#i also want a badge so i will keep posting
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daisyin4k · 11 months ago
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do you ever get into like a fandom or something that you tried to get into when you were younger and you’re like “man glad i wasn’t into this when i was like 10 years old this woulda traumatized me”
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forshadowing · 11 months ago
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realizing the host's friends consider me an "evil" alter like hmm. well that isn't concerning whatsoever
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emptymasks · 2 months ago
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They're done! I really want to try and make prints again as it's been years and I've never felt like I was very good at making whole posters. Dipping my toe back in with these silly chibis of each Papa with every Ghoul they've had. Perhaps they can also work as a guide for those wanting to learn all the characters? I added in a fair amount of little references with the Ghoul's poses so it'll be interesting to see what you guys figure out and notice!
The prints are on pre-order and won't ship out until November. I've put up 25 of each to start with but if they get low on stock I'll keep adding more until I have them printed and then it'll be a set amount in stock.
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Also a reminder about the stickers of every Ghost Papa and Ghoul that I made earlier this year that are also available as customisable badges! Thank you so much to everyone who already bought them and got Etsy to list them as a 'bestseller' for a while. They're still up and in stock.
EDIT: someone informed me Delta was not in Secondo's era so sorry little water ghoul but he got edited out of that drawing.
Characters featured on the prints and are also available on stickers and badges: Papa Emeritus I / Primo, Papa Emeritus II / Secondo, Papa Emerirus III / Terzo, Papa Emeritus IV / Cardinal Copia, Aether, Air, Alpha / Fire, Aurora, Chain / Water, Cirrus, Cowbell, Cumulus, Delta, Dewdrop / Sodo, Earth, Ifrit, Ivy, Lake, Mist, Mountain, Omega / Quintessence, Pebble, Phantom, Phil / Special Ghoul, Rain, Sunshine, Swiss, Zephy.
I can’t link to my Etsy without risking Tumblr hiding the post from tag search results, but the link is in my pinned post, my carrd, I’m emptymasks on Etsy. Reblogs help support artists more than likes ❤️
[ID: Four landscape drawings, one for each of Ghost's Papas and the Ghouls that were in the band with them while they were the lead singer. Each Papa is in the center with each of their ghouls standings to their sides. Every character has their name written above or below them, on brightly coloured backgrounds for each Papa's robe colour. Also, individual pixel art chibi drawings of 69 characters from various European musicals (listed above) that are available as stickers. These drawings are also available as badges where they are placed inside circles to show what they will look like as physical button badges, some of them with plain colour backgrounds and some with 1-3 different pride flags as examples of how you can customise the backgrounds.]
For those who want to know what the little references in the prints are and don't want to guess, they're under the cut:
Omega can be a stompy boy when he's playing guitar, Alpha likes to throw up peace signs, Air is very found of the rock horns hand symbol, there's one close-up photo of Lake out there where you can clearly see his black sclera contacts and he's doing double 'horns' hand symbol, Mountain infamously takes his shoes off when playing the drums and leaves them on the stage at the site of his drumkit, Dewdrop likes to like.. most things including his guitar and his picks and sometimes his own hand, Pebble liked to hand out his drumsticks at the end of shows by dropkicking them into the crowd, Omega wore a flower tucked into his guitar strap during one show and Terzo constantly flirts with him more than other ghouls, Delta is suspected to be the ghoul that attempted to kick an audience member off stage when they climbed onstage and attempted to kiss Terzo, Zephyr was the only band member and only keyboardist who sat down while playing, the special ghoul played by Tobias wore a nametag 'Phil' in an interview, Swiss constantly is showing all his teethies with his smiles and always wiggling and moving around, Aether and Dewdrop often interact with Dew teasing/bothering Aether, Dew and Rain also often interact with Dew constantly reaching to grab his neck and attempt to kiss him, aaaand I think that's everything I intentionally included other than just generally tried to get the poses and expressions to match the personality we've seen from each ghoul.
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dekusleftsock · 6 months ago
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I think about this sometimes but I personally love that Horikoshi took the Yandere trope, split it in two, and gave one half to Izuku and Himiko.
Like it’s so fascinating how you can just SEE how purposeful Himiko was as a character in hindsight standing next to him.
Himiko is a really interesting subversion of her trope for two reasons:
She hurts people because she loves them, not for isolation or destruction of the competition (gore/blood is love to her, not necessarily a means to love someone)
She’s not possessive. Like at all.
I’ve seen that hc a few times and it always bothers me. Ochako is for sure a possessive character (we saw that with Hatsume around Izuku way back at the sports festival arc), but Himiko? Really?
You mean the girl who had a crush on a boy AND the girl who also had a crush on the same boy? Her?
You mean the girl who doesn’t hurt people who love who she loves, rather actively encouraging it in the first place? That one? Really?
Like it’s such an integral part to her subversion too. It’s what makes her such a weird and fascinating character. Possessiveness is supposed to be whats ugly about love itself, yet her love remains ugly without it. She is ugly because the fundamental ways in which she sees and feels about the world are considered “wrong”, “dangerous”, and “deviant”.
But Izuku… ohhhh Izuku…
He holds this trait like a badge melted to his skin. My man cannot escape these allegations. It’s to the point where it’s honestly a fundamental to his narrative. Izuku does not act nor feel the same without it.
Izuku holds a cutesy nickname that literally every other childhood friend of Katsuki’s has long left behind, saying his real name instead (this is honestly why I’m also uninterested in a scene where Izuku calls him “Katsuki” instead of “Kacchan”, Katsuki doesn’t represent the same things the name Izuku does, imo at least), izuku “give him back to me” midoriya, holds his dead body to his chest on a cover, freaked out on someone either hurting/offending Kacchan.. 3 times(?), keeping big boy ofa secrets…. The list goes on.
So it’s this main reason that I think their characters are just so. Fucking. Intertwined. I’m glad this has become a more common interpretation because there’s just so much that aligns between them.
Both of them call their “special people” with -chan endings, both by their first names, both deemed deviants/irrelevant by society. It’s no wonder Ochako fell in love with Izuku, just like she did toga, they’re fucking freaks. They’re interesting. They’re weird. They’re overly friendly and socially inept and a little beaten down by the world yet have too much passion to stay on the ground. They’re envious of the ones they love (Ochako of her freedom to be a normal girl, Katsuki for his raw power and harnessed skill), and I guess I just wanted to make this post because I adore how it’s all done.
I LOVE how the yandere trope is used as societal commentary here. Not necessarily as a way to make the main love interest jealous and feel she must protect the main character, nor for some kinky reason surrounding her character, but because the trope is built off of real, ugly feelings that can and do happen. That love can and is considered truly beautiful in all its forms, especially those of queer people.
So I especially love it because it isn’t just limited to Himiko, but Izuku as well. He may never hurt the ones he loves, but he would hurt for them.
A perfect narrative foil on queer and deviant forms of love. Big fan Horikoshi.
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formulawolff · 5 months ago
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celebratory drinks - f.a.
pairing: journalist!reader x aston martin!fernando alonso
word count: 938
warnings: a little bit of cursing, nando being a flirt, alcohol use (the champagne pop), references to alcohol consumption
song inspo for the fic: sky walker (feat. travis scott) by miguel, travis scott (i just think this one is so nando coded)
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"there he is," your voice is clear, yet your hand trembles as you grasp the microphone, "i think now is my moment. there's no one else approaching him."
"well what are you waiting for?" camren, your trusty videographer and assistant whispers, "go, go, go get him!"
"okay, okay!" your jaw clenches, the words barely making it out of gritted teeth.
before you stands spanish driver fernando alonso, donned in his signature aston martin fire suit. it's gorgeous emerald hue is darker than usual, dampened by the champagne showers. his dark locks are dripping, sticking to the back of his neck underneath his cap.
yet, he's as gorgeous as ever, stubble ghosting along his jawline, his brows knit in concentration as he speaks with lance stroll, his fellow driver and teammate.
you take a step forward, swallowing the lump in your throat. it was now or never. the perfect window to interview him for only a few minutes before he would be whisked away to the designated media room for the post-race press debrief.
"mr. alonso!" you call, "is it all right if i speak with you for a few minutes? i won't take up too much of your time."
at the sight of you, the corners of his lips curl upward into a radiant grin, "of course! i'm in no rush, actually. you can stall me a little before i have to go debrief."
a giggle bubbles up in your throat as you tap your badge, "although i do have a media badge, i do want let you know that this is going to be a very relaxed, very informal interview. i run a youtube channel that covers all things formula one. we talk a lot about you, actually."
"oh?" he arches a brow, "is that right?"
heat billows into your cheeks as you realize what you just blurted out. in front of one of your idols, no less. yet, you don't sense discomfort from the driver. if anything, he seemed more intrigued, his eyes taking you in as you sucked in a breath.
"well, we're doing a bit about your history with formula one," your voice is tad shaky, but you regain your confidence as he nods enthusiastically, "and of course, we're currently covering your time with aston martin. so, i wanted you to tell me if there was anything unique about your experience with aston martin thus far."
the driver blinks, processing your question for a moment. he brings a hand to his chin, shrugging slightly, "i think i can say that this team has been able to welcome me in with open arms. i'm sure you know that there is a lot of talk in the world of formula one with my age and all that, but they have been nothing but accepting and supportive."
"what has been your favorite moment of the season thus far? anything exciting or funny you'd like to share with us? also, when are you going to bring back that infamous celebratory dance?"
at the mention of the dance, there's a glimmer in his eye, "oh, so you know about that?"
"of course i do," you affirm, "our channel is dedicated to the history of formula one. i'm supposed to know it all, from the historical wins to the celebration dances."
"i can recreate it for you if you would like," he offers, his shoulders relaxing, he points to the camera, earning a laugh from camren, "here, watch this."
he pinches his shoulder blades together, raising his arms so that his elbows and wrists were angled. he sways back and forth, maintaining eye contact with the camera lens.
you can't help but laugh, the sound ringing out, "you're pretty ridiculous, mr. alonso."
"please," fernando waves a hand, "no need for the formalities bullshit. call me fernando."
"all right, fernando," you beam, "well, i think that's all i have for you. i didn't want to keep you for too long. i know you're a busy man."
that's when the driver pauses, taking a second to really look at you. his gaze rakes over your body, his tongue swiping along your lower lip.
for the race, you opted for a comfortable yet sort of glam look. on your top half, you sported a plain black t-shirt, the material a breathable cotton. denim jeans stretched down your legs, a mom-jean like style so that the thick fabric didn't cling to your frame. to compliment the shirt, you wore a black belt, pairing it with black adidas sambas. your hair was pulled into an updo, so that it wouldn't be all over the place or unkempt from the breezy conditions.
"you can come interview me whenever you would like," his tone shifts, his voice a little lower than it was moments before, "actually, how come you didn't question me sooner? i would've loved to see your gorgeous face around the paddock."
"like i said," your heart skips a beat, "you're a busy man, fernando."
"not busy enough for a gorgeous woman like you," he flirts, and you were sure your knees buckled at the statement, "what are you doing later?"
your eyes drift over to camren, who luckily had paused the recording, "i'm not too sure, why?"
"because i would love to take you out and buy you a couple of shots. to celebrate, you know."
"you're the one who was on the podium. if anything, i should be the one buying you shots," you fold your arms across your chest.
"oh no," he shakes his head, "no need."
"and why is that?" your brows furrow.
"because beautiful women don't buy their own drinks."
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theresattrpgforthat · 3 months ago
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How To Find Cool Games: On Itch.io!
As I drift into a reduced posting schedule, I figured I’d give everyone a peek behind the screen for how I cultivate ttrpgs for recommendations! Some of these tips might even help you find your next favourite game.
This is a long read so let's put most of this beast under a read-more. Keep in mind that many of these strategies work best when you're checking itch.io a little bit every week, and when you're engaging with the platform as more than just a store page. There's a lot of features that you can choose to engage with if you want to find the game for you!
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browsing physical game recent releases. This helps me see what’s new and happening, and it helps with a number of things. First of all, I get to see new games pretty much every time I browse recent releases. Secondly, I get a good sense of what’s currently popular in the design space. Thanks to my weekly browsing, I recognize Cy_Borg, Shadowdark and Mausritter as games whose content shows up rather regularly - if you see a lot of products attached to one game at once, that’s a good sign that there’s a related game jam going on (in this case, Shadowdark), or that a game is really resonating with its player base.
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sorting games into collections. I personally organize by genre, system, player configuration and (in Games That Intrigue Me) games that I’m personally really hyped about. This works for me because of the nature of my work, but a few collections sorted according to level of interest or game style might work better for you.
Depending on the need, I might have a collection that works specifically for the request - Neon Lights & Cyber Nights is perfect for cyberpunk games, but I might also reference this folder for combat, inventory mechanics, resistance themes, or interesting tech rules. LUMEN is great for folks who want fast-paced games, folks who are looking for certain kinds of video games, or folks who want to feel powerful. If you follow other people on Itch, you'll probably also be able to see their collections, which is a great place to browse.
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searching game tags. I don’t typically use the regular search feature, although recently the website did update the toggles to restrict your results to physical games, video games, etc. Instead what I usually do is type what I’m looking for into the url: so in this case, [deck-building]. I might use a couple different wordings, such as [deck-builder] and [deckbuilding] (no spaces). You’re not going to find everything that includes the thing you’re looking for, but you’ll definitely find places to start.
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Game Jams! I find these either by looking at the “Jams” tab (although you'll have to wade through video games here) or by noticing that a number of games being published recently have the “for the _” jam in the description. Alternatively, I might be reading the page for a game and see the little “Submission” badge in interaction buttons. There’s game jams for specific systems, game jams for various themes, game jams with special restrictions, and game jams that are titled things like “finish your damn game jam.”
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Bundles. I typically buy big-ass bundles and then sort through the games in my downtime. These games are sorted into collections for future reference, and if a game really pops out - into the Intrigue Me folder it goes! And the best part is that I already own it, so if I want to learn more, I can just download it and start reading.
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following game designers that I like. This way I’ll get notifications if they release a new game, update an old game, rate someone else’s game, or sort games into their own collections. I also get to see what other folks in the space are excited about - on the day I was browsing, Plasmodics by Will Jobst was really hot.
If you follow me on Itch, you’ll get a notification every time I add a game to one of my non-private folders! Also - you can interact with designers on Itch by liking their updates, and even commenting on their posts, which is a great way to get involved in the design community - and also just make a designer’s day!
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augustinewrites · 1 year ago
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artem.wing requested to follow you!
when you pull out your phone, you have to check the notification twice to make sure you’ve read it correctly. you even go so far as to tap it, watching curiously as your phone opens pax’s newest social media app.
this couldn’t possibly be your artem wing. your fellow senior partner at themis artem wing, who once called social media positively mind-numbing. 
but it is artem, a cursory glance at the profile picture confirms. not only is the picture he uses the exact same as his identification badge, but his account is already verified — no doubt due to his association with marius von hagen. 
you purse your lips in an attempt to stifle your laughter as you stalk study the rest of his profile. 
Artem Wing Senior Attorney at Themis Law Firm [email protected] (serious inquiries only)
it’s professional and clean, with all the aspects of an account made for business purposes. was this the firm’s latest marketing strategy? you really must have zoned out during the last staff meeting. 
smiling, you accept his follow request and send one back just as celestine returns from the restroom.
“who has you smiling at your phone like that?” she asks, taking a sip of her iced tea. “is it your secret boyfriend again? when are you going to let me meet him?”
you take a bite of your salad, shrugging. “i told you, he’s shy.” 
she sets her glass down, resting her elbows on the table. “yeah, but you’re always gushing about how sweet he is! you said he was a lawyer, right? is it howard syter? from baldr?”
last week, you’d let it slip that your secret boyfriend was also a lawyer. since then celestine and kiki had been hurtling name after name at you, trying to guess his identity. 
it’s not like you wanted to keep his identity a secret forever. it was just that the two of you were happy in this little bubble of yours. the gentle, intimate mornings spent swaying in each other’s embrace to his morning coffee playlist. the private date nights at his apartment that are spent cooking dinner together. 
“ah,” celestine giggles. “you’re thinking about him again, aren’t you?”
you try and fail to fight the heat crawling up your neck, thankful when your phone chimes with a notification in your bag. 
“it might be about my civil suit,” you tell her, eager for the distraction. 
you dig your phone out of your bag, checking the notification. 
artem.wing tagged you in a post
your heart skips a beat, and you hesitate before tapping the notification.
_____
artem looks up when his office door is thrown open. he’s glad to see that it’s you, even if you’re wearing that look on your face, the one you put on when you’re crossing a witness in court.
“mr. wing,” you greet tersely. “do you have a moment?”
he rises from his seat and buttons his suit jacket, smiling. “for you, always.”
“oh, stop being cute,” you mutter. “why did you tag me in your thirst trap?”
“thirst trap?” he echoes, genuinely confused.
“artem,” you whisper harshly. “you posted a shirtless picture of yourself at the gym and tagged me in it! now everyone will know that we’re dating!”
“but my account is on private,” he frowns. “and i only tagged you…”
“everyone you let follow your account can see that picture!” you explain. “that includes celestine, jeremy, kiki, rosa, luke, dr. richter, marius—”
this is the last time he’ll ever let marius von hagen peer pressure him into anything. 
“so…you didn’t like the photo?” he asks, rounding his desk to stand in front of you. he seems entirely unfazed by this ideal, despite the fact that everyone on his follow list has now seen his abs.
you seem taken aback by his question, avoiding his gaze. “i didn’t say that…”
you both startle when celestine pounds on the glass wall of his office, holding up her phone. 
“i knew it!” she shouts through the glass. her shouting draws the attention of kiki, rosa, and just about every other employee in the firm. 
you’re absolutely mortified, but artem simply takes your hand, pressing a kiss to the backs of your fingers before pulling you in to wrap his arms around you. 
you don’t fight him, simply sighing deeply and hiding your face in his chest as celestine cheers loudly. 
“i’m sorry, love,” he murmurs, lips brushing the shell of your ear. “next time i’ll send my ‘thirst traps’ directly to you via text.”
“you owe me,” you mutter, but you’re smiling as he presses a kiss to the side of your neck, your cheek, the corner of your mouth. 
“i suppose now we have to take that very romantic walk down to hr.”
_____
themariusvonhagen: ARTEM???? 
themariusvonhagen: DAMNNNNNN 🔥🔥🔥🔥
celestinetaylor: @ themislawfirm please please please repost this on our story for the free advertisement
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4-the-l0ve-0f-art · 22 days ago
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I might or might not be thinking about the LADS love interests 24/7 so here are some of my random thoughts/notes on their personalities and relationship with the MC (not spoiler free):
I've seen a lot of people across platforms comparing zayne and sylus and stating they seem very similar even though that's not true at all.
On the surface, both of them do seem reserved and cold, but when you really analyze their characters and play through various stories it's evident that they're quite different. Even on the surface, Zayne, whether considered cold by his colleagues and interns or not, is popular and respected for both his research work and extra care towards his patients. Sylus, on the other hand, is feared and envied due to his power and control over the N-109 zone. He's known to be merciless and difficult to work with.
In terms of how they are with MC, both of them joke around with her and show their love in their own ways, just like the rest of the LIs. Zayne tries to make her laugh with his dry humor and shows his affection for her by being extra careful about her health and daily schedule outside of their doctor-patient relationship, but in a more "boyfriend" way like reminding her to sleep and eat on time (which MC does for him too) and offering to cook delicious yet nutritional meals to eat together. He also tells her he loves her through his words but in a more subtle/indirect way rather than outright stating it; saying "The moon is beautiful tonight, isn't it?" on multiple occasions like the Abyssal Chaos special ending for him and some chats and event dialogues. He also likes to make time for her whenever he can, especially on the weekends, like the implied pottery workshop date from his affinity card. They're also physically intimate with each other like MC casually sitting on his lap in the heartbreaker rythm event, or Zayne patting her head on multiple occasions. In short, his preferred love language most of the time is acts of service, quality time, and physical touch.
Meanwhile, Sylus is playful and challenging towards the MC. He's bold and straightforward with his words; "I adore you." from an audio story or "I'm never annoyed when we do things together." from a claw machine voiceline. He also likes to buy things for her, like the gun he gifted her, custom clothes like a dress he mentions on his homepage voiceline at night (and the outfit you see MC wearing in his main storyline auction), a limited time plushie from a voicecall that the MC really wanted but couldn't get. He also gives MC access to the resources he accumulated over the years as the boss of Onychinus. His safe houses, armouries, and the base itself in the N-109 zone. Grand gestures like setting up fireworks outside her workplace as she clocks out and dinner date somewhere private for their anniversary is also something he does.We also know from his midnight secrets that they like to cuddle while sleeping or he likes to hold her hand or have a hand around her waist (from the main storyline chapters). In short, his preferred love language is words of affirmation, buying gifts, and physical touch most of the time.
Something random about Zayne and Sylus:
Zayne and MC like to write love letters and notes to each other (from the heartbreaker text you get after 3 starring the final bounty, I'm pretty sure.) Zayne also leaves some of his clothes at MC's place at times (a tie from an audio story). He also keeps mementos or items that remind him of MC in his hospital office (like a cup they made together in pottery class or the notes/letters MC writes for him.)
Sylus likes to show off when MC wins something at the claw machine (we know this from his voiceline about announcing it to the N-109 zone but we don't know if he actually does it) or gets a rare meow badge (from a moment post). He also has set of clothes ready for MC at his base and mansion (from an audio story). Sylus also likes to take MC on rides on his bike (I can't recall the source for this :sadface:). They also exchange music recommendations with each other.
Some of my notes on Xavier's personality and relationship with the MC:
Xavier and MC go on spontaneous food dates whenever both of them are free and hungry. They also read books together on a routinely basis (we know this from his birthday event) and also go on study dates sometimes to the library (this is from an audio story where MC was studying for her Hunter's exam in the library and Xavier was doing his own thing beside her)
Aside from how Xavier is with the MC, he doesn't seem to interact with people much and only keeps in touch with Jeremiah and some bookstore owner who he's friends with and spends most of his time either sleeping, fighting wanderers, or with MC. This is probably because he has had to change his identity alot while staying on Earth since he doesn't age.
Xavier isn't necessarily interested in botany but has a lot of plants in his apartment which also attracts birds of all kinds. The plants also seem to be thriving even though he doesn't go above and beyond to take care of them (I don't remember where this is from.) The reason he has alot of plants in his apartment though is because it was originally Jeremiah's apartment (from one of his anecdotes).
Xavier and MC like to people-watch together from their balconies. Xavier likes to text her when he sees something interesting (like the text about a cat outside their apartment or him spotting MC doing something). They also have a specific chat where they decide to people-watch together from their balconies though I can't remember the rest.
Xavier is an avid reader and has been following certain book series since their release (from an audio story where MC runs into him at a bookstore). He also lets MC borrow books from him (from a claw machine voiceline).
Some of my notes on Rafayel's personality and relationship with the MC:
Rafayel likes to spend time with MC and keep her around under the excuse of her being his bodyguard. Sending her on errands like buying art supplies for him and attending exhibitions and PR events with her (mentioned in multiple chats and moments). Thomas also likes to make use of this by having MC check on his painting progress occasionally and keep an eye/spy on him when he looks like he's going to do something suspicious (from an audio story where MC tails Rafayel on Thomas's request).
Rafeyel and MC go on beach dates and walks together often (This is from multiple texts, moments and stories). They also collect seashells for each other. I personally really love the whole ocean theme/symbolism Rafayel's character revolves around due to his Lemurian origin and connection with the sea. His love for his culture and his connection with anything sea related comes out in so many things related to him, from the location of his studio at Whitesand Bay to all the fish related jokes and comparisons he makes. His artwork from what we have seen in the chapter 1 end and the memory where he teaches MC how to paint also uses shades of blue commonly. (I think I like him so much because I love art myself LMAO)
Rafayel can cook seafood really well. Him and MC cook together sometimes and go on seafood dates (we know this from some of his audio stories and midnight secrets).
Rafayel and MC go diving into the deep sea together. Rafayel even showed her a whale whistle from his childhood that he kept in a Lemurian ruin (from an audio story where MC wanted to find a whale).
Rafayel does makeup really well and also has a certain knack for perfumes. He was invited to a perfume exhibition with MC in an audio story and did her makeup for her in another.
Aside from visual arts, Rafayel is a man of many talents. He can sculpt (from an audio story where he restored old sculptures), can sing and play many instruments, speaks multiple languages, has performed in Operas before, has good photography skills, and is well-versed in history and tradtions of many different cultures.
Rafayel and MC go to concerts and other performance dates together. He even keeps himself updated on MC's interests like live events of an artist she likes or following game updates of a game she plays (this is from their chats about concerts and game updates).
From what we have seen in world underneath stories or his anecdotes, Rafayel is cold towards people aside from MC and keeps everyone at a distance. His personality with MC is very open and carefree compared to people who approach him on their own like reporters or other lore related characters like bounty hunters from Ever group. He also seemed to be travelling to many places alone before he met MC in the main storyline and had Opera or other performances under a hidden identity.
All the LIs have killed someone for some reason or the other according to their lore.
Sylus' kills are the most obvious due to the nature of his work and him quite literally being a wanted criminal. From his first interaction with the MC in the main storyline to his anecdotes about raiding planets, we don't even have to expand on this.
Xavier and Rafayel have both killed people in their anecdotes right before the main storyline takes place, either to protect themselves or MC. Xavier was killing people from his home planet who were after him and Rafayel killed a bounty hunter. Interestingly so, both of them have huge bounties on their heads (Xavier's Lumiere identity has a bounty on it that we see put up in The Nest in one of the chapters). Rafayel, on the other hand, had an anecdote where he kills a bounty hunter from Ever who was after him. Another interesting thing is that Rafayel, Xavier, and Sylus all three seem to be connected to The Nest in some way or the other. Rafayel was at the Nest with MC in the main storyline, Xavier went there to gather information, and I'm not sure how Sylus might be related but I have a suspicion that he is LOL
Zayne's kills are the least obvious. Zayne, from what we know, hasn't killed anyone on purpose in the main timeline so far aside from his colleague William who turned into a wanderer at Mount Eternal. All of his kills have been in a different timeline even in his Anecdotes. Dawnbreaker does mercy killings in his world and the Foreseer has been implied to have killed the people who entered his tower.
This got surprisingly long LMAO
I might make a myth version on a seperate post for their individual myths once I play through them. And I'll probably be adding more onto this post if I have any other things I want to note down
Aside from that this is all basically just word vomit about the shit I think about related to them 😔
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episims · 11 months ago
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Turn On/Off Replacements: No Zombies Edition + 3t2 Trait Support
This is basically an update of my TO replacements, but I want to keep the post clear, so I'm sharing it as a new version.
Here's what got changed:
⭐ No More Glasses Zombie TO Instead of zombies, you'll get a brand new TO: Enthusiast. It's triggered by sims who are invested in their hobbies.
⭐ 3t2 Trait Support If you use 3t2 traits, sims with fitting traits will trigger directly related turn on/offs. This is only a subtle flavor; if you want the whole chemistry system to be trait-based, this mod isn't for you. These replacements still work just as well even if you don't have 3t2 traits in your game.
⭐ Polished Icons All the TS4 icons are now slightly smaller and hopefully work better with UI replacements. I also changed or edited some that I felt needed improving.
There are still two versions of the mod: the other replaces the Grey Hair TO with the Mersim one, the other leaves it untouched. Both versions are included with the download.
Download (SFS) (alternate)
Files are compressed. Probably requires all EPs. Conflicts with other turn on/off replacements (including my old versions), tunaisafish’s Attraction Traits Fix, and might conflict with cologne-related mods.
Compatible with UI replacements as long as this mod loads after.
🚨🚨 The Mersim version requires Midge’s Mermaid Mod.
Translations included: Spanish, Italian, Swedish, Finnish.
Update (29.8.2024): Fixed the life skills TO sometimes not updating properly upon changing TO replacements.
Update (31.3.2024): The alien trait by @tammyhybrid21 now triggers the Alien TO too.
Update (11.1.2024): Enthusiast TO now replaces zombies instead of glasses.
Update (11.1.2024): Changed it so that business owners with level 6 or higher business and young adults with a GPA 3.7 or higher also count as hard workers.
Credits to @lazyduchess, @midgethetree, and simler90 for the groundwork and bits and pieces used in the mod. Translations by @bothersomecryptid, @themeasureofasim, @dystopianam, and @vegan-kaktus.
Full list of the TOs under the cut.
Replaced TOs:
Cologne -> Life Skills (has learned at least two of the life skills)
Stink -> Poor (household fortune* ~§20 000 or lower)
Underwear -> Rich (household fortune* ~§100 000 or higher)
Swimwear -> Great Dancer (dance skill 6 or higher)
Formalwear -> Pet Lover (has at least two pet friends or the Animal Lover trait)
Full Face Makeup -> Talented (has at least one silver or gold talent badge)
Hats -> Good Reputation (reputation level Reputable Resident or better)
Jewelry -> Bad Reputation (reputation level Lousy Loser or worse)
Custom Hair -> Alien (either skintone, eyes, or both, or the alien trait)
Zombie -> Enthusiast (level 5 or higher on at least one hobby)
Grey Hair -> Mersim (with Mersim version)
TOs with additional new trait support:
Hard Worker (career level 6 or higher, teen career level 3, owned business level 6 or higher, young adult with a GPA 3.7 or higher, or the Workaholic trait)
Logical (logic skill 5 or higher or the Genius trait)
Charismatic (charisma skill 5 or higher or the Charismatic trait)
Great Cook (cooking skill 5 or higher or the Natural cook trait)
Mechanical (mechanic skill 5 or higher or the Handy trait)
Creative (creativity skill 5 or higher or the Artistic trait)
Athletic (body skill 5 or higher or the Athletic trait)
Good at Cleaning (cleaning skill 5 or higher or the Neat trait)
TOs with minor fixes:
Unemployed (young adults and business owners aren't counted as unemployed)
Robot (servos don't trigger hair color TOs)
Unedited TOs:
Fatness (TS4 icon)
Fitness (TS4 icon)
Facial Hair
Glasses (TS4 icon)
Makeup (TS4 icon)
Blonde Hair
Red Hair
Brown Hair
Black Hair
Grey Hair (without Mersim version)
Vampire (TS4 icon)
Plantsim (TS4 icon)
Lycanthropy (TS4 icon)
Witch (TS4 icon)
For the sake of cohesion, all the supernatural TOs now have simpler, singular names (instead of vampirism, plantsimism, and witchiness).
*The household fortune is counted by its funds, the lot value (if the home lot is residential), and other owned lots. The precise value that triggers the TO might slightly vary.
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im-so-normal-iswear · 2 months ago
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Can i ask headcanons of ford/stan(separate)with a s/o with postpartum body? While s/o thinks that she is not that atractive anymore ford/stan mind goes bananas over the body changes of their s/o after having a baby
A/n: I hope these were okay lol, haven't written for Stan so idk how well I did.
Stan/Ford pines x postpartum reader
Ford Pines:
Ford notices your insecurities long before you even express them. He’s incredibly observant, always attuned to your emotions, and he can sense when something’s off.
You may think you’re hiding it well, but the way you avoid mirrors, wear looser clothes, and shy away from his touch doesn’t go unnoticed.
When you first voice your concerns about not feeling attractive anymore, Ford is baffled. You’re his partner, the person he adores, and it’s impossible for him to even comprehend how you could think you’re anything less than stunning.
Ford has always been the smartest man in the room, but hes still head over heels when it comes to you. The changes in your body post-pregnancy make him feel even more connected to you. In his eyes, your body has been through something incredible, and he respects and cherishes every mark and curve that came from it.
Ford is soft-spoken when it comes to matters of the heart, so his reassurances are thoughtful but gentle. He might sit down with you, take your hand, and explain how much your body amazes him now.
“You carried life, you’re stronger than you realize, and I love you for it.”
He’s always been fascinated by how the human body works, but seeing the changes firsthand on the person he loves makes it personal. Every time he runs his hand over your belly or your hips, he’s in awe, not just of the science behind it, but because it’s you.
He becomes more physical after the baby is born, constantly touching you, holding your waist, or trailing his fingers along your stretch marks.
He’s curious about every new detail, (he most definitely has a notebook filled with sketches of you, and notes of your behavior post pregnancy)
If you ever push him away, thinking he doesn't like you from the changes, Ford is shocked. He can’t fathom how you could think such a thing.
If you ever feel disconnected from yourself or your body, Ford will go into research mode. He’ll gather books, read articles, and even talk to professionals to understand how to best support you.
He wants to help you feel good about yourself again, not because you need to look different, but because he wants you to see what he sees, someone extraordinary.
Stan Pines:
Stan is more direct than Ford, and when he notices you avoiding his gaze or pulling away from him, he’s immediately concerned. He’s not great with feelings, but he knows something’s bothering you, and he’s not about to let it slide.
“What’s goin’ on? Why are you hiding from me sugar?”
Stan’s not one to tiptoe around an issue, so when you finally tell him you don’t feel attractive anymore, he’s genuinely confused. In his eyes, you’ve never looked better, and he’s completely dumbfounded by your insecurities.
Stan’s attracted to confidence, sure, but he’s also always loved you for being real. He doesn’t buy into superficial standards of beauty, and the fact that your body has changed after having a baby? That just makes him even more obsessed with you.
He’s the type to immediately wrap his arms around you and pull you close, his rough hands holding you tightly against him.
“You think you’re not attractive? Babe, you’re drivin’ me nuts over here. I can’t keep my hands off ya.”
Stan doesn’t see stretch marks, softness, or weight gain as flaws; he sees them as badges of honor. You carried his kid, and to him, that makes you even more incredible. He’ll kiss every mark on your body, his lips trailing over your skin as he whispers about how proud he is of you.
He’s much more vocal and less subtle than Ford, so expect Stan to shamelessly compliment you every chance he gets. He’ll walk by and slap your butt with a grin, or wrap an arm around your waist and pull you in for a deep kiss.
“Lookin’ better every day, doll.”
If you ever tell him you feel like your body isn’t what it used to be, Stan just scoffs. “Good. ‘Cause I didn’t fall for what your body used to be, I fell for you.” He’s not about to let you think he’s shallow enough to care about any of that.
Stan loves to show off his affection in public too. He’ll have his arm slung over your shoulder, pulling you close as if to say, this is mine, and I couldn’t be prouder.
If you’re feeling down, he’ll sit you down and lay it all out.
“You’re the most beautiful thing I’ve ever seen. You’re the mother of my kid, and I’m damn lucky to have you. So stop talkin’ like you’re not good enough, ‘cause that’s bull.”
He’s not a man of flowery words, but his actions speak loud and clear. If you ever doubt how attractive you are to him, all you need to do is catch the way his eyes roam your body when you walk by. He’ll smirk, his eyes filled with mischief, and say something like, “If you think I’m lettin’ you go to bed without me tonight, you’re wrong.”
Stan’s appreciation for your postpartum body is raw and unapologetic. He loves everything about you, and he’s more than happy to remind you of that every single day.
A/n: I forgot about these for a day
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metalomagnetic · 7 months ago
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After seeing about 50 'Dumbledore is evil' and 'everything is Dumbledore's fault' and 'but why didn't Dumbledore did this or the other' posts in a row, I find myself wishing Dumbledore just fucked off to somewhere nice and sunny in '81, early retirement (or is it early if he's already 100?) and washed his hands off magical Britain entirely.
Some of y'all sound like Fudge with your Dumbledore bashing. I wish, at least, Dumbledore would have left when Fudge and that corrupt as hell Ministry did their best to ruin his name and his image.
Pack up his ancient shit and move to a nice beach somewhere, with his pet bird and a huge bag of candy.
This way, my man Voldemort could have won in like five minutes, and Harry would be dead, Voldemort would rule supreme, Bella would keep being the queen she is, and my little Voldemort shaped heart would be happy.
But no, Dumbledore stayed, orchestrated Voldemort's downfall by giving Harry step by step instructions, gave up his own life in the process, made sure Harry would keep his, because apparently that's what 'evil men' do instead of retiring in comfort.
Not only Harry wouldn't have survived without Dumbledore, but he most likely wouldn't even exist without Dumbledore. Because, you know, this evil man is also the one that took down another dark lord back in the day; if Grindelwald would have won, there would be no Lily, most likely. Thus no Harry.
But yes, go get your 'Dumbledore is evil' badges- I hear Fudge and Umbridge are leaders of the hate club, I'm sure they'll receive new followers with open arms. Draco is probably the secretary, because he hates Dumbledore, too, and he likes making badges.
Also, can someone explain to me how Dumbledore, the only gay man in canon, became the fandom's resident homophobe? That's just weird, my friends. Very weird, to say the least. It gets even nastier when you say he 'groomed' students. That's an awful thing to throw around about a gay dude, you know?
There are so many reasons one can dislike Dumbledore for, but you do have the option to not like a flawed character without turning them into a ridiculous caricature of themselves.
P.S: I am not talking about fics. Write your fics and your characters however you want, whatever makes you happy. Your fic is your domain, and you do whatever you want in there, hopefully with no asshole to attack you in the comments. Same with reading- read what you want, bashing or no bashing. Have the best of fun!
I am talking about these 'meta' type posts on social media, tagged with "Albus Dumbledore", where they act as if canon Dumbledore was legit evil, incompetent or homophobic.
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elaine19day · 30 days ago
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Alright guys, I'm here today to address the pictures of the alleged 'new merch' that had been circling around in the English fandom for a few days. See how I said 'English fandom'? Because nobody really addressed it on weibo and XHS yet… at least not to that extent. (Sorry, I have seen these screencaps on tumblr, insta, X and discord, and I have no idea who originally took them, I don't claim to have taken those screenshots, merely providing them here so you know what I'm talking about.)
So what happened? A few days ago a random shop on taobao created new listings that offered a new series of badges and prints/acrylics - not just featuring the 4 main boys, but also He Cheng, Qiu, She Li and… Cun Tou…..?! Now let's take a moment and sit back and think about this for a while. First of all: Why would a random shop that's NOT affiliated with mosspaca in any way post new 'official' merchandise? (Because we can see there's the mosspaca copyright writing on the badges and acrylics, just like it used to be on the previous badge series) Why would this random shop post these things while neither OldXian herself nor her boss, moss, have posted or announced anything via weibo/XHS? Don't you think this is sort of fishy? You don't find this strange, you don't question that at all? Sure, some people said: It's leaked and it will be available on the upcoming signing event on the 29th which OX announced on her weibo. Sure. There is a possibility, of course. They could have a leak in mosspaca studio and some person got their hands on some undisclosed merch and decided to make bank by making a new shop and listing the items for pre-order, hoping they could cash in. NOT a smart choice if you wanna keep your job because such incidents get investigated thoroughly and we all know by now that moss himself is very strict about these things and already has taken legal action against shops before when they sell fake merch as official merch. The other possibility? Old Xian's apple account has been hacked by an outsider and then the same scenario as before applies - that person wanted to cash in before it officially releases.
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Now. How has OX handled merchandise before? It was always announced before an event and sometimes even months(!) in advance when they were pre-order items. Also. Have you ever seen Old Xian making merch for Cheng, Qiu, She Li and Buzzcut? Sure, the first 3 have been on some old postcards way back in the day, plus they are depicted in some of the artbooks, okay. But actual merch with them separately? The last badge series had a very limited special edition button with He Cheng. That was super rare. And now OX suddenly makes merch of the 2 adults, plus She Li AND Buzzcut, who's a minor character which barely makes an appearance? (Sorry, Buzzcut fans, not trying to be mean, just wanting to drive home the point that OX creating merch of him is highly unlikely - unfortunately.)
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So what can we take home from all the stuff I just pointed out? Yep, there is a high chance that this is not official. It might be fake merch, sold by a random person who used generative AI tools and editing skills to create these things. I mean, sure, some of the pictures look highly convincing, I give you that. But then again, there are fanartists out there who can perfectly mimic Old Xian's style and edit/draw the boys in new poses that make it seem 'real' and official. But then there's THIS. Please take a close look at the way the faces are 'drawn', the way that the eyes are sort of smudged, same as some of the abs, the way Mo's face is contorted in a weird angle, the way the hands look chunky and unreal, and so on. (click on image to enlarge it and see it in more detail)
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Weird, right? Well, it's a very common, typical thing for pictures that are generated with free AI tools. Everyone who has tried one or the other and has fcked around with one of those tools out of curiosity will notice.
Also - have you noticed the sheer AMOUNT of things posted from this one random seller? 10 different badges, 12 different long bookmarks (acrylic boards?), 4 couple cards, plus a LOT of other random new things which all feature very old panels from the manhua… When has Old Xian ever released SO MUCH merch at once? Yep. Never. Plus the re-using of old pictures for new merch? Also doesn't make much sense. And there's a lot of the older illustrations being used for these supposed new things here.
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So if you take all of this into account, you might conclude that someone is tryna pull your leg here, selling fake merch disguised as official by even slapping the logo onto it to make it more convincing and mimicking how it looked the last time around. Of course - there might be the odd chance that mosspaca suddenly took a 180° turn and completely changed their modus operandi and decided to do things completely different compared to before and that it was leaked after all and meant as a surprise for the new autograph event etc etc etc. Yep. There's a chance that all this is true after all. But there's also a chance that I step out of my house tomorrow and an airplane crashes onto my head. Of course, that chance is *extremely* small. But the chance is there… So there you have it. All I'm asking you here, is to take a moment to think it through logically when you see these things online. And that you don't instantly believe everything that other people post who are always so eager to spread false information just for the sake of stirring up the fandom without ever taking the time to verify their sources. (No, I'm NOT taking a jab at anyone here who posted/reposted these pictures and was confused and/or asked about it. I was just as puzzled as you guys. But I am criticizing those who post it and announce that it's definitely new, official merchandise…) In conclusion: Might be true, but chances are very slim, all things considered. Let's wait until Tuesday when the event takes place and keep an eye on weibo and XHS - let's see which pictures the CN fandom will post when showing their autographs. Then you can check if there's new merch present. If not - well, then it's pretty safe to say that this was definitely fake. (And if this turns out to be real after all, I will make a follow-up post, regarding the AI-looking faces. But you might not like that 'lore' so I will not mention it for now, to prevent possible drama.)
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emptymasks · 3 months ago
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Another set of stickers and badges are done! Got a little carried away again, but here's some X-Men. I'm thrilled to see the X-Men films fandom coming back to life because of Deadpool and Wolverine, especially all the love for lil baby X-Men 2000 Logan. I really want to watch X-Men '97 now since I keep seeing so many clips and edits of it. I know these aren't all of the X-Men, there's too many to draw them all, but here's some poolverine, cherik, the love-triangle-that-could-have-been-solved-with-polyamory, some '97 babies and the comic wives.
Characters available: Angel / Waren Worthington III, Beast / Hank Mccoy, Lucas Bishop, Cable / Nathan Summers, Cyclops / Scott Summers, Deadpool / Wade Wilson, Destiny / Irene Adler, Gambit / Remy LeBeau, Goblin Queen / Madelyne Pryor, Iceman / Bobby Drake, Jubilee / Jubilation Lee, Magneto / Max Eisenhardt / Erik Magnus Lehnsherr, Morph, Mystique / Raven Darkhölme, Nightcrawler / Kurt Wagner, Phoenix / Jean Grey, Professor X / Charles Xavier, Rogue / Anne Marie, Storm / Ororo Munroe, Wolverine / Logan Howlett.
I can’t link to my Etsy without risking Tumblr hiding the post from tag search results, but the link is in my pinned post, my carrd, I’m emptymasks on Etsy. Reblogs help support artists more than likes ❤️
[ID: Individual pixel art chibi drawings of 34 characters from the X-Men comics, films and cartoons that are available as chibi stickers drawn with a pixel brush. These drawings are also available as badges where they are placed inside circles to show what they will look like as physical button badges, some of them with plain colour backgrounds and some with 1-3 different pride flags as examples of how you can customise the backgrounds.]
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hollowtones · 2 months ago
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my month-late PAX West post (& a catalogue of some things I saw and did and bought in September / late August)
PAX West was very fun this year. It was my first ever PAX and it was my first convention at all in maybe a decade. Any excuse to see friends is a good one & I love hanging out with the RTVS crew whenever I have the time and money to travel. ^_^ I even got to see some friends I've never seen in person before!!! (Thank you to Jill and Evan for the "Petal Crash" pin & thank you to Taxi for stealing my name tag by accident.)
I am very shy, and I have very severe social anxiety that causes me a lot of problems in my day-to-day life, so I almost didn't go to the RTVS meetup. People there were very sweet, though, so I'm glad I did. It feels very heartening to have people come up to you and tell you what the things you've made have meant to them. It was very hard to not cry. LOL
If you stopped by to say hi, thank you very much. I've been thinking about it through all of September and smiling a lot about it. ^_^
The rest of this post is largely pics of things Puzz and I picked up for ourselves. (And a little bit of talking about some other things we did.) I thought it would be fun to catalogue them. I tend to be a little thrifty, so I got to splurge on my wife. LOL
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These were mostly things we got for Puzz because I didn't want to worry about lugging things home in a suitcase. But she keeps telling me they're our things, which makes me smile every time I think about it. Some of the pins are for me. I'd like to put them on my backpack... Hopefully they don't fall off. Jackie and Dodogama are friends.
The "Chicory" bag is a bit of a funny story. Puzz and I saw the "Beastieball" booth in the corner of the indie section. Very fun demo. Very cute booth. They have cool merch! I thought I saw Lena Raine working the booth, and I got really shy & nervous about making a poor impression, so I just kind of hid behind my partner. (I wish I had said hi, in retrospect... but we live and we learn...) So we just kind of shuffle off to the merch desk and talk to a very nice man there while we pick up some things. I work up the guts to say that I really like these games and that they mean a lot to me!! The guy says, well thank you, that means a lot to me and the team. Wow! Real swell guy, I'm thinking to myself. A day or two later Puzz and I are out to lunch with some friends and I just suddenly go eyes wide & mouth agape because I put two and two together in my head and realize Oh holy shit that was Greg Lobanov wasn't it. LOL
Puzz found a cheap copy of "999: 9 Hours, 9 Persons, 9 Doors" for the DS at a retro game store's pop-up. They also had "A Bug's Life" for Game Boy Colour and a strategy guide for "Gex 3", both of which I wish I had picked up.
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Mr. Basculin was a gift from Jake. Good news! Mr. Basculin is still alive.
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This is all stuff that was given to me as gifts. (Aside from the con badges. They make you pay for those.) You've probably already seen the Bibi that Jake made me. "Chicken Run" was also from him. "Zapper" was from Puzz and the Gumby game (& the Bad Boe sticker) was from Scorpy. These games fuckin suck asshole!!!!!!!!! I'm obsessed with them & I'll cherish them forever. I also got a little rock and a human dog keychain.
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I think Scorpy said a fan gave this to him at PAX East to pass to me eventually. I'm having a hard time reading the @ on it, but on the off-chance you see this: thank you so much. Every time I think about it I get a little teary-eyed. I want to get myself a little picture frame for it. (This is the first time someone's given me fanart like this before, and it made me very emotional. LOL)
Puzz and I only got 2-day passes for PAX, so we spent the rest of our time in Seattle hanging out with friends and seeing the sights. I don't feel like digging all the photos out right now, but we went to a really fucking nice jazz club (Dimitriou's Jazz Alley - great ambience, really good food, we saw Keiko Matsui live which was life-changing), we visited MoPOP (I hadn't been in years! It was alright! Puzz had some capital-t Thoughts about the whole place which was fun to listen to!), we rode the trains, I got a big bag of Dicks, we walked around downtown. There was this really nice coffee shop that I keep having dreams about, so I hope I can go back to Seattle soon. (Or at least eventually, next year.) Then we went to Portland for a day to say hi to a friend because the state was nearby.
Then we went back to Puzz's place in California. Then there was a major heatwave & a bunch of wildfires nearby... So we didn't have the chance to get out much in September. But that's okay. We've both been tired lately & I think we both badly needed some dedicated Not Doing Things time. It's just a shame that it was enforced by Dangerous Weather Conditions.
We got to visit some local friends and I got to try out more Bog-Standard Mediocre American Food. (Dunkin Donuts is just Tim Hortons. Olive Garden is kind of scary but the salad was really good and the breadsticks were fine. I had a middling hamburger from Jack In The Box tonight. Their milkshake was very good. I'm sure I'm forgetting others.) I went to a Macy's for the first time and the layout of the store made me have a panic attack. We went for nice walks and saw lots of nice critters and plants. I got to swim! I watched a mediocre PlayStation presentation! I turned 30 years old! Puzz took me to a very fancy and really nice Italian place for my birthday, in case you were worried that I was only eating garbage here. LOL
We got a lot of books.
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Maybe too many. Also a Miles Davis vinyl for myself & some Gunpla as an early birthday gift for Puzz. And also the cookbook was a gift from family. But I'm very excited to tuck into more of these, hopefully soon. Some were for me and some were for Puzz but knowing us we're going to go "hey, I liked this one, you check it out" or "hey, I didn't like this one, but maybe you will" for a lot of them. I'm gonna start with "Annihilation" and the game essays book. ("House of Leaves" is a second copy for us, because my copy was originally Puzz's and I wanted them to be able to read it too.) I don't have room in my bags for much more than what I came here with, so we're gonna ship some of the books to each other when we're done reading.
It's been a very nice month... I feel very thankful to have a life full of love like this. I don't think I have anything else to add to this post! Thanks for reading.
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myownwholewildworld · 3 months ago
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acta, non verba - i. a badge of honour
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series masterlist | main masterlist | chapter 2 pairing: conqueror!marcus acacius x ofc!reader. synopsis: scotland, 83 AD after the battle of mons graupius. the romans have come up to the boundaries of their empire with a relentless desire to conquer the savages that inhabit the highlands. they won't rest until the Caledonian tribes are subjugated. Marcus Acacius is in charge of your clansmen's fate, but if such fate is similar to your family's, you know you need to do something about it. as the only living daughter of the tribe chief, your people look to you for leadership. power plays, treason, deception, rebellion, war, love, heartbreak, betrayal. and two souls, destined to despise each other, trying to navigate it all. a/n: well, here it is! the first chapter of my new series, set in what is now scotland, during the romans' conquest of the british isles in the 1st century. hope you guys like it! as always, all interactions welcome. thank you so much for reading! <3 warnings: 18+, mdni. death, aftermath of a battle, burial of family members. reader is an original character - female, has a name (callie) and a physical description, family history, etc. i'll try to keep the references to a minimum though. age gap (callie is 26, marcus is 48). mention of infidelity and becoming a widow. marcus’ and reader’s pov. i have taken some historical licenses for ease of writing (use of "clan" as synonym for "tribe", references to irish/celtic gods, the caledonian people speak modern scottish gaelic instead of a (proto-)brittonic language). w/c: ~4.2k. dividers by @saradika-graphics i'll be tagging some people at the end of the chapter who interacted with this post. dw, i won't tag you in the next chapters unless you ask me to! also, if you want to be removed from this post, please send me a dm.
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A light breeze whistled through the nearby standing stones. The dying sun provided no heat, and the ethereal landscape was cold with hues of blue and grey. Despite the shimmering wildlife that came with the first hints of spring, the meadow was uncannily silent.
The crows cackling in the distance broke such tranquil peace and woke you from your slumber.
Slowly you blinked, something wet and warm covering your eyelids. You felt it slide down your skin, pooling in the dip of your collarbone. Your limbs felt so heavy, you couldn’t lift a hand to rub your eyes clean. In fact, you were so tired that even taking a deep breath hurt.
Your orbs fluttered shut, shattered and defeated.
Dhuosnos, God of the Dead, was calling you to His side. His presence was soothing, so inviting, the most melodic sounds guiding you to Him. With the eyes of your dying imagination, He extended a welcoming hand towards you, a soft smile on His mythical features.
“Come with me, sweet child of the tribes.” A guttural voice escaped His lips, so dark and sombre it enveloped you.
You nodded, gaze down, submitted to Him.
“You can’t just take her, Dhuosnos. Callie is yet to avenge them — her purpose must be fulfilled first before she can greet you as an equal.” A second voice, feminine, otherworldly and reassuring, interrupted your exchange.
Morrígan, Goddess of War, placed Her hand on Dhuosnos’ forearm as to stop Him from reaching you. A stone of relief, but also of disappointment, sat low in your stomach when He took a step back, head bowed towards Her.
Steadily you undid your curtsy, your green eyes locking on Hers. They were black as the night sky, Her pupils and irises indistinguishable from one another. You looked into the abyss of Her sight and felt a deep-rooted longing, one you never experienced before.
“You are not done yet, mo leanabh (my child). Your people await your return.” Morrígan palmed your trembling hand, escorting you back to the earthly plane.
“But…”, you turned around to look at Her, ask for Her advice.
But She had already vanished, a sweet scent of lavander left behind.
You gasped awake, your eyes so widened, the cloudy, sunset sky above felt like it was crashing down on you. You were laying down on a pool of mud. A deep, raspy grunt escaped your lungs as you tried to move your arms. When you couldn’t, you looked down, confused.
Aengus’ lifeless body was resting on top of yours. Your father’s henchman had made the ultimate sacrifice by hiding you underneath him, away from the prying eyes of the Romans. The dense liquid caressing the skin on your face was none other than his blood. A trickle of thick red dripped from the gnarly wound in his neck on to your cheek. His eyes were staring at you emptily, his soul had already left this world when you regained consciousness.
Your father, Murdoch of Inbhir Nis, the Caledonian Overlord, had come to the aid of the Taexalian Overlord, whose territory was succumbing to the legions of Gnaeus Julius Agricola, a Roman governor with a high desire to impress his Emperor, Titus Flavius Domitianus.
Your father had gathered as many fighers as the Caledonian lands could give him. Both men and women were called to arms when the tribes were threatened. Being the daughter of the Chieftain would not spare you. You would not have chosen differently anyway, had you been given the opportunity. Fighting for land, clan and honour was your duty as much as your brothers’ and sister’s.
The journey from Inbhir Nis (Inverness) to Cala na Creige (Stonehaven) had been unforgiving, with illness and evil lying in wait. But you all had been warmly welcomed by the Taexali tribe and were fed copiously, the uisge-beatha (whisky) being served like water.
Your combined armies, shy of fifteen thousand folk, had been ambushed at Raedykes during a repositioning exercise by the Roman troops led by Agricola’s most trusted man.
General Marcus Acacius.
His mere name made you sick, anger crawling under your skin.
Fighting off your own opponents, you had seen the Roman General charge against your father like a beast, wielding a gladius over his head. The metallic impact of their swords rang loud across the landscape. The men looked into each other’s souls, an exchange of words shared between them. You were too far to listen, too far to fully see what was really happening as warriors from both sides danced through the grass.
Then you foresaw it before it happened: the heavy Roman sword fell on your father, who was struck to his knees with the General’s blade lodged in his belly.
You tried to get to him, screaming “Athair (father)!” at the top of your lungs. His eyes locked on yours before he fell sideways. You lunged forward but didn’t get to him, Aengus stopping you in your tracks.
“No, Callie, it’s too late now”, he had sorrowfully whispered in your ear before throwing you off to one side to fend off an attacker.
And then blackness swallowed you, an enemy hit you in the head so hard you lost consciousness.
That was how you came to be where you were — with your back flat on the silt and Aengus’ body blanketing yours. The grey sky above you sensed your pain, and, at Taranis’ command, it parted in the middle. The God of Thunder released a downpour to clean the blood, soot and woad’s blue dye off your face and hair.
You cried your sadness away, rainy tears sliding off the corners of your eyes — your anger, your loss, your torment, you purged it all, sobbing until you were devoid of all emotion. Taking a deep breath, which caused a needling pain on your ribs, you pushed Aengus to one side to free yourself from his weight.
The thudding sound he made almost brought more tears to your eyes.
“Sorry, uncail (uncle)”, you muttered, hovering your fingertips over his eyelids to shut them for him. Now he could finally rest.
You stood up, your knees trembling like a newborn calf. A searing pain stabbed your skull, dried blood and dirt gathering on the wound on your scalp. With a straight back, you dared to look around you. The bodies of your own men and women were scattered around the hills of Raedykes. So many lives lost, you heard all your ancestors screaming from above, their cries falling upon you in the way of rain. The green, long grass was reddened with blood, but the weeping sky had started to wash away the atrocities committed by the Romans.
Then you saw him. Your athair.
“No, no, please, no...”, you whispered as your sight became blurry again, dragging your feet towards the fallen body of your dad.
Your soul tried to tear itself apart, become its own entity. You had to summon the last drop of the royal blood that ran through your veins to keep yourself in one piece. You knelt before him, craddling his bloody hand between yours. Unconciously your body rocked back and forth until you hugged him, laying flat on top of him.
Time stood still, like a thread on the expert hands of a wool weaver. It could have been minutes, hours or days, your pain too great to bear, to comprehend.
And then you felt a hand lightly tap your shoulder.
You startled, your mind and body jumping back into survival mode, gripping your sgian-dubh (small knife) close to your chest.
“It’s okay, mo phiuthar (my sister). It’s me, Torcall”, a raspy, masculine voice forced you to focus on the man in front of you.
He was your father’s most important tacksman and also husband to your older sister Mairead — your sweet Maisie, as you always called her. She was the eldest of the four siblings while you were the youngest. Always so witty and quick with a joke, Maisie kept up the spirits even when the circumstances were dire — in fact, before your paths had parted during the battle, she jested about your H-shaped shield being larger than you.
When you turned around, Torcall flattened his hands on your shoulders, slightly shaking you so you would come back to reality.
His blue eyes pierced through you, the situation becoming clearer in your mind. Thousands of your tribesmen were dead. Your father too.
“Maisie?”, you asked in a hush. Your heart clenched when your brother-in-law shook his head no. You were afraid to speak, but you did nonetheless. “Aodh and Somhairle?”
Torcall stared at you, his silence speaking loudly. “They are all dead.”
The air evacuated your lungs, feeling as if a spear had run through you. Learning about the death of Maisie and your twin brothers broke something within you, something fundamental and primal. They were your everything, your most trusted confidants. Despite being of different ages, you all were so tight-knit it was difficult to find one of you alone.
A heart-shattering wail escaped your lips as you bent over yourself, your chest snug against your knees.
Morrígan had unashamedly claimed most of your family that day, except for your beautiful mother. Now Her words made sense: you were yet to avenge them, to fulfil your purpose. She had spared you for a reason, not so you could pity yourself, knees deep in the mud.
To avenge them, you had to kill the hand who showered this tragedy upon you.
General Marcus Acacius.
A raven’s strident, gurgling croak forced you to look up to the skies — a subtle reminder that Morrígan was watching closely. The massive bird was circling above your heads, like a vulture waiting to feast on a carcass. With resolution, you wiped away your tears, your sobs now silent, and nodded at Torcall.
“I understand. How many…?”, your voice faltered before you could finish your question.
“A couple of thousands. We have found cover in the Dunnottar Woods while we regroup and… bury our dead.” Torcall replied, his eyes averted with the last sentence.
You had lost a sister, but he had lost a wife, the mother to his now half-orphaned children. “I’m sorry”, you muttered, your lips pouting once more.
“She died fighting, the death of a warrior.” His proud voice did not waver. “And your father?”
Your heart wept at his mention but managed to control the anxious fluttering.
“The General killed him.” Your teeth gritted with hatred.
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“Mo bana-phrionnsa (my princess)”, one of your father’s retinue members bowed his head to you once you walked into the circle they had formed in a meadow between the trees.
A few dozen men were scattered around the area, fires lighting the dark night while shades of red and orange flickered, creating fiery, dancing shades. You held a torch and carefully waved it in front of you, looking at the faces who watched you back eagerly.
You saw in your men what was brewing inside you: despair, defeat, sorrow. All your souls grieving in unison — all of you had lost someone that day.
At six and twenty, you did not expect to be in this position. You were the youngest daughter of the Overlord — you were never meant to lead your people. The task ahead of you felt titanic, unachievable.
But you had no other option. General Marcus Acacius had forced your hand.
He came, he saw, he conquered.
And now you had to deal with the gut-wrenching outcome of his departure.
“We’ll go back home to Inbhir Nis. But before that, we must give burial to our people.” You had to make a herculean effort to infuse your tone with steadiness.
Torcall first, and then the rest, bowed their heads to you.
“As you command, mo bana-phrionnsa”, he replied, and quickly barked orders around in your stead.
Your chest felt heavy with responsibility and grief. What pained you the most was not being able to carry your brothers and sister with you back home. They would not be buried under the cairns near you family home with the rest of your ancestors.
And what was worst — thousands of lives now depended on you. The weight of your tribe's destiny heavily rested on your shoulders now, like Atlas carrying the heavens.
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Maisie, Aodh and Somhairle had been lined up on a patch of wildflowers that you had picked yourself the night prior — their arms were threaded together with your sister in the middle. Your clansmen had also surrounded the makeshift burial pit with wood to aid the combustion.
As you placed the last stone on top of them, you also deposited a bright, bloomed thistle. The flower that blossomed in every nook and cranny of your beautiful motherland, despite the harsh winter or conditions it faced. Like the phoenix rising from the ashes, it would always come back, stronger and more brightful than ever.
Devotion, bravery, determination, and strength — the thistle was a badge of honour for the Caledonians.
With a renewed brawn unbeknownst to you, you threw the lighted torch and watched as the fire consumed the bodies underneath the stones.
There were no tears left within you. Only purpose and resolution.
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The way back to Inbhir Nis was tiring and soul-crushing. Hiking through the Cairngorms had been a difficult task with so many people behind you, but luckily you all managed to make it through without any losses.
With each mile covered, you saw the devastation left behind by the Romans. If this was any indication of what awaited ahead, you should start bracing yourself for what you would see. It seemed that the Romans were set towards the northwest — Inbhir Nis was right in their path.
You quickly recognised the landscape as you walked towards Loch Moy. A thick, dark column of smoke towered above the pine trees. Your heart raced as you picked up your dark green skirt and ran towards the loch, ignoring the calls of your brother-in-law.
You could run through those woods blindly — this was the land where you were born, the land you were named after. Your name was an unusual one — Caledonia, in honour of the earth beneath your rushing feet. Just a few people called you Callie, mainly your family and closest friends. With your bright, fiery red hair, green almond eyes and a face dotted with freckles, you were the epitome of your people. That was probably why when someone new learned your name, they always said it suited you.
Dodging the last few trees, you made it to the edge of the loch. In the shallows, the crannog of Naimh, your community’s healer, was burning down to its foundation. You covered your mouth with a sombre expression, your eyes itchy because of the dense smoke and unspent tears.
The Romans had gotten to your settlement before you did.
“Callie, wait up”, said Torcall behind you, struggling to catch up with you.
He halted right behind you, the silence between you was almost tangible.
“The rangers have returned from their reconnaissance mission.” His voice was plain, contained. You turned your heard towards him, slowly, hardening yourself for his next words. “Your mother is dead.”
The last glimmer of hope within you vanished. A single tear skidded through your cheek — angrily, you wiped it off.
You were alone in this world. Everyone you cared for had been taken from you.
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“Is everything to your liking, Dominus (Master)?”, the male roman servant asked in a low hush, head bowed, eyes fixed on the cobblestone.
“Yes, now leave”, Marcus dismissed him with a wave of his hand.
The General looked around him with a mixture of curiosity and disgust. He was accustomed to much more elegant surroundings. Although the barbarians did try, their architecture was nothing in comparison to Rome’s.
The castle he was in was small and it only had two floors. It was mainly made of sturdy, grey rocks and dark wood. The design was not very sophisticated, all square and rugged edges. It had two towers and a barbican. The decoration inside was bare, with just enough furniture and no luxuries.
The only warmth was brought by the colourful tapestries adorning the cold, thick walls — one had caught Marcus' attention at his arrival when he first entered the dais. It told a story he had not heard before.
A dragon-like figure lurked beneath the rippling surface of a lake, attracting the attention of the villagers. At dusk it would emerge, a guttural sound echoing in the dead of night, as if it was calling another. Any bìrlinns (wooden vessel) left on the shore would appear destroyed the next morning. Fishermen were worried and called upon the town's druids, afraid of the Loch Ness monster. To appease the beast, every full moon, the druids would whorship the creature, bringing oblations and sacrificies to quench its thirst.
Marcus made a mental note of keeping his distance from that Loch Ness. As a devoted Roman, he was wary of the mystic creatures that skulked in the depths of human fear.
Although he missed his home, he had several debts to pay. The Emperor would not accept no for an answer, so he had to be a reluctant participant in this incursion — in fact, neither Domitian nor Agricola had really asked him to tame the highlanders up in Caledonia. They knew his skills would be most needed in combat, having been praised by bards and poets alike after his many years in the battlefield.
At eight and forty, Marcus Acacius had had his good share of tragedy and death, both personal and in war. His life had not been easy, having to forge a name of his own since childbirth and then having been recently betrayed by his own spouse.
The thought of Livia still angered him — she had had the audacity of blaming him for her infidelity, accusing him of always being away, of loving Rome more than his own family. Her cheating had been going on for as many years as their arranged marriage, throwing a doubtful shade on his paternity to both his children.
His life had come crumbling down in the last few months, so maybe coming to Britannia had not been such a bad idea. Female adultery was a crime penalised with death and that was a decision that Marcus had yet to make — outing Livia’s unfaithfulness would condemn her to Pluto's realm. Did he really want that for who had been his wife for more than thirty years?
Pinching the bridge of his hooked nose, Marcus walked towards the only window in the room. The roman took a deep breath and exhaled steadily — he needed to think of something else.
His mind went back to the battle of Mons Graupius. The spilling of blood never became easier with time — if anything, it had become harder, splintering his soul further. If he closed his eyes, he could still hear the piercing, pained shriek of a woman as he imparted death on Murdoch of Inbhir Nis.
Her hair was dyed with black soot and tied back, her face covered in a blue paste and ash. He was too far to catch the colour of her eyes, but he thought them dark azure. The fierceness of her expression took him aback, her voice shouting a word he did not recognise. But his eyes did not have time to linger on the feral woman a few yards away, because a savage attacked him.
His hand stilled on the rocky window’s sill. The barbarians called this place Inbhir Nis. The stone castle was that of the chief’s family, atop of a hill with views to the scenery underneath. It was rudimentary and lacked many commodities — nothing comparable to his villa in Rome. The tribal settlement was formed of huts made of stone, timber and hay.
Agricola had decided to burn down the outskirts of the town and killed the wife of the clan chief making a macabre example of her, so the people would submit to the Roman’s yoke quickly, crushing any opportunity of rebellion. The message was clear: Rome would not tolerate being challenged. Anyone who did, would face the most painful of deaths. The governor left to go northward, leaving Marcus behind to rebuild the area to Rome’s standards. The emperor had deemed the location an important enclave for his empire, being the main town in the Moray Firth.
Marcus was standing in what he thought was the bedchamber of Murdoch. With the Overlord and his family alienated, the primitive people of the highlands needed educating and he had been given the task of doing so. Not a welcomed one, but he had a duty to Rome that had to be fulfilled.
With a heavy sigh, he undid the brooch at the base of his neck, relieving himself of the heavy, white sagum (cape) that was part of his attire. He threw it on the uncomfortable bed. He unfastened the golden, laurel-shaped bracelets around his wrists, and then proceeded to undo the tight knots that held his armour in place.
Then a knock on the thick, wooden door broke the silence of the room.
“Come in”, thinking it would be his male servant, he didn’t turn around.
“Dominus, dinner is ready”, a very soft voice with a very marked accent made him look over his shoulder.
A pair of very bright, almond-shaped, emerald-green eyes locked on his, framed by what he would describe as fire hair — so red it looked like a hellish aura crowning your head.
So bright were your eyes, he almost felt his soul being examined by your hypnotising gaze. Marcus had never seen eyes like those.
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How dared he stand where your father did? Anger shimmered under your skin, but you kept it in check. When you realised you were holding his gaze for longer than what was appropriate for a servant girl, you averted your eyes, inspecting the stones under your feet.
Torcall called you mad for doing this, but you had made up your mind. If you really wanted to overthrow the Roman General and win back your family’s castle and land, you would need to sew yourself into his everyday life. Gain his trust, learn his secrets and use that information against him. Your people were counting on you for freedom, and you would not allow yourself to disappoint them. Even if it was the last thing you did.
“Who are you?”, his raspy voice filled the atmosphere as he resumed the task of undoing the ties on his armour.
Did he have no shame, undressing himself in front of a maid? Mind you, you were not an innocent servant, having been widowed recently. But still. The romans had no modesty, you assumed.
You had to think quickly. You had learnt that the governor and the general both thought the whole chief’s family dead, so you could not out yourself. A very few, selected people called you Callie, almost always in the intimacy of your home, when strangers were not around. Your nickname was precious to you because it was only used by those you loved.
“My name is Callie, Dominus”, you offered your nickname in a rusty Latin. It had been a while since you had to use a language that was not your native one.
“Callie.” The way your name rolled off his tongue gave you goosebumps. You didn’t like the way he pronounced it — it lingered in his mouth for too long, dragging each letter. You wished your words back, but you couldn't change it now.
Instead of clenching your jaw, you nodded. “Yes, my lord, I’m one of the servant girls who tended to the clan chief’s family before you.” You explained, your head still bowed.
You ventured your eyes up for a second, catching a glimpse of his naked torso. Unconsciously, you pursed your lips. The way your heart pounded loud for that one second made you furrow your brows in confusion.
He might be a gorgeous man, but he was a killer. And you had no taste for soulless murderers, that much you knew about yourself.
“Call my attendant, Atticus, to help me get ready for supper. I have no need of you. And ask the kitchen staff to heat some water and bring it up here.” His tone was emphatic, unwavering.
His rejection, in other circumstances, would have been most welcomed, but you needed him to trust you, to confide in you so you could plot his demise — to destroy him. This was not a good start to your plan, but you needed to play the long game.
“I could certainly help you with a bath now, Dominus, but your wish is my command.” You forced the words out, when in reality you wanted to spit them to his murderous face.
He just nodded in your direction, his movements stiff and measured. “Just my attendant will suffice, now go.”
With your fingers laced on your back, you curtsied, walking backwards towards the door of your father’s bedchamber. You could not seem too eager, or he would become suspicious.
When you were in the corridor with the door closed behind you, you took a deep breath and straightened your back.
You would not take no for an answer. Marcus Acacius would yield to you, whatever the cost.
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confused-pyramid · 10 months ago
Text
One Step From Grace | s4
pairing: aaron hotchner x childhood bsf!reader
summary: Hotch and his childhood best friend working together at the BAU: a slow burn across the seasons.
word count: 19.2k
warnings: canon!typical violence, mentions of abuse, mentions of death, abortion mention, implied SA, gun violence, specific episodes mentioned in this part are 4x01, 4x02, 4x03, 4x09, 4x11, 4x16, 4x17, 4x18, 4x23, and 4x26
a/n: Some more tension in the slow burn! I included some more specific episode details in this one, because some of the eps and characters are important to future seasons :') P.S. I love hearing all of your thoughts and comments (it's honestly what makes all of this worth it) so lmk what you think:) Title is from Grace by Rag 'n Bone Man
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"Garcia, is everyone okay?"
You can hear the sound of sirens blazing down the street a few blocks away from you, but you're too far away to make it there in time.
"Oh, thank god, you're alright," she gasps over the phone, her voice thick with tears. "Rossi and Reid called me just now, and Derek's on the line."
He greets you with a frantic urgency. "Hey, Y/N, I'm heading to the explosion site to see what happened."
"Okay, sounds good, keep calling people," you instruct Garcia, before swerving across the lanes and turning at the next intersection.
She calls Emily, who tells you that she's also going to the NYPD's critical incident command posts. When she tries JJ, the call doesn't go through, and then suddenly the line goes quiet.
"Garcia?" you call into the void. "Penelope, are you there? Derek? Emily?" No one responds, and your heart rate spikes again as you pull over in front of the command center and rush inside.
Rossi and Reid envelope you in big hugs when you find them in the main bullpen, and soon after, Emily and JJ join you inside.
"Do we know what happened?" you ask them as you crowd around the city map where Reid pinpointed all the prior crime scenes. "What street was the explosion on?"
Reid opens his mouth to answer, when Emily's phone rings. "Yeah, Garcia, I'm back. JJ's here too."
She listens for a few seconds, before her eyes widen and she glances over at you. Lifting the phone from her ear, she puts it on speaker and says, "Can you repeat all of that?"
"Derek's chasing after the bomber," Penelope says, her breaths coming out in short spurts. "The bomb... it was in Kate's SUV, or under it. Hotch is out there with her."
Your heart stutters and you press your palms against the back of the chair in front of you, leaning over it to get closer to the phone. "Is he okay?" You squeeze your eyes shut for a moment. "Are they okay?"
"He seems okay, but she looks really hurt. He hasn't moved her."
You release the breath you didn't realize you were holding and stand up straight, turning around to catch your breath. If something had happened to him...something irreversible...you don't know what you would've done. Especially after the last thing you said to him.
It's not your place to have this discussion.
Screw you.
"Where was Kate's SUV parked?" Rossi asks from behind you as you rub your eyes and turn back to face Emily's phone.
"2 blocks East of Federal Plaza."
***
You keep picturing the security camera feed of his SUV blowing up as you rush into St. Barclay's hospital. The moment Morgan called with the update that Hotch was taking Kate there in an ambulance, you all piled into an SUV and drove straight over.
You know Garcia and Morgan said he was fine, but not all injuries are visible. You're the first person inside, and you rush down the hallways until you spot a nurse in the ER. After you flash your badge, she points you to the curtains behind her.
When you push past them, he's standing up, working on the last few buttons of his shirt. His face is covered with tiny abrasions, and there's a piece of gauze stuck to his right ear.
"Aaron," you whisper, not wanting to startle him. He looks up as he grabs his tie out of the bag they put his clothes in. "Let me do that."
You take the tie from him as he sighs and closes his eyes for a long moment. It's silky against your fingers as you loop it around his neck and slide it under his collar.
"How are you feeling?" you ask him, trying to keep your voice soft.
He dips his chin to meet your eye and he squints as he shakes his head. "I'm fine, but Kate's in surgery. It didn't look good."
"I'm sorry," you whisper, forgetting about any prior gripes you had with her. "I'm sure she'll pull through."
He purses his lips and nods, just as the rest of the team pushes past the curtain. You step back quickly without thinking, and you don't miss the flash of confusion in his eyes before he turns to Morgan for the latest update on the bomber.
You swallow thickly as you look at your feet, letting everyone else walk around you. You don't know why you stepped back. Maybe it's the freshness of his divorce. Maybe it's the way Agent Calvert from the Portland office looked over your shoulder after you told him you weren't ready for dating again.
Whatever it was, you know you hated how it felt.
***
"There's a bomb on the ambulance."
Fear spikes through him as he turns around. "The ambulance which I drove in here." This day has already been longer than any of them expected it to be, but each passing minute seems to bring another surprise.
Rossi shoots him a knowing look that he reflects. "The hospital is their target."
He glances at you and you look back at him, your eyes filled with what he can only guess is fear. His mind flashes back to your interaction earlier, but he pushes it out of his brain as he realizes that they are down a man. "Where did Morgan go?"
Emily turns back. "He went to find the ambulance."
"Alone?" you gape at her, reaching for the gun in your holster.
He figures they only have a few minutes before the cell signal returns, so he grabs his own gun and nods. "Let's head down."
The ambulance is gone when they find the bomber in the parking garage, holding a knife to his throat. Before any of you can approach him, he slits his own throat. He can't help the grimace of disgust that crosses his face as the terrorist falls to the ground.
Once the immediate danger to the hospital is alleviated, everyone starts to relax. The rest of the team stays behind to clear the scene as he sprints up to the seemingly empty surgical ward. He finds the operating room that Kate was supposed to be in, but when he pushes through the doors, all he sees is a few janitors mopping the blood off the floor.
"What happened?" he gasps out. "Where's the surgeon."
A man in a blue scrub cap comes forward and pats his shoulder, a resigned look on his face. "We did all that we could. I'm so sorry."
All of the momentum leaves his body as he releases his breath, his shoulders deflating along with it like a circus balloon. The surgeon leaves the room and he looks down at her blood seeping down the floor drain. He watches as it mixes in with the cleaning fluids, and he can't help but wish that her death could've been less painful.
***
You wait outside the hotel the next morning, your go-bag hanging heavily off your shoulder. When the doctors told Hotch he wasn't cleared to fly yet, you told the NY agent assigned to drive him that you could take over.
"What are you still doing here?"
You turn around to see Hotch walking out of the hotel, the bag in his left hand evening out his gait after the explosion gave him a temporary limp.
You smile, pushing your sunglasses down from your head. "I'm your ride."
His eyes twinkle in the bright sunlight. "You really didn't have to. The flight is much quicker."
"It's okay," you shrug, before grinning. "Besides, I would never pass up an opportunity to annoy you for three hours."
That makes him laugh, before he winces slightly. Got it. No jokes.
He doesn't complain as you take the driver's seat, and that's when it hits you how much pain he must be in. For as long as he's had his license, he has preferred to be the one driving, sometimes even when he's in your car.
The first few minutes of the drive are quiet, but eventually you need to fill the silence. "I'm really sorry about Kate."
"Thank you," he sighs, his eyes squinting at the sun as you pull onto the highway. "I've known her for a long time." He exhales sharply. "Knew her."
You remember him telling you about a case he worked, years ago, that took him to Scotland Yard. He had sounded almost excited as he recounted the differences in how the British government handled procedure, but he had kept one thing to himself.
"You never told me about her," you say gently, trying to keep the blame out of your voice. You're not angry, you just don't understand why it would have been a secret.
He turns his head to gaze out the window for a few moments, before he looks back at you. "I wasn't sure about how that case would go when I agreed to take a look, but we ended up working really well together. I had spoken to her a few times before, mostly over the phone, but it was our first time meeting in person. We caught the guy we were looking for in just a few days, so before I left, she invited me to join her team for dinner."
You can guess where this is going, but you let him finish, in case you're wrong.
"When she dropped me off at my hotel that night, she made a... suggestive remark that I would've ignored if the implication hadn't been so clear. I shut it down immediately, but I didn't tell Haley when I got back, and I guess I just felt so guilty about it that I couldn't bring myself to tell you either."
Hotch feeling guilty about something. There's a shocker.
You glance over at him with a small smile. "I get it."
The "Welcome to New Jersey" sign flies past as you cross the bridge, and you both sit in comfortable silence as the sun glints off the water and reflects onto the cars around you. You see him looking out the window, and you wonder if he's thinking about Haley again, but then he turns to you with a curious expression. "The unit chief job here is yours if you want it."
Do you want it? You know you like leadership, and you would be lying if you said you hadn't thought about the possibility of moving up the ladder at some point, but now that you're confronted with the opportunity, it doesn't feel how you thought it would.
The thought of leaving this team, when they've become your second family, tastes bitter on your tongue. You know you could assume that other teams are like this too, but when you actually try to picture it, it doesn't feel possible.
"You can think about it," he says after a minute, "but not for long. They need a replacement ASAP."
You glance over at him and a realization clicks in your brain. "Wait, they needed your recommendation before offering me the position, didn't they?" You crack a smile. "You tryna get rid of me, boss?"
He laughs, before it turns into a small grimace from the pain. "No, of course I don't want you to leave. I just know you're destined for more than this. You could be doing so much good work, leading your own team."
The sun peeks out from behind the buildings in front of you, and you reach up to pull down the sun visor. "Maybe one day. But not today."
His eyes flit over to meet yours and you share a smile before you turn back to the wide expanse of road ahead of you.
***
You've been watching him all day. He was cleared to fly again, but you saw how pained he looked when the jet took off, and again when they exhumed Cortland's grave. The way he's been flinching back at the slightest sound, and cowering in pain after the louder screeches.
You tighten the strap of your kevlar vest and glance over at him again as he whispers something to the local sheriff on the Angel Maker copycat case. You've cornered the unsub in the latest victim's house, and Morgan got her out before she could be killed, but Emily continues to speak to the unsub through her megaphone, coaxing her out and into custody.
"It's over, Chloe," she says calmly as Morgan deposits the woman into the awaiting ambulance. "We have Faye. You have nowhere to go."
After a few moments, the front door creaks open and everyone lifts their weapons. She looks surprised when she sees the dozens of guns pointing at her, but then she lifts her own and Hotch steps in.
"Chloe, drop the gun."
The sheriff, with much less composure, jabs his weapon forward. "Damn it, lady, drop it!"
She takes a step forward and the sheriff fires, taking her down in one shot. Hotch goes down at the same time, doubling over in pain, his hands going up to cover his ears as he lets out a low groan.
As everyone else goes to Chloe, you rush to him, lifting your hands to press them over his in an attempt to help him hide from the external chatter and noises. "Aaron, it's okay, you're gonna be okay."
His body folds into yours as you wrap your arms around his head, clutching him to you, unable to help. "It's okay, it's okay."
It takes a few seconds for him to relax in your arms, and then a few more for him to remove his hands from his ears and stand up straight again.
"I'm okay," he sighs, his brow still furrowed with tension. "Thank you."
"Of course," you whisper, your chest heaving as the stress slowly seeps from your body. "You're not flying home."
He takes a deep breath before slowly dipping his chin into a nod. "It's a much longer drive. You don't have to accompany me this time."
The corner of your lip quirks up. "What makes you think I was offering?"
"Okay," he chuffs, rolling his eyes. You can still see the image of him doubling over in pain splashed across your eyelids, but you manage to push it out of your mind long enough to return his smile.
***
"Stand!"
You look up from the young girl you were interviewing with Emily and Spencer as Cyrus storms into the room with a gun, his second in command hot on his heels.
"What's going on?" Emily asks as she and Nancy Lunde, the state officer you came onto the cult compound with, stand up and approach him.
He squints, scrutinizing each of you. "We just got A very strange phone call from a news reporter. Is there anything you want to tell me, about a raid, maybe?"
You frown, genuine confusion coloring your expression as you shake your head. "We told you, we're child victim interview experts."
He takes another moment to consider your answer before nodding and instructing the man with him to lead you to the tunnels for safety while the raid continues.
You let Spencer, Emily and Nancy go ahead of you as the sounds of gunfire from the back get louder. When you reach the tunnels, they head further in to help the children take cover as Nancy turns back and gives you an earnest look. "I can talk to him."
You're shaking your head before she's done speaking. "No, you can't. It's too dangerous."
You try to grab her arm, but she rushes forward and past the small crowd of children that safely made it out of the school. You run after her as she calls out, "Mr. Cyrus, let me talk to them."
She's too close to the window. You reach forward to grab her arm and pull her back but then another round of gunshots fires off and she drops to the ground in front of you. You start to crouch down, out of the line of sight of the window, when a searing pain shoots through your abdomen. You keel over, falling forward into the wall of the chapel as you gasp out in pain.
It doesn't hurt as bad as it probably should, but the adrenaline coursing through your veins won't last forever. You press your hands against the bullet wound that ripped through the side of your abdomen, and try to calm your breathing as fear washes over you. The team knows you three are in here, they'll figure out how to get you all out.
You know the minimal loss scenario by heart, and the BAU was the one who wrote the CIRG playbook, so it's a small comfort to know that you'll be able to predict their moves. You can only hope that they will be able to predict yours just as well.
Another wave of pain shoots through your side and you grit your teeth as the adrenaline starts to wear off. They better hurry.
***
He knows he's emotionally involved. They all are, but if his people aren't the ones leading this negotiation, he won't be able to forgive himself for any outcome that doesn't end with the three of you coming out in one piece.
He's listening in as Dave speaks with Cyrus, and he can't help but notice how cavalier his tone is after his followers were just shot at. He continues to rant about the final battle he has foreseen, until Dave manages to get him back on track.
"Now, the four child services workers..." he says slowly. Hotch can hear the concern coloring his tone even as he tries to act detached.
Cyrus's voice is crisp over the line. "One of them is dead."
His heart jumps to his throat. Your face flashes in his mind and he closes his eyes as he silently begs whoever is out there for it not to be you. Not you, not Prentiss, not Reid. Please.
"Her name was Nancy Lunde."
His breath comes out like a gasp, and Dave turns to him with an equally relieved expression. He's so thankful that the guilt for wishing harm on anyone takes an extra second to take over.
But Cyrus isn't finished talking. "One of the other child service workers was shot during the same raid. Once again, by your people."
He looks up at Dave, waiting for him to ask who it was, but he doesn't have to. The next word out of Cyrus's mouth is your name, and his stomach twists with nausea and anguish even as he assures Dave that your wound has been cleaned and properly dressed.
He turns to look at the compound, as though he could see you if he squinted hard enough. Hold on, he thinks, hoping you can hear him somehow. You've always had a way of reading his mind. Please hold on.
***
You wake up on a small cot, with a woman bent over you. You hiss as she presses down the edge of the bandage on your abdomen, and you bring your chin to your chest to see the current state of your gunshot wound.
You're surprised to see the blood washed off, a clean bandage and gauze left in its place.
"You got lucky," the woman says when she realizes you're awake. "The bullet went all the way through."
"Thank you," you whisper, before turning your head to look around the room. "Where are the people I came in with?"
"I'll take you to them," she nods, reaching her hand out. You take it and let out an involuntary groan as she helps you into a standing position. You try taking a step, but another spike of pain shoots through you, so the woman latches her arm under your shoulder to help you walk.
It takes a few minutes, but eventually you get back to the main chapel, where Emily and Spencer are sitting with the rest of the followers. They turn when the doors open in front of you, and they immediately jump out of their chairs to take over for the woman helping you.
"How are you feeling?" Spencer asks, his eyebrows pinching as he looks at you.
"I'm okay," you assure him, even as your vision blurs from the pain of having to walk so far. "Can we just sit down, though?"
"Of course," Emily nods, helping you sink into a chair. "I'll get you some water."
Spencer sits down next to you when she rushes off, and you don't miss how he keeps glancing down at your stomach.
"It'll be okay, Spence." He meets your eye and you nod again. "We know the playbook. We just have to follow it."
Emily returns with a water bottle that she opens and hands to you, and you chug half of it before setting it down. Hotch, please hurry, you think, wishing he could hear you.
***
The next morning, you wake up to a knock on the front door of the compound. You peel your eyes open and try to sit up, before remembering what happened the night before. Your skin feels wet as you run your fingers against the edge of the gauze, and you look down to see that you're bleeding through the dressings.
"Emily," you whisper, pushing her shoulder gently to shake her awake. "I need you to get the first aid kit again."
You feel more blood drip down your stomach, and your vision turns hazy for a moment, like a confirmation. She walks across the room to get the kit, and you almost forget about the knock on the door, until Cyrus opens it, revealing a stone-faced Rossi.
They shake hands as Emily removes your dressings before tearing open a new packet of gauze and pressing it into your wound.
"The children," Cyrus tells him, gesturing to the crowd. He then points at the three of you. "And our guests."
Rossi meets your eyes for a split second, and you make sure to keep your expression neutral as he nods and turns back to Cyrus. You're glad it's him who came inside, and not Hotch, because even though you want nothing more than to see him right now, you also don't want him to see you like this.
Rossi tries to get him to release the children, but he ends up leaving with nothing more than a promise to send food and supplies.
***
"Prentiss, Reid, and L/N are okay," Dave says as he jogs back to the tent outside. He turns to Hotch then. "She's been shot in the abdomen. They've tried to dress her wound, but she's losing blood."
Shit. He shuts his eyes as he tries to think about what he can do from out here to speed up the playbook.
"I have a signal!" Morgan beckons them over as he lifts a few sets of headphones for them to wear. With the bug Dave left on the compound, at least they have ears on the inside. It's not all he wants, but it's something, at least.
***
"Which one of you is it?"
Cyrus storms into the basement, where Spencer and Emily are sitting next to you as you lay down on the small cot from earlier. After Emily changed your bandages, Spencer managed to convince him to let you rest away from the followers.
"Which one of you is the FBI agent?"
Spencer jumps in before you can react. "Why do you think one of us is an FBI agent?"
You haven't had the time or capacity to properly profile this man yet, so you don't know if his evasive tactic will work, but you also know he's smart enough to have thought this through.
Cyrus sighs, almost like he's disappointed. "God will forgive me for what I must do." He steps forward and points his gun at Spencer's head. You gasp, trying to keep a look of confusion on your face as you fight the urge to step in.
"I-I don't know what you're talking about," Spencer says, stumbling over his words. His eyes are wide with fear, and you can't tell how much of it is real and how much is for show.
Cyrus tuts. "One of you does. Who is it?"
You open your mouth to say something, anything, to distract him, but then Emily stands up. "Me. It's me."
The moment of relief you feel when he lifts his gun from Spencer's head is gone as soon as he grabs Emily by the hair and drags her to the door. Your legs burn with the desire to leap off the cot and tackle him to the ground, but you can't move as the door shuts behind them.
***
It's almost night fall by the time Emily joins you again. You and Spencer were moved back up to the chapel after Cyrus took her away, and seeing her now, she looks awful.
Splotchy bruises of purple and blue paint her neck and chest, and there's dried blood on her temple and the corner of her mouth.
"Emily," you gasp, trying to control your expression so that Cyrus and his diehard followers don't think you know her as well as you do. You hate the feeling of letting her take the brunt of his punishment and blame, but it won't help to expose yourselves as agents too.
Spencer leans over you to get a better look at her. "Are you okay?"
She nods, flashing him a small smile. "Yeah, it looks worse than it feels." You can't imagine she's seen her reflection today, but you still appreciate her trying to relieve his stress.
Right then, the front door opens again and a shipment of food containers are carried inside. Men lift the boxes and bring them around the room to feed everyone inside, and when they set a box in front of you three, you notice a familiar scrawl of handwriting on top of the to-go container. 3AM. They're coming in at 3AM.
***
When the followers leave to go to bed, Cyrus takes Emily away again to separate her from you and the others. You fight the exhaustion pulling your eyes shut as you sit on the floor with your back against the wall. Spencer has been talking to Cyrus's second in command, trying to convince him that the Bible can be used to manipulate anything, but Cyrus catches on quickly.
You keep glancing at the door, hoping that Emily will find her way back up before 3AM hits, but as each minute ticks by, the idea becomes more futile.
You saw the diehard followers rigging the compound with explosives earlier in the night, and the detonator is clutched in Cyrus's hand like a lifeline. The irony doesn't escape you.
"Something's wrong," the follower reports, his eyes scanning the darkness outside through the window of the chapel.
Cyrus walks over to check, and you use the moment of distraction to lift the edge of your shirt and check your bandages. You're starting to bleed through the gauze again, but it's not bad enough that you need your dressings changed just yet.
When Cyrus realizes that he's been lied to, Spencer tries to distract him by spouting off verses at a rapid pace, but Cyrus just rams the butt of his rifle into his head, sending him to the ground.
"You cannot convert my brothers," Cyrus says before hitting him again. You crawl over to him, ignoring the screaming pain in your side, and clutch his arm for some semblance of comfort. Cyrus looks down at the both of you, his eyes squinting. "No one had to follow. God could have stopped me."
"He just did."
There's a gunshot, and you whip your head around to see Morgan and a young girl racing out of the tunnel before he crouches beside you. "You two alright?"
You nod, reaching your arm up to let him help you into a standing position. "Where's Emily?"
"We got her out of here," he explains, before turning to the girl. "Sweetheart, come with me."
She looks at each of you, her face twisted with panic, before bending down and picking up the detonator from where Cyrus dropped it. Your eyes widen and you yank Spencer in front of you before pushing him down the tunnel. "Run!"
Derek wraps an arm around your shoulder, holding half of your weight as you both sprint down the tunnel after Spencer. You're almost outside when the explosion goes off, pushing you to your knees with a strong gust of air and smoke.
***
He yells out your name as the blast engulfs the compound. His throat feels ragged as he yells out for Reid and Morgan too, but he can't see anything until three figures stand up from the plume of smoke and stumble down the steps.
He rushes up, meeting you halfway as you collapse from Morgan's arms into his. He grabs onto you as your knees buckle, and he manages to pull you towards him before you hit the ground.
He can't breathe as he clutches you to him, trying to be mindful of your wounds. Your breath comes out in gasps that mix in with his own as he sags with relief that you're here, back in his arms, where he can keep you safe.
He pulls back when he sees the paramedics approaching, and it's only then that he finally gets a good look at you. Your skin is gaunt, and his heart thuds loudly in his ears as he sees you wince in pain.
When they load you into an ambulance, his feet finally start working again and he races after you. "I'm coming with you."
You nod as he climbs through the doors and you reach your hand out over the side of the gurney. Your fingers feel cold when he clasps your hand in his, and he syncs his breaths with the sound of the sirens as your eyes fall closed.
***
The first thought that goes through your head when you wake up is that it's too bright. You squint as your eyes peel open, and in the few moments it takes for them to adjust to the light, a chorus of quiet 'she's awake's filter around the hospital room.
"How are you feeling?" JJ asks, stepping closer to stand at your bedside.
"You gave us a real scare, Mama," Penelope adds with a gentle smile.
You open your mouth to respond, but your throat is so dry, no sound comes out. Emily darts forward to grab the cup of water on the counter, and you glance over to see the yellowing bruises on her cheekbones.
After a few sips, you clear your throat and say, "I'm good. How long was I out?"
"Just a day," Derek responds from the foot of your bed, where he's standing with Spencer and Penelope.
Spencer chimes in. "You got out of surgery a few hours ago, and the doctors said you can go home tomorrow morning."
You nod slowly, stretching out your arms and legs to test the limits of your mobility. When you push yourself up into a sitting position, it doesn't hurt as much as it did on the compound.
"Ah, you're awake," Rossi smiles as he joins you all in the hospital room. It's not exactly huge, so everyone has to stand to make room, but it still doesn't escape your notice that someone is missing.
You return Rossi's smile before glancing over at the door, trying to see if he's just outside. Noticing your gaze, Spencer walks forward and takes your hand, giving it a small squeeze. "He's on the phone with your father. I think he got a flight for tomorrow morning."
You exhale slowly and take another sip of water. "Thank you." He nods and moves to release your hand, but you grip it tighter, holding him back. "Seriously, Spence, thank you." You turn to Emily, who is on the other side and her eyes shine, reflecting the tears in yours. "That whole operation sucked, but I'm really glad you two were in there with me."
She lets out a watery laugh and bends down to press an kiss to your temple. "I'm glad you're okay."
When you start fading again, the team leaves with promises to see you back at work in a month, and you close your eyes to get a break from the harsh fluorescent lighting.
***
"Alright," he says into his phone, nodding. "We'll see you in the morning, Mr. L/N. Yes, she's doing a lot better...okay, good, see you soon."
He ends the call and tucks his phone back into his pocket, before walking over to the vending machine at the end of the hall to grab a few of your favorite snacks. He loads up on chips and pop tarts before heading back up the hallway to your room. When he reaches the door, he realizes that the rest of the team has left, so he steps inside quietly and takes a seat in the small plastic chair next to your bed, before gently setting the snacks on your bedside table.
Your eyes are closed and he figures you must have just fallen asleep, so he crosses his arms over his chest and just sits there, watching you. Your face is covered in little scrapes from the explosion, and you still look a bit ashy, but you somehow still do look beautiful. This isn't the first time he has thought this - it was more of a recurrent notion when you were younger - but he can't deny that you're just objectively a beautiful person. But then again, he's not sure if beauty is ever really objective (eye of the beholder and all that), so he pushes the thought aside and turns back to you.
His thoughts are interrupted when his phone chirps with a text message. Pulling it out of his pocket, he checks the name and sees that Haley has arrived at the hospital. He had called her after you went into surgery, knowing that she would kill him if he didn't keep her constantly updated on your condition.
When he finds her at the end of the hall, she pulls him into a quick side hug that's slightly barred by Jack, who is clutching onto her tightly. He can imagine how scary the hospital looks to a three year old boy.
"Hi, bud," he smiles, pressing a kiss to the top of his head, before looking at Haley again. "She's sleeping, but I'll take you to her room."
"She's alright, Aaron." Haley is looking at him like she's worried he may break down, and it makes him wonder what his expression looks like right now. Ever since you got out of surgery, he has felt a weight lifted off his chest, but if he really thinks about it, he doesn't know if he feels all that much lighter at all.
But he doesn't want to say any of that out loud. Nodding, he cocks his head at the other end of the hall and leads her to your room, where you are blinking your eyes open again.
"Oh, sweetheart," Haley coos, adjusting Jack on her hip and walking over to your bedside. "I hope we didn't wake you up?"
You shake your head with a smile, but he can tell you're lying. You look exhausted, and he can see you periodically glancing at the light on the ceiling to keep your eyes alert.
"Well, hello," you grin at Jack as you carefully push yourself up into a sitting position. "How's my little Jack-o-lantern doing?"
His mouth twitches and he reaches his arms out as he lets out a loud, "Good!" You reach forward slowly, likely testing the limits of your mobility, and take him from Haley, who hands him off with a concerned look on her face.
"Be careful, baby," she tells Jack, before stepping back and crossing her arms. "Aunt Y/N is a little fragile today."
To his credit, Jack just slumps down into your arms, absentmindedly playing with the ends of your hair as you turn to Hotch. "Reid said you called my dad?"
He nods, taking a deep breath. "He'll be here in the morning. I assured him you were just fine, but he wants to stay here for a bit to keep an eye on you."
"That's okay," you shrug, much to his relief. After your last conversation about your father, he wasn't sure where you stood and how far he was allowed to push. "It'll be nice to have some company while I'm off for the next two weeks."
"Two months," he corrects with a stern look.
"One."
"Fine." The only reason he relents so quickly is because he knows how quickly he would be back at work if he was in your position. "But I'm limiting your field work until you're more healed."
You nod after a second. "I'll take it."
Haley huffs out a laugh and looks at him with an expression he remembers from their marriage. Affection with a hint of exasperation.
"Alright, you two," she smiles, reaching for Jack again. His entire fist is tangled in your hair at this point, but you don't seem to mind. "I should get him to bed. It's already past his bedtime."
You nod and hand him back, before letting her envelope you in a warm hug that you settle yourself into. "Love you, Hales. Thanks for coming by."
"Love you too, honey."
***
Haley leaves with Jack, and you slump down in the bed, feeling tired, but no longer sleepy.
"I can head out too," Hotch says quickly, reaching for his coat, "if you want to sleep."
You shake your head, and he drops his arm immediately, as though he was just looking for an excuse to stay. The thought makes you smile and his brow pinches in confusion. What's on your mind?
"I'm just glad I met you." You reach for his hand he takes it, giving it a soft squeeze, before taking a seat in the chair beside you.
"I brought you some snacks from the vending machine," he points out, glancing over at the pile he made on your table. "I got your favorites...at least out of what they had."
You grin, feeling your chest fill with warmth as you take in the assortment. "Sunchips and cinnamon pop tarts. You remembered."
"Of course," he shrugs. "You're the only person I know, other than my three year old son, who still eats pop tarts."
You make a face, swatting your hand at him, but he's just out of reach. "It's not my fault toddlers have great taste."
He chuckles as you tear open one of the packages and break off a piece. The buttery, sweet taste brings you back to your childhood when your mom was still alive. She would wake you up with two brown sugar cinnamon pop tarts before school, the sweet smell enough to drag you out of bed at eight in the morning.
"What are you thinking about?"
You look up with a smile, your gaze wistful as the memory slowly fades away. "My mom, actually. I don't have a ton of memories of her, but sometimes the most random thing will trigger an emotion or a memory that I forgot I had."
He nods, his eyes thoughtful. "Like the taste of pop tarts."
"Exactly." You break off another piece and toss it into your mouth, before setting the package back on the table. "Last week it was the smell of this perfume I found at the back of my dresser. It wasn't even the exact scent she would wear, it just had the same base notes."
Your voice trails off, and he looks at you, giving you a moment before speaking up. "What else do you remember?"
"I remember her funeral," you say without thinking, before realizing that it's not a lie. You know that grief is weird, that people usually remember everything or nothing, but for some reason, the funeral only comes back to you in pieces. Your dad crying silently, Hotch holding your hand, your dress being too small on you. You wore it anyway, because she had picked it out for you at the store a couple of years before. "I remember you holding me up."
His eyes flash with something that resembles amusement and he purses his lips. "I remember feeling the opposite. I knew I was supposed to be there for you, but somehow, it felt like you were the one holding both of us up that day."
You shrug, realizing the details don't mean anything. "All I really needed was for someone to hold onto."
He nods and that's when your mind flashes back to New York last month. "Did you go to Kate's funeral?"
"No," he sighs, raking a hand through his hair. "Her family flew her back to London to have it there, and I couldn't take any time off."
You want to apologize, but before you can open your mouth, he beats you to it. "I'm sorry for how I acted in New York."
You frown, but he just shakes his head. "I don't really know why I was trying so hard to protect her. I guess after the close call with Strauss last year, I was less sympathetic to bureau politics, but I still shouldn't have taken it out on you. I should've been protecting you too."
His words are tinged with self-contempt, and you find yourself wanting to take away his guilt even though you were hurt by how he treated you during that case. But that's how the two of you work. The protective instincts don't go away just because one of you is angry at the other.
You remember prom night all those years ago, when he was so peeved at you for convincing him to ask Haley to the dance, even though they had just started talking. She had freaked out and said no, so he was forced to take another girl who asked him after the fact (of which there were many), while you went with Kyle Martinez, who had been showing interest in you for a while. You knew your feelings for Hotch definitely weren't just platonic anymore, but he was into Haley, and he was also Hotch, so you had pushed it aside and gone to the prom with Kyle.
You had spotted Hotch the moment he walked into the ballroom that the school had turned into a Gatsby-themed prom venue. He commanded everyone's attention, and you certainly weren't immune, but you had your own date, so you ignored your best friend and danced with Kyle.
As the night wore on, he had grown bored and asked you if you wanted to get out of there and go somewhere quiet, but you weren't exactly experienced back then.
"I'm okay," you had whispered, trying to maintain your smile. "I'd rather just stay at the dance."
You can still remember the change in his expression when he saw you glance at Hotch, as though it was just yesterday. "What, are you into him or something? You seriously think he'd fuck you?"
You hadn't been able to help it as tears flooded your eyes, and before you knew it, Hotch was standing in front of you, glaring down your date as he asked if you were okay.
"Everything's fine," Kyle had sneered, trying to get around him. "Butt out of our business, Hotch."
He looked at you again. Do you want me to go?
You shook your head, a tear falling down your cheek, and before you had time to blink, his fist was swinging. There was a horrible thump as his fist collided with Kyle's cheekbone, sending him stumbling backwards from the force of the hit.
You couldn't move as Kyle swung back, trying to shove him down, but he didn't budge. He could take physical aggression better than most guys his age, but that didn't make this okay.
"Hotch, please," you had pleaded as he landed another punch. The sound of your voice must had cut through the fog, because he looked up then, unaware of the bruises on his knuckles. You helped him up, and the two of you watched as his date stormed out of the ballroom.
Presently, you look at him sitting in his chair and crack a small smile. "Do you remember prom night?"
He groans and you laugh lightly, being careful not to tear the stitches in your side.
"You never actually told me what that asshole did to you." His tone is light, but you can hear the genuine question underneath.
"It was so long ago," you shrug after a beat. "I don't even remember."
***
Your dad arrives at the hospital early the next morning right before you're discharged. The papers are quick, and by the time the sun has risen fully, you are being taken to his car in a wheelchair, despite your best efforts to refuse.
"I can walk!"
"I don't care."
"Dad, come on."
He frowns down at you. "I drove up here to be of use to you. Let me be of use."
You huff in frustration as he wheels you beside his car, and you try to get up on your own, but you twist the wrong way. You gasp out in pain as one of your stitches pulls and your dad immediately comes around to assist you.
"I hate your job," he grumbles, taking your arm to help you into the passenger seat. "If I had my way, you'd be working out of an office cubicle."
"I know, Dad," you soothe, turning your head back to smile at him. "I'm glad you're here."
"Me too, sweetie."
The drive to your house is quick, and he takes your arm again when you get out to help you inside. Once you're laying down on the couch, you insist that you don't need any more concessions, but he doesn't sit down in your armchair until after he has brought you a glass of water and a blanket.
"Dad, I'm fine, really." He doesn't look convinced, so you paste on your brightest smile, and he finally cracks, smiling back at you. "What do you want to do today?" you ask him.
"Wha- do today?" he sputters. "You need to rest, young lady. I'm not letting you leave this couch until you head up for bed tonight."
You can tell he's serious about this, so you sink back into your pillows with a sigh and grab the tv remote. "What do you want to watch then?"
He leans back in his armchair and brings his palm to his face: his thinking expression. "What's on?"
You click on the television, and the first channel it opens up to is playing a rerun of Breaking Bad. Neither of you seem interested in watching it, so you keep flipping through the channels, but after 20 minutes of mindless surfing, you eventually end up back on Breaking Bad.
"We could just play it in the background," you suggest with a shrug, "while we talk."
"Sure," he agrees, placing his hands on each armrest.
Two hours later, your eyes are glued to the television after having watched three episodes.
"We should probably do something else," Dad suggests at the next ad break. "All of this meth production is rotting my brain."
"Yeah," you agree, taking your time to reach for the remote before clicking the tv off and tossing the remote aside. "We can have lunch in the kitchen..."
"Nice try," he chuckles, before standing up. "Aaron is coming by with takeout soon, and you can eat that right from here."
He had been coming by a lot after your movie night a few months ago, and while hanging out with your best friend isn't an anomaly, it does reinforce the reminder that neither of you have anyone to go home to at the end of the night.
It's another half hour by the time he shows up, Thai takeout in hand, and by then you're starving.
"Thanks for bringing food," you say genuinely after your dad lets him inside the house. "I was worried I would have to live off Dad's cooking for a week."
"Very funny," he says with an eye roll. "But yes, thank you, Aaron."
"Of course," Hotch says simply, before handing your dad a fork and napkin. "I'm also hoping to convince Y/N to take more time off."
"Not fair!" you complain, feeling like you're reverting to your high school self with your dad and best friend sitting across from you. "I'm not starting field work for a couple of months. I just want to come in soon to meet the new press liaison."
"Is JJ leaving?" Dad asks as he takes a bite of green curry with rice.
"Just temporarily," Hotch says, reaching for the pad kee mao container. You nod, chiming in, "She's due in a couple of months, so she's gonna start training someone soon to take over while she's gone."
"Is she still with that cop from...where was it again?"
"New Orleans," you answer with a laugh. "Yeah, she and Will are still together."
You can feel the conversation getting dangerously close to (ex) spouses, so you steer your father away from the topic by having him try all of the food Hotch brought. He ends up staying for a couple of hours as he explains some of the more tame cases you've handled to your dad, who actually seems interested in the finer details of each profile.
Eventually, he heads home, with the explanation that he has Jack that night, and you say good night to your dad before heading up for bed. You cover the stitches with plastic the way the doctors instructed you to before taking a fast shower and getting into your bed.
You can hear the sound of your father's quiet snores from the guest room down the hall, and for a moment, you let yourself imagine that you're back in your childhood home, sleeping in your pink and purple bedroom after spending the day with your best friend.
***
It takes a lot of convincing, but at the end of the month, your dad drops you off at work before making his drive back home. Emily had called you before the team's plane took off, and you timed it right so that you'd get to the office just as they arrived.
The elevator doors open on your floor, and you hear a loud conversation happening between Morgan and Prentiss just before they spot you from the bullpen.
"Y/N!" Emily grins, rushing forward to give you a hug. "How's the healing process been?"
"I feel a lot better," you tell her with a smile as you pull back and drop your bag next to your desk.
"You look a lot better," she nods, before Derek grabs you and pulls you in for a surprisingly gentle bear hug.
"You look great," he says, grinning at you. "Are you cleared to come back to work?"
"Not field work," you sigh, pushing your hair back behind your ear. "I'm just here to turn in some paperwork and then I'm stuck to my desk for a few more weeks."
Derek takes the files from your hand and tosses them on your desk before throwing an arm around your shoulder. "You should come out and get burgers with Prentiss and me."
"Tempting," you say, "but I just came by to meet-"
"Hey guys," JJ calls out from the hallway. "I want to introduce you to someone."
She walks up to you all with another woman by her side. "This is Agent Jordan Todd. She'll be taking over for me while I'm on maternity leave."
You grin, clasping your hands together in front of you as she smiles sheepishly at all of you. "Agent Jareau's told me so much about you all."
She turns to Emily first. "You must be Agent Prentiss."
"Yes," she smiles, shaking her hand. "Nice to meet you."
Spencer walks up at that moment and Agent Todd nods at him. "Hello, Dr. Reid."
He waves back, and she then looks at you. You reach out first to shake her hand and she smiles. "Agent L/N, I presume?" When you nod, she takes your hand. "I heard about the cult incident."
"Yeah," you let out a laugh. "Incident is definitely a word for it."
Derek drops his arm from your shoulder and Jordan turns to him with a cheeky grin that piques your interest. "And Agent Morgan. Nice to see you again."
He nods, not giving anything away. "Nice to see you, too. So, this must be the good news."
"This would be my brownie."
Emily frowns, pointing between the two of then. "Uh, you two have met?"
Derek doesn't turn away from her. "Briefly."
JJ shoots him a look before steering Jordan away to meet the rest of the team, and you and Emily turn to Derek with matching expressions. "What was that about?"
"I met her at a coffee shop this morning," he explains, rubbing a hand over his face. "She knew my name then, and I guess this is how."
"JJ's about to pop," Emily says, glancing at you with a small smirk. "Looks like it's about to get interesting at the BAU."
***
Your first case back in the field takes you to Atlanta, where Vanessa Holden was murdered after going home with a man she met on a night out clubbing. Jordan briefs you all on the details back in the office before you get on the plane.
You're still not used to JJ being gone, and you heard all about Jordan's drive from Hotch when he came by your house with dinner periodically over your bureau-mandated leave, but you don't want to make any judgments before getting to know her yourself.
You sit across from Hotch on the plane, and you don't miss the way his eyes follow each of your movements from the second you sit down. Your bandages are still on, but you've regained almost all of your mobility.
As the jet takes off, you lean forward slightly to adjust the back of your blazer, and his gaze shoots to you, his brow furrowing with concern.
You flash your eyes at him, cutting the tension with a small smirk. I'm fine, I promise.
He squints slightly, scrutinizing your expression for a moment, before letting out an inscrutable sigh and turning back to the case file.
When you land in Atlanta, you start off at the police department with Hotch, Morgan, and Todd, and her continued insistence on being the first to meet with the local officials and debrief them surprises you, given JJ's more subtle nature when working with those who call your team in.
The local police let you know that the Holden family has stopped cooperating with their investigation, but the four of you head over to their home to try and speak with her mother and sister one last time. Jordan gets you in the house by sharing a story about her older sister who passed away, and you find yourself feeling awful about your misjudgment of her, until you notice the look of Hotch's face.
"Did you know that about Jordan?" you ask, trying to understand why he looks so miffed.
"No," he says simply, his brow pinched together, "and neither did she. According to her file, she's an only child."
You flash your eyes at Derek.
The conversation gets you a basic profile of the unsub, based on the cocky way he held himself with Vanessa and the way he was dressed when approaching her at the club, but when the moment you exit her home, Hotch corners Jordan on the driveway.
"The information about Vanessa Holden being the responsible sister," he fumes. "Where did you get that?"
She has the gall not to look ashamed, and you can't decide if you respect her resolve or detest her lack of responsibility. "Some of it was online, and some of it was an educated guess based on birth order."
"A guess."
You practically wince and Derek stares at her, as though trying to hypnotically get her to backtrack.
She looks down then, and he delivers the kicker. "And in the process you lied."
You step forward to insert yourself in the conversation (for what purpose, you don't yet know), but Jordan just stands up straighter, ready to defend herself. "That mother was shut down. I needed to salvage some rapport."
Hotch doesn't back down, and as his brow locks into place, you step back again. "I don't know how you did things in counter-terrorism, but we don't make it a habit to lie to get the job done."
"I got you in the door, didn't I?" she spits out one last time. It's both, you realize. Respect and distaste.
"Not only do you represent the FBI, you represent this team."
He shakes his head, and you cock your head at Derek, gesturing for him to head back to the car. You hear the tail end of their conversation as you yank open the passenger side door.
"From now on, everything goes through me."
Jordan gets saved by the literal bell as his phone rings, and when he steps away to answer it, she comes back to the SUV and gets in the back. "So, how bad did I just screw up?"
Derek heaves out a sigh, looking at her with his characteristic stoicism mixed with compassion. "On a normal scale of one to ten, I'd say a six."
He glances at you and you press your lips together. "But on Hotch's scale...an 11."
She rubs a hand over her face and you turn back to face the front, watching as Hotch paces back and forth, his phone pressed to his ear. He doesn't look up until he's back in the SUV.
***
The profile becomes clear when a new victim emerges: an unsub with a possible scar or birthmark above his left eye, who went to a class for pickup artists. After doing some researching with Garcia, Emily returns with a flyer for a man named Viper that makes your stomach twist.
You, Morgan, and Hotch join her at one of his classes later that day, and it takes everything in you not to sneer in disgust as he describes his approach to meeting women.
"This is the jungle, my friends," Viper finishes off, lifting his hands in the air theatrically, "and your prey wants to be caught."
You and Hotch share a look, and he raises his eyebrows as you cringe. What, not a fan?
You shove his shoulder with yours, but it's not hard enough to actually make him budge. Hilarious.
"Will you listen to that language?" Emily whispers from next to you. "He's training serial killers."
"Great," Derek sighs. "We're dealing with a rampant narcissist and misogynist who's turned himself into a snake oil salesman."
Hotch nods. "That's one more thing he has in common with our unsub."
The class ends soon after, and you get the distinct pleasure of meeting Viper in the flesh. When he approaches the four of you, he makes a clear effort to keep eye contact with only the men, likely trying to use his self-prescribed techniques to make you and Emily feel vulnerable. Instead, it just makes you want to laugh in his face.
"So you think this- what did you call him- unsub, took my class?"
He raises his eyebrows at Emily then, in what you can only hope is meant to be a seductive nature, and she practically snorts. Using his clear attraction to her to the team's advantage, she steps forward and takes control of the conversation. By the time she's finished, she has managed to secure his location for later tonight, and get him just flustered enough that a chance meeting later would have him ready to divulge anything she wants to hear.
'Please tell me we are not giving up on that guy." Emily heaves out a breath as you all walk back outside after speaking with Viper. She was just talking to him, but she looks like she's ready to take another shower.
Hotch flashes his eyes with uncharacteristic mirth. "We're just getting started."
***
His eyes keep darting back to the door of the locker room. Prentiss is going undercover at Club Aqua to get more information about the unsub from Viper, and when she suggested that you and Agent Todd join her, he couldn't think of a good enough reason to quash her idea.
He knows he's been hard on Todd. He figured it out on his own, even with your furtive glances from the passenger side of the SUV after leaving the Holden household.
He wishes he could say it all came from a place of protecting bureau leadership, but he knows that isn't completely true. It's been almost two weeks since he last saw Jack, and every time he drops him back at Haley's, that feeling settles back in his gut, like clockwork. The feeling that tells him he's just like his father.
The locker room door flies open and he averts his eyes, trying to maintain some level of subtlety, but it's only Prentiss and Todd. Where are you?
His unspoken question is answered when Prentiss announces that you told them to get started without you. He's still worried that you're not ready for this kind of assignment so early in your return to field work, so, before he can regret it, he stalks forward and pushes open the door.
The regret immediately comes when he sees your bare back, underneath your unzipped dress, on the far end of the locker room.
"Oh, sorry," he blinks, turning his head back. "I didn't realize-"
He moves to shut the door again, but you look over your shoulder and raise your hand, beckoning him inside. "Wait, I could actually use your help."
He steps through the door and crosses over to you, where you turn your back to him after a small glance. "Zip me up?"
The bottom of the zipper is at the small of your back, and he tries to avoid touching you as he pulls it up to the base of your shoulder blades. He isn't able to avoid it completely, and he tries to ignore the heat of your skin as he drops the zipper and nods. "All set."
You turn around and he forgets to step back in time, leaving you only a few inches from him as you glance up with a confused smile. "You okay?"
He nods again, stepping back and clearing his throat. Why is his skin burning? "I should be asking you that. Are you sure you're up for this?"
"I'm getting the bandages taken off later this week," you tell him, partly misunderstanding his concern. "It doesn't even hurt anymore."
That's definitely a lie, but he allows it for now. "That's not all I'm talking about. You haven't been in the field in months. I just worry that I'm tossing you into the deep end on your first day back."
"I'm fine," you insist, reaching out to put your hand on his forearm. "I would have refused the assignment if I didn't think I could handle it."
He's not sure if he believes that either, but in this case, the assignment itself seems odious enough that he can let it slide. "Okay. Are you ready to head out there?"
"Yeah, just one second."
He waits as you pull a thin necklace from your bag and clasp it around your neck. When it's attached, you spin around with a goofy smile. "How do I look?"
"Amazing," he says without thinking. "I mean- you look great, of course."
You just smile at him, before patting his shoulder and walking out the door to meet the Prentiss and Todd at the club. Your hair brushes past him as you leave, and the scent of your perfume lingers in the air behind you, a flowery aroma that persists even when the door swings shut.
***
Emily waves at you when you approach her and Jordan in a crowded part of the club. "Y/N, I'm sure you remember Viper. God's gift to women."
You smile at him sweetly, before glancing at her. "Sure hope he came with a receipt."
"Another friend," Viper says, letting out a weak laugh.
Emily uses this moment of distraction to pounce. "You promised if I met you on your turf, you'd show me something special. So...let's see it."
He starts spouting off some nonsense about chemical signals, and you're about to take Jordan's arm and pull her aside to give Emily some room, when Viper turns to you with a mock-sincere expression. "Does the boss man you're out here, with me?"
You turn back with a frown. "Excuse me?"
For a moment, you forget to mask your emotions and he practically grins as his bravado grows. "What I do for a living is pretty similar to what you all do. I read people...and from what I could tell during your little ambush of my class earlier, there's something going on between you and the supervisor."
You let out a laugh that feels surprisingly forced as it leaves your throat. "I really can't believe there are people out there who pay you for assessments like that, because you're dead wrong."
He shrugs, looking back at Emily, and you roll your eyes at him before turning away under the guise of giving them some space. When you're out of his line of sight, you let out a breath that was caught in your chest. You know you and Hotch are closer than most friendships are at your age, and you're not unaccustomed to people reading more into it than there is, so you're not sure why Viper's words feel like a fist around your gut.
"Hey, you okay?" You turn back to see Jordan approaching you with a glass of water. "He's really trying everything to get under our skin."
You accept the glass gratefully, and swallow a few gulps, before nodding. "Thank you. I think I just needed some air. I forgot how stuffy these clubs get."
"I hear that." She laughs and you feel your chest loosen with relief that she didn't believe Viper's insinuation. "I can't believe I'm saying it, but I'm almost excited to get back into my work clothes."
You let out a breathy chuckle, before sending her back to keep an eye on Emily as she works on breaking Viper. Later that night, when you get back to the station to meet up with the rest of the team, you excuse yourself early to head to the hotel, and you allow yourself to pretend, just this once, that you weren't avoiding him, and you really were just tired.
***
You're sitting in your car in front of the hospital at seven in the morning, because you didn't want to take any work off just to get your bandages removed. You know this is likely the exact sort of thing the bureau mandates time off for, but a small part of you didn't want anyone knowing you were coming here. Or maybe you just didn't want him to know.
You haven't been trying to avoid him. You may be a little embarrassed by how far under your skin Viper got with his one little comment, but you can't help it. The notion stirred something you don't recognize inside of you and you don't want to take the time to think through it.
You take a deep breath and get out of your car, before walking into the hospital and checking in for your appointment. When you called to secure a time slot, the nurse mentioned that, barring any complications, the appointment shouldn't take more than half an hour.
You're a few minutes early, so you sit in the waiting area, flipping through a fashion magazine from the table next to you. After a minute, you're so engrossed in a page about returning trends that you don't realize he is sitting next to you until he taps the side of your foot with his own.
"Oh shit," you blurt out when you see him, more out of surprise than the shame of being caught. "How did you know I'd be here?"
"Garcia saw it in your calendar and told me." You turn to look at him with mock-exasperation, but you're caught off guard by the genuine hurt in his eyes. "Why didn't you tell me the appointment was today? I could've driven you."
You open your mouth to come up with an excuse, but all that comes out is, "I don't know." He doesn't look convinced, but the doctor calls your name then and you stand up, pressing your lips together. "Will you come with me?"
He stands up immediately, without another word, and you both follow the doctor into a back room, where she proceeds to remove your bandages and check where you are in the healing process. The wound is closed, and is almost entirely scarred over, but she recommends that you continue to take it easy - a point which you see Hotch take mental note of immediately - and limit excessive physical activity.
"The wound is healing very nicely," the doctor says as you walk back to the front. "Give me a call if anything changes, but as long as you keep applying the salve, there shouldn't be a permanent scar."
You thank her before she heads back to meet with another patient, and Hotch holds the front door open for you as you walk out into the parking lot.
"Thank you for coming," you tell him earnestly, "even though I didn't ask you to. I should've told you."
He exhales through his nose, bumping your shoulder. "Yeah, you should have."
He loops his arm through yours as you step off the curb and you lean your head on his shoulder for a second before unlocking your car. You were stupid to let Viper's words get to you. He's your best friend.
He's your best friend, and you love him.
***
One of the first happy memories at the office in a long time comes in the form of JJ coming in with baby Henry. It feels like a welcome relief to see her face back in the bullpen, and for a few peaceful moments, everything feels like it's back to normal.
You know firsthand how much this job takes from people, and Jordan's absence in the office now doesn't go unnoticed, even with a sweet baby boy here to take your mind off of it.
Is this my fault?
Rossi had tried to talk her down after discovering that the unsub had killed his entire family in their home, seemingly after her press release, but sometimes the words aren't enough.
I'm not sure I can do this job.
There had been so much anguish in her voice as she admitted to Rossi that she wasn't cut out for this line of work, but no part of you judged her for it. A bigger piece of you almost envied her ability to recognize that she was in over her head - that she couldn't keep going like this.
Looking at JJ now though, you feel a sense of hope again, like maybe this job doesn't take everything from you.
"I thought you could use a surprise," she smiles, cradling Henry in her arms under a swath of blankets.
"He's beautiful," you whisper, stepping in closer to get a better look at his little scrunched-up face.
Penelope comes back into the room with a freshly warmed up bottle of milk, and JJ starts to feed him as everyone leans closer in wonder. "I wanted us to have at least one good memory to hold onto in this room."
Before you can react, Derek is pushing past you and Spencer. "Excuse me, kid. Um, JJ, can I..."
He points to the bundle in her arms and she looks at him with a soft grin. "Of course."
She carefully transfers Henry into his arms as all of the women worriedly chime in with reminders and comments on his form.
"You gotta hold his head up."
"Careful, you're smothering him!"
"I got it," Derek chuffs, before rocking Henry in his arms. "Look at that, what's he doing? He's smiling at Derek Morgan."
Penelope and Emily share a look. "Gas."
He shoots them a pointed glare, before grabbing the bottle from Garcia's hand and feeding Henry himself. "Hey, little man."
You can't help the smile that crosses your face as you step back to give them some room. Your shoulder bumps into Hotch as you step around JJ, and you look back at him, noticing the little curve of his lips. "You're smiling."
He glances over at you with an eye roll. "Gas."
***
"What's up, Hotch?"
You roll over and turn your bedside lamp on as you press your cellphone to your ear. The alarm clock beside you says it's just past five in the morning.
"We have a case."
You frown, pushing yourself up. "Wouldn't JJ usually call us to come in?"
"This one's different." His voice sounds slightly muffled and his tone is colored by a familiar tinge of irritation. "Dallas AG called me last night to come down here, and it looks like they may have a serial."
"You went alone?" you ask, trying to blink the grogginess from your eyes as you get out of bed. You are distinctly aware of how many questions you're asking, but your brain is still fuzzy from being woken up.
"Yeah," he says simply, before you hear someone call his name from the other end of the line. "I convinced them to bring the team in as well. Anyway, I have to go, but I'll see you soon."
"Yeah, see you-" The line cuts and you sigh, tossing the phone down.
So much for a full night of rest.
***
Spencer briefs all of you on female serial killers on the flight over, and once you land, Hotch is waiting at the hotel. You drop your things off in your room and meet with him, Rossi, and Morgan to head over to the location of the latest crime scene, when another man is murdered.
"Victim was Joseph Fielding," Rossi explains when you enter the office building. "He was CFO here."
"Poisoned?" you clarify.
"And staged," Morgan adds, glancing over the body. This time, the victim was left out in the open, naked and tied up. There's no way the company can keep the media away from this one.
"Which one of you is Aaron Hotchner?"
You turn around to see a man in a fancy suit stalking towards the four of you. You step back to let Hotch get around you, and he approaches the man with a frown. "I'm Hotchner."
"Larry Bartlett," he introduces himself. "I represent Mr. Fielding and Webster Industries."
Hotch angles himself to stand between the man and the body. "This is a closed crime scene, Mr. Bartlett."
"I spoke to Ellen Daniels," he explains, his eyes glinting with over-confidence. "She said you're a very reasonable man."
You resist the urge to snort as Hotch moves to get the attention of the police officers nearby. "Escort him out, please."
"No, wait! The press is outside, and they can smell blood. Any way we can handle this discreetly?"
This time it's you who frowns. "We're not about to lie for you."
"Don't have to lie," he says, gesturing with his hands as though that will help his case. "Just don't comment."
Hotch looks at him for a moment, before excusing himself and pulling the rest of you aside. "Is there any reason to go public yet?"
Rossi shrugs. "Validating her is exactly what she wants. If we hold back, she's more likely to make a mistake."
You almost smile. "He doesn't need to know that."
Hotch meets your eye for a beat before spinning around and putting his lawyer face back on. "We need everything you have on Fielding. Bank accounts, tax records, emails...everything."
***
When Penelope uncovers that the victims have all been withholding child support from their ex-wives, Hotch meets with the city's high-profile corporate lawyers to present the profile. You're not sure how helpful this will be, given that their primary motive is to protect their clients' companies, but it proves useful when one of the lawyers reveals that the unsub may have a penthouse to her name.
The apartment is massive. You walk around the living area, trying to find anything the unsub may have left out, but she has clearly been covering her tracks.
When you don't find anything by the bedroom, you head over to the walk-in closet where Derek and Emily are poking around her jewelry box.
"Hey, Prentiss," Derek suddenly says, lifting up a leather bodysuit and holding it in front of her. "Got a whip?"
Rolling your eyes, you smack the top of his head with the evidence baggy in your hands and walk back out to find Hotch. He's poring over her antique book collection when suddenly the apartment phone starts to ring.
You all argue for a few moments over who should take the call, and Derek quickly alerts Garcia to trap-and-trace it, before it soon goes to voicemail.
"Hi, it's me," the woman's voice says brightly in the voicemail message. "You know what to do." There's a beep, and then her voice comes back, more present this time. "Aaron."
Your eyes snap over to him, but he's still looking at the phone.
"I know you're up there," she continues. "Aaron Hotchner."
He reaches forward and carefully lifts the phone with his gloved hand. He walks over to the window as he presses it to his ear. "I'm at a disadvantage. You seem to know my name, but I don't know yours."
You bend down and press the speaker button on the main console as he moves across the room.
"I thought I could trust you, Aaron." Her voice is tight over the line, the tiny speakers still enough to amplify the emotion in her voice. She sounds so...disappointed.
"Who says you can't?" he responds slowly, clearly testing the range of her emotion.
"I want to," she says quietly. "I even looked you up online. I watched the presentation you gave on school shootings...and for a moment, I actually thought there were still good people in the world."
You remember that presentation. There had been a shooting at an elementary school in Virginia, and the moment the news hit, he had been on the phone, discussing procedures to ensure it wouldn't happen again. You went with him that day that he gave the speech, and you could tell he had been thinking of Jack the entire time he was up there.
Hotch closes his eyes for a beat. "But I've disappointed you, haven't I? Just like all the other men in your life who've walked out on their families."
The line is silent, before: "Did you walk out on your family?"
Hotch looks down for a moment and you fight the urge to walk over and pull him into a hug. "No. My wife left me."
You can feel the team's eyes on you as you keep your expression neutral, your eyes focused on him.
"Do you have kids?"
Your mind flashes to Jack, and your chest feels warm as he nods, before muttering a quick "yes".
The woman speaks up again, her voice stronger yet more emotional. "How often do you see him?"
"I try to see him every week."
She scoffs. "Do you see him every week?" Her question is like a jab, trying to push him into doing or saying something that will prove he's just like the other men in her life.
"No," he admits, glancing back at you. You nod, trying to let him know that you're right here. "I don't get there as often as I want."
"I believe you." Her voice softens and you watch as Hotch's expression turns back to his thinking face. He has an idea.
He lets her talk for a minute, listening in to Garcia's updates on the trap-and-trace, until he chimes in again. "But I'm just frustrating you, aren't I?"
You can hear the confusion in her tone. "What do you mean?"
"Well, you wanna show the world all these bad men, and my investigation's just getting in your way."
"No, Aaron," she sighs heavily. "You just want me to disappear, just like they do."
He shakes his head, turning to look out the window. "Truthfully, I'm only interested in finding you. You don't know who to trust. Am I right?"
There are tears in her voice as she quietly whispers an acknowledgement.
"Come to me and turn yourself in." He walks back to the living area. "I will make sure that you get the help you need. I won't let you disappear."
His voice is a comfort, and for a brief moment, you think that he could probably convince you to turn yourself in if you had to.
There's a beat of silence, before a small rustling sound. "If we met under different circumstances...I could believe that."
The rustling continues, before her tone changes completely, going from soft and meek to strong and icy. "I won't let you cover this up."
There's a gunshot right before the call cuts out.
***
You follow Hotch and Derek into the hotel room, checking behind you as you aim your gun out in front of you. Once Garcia found Megan Kane's address and client list, everything else fell into place.
The room is empty, except for a gun and a bottle of champagne placed theatrically on the center table.
"Hotch," Derek whispers, pointing out at the balcony, where a figure is laying down on one of the lounge chairs.
His brow furrows and he lifts his hand. "Wait here."
"You sure?" you ask, stepping forward to get a better look.
He nods. "It's over. She knows it."
Derek steps out to call 911, and you watch as Hotch approaches her slowly, tucking his gun into his holster before sitting on the chair beside her.
"Nothing will change," you hear her whisper, her voice overflowing with despair. "They'll just go back to doing whatever they want and they'll keep getting away with it."
He shakes his head. "Not if I have anything to do with it."
The response is almost corny, but his voice is so earnest that you find yourself believing him anyway.
He reaches forward and takes her hand, holding it tightly as her head lolls to the side to look at him. "How could your wife have ever left someone like you?"
He doesn't say anything, but you can feel the sadness permeating off of both of them as he comforts her in her final moments. Haley is one of your good friends, and you know she would've made their marriage work if it was something she could control. This job just isn't that.
Megan lets out a soft sob and you avert your eyes, feeling like you're intruding on a private moment. "You're the first man I ever met who didn't let me down. Will you stay with me?"
He doesn't hesitate. "Yes."
"Promise?"
"I promise."
He holds her hand for a long time, and he doesn't stand up until you're certain she's been dead for minutes. The walk back to you is slow, and you can see the extra weight on his shoulders as he trudges across the hotel room.
You open your arms and he all but falls into them, letting you pull him into a tight hug that you can tell is holding him together right now.
"You did good," you whisper as his face presses into your shoulder. "You kept your promise. It's the last thing she wanted, and you gave it to her."
You feel him nod, and a moment later, he stands up, letting his arms drop like deadweights. His hair is slightly disheveled, so you reach up and push the front strands back from his forehead, before resting your hand on his cheek for a quick second. "Let's go home?"
He nods again. "Let's go home."
***
It's snowing. You don't realize it until you step out of the car and onto the sidewalk in front of the Georgetown brownstone where the priest was taken in.
Emily and Derek caught him in the middle of an attempted exorcism, and you didn't arrive with the rest of the team until they were already bringing him out in cuffs. She looks shaken as she leads her friend out of the house and to the ambulance waiting on the street.
Once the paramedics take him from her hands, her body all but deflates, and she exhales deeply, as though releasing the pent-up tension from the day.
"Em," you whisper, approaching her slowly. "Can I drive you home?"
She doesn't look at you at first. Whites flecks of snow dance across your vision and stick to her coat and hair as she stares at the ground. After a moment, she shakes her head. "I'm gonna walk for a while."
Her feet don't move, and you're reminded of a conversation you had years ago, when she comforted you and offered you a quiet place to just be. Gently looping your arm through hers, you ask, "Do you want some company?"
She nods almost immediately, and you let her lead the way as you walk away from the red and blue flashing lights. You can't imagine how tough this case must have been for her, especially because the people she loved were so deeply involved.
The walk is silent, and you look down, watching the patterns the soles of your boots make in the snow. You only stop moving when Emily does, her sudden stillness tugging you back as she stands in front of a small church that she must have seen from down the street.
She lets go of your arm as she turns her face up to the sky, hugging herself in an effort to stay warm or shield herself. Maybe a mix of both.
"You don't have to say anything," you say softly as you turn to face the church as well, your shoulder pressing lightly against hers, "but if you want to, I'm always here to listen."
Emily glances up at the church, her eyes shining in the cold, and presses her lips together as she takes in a shaky breath. "My friend...who died...Matthew. He knew the Bible inside and out, and one day he started to question everything."
You think you know where this is going, but you don't want to interrupt her when she's letting out emotions she has clearly kept inside for years.
"We moved around a lot when I was younger, because of my mom's postings, and when you're 15, it's really hard to get accepted."
She's silent for a few moments and you take the opportunity to fill in the gaps for her, so she doesn't have to say it out loud. "You got pregnant?"
She nods, taking a deep breath. "Matthew wasn't the father. It-it was...something else. But I didn't know what to do. He told me to talk to our priest, but he just said that if I had an abortion, I wasn't welcome in his congregation."
Your throat tightens with tears and you blink them back, swallowing thickly. "What did you do?"
"Matthew found a doctor." Her arms tighten around her abdomen, and she lets out a small shiver. "He took me there, and he stayed with me. Then, when we got back, he held my hand and walked me into the church." Her voice cracks as she continues. "Father Gamino actually stopped his sermon, but Matthew told me to hold my head up and we walked to the front pew."
Her arms fall then, and you look up to see the wetness on her cheeks, pink from the cold. "Matthew saved my life. He made me feel like I was worthy of...love, and friendship, but then his anger and questioning started." She finally looks at you, and her eyes are wide with grief and anguish. "He saved me, and it's my fault that his life unraveled."
You're shaking your head before she's even finished speaking. "Em, honey, it's not your fault. He was your friend. He loved you, and everything he did for you was his choice. Anything he discovered after that was already within him."
Another tear falls down her cheek and you reach forward to pull her into a hug that she accepts gratefully. "You're one of the strongest people I know."
Her hands clutch the back of your coat as she cries silently into your shoulder, and you don't let go until she finally stops shaking.
***
Hotch is ending a phone call when you step into his office. He sets it down and nods when you step inside, but you can see the lines of tension just in the way he's standing.
"Is everything alright?" you ask, walking inside and standing in front of his desk. "What was that call about?"
He doesn't look up. "Shaunessy died last night."
"Oh, Aaron, I'm so sorry." You squeeze his forearm over the desk, but he still won't look at you. "He was your first boss here at the BAU, right?"
He nods, before clearing his throat and straightening his back. "He was sick. This isn't a surprise, but there's something else we may need to talk about-"
He's interrupted by JJ coming into his office, a case file in hand. "Sorry, but you wanted to know immediately about any unusual Boston homicides?"
You see his jaw twitch as he takes the file from her and flips it open, scanning the first page quickly. JJ glances over at you, a confused expression on her face, but you can only shrug.
He looks up after a minute. "We're going to Boston."
JJ sputters. "Wha-what, but we haven't been invited?"
"We will be." He grabs his coat and sidesteps the two of you, before booking it out of his office. You're hot on his heels as he grabs his briefcase and alerts the team that they need to be ready to leave within the hour.
"What was that about?" Morgan asks, turning to you.
You shrug again. "I have no idea." You turn to the glass doors swinging shut behind him, and rush outside before you can second guess your actions.
"Aaron!" you call out, forcing him to hold the elevator for you. "Tell me what's going on."
He sighs as you step inside, and he sets the briefcase on the floor. "It's the Boston Reaper. He's back."
"The Reaper?" The name sends a shudder through your body. "That was your first case as a profiler, wasn't it?"
He nods, and you wait for him to continue. "He offered Shaunessy a deal that if he shut down the investigation, then he would stop killing."
His words take a moment to register, but then your face falls. "He took the deal. And now that he's dead..."
"The Reaper has started killing again."
***
The next crime scene comes in the form of an older couple, who were killed in their car on the side of the street. When you arrive, you discover that the unsub left behind the previous victim's watch, as well as a note.
You sidle up next to Hotch, bumping your shoulder against his to alert him to your presence. "Looks like he went through her purse. Any idea what he was looking for?"
He's so focused on the letter in his hands that he doesn't respond, so you lean in and read it from beside his shoulder. "The question mark is new."
"It's for us," he says suddenly, dropping his hand and looking at you. "He's saying it's not fate. He's saying we had 10 years to save them and that these latest ones are on us."
You frown, trying to scrutinize the lines of tension on his face. "You got all that from one question mark?"
"I may know him better than I've let on."
Your brow furrows and you grab his wrist, bringing his attention back to you. "What does that mean? Aaron?"
"It means that there is a profile on The Reaper."
"You said you were called off before you could make one-"
"We were," he cuts you off, shaking his head. "I had just started the profile, and then he stopped killing, so officially we were done, but..."
You purse your lips. "But this case stuck with you."
He nods. "I kept coming back to it over the years, and I worked on it alone."
You can imagine young Hotch, in his first years at the bureau, poring over the case file late into the night, because he couldn't put it away when the unsub was still out there. You realize, all of a sudden, that it reminds you of Gideon.
Looking up at him, you release his wrist, letting your fingers drag on his pulse for a moment before letting go. "We need to hear your profile."
***
After he gives the profile alone, you all head back to the hotel to get some rest before the long days ahead of you. In your heart of hearts, you know that no one will really be sleeping tonight, least of all Hotch, so you go up to his room with him to keep working on the case.
"Can you imagine living with the fear that the man who killed your fiancee, and nearly killed you, is still out there?" Your question is mostly rhetorical, but Hotch still lets out a soft grunt from the bed where he's poring over crime scene photos from the last few victims.
"It explains why Foyet went so underground," he says with a frown. "The multiple residences under different names, always taking the bus...I just wish he had taken us up on moving him to a safe house."
"I think that's actually the one part I do understand," you muse, looking up from the file on your lap. "Part of the reason why I came back from my dad's house so soon after Jeff died was because I needed everything to return to normal. I needed my life back."
He glances up at you then with a slight raise of his eyebrow and you shake your head before looking back down. It's okay. Not now.
He looks like he wants to say something, but then the hotel room phone goes off, piercing the air with a high ringing sound. He gets off the bed and picks it up, answering with a stern, "Hotchner."
He's silent at first, but you only look up when you hear him say, "You've misjudged me. I'm the guy who hunts guys like you...I'll see you soon." He slams the phone down on the receiver, and even though you know exactly what that was, you still need him to say it.
"Hotch, what was that?"
He rubs a hand over his face, pacing back and forth across the small space in front of you.
"Was that him?"
He doesn't respond, instead mumbling something under his breath that you can't make out. You stand up and cross the room, before grabbing his forearms so he's forced to look at you. "Aaron! What did he say?"
His eyes are frantic as he finally meets your eye. "He offered me the same deal...and I didn't take it."
***
"Six bodies, not including the driver. He put 'em down with the gun and finished them off with his knife."
The scene inside the bus is horrifying. Blood is dripping from each of the seats, and the words "No Deal", along with a series of numbers, are painted in blood on the windows.
Rossi comes up beside you as you watch Hotch survey the scene, an eerie stillness to his composure. "What's going on with him?"
You glance at him, before turning back to Hotch. "The Reaper called him at his room tonight, offering the deal...and he hung up on him."
Rossi nods, before patting your arm and stepping around you. He nods at Hotch, grabbing his attention away from the scene he hasn't been able to look away from for minutes. "Y/N told me what happened earlier. So, what, you think this is your fault?"
"It is." His voice is shakier than you'd expect based on the resolution in his choice of words.
"Okay," Rossi shrugs, reaching for the gun in his holster. "Here, use mine." Your brow furrows and you step forward, making sure you're nearby in case this gets out of hand. You love Dave, but he can be a bit heavy-handed sometimes.
"You convinced me," he continues, shoving his hand forward. Hotch shakes his head, but he doesn't let up. "No, no, you hung up on him. You practically killed them yourself. Go ahead, get it over with. Don't worry about us. We'll get this guy without you."
Hotch closes his eyes for a moment, and when he opens them, they're shining with tears. You realize, with a shock, that you haven't seen him cry in decades. Not since the day after his father's funeral when Sean shut himself in his room for hours, because he truly believed that his brother didn't care about their family.
When he looks at Rossi again, a few tears have fallen down his cheeks. "I had ten years to do something about it."
"Look," he says simply, lowering his gun, "if you want to end up like Shaunessy, like Gideon, blaming yourself for everything, then you go ahead. But that voice in your head, it's not your conscience. It's your ego."
Hotch deflates, and you reach forward to wrap your fingers around his wrist, maintaining a steady connection. He looks at you, and you dip your chin into a tiny nod. It's not always your fault.
He looks back at Dave with a heavy sigh, but he doesn't pull his hand from your grasp. "You can put that away now."
Rossi raises his eyebrows as he tucks the gun away. "You sure?"
Hotch shakes his head, unable to hide his smile, and you let out a little chuckle. "It's a little dramatic, don't you think?"
"My wife always said I had a flair for the dramatic."
You and Hotch speak up at the same time. "Which one?"
Rossi shrugs. "All of them."
You laugh, before squeezing Aaron's wrist once more and letting go.
***
George Foyet is the Reaper.
You can't believe it even as the words circle around your brain. The team was able to catch him before he killed Colson, the journalist who wrote a book about him, but the victory still doesn't feel sweet.
I'm gonna be more famous than you even realize.
His last words before Derek cuffed him and handed him off to the police. They won't leave your head even as you step off the elevator into the office. Emily and JJ are chatting about some new restaurant in town as they step out ahead of you, and you walk to your desk in a trance, unable to figure out why you aren't able to let out the breath you've been holding since you left for Boston.
Your question is answered when JJ runs back from her office a few minutes later, her phone clutched in her hand and a panicked expression on her face. "Foyet escaped."
***
It takes a while for Derek to get over the Foyet news. He took his badge and credentials when he knocked him out, and even with the replacement he was given, you know the knowledge that Foyet is out there is still irking at him.
Hotch isn't much better. He's been throwing himself into work extra hard, and you're worried he's going to burn out or simply combust if he keeps at it.
This is exactly what Foyet wants, you want to scream. He's trying to get in your heads and mess with your life, without even being here.
But you don't say it.
***
He's been so immersed in work that he doesn't really get to talk to you until a case in Oregon, where an unsub has been killing people by hitting them with his car.
You're grabbing a cup of coffee at the local police station, pouring in an uncharacteristic packet of sugar, when he approaches you, perching on the edge of the counter. "Sugar?"
"I know," you sigh, tossing the empty packet into the trash can next to you. "I just wanted something a little sweeter today."
"Can't argue with that," he says softly, making you smile. It drops almost as fast as it appeared, and he scoots closer as he hands you a wooden stirrer. "How are you holding up?"
This case can't be easy for you, especially knowing how your mom died. You don't talk about it often, but when you do, he can tell it's because you need to let it out. He's the same way with his father, only the feelings he is hiding from are different.
"I'm fine," you say quickly, like it's an automatic response. You both know it's a lie, and you close your eyes for a beat, dropping the stirrer into your cup. "I should be fine, but...I don't know." He follows your gaze over to the open case file across the table, and notices how your eyes hang on the crime scene photos. The car wreckage. The tread marks on the road. "I don't know why this case is affecting me so much. I didn't even see the crash when my mom died."
He reaches forward and closes the file. "Grief works in interesting ways." If there's anything he has the authority to speak on, it's grief. But then again, so do you. He doesn't know if he would've gotten through the aftermath of his father's death without you. Thinking about it now, he doesn't think he's told anyone else the whole truth about his family. "Anything can be a trigger."
"What was your trigger?" you ask suddenly, turning to look at him. "After your dad died?" Your eyes are full of curiosity, and for a moment, he wonders again if you really can read his mind.
He takes a deep breath before answering. "For a while, almost everything was. The smell of his beer, the material of his favorite coat...it all made me so angry."
"I remember," you whisper, setting your coffee down, "but soon after, that changed." You look at him with a small smile. "You met Haley."
His jaw twitches and he realizes that he wasn't even thinking about her. The first person that came to mind when he thought about his healing process was you. Haley was everything to him, but she wasn't built for the life he grew up with. She wouldn't have been able to understand the rage flowing through his body when he thought of his father's death. The anger and hurt he felt, that somehow always transformed to guilt when he went back home for the night.
"Yeah," he says after a moment, accepting your judgment, even if it is a lie. He doesn't want to talk about this anymore, so he diverts back to the original subject. "Your mother was different. She loved you exactly how you deserved to be loved. Even if it hurts sometimes, it's just a reminder that you had something great."
That makes you smile, and he feels warmth fill his chest. "Yeah, I guess you're right."
He nods, patting your knee. "It's been known to happen."
***
You're in the passenger seat next to Derek when you see it. You watch him swerve his SUV into the unsub's truck in real time, but you still don't believe what you're seeing until the cars come to a stop, smoke billowing out of the front.
Derek screeches to a stop and there's glass everywhere as you throw yourself out of the SUV and race towards the collision site.
Aaron is stumbling out of his car when you reach him. There's a gash on his forehead, dripping blood down his face, and another on his arm. He tries to reach for his gun, but you grab his arms, holding him against the SUV.
"Sorry," he mutters through gritted teeth as you reach up to swipe the blood off his forehead before it falls into his eye. Your hand stays on his face as you survey the rest of him for any other wounds that may need your attention.
Once you're certain that he'll be okay, you turn back to him with a glare. "You scared the shit out of me." Your thumb is unconsciously rubbing circles on his jaw as he looks down at you. You are well aware that danger comes with the job description, but he also knows you would kill him if he ever put himself in serious danger, especially when it wasn't necessary. "Don't ever do that again."
He takes a deep breath as you pick a piece of glass out of his hair. When you return to meet his gaze, he reaches out to grab the strap of your vest. "I'm sorry."
You tug each other forward into a hug at seemingly the same time. You don't get the chance to be careful with his wounds as you collide into his chest, but you forget about everything else the moment his arms close around you. He's okay. He's alive.
"You don't get to die on me," you whisper into his collarbone as you tighten your grip around him. "Promise me."
You know it's not fair. You know it's not something he can control, especially with the kinds of people you chase on a daily basis, but it doesn't matter, because he knows you. He knows when you need the facts, and when you need reassurance, so instead of uttering a funny quip or a painful truth, he just says, "I promise."
***
Are you sure it's okay that I'm coming?
You type back a response as soon as you see the message on your phone. Of course. Dave invited you and Jack, and I would love to see you too.
A few minutes later, you get a simple Ok, so you set your phone down on the table and stand up to join the rest of your friends. With summer around the corner, Dave wanted to host a garden party, and after the last few months, you definitely don't mind the respite.
"Come get some more food," he tells you the moment you approach them by the edge of his huge yard. He's standing with Derek, Spencer, and Penelope by a long table adorned with steaming dishes of bread, pasta, and salad.
"I'll explode if I eat any more," you say with a laugh as Spencer stuffs another piece of bread into his mouth. For a small as he looks, he can be a bottomless pit when it comes to good food. "Have you guys seen Hotch?"
"He isn't here yet," Penelope notes as Derek wraps an arm around her. "I'll keep an eye out though."
"Do you think he'll bring Haley and Jack?" Spencer asks as JJ approaches with Henry in her arms.
"I told her to come," you say, tickling the baby's chin with the tip of your finger. "It'll be nice to see everyone together."
As though conjured by their questions, the door to the backyard opens and Jack steps out with Haley and Hotch right behind him.
"You're here!" You walk across the lawn and give her a quick hug, before bending down and lifting Jack into the air. "What's up, Jack-o-lantern? You're so big now."
"Yeah," he giggles, wrapping his arms around your neck. You press a loud kiss to the side of his head and he bursts into a fit of giggles as you tickle his belly with your free hand.
"I'm so glad you made it," Dave says from behind you as he comes over and gives Haley a hug. "We love having you here."
She raises her eyebrow at Hotch, but there's no intention behind it. Divorce seems to have treated them well, reminding them of all of the good that was there before everything else got in the way. "Thank you for inviting us."
"Seriously, thank you," Hotch agrees, before reaching out to take Jack from your arms.
"Any time," Dave says sincerely, before nodding at him. "Come help me grab some more wine from the cellar."
They disappear into the house, and you pull Haley down with you into two of the chairs by the edge of the sprawling yard. "Hotch and Jack are sweet together."
She nods, looking wistfully at the door. "He loves any time he gets with his dad."
"It can't be easy," you say slowly, hoping you aren't breaching a boundary unknown to you. "I've seen firsthand how busy the job has been getting recently. I haven't been home before midnight in over a week."
She's silent for a moment, and you worry that you crossed the line, but then she just smiles. "He's trying so hard...and that's all I can really ask for, isn't it?"
You suppose she's right. Not everyone is lucky enough to find a person who fights as hard as Aaron does to get home to his family at the end of the day.
"You're good for him, you know." You look at her as she crosses one leg over the other. "You always have been."
"You are too."
"I know," she says, before shaking her head. Her expression is warm as she smiles at you. "It's not the same, though. Even when you weren't around, you were in everything he did."
You don't know exactly where she's going with this, and you're acutely aware of the choruses of laughter floating over to you from across the lawn as she reaches out to squeeze your arm. "He loves you."
Your face transforms into what you imagine is a look of confusion. "I love him, too. He's my best friend."
Haley looks at you for a moment, before shaking her head with a nearly inscrutable sigh. "Anyway, thanks for convincing me to come. I'm gonna get some food."
~
Eventually, the sun sets, and the string lights in Dave's backyard turn on, along with the soft sounds of Ella Fitzgerald and Sam Cooke. He helps Derek and Will push the tables and chairs aside to make room for a dance floor, and soon, Haley is in his arms as they swing along to the lilting tunes filtering out over the yard.
It feels natural, dancing with her like this, but at the same time, he knows it's different now. He holds her firmly as she tilts in his arms, loose from the wine that Dave made sure was pouring all night, and she lets him swing her around the lawn, no care in the world.
Soon, the song changes, and she looks at him with a dreamy smile. "You love this song."
It's a soft tune by Sam Cooke, one he can't remember the name of right now, but he smiles at her as he nods. "I'm glad you're here. You and Jack."
"I missed you all," she says, before cracking a smile. "Mostly just Y/N though."
That makes him laugh, and before he knows it, Dave is walking over, with you on his hand, asking to trade partners for the song. "I haven't gotten to talk to Haley all night."
It's not the best excuse, but Haley doesn't seem to mind at all. "Of course, I'd love to dance."
Dave whisks her away, and Hotch holds a hand out for you, pulling you into another steady swing.
"I love this song," you whisper as the two of you fall into a rhythm. "I Wish You Love."
Right, that's what it's called. His hand settles on your waist as you grip his shoulder, and he can tell you've had a bit of wine too, but only because of the red tint of your cheeks.
"This is nice," you say after a few beats of silence. "We don't get to do this often."
He nods, turning you to make room for Derek and Emily, who are swinging heartily across the yard. "It's nice to see the kids together." He glances over your shoulder to peer at JJ, who has Henry and Jack in each of her arms. She has jumped head first into motherhood, and it suits her.
The song changes to something a little slower, so he steers you to the edge of the dance floor, taking control as your feet glide after him. Maybe you've had a bit more wine than he first assumed.
The thought makes him chuckle and you look at him with a quizzical expression. "What's so funny?"
"Nothing." He shakes his head, and clasps your hand tighter to hold you to him. He glances over your shoulder again and finds an excuse for his laughter almost immediately. "Garcia is trying to teach Reid how to dance."
You tug his arm immediately, spinning the two of you around so you can see the situation he described, and your face breaks out into a wide grin when you spot them a few paces over. "The poor kid has no coordination."
As you watch them dance, he watches you. The way the string lights glance over your exposed shoulders. The sparkle of your eyes under the waning moonlight. He realizes, not for the first time, how beautiful you are.
He could give himself the usual excuse, that it's just the time of the night, or the single glass of red he drank a few hours ago, but tonight, he lets himself just be there.
You're his best friend, and he loves you. He's here, dancing around the grass with some of his closest companions, and you're with him. For once, he can just be.
***
You can't the pile of shoes out of your head. Derek and Emily were able to find the girl before Lucas Turner killed her, but even after arresting him and getting her back to her mother, the case is still sticking with you.
89 pairs of shoes.
You shake the thought from your head as you get into Hotch's car in the field office parking lot. He insisted on driving you home after seeing the look on your face in the plane, and for once, you didn't argue with him.
"I can't stop thinking about them," you whisper as he pulls out of the lot. "So many lives that are forever changed because of two men."
You saw how Derek reacted when he found the box of muddy shoes. You saw JJ's face after she had to shoot Hightower for murdering the man who experimented on his sister.
"I'm thinking of giving everyone a few days off," he says, glancing over at you. "We all need some time to get away from this job. I'll put the request in tomorrow morning."
You nod, unable to voice your opinion. You feel depleted, without having even witnessed the horrors you know occurred up on that farm.
It takes a second, but eventually you regain the ability to speak. "Do you think it's worth it?" Your voice feels like sandpaper, but the question hurts more than anything else. "This life, I mean."
He mulls it over, and you notice his grip tighten on the steering wheel in front of him. "I think it has to be." Your brow furrows, and you don't know whether you want to scream or cry at how terrible that answer feels right now, but he isn't finished. "We have put too much of ourselves into this job to allow us to forget about all of the good that has come out of it too. If we choose to forget the good, then none of it means anything."
You look at him in wonder, realizing he has voiced exactly what you needed to hear. You're constantly awestruck by how he always seems to know exactly what to say to bring back your sense of purpose.
"You're good at this whole leadership thing," you say softly, cracking a smile when he looks at you. "You help me grow."
He pushes you just hard enough to help you transform into something so much bigger and better than you hoped you could be. His chin dips and he turns back to the road as your neighborhood comes into view. "You help me grow too."
You lean your cheek on your palm as you snuggle further into the seat. "I called Josh Cramer, over at organized crime."
His eyebrows raise with surprise and he glances over at you. "Jeff's old boss? How did that go?"
During your last interaction at the BAU office all those years ago, you weren't ready to see him yet. He still reminded you of the hate and anger and guilt you felt over Jeff's death.
The last few months have been kinder to you, though. It doesn't hurt as much when you think about him.
"It went well," you sigh, looking out the window at the houses passing by. "Even though it'll never really be the same, it felt more like old times, if that makes any sense."
"It does," he says simply, providing you an acknowledgement before letting you fill in the spaces yourself.
You take a deep breath, feeling the air fill your lungs, before letting it out again. "He told me a story from before Jeff went undercover. It was just a dumb story about some night his team went out for burgers after wrapping up a case." Your breaths get shallower, but the tears you are expecting don't come. "Apparently, he made the team go to three different burger spots, because he wanted to bring me back curly fries, and none of the places were selling the kind I like."
You clear your throat to dispel the tightness, and when you look back at him, the car has come to a stop in front of your house.
"That sounds like him," Hotch says, smiling at you as you chuckle to yourself.
You nod, closing your eyes for a beat. "I guess I just wanted to say that, yeah, our lives are sometimes changed inalterably, but...it's not always bad. I met him, I loved him...and then I lost him, but I still wouldn't take back any of it."
His eyes crinkle and he looks out the windshield for a brief second. "Me neither."
It's already late, and you don't want to take up any more of his night, so you bid him goodbye and shut your door after making him promise to actually get some rest.
Your front door shuts behind you, and you hear the sound of his car driving off as you exhale heavily. Your house feels big with you here alone, but for once, you revel in the solitude. Finally, a few days of peace and quiet.
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