#i am insane oh my fuck

[johnwicklover1999]

i am so sick of expressing my lamentations as a mixed person to my white mother! like girl no matter what you say you cannot understand, you do not understand! and yet i cannot turn to my father because he is not plagued by these things! these kinds of things, these sentiments of heritage, lineage, ancestry, culture, they are irrelevant to him! last i remember him hearing any expression of mine about racial impostor syndrome all he had to say was along the lines of 'you ARE black, though. you can't change that, it's in your blood', father trust me, i know that! i have known that and acknowledged that my whole life! unfortunately, this is not about fact alone, but about the ways emotional and societal values, perceptions, and functions impact the acceptance/acknowledgment/relevance/value of fact! fuck!!!

[goosesartblog]

“close your eyes, evbo” or whatever she said

[sparrowchute]

chat how are we feeling

[gingerswagfreckles]

Probably the only thing giving me any hope at this point is that every few days some random gentile posts in the Jewish subreddit something along the lines of "I think I'm going insane am I going insane what's going on why is every single comment on my social media feed straight up Nazism why does nothing get taken down when I report it why is my niece simping for a terrorist organization what's happening are you guys seeing this shit." And the answer is always yes ofc we have been seeing this shit for a while. But it's always nice to get some confirmation that someone else is seeing it too.

[fairy-bard]

i’ve been loving watching critical role recently if for no other reason than because i get to watch a decent portion of viewers actively falling for cult tactics lmao

a forbes article describes cult tactics as when cult leaders “censor dissenting viewpoints, promote a distorted narrative and use relentless repetition and peer pressure”

ludinus needing to monologue at everyone he meets. cherry picking what information to let people know (ie the orb). showing popular world leaders (gods?) at their absolute worst as a means to win over the vulnerable. creating dissent between cult prospects and the people who they’re close to outside the cult. doesn’t take no for an answer. repeating his points over and over, in whatever context he thinks will be most persuasive. targeting people who’ve lost everything. convincing people that they’re special

matt is a genius.

[soulanine]

felt like this would make you go insane but

"love is a gentle thing

yours is thicker than a velvet ring"

i always pictured the velvet ring being a baby's tiny hand wrapped around a finger. baby skin thats soft as velvet as a living, breathing example of love. a velvet ring.

also its asl bros with baby luffy. even tho the love between them wasnt "gentle" at all when they were kids lmao

hey. hey now. who allowed you to be so lovely

[nebuladreamz]

A little different than last year's, but here we are again. To say that this past year hasn't been absolutely wild would be a lie, cause HOLY SHIT MAN

This year's birthday is. A little different for me, but you already have the silly comic to show that so I won't make like a broken record oops

But, despite the changes and hills that life's decided I should climb or throw at, it hasn't changed the fact that I'm so genuinely fucking thankful to the people that I've known since joining this fandom. I'm not even kidding when I say that being here has actually changed my life for the better. I know I said something similar last year, but this time, hoo boy it sure turned up the AMP and test how far I could go.

So, to everyone, both new and old; thank you for being here :D

@garbagechocolate @darkxsoulzyx @smoljeanius @bunmuffin @skizabaa

@tuzesdays @sleepykas @fernzwing @kandidandi @starsketchez

@just-a-drawing-bean @notdysfunk @ilsole @amberluvsbugs @cloudyvoid

@nomsthecat @alfinefalf @nosleepygay @theblog-with-thestuff

@cacaocheri

(Edit: ty kibbits for informing me of the. Fuck ass tagging system)

AND TAGGING OTHERS BECAUSE. POINTS. BONKS WITH HEAD. GETTING TO EITHER INTERACT OR TALK OR WHATEVER IS ALWAYS A DELIGHT

@ohno-the-sun @kibbits @ink-yy @saltyfryz @kaprisvn

@hierba-picante @sunny-sophies-garden @cookiiemancer @sneeblbop @justaduckarts

@pepethehumanz @crystalmagpie447 @woolysstuff @mocha-illustrates @duhsty1

@sanchensky @pillowspace @victarin @witherfide

[I DEFINITELY GOT SONAS WRONG AND THESE AREN'T ALL THE SILLY PEOPLE I KNOW BUT IM SITTING HERE AT 2:30 IN THE MORNING JUST KNOW YOU'RE THERE IN SPIRIT HANDING YOU ALL POPTARTS WAUGH]

[waterfallofspace]

the word 'hayfever' is currently driving me feral.

someone pausing, their eyes glossing over, mouth falling open, nose twitching, they spin away and sneeze- vocal and desperate, before turning back with an exasperated exhale, sniffling pathetically, and offering "hayfever" as an explanation, apology, and warning of what's still to come

[otome-dissection]

Idk man I just think that mizu/ena5 and its progression was really beautiful actually. I just think that the release of the ena5 song was also really beautiful and kind of the nail in the coffin for me and I haven't been able to get the event(s) out of my head all week and that I kind of want to talk about it, actually.

It's about being hurt so deeply and continuously that any kindness that could be offered to you manages to feel like a sin, that it makes you crumble and shatter but for all the wrong reasons, not because of the newfound safety, not out of relief, but something worse and more deeply ingrained in you than kindness ever was. It's about carefully measuring the distance at which you keep others away from yourself, to ensure that it never happens again ("To save yourself the trouble", if that makes it easier).

It's about realizing that the people you've been spending all this time with are drifting closer, that they just might bump up against the unsightly parts of yourself that you've tried to keep locked away, it's about turning around and sprinting at full speed and slamming the door shut and holding onto the handle behind you to stop it from turning, because you're as frightened of the possibility of another wound being inflicted on you as you are of the possibility that kinder, gentler hands will reach out and smooth over the exposed scar. It's about hating eyes that judge and silently condemn you as much as you hate eyes that simply see you and take all of you in without scrutiny, because no matter what they're looking and they're looking at you and they know that your hand's on that door handle and they know that you're hiding something because, as much as you try to keep it shut, they've seen through the crack that you foolishly left open.

(The prominence of eyes in Bake no Hana, specifically eyes looking and searching, and finally landing on you, the viewer, Mizuki, is so fucking. Visceral in my opinion. Every character in the MV stares at the viewer in a deadpan, almost judging way. Even though Mizuki knows deep down that niigo won't really hate them, won't judge them, she just can't stand their kindness either; any gaze directed at her is a loss, another prick in their skin. It screams "don't look at me" while making sure that you know, with horrific certainty, that they're looking for you, that you're being watched. You can't go outside, can't leave your room, because they're searching for you, and while that should be reassuring, to you it's anything but).

It's about not wanting to be dissected, whether it's with hands that want to pull your organs apart or stitch them back together because no matter what they're there, and they're getting frighteningly close to your heart. It's about blinding yourself and covering your eyes to it all because seeing means exposure and exposure means they're taking something from you and you can't do anything about it, much less take it all back, much less have a say in the matter. Everyone's just taking and taking and taking and you wish you could just be alone. You wish everyone would just disappear and you could live in a world all to yourself, for only yourself (but is that really what you want?).

It's about the way that, near the beginning of the Yoka ni Mitoreta MV, Mizuki and her loneliness is represented as a dark, splotchy stain in the shadows. No colors, no patterns, no way to clean it or wash it all away, just raw ugliness marring a blank canvas. It's about the way that Ena reaches out to it anyway, the way she startles when the glass shatters just when she finally starts reaching forward, the way that the rest of the MV/song represents her searching for and reaching only further out to Mizuki, even if the broken shards of glass will only cut her fingers, potentially leaving scars.

It's about how, in every way, subtly, directly, consciously, and subconsciously, Ena shows that she fucking cares.

It's about the way that Ena lets Mizuki have autonomy, despite the situation being so horribly out of their control. And it's such a delicate thing: If she really wants to, Mizuki can take the opportunity to just run away, keep running forever, repeat the cycle over and over, and maybe she'll just destroy herself with it again, but it can't be denied that it's something important to them, something she can't quite live without just yet, their means of survival. Mizuki's autonomy is their identity, it's her tailoring her own clothes and choosing her own ribbons and styling her own hair the way she does. Ena letting them have that is as much about trust as it is about understanding that Mizuki of all people should have this right, when control was something stripped from her throughout so much of her life. She couldn't control how she was born, how people look at her or why, can't control what they think of her; lacking control has only left Mizuki vulnerable to the cruelties of others, has only caused them to suffer, which is why it's so important that it's given to them now.

She had the control to make the choice to see niigo's welcoming love and run away instead of staying, and she has the control to make the choice now whether she wants to keep things the way they are or take a step forward to be at their side again. She has every right to have it, and I think the fact that Ena realizes and respects that, even if it's subconsciously, is really beautiful (there is an entire fucking Verse about this in the new song and just. God Look at this. It's so caring, unconditional, and for fucking What. I think there is something to be said about how much Ena is willing to put aside for Mizuki, and maybe deep down it isn't healthy, but for now I'm just kind of in awe)

It's about how insanely patient Ena has been this whole time. Mizuki says that she basically lied to Ena's face about telling her their secret, even after Ena said with such conviction that she would wait for Mizuki as long as it takes, and Ena is just kept waiting and waiting and worrying like this seemingly indefinitely. It's about how Mizuki danced around it, avoided it, kept the distance, straight up ran when she was finally pushed, but Ena still chased anyway when she saw that she couldn't wait anymore, kept chasing just enough to intervene and get a straight answer out of Mizuki when she really needed to, but still leaving her enough space to leave if that was truly what she wanted. It's about how relieved Ena is the moment that Mizuki finally says outright how much they want to be with her and niigo, how much she wants to try, how much more light Ena's voice sounds when she grabs her hand, relieved, the way that the relief she feels can be felt through the music, throughout the entirety of Yoka ni Mitoreta, the way that warm colors always follow her when she chases after Mizuki, just to hold onto her and stop her from running away completely.

It's about how that careful combination of Ena's directness, Ena's persistence, Ena's warmth, her patience, her bluntness about her feelings, the way she chases and holds on but not too tight and her regard for how unsafe and exposed Mizuki feels actually works and breaks it all down. It's about how she really did reach through to Mizuki, despite the thorns and broken glass shards and nearly-unfulfilled promises, the way that Mizuki did finally let her turn the door handle and step through to see what she'd been hiding all this time, the way that Mizuki's hand, limp, when Ena first grabs onto it, shifts to hold hers back as they cry in the face of Ena's gentleness.

Despite how harsh Mizu/Ena5, and even Ena herself as a character can be (or at least was in the very beginning of pjsk), everything is somehow gentle and warm in the end, blindingly so. And you know what, I think that's beautiful. And what's even more beautiful than that is how Mizuki allows themself to crumble and shatter under that kindness, that warm light, but this time, finally, out of relief.

On a final note, I just want to say that I also appreciate how all that didn't have to solve everything. The scars haven't disappeared, haven't gone away, and Mizuki knows that their desire to run hasn't gone away forever, and maybe it never truly will. But for now they've calmed it, at least a little. She's learning to allow herself to be seen, learning that when someone's fingertips brush over their scars the way Ena's did that it's only out of care, and that maybe taking in that care and allowing herself to feel kindness and safety is okay. They're safe, for now, somehow. They're learning. They're trying. And I think that's cool :)

[librarydilf]

This is Alec's canon response and also one of my favorite Solas moments in the game. I LOVE the reactions you get from him when you come at him with the more upfront, furious options in act 3. Rook completely has the read on him here and Solas has lost the leverage he's been using to manipulate them. WHAT A MOMENT WHAT A SITUATION.

[mamawasatesttube]

"oOoOohhh kon is just sooooo sad about tim/ber for forever and he's pining but he's trying soooOOoo hard to be happy for his best friend and it's just sOoOooo tragic and bittersweet that tim/kon never worked out and he's sooo sad for life--" im actually going to start beating you people over the head with a brick made out of all 100 issues of superboy (1994) until you start to comprehend that kon is a character on his own whose life does not revolve around tim. jesus fucking christ

[hella1975]

getting a diagnosis for smthn is actually so crazy. 22 years old and looking back at my whole life like OHHHHHH. I GET IT NOW

[starleska]

wake up babes horrifying new Allied Mastercomputer design just dropped 💀

[oh-snapperss]

creature comfort

“We won’t win today,” Cleo says, and Etho knows she’s right. Knows their time has been running out since the first secret was whispered to them in voices all too familiar, has known that this day was coming, has known that all this time, it’s not been a question of if–it’s been a question of when. 

They’re going to die today. Distantly, Etho wonders if the domesticity they’ve worked for will die with them, or if it will follow them back home. 

Will his home ever be a physical place again? Home is where the hearth is, where the warmth is, where the world is shut out and it’s just the three of them. 

Home is where Cleo is. 

“That’s alright,” Etho smiles instead of voicing all of that, wishing, of all things, that he didn’t still have that awful cough that Cleo had insisted he rest over for a few days. “We’ll be alright.” 

They’ll be dead–and what are the dead, if not alright? The dead don’t have coughs, or pain, or fear. They’re just dead. Etho thinks he might not mind it so much, this time. He’s finally learned to spend his time wisely, and he’s built a home no flaming arrow could ever take down. 

Just by the cow pen, there’s a stupid little porch Etho had built a while back. They’re nowhere near it now, but every night he and Cleo had watched the sunset, drank a final cup of tea, and turned in to sleep over gossip and giggles only they could draw from each other this time ‘round. Before, Bdubs had made him laugh like that–now, Etho wonders how long before there’s a sword at his throat. 

Even so, while Cleo laughs and watches him set Scar’s porch on fire, Etho hopes he might have the privilege of watching the sunset from the porch one last time. He’d survive the day, if only for another sunset with Cleo. 

BANG. 

Tango’s gone–Etho knows it in his heart. Surely he should feel an ache for him, should ask how he went. Instead, it’s easy to accept it. 

The wardens are fun. That’s all they are, now. Before, they had been terrors, then the answer to a desperate prayer he and Grian had made. The carnage of those terrifying beasts feel muted compared to before, but with the wind flying through his hair, the elated cries of Cleo in front of him, Etho can’t care. Not this time. They lead two clear to the middle of the server before they’ve decided to finish having their fun, and Cleo’s just stepping up some rocks when she says it. 

“You’re my favorite, you know that? You’ve always been my favorite.” 

He does know, he does know now. He’d guessed it that first sunset, when Cleo sat down with a giddy smile to recount their day. He’d thought it, when she’d wrapped a blanket around his shoulders after his failures and rested her head on his shoulder without a word. He’d lived it, when she had shouted that she would kill him if he tried to kill her–but was reassured otherwise that night on the porch again, with the curse ebbing from his bones. 

Today, he knows it in the blatant rebellion against what’s supposed to be the end, the dread, the fear. 

“You’re mine too.” Etho grins back, and knows that they’ll see his smile even through the mask–knows they’ve come to recognize it in his tone and way his eyebrows scrunch together. . 

They wind up in the sky base with Grian–Grian, who hasn’t quite reached the same conclusion they have. Etho knows by the shadows under his eyes he won’t give up, that he’ll fight clear to the end. Once upon a season, Etho had been the same. 

Not this time. Never this time. 

Around ten minutes to sunset, Etho and Cleo set down their dripstone and bows, and sit on the edge of the cobblestone wall. 

“I don’t think we’re gonna make it back to our base for it this time,” Etho jokes, nudging his shoulder into Cleo’s. Cleo laughs, a carefree thing, and wrinkles her nose. 

“I don’t think we’re gonna make it back for it any time, if we’re being honest.” She leans back, one hand half behind her to support her weight. 

“I know,” Etho says. He brings his leg up to his chest, wrapping his arms around it. Behind them, cobblestone is placed–Grian, ever the survivor. “It was nice, though.” 

“It was nice!” Cleo beams. “Are you alright with this?”

“Yeah, I think so,” Etho hums. “‘s not so bad. Dying with a friend.” 

“It won’t be,” Cleo agrees. 

Because that’s just it, isn’t it? Etho’s never died like this–he’s died at the flames of an arrow shot while protecting his king, he’s died in fights after his allies were killed. Hell, he’s died hand in hand with a soulmate hellbent on killing him now–but he’d been in a frenzy then, a rage-induced thing meant to burn up the place that had never been a true home to them. 

He thinks he won’t mind dying with someone. 

The sun sets in brilliant hues of orange and pink, and they sit together, this final tradition not lost in the face of inevitability. Just as the first star twinkles, Grian comes over, hoisting them back to their feet. 

“They’re coming,” he says. 

It’s time. 

They shoot a few arrows, break some dripstone, all to no avail–but that’s alright, he’s got Cleo, and they’ve got him. 

But oh, the games are never kind, are they? Etho slips, his foot landing weird somehow–and he’s whistling through the air towards the ground at a speed too fast. It knocks the breath from his lungs when he lands–does he hit the clutch? Stars, he doesn’t actually know, because there’s arrows shot at him, shouts of glee from the hunters, and suddenly Etho’s not Etho, he’s just prey–and prey only know to do one thing. 

Run. 

Etho flies forward, dragging his sword out. There’s not many safe spaces left on the server–stars, Grian had even mentioned their base was but a crater in the hill. 

But the porch… the porch was intact. Supposedly. 

He enderpearls, and enderpearls again, and it’s still not enough. The screams behind him are closer, and closer, and then further–and oh, Etho knows it’s time. He’s dead, he’s gone, he’ll be but a wisp of the wind in a few minutes whether he likes it or not. 

And he won’t die by Cleo. 

Cleo, Cleo, Cleo. Oh, he’d not meant it to be like this. He’d meant to die with a smile, right by her side–just as they were meant to die by his. This wasn’t the plan, this wasn’t the plan. A sob claws its way up his throat, the beginnings of the blind panic he’d never meant to feel tonight. He’s going to die, alone, without the comfort of his Cleo. 

Home. He wants to go home. 

Home is in the air, a hundred blocks above him. He’ll never make it–but he can make it back to the porch, the one place of peace. Now, he can feel the twinge of something broken in his ankles, probably from the fall–and the cuts, the bruises, the blood scent thick in his nose. He’s so tired. 

He wants to die at home, he wants to die at home. 

“Oh, he sounds like a wounded animal… let’s put him out of his misery.” A voice said. Cold fear grips Etho’s heart, and he stumbles forward–the porch is in sight!

Let him die at home. Let him die at home. 

A shadow fills his vision, and Etho’s not even had time to lift his shield before blinding pain fills his stomach, and it’s over. 

He’s not allowed that creature comfort of dying at home. 

[numberonetacostan]

Standing between creator and creation

[annabelle--cane]

I love all of the london beholding domains because a) they're thematically rich and b) yeah that's what my paranoia demon tells me is going on at all times