#i also live on the other side of the us
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5sosconfessions · 1 year ago
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WWWY predictions!
Were now only a few days away from WWWY! I'm particularly excited to see what their setlist will be, as its both a throwback to their early days of music, and they only have a 40 min setlist.
If yall have any ideas of what may be on the setlist, or have any hopes, either send in them or comment!
im hoping to see alot of sfgf, and maybe some self titled, hopefully some b sides, and I'm expecting a few off Youngblood.
Heres my hopes!
From Self Titled - SLSP, Good Girls, End Up Here, Voodoo Doll,
From SGFG - Waste The Night, Vapor, Shes Kinda Hot, Perminate Vacation
From Youngblood - Youngblood, Talk Fast, IWCT, WWYLM, MYT, Babylon
From B sides - The Only Reason, What I Like About You, Disconnected, Out Of My Limit, Independance Day, American Idiot
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anna-scribbles · 1 year ago
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loveybug and catwalker from @blur0se @pisoprano and @asukiess beautiful minds
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chimaeraonwards · 1 year ago
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no ai generated content will ever compare to the absolutely cartoonishly evil plot to cut down trees to prevent workers from striking to get livable wage.
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zevranunderstander · 6 months ago
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number #1 tactic that people use to not sound as racist as they are when they talk to black people: 'uhh so you AMERICANS need to stop pretending everything is about YOU. why should i know this im not from the us :/' (= is talking about like. a phenomenally internationally well-known black artist)
#myposts#kendrick lamar#drake#i updated it from 'white europeans' to 'people' because some people pointed out that 'gringo' is probably more south american lingo#but the point i wanted to make is like. there is this subset of european people (quite a lot of them)#who try to deflect by saying them not knowing these things isn't because of an active lack of disinterest in black culture and influences#and like. them not knowing who a certain black person is is never an educational failing on their side of any sorts#but instead are pretending that like. they are by virtue of being european always correctly educated on What History And Art Is Important#like. 2 months back that one post pretending that 'us europeans dont need to know all your AMERICAN writers 🙄' talking about james baldwin?#like just because that person didnt know who james baldwin was#they immediately were mad at the implication that They Didn't Know Someone Of Cultural Significance#and twisted it into 'well he cant be that important by virtue of me not knowing him'#like completely ignoring that the european school system also has. race problems and also ignoring that he lived and wrote in France too#but like. its this really racist defence mechanism of like. 'well you stupid americans always make everything about yourselves'#i hope i make sense i didnt think this would blow up lol#and like some people in the notes of that post were so smug about not knowing who Kendrick Lamar is#bc to them thats like 'oh im too cultured to be listening to rap of any sorts' like completely dismissing his music as kind of second class#by virtue of it being rap and black music and him not being in the White Mainstream as much as other musicians#(i mean hes still like 24th most listened artist worldwide but you get what i mean)
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mephoj · 5 months ago
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late night chat
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#meeple.png#inanimate insanity#inanimate insanity invitational#ii oj#ii mephone4#ii mephoj#not inherently shippy but it is based on the weird gay little version of iii in my head#anyway i think they should've had some kind of summer romance in iii that changes their view on their lives forever#and leaves them haunted by eachother in a way that neither will want to address but it sticks with them#oj is Stuck in his shitty hotel job and kind of caged himself into that the more he insists its Just the way it is and hes fine with it#while mephone has simply gotten used to running away and hiding as much as he can#neither are good coping mechanisms but the kind of experience and perspective they have could be exactly what they need to hear#oj needs to Fucking Quit while mephone needs to let himself find community and let others know him#so he doesn't feel like he Has to run or he Has to do it alone#oj has connections albeit some messier than others#and hes a bit of a bitch but definitely more liked than mephone#and mephone has the If It Sucks Hit The Bricks mentality and the bluntness to get that through to oj#oj also has the perspective of being a s1 vet which means he has a very different view on mephone than others might#and that could do some good in getting through to mephone how his host behavior can negatively affect the contestants involved#mephone views oj as more equal to him as theyre business partners. hes very friendly to him (even if one sided.) he might just listen#sorry if this rant is redundant btw im not reading back any of this HAHA
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hyperfixatinator · 5 months ago
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DPxDC Headcanon: the title "King of the Infinite Realms" is misleading
Sure, there are indeed an infinite amount of worlds and dimensions across the multiverse. However, the name "Infinite Realms" is actually referring to the space in between said realms. The malleable borders that act as cushions to prevent all these realities from constantly colliding with each other. If you compare the worlds themselves to bones, then the Infinite Realms would be the cartilage preventing friction whenever they move.
So if Danny ever became the king of the Infinite Realms, he wouldn't actually have authority over whatever goes on within said realms. After all, each world has their own set(s) of afterlives and deities already taking care of that. No, Danny would only be in charge of that squishy, ectoplasmic stretch of space that portals need to punch holes through in order to cross over.
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skrunksthatwunk · 4 months ago
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kinda thinking about how the women who serve as maternal figures/raise kids in yyh are never quite ready for it. genkai's an arguable exception, but like.. atsuko had yusuke at 15, shizuru's basically in charge of kazuma full time in her early 20s/late teens (depending on version) with very very absent parents, and even shiori is given a kid she wasn't expecting, in the form of an old, old demon rather than like. a regular, blank slate ass human baby. and although shiori seems to do quite well with kurama, kurama can never be honest with shiori about who he is, or much of what he's seen. if he was, it'd probably make things far more complicated and overwhelming. atsuko, no matter how much she cares for yusuke, Could Not Have Been and thus wasn't ready to have him at 15. her attempts to make the most of that situation have had middling success at best. shizuru has also been placed into a parental role. we don't really know how long she's been raising kuwabara, but that's.. probably still parentification anyway. she shouldn't have to do that, and she shouldn't have to do that so young. and i think some of her coarseness with kuwa is out of frustration with her own inexperience + inadequacy + uncertainty, his not cooperating, and their parents for putting this on her in the first place. the ones who know the full extent of their situation grow desperate and it squeaks out in unpleasant ways, and the one who seems unbothered by it is the only one who has no idea that she's in way over her head. and i mean. ok. gonna preface this by saying keiko is NOT yusuke's mom in any sense of the word. but she does take care of him in a way atsuko couldn't manage to. she's often looking after him and cleaning up after his messes and stuff. she takes him on as a responsibility, and that is, in a way, a caretaker role. not to say that it SHOULD be her responsibility, but it's how she ends up being.
and when the stress of trying to make someone take care of themselves or be kind or good or Whatever goes awry, again, the violence and arguing and distance and ugliness of caring for someone reveals itself.
and i wonder about that. for a series dedicated to physical fighting as a form of communication, what does it say that this extends to the complicated, quietly desperate situations of so many of the women/girls it depicts, whom our more central characters were shaped and raised by?
hell, even hiei touches on this, because hina loved hiei, but there was no way she was prepared for him, obviously, nor for the pain of losing him. rui (whom i also see as a sort of caretaker figure to hiei, inasmuch as either of them were caretakers) literally throws him off a cliff because she couldn't face down the village elders, and out of some mixture of care for hina and, likely, fear for her own survival. and the guilt and pain of that killed hina and deeply wounded rui.
it's like motherhood, this thing that's so often treated as sacred and beautiful, is a kind of stitched up, painful, eggshell-walking thing that hurts parent and child and it's just. oughh
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happyendingsong · 2 months ago
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STARDOM ☆ 7.28.24 ☆ SAPPORO WORLD RENDEZVOUS mayu acts as wingman to help hanan pin tam
#stardom#stardom wrestling#mayu iwatani#hanan#tam nakano#natsupoi#joshi puroresu#stardomedit#wrestlingedit#ogifs#owrestling#flashing gif#id in alt#im never sure how much detail to give for these.. also no guarantee any move names are actually accurate. im giving it my best lol.#this match was so cute so fun <3....#mayu's priorities ARE 1) loving her girls and 2) being petty and spiteful and mean and having fun with it esp wrt tam#and idk breaking her neck goes somewhere in there too or whatever#at the end of the match as mayu and hanan's arms are being raised by the ref in vistory#mayu is only looking at tam still lying on the mat with like. pure glee on her face#hanan's arm is still in the air and she's delighted for herself for this being the biggest win of her career so far#but mayu's only paying attention to tam and drops down to her hunkers to hold the iwgp belt in her face#shes SOO funny. icon of stardom forever and ever.#i love when girls use each other as weapons i hope they do it forever#ALSO oh my god when mayu stops people getting into the ring by just holding them in place and beating the side of their head over and over#like with natsupoi in the 4th gif. funniest shit in the world i love it so much#she did that with i believe mina at the philly show but i dont think the cameras caught it#so delighted we got to see it live there <3.. god mayu rules#anyway hanan getting the win here felt like a bigger deal in the moment before the 5star happened. lol 😔#i still want tam doing a gauntlet run of having a rematch with everyone that beat her in the 5star#maybe hanan can squeeze into that for a red belt shot
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gingermintpepper · 2 months ago
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hi, i haven't read the iliad and the odyssey but want to - do u have a specific translation you recommend? the emily wilson one has been going around bc, y'know, first female translator of the iliad and odyssey into english, but i was wondering on if you had Thoughts
Hi anon! Sorry for the somewhat late response and I'm glad you trust me with recommendations! Full, disclosure, I am somewhat of a traditionalist when it comes to translations of the source text of the Iliad + Odyssey combo wombo, which means I tend to prefer closeness in literal verbiage over interpretation of the poetic form of these epics - for that reason, my personal preferred versions of the Odyssey and Iliad both are Robert Fitzgerald's. Because both of these translations (and his Aeneid!) were done some 50+ years ago (63 for his original Odyssey tl, 50 flat for his Iliad and 40 for his Aeneid) the English itself can be a bit difficult to read and the syntax can get confusing in a lot of places, so despite my personal preferences, I wouldn't recommend it for someone who is looking to experience the Iliad + Odyssey for the very first time.
For an absolute beginner, someone who has tried to read one or both of these epics but couldn't get into it or someone who has a lot of difficulty with concentrating on poetry or long, winding bits of prose, I fully and wholeheartedly recommend Wilson's translation! See, the genius of Emily Wilson's Iliad + Odyssey isn't that she's a woman who's translated these classics, it's that she's a poet who's adapted the greek traditional poetic form of dactylic hexameter into the english traditional poetic form of iambic pentameter. That alone goes a very very long way to making these poems feel more digestible and approachable - iambic pentameter is simply extremely comfortable and natural for native english speakers' brains and the general briskness of her verbiage helps a lot in getting through a lot of the problem books that people usually drop the Iliad or Odyssey in like Book 2 of the Iliad or Book 4 of the Odyssey. I think it's a wonderful starting point that allows people to familiarise themselves with the source text before deciding if they want to dig deeper - personally, researching Wilson's translation choices alone is a massive rabbit hole that is worth getting into LOL.
The happy medium between Fitzgerald's somewhat archaic but precise syntax and Wilson's comfortable meter but occasionally less detailled account is Robert Fagles' Iliad + Odyssey. Now, full disclosure, I detest how Fagles handles epithets in both of his versions, I think they're far too subtle which is something he himself has talked at length about in his translation notes, but for everything else - I'd consider his translations the most well rounded of english adaptations of this text in recent memory. They're accurate but written in plain English, they're descriptive and detailled without sacrificing a comfortable meter and, perhaps most importantly, they're very accessible for native english speaking audiences to approach and interact with. I've annotated my Fagles' volumes of these books to heaven and back because I'm deeply interested in a lot of the translation decisions made, but I also have to specifically compliment his ability to capture nuance in the characters' of these poems in a way I don't often see. He managed to adapt the ambivalence of ancient greek morality in a way I scarcely see and that probably has a hand in why I keep coming back to his translations.
Now, I know this wasn't much of a direct recommendation but as I do not know you personally, dear anon, I can't much make a direct recommendation to a version that would best appeal to your style of reading. Ideally, I'd recommend that you read and enjoy all three! But, presuming that you are a normal person, I suggest picking which one is most applicable for you. I hope this helps! 🥰
#ginger answers asks#greek mythology#the iliad#the odyssey#okay so now that I'm not recommending stuff I also highly highly HIGHLY suggest Stephen Mitchell's#Fuck accuracy and nuance and all that shit if you just want a good read without care for the academic side of things#Stephen Mitchell's Iliad and Odyssey kick SO much fucking ass#I prefer Fitzgerald's for the busywork of cross-checking and cross-referencing and so it's the version I get the most use out of#But Mitchell's Iliad specifically is vivid and gorgeous in a way I cannot really explain#It's not grounded in poetic or translationary preferences either - I'm just in love with the way he describes specifically the gods#and their work#Most translations and indeed most off-prose adaptations are extremely concerned with the human players of these epics#And so are a bit more ambivalent with the gods - but Mitchell really goes the extra mile to bring them to life#Ugh I would be lying if I said Mitchell's Apollo doesn't live rent free in my mind mmm#Other translations I really like are Stanley Lombardo's (1997) Thomas Clark's (1855) and Smith and Miller (1944)#Really fun ones that are slightly insane in a more modern context (but that I also love) are Pope's (1715) and Richard Whitaker (2012)#Whitaker's especially is remarkable because it's a South African-english translation#Again I can't really talk about this stuff because the ask was specifically for recommendations#But there are SO many translations and adaptations of these two epics and while yes I have also contributed to the problem by recommending#three very popular versions - they are alas incredibly popular for a reason#Maybe sometime I'll do a listing of my favourite Iliad/Odyssey tls that have nothing to do with academic merit and instead are rated#entirely on how much I enjoy reading them as books/stories LMAO
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valhallavalgrace · 2 months ago
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Favorite and least favorite activities, if you’re willing to share?
Also, did you learn anything about what’s going on with the new guy down the hall? Sure, you were supposed to stay out of it, but you’ve got to at least be a little curious, right?
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LEO: *quiet guilty thoughts because he can't ask about if Loki is like Loki in the movies* *pretending to know anything about Norse mythology*
MAGNUS: *overthinking about Uncle Randolf and the Loki symbols* *forgetting that Norse demigods aren't the only demigods bc they still haven't talked about his Greek cousin*
prev ask
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sylhorn · 3 months ago
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I’m kind of baffled about the state of dawntrail discussions having two parties in regards to Living Memory, one being “shutting it down is amoral” and the other being “it’s moral and not at all like what Emet-Selch wanted to do with us”. It’s like a lot of people refuse to engage with the narrative from any other perspective other than their own when the game essentially hits you over the head with the message.
Yes, the existence of Living Memory is unsutainable and amoral and, frankly, pointless – you can make the very valid argument that the people there were just AI chatbots trained on the memories of a given individual, leeching off of the souls of others, their existence demanding the genocide of the entire universe in the end. I agree, in our eyes, Living Memory is an affront to life, sure!
Nobody seems to talk about that this is the exact same perspective Emet-Selch had about us, or when mentioned, people say that it isn’t the same. It is? He very explicitly tells us that the people living on the shards today are pale imitations to what he considered to be life, and thus shutting it down and trying to undo his mistake IS the solution (he is very much like Solas from DA in this regard), because in his eyes there’s nothing to lose but everything to gain. Emet-Selch saw us in the same light we see the people of Living Memory, and the game is painfully unsubtle in drawing this parallel. Even with the differences (we are not recreated memories but actual souls being reborn from the aetherial sea, etc-etc), the game WANTS you to make this connection between Emet and what we do. It is quite literally the point!
Yes, Living Memory has to be shut down because its biggest drawback is that it’s unsustainable and would continue to destroy what we deem to be lives. It is also arguably an affront to what we consider life and its natural end (directly opposing the message of Endwalker). The Endless aren’t even too hung up about this shutdown, bar Sphene. Shutting down Living Memory is necessary.
But you can’t say it was morally good and unquestionable if you can’t give Emet’s views the same grace. In the end, both his plans (and the Ascians at large, frankly) and Living Memory had to be stopped because that means survival for us, but to divorce the two narratives to maintain the WoL and co.’s moral superiority is disingenuous and does the story a disservice.
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thelesbododo · 4 months ago
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I just realized I accidentally predicted Bakugou sacrificing himself for Deku when making up an AU fic in my head last year 😭
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self-spaghettification · 1 year ago
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tiktok's banned in my country but ive heard the scene where aaravos cries is leaked if so is there a way for you to share it here because i really wanna see my husband cry like a pathetic bitch (im mentally unwell)
(I UNDERSTAND YOU IT SHOULD BE AVAILABLE TO ALL UNWELL AARAVOS FANS)
andd ahh sure !!!
i also am in the process of getting the unedited footage from someone off tiktok/twt maybe so i will rb with that if/when i do
in the meantime here are all the edits i could find on tiktok
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fatedroses · 11 months ago
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Poor Emmanellain sending this relatively new, silent, stoic adventurer off on a delivery only to realize its going to take twice as long as just delivering it himself.
Zenos gets to deal with both the pain of not being able use Aetherytes and being dramatically stubborn of doing a job he was given regardless of it.
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favourite twdg villain?
I'm a fond enjoyer of the St. John's as villains. I don't know if they're my favorite just because they're only in one episode, but I love the concept of this family almost immediately jumping into cannibalism toward the start of the outbreak, dealing in human flesh to bandits, and casually feeding this group their friend's legs.
Like... what the hell was this family like before the outbreak that all three of them were like, "Hey now listen... nothing should go to waste, the dead are eating people so why shouldn't we? We gotta survive and in our defense, we only target those who were gonna die anyway... like y'all."
Dude, Mark was shot in this shoulder with an arrow. He wasn't going to die from that injury. It's so fucked that these seemingly friendly people took the group into their home and then fed them Mark's legs.
If we take the idea that everyone is infected and have the capacity within themselves to become walkers, to become monsters, then the St. John's were infected long before the outbreak, y'know? Not literally, but something was wrong with them and the outbreak just further spread that infection and changed them.
But again, are they my favorite? I dunno if I can say that since I have a lot more appreciation for Lily now. Yeah, some of her writing gets a little wonky in ep3 of TFS when she goes on her monologues and shit, but y'know what? I'm into it.
You have to remember who we're talking about and the fact that she's the antagonist; Lily isn't some anti-hero in TFS who secretly has a heart of gold that's brought to light because she reunited with Clementine... she's a fucked up woman who did fucked up things in the name of survival. She's full of rot now. She sees kidnapping children and turning them into soldiers to protect her home as a means to an end, but she doesn't actually give a shit about the people she's taking. They aren't people to her, they're as the episode title suggests, toys in her game. The only one she sees as a person is Clementine, and while that makes her hesitate at first, she sees Clementine's a prize to bring back.
She remembers what happened in S1; her father had a heart attack and as she tried to save him, Kenny smashed his face in with a saltlick and then expected Lily to just stand up and help him get back to his family because "he did what he had to, he made the hard choice." Yes, Larry was a piece of shit. No one liked him, and you can even question Lily on him and she'll tell you that he has a lot of pain. Yes, it makes him an asshole, but he's still her dad and he's all she has. I mean... the simplification is daddy issues, but in all seriousness, I don't doubt for a second that many of Lily's issues stem from Larry being a shitty father to her.
Then everyone thought she was losing it when she insisted there was a traitor in the group, which she was right about, but she was unstable. She was unwell, but how do you help someone like that when you don't have training to go about it? Then Lily ends up killing either Carley or Doug and the group turns on her, and either she's left behind or she steals the van and runs away.
Then we don't know what the hell happened to her until we see her again in TFS, but like... a lone woman with decay festering inside of her joining the delta? Exposing her to their methods? I mean, what else did she have to lose? She had nothing, she lost everything, and she has a lot of issues. Survival is easy when you're numb, when you don't care about the individual; they're all just cogs churning to make the system run, and if a piece doesn't cooperate, you get rid of it and find a new one.
Plus I think there's something to say about Lily not wanting to be perceived as weak again. That whole display she put on in the cells? Telling the story of what happened to Minerva and Sophie? I get the criticism that it feels like Lily did a 180 between episodes but like... yeah dude, because it's a performance. It's not just her and Clementine anymore. It's a display of power and authority. She's playing the part and thriving in it as she ensures everyone else is terrified of her.
But then when Clementine and AJ get the upper hand? Again, she's not afraid to play up the pleading to earn enough sympathy to spare her- hell, just to let their guard down enough to strike and get the upper hand again. I mean, she's got nothing else to lose, right? If she doesn't go for it, she'll be killed and sure, you can kill her anyway but at least she tried.
Honestly, I look at Lily in TFS and still see that scared little girl playing the tough bitch, just like Carley said in S1. It's just now escalated from "tough bitch" to a downright vile person. She's so... lost? I suppose? Lost within herself and the monstrous means she's taken to survive.
I get the criticisms of how she was used in TFS, but for me, it's like when people complain about Minerva not getting the redemption arc she supposedly should've gotten, y'know? There's no saving her. Lily was never on our side, and there was no getting her on our side. She wasn't ever going to redeem herself. Even if you spare her and she drifts away on her raft, can someone like her actually find redemption? Or will she just find another group that'll feed into her rot?
Truly, I say let her be horrid. Let her be the piece of shit villain with a few fleeting moments of humanity. Let her drown in the blood she's spilled.
#asks#twdg lily#twdg andy st john#twdg danny st john#twdg brenda st john#twdg clementine#twdg minerva#twdg mark#twdg larry#twdg kenny#i know i used to complain about lily in tfs a lot years ago but past cj complained about everything tbh sksksks#now i'm just like babe lily's interesting as shit like not every villain needs a redemption arc just because you think they're hot#and don't wanna feel bad or because you want her to be like she was in s1 when she was sympathetic like... it's been years#that's like being mad that clementine isn't the same person as she was in s1... the difference is we got to see clementine grow#but what happened to lily is a mystery... but that doesn't mean she didn't change especially for the worst#i dunno sometimes i look at lady antagonists in media and then look at people's reactions and i'm like.......... hmmmm#c'mon now- if kenny came back in tfs the same exact way then y'all would be foaming at the mouth insisting he's complex#and morally grey and he's just really sad about his family dying and really he's a sad widdle meow meow but also the best villain#who should be spared because he always cared about clementine and aj and he's just traumatized and sad and amazing unlike OTHERS#like.................... okay sure mmhmmmm#side note but the worst thing about kenny is the fact that he IS a brilliantly written character but his stans tend to just be the worst#anyway i like lily she's a great tfs antagonist like i recognize there are some weak spots and i wish she has more of a presence in ep4#if she lived but y'know... gotta make room for minerva being the final bridge boss so... yeah
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