daring act of resistance did he and Bertrude pull off at some point in their past? It’d be cool if one of his old pamphlets came up at some point. Does he puff up as prime minister because he’s nervous, and who can see past his hyper-professionalism and lend a hand? Please roast him big time about the votes he assigns to the various Nightwings in his planner? What’s his attitude toward the flame’s purification (what with being a tree but mostly like, as a general concept. He did nothing wrong!) (well he definitely said some things wrong and sometimes oftentimes the ego jumps out, but his intentions did nothing wrong)? When did his calculating approach fail him? Something with Pamitha along the lines of that edit that goes “Can we talk, one ten to another?“/"I am an eleven, my girl, but continue”? Dude could easily be voted sexiest voice in the Downside - how much is he aware of it? Does he sing? I love how he bears his ‘reader’ brand proudly. And speaking of scars, I have to wonder, looking at Manley for comparison, if the shape of his head, with that massive crack, isn’t also due to injuries.
As a refrain from my general likes: emphatically yes xeno to both shippy interactions at all ratings and to gen explorations of what a Sap is like… I’d love to read all your headcanons.
Ship-wise, I enjoy him with Tariq as this kind of esoteric connection of minds, guarded words full of secret meanings, long contemplative walks together (is any external pov watching...?), Volfred’s Reader powers brushing against Tariq’s mind and getting weak in the knees at the starlit expanse he finds there, so unlike mortal thoughts. Tariq finds his individuality learning from him; Volfred presumably gets a transcendent glimpse of the Scribes. And I enjoy him with Oralech as pretty much the opposite of that, Oralech is so very mortal compared to him, such a precious, fleeting, burning life especially after his fall. Oralech’s idealism is very dear to me, it was their plan, their shared revolutionary spirit, I find it deeply moving. And I am very interested in seeing them rebuild their connection now that Oralech is back, changed, and in some ways he can learn to let go of his misconceptions and slowly open himself to Volfred’s love again, but in other ways that’s who he is now, with this deep-set anger, and what does it even feel to realize that you’re the symbol of the end of an era (the end of the Rites, the fading of the Scribes). I’m interested in both topside and downside endings for all of them, as long as they end up on the same side, the revolution was peaceful and they don’t angst too much about the side they ended in. Tariq can ‘find his way home’ in the near post-canon somehow or even be summoned again, as a different aspect of the same ‘moonlit vision’ that once inspired Soliam Murr.
Strandbeest: any
https://www.strandbeest.com/
I would just like words to go with these, please and thank you so very much. Worldbuild to your heart’s content! Specifically: I’m fascinated by the premise that the strandbeest are living creatures that evolve and adapt to their ecosystem. A world where life is just wind stomachs and sandy joints, and the tide that can catch you unaware. I would like a story that feels distinctly inorganic. The wonder that is the existence of these creatures. Their unique struggles. Weird and experimental if you like. With a mechanical focus, maybe?
I nominated four critters as a selection of the different cool things they can do - Percipiere Excelsus is huge and has the hammer mechanism, Suspendisse’s tail senses the hardness of the sand, Uminami is my fave caterpillar and the caterpillars overall feel like a new paradigm after a mass extinction event, Ader straight-up flies... but they’re all wonderful. If you want to focus on different strandbeest, please do!
Twin Peaks: Lucy Moran
Case fic but they don’t find out jack shit, someone disappears, David Bowie was there, it’s complicated. Fragmented, shifted, mirrored identities. New Lodge spaces. The risks of staring into the void for too long. Gentle illusions. Transcendence. The moon. Static buzzing. Any title from the s3 ethereal whooshing compilation used as a prompt, actually. Whatever goes on on Blue Pine mountain or the even more mysterious things that go on on White Tail mountain where exactly zero canon locations are found. Twin Peaks is all about the mystery to me, the awe of mystery and unknowability and the human drive to look beyond and the risks of getting a peek, and about shared consciousness and trauma taking physical form in an uncaring world. Go wild with the ethereal whooshing! But I also love the human warmth at the heart of it all, and sometimes it’s enough to anchor these characters and let them have a nice day. A fic entirely focused on some instance of coziness against the cold chaotic background of canon would be great too.
For Lucy specifically, a big draw for me is how canon (...s2 need not apply) empathizes with her way of processing the world. Not just Peaks, but On the Air’s protag who is basically a Lucy expy also gets the narrative completely on her side and that’s great. And I love how in s3, her focus on the small things around her is always echoed by bigger, climactic events beyond her horizon (bunnies / Jack Rabbit’s palace, chair order / Garland’s chair, her first scene talking about the two sheriffs / doubles everywhere...). It feels to me like some kind of off-kilter mindfulness and I love it. She’s also got a loving husband and an amazing son, which, in this economy and also this canon? Damn. The one functional family, imagine that. I am not interested in focus on family dynamics, but singularly, either Lucy/Andy or Lucy&Wally are great - in particular, I’m interested in how strange they are and yet they make it work. With the ruthless critique of traditional family structure that’s all over canon, maybe they make it work specifically because they’re not doing any of that. A bit like the Addams family... but... not goth...? Anyway. I’d love to see Lucy interact with and maybe strike a friendship with any character she’s never shared a scene with in canon! In the tagset, there’s Diane for some secretaries bonding, Audrey because??? why not?, Albert because it’d be an epic enemies to friends slowburn, some version of Laura in the future, if we’re feeling really daring maybe even some version of Coop in the future, still fragmented... or anyone you want! Outside the tagset I’d be curious about Hawk, Margaret and maybe Doris in particular, I think, and Phil, and Nadine and the Invitation to Love fandom in general (Frost says it still airs - did it get as weird as TP s3 did?), but if you have an idea with someone else, absolutely go for it!
Canon-specific DNWs: any singular Dreamer being the ‘source’ of canon, BOB (let alone Judy) being forever defeated in the finale, Judy being an active malevolent presence in the characters’ lives, clear explanations for canonical ambiguities, ‘Odessaverse’ being the reality layer, the Fireman’s House by the Sea being the White Lodge, whatever Twin Perfect’s on about, Cooper/Audrey, Cooper/Laura
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Unusual asks #3, if u want (returnin the favor :0)
[3] rant. just do it
well, guess it’s time to ramble about my main four sona kids! (although technically only one of them is a sona, the rest are just self inserts i identify with incredibly hard so they might as well be sonas)
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First off, Light, my oldest self-insert who I have half-forgotten the story of, but what I remember is that she’s meant to be a hero of light (literally, like she wields light as an ability) that hops universes, saves the day, and generally finds out lore stuff over time. She’s got powers from an outside source and in the original plotline she was being groomed to be a sort of successor, but I think I’m gonna change that somewhat when I finally write her story out.
(and by write i mean i am making a comic/heavily illustrated story out of it and i will die on this mountain if i have to)
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Second off! Tops! Cause between her and Mun she’s technically older!
She’s got an adopted “sibling” named Lena who is absolutely 100% human, what makes you think she’s not are you kidding me (read: she’s some kind of android but looks and acts human enough that the average person probs can’t tell). They’re basically twins, and that’s not at all because at least one of them started out as a Yogscast self-insert protagonist that I moved to their own universe.
Both Tops and Lena have ended up in a couple other storyverses I’d love to expand upon sometime (Dollverse is definitely gonna be updated, PSP is at least getting modified if I do continue it), buuut as far as their home storyverse goes I’m planning on revamping that one for damn sure. Gotta do it for Peri. Also I really wanna make it more original so it’s gotta be revamped anyways.
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Third! Mun! The actual persona character made to be a persona! Who kinda ended up getting a story built around her! haha whoops!
Gist of it is, she’s a “runaway” child (read: sent away from home at a young age with a guardian bewinged dog Because Plot) who ended up running headfirst into a Found Family trope (read: i have a bad habit of getting adoptables that i have no idea what to do with so i just keep em with her) and whose primary job is “keep an eye on all of the author’s various storyverses, catalogue/record everything, and store it for reference later juuuuust in case”.
Found family includes a shadow demon (cause at one point I dipped a foot into Don’t Starve and came out with a concept), a selectively mute tall person who’s possessed by a reaper-type entity, the aforementioned guardian doge, a couple of dogs who are basically dogs with high intelligence and an ability or two, various half-forgotten concepts that sorta wander around the place, and a couple bastard Emboidiments I designed in high school that fuck around and find out and I will punt both of them.
As you can guess there’s a lot of shenanigans that happen. This is more like an episodic slice-of-life with plot.
(i really wanna incorporate Mun’s storyverse into Tops’ somehow, cause OOC i’ve put these two in the same space before and they have such good interactions together i lov em, they’re basically siblings/hella close friends)
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Finally, Egg. My overpowered baby child.
So this one started out as me inserting a character I vibed with, leaving for like a month, returning, revamping the character to be more original, accidentally adopting them as a sonainsert damn it why does this keep happening, giving em a plot, and then fucking around and finding out hard. I accidentally gave em godmode because “haha what if i do that starbucks meme with em” and found out afterwards from one of the main players “wait that shouldn’t be possible what the fu-”
So now they’re basically like- *meme voice* “Guess I’m a demigod.”
To add to the chaos they’ve got headmates that are technically their parents/mom(s?) and more specifically the two components that helped make Egg (but still exist cause the job was like half-finished). One’s Alex, who’s an over-stressed, anxious ex-executive of a robotics development company that got hired to commit war crimes and then got blasted off the face of the earth, along with the face of the earth. The other is Thea, who’s an advanced security AI that’s hella good at combat but doesn’t understand what the fuck an emotion is, so every time they feel one they short circuit for like a minute.
They’re involved in an RP where the current state of it is “the multiverse is about to eat shit, or at least this universe is, and we gotta fix it somehow” which has hit a block unfortunately.
Probably for the better though cause I swear to god- *looks at Tim and Imp* -if one more of you bastards gives my kid another metaphorical red matter nuke I’m gonna hunt y’all down and steal your computer RAM-
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Also as a bonus, my latest self-insert is Ry, in which the main concept behind em is “you know what’d be funny? if i had a retail worker character that couldn’t get mad or else they’d get possessed by ?????? and involuntarily commit fuckshit against humanity. also their possessor is a gremlin ass bastard who just likes to cause problems on purpose. and also is banned from sharp weapons and guns.“
#my post#qs and as#unusual ask meme#ask meme#you be like *rants about your kids* and i be like 'oh shit lemme rant about my main ones a bit'#anyways. babie. many babie#i really fuckin enjoy putting my sonas in the same room together and watching what happens by the way#cause what happens is 'found family' and it's good#light is hardcore the mom friend and egg holds their own braincell#also ry is hella fun to play in the tabletop they're in#artnerd1123
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I’ve just been thinking--it’s about time I make a proper index for my TAZ fics, huh? Also contains: mini-series, ficlets, goof posts, and lyric comics.
(All of the fics are rated G, or T at most for McElroy-appropriate language.)
FICS
I Saw Seven Bounties | Canon Compliant, Enemies to Friends, Complete | Mostly lighthearted, episodic recounting of Kravitz and Barry’s rivalry throughout those first twelve years on Faerun. 24K. -->Extras: Lich Eyes, Fantasy Starbucks, Alt POV for Chapter 1 & Chapter 5, Sorry
They Say Fire Took Phandalin | Small-town supernatural/sorta-haunted-house AU | Fresh out of grad school, Barry Bluejeans takes a job and a house in the rural nowhere-town of Phandalin. And it’s not like he thought fitting in would be a walk in the park, but the people there all act really weird, and it’s almost like they’re expecting something of him, too. 11K/~20K.
What Can’t Be Done Alone (Detective Squad) | Canon Divergent, Found Family, Fluff | AU where the voidfish works a little better, and Angus never finds the Bureau. Instead, he finds a strange lich in a cave, and he most certainly continues to work this case and not gradually get adopted instead. 18K/~22K. -->Extras: Drangus AU Oneshot
If I Wanted to be Funny I’d Name This Fic “The Time Belt” | Futuristic sci-fi AU feat. time travel | Taako meets the only people in years who recognize the Institute’s name. Known time criminal Barry Bluejeans continues to evade law enforcement. 2K/??.
Overgrowth / Undercurrent | Roleswap AU, Johnchurch, Pining, Twoshot, Happy ending optional | Overgrowth is a oneshot that follows John, the Starblaster’s chief diplomat, through a series of parleys with Merle, the center of the plane-consuming mass of plants that’s been chasing his crew. Undercurrent is a sequel about their post-canon reunion. 4K + 6K. --> Extras: PLAYLIST by @merle-casts-zone-of-truth
Davenport Remembers | Post-canon, Oneshot | Davenport meets with his crew members to try to reconcile his anger with Lucretia, or to decide whether he should. 1.5K.
MINI-SERIES
AU Where Taako is a Lich - Pretty much what it says on the tin here, folks!
Baritz (ask series) - A fusion of Barry and Kravitz, who took over my blog and answered asks for a while. (He originated in the Gallows/S&S lyric comic.)
Good Adventures (Good Omens crossover) - The Antichrist’s wishes summon the wrong boatful of aliens. Thankfully, it seems they’re apocalypse experts. [with plot-ideas help from @avijohann.]
Omen Zone (Good Omens crossover 2) - Barry is a demon. Kravitz is an angel. Kravitz probably won’t ever admit that they’re friends.
Pokémon: Century Version (Pokémon crossover) - Stolen Century AU where they’re all pokémon trainers. Faerun spin-off: Double Trouble
Till Death, Don’t Let’s Start - Barry fucks up. Kravitz is present.
Very Normal Blog Posts (ask series) - In which Garfield is not at all dangerous, and I am perfectly fine. <alt: chronological link - desktop only>
COMICS & ART
Gallows/Steady and Stronger (Double lyric comic) - Canon-divergent AU where, as the world is ending, Barry gives up to Kravitz. [Image description version]
[Lyric Comics] - Other, shorter lyric comics based on single verses of songs.
Dear Scientist’s Log (series) - Illustrated ship logs from Barry J. Bluejeans.
Movie Madness (Comic) - Barry obsesses over the unforgivable.
Palette Prompts (Arts) - Art from art meme prompts.
Pregananant (goof comic) - You know the one.
REAPER (Comic) - Baritz fuses with Lup.
These Jeans? (Animatic) - Barry advertises jeans.
They’re Both Tessa Thompson (Comic) - Lucretia has a nightmare. Barry reassures her.
War (Goof comic) - prompt: "taakitz with CAT”
What’s bigger than this? - The Red Robe.
FICLETS
Back Soon - Kravitz leaves a note with unfortunate wording.
Bodyswap: Barry & Davenport - During Wonderland.
Casual - AU where the red robe talks like a normal person.
Command - Barry misuses his magic.
Davenport - There’s something unsettling about that butler.
Hangin’ Out - Lup and Magnus.
Harvest - Roleswap AU: Barry is the Hunger.
Healing Necromancy - Merle tries to teach Barry some tricks.
Hope - Barry knows she’s still out there.
How Long? - Taako is frustrated.
In Pieces - The staff.
Liches Forget Too - AU.
Lucretia Forgets - In which there was a mistake with the voidfish ichor.
Lup’s Robe - Gifts from Taako.
Mourning Glories - The flowers in Merle’s beard.
New Years - Celebrations and fears.
Parole - Barry and Kravitz bonding hours.
Phone a Friend - Baritz (the fusion from Gallows/S&S) meets Angus.
Raising the Dead - Barry has to use his crew members’ corpses. [sequel]
Robbie...? - Magnus breaks into the brig immediately after Petals to the Metal.
Second Apocalypse - Based on that one party liveshow. What was the rest of the crew doing, again?
3 Sentence Fics - Pairing + AU prompts.
Smartstone - Lup gets stuck in a Stone of Far Speech, instead.
Stir Crazy - Barry waiting for a new body to grow. Thoughts of Lucretia.
Writing Things Down - In case you forget (again).
You Remember - Taako remembers.
PROMINENT GOOFS
Barry’s Dead - But he’s fine! Calm down!
Character Development - Joke’s on you, DM!
Crystal Kingdom - An absolutely bonkers arc.
Dealer - Merle pun.
Decapitate Me - for making this post
Don’t Care - Taako during the finale. [bonus]
Epilogue - Bracer struggles. [bonus: 1, 2]
Explain the Hunger (Good Omens crossover) - Magnus explains the hunger to Aziraphale and Crowley. They react in varying ways. [with cursed art contributions from @avijohann and @mspainttaz]
Fifteen Dollars - Plus interest. [Bonus]
Fullmetal Kingdom - They’re the same, right?
Gender - And lack of roles.
Gnomes Don’t Exist - They’re all aliens, actually.
Hot Diggity Shit - Been a while.
Icon Confusion - The saga of people thinking my icon is a carrot. [chrono link - desktop only]
Incomprehensible Denim - Jeff Angel’s illegal pants.
In Case it Changes Anything - Taako, Kravitz, and lies.
Irresponsible Teens - Magnus and Lucretia get into trouble.
I Saw Seven Nerds - That’s the post.
Gogurt - Taako’s crimes.
Learning to Drive - i.e. Barry & Davenport Bonding(?) Hours.
Live Shows - The general mood.
Lucretia’s Efforts - A proper meme? On my TAZ blog?
Lup Said No Thanks - That time Magnus was in a tree.
Magnus’ Death - So many close calls.
Nearest Middle-Aged Woman - Clint’s characters’ friends.
Necromancy? - You must be mistaken!
Ned’s Aliases - The Truth.
Pirate Debt - Davenport during that one liveshow.
Punch Squad - SQUAD!
Reaper Cloak - Thoughts.
Relic Names - She probably changed them.
Responsible Necromancy - Good and bad ideas.
Resume - It’s not like they thought it would be relevant.
Schools of Magic - And the Sash was what, again?
Self Care - Respect the dead, please.
Server Shenaniganry (art) - TAAKO THE CAT, NO!
Soulmate AU - Where your soulmate’s greatest enemy is on your wrist. [alt]
Stern’s Truth - You Know.
Taako’s Last Name - Taako’s last name.
Team Composition - The post where everyone wants to argue with me about what qualifies as a wizard.
Third Option - Taako saves the day.
You’re Laughing - End of Suffering Game.
THEORIES/MECHANICS/THOUGHTS
Aloof - Holes Taako refuses to fill.
Barry’s Lucky Possessee - Graphic novel theory hopes & dreams.
Catpiling - Stolen Century thought.
Davenport’s Deaths - Sucks when you always wake up driving.
Death Leaves a Mark - Stolen Century AU concept.
Everyone Else - Some people didn’t get perfect endings.
Fantasy Nonsense - lore about the word “fantasy,” as in “Jesus Fantasy Christ.”
Fragments - Magnus’ memory.
Forgiveness - Old post about the crew’s thoughts on Lucretia’s actions.
Forgot to Erase - Lucretia’s errors.
FULL TIMELINE POST - the Balance timeline.
Gauntlet - (disproven!) Theory about the final relic, from before it was confirmed in the show.
Gnome Nicknames - Thoughts on Cap’nport.
High School AU - Some old headcanons.
Home World Names - The pattern in surnames (or lack thereof) on the IPRE’s homeworld.
Hour - This isn’t a thought so much as an Actual Thing That Magnus Said before the time loops had started, which is absurd.
Idiots in Love - The IPRE’s collective braincell was lost for all of Legato. [2]
Liches, Alone - Being stuck as raw emotion for an awfully long time.
Losing Julia - And subsequent developments.
Love - What was remembered and forgotten.
Love Without Fear - Thoughts on bonds during the Stolen Century.
Memory - Barry actually shouldn’t have remembered anything.
Nickname - Memory of Lup.
Paladin Barry Theory - Converging evidence on Barry’s multiclassing.
Paradox AU - blueprint for 8th, 9th, 10th, etc. Bird AU of your choice(s). (Extra)
Phylactery Mechanics - How liches differ.
Produce Flame - Mechanics of John killing Merle.
Recklessness - THB’s actions recontextualized.
Relic Schools of Magic - They don’t have them!!!
Relicswap AU - Where all the birds get swapped out.
Seven Birds as Gods - Ask-prompt thoughts.
Staring at the Sun - The birds and their light sensitivity.
Story, Song, & Sorcery - Effects on the young population.
Sword Tornado - Magnus Mechanics. [bonus: Time Warlock]
The Good Place AU - A series of crossover thoughts.
Tree Climbing - Davenport shenanigans.
Unique Magic Types - [and combo styles]
What Killed Maureen - hint: it wasn’t Fisher.
#the adventure zone#taz balance#mine#index#there were a fair few in here that id forgotten about too!#god i hope i didnt mess up any of these links
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My Review of Neon Genesis Evangelion (1995)
For my first review I want to talk about Neon Genesis Evangelion, a show that everyone has already talked about millions of times. It is arguably one of the most well known and classic animes and has sparked a shit ton of games, merch and spin offs. This show was created in 1995 by Hideaki Anno and is a 26 episode show. It revolves around a middle-school aged kid, Shinji Ikari, who fights in a massive robot-not-robot-human-monster-thing called an Evangelion. He fights alongside two other middle school girls, Rei Ayanami and Asuka Langely Soryu, to defeat mysterious destructive creatures called Angels.
Of course the story goes a lot deeper than that, sometimes being borderline confusing. Theres Adam sleeping under NERV, but it’s not Adam it’s Lillith, and its not NERV running the show it’s SEELE, and SEELE wants human instrumentality and... what the hell is human instrumentality? What is Adam and the angels? what the fuck is happening? On my second watch through (after doing heavy research on what the hell that show was about) I was finally able to even comprehend what was going on with the show. And when I did, I fucking loved it. Granted, I barely paid attention the first time around which was my mistake. The show really requires your full attention to get all the information that it throws at you.
On the surface, this show looks like your regular 90′s mecha anime, but once you dig deeper you discover this show is about loneliness, escapism, and what it means to be human and how shitty it can be. This show is actually a deconstruction of the mecha genre, which is usually a genre filled with substance-less shows that are primarily meant to sell toys. (though evangelion had it’s fair share of merch and toys as well.) and I’m a big ol’ sucker for deconstruction shows.
Now let’s get into what I thought of it. I love it. The art is beautiful, the animation is great (as great as a low-budget anime from the 90′s can be) and the story and characters are original and thoughtful. On my first time watching, I hated our main man Shinji. I though he was a little bitch for lack of a better word. He wouldn’t stand up and be a man, he was awkward and pervy, and he was so distracted by his past trauma that he couldn’t live in the present. Then on my second watch I unfortunately realized something. I am a whole lot like Shinji. I’m socially awkward, I often live in my past traumas, I expect people to care about me without caring for them back, I expect pity and I live off of the praise of others. This shocked me when I realized how much I can relate to this little bitch. It actually made me want to start to work on myself and grow, unlike Shinji. In a way, Shinji represents the worst in all of us, that’s when I started to understand him and feel for him. I hated him because I saw so much of me in this character, and I decided to like him for the same reason. I like him because he is literally the worst. It’s an interesting take to have the main character of the show be someone no one roots for, but be such a reflection on the worst parts of all of us. I fuckin love it.
I went through this love-hate with several of the other characters too, particularly Asuka and Gendo (though there isn’t really any kind of redemption for Gendo I just love that he’s somehow worse than Shinji) But overall the characters are very well-rounded and we get to see the best and worst of them all, and why they act they way they do. This show about mechs and aliens is extremely human and discusses the worst parts of us.
Ok now we’re done talking about the subtext, lets talk about how fucking badass this show is. I love when shows get biblical. Now this show isn’t actually referencing anything that actually happened in the bible, it only uses vague ideas, names, and a whoooole lot of crosses. But doesn’t it make everything a bit cooler? I thought the lore in this show was very interesting, the second impact and human instrumentality especially. I thought it was a good blend of the science fiction and post apocalyptic genres (my two favorite genres) while also being a creative concept. I loved the fight scenes between the Evas and the angels, I thought they were well choreographed and made use of dynamic editing to give the scenes more weight and power.
The only gripe I have with this show is the last two episodes, just like everyone else. I didn’t like them and I thought the show needed a grander ending. I understand, though, why they happened the way they did. The show was not doing well production-wise and they didn’t have the budget left. This paired with Anno’s deep depression at the time produced episode 25 and 26. the episodes were very slide-show like as we delved into the psyche of the NERV gang as human instrumentality took place. The show even regressed into paper and pen illustrations near the end of episode 26. At the end of the show Shinji eventuallly accepts human instrumentality and everyone congratulates him. The end. And that was the happy ending? people were not happy about that at the time so two years later in 1997 came End of Evangelion which gave us a more grim, but way more badass ending. (it honestly needs its own post so I won’t talk about it here) In my canon EoE was the true ending, but that does not mean the last two episodes should be negated. As abstract as they are, they still give a lot of insight on the characters and are still worth the watch.
I could probably go on and on about this show but I decided to keep this review to my main thoughts. As far as a review its a 9/10 and I’d recommend this to anyone honestly. There’s a reason why this show has lived on for 25 years and why it should live on forever. What do you think about Neon Genesis Evangelion? do you love it? do you think its pretentious garbage? Let me know!
Thank you for reading.
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Sinking Fate
Chapter One
Chapter Two
Masterpost
Very Basic Summary : A fairly popular photographer known for his more... disturbing photos, is sent an invitation to come to the beaches of Tione, Angeles to possibly bring light to the recent disappearances in the town that no one else seems to bother with, with the locals switching back and forth between the causes, either a mass murderer among them, a siren... or perhaps both? Either way, he accepts, because what could ever go wrong?
Story Warnings : Gore, Death, Drownings, Sympathetic Remus and Logan
Thank you @themelodeeartz for sending in the idea! I’m honestly really excited for it XD I’ll answer the asks with a link to this chapter ^^
No one knew how, not even Remus himself, but he somehow suddenly got really popular.
He was a photographer, that occasionally wrote books. However his photos weren't quite... 'normal' photographs. A lot of people would probably find them horrific. Normally. But something about the way he took photos and described them seem to intrigue people, draw them in, and send them down a spiral of thoughts as they saw more.
Remus' pieces often contained much darker themes. Bones, burnt flesh, death, gore... and much more. Sometimes, a mix of what he photographed. He created collages that told morbid stories or tragic tales, most if not all true ones.
And that seemed to be what drew people in. Lured them to Remus, encouraged him to continue with his art.
And people loved his writing as well, the tales he told seemed so far-fetched, so unrealistic, until you found out he based them on past news reports he found, hidden deep within the web. And then you were reminded that this could happen to you.
But his stories weren't what he was known for, not completely. His photographs were more well-known. He didn't mind.
Remus opened up one of the letters on his desk, reading the neatly written letter. Fanmail, he originally thought it to be. Until he realized it didn't have a return address. A plane ticket slipped out from the pages, and he continued further down, unsure if it was excitement, curiosity, or worry that bubbled in his stomach.
Perhaps it was them all.
Dear Remus King,
You will not have heard of me, of that I am certain. I do hope this letter isn't lost in the undoubtedly large amount of other mail you receive. My name is... well, it doesn't really matter what my name is, it's not important.
Your work has made a lot of people think, and a lot of people worry, and become far more cautious of the world around them. And I've taken note that some of your written works contain a few more fantastical themes, that are illustrated to be a reality. Which, now that I think about it, they very well may be.
If you have the time amongst your own projects, I would greatly appreciate it if you could come to Tione, Angeles (making up a fake place). I think there's a case here you'd greatly love to see, and maybe look to the beaches?
Most are saying it's the handiwork of a siren, but then there are those that just believe mass murder. Every day there are more and more disappearances, leaving a gruesome beach behind. I feel it would fit in well with the theme of your... style, I suppose. And, it might finally draw some attention to our crisis /thank you Tione police for absolutely nothing!/
Whatever your choice, I hope you have a splendid day! And I cannot wait to see your next line of work. If you do decide to see what's been happening, feel free to stay at the hotel of our dwindling town. If you just give them your name, they'll let you stay for free, expenses payed by me! Safe travels!
Oh, and I suppose my name not being known might be bothering you? I suppose you can know what most call me. When you arrive at the hotel and if you need a tour or something, just grab someone off the street and ask for Aki /aka me!/.
Remus regarded the letter carefully.
Disappearances? Caused by a siren? That did definitely catch his interest. But Tione he knew was quite a ways away. But then again... He did have a plane ticket, practically for free.
Remus hummed quietly, placing the letter back on his desk and pulling his laptop closer. If he was to make a decision, he'd need at least some information about this place other than its location.
-
Remus rubbed his eyes, slouching over a notebook he had opened to take down certain notes. His handwriting, which was already quite messy, steadily grew more and more ineligible as the night drew on.
He read articles dating back at least a hundred years ago. That's when the disappearances began, as far as he could tell. With the murder of Taylor Smithings. The rumor about a siren drawing people in only came in around the twentieth murder.
However if he was going there to photograph the beach, he needed to look into the most recent disappearances. So their names and supposed causes of death. Most of the drowning cases were thought to be the work of a siren.
Megan Tannings - Drowning, blunt force to head
Jack Carter - Blood loss, stab-like wounds
Peter Harper - Drowning
Katherine Jake - Drowning or suffocation
Bobby Carson - Hasn't been found
Lilith Carson - Drowning
Tabitha Jenkins - Drowning or suffocation
Zeke Henson - Hasn't been found
Pepper Kord - Hasn't been found
Joanne Larson - Drowning
William Peterson - Unconfirmed
Remus also had various notes of things about sirens, so that he had a basic idea of what he'd be getting into. How they lured people in, how they came to be. Why they might draw people in to kill them.
The lore surrounding the creatures was simply fascinating.
His phone rang, and Remus groaned quietly, glancing at the clock before picking up his phone. It was far too late for anyone he personally knew to be calling him.
Except maybe Virgil.
"Remus King, wondering who the fuck calls at three in the morning, how may I help you?"
"Remus!" Ah, so it was Virgil. "Have you checked the news at all tonight? There's something you've gotta see!"
Remus groaned again, rubbing his eyes. He felt exhausted. He didn't feel that often.
"Can it wait until later in the morning?"
"Dude!"
"Fine, fine..." Remus grumbled as he turned his computer back on, looking to the news platform he and Virgil often checked. His eyes widened as he leaned in closer to get a better look at the article, his heart suddenly gaining speed.
"Oh my fucking god, Emile?!"
"I know right! A lot of people have already started getting really mad, considering Emile's just a sweet therapist who's helped more people than anybody else. But dude, look further into this, something doesn't feel right about it."
Remus glanced at the envelope on his desk. He bit his lip. "Actually, maybe you can take this one? Emile's a friend and all, but my plans just suddenly got full for the month."
He heard Virgil sigh, could imagine Virgil rubbing the bridge of his nose. "Alright, I get it. I'll do this one. It's horrible that it happened to Emile of all people though."
"I know. Call Remy for me and ask how he's doing? He can't be doing all too good..."
"I know, will do. Mind if I ask what new project you just took up before you go to bed?"
"Something in Tione, Angelas. Night V."
"See ya whenever you get back."
Virgil hung up, and Remus set his phone down, leaning back in his chair. He would've loved to handle this case, but he knew Virgil could handle it, back in their hometown. Poor Emile and Remy though, he thought, slowly getting out of his chair to go to bed.
They deserved better, honestly.
He sighed as he flopped onto bed, burying himself in the mess of sheets, old stuffed animals, and random papers he never had the motivation to clean up.
-
At around 11pm, Remus pulled himself out of bed and started to pack.
--------------------------
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The Tragedy of Tiphareth and Nureyev.
Third post in a row bay beee
Too bad this one's sad.
During the second arc of this campaign, when the players were still trying to find special magic items to let them pop the magic bubble they'd lived their entire lives under.
It turned out that one of them was the price (a tiara) for winning a race. So first they had to secure a sponsor (They got fantasy Budweiser) to basically give them a spot in the race.
Plot conveniently, they needed 3 people. We have 3 players. They already had a driver, too!
His name was Tempest. I had already picked his personality out, and then realized I had basically made an Aasimar version of Peter Nureyev from The Penumbra podcast's Juno Steele and the _________ line of stories.
That image stuck with me, as you'll see. I even did my best to do his voice.
So, the day before the race... Tempest, who had already been flirty towards Tiph, the Paladin, asked him on a date. Tiph blue-screened for a minute, and had to go call his older sister on a stone of far speech to say like "Hey what do I do if I like a boy and a boy likes me and he asks me on a date and I want to go?"
So their date mostly consisted of Tempest doing cool driving tricks, and claiming to be from outside the bubble, but then laughing about it. They had a cliffside picnic, and they shared a brief kiss before Tempest ominously insisted that "No matter what happens after the race tomorrow, all of this was real. These feelings, these moments, that kiss."
I should note at this point that I had NO IDEA where I was going with this character at this point, just that I knew he would be tied to the main plot.
So they do some cool whacky racers stuff, and win the tiara. Tempest takes it, and dives off a cliff. When they look after him, they see a portal close, and nothing else.
BUT dun dun dun, turns out the tiara he stole was a fake that they bring to the physical race. The real one is back in a vault for safekeeping, specifically to keep ppl from stealing it like this.
So they go to the vault, and find a note that just says "I know it was a fake" along with the real tiara. Which means he intentionally stole the fake. Why????
SO during the next arc, it turns out that Tiph's family has some dealings with these artifacts. That his family is trying to stop the party from collecting them, and they have 2 out of 3 now. The track the third to an auction house. It had been sold. Who else could be there investigating but Tempest. They ask him, "Like, what the fuck?" And he basically says "Tempest? Never heard of him. My name's Defiance." And he grins and I ended the session.
Next session, while Tiph was busy losing all his trust for everyone and everything and blue-screening, The Warlock cast Suggestion and basically made Tempest/Defiance leave for the rest of the arc.
They track down the item, it turns out Tiph's family are drug dealers and popping the bubble will interfere with their business plan. See, they have a deal with someone on the outside. They basically push a cart full of supplies through every now and then. No sapient life can go through, but cart's full of Fantasy Meth can.
So Tiph doesn't hardly trust ANYONE now. But then Tempest/Defiance shows up. He says that he was working for Tiph's family to help the party. He says they won't believe him without proof of what he has to say next. So they pop the bubble and, at Tempest/Defiance's word, go to a town further from home than they've ever been.
They are looking for a book, one that doesn't exist inside the bubble. A history test. A specific history text. On the way, Tiph and Tempest have a moment. Tiph basically says "Look, I really liked you, and I've never liked anyone like that. So for you to go and just disappear, to not tell me what's going on... I can't trust you. I don't even know your real name."
And that's when Tempest just sighs and says "Nureyev. Peter Nureyev."
Tiph laughs and says "That's a horrible name."
Nureyev laughs and says "I know, that's how you know I'm telling the truth."
So they go to a library, kill some devils, and find this 400 year old history book. It's written by....... Peter Nureyev. And it has an illustration of the four of them, labeled something like "The heroes who formed the bubble"
Dun dun dun....
SO, Nureyev is like "OK, now that you know that you have been to the past, and that I met you then, and that I am 400 years old, I really have no more secret. I will answer all your questions."
Of course, this absolutelt SHATTERED what little trust Tiph had left. He was a very broken man for a while. The only details important from this next part are that
1. Tiph and Nureyev had been at least sort of dating when they met before, the degree to which they were together was not clear.
2. Nureyev had just wanted one more day with Tiph, because he knew he wouldn't likely get more. That's why he was shady about it at first. It was the best explanation I could give since I didn't really plan at all, I just opened my mouth and plot came out.
So the three of them travel back in time. They meet young!Nureyev. Unlime his future persona, he is a timid priest of Torm. He is a huge need, and he specializes in monster lore. He's awkward and shy and, if I may say so, very cute.
Tiph and him do grow closer. It takes Nureyev literally six months to work up the courage to ask Tiph on a date. That went well, but I OOG ruined it by making a small joke and then ugly laughing about it for 10 minutes (which I hated.)
They go through a lot together. About a year in, when Nureyev has already fallen painfully in love with Tiph (I'm skipping a lot here), He finds out that Tiph is from the future. They argue just a little bit, but ultimately, Nureyev is fine with it until the moment Tiph says something about how they'll never work out because of it. He knows that Nureyev has to spend the next 400 years doing spy shit, and becoming a very very different person. And he's right. So Nureyev reluctantly leaves. They continue to work together for 4 years, until they form the bubble and accomplish all their goals in the past (Including acquiring the Book of Exalted Deeds). They go back to the present.
It had been about 15 minutes for Old!Nureyev. And he looked like he hurt so much more. He just simply said "I'm glad you're back." But the pain, the love, the longing in his eyes was clear.
So they had two weeks before the final attack on the Lich's tower. Amidst preparations, which Nureyev was gone for half of since he had to go rally the armies, Tiph and Nureyev finally talked. It was the night before the assault. Nureyev wanted to ask, one more time, if it could ever work between them.
Tiph assured him that it could not. Nureyev nodded, and switched to talking about tactics and such.
It's going to be really tough because in one of the games, which I will eventually detail the rules for, you see multiple copies of "The person you love most".
For Tiph, that's probably his older sister.
For Nureyev.... His family has all been gone for centuries. Tiph is the only person alive he loves at all.
And at this point, I'm wondering if it's better to complete the tragic arc and kill Nureyev in the final session, or if he really can go back to his quiet coastal home town, and just be a priest and a nerd for monsters again. The party has known him both when he was too afraid to lift a sword, and when he was prepared to ramp a fantasycar off a rock to do a sick flip in the air. They knew him when he shook at the idea of seeing a Beholder in person, and at a time when he isn't even flyinching in front of a lich.
I guess the question is... Does Nureyev even know who he is anymore?
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Cutting Myself on all this Edge
This post has no reason to exist, except that I keep bothering my friends with literally dozens of messages making fun of this and I need a place to keep it all.
What is “this”? Oh, just some people having some Fucking Strong Opinions about how Harry Potter is the Pied Piper (they use that comparison multiple times. It gets old fast) leading our children into the End Times with its pro-illuminati Satan-worshiping witchcraft lessons. You know, the usual.
And no, this isn’t a battle of Forest vs. the Crazy Christians; I’m like 94% sure I’m not working through any sort of religious trauma, partly because I never went deep into this kind of mentality but mostly because I’m just delighted by The Cutting Edge, a website for a very specific type of Christian (no, not you, Catholics. You’re specifically not invited to the Cutting Edge club because you worship demons) interested in the New World Order, the evils of public schools, and Satan’s favorite color.
No, really.
Satan’s favorite color is green. They don’t . . . really explain why.
This site still exists and is the best thing I’ve ever seen. Hours of fun for the whole family. I mean, look at their logo:
And look at their illustration that goes along with their particular Harry Potter series:
Are you not entertained?!
I cannot stop reading these amazing essays -- which delve surprisingly deep into Potter lore, considering they say that there is no sufficient reason for a Christian to ever read a single page of these books -- and I can’t keep harassing my friends with thousands of notifications, so here we are.
Starting small, let’s read the book review for Harry Potter and the Sorceror’s/Philosopher’s Stone. Or, as they prefer to call it:
This book chronicles Harry's first year at the Hogwart's School of Wizardry and Witchcraft. Prepare to be shocked for the bold, blatant, and bodacious raw Satanism that underlines this story! Since "proper"Drug Use is essential in opening the centres of vision and achieving higher consciousness, we should not be surprised that First-Year students learn Drug Use, Drug creation, in a way that makes Drug use seem glorious! You will be shocked to see '666 ' in the story line, and symbols of Antichrist receiving a "fatal wound"!
That’s the entire subtitle. That’s just how they roll on
THE CUTTING EDGE
Part 1: The . . . Plot? I Guess?
This story introduces us to Harry Potter, an orphaned boy sent to live with his "horrible" Uncle Vernon, Aunt Petunia, and their fat, obnoxious son, Dudley.
I feel very comfortable with the fact that Cutting Edge has chosen to put scare quotes around the word “horrible,” like that’s up for debate. Combined with the very normal and sane opinions expressed elsewhere on the site, this really bodes well for their ideas about parenting and childcare in general.
all through this book, any non-witch folk -- like Vernon and Petunia -- are depicting in disgusting language.
Typo is theirs, as is the apparent offense they take to the fictional depiction of people who are very much not real. While there hasn’t been any exciting formatting going on yet in this essay, I will replicate it as much as possible, and any changes made will be clearly indicated through square brackets and ellipses.
Non-witch people are known as Muggles , and they are depicting as being "dumber than a box of rocks", of being physically obscene, and of living the most boring, unimaginative lives possible.
I was going to argue that this isn’t true, but I suppose we don’t really meet any cool Muggles in the first book. I guess I have to give them this, but I don’t feel good about it.
Witches, on the other hand, are depicted as being very smart, very "with it", of being physically normal, and of living wonderfully exciting lives
It bears repeating:
a flashback scene to the time 10 years earlier when Harry's Mom and Dad were psychically murdered by evil Lord Voldemort
Okay. Now I’m no Potterologist, and so I’m hoping any true believers will correct me if I misinterpret the holy texts,* but I don’t think Harry’s parents were psychically murdered by anyone. I’m pretty sure they were quite literally, physically made dead. Just because it’s a beam of magic doesn’t mean it’s not physical anymore, does it? Voldy didn’t Professor-X Harry’s parents and they died of three D10 psychic damage or anything; he just fucking killed them with a wizard gun. Am I wrong here?
*By which I obviously mean Harry Potter. It teaches children how to become Satanists; we’re clearly dealing with a book of immense spiritual relevance.
Skipping a little bit of plot summary, which is a combination of, well, summary of the plot, although Cutting Edge is determined to get Hogwarts’ name wrong, and a little bit of baffling End-Times(?) nonsense thrown in for funsies --
Of course, a Christian would be immediately alerted to this turn of events [in which Harry defeats Voldemort and is scarred] because soon a supernaturally powerful global leader will demand everyone on earth take some sort of a mark in exactly this place on the body.
What?
-- and there’s some weird formatting things going on that I think are supposed to imply something sinister but really just come off as goofy:
They have Harry on a boat headed for nowhere and they had every intention of keeping Harry from ever attending Hogwarts School. However, Harry receives supernatural assistance.
(It’s not letting me do colors on desktop, which is stupid, but that “supernatural” is supposed to be both bold and red)
There’s a long description about the difference between the Real and Fantasy worlds, which apparently Satanists try to live in both of (and so does Harry, making him also a Satanist. This is actually one of the less-stupid arguments Cutting Edge has for Harry’s Satanism, so just go with it) that’s honestly more boring than funny so I’m skipping it. Then we get to a much more fun section: why Rowling’s descriptions of Muggles are . . . teaching children to hate Jesus?
Part 2: Rowling Hates Muggles
Rowling consistently depicts people who do not practice Witchcraft in most obnoxious terms. They are depicted as being really, really dumb, boring, and living a life not worth living . We share these examples, below, with you so you can appreciate the truth of this statement. Uncle Vernon was also the only Muggle quoted in the book as being really opposed to Witchcraft; therefore, when readers see how stupid, ugly, and boring Vernon is, they get the idea that all people who are opposed to Witchcraft must be as stupid, ugly, and boring as Vernon is.
... Are all people opposed to Witchcraft cowardly bullies?
I mean, you are the one going after a children’s book for daring to entertain children, so if the shoe fits . . .
"Harry was glad school was over, but there was no escaping Dudley's gang ... Piers, Dennis, Malcolm, and Gordon were all big and stupid, but as Dudley was the biggest and stupidest of the lot, he was the leader." [p. 31] How do you know your own child does not think of you in these terms? After all, you are a non-magical Muggle.
I actually can’t complain, because this is just accurate. I 100% hate my parents and think they’re stupid because they’re not literally witches/wizards. Our relationship has never fully recovered.
"Uncle Vernon made another funny noise, like a mouse being trodden on." [p. 47] Remember Adolf Hitler, the most famous Black Magick wizard in modern history? He depicted Jews as Rats in his Propaganda Machinery, convincing the Germans they should extermination the "vermin".
GODWIN’S LAW HAS LANDED!
LADIES AND GENTLEMEN AND EVERYTHING OUTSIDE OR IN-BETWEEN, WE HAVE OFFICIALLY COMPARED HARRY POTTER TO HITLER!
We find it highly interesting that, later in the book, when the Evil Lord Voldemort is supposedly killing the unicorn in the Forbidden Forest, the color of the blood of the unicorn is silver!
Okay, but like . . . why? I mean, it immediately follows a description of the Bloody Baron, who is depicted with silvery blood because he’s, like, a ghost, but I’m not sure what that has to do with unicorns or with Satan. Are unicorns associated with Satan? Is silver associated with Satan?
Is everything Satan? Am I Satan?
There’s a lot of rage at a gentleman named Chuck Colson throughout this section, who apparently made the grave error of telling parents it was okay for their children to read Harry Potter because it doesn’t involve contact with the supernatural. And I’ll admit, that seems like a pretty bad defense of the books, because if you define “supernatural” as ghosts, poltergeists, or whatever the hell Voldemort is, then there is absolutely a metric buttload of supernatural stuff in here.
Arguably, a better defense of why it’s okay for children to read these children’s books is that they are books made for children, but YMMV on that one. Probably depends on whether or not you think children are sitting in the giant metaphorical (or literal? Not sure Cutting Edge gets metaphors) lap of the Antichrist every time they pick up the books.
(A visual reminder.)
Part 3: Basically Part 2, But This Time There Are Colors
The next section is on colors, which are very important to Cutting Edge. As linked back in the very beginning of this post, there is an entire essay devoted to the demonic colors used in the Harry Potter books, but we get just a taste of it here:
Rowling makes use of vivid colors in her story line. Some of these colors are consistent with the colors preferred by Satan and his followers in the Occult. Rowling's use of such vivid colors also enables her to paint the Fantasy Reality of Witchcraft as THE most exciting place to live. Wizard of Oz uses the same technique: when Dorothy is in her real world in Kansas, the color is black and white, but when she steps into her Fantasy Reality, the scene explodes in the most wonderful color.
Interesting interpretation. An alternative view is that Rowling needs to use more descriptors for things within the Wizarding World, because her readers won’t have the same frame of reference to draw from that they do with real-life objects and events in the Muggle World, and one can assume that these lovely descriptions are part of her being a, y’know, good and evocative writer, and the colors are just related to how she pictured the world she was creating.
But I mean, yours is good, too.
Actually, the citations provided by Cutting Edge don’t depict anything especially vivid; it’s not like she’s throwing massive amounts of purple prose at the descriptions of the Satanic green of Harry’s eyes. In fact, the only enhancer used is “emerald” at one point. For the most part, this essayist is just . . . noticing when the word “green” appears in the text and calling it a siren song to entice good Christian children out of the colorless world of reality and goodness and into the technicolor dreamland of magic and mayhem.
Also, please remember that Satan has a favorite color, and it’s green. For all birthdays and Christmases (or wait, whatever the Satanic version of Christmas is! Halloween?), please make sure all gifts are green or green-adjacent.
Even though Harry is nearly as powerful as a Black Magick practitioner, and could easily have decided to go over to that side, he declines to go over to the Dark Arts. Dumbledore assures Harry that he is not evil as Lord Voldemort. However, as a symbol of the Black Arts he could perform, Rowling makes Harry's eyes green.
This observation -- and I use the term loosely -- implies that every single Slytherin and villain of the Harry Potter series would have green eyes, to demonstrate their capacity for evil. The fact that this is obviously not the case must just be a red herring.
Part . . . 4, I think?: Drugs, Magic, and Magic Drugs
Harry and his friends learn how to makedrugs, and the glory of taking them.
The fact that they don’t actually take any in this book is entirely irrelevant. (”Drugs” should also be red as well as bolded. It’s very serious business.)
The plant, wormwood, contains thujone, an hypnotic drug, banned by the FDA since 1915 [Christian News, "Latest Potter Book Meets Cautionary Response From Christians, July 17, 2000] ; further, wormwood is used to make Absinthe, a hallucinogenic liquor. Therefore, the drug to which Rowling makes reference is very real, and is so dangerous the FDA has banned it -- to this day, it is banned!
While thujone was illegal at the time of this essay in the United States, it was actually never banned in the UK . . . you know, where these books take place and were written? I don’t think Rowling gives a solitary fuck about our FDA standards. Also, I don’t know if you could just straight-up buy wormwood on whatever the equivalent of Amazon was in 1998 (was it just Amazon?), but you sure can now. Can’t be all that scary.
You can hardly get a better description of drug use, and drug glorification than this!
I wonder why they keep using red to emphasize all these evil things . . . you’d think they’d go with Satan’s favorite color/the sign that Harry is the Antichrist to really jazz up all of the evil.
"The drug message in this book is clear. To reach your goals in life like Harry Potter, you need to know how to make drugs and take drugs in just the right way or else you are a 'dunderhead' and will never succeed." [http://www.fflibraries.org/Book_Reports/HarryPotter ; written by a physician and father who asked to remain anonymous].
The fact that this URL doesn’t lead me to that review is one of the saddest things I’ve faced all month.
The sections on spellcasting are far less interesting, reiterating a pretty simple refrain: all magic is bad, because the books say some magic is good then the books are bad, it’s all teaching children about Satanism. Rinse and repeat.
During final exams, teachers passed out special quills with which to write; these quills had been "bewitched with an Anti-Cheating spell". The reason none of the teachers felt they could trust the honor of the students to not cheat is obvious enough; in Witchcraft, no Absolute Good and Evil exists. All objective, eternal standards of conduct and morality have been rejected. Therefore, teachers knew full well that all the students would cheat on their final exams if they thought they could get away with it. It is a sad commentary that teachers had to place an Anti-Cheating spell on the quills to prevent exams cheating. Christian parent, is this the "morality" you want your students to learn?
Now, it might just be my obvious Satanist addiction to witchcraft talking, but doesn’t it seem more likely that there’s an anti-cheating spell because sometimes . . . children cheat? And no amount of Good Wholesome Christian Teaching is going to completely eradicate the desire to cheat on a test, because of course it isn’t.
It’s not because the school has taught the students that cheating is okay and cool and sexy or whatever -- in fact, if you want evidence that there is an absolute moral standard against cheating, it would be that the teachers are actively taking steps to prevent it! If witchcraft really was all about how there’s no such thing as good and evil . . . well, for one thing they wouldn’t teach Defense against the motherfucking Dark Arts, but they also wouldn’t care if their students cheated enough to provide anti-cheating quills, because they wouldn’t consider cheating a bad thing, because they wouldn’t consider anything a bad thing!
Also, I’m not sure what listing all of the spells in the book and what they do really says about Satanism, except that . . . spells exist, and are used? Which I feel like you should really expect from the book about magic and wizards; if that’s an alarming surprise, then you’ve made a wrong turn somewhere way earlier down the road.
Part whatever: Seriously, Rowling is just ALL ABOUT Satan
This entire section is basically about how JKR must be a Satanist, because she apparently depicts the world of magic and the occult with perfect accuracy, and how could she do that except through being an active practicing witch herself?
Mirrors are believed to be a portal to another dimension, including Time. Occultists believe they can go forward or backward in Time with a mirror being one of the Dimensional Portals. Harry encounters a mirror, "magnificent ... as high as the ceiling, with an ornate gold frame, standing on two clawed feet ... Harry stepped in front of it. He had to clasp his hand to his mouth to stop himself from screaming ... for he had seen, not only himself in the mirror but a whole crowd of people standing right behind him ... 'Mom?', he whispered. 'Dad?' They just looked at him, smiling ... Harry was looking at his family, for the first time in his life." [p. 208-9]
Intriguing theory, except of course for the fact that the mirror isn’t a portal to jack shit; unless you count the weird trick where he can get the stone (and only the stone) through wishes or whatever the fuck these idiots do, and all it does is show someone what they want. It’s not actually reaching into the past to find Harry’s parents or whatever, just like it’s not actually reaching into a parallel dimension future where Ron is the king of everything. It’s just . . . idk, reading their subconscious and throwing up a neat visual or something. With magic. It’s complex, but it’s definitely not what Cutting Edge says it is.
Not pictured: a portal to another physical, metaphysical or temporal dimension. It’s literally . . . just a mirror, but a mirror that reflects your insides instead of your outsides. It’s clever or something.
Do you realize Rowling has just made the creator of the Sorcerer's Stone 666 years old? Do you realize what this means? Since the number, '666', is a symbol of Antichrist and his Mark of the Beast [Revelation 13:18] and since Rowling ties this number to the Elixir of Life, Harry Potter is teaching children that the way to achieve eternal life [Elixir of Life] is to obey the Antichrist and take his Mark of the Beast!
Fucking. Yes. I don’t even have witty commentary for this, I’m just delighted by every word in that section. I’m smiling so much.
This is a gift and we’re reading it for free!
Wonderful! We have the forbidden practice of drinking blood in this Potter book, forbidden in Scripture [Genesis 9:4-5] but practiced regularly in Satanism. I wonder if Chuck Colson, Focus On The Family, and Christianity Today ever told their Christian followers about this? Have they even read this book, before they issued their acceptance of Potter?
Don’t you dare try to employ sarcasm. People who believe in the Illuminati and New World Order are not allowed to be sarcastic -- even if the thought of this faceless stranger typing that little clever “Wonderful!” and smirking to themselves about how witty they are is a very, very good mental image.
Also, what the fuck did unicorns do to deserve being associated with the Antichrist? I mean, I get the color green; it’s the color of nature and the outdoors, and that shit fucking sucks. (Fuck you, trees!) But unicorns?
Unicorns have never done anything to anyone, ever. Unicorns couldn’t be Satanists if they tried.
This means evil Lord Voldemort -- whose killing curse upon Harry, his Mom, and his Dad had rebounded against him when Harry did not die -- is near death, and is seeking to drink the Unicorn's blood to stay alive long enough to finally achieve eternal life through drinking the '666' Elixir of Life.
Yes, that is -- sort of -- the plot of this book.
This is the specific New Age doctrine being taught here: people will have to draw their temporary spiritual life from The Christ until the time comes when their individual consciousness will have been raised so much they will achieve their personal godhood, and live forever!
This concept is genuine New Age, is consistent with prophecy, and Rowling depicts it very well!
Christian parents, do you want your child to be taught this New Age doctrine? Can you see Harry Potter playing the Pied Piper and leading your children straight to the Mark of the Beast?
Pied Piper count: 1 (that’s not a lot so far, but it’s used in like every essay. It’ll come back)
I don’t know how to tackle this, because I’m not sure Cutting Edge really understands that Voldemort is the bad guy in these books. Children aren’t going to read this book and then go, “Cool! I’m gonna go stab a unicorn and drink its essence because my favorite role model You-Know-Who told me to!��
The unicorn blood thing is unilaterally portrayed as a pretty bad move. Voldemort’s goals in general are pretty obviously not great ideas. I know Cutting Edge doesn’t have the benefit of hindsight here, but Voldemort’s quest for immortality and how bad and wrong and fucked-up that is, is kind of one of the major through-lines of the entire story. It could be argued that it’s not Voldy’s desire to live forever that’s wrong so much as his whole, like, genocide thing, which is legit . . . except that all the methods to attain immortality involve killing someone, or stealing something, or otherwise being Not a Good Dude.
Voldemort is Not a Good Dude, and I don’t know how to communicate that any clearer than the books written for third graders already did.
Part 6: I don’t really know, I just wanted a chance to break this endless essay up and this seemed like a good place to do it. So let’s talk about spells some more
Many spells require both the taking of drugs and demonic possession, so it is a matter of gravest importance that Harry is actually going to learn to cast spells. When Chuck Colson dismisses the casting of spells as innocent and of no real importance, did he know this fact?
I seem to have missed the part where Harry goes off his ass on LSD and gets possessed by B’aal. Was that in the Silmarillion?
whenever a witch changes the physical characteristics of something, he or she is practicing very high-level witchcraft, has a high level of demonic possession, and has had to carry out human sacrifice themselves or have someone else do it for them.
“It’s fiction” is often a bullshit excuse to justify bad framing, but I feel like it applies here, because maybe in the “real” world spellcasting requires you to trip balls and summon demons, but it’s extremely obvious that it doesn’t work like that in Harry Potter! You can’t just say that’s what the books are teaching when the books aren’t actually teaching anything even close to that!
(I’m starting to feel like my emphasis italics are having a similar effect to Cutting Edge’s red bolded letters. Fuck if I’m gonna stop using them, though.)
If Harry and his pals were wearing goat heads and putting virgins into a giant blender or something I think you might have an argument here, but when the people reading your essay have eyes and can see that the things you’re describing aren’t anywhere in the books, you’re just lying. And it’s very obvious, and I still love you, Cutting Edge, but you’re being disingenuous and it’s starting to kill my joy-boner to constantly have to point out the ways you’re misunderstanding a children’s book, especially when I think you’re kinda doing it on purpose. So how about you chill just a little bit and we’ll all read some Harry Potter together.
Magical Drafts and Potions , by Arsenius Jigger. Some of the potions are very real, very deadly.
Wait, did Rowling publish this one, too? How do you know what’s in the book? Does the book list some real potions and how to make them, or is this another thing that’s only available in the Cutting Edge’s copy of the books?
Students were told they could also "bring an owl OR a cat OR a toad." [p. 67] These three creatures are important to an occultists. Satanists have always revered the cat because of its reputed "nine lives", which is a symbol of reincarnation. Cats are also symbols of a witch's familiar spirit.
They have revered the frog because his prominent bulging eyes represent the All-seeing nature of Lucifer. Frogs are also consistently used in many of the potions witches concoct. They revere owls as a symbol of occult wisdom and omniscience -- again because of their eyes.
So fuck cats, I guess. They’re being pretty unfair to owls and frogs too -- especially insulting their poor eyes. They can’t help it! -- but I’m a crazy cat lady and I’m not feeling this slander.
Actually . . . my cat looks pretty high right now. Maybe she is channeling Satan.
Okay, never mind. Fuck all these animals. They’re all evil. This article is entirely right, and I renounce all of my previous statements.
McGonagall has obviously mastered her Craft because she was the tabby cat seen by Uncle Vernon reading a map, back in chapter one. Remember that any time a witch or wizard practices transfiguration, they need expert spell-casting, and demonic possession. I bet no one ever told you that little fact, did they?
No, they didn’t, because it’s not even remotely relevant to the fictional book written for children.
Like, I’m trying very hard to not question anyone’s religious beliefs, so if you believe in the occult and magic and all that then more power to you, and maybe it’s totally valid to think that real-life magic spells requires demonic possession. That doesn’t make it true in the books, though! Stop making shit up!
Potions Class -- taught in one of the dungeons [p. 136] How disgusting must the atmosphere for this class, and others, taught in a dungeon, which was built to torture people to death?
If only the classroom, teacher, and overall environment for the Potions classes was meant to be as viscerally unpleasant as possible. Then putting them in the dungeons would be a really good idea, to reflect the Slytherins’ backwards beliefs and the misery of their intolerance.
Like, JKR isn’t this subtle. When you name one of your antagonists “Bad Dragon,” you’re not aiming for this subconscious-symbolism bullshit.
Part 7: Did you think this book had a good moral? Fuck you!
The fundamental occult/Communist philosophy
Well, I guess we’re talking about Communism now! Because if there’s anything Harry Potter is interested in above all else, it’s Communism.
My favorite things about these essays is how they will pull in other social ills -- abortion, public schools, communism -- and slap them into their argument regardless of if it makes any semblance of sense.
Anyway, Cutting Edge actually has a legitimate argument here, although they take it about 50 steps too far:
the "Ends Justify The Means" permeates this entire book. To achieve a goal deemed good, Harry and his friends consistently break rules, steal, and use Witchcraft against others.
It is true that Harry and his friends break the rules, lie, and otherwise do “bad” things in the service of an ultimate good, and that they suffer relatively few consequences for it. This is a legitimate point, and actual people who know things agree.
I’ve been struck speechless by this article before, but this is the first time it’s because I think they might have an actual point.
Hermione was very mildly punished [for her lie to the professors about why they were fighting the troll], but her lie cemented a friendship with Ron and Harry, leading a child to conclude that her lie served an excellent purpose, and could not be considered 'wrong'.
I mean . . . yeah? I don’t think it’s entirely reasonable to assume that children will take that lesson away, but I read it as a child and I certainly didn’t think Hermione was wrong to lie -- nor do I now, which I suppose proves just how powerful the Satanic conditioning was.
Professor Quirrell told Harry, "There is no good or evil, there is only power, and those too weak to seek it ." [p. 291] This is standard Witchcraft, and standard Illuminist doctrine. This doctrine is the guiding light to those Illuminists who are driving the world into the Kingdom of Antichrist. This doctrine is very seductive to those immature children trying to grow up in our current culture; since a child's inherent nature is evil, he will find such philosophy more appealing than the Gospel of Jesus Christ. Christian parents, beware!
Oh thank God Satan, we’re back to the bullshit. I was getting seriously weirded out by the idea that they had good points buried in here somewhere, but now we’re just faced with the argument that the bad guy says . . . bad things . . . and is defeated because his bad ideas are obviously bad and wrong . . . and this proves that the book is teaching children to believe the bad things?
No one reads these books and wants to be the bad guys, Cutting Edge. Kids aren’t buying Harry Potter wands and robes to pretend that they’re Quirrell, trying to keep people from finding out they have a Dark Lord on the back of their head. (Though now that I’ve mentioned it, that sounds like a very fun game.)
Depicting bad things in a way that makes it clear -- to children, I must reiterate -- that they’re bad isn’t the same thing as romanticizing or promoting those bad things. This is basic stuff, CE.
Revenge Motive : "Hagrid almost had to drag Harry away from Curses and Countercurses (Bewitch Your Friends and Befuddle Your Enemies with the Latest Revenges: Hair Loss, Jelly-Legs, Tongue-Tying, and Much, Much More , by Vindictus Viridian." [p. 80] Throughout these books, seeking revenge and attacking your enemies is high on the priority list of Harry, his friends, and other students. Do you want your children to adopt this most Satanic attitude? Notice the first name of the author of this revenge book, above, is named "Vindictus, i.e., Vindictive".
Students are taught to depend upon Witchcraft for every part of their lives . All food is conjured up rather than prepared, all the dishes are conjured clean, and even the hospital depends upon Witchcraft to get students well [p. 156]. Neville Longbottom, one of the more clumsy students, received a crystal ball from his grandmother called a Remembrall . The ball glows scarlet if you have forgotten something you should have done. [p. 145]
That’s . . . fuck, that’s actually kind of another good point. Stop kinda making sense, goddamn it!
A lot of the criticism is just that the things wizards do are cool, which will make kids want to become witches/wizards in order to do those cool things, too. And to be fair, the stuff Harry et. al. does are cool, and I did want to be a witch when I grew up. Fortunately, I was in third grade, and so my options for witchcraft were relatively limited; by the time I was old enough to pursue the endeavor properly, I was also old enough to know that it was actually nothing like Harry Potter. If magic actually was anything like those books make it seem, we’d have a lot more witches running around, zapping shit.
Possible reference to homosexuality . When I was first researching Harry Potter, I examined several pro-Potter websites. The author of one of the articles said that one of the probable developments she felt would occur in the latter books was the advent of homosexuality in the story theme. She said such activity was only hinted at in the first books.
Oh dear god, Cutting Edge found the shippers. I wouldn’t wish that on my worst enemy.
(I wonder if this means they’ve also read the Draco Trilogy.)
I do have to take issue with one last point in this bit about morals, where they talk about how scarring it might be to a child to see Voldemort possessing the back of Quirrell’s head:
Rowling could not have created a better description of demonic possession by a dark and powerful demon! Christian parent, is this the type of thing you want your child to bring into their minds?
Thing is, I’ve been in a lot of Christian circles for most of my life, and this sounds exactly like the kind of dark, traumatizing thing many religious parents would be happy to put into their children’s minds.
Part Almost Done: Definitely Intentional Satanic Symbols, Really
Hey, did you know the number 11 was occultist? I didn’t, and when I Googled it, 4 of the front-page results were Christian or conspiracy groups making this claim, 2 were unclear, and 3 actually seemed to indicate some level of belief in the power of the number 11. Though I might’ve stacked the deck with the word “occult”; when I changed my search term to “magic,” I found almost exclusively positive articles about the symbolic power of the number 11, so . . . Cutting Edge isn’t necessarily wrong.
But boy, did you know how many times the number 11 shows up in Sorcerer's Stone? Not very much, but if we stretch our credibility a little bit, we might see something spooky!
Harry was eleven (11) when he was admitted to Hogwarts School of Witchcraft and Wizardry. The number eleven is considered sacred to the occultist, as it is the first primary number. Occultists will also add up numbers to get an occult number that is sacred; thus, I was highly interested when the bank vault maintained for Harry by his Mom and Dad before their death was numbered '713' [p. 73]. When you add '7 + 1 + 3 = 11'. Then, we learn that, in the money of the Fantasy Reality, "twenty-nine Knuts to a Sickle". When you add 2 + 9 = 11.
When Harry found the wand that was meant for him, it turned out to be 11 inches long! [p. 84]
The Hogwarts Express Train left at 11 o'clock from Platform Nine and Three-Quarters. [p. 91]
Oh man, that’s some convincing evidence. Evidence of what, I have no idea, but it uses math and I’m sure it’s very alarming!
" Sorcerer's Stone " is also called the "Philosopher's Stone", and is very, very Satanic! Rosicrucianism teaches that an Initiate will pass through five stages to become the highest Adept possible, to be most proficient in exercising the power of Satanism. They call this process the "Five Stages In The Transmutation of the Soul". The final stage is depicted by the Phoenix Bird; the Adept is then said to have achieved the "Sorcerer's Stone". Thus, the fact that the term, "Sorcerer's Stone" is in the title of this book suggests that the ultimate goal of all students at Hogwarts is to achieve the Sorcerer's Stone.
Wow, that sure is an interesting interpretation of the rock that shows up in the book for like 6 pages and then is immediately destroyed! Alternate theory, if you’re open to it: It’s a rock, named the Philosopher’s Stone because the Philosopher’s Stone is historically the name of a rock, called the philosopher's stone, and it's literally just a rock and doesn't mean anything Satanist because it's a fucking ROCK.
(Pictured: A rock)
There’s a really odd part right after the long discussion about how alchemy and unicorns and whatnot are Satanic Illuminati symbols, where CE just takes a moment to explain the game of Quidditch. No commentary beyond a sassy little “[Even the Quidditch balls are 'enchanted'].” Just . . . sort of letting you know how the game is played.
To be fair, this is quite a valuable service, since I don’t think anyone actually understands how Quidditch works, but I’m not sure what it’s doing sandwiched between two declarations of Harry Potter’s obvious evil.
PART THE LAST THANK GOD: WHO THE FUCK NEEDS A SUBTITLE IT’S ALMOST OVER
The first few paragraphs are standard boilerplate conclusion stuff, reiterating the rest of the story, continued misunderstanding that bad things are done by the bad guys, no there really are drugs and Illuminati propaganda in here I promise, yadda yadda. Nothing noteworthy except for the fact that I found this sentence absolutely hilarious:
But, most horribly, we see depictions of Satanism that are truly End of the Age. We see the symbol of Antichrist, the Unicorn.
And so I leave you with this one final thought, because it’s all I can fit into the saggy mush that was once my brain:
From Genesis through Revelation, God demands His people separate themselves from the evil around them! SEPARATE! SEPARATE! SEPARATE!
S E P A R A T E
#harry potter#hp#rowling#jkr#this doesn't really count as fandom history does it?#i did discover this amazing site through f_w#tagging this as Christianity would be mean i think#but i'm ignoring the wank mostly and sticking to the FACTS#'facts' like 'harry potter's eyes are the color of satan'#WAKE UP SHEEPLE#this is the world's longest post and i'm not sure it's interesting to anyone except me#i got very tired at the end of this can you tell#i refuse to even consider editing this#you will take my thoughts as i have them#if the 'read more' doesn't show up IT IS NOT MY FAULT I FUCKING PUT IT THERE I SWEAR IT#quotes aren't showing up on mobile#can't do red text or fun fonts on desktop#this post is a goddamn disaster and it's what both i and this essay deserve
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