#i always found it amazing how oda never let him Truly die but i also always assumed

[franeridan]

btw in marineford it's mentioned in passing that ace learnt how to weave straw hats in wano and I actually had to put down the manga for a sec there because !!!! tama........!!!!!!!!!!! ｡⁠:ﾟ⁠(⁠;⁠´⁠∩⁠`⁠;⁠)ﾟ⁠:⁠｡

[kaizokuou-ni-naru]

The Voyage So Far: Paramount War (Part Two)

east blue (1 | 2) || alabasta (1 | 2) || skypiea || water 7 || enies lobby || thriller bark || paramount war (1 | 2) || fishman island || punk hazard || dressrosa (1 | 2) || whole cake island || wano (1 | 2)

ace’s execution is, in a way, the exception that proves the rule when it comes to one piece’s themes of blood and family. ace is set up to die for the crimes of a father he never knew and never wanted, and he does die here, but in the end he dies for the family he did choose, in the form of luffy, rather than the one he didn’t. 

god do i wish we knew more about ms portgas d. rouge. with ace’s storyline pretty much wrapped it looks unlikely that we’re going to be learning more about her than what we got, which in my opinion is an absolute tragedy, because what little we do know about her is amazing and she’s an absolute badass. oda give us more female ds please.

whitebeard’s power is so cool. it might be one of the visually coolest devil fruits we’ve ever seen, in my opinion. he he causes earthquakes and tsunamis while far past his prime; he pulls the sky apart with his bare hands. this whole arc is world-shaking, and whitebeard’s power is perfectly appropriate for it. 

doflamingo’s speech on justice and rightness is one of the most well-remembered quotes from this whole saga, and rightly so. i’ve always found it fascinating, myself, because he’s right. he dead-on hits how the one piece world works- the world government and the marines rule the world not because of any inherent actual goodness or justice or right, but because they won a war a very long time ago. 

in a way, this reminds me of blackbeard’s line of “people’s dreams never die” from jaya. i like how oda isn’t afraid of letting his villains be right about the themes of the story, sometimes even having better awareness of them than the protagonists. 

man, if i had to pick a single favorite spread out of the whole manga, it might be luffy’s marineford entrance. it’s so epic, and so completely unexpected for everyone else there. absolutely nobody was expecting strawhat luffy to drop out of the sky with a posse including two former warlords. it just makes me grin!! so much!! 

it also gets followed up by a solid two pages of just people’s reactions, from smoker’s “what the HELL is he doing with CROCODILE” to moria’s immediate incoherent rage, and i just love that the world and cast of one piece is so well-established and built up that we know exactly how all of those people know luffy and why they react the way they do. 

going back to what i mentioned in the last post about marineford being luffy’s conflict of interest arc, i’d say it’s also the only time where he isn’t the future king first and foremost. in this arc, before anything else, he’s a little brother.

there are a lot of what-if moments in marineford. moments where you kind of have to ask “what if this specific thing hadn’t happened, had gone differently?” would things have turned out differently? squard’s betrayal is one of them. does this change the outcome? would whitebeard have been able to survive if not for this injury? there’s no way to know. marineford is a lot of little tragedies, and they just pile up and up.

marineford has just so many incredibly striking spreads. all of the momentous moments (and there’s a lot of them, in this arc) are done full justice. this is such an image heavy post just because marineford is such an incredibly visually strong arc. 

conqueror’s haki is so cool and i love the way it’s set up and built up throughout this saga, with luffy’s constant inadvertent uses of it, from duval’s bull to marigold and sandersonia to the wolves in impel down, all leading up to this moment. 

i’ve heard people complain about conqueror’s as kind of a deus ex machina, but i honestly love it, it’s very cool and honestly i think it just seems to fit luffy as a power. if there was ever gonna be a character who turned willpower into a weapon, it would be monkey d. luffy. 

i’m gonna take this chance to talk about garp, because this sequence of panels is heavily implied to be garp’s thoughts just before luffy punches him down, and it hurts. garp is a flawed person who makes some bad choices, and there’s no arguing that, but i think it’s very obvious he really, really cares about his grandsons, even if he never could understand them as people and that they never would have been happy as marines. and that’s just tragic, really. 

the moment ace gets freed and the brief span of time where he and luffy can fight together feel so triumphant, and i think it’s one of the reasons the final tragedy of marineford hits so hard and feels so cruel, because luffy succeeds, here. he saves ace. he gives absolutely everything he had and makes it, and saves ace. the ultimate failure isn’t his. there was nothing more he could have done. 

the first time i was reading one piece, i hit this page (which is also the last in the volume) and had to put the book away, take the bus downtown, wander around for a few hours, and buy myself some candy and some new books before i started feeling okay again.

the thing about ace’s death, i think, is that it’s a tragedy, but it also feels so completely essential to the story going forwards and luffy’s character growth specifically that it’s really, really hard to imagine one piece without it. there are a lot of (really excellent!) fix-fics out there for marineford, and although those are often really good and their authors super talented, i think it’s really hard for them to ever hit the same way canon does with regards to this. 

i always think of this scene specifically in contrast to zoro and mihawk’s fight, back on baratie. zoro and mihawk are both people who believe in honor in battle, true victory or death, and that’s reflected in their fight, in zoro’s refusal to turn and run even in the face of imminent death, and mihawk’s respect for that resolve. whitebeard, too, is an honorable man. he refuses to turn to run, even when facing certain death. 

the blackbeard pirates, however, are not. 

i do enjoy how, just like roger’s, ace’s execution backfires tremendously on the marines. this was entirely a predictable outcome, too! this exact thing happened twenty years ago! the marines don’t learn. they don’t change. they’re so assured of their own rightness and power that they make stupid mistakes like holding a massive public execution after the last one blew up in their faces. 

(this is why they need coby so badly, for the record, and why it’s important that he still decides to become a marine after witnessing their corruption firsthand in shells town. the marines are long overdue for a reformation, one that orients them towards real justice.)

i really, really enjoy crocodile in this saga. mostly because he hasn’t been redeemed at all, he’s still pretty much the exact same kinda awful person he was in alabasta, he’s just on luffy’s side this time, and it lets us see him in a better light, when he gets angry at whitebeard for nearly dying or when he helps luffy and jinbe escape to keep the marines from getting their way. few of one piece’s characters are truly so one-dimensional as they can seem, and i really appreciate that. 

i really really love all the interactions between luffy, ace and sabo as kids. they’re so fun and bounce off of each other so well. even though we only see them together for a brief time, they really feel like siblings. (which of course only makes later events hurt so much more.

i’ve always been a little fascinated by the fact that it takes us this long to get luffy’s full backstory. it’s almost a fakeout, because we get part of his backstory in the very first chapter, and we’re kind of led to believe that’s all there is. it’s not until ace’s introduction nearly two hundred chapters in that we’re given any indication there’s more.

but at the same time, it makes sense. marineford is luffy’s focus arc, as arlong park to nami or thriller bark to brook. he hasn’t had a focal arc that’s really about him before this, while all his other crewmates have. it makes sense that this would be when he finally gets his flashback. 

i think it’s cool that dragon and the revolutionaries show up at the grey terminal fire, because it’s one of the only looks we’ve gotten so far into what their actual regular operations are like. and, of course, they’re saving people. i really like this about the revolutionaries, that helping people in trouble is basically their modus operandi, when pretty much everyone else in one piece’s world mostly does saving on an incidental basis if at all. 

i think a lot about how the last line of sabo’s letter to ace is also both of their last words to the strawhats. 

death in one piece always feels much realer and more impactful to me than in most other series, and i think this is part of the reason why: in one piece, we are always shown the mourning. nami at bellemere’s grave, carrot grieving pedro, ace and whitebeard’s funeral. 

there are fewer deaths, comparatively, than most other series, but they’re given so much room to echo. we’re still feeling the impacts of ace’s life and death in the most recent chapters of wano. it ties into the theme of inherited will and all the way back to hiriluk’s final speech, of men not being dead so long as they’re remembered. 

the picture of luffy at marineford always kind of strikes me. he looks so young and so solemn, and yet much more himself than he did when we last saw him losing his mind on amazon lily. i really like it. 

sometimes i just think about the sheer depth of trust and love the strawhats must have in each other to separate for two years, far longer than they were ever together, to solely dedicate themselves to improving for the sake of crew and captain. none of them even hesitate, and none of them ever doubt that the crew will be reformed at the end of it.

after all, luffy keeps his promises. 

[datenoriko]

Wondering if I could request some reactionary Headcanons for the warlords where MC is a highly trained and skillful forensic scientist?

I’m so sorry this is waaaay overdue and writing-wise is still unsure of the style... I hope this one’s okay though~ TnT

p.s. I tried adding Kennyo & Motonari too, but brain won’t let me ><

p.s.s. Updated masterlist for my random shenanigans here!

*Every one of them thought MC would be scared of a dead body and multitudes of it on the battlefield and beyond it but...

ODA FORCES

Nobunaga

- “Huh, this fireball’s not afraid of the dead?” // “I examine them for a living.” Visibly impressed, a devilish smirk forms on his lips

- The Devil King is fascinated by you actively asking to take her to battles to study the bodies

- “Look at this! With that deep slice on his jugular vein, no wonder he’ll die pretty quickly due to all that blood loss.” // “On his what?” // “T-the blood vessel found on the neck, my lord.” // *is confused*

- Nobunaga considers this carefully and commissions the armour makers to improve their designs, and/or trade for more sturdy materials with the Portuguese (you know… aside trading for konpeito :3)

- Lets you examine more specimens to determine all possible deaths in battle, and then have it discussed at the next council. It’s a great help for them in terms of preparation & strategizing. After all, prevention and preparation is still much better!

Hideyoshi

- A worried mother hen as always, all he wanted is for you to stay away from the worst sights possible and definitely not going straight towards them! “What do I keep telling you?” // “Uh, stay away from the corpses…?”

- Just like how his lord would sneak away to have konpeito, you also tend to get around stealthily just to study “them”

- Being a highly observation person due to your work, you even know which wooden floor in Azuchi will make a creaking sound and by instinct you will avoid it

- But Mamayoshi is just as observant as you are, and he caught you one night

- “I know you were once this ‘forensic expert’ from where you came from, but you are a princess now and must behave like one!” Legend has it that the lecture continues...  

Mitsuhide

- Ah, he loves asking for your suggestions on how to get away with murder treason!

- I mean, he’s surely an expert but an additional piece of advice his little mouse wouldn’t hurt, right?

- “This place’s almost clean, I’d say.” // “’Almost’, little mouse? It scares me so that you have trained eyes for such matters. // “Is that a compliment? Anyway, I saw a strand of hair near the sliding door... and its color is much similar to yours. Care to explain?”

- Now he’s more careful than ever to leave any trace, knowing you can find him even with the smallest of clues

- The tables have turned for him after such a long time of being a sneaky fox

Masamune

- Oh boy, make sure you won’t overwork yourself by being with this man, being a battle-loving man that he is (meaning, more bodies and scenes to check out)

- At the same time, he finds it amusing that you proactively ask him to take you to his trips, campaigns and whatnots

- “It really is fun having you around, lass! Or should I say ‘partner’?” // “Damn straight, partner… now, let’s solve this case!” Cat-like grin commences for you two

- He sees you having fun hanging out at the scouts’ camp, chatting about experiences in the battlefield. your eyes would glimmer the more explicit they describe it. Creepy? Maybe a little, but at least he sees you happy about it… right?

- The One-Eyed Dragon will find this unusual, sure, but it certainly makes him want to know you more

Ieyasu

- Did he care at first? No, not really. He just wanted no involvement at first and to be left on his room alone, reading or eating extra-spicy food

- However, Yatsun gets curious when he finds you taking a peek at his medicinal work on a man he is a bit late to save :(

- “What are you doing here? You better not get in the way.” // “Oh no, poor man though… what’s the cause?” // “I am yet to find that out, if you’ll excuse me,---” // “Can I take a look?”

- He tries to pry you away from the room but being already in and touching the body leaves him no choice but to keep a close eye on you, making sure you’re not doing anything daft.

- “Huh, not bad.” Ieyasu says as you were able to identify the cause of death, deep inside he’s amazed of course. Later on he would let you join him in his post-mortem activities if the schedule allows to, but still keeping an eye on you to prevent any mishaps from happening

Mitsunari

- “Wow, MC-sama is unfazed as we all are in the battlefield! You truly are an amazing woman.” Did you see that sunny smile on his face as he says it???

- Your logical explanation as to identifying one’s death baffles the force’s cinnamon roll (because of the jargon used), otherwise it fascinates him

- Well, he’s never seen a woman who’s into dead bodies work-wise!

- Like some other warlords, he would ask you for advice when making strategies for the next battle

- When you went to his room one time to borrow a book, the first thing you said was “Am I in a crime scene?” when seeing piles of books around, untouched food and seeing a man unmoved in the middle of the room, reading and not even sensing your presence. “Ah no, just a normal room. I see.”

Ranmaru

- While in an errand, he sees you one day looking at a dead body about to be taken away. He is worried that the view might traumatize you for life… in the back of his mind he already has a plan to take you to a sweets shop and let you gorge in manjuu for the rest of the day

- “MC-sama, are you alright? You look shocked.” // “Yeah, I mean it looks to me that someone killed him when everybody says the opposite! I wanted to look into this so badly…” // “My apologies, but… what?”

- Of course it is never the answer he expected, but when you plead to help him solve it, this page is more than willing to do so

- Now both of you are going around the town looking for clues and asking who you think are involved; partners-in-crime!

- You did get to gorge on manjuu (and tea, lots of it) with Ranmaru when the case is solved!

UESUGI-TAKEDA FORCES

Kenshin

- Oh boy, make sure you won’t overwork yourself by being with this man, being a battle-loving man that he is pt.2

- “How dare you try to even speak with MC; draw your swords. Now.” // “Kenshin-sama, even if I’m used to seeing the deceased, please don’t do that. You’re scaring your own men!”

- He has little to no problem in taking her along to the battlefield, too! One more way to keep her in sight at all times

- Sometimes when you two are drinking and think he had too much you just had to stop him, to his slight annoyance. You have seen many deaths due to alcohol poisoning and definitely wouldn’t want him to be in the list… Bunshin Lord Kenshin appreciates the thought though

- Like Nobunaga, he allows you to do some research on the dead bodies, anything useful for the ongoing war

Shingen

- How can an angel such as you be associated with death and decay? He thinks

- But this daddy needs to accept the fact that you are quite comfortable around such! However once your investigation takes a scary turn expect him to nearby, comforting you with soothing words, or a hug… or eating sweet buns as many as you’d like to calm yourself down

- At first he is reluctant to let you get near the deceased, however whenever he sees your expression light up whenever he makes a cheesy comment (albeit in a rather awkward place) he thought of going along with it

- “Hm, this job of yours is unfitting in every way.” // “Oh yeah? How so?” // “You are brimming with life that I do think you are a goddess who descended upon us men.” // “Ah, here we go again…”

- You have to admit, his presence help you keep your sanity as you used to work alone for long periods of time

Yukimura

- “I thought you might be running away now once you see these.” // “As if they’ll chase me! Unless… are they still alive?” // “Weird woman…”

- This tsun does admire how brave you are after even making such joke

- Along with Sasuke, you three are pretty much effective when doing some investigation at the enemy’s base with you giving them (modern) tips of not getting caught. Unusual hiding spots? Hidden weapons? Suspicious people? All checked and cleared! 

- He has been doing that for a long while now, but hearing your strange ideas do sound plausible… especially when ninja friend is highly approving it

- If Sasuke trusts you, he surely starts to trust you (and your skills) too

Sasuke

- Once again, be paired up with Yuki and you three would make a great investigation/espionage team

- When investigating, you and memelord ninja are speaking to each other in partly jargon, partly heavily-memed language

- Possibly having watched and/or read crimes shows or movie you two are getting along so well

- “So here’s our undercover story: husband, wife and husband’s best friend---” // “Wait, do we get cool names too?!” // “Yeah, I’ll get to that part later… or I’ll do it now. Miyako, Tsune and Chozaburo; sounds cool?” // “Noice.”

- As the conversation continues, Yuki is left by himself to wonder how on earth did he get friends like you, shaking his head lightly as your talk no longer makes sense to him

Yoshimoto

- This beautiful mailman sees you one day sketching and as a man of the arts he comes over to look at what you’re drawing

- What he sees is a detailed sketch of a man, possibly a random person. The facial structure, features are all spot on! He is in full admiration mode

- “My, such a lovely piece you are making there. Has someone commissioned you to make him a portrait?” // “Actually Yoshimoto-san, I am making this to be posted around town. A wanted poster of some sorts… he’s a criminal.”

- You explained to him your job as a forensic artist, and he listens to every single word of it. Yoshimoto would find himself asking about your style of sketching as you continue drawing

- When the posters are up he is one of those people who would look at it for a long time; for him it’s not for memorizing the perp’s face, but simply to appreciate the art, fanning himself ever so gracefully