#i also just generally like a lot of characters in much deeper ways

[kkoct-ik]

its so embarrassing reflecting on how i was into yttd in very early 2020 but not very strongly and the characters i liked were a bit limited. and now im grown and my tastes have matured but at what cost

[mushlyslog]

Finally watched Kung Fu Panda 4, tell me why it unironically changed my life

[team-frightfur]

(Theyre also blushing but i cant figure out why). Both Kenzan and Johan are more focused on Judai tho, which could either be bc theyre both gay for him or cause this takes place post s4 (so theyre happy to see Jou enjoying life again after his depression). Then you have Fubuki and Asuka in the corner. Fubuki is doing his standout uncoordinated cloudcuckoolander bit by not wearing blue/black/white/yellow like everyone else (get with the program, man!) Instead he's going for that... christmas ensemble? With the rare red....tho now I see it, there's also judais pants and the coke bottles and the red cups and oh my god it was a red/blue/green/yellow colour scheme all along. ANYWAY, while Asuka is more serious with her modest clothing and walking boots, she has this small smile. Like, clearly she's not super duper ecstatic over his dumbass ukelele serenades, but she'll humour him today of all days, not just because it's a special day but because she looooves having her brother back.

Final verdict: this pic honestly just gets better the more you look at it. It makes me wish i had synesthesia just so I could taste the cozy hot chocolate vibes. Like its truly utterly immaculate. Kudos to you for all time!!!

[arolesbianism]

Nails vc yeah the director burned some of my work to my face she must be so stressed out and sad :(

[imsobadatnicknames2]

ok but i need the evrart claire essay

Okay just be warned that this is gonna be less of an "essay" and more of a loose collection of thoughts, and I don't know how fresh or novel any of these ideas are going to be when it pertains to popular Disco Elysium fan discourse because I don't really do fandom, you know?

Anyway, I think the most obvious factet of Evrart's character is how he very intentionally calls to mind a caricature of corrupt union leaders, the image of a sleazy mobster who only cares about his own personal gain but pays lip service to leftist politics and pretends to care about the interests of workers as a way to obtain and maintain his power. And I think a lot of people straightforwardly read him as such, because that's the way he carries himself and the type of character the game is riffing on. There's also the question of how much of Evrart's manipulative, duplicitous attitude is just how he normally acts and how much of it is him specifically acting that way towards Harry and Kim specifically, it's important to have in mind that your main character is a cop and that would definitely play a role in making Evrart go out of his way to be a bit more of a bastard and toy with you a bit before he decides to actually do anything helpful.

However, once you dig a little deeper into his characterization, it becomes clear that he's pulling a very interesting double bluff, because it becomes apparent that the shady mobster who only cares about his personal gain is an act he's putting on. He's very self-aware about the fact that he's playing the villain, he seems to actively revel in it, but ultimately, it seems like he does it because playing the villain is the way he gets shit done.

This is not to say he's not actually corrupt, or that he's not ALSO involved in all sorts of shady stuff and taking advantage of his position of power, but the game does make it apparent that on some level he DOES have the interests of the people of Martinaise at heart.

For example, it is textually stated that the harbor doesn't need a night watchman, and Evrart created the position specifically to provide a source of income for René. He knows the pension Rene gets is not enough for him to live on, but he's also aware that René is the sort of right-wing guy who would rather starve to death than take a handout (especially from those dirty union commies), so Evrart created a job position which pretty much involves doing nothing for a few hours every night so he could help him with his economic troubles in a way he wouldn't refuse out of principle. René hates his guts, ideologically stands against everything his organization represents, and is generally an unlikeable asshole and a fascist prick, but he's also a disadvantaged member of the community and that seems to matter more.

Even when he asks you to get the signatures to build the community center, which is definitely one of the most morally questionable things he does during the events of the game (as it will improve the community, but at the same time displace the people from the fishing village), his intentions seem to be ultimately good. Due to the very nature of his character and the act he puts on, it's purposefully hard to tell when he's being sincere and when he's being manipulative. However, if Harry's drama and empathy skills are high enough when he's confronted about it, you'll be able to tell that he's not lying about his motives for wanting to build a community center or about the fact that he intends to provide better housing for the people displaced by the project, and that he feels genuine rage about their current living conditions. It can still be said that he's ignoring their self-determination and essentially forcing these people out of their current homes, but he does seem to have good intentions and think he's doing a good thing for them in the long run, even if his methods are morally questionable at best.

In that way, the Union is an extension of him in this regard too. They're pretty unapologetic about the fact that they're openly operating as a crime syndicate, but the game doesn't give you any reasons to believe they're lying when they say they're doing it as a way to muslce out all the more dangerous gangs and crime organizations out of Martinaise, or that their involvement in the drug trade is at least partially motivated by a desire to make sure it's not controlled by more dangerous and violent crime organizations. Again, they're playing the villain as a way to fill that power vacuum and make sure more dangerous people don't fill that role (but of course, that doesn't erase the fact that, noble as their intentions may be, they're still involved in all these shady activities and turning a pretty substantial profit from them too)

Of course, on the other hand, just because the game seems to hint at the fact that Evrart and the Union are, deep down, a force for good, doesn't erase the fact that he's done plenty of bad shit to further his interests, and the game doesn't shy away from this. He's still extremely corrupt, his long-term plan to wrestle control of the harbor away from the company and turn it into a worker-owned operation (which *would* massively improve the material conditions of the dockworkers if succesful) involves endangering the lives of a lot of his own workers, he and his brother Edgar pass the position of union foreman back and forth between each other to circumvent the term limit and keep themselves in power indefinitely, and if you explore all dialogue options with the Deserter it's all but explicitly stated that they rose to power by getting him to assassinate the previous Union forewoman.

These are things that Evrart himself would probably rationalize as sacrifices that need to be made for the greater good. After all, it is implied that the previous union forewoman was also corrupt, except in favor of the company's interests, and might have even been a company plant. However, this doesn't make those things morally right. Good intentions nonwithstanding, it's clear that the Claire brothers are very "the ends justify the means" kind of people, they probably see getting the previous Union leader killed or endangering the lives of the dockworkers to overthrow the company that exploits them as "pulling the lever" in the trolley problem, which is extremely callous at best.

Here's where we get a little more into "disjointed thoughts" territory, but Evrart can also be seen as a critique of the limits of trade unionism and social democrat politics. Something that I completely missed in my first playthrough but was able to catch on during my second is that the people of the fishing village refuse to unionize, and as a result they don't get the same level of support and protection that the union provides to the people of the more urban section of Martinaise. This is apparently widely known enough for characters other than Evrart to comment on (I forget what character I learned this from, but it was definitely not Evrart). So it's clear that Evrart and the Union put their interests of the members of their own organization over those of other working class people, which is one criticism that can be leveraged against the way a lot of leftists seem to treat unions as the ultimate tool for worker class liberation.

Similarly, when Evrart tells you his long-term plans, it's clear that his ultimate goals don't involve complete worker liberation. As far as the game shows, he's a socdem who's still looking to work within the confines of capitalism. There are more radically left wing characters in Disco Elysium, but Evrart is the only one with any actual power to affect change, which kinda speaks to the lack of presence of more hardline leftist positions in mainstream politics. As someone living in Latin America, I kinda ended up seeing a bit of a lot of our currrent socdem politicians in him in that respect, I guess, but i'd need more time to articulate this thought properly, I guess.

Ultimately, I think Evrart is an amazingly crafted character. He evokes a well-known archetype of a shady, corrupt, power-hungry union leader, but he adds a lot of depth, self-awareness, and nuance to it and subverts that characterization in several ways. I think he atually serves an important role of ideologically challenging players who share the developers' and writers' political leanings. I think it would have been very self-congratulatory and autocomplacent to make the most influential leftist character in the game an unambiguously good paragon of workers' rights and working class liberation. By instead giving us someone who's an absolute callous bastard who definitely has a bit of blood on his hands, who's a socdem at best and a self-serving mob boss at worst, but can ultimately be interpreted as a force for good, and asking the players to decide what they think of him I think it brings interesting questions to the table of our commitment to material gains, what sorts of people we're willing to work with, and the sort of acts we're willing to tolerate, and makes the game a lot more thematically rich.

I also think a good analysis of Evrart is incomplete without an analysis of the ways in which he serves a a charater foil for Joyce, but I don't feel like getting into that rn.

[boopshoops]

What your favorite TWST character says about you :)

As a note before I begin: I saw one of these that shamed malleus and randomly even chenya enjoyers- (claimed that they were pick mes or something? 😭) so i wanted to make one that was more positive out of spite <3 make it more about the writing and why people appreciate the characters. Take each of these with a grain of salt i spose- also a lot of them share similar themes <3

(Aka fans who have different views or even blatantly incorrect views of characters will always exist everywhere, but insulting the entirety of a group solely for enjoying a character, many for different reasons, is probably not a great idea!

I get that sometimes people suck and thats understandable, but quit generalizing ok? Ok.

From a malleus enjoyer who just thinks hes a silly little guy and im tired of feeling like i have to defend myself bc he's my blorbo 😵‍💫)

Final note: i love unapologetically taking frustration and turning it into something that can make people smile 💕 also i blindly wrote this from 11pm-midnight :))) dividers by @/cafekitsune!

Heartslabyul:

Riddle: you enjoy and/or relate to the idea of healing from the past. Working hard to improve oneself for the ones around you and yourself: creating a healthier environment where you can be happy

Trey: there is immense complexity in things that are seemingly mundane. Digging deeper and deeper to find something truly sweet and heart warming is your joy.

Cater: maybe you relate, or maybe you used to, or maybe parts of the connections made in the past/presence/future dont feel as deep as you truly want them to be. There is something beautiful about a desire for genuine human connection, but also peace in being alone. There is a safe space for you yet, just be patient. 💕

Deuce: you love drive and determination. An endless stubbornness that keeps one going against all odds. Against every person who tells someone they cant. You watch them get proven wrong, and its pure bliss.

Ace: you find the connection between people beyond words heartwarming: even the seemingly simple ones. The ability to have a connection with someone who can get up to some mischief, tease back and forth, yet be there when you need them to be one of the most valuable things.

Savanaclaw:

Leona: Adversity over a lack of belief in oneself is a very difficult thing to overcome- yet it is very possible with the right crowd, the right amount of time, healing, and effort. You think someone's worth lies more than just within their title/job/appearance, but within the fact that they are able to stand back up and keep moving onward despite the odds. The hope for that change, and the ability to get out of bed in the morning on its own is strength.

Ruggie: Despite being through so much trauma at such a young age, recovery happens anyway. Its not perfect, at times the lessons learned are even rough. The survival tactics that once helped are now hard to ditch when theyre not needed anymore, but the ability to smile and joke and keep pushing onwards is something you value in life.

Jack: Self discipline can be both extremely useful as well as harmful in different ways. You find the way people can constantly strive to better themselves at what they love and/or morally to be highly admirable.

Octavinelle:

Azul: People can be cruel. And sometimes that cruelty inspires cruelty. Sometimes its simply used as a way to move on and survive insecurities created from it. Its hard, its a fight, but those insecurities are part of what make people beautiful. They are nothing to be ashamed of, and even the many tactics and smart ways of learning to overcome cruelness can be beautiful too.

Jade: The mind is extremely powerful. Intelligence and knowledge are not the only important things, no. Using that intel to find entertainment in the surrounding world can be exhilarating. Finding and discovering new unknowns: learning their ins and outs until they're a part of you is something you can relate to.

Floyd: speaking of fun- you love what is essentially the written version of a roller coaster. Ups and downs, ins and outs. Every single twist and turn is exhilarating and new. Every different perspective provides new insight into a multitude of different things. You are along for the ride, and you are having a lovely time.

Scarabia:

Jamil: self discovery can be very difficult after purposefully suppressing parts of one's self for a long time. Yet, the healing happens anyway (once again aha <3). People discover new parts of themselves, slowly becoming more comfortable not only with their environment, but how they react to it. The discovery is freedom, and freedom is bliss to you. New traits about oneself bloom like a flower: if not in the soil, then stubbornly in the cracks of cement. You gently take that bloom from the concrete and pot it, placing it gingerly in a beam of sunlight.

Kalim: Happiness isnt only sunshine to the one smiling, but to everyone else around them. It is delightfully infectious. However, happiness isnt a constant. You think emotions all emotions should be experienced rather than suppressed, because holding back sadness for the sake of others is a disservice to one's self. Discovering your own emotions, any range of them, is what makes people uniquely human. If anyone is holding those emotions back- hell, any part of them back, they need to be let out of the cage.

Pomefiore:

Vil: "Beauty is on the inside" is a saying thats been around for a long time, but beauty comes in so many forms. It can come from the stubborn desire to improve one's self: to be kinder, to help those around you, to be good. However it is impossible to be perfect. At times, for some, this can be crushing. People are hurt unintentionally, natural frustration can brew, the wrong actions can be taken: and thats okay. You believe whats important is to pick yourself up and keep going. To err is to be human, and that is beautiful too.

Rook: Error is beautiful. Symmetry is beautiful. Asymmetry is beautiful. A crack in the side walk is beautiful. Small things are beautiful, big things are beautiful. The nurturing of something through endless care is beautiful. The undeniable traits and hobbies of every individual that make them unique are beautiful. You find the endless optimism in finding beauty to be, in itself, beautiful.

Epel: Sometimes people will view others in ways that they wish not to be perceived as. This isnt in our control, as much as we sometimes want it to be. All you can do i be unapologetically yourself. To be you to the utmost degree. To prove those who thought otherwise to be foolish. You find this strength to find value in yourself despite others opinions admirable.

Ignihyde:

Idia: you have depression /j

Ok for real-

Life can be such a cunt. It can beat a person down, down, down and leave them vulnerable enough to fear it. To fear that beating, whenever it may next come. The anxiety of never knowing what or who will come next, or what one could lose. At times it feels more comforting to find a routine in solitude. But you know that the small things that give joy will wiggle their way in with time. The broken will meet people who love and care and find comfort in the companionship of healing, even from the little things: like a new story to read or game to play.

Ortho: You value unconditional support. Support through everything: the good, the bad, the just kind of okay. Knowing that someone can have ones back for every little thing- to be there solely because they care and wish the best for others- is something you look up to and maybe even wish to be for another.

Diasomnia:

Malleus: god damn people can be so hard to read and understand. They are so complicated: they are books you have to pay attention to from start to finish. But once you reach the end, you have a deep seated appreciation for them, and for the ones who stuck around to read your book too. Even if it was just for a fleeting moment: it is a happy moment. As painful as temporary things can be, it is also what you think can make the relationships we love and have loved so valuable.

Lilia: there can be suffering everywhere. There is war. There is famine. But there are also endless new sights to see. New discoveries to be made to help those still going through famine and war. New ways to love and understand people you never thought you'd understand. The development and positive parts of humanity, even though at times it can look bleak, are ever present to you. You love the discovery: of places and of people.

Silver: you believe that there is solace in being your own individual, regardless of who you are bound by blood to. Being shaped my experiences, friends, hardships, and new places are what make a person who they are. You value finding roots in and making your own home.

Sebek: Dedication can be a hard thing to come by, but when it does it can grab someone by the reigns. Using every waking moment to cherish that thing, learn more about it, become better at something, and strive to better ones self can be very admirable to you. But, on the other hand, it also calls for the occasional rest.

OTHER (just for ones I know well enough, sorry!)

Neige: You love kindness despite hardship. One can go through horrible things and still choose to be kind. The world could begin to end, and one could still choose to be kind, because it means everything.

Chenya: Curiosity fuels exploration. It fuels art. It fuels everything. It fuels excitement. It fuels friendships. It fuels medicine. It fuels life. Curiosity is endlessly fun, and you think that is very whimsical

Meleanor: Sacrifice for others can be tragic. Knowing what another person has given up for someone else, maybe even everything, is gut wrenching but undeniably a selfless love to you.

Crewel: There can be kindness in strictness. In teachings, there can be a parental guide. There can be someone who cares for you and undeniably wants you to succeed. They know that you can, so they push you towards it. You want this support.

Trein: Love surpasses time. When the ones we love are gone, the memories of them are still held close, with the love once given to them, we can show to others through advice and guidance that comes with time. You find comfort in that.

Crowley: People are flawed. We all know this, yet despite a persons flaws... however many there may be, there is still something hopeful and human about it. About having those flaws and persisting regardless. You may even like those flaws, and the unashamed desire to press on even with them on display.

Fellow/Ernesto: Live for yourself. This is what you desire. People are often caught up in material or monetary things. After all, we live in a world that required it to survive and even be respected. To throw away those views and simply live as you see fit: regardless as to whether you earn those things or not, is something you admire.

Rollo: Sometimes the attachment we have to those we lost can be painful. Regardless, that pain is proof that there was care and love. The things done for others, whether alive or dead, are done selflessly. Grief can fuel hatred, but it can also be caused by love. To unlearn hatred and learn to love again after the fear of loss is a natural human experience. It is a process you understand and admire those who take the time and strength needed to properly love again.

Thank you for reading <3

Tags <3

@lowcallyfruity @skriblee-ksk @justm3di0cr3 @cecilebutcher @kitwasnothere

@techno-danger @thehollowwriter @distant-velleity @the-trinket-witch @scint1llat3

@beneathsakurashade @qsoap @twsted-canvas @prince-kallisto @kathxrat-01

@sillyslipperybananapeel @jadelover69 @tixdixl @twstinginthewind

[thankskenpenders]

Thoughts on Sonic 3!

On December 10th, 2018, I was on the last day of a trip to Milwaukee. The night before, I'd attended the wedding of one of my best friends, Jake, who I've known since high school. Even though half of us were sick the whole trip, it was a great time. Derek had asked the wedding DJ to play "One Week" as the first request of the night, and proceeded to lip sync the entire song on the dance floor. On that cold winter morning in a hotel room hundreds of miles from home, Derek and I groggily checked Twitter on our phones and saw the shocking news: Paramount had teased the design for Sonic from their upcoming live action film. Even in silhouette, the shape of his face and the realistic curvature of his limbs made him look like a grotesque little homunculus. This movie was going to suck.

Six years later, I've now seen the third entry in what's become a hugely successful Sonic film franchise. It features Keanu Reeves as the voice of Shadow the Hedgehog in a fairly faithful adaptation of his story from Sonic Adventure 2. At the time of writing, it currently sits at a whopping 86% positive rating on Rotten Tomatoes, vying for the title of the best-reviewed theatrically released video game movie of all time. Critics are saying nice things about the emotional journey of Shadow the Hedgehog. Never in a million years did I think I'd see this day.

I, too, have now seen this movie, and... yeah, it's pretty good.

I'm gonna get deep into spoilers here, so I'll just say up front that I liked the movie. It feels like just about the best possible execution of this version of Sonic. But that's also damning it with faint praise, depending on who you ask.

If you're a fan of the games who didn't like the second movie, you probably won't get much out of this one, either, unless you just really love Shadow so much that nothing else in the movie matters to you. It doesn't reinvent the wheel for this film series. It's still got a heaping helping of broad comedy, cheap pop culture references, bad one-liners, and characterization that diverges greatly from the source material. This is not high art, nor is it a direct adaptation of Sonic Adventure 2. If you're the kind of person who hates this portrayal of Sonic and Eggman, or a lore nerd who'll hate that they let Shadow do Chaos Control without an Emerald, then just don't bother with this.

On the other hand, if you did enjoy the last movie, then you'll probably have a fun time here, too. Shadow is very cool. The action is the best it's ever been. There's a bit more focus on characters from the games, and less on human characters invented for the movies—with the exception of Agent Stone, who's in this a lot because everyone likes him. There's a lot of SA2 fanservice. They even play "Live and Learn." It's a fun time! Be sure to stick around through the end credits.

And now, to dig deeper, let's get into the spoilers! I'm gonna jump around a lot and talk about different aspects of the movie, spoiling everything along the way.

Shadow and his reams of lore

Here's the main thing you came for: Shadow is great in this! They really did him justice. Keanu Reeves is extremely solid in the role. He can be a bit flat as an actor sometimes, but I think he did well here. He can be tough and menacing, but he can also be earnest and emotionally vulnerable. Good casting call. Excited at the prospect of seeing more of him in the future.

Really, as a Sonic Lore Nerd I'm most interested in discussing the changes they made to Shadow's backstory. I'm sure there will be many fans upset with the changes, but for the sake of streamlining a complicated backstory that was subject to a bunch of retcons and multiple layers of amnesia and fitting it into a 110-minute movie, I think they generally made smart choices.

For one, Gerald didn't create Shadow using Black Arms DNA, because Gerald didn't create Shadow at all! Instead, Shadow arrived on Earth inside a meteor, and Gerald was merely the prominent GUN scientist who studied him after he was captured. (That meteor does have very strong Black Arms vibes, though, so I wouldn't rule out the possibility of them exploring that stuff in the future.) This simplifies things a lot and allows Shadow to be a direct foil for Sonic, kind of a version of our hero who was treated as a lab rat and lost the only human he considered family instead of finding happiness like Sonic has. Then later Shadow hurts Tom and Sonic wants revenge, and it mirrors Shadow's feelings about Maria, and after they fight they can empathize with each other over this, Shadow sees the error of his ways and helps save the world, yada yada yada. You get it. People predicted 95% of this movie's plot from the trailers, but it's effective.

Likewise, all of the stuff about creating Shadow as the ultimate life form who's immune to all disease to cure Maria's illness is completely cut out. Shadow's still called the ultimate life form, but he's treated as more of an energy source than a genetic research project here, playing off of the stuff about Eggman wanting to harness Sonic's natural Chaos Energy in the movies. The original intent behind the ultimate life form project was always hard to explain in the games and doesn't even come up that much, so I don't blame them for cutting it.

Because Gerald isn't doing genetic experiments and creating artificial life, the Biolizard also doesn't exist. It does, however, appear in an old monster movie Shadow and Maria watch in a montage, with Shadow later commenting that he worries he's a monster like the one he saw in the movie. That's a clever way to include it, I think.

The ARK sort of exists. There was no space colony back in the '70s, all of the events of Shadow's flashbacks just took place at a secret GUN base on Earth. Fair enough for a version of the story ostensibly set in the real world. The big space laser in the third act of the film is obviously supposed to evoke the ARK, but it's referred to as simply the Eclipse Cannon. It's still not a full-blown space colony, just a weapon of mass destruction Gerald designed for GUN in exchange for his release (while also secretly planning to use it to blow up the planet in an act of revenge). I am, however, pleased to report that the Eclipse Cannon still has a giant Eggman face on it.

And as for Maria: I like her in this! She's obviously not going to get a ton of screentime, and she's always going to be a very straightforward character, but she's more playful and lively here. She teases Shadow for being grumpy and plays with him a lot. She feels less like this perfect embodiment of everything good and pure in the world and more like an actual kid. She's still not a complex character, but it works.

And the most important question: do they show a child getting shot and killed by the military? The answer is almost. In the flashback, GUN soldiers chase Maria, Shadow, and Gerald and ready their guns, but the young Commander Walters (who's in his 20s rather than being a kid) grabs them and tries to stop them from firing on a child. In the chaos, a soldier fires, missing Maria but hitting a generator that then blows up and kills Maria. So, y'know, close enough I suppose.

So, yes, many of the details change here, but they captured the gist of Shadow's story from SA2. The emotional core is there. I will say, though, I almost feel like Shadow isn't in this movie as much as I thought he'd be? I think he's used effectively in all of his scenes, and they make room for his backstory, and BOY does he get to kick ass in his fights, but for much of the middle part of the movie he's overshadowed by Ivo and Gerald. Though this might be a compromise to leave more screentime for...

Tails and Knuckles

I'm relieved to report that Tails and Knuckles both get a good amount of cool stuff to do in this! They don't feel like an afterthought.

I was worried that Tails in particular would completely fall by the wayside, since even his debut movie didn't entirely know what to do with him. But he's good here. He pretty much just feels like the Tails from the games at this point, especially since they dropped that fawning admiration he had for Sonic with that running gag of him going "Only Sonic the Hedgehog could do that!" He often chimes in as the one who wants Team Sonic to stick together when Sonic and Knuckles bicker. He particularly gets to shine in the Mission Impossible-inspired heist sequence at the GUN headquarters in London that serves as the climax of the second act, which feels like it was tailor made to let him shine as the tech guy of the team. He also gets several opportunities to swoop in and catch someone for a save in an action scene. He's good in this!

Knuckles is... fine. He's definitely fallen into the role of the comic relief dumb bruiser since joining the good guys, but he's at least a little better than he was in his own streaming show. The jokes lean more into him just being really brash about his strength and skill, rather than him being this archaic warrior who doesn't understand anything about the modern world. He also gets a few more serious bits in the back third of the movie where he gets to shine a little more, so overall it evens out to him being fine. They could've done way worse.

As for the relevance of the Knuckles show: Knuckles is now said to be the guardian of the Master Emerald, like in the games, though with no Angel Island this amounts to him hiding it somewhere for safekeeping. It's eventually revealed that he just gave it to Wade, who gets exactly one scene (sorry, Wade-heads) for a joke about him using the Master Emerald as a hockey puck. So, the miniseries explained why Knuckles has a connection with Wade. That's it! Also I think Knuckles might use the Flames of Disaster a bit in fights, but they never called the technique out by name, so I never really thought about it. So, yeah, the six-episode streaming miniseries about Wade bowling has zero meaningful relevance to the Shadow movie. Who could have seen this coming?

Miscellaneous humans

For that matter, the human supporting cast is MASSIVELY downplayed in this one. Tom and Maddie are there for two key sequences (the beginning of the movie and the GUN HQ heist), but otherwise they disappear for long stretches of the movie. They don't go to Japan in act I, nor do they go to space in act III, and there's no subplot for them during those periods, either. There's nothing like the wedding subplot in Sonic 2 where they'd constantly cut back to Hawaii for comic relief with the humans and only reveal why this was relevant to the plot near the end. (There's also no random dance battle in Siberia.) If a human character is here, it's because they have something to contribute to the plot right away. Most people will probably consider this an improvement, and I'd certainly say it makes for a much tighter script, though I have to remind everyone that I thought the wedding being a GUN sting operation was such a funny twist that I'm a defender of the Hawaii subplot.

On the subject of Tom, something funny I've noticed is that they've just completely downplayed the fact that Tom and Wade are cops. Tom being a cop never comes up once. Wade being a cop only gets referenced via the fact that he's practicing hockey on the roof of the police station in his one scene, but he's not in uniform or anything. They clearly got the memo that we don't want Sonic to hang out with cops.

Here's something else funny: Rachel and Randall got character posters, but they're actually not in the movie! Not technically, anyway. During the heist sequence at GUN HQ, Tom and Maddie use some gadgets Tails invented to holographically disguise themselves as those other characters. But the real Rachel and Randall never show up in the flesh. It's a very odd way to shoehorn the actors into the movie. (Jojo is also absent. They did not give her Amy's role of being the girl who reminds Shadow of Maria. Instead they just let Sonic have the big heart to heart with Shadow that makes him switch sides.)

You know who IS in this movie? Krysten Ritter. Not as the voice of Rouge, as the fandom once hoped, but as a director for GUN. She gets like three scenes and she feels completely checked out the whole time. Can't say I blame her! She's not really a character, just a plot necessity. Commander Walters dies in Japan but gives Sonic one of two keycards needed to activate the Eclipse Cannon, and then Ritter's character assumes Sonic stole it and labels him a bad guy. So that's why they have to break into GUN HQ in the second act instead of just talking things out with them. Still, I am at least relieved that Sonic doesn't work with GUN for most of the movie.

I gotta be honest: when Walters pulled a credit card-shaped object out of his pocket, I thought he was about to give Sonic another Olive Garden gift card as his final act before dying. Part of me wishes that happened.

The supporting human character in this who really gets to shine is Agent Stone, which I'm sure most fans will agree was the correct choice. There's a LOT of Agent Stone in this. He's good. I don't have much to say about him, but he's fun as usual.

But, of course, the ones who steal the show are Jim Carrey, and his costar Jim Carrey.

The Robotniks

I've gone back and forth on whether or not I can actually see movie Robotnik as Robotnik. I think with this third and final entry in the Jim Carrey Robotnik Trilogy, I've landed on... yeah, that's just Jim Carrey playing a Jim Carrey character. He's absolutely having fun with the role, and I enjoyed watching him, but I think a lot of that comes down to the fact that I'm a millennial who grew up watching Jim Carrey movies. If you didn't like him before, this movie will probably be nails on a chalkboard to you, because now there are two of him.

Ivo's arc here leans very heavily into the fact that he grew up as an orphan and never knew his family, a thing offhandedly mentioned in the first movie that's never been a thing for any other version of the character. Here, he learns that he has a living grandfather who's also a mad scientist, and it feels like a hole in his heart has been filled. It certainly makes sense for a place to take this version of the character, and it fits with the movie's themes of finding and losing family, but the cartoonish, childlike affection Ivo feels towards Gerald and all the scenes of them frolicking and dancing together have basically nothing to do with the characters from the games. He's a fun villain for this movie, but he's overwhelmingly used as comic relief this time rather than as a serious threat. He doesn't particularly feel like Sega's Dr. Ivo Robotnik, the arch nemesis of Sonic the Hedgehog who'd take over the world with an army of robots and a fleet of airships in the span of a day if Sonic wasn't around to stop him. He's a guy who lives in a big crab robot and has some drones. He has more in common with Carrey's depictions of the Grinch or the Riddler or Count Olaf than Dr. Eggman. Though he does, at least, finally get his outfit from the games by the end of the movie. So that's something. And also he's in a fat suit now. They only make jokes at the expense of his weight a little. Hooray...?

Gerald, meanwhile, is... largely the same character as movie Eggman, but older, so they can make jokes about him having saggy flesh and smelling funny and needing dentures. (Also, his voice kind of sounds like Homer Simpson sometimes?) To his credit, Carrey absolutely nails the handful of more serious scenes Gerald gets, whether it's Maria's death or his sinister turn when he reveals that he actually wants to destroy the Earth. But then it's right back to goofs about there being two of the same guy. Even the final battle features a lot of slapstick shenanigans with the two Robotniks fighting each other. I was able to enjoy the absurdity of it all, but if the humor doesn't land for you the dual Jim Carrey schtick is a hell of a lot of the movie. I wouldn't be surprised if there was more Gerald than Shadow in the movie, when you go and tally up their screentime. I was able to enjoy the sheer absurdity of it, but your mileage will vary.

I will, however, say that the split screen stuff they do with the two Carreys is EXTREMELY impressive, from a filmmaking perspective. They were absolutely flexing with their ability to pull the effect off. They don't rely on cheap tricks like cutting a lot, or having shot/reverse shot scenes where you're looking at the back of a body double's head. Instead they have a lot of long takes where the two Robotniks are talking to each other, you can see both of their faces, and they'll even hug and touch each other a lot, and the whole time the conversation maintains a natural pace like it really is two actors playing off of each other. It's really well done. It's an incredibly silly idea, but boy did they commit to it.

Sonic

I've hardly said anything about Sonic himself in all of this. It's his movie, isn't it! Well... I don't know, he's fine.

I feel like movie Sonic is a known quantity at this point, and either you like this take on the character or you don't. There was some speculation early on that this was supposed to be a younger Sonic who would grow into being the character we know from the games and comics, the one who's still got lots of quips but is also kind of aloof and cool, a free spirit who goes where the wind takes him, a figure the other characters look up to. And... no, that didn't happen. Once again he gets more serious as the stakes are raised, and he's totally badass when he goes Super, but the rest of the time he's still a little goober with tons of generic one-liners who learns schmaltzy lessons about the importance of family. He's still constantly going to undercut the tension of most scenes by cracking a pop culture reference that will make the average American parent go "haha I've heard of that." I don't think they're ever gonna change that. I think this just what the writers think Sonic is like.

And, again, for what it is, it's fine. He's a little annoying. You already know how you feel about movie Sonic. This third entry won't change that. But they do, at least, have him say "Talk about low budget flights, no food or movies... I'm outta here!" before jumping out of a helicopter. As my thoughts on the climax will show, I am not immune to fanservice.

The climax

God, the climax is SOOOOO fucking good. It's fantastic. Easily the best action these movies have ever done.

Rather than saving Super Shadow for the team-up with Sonic at the end, they have both of them go Super to fight each other first, and they just go full DBZ with it, fighting across the entire planet. It absolutely rules. I think this is the new coolest fight the two of them have had in anything ever. And then they have to stop the Eclipse Cannon together, and sure, there's no Biolizard. But Gerald DOES release a swarm of GUN Hunter robots, and the ensuing space battle turns into some Gundam shit. It's good! It's so good!!! The movie's flaws kind of melt away for me here when I'm watching Super Shadow take out an army of robots with Chaos Spears on the big screen. What a timeline we're living in.

And yes, they play "Live and Learn." They had to. They knew the assignment. They actually play a slight remix, but it's still got the original vocals, so it's perfectly recognizable. Actually, the tune of the song is used as a leitmotif for Shadow throughout the movie, first introduced via an acoustic guitar version played by Maria, and I really love that. I've been begging these movies to use more music from the games the whole time, and I'm glad they finally did so here. (They also use the traditional level clear jingle early in the film, and Eggman's theme from SA2 is very briefly used as a ringtone.)

... Anyway, uh, meanwhile Eggman, Tails, and Knuckles straight up just kill Gerald to save the world? They unceremoniously knock him into an energy field at the end of their slapstick fight aboard the Eclipse Cannon and he disintegrates like he hit a bugzapper. It's over in an instant. It's not graphic or anything, but it's, like... I didn't expect them to show it, or for it to be such a casual murder! Eggman has one quip about it and then immediately moves on.

Shortly after this, Eggman and Shadow sacrifice themselves to stop the Eclipse Cannon. Shadow's sacrifice doesn't stick, obviously (he's revealed to be alive by the end of the second stinger—pretend to be shocked), but Eggman's probably dead dead. I seriously doubt Jim Carrey's gonna come out of retirement for these movies again. His final moments before the big explosion are also SO dragged out and belabored. He has a dramatic final line like ten times in a row. It really just feels like the series saying goodbye to Carrey. And, again, it feels like a fitting enough end for this Eggman's arc, but it's an odd adaptation of the character from the games.

And so, that's what we're left with. This is far from Sonic Adventure 2: The Movie. It's not that, though there are many, many references made to that game in particular. It's a sequel to the film Sonic the Hedgehog 2 that has a similar tone and style, but Shadow and Gerald are in it, and Shadow gets some really cool fights, and there's a liiiiiittle more focus on stuff from the games than last time, and the script's a little tighter. If that sounds fun to you, you will have fun with this. I know I did. If it doesn't, you're probably better off waiting for them to inevitably do an animated reboot whenever this live action series runs out of steam.

It hasn't quite run out of steam yet, though...

The post-credits scenes, and the future

One of the big questions going into this was: what's next? How do they top a Shadow movie with heavy Sonic Adventure 2 overtones, in terms of hype for the fans? How do you fill Eggman's shoes after Carrey retires, for real this time? There are still more fan favorite rival characters to get through, but how many movies in a row can they introduce a furry foe for Sonic who inevitably turns good and helps him stop a larger threat by the end? And when the hell are we gonna see the girls?

Well, we now have our answer, and it's one I'm cautiously excited for: a whole army of Metal Sonics, and Amy!

Yes, Amy! Finally!! It's an absolute crime that we've gone three whole movies and a streaming miniseries without including the female lead of the series. I've complained about this ad nauseum (and also the fact that they cut Rouge from the story). But at least now they're finally doing something about it.

But now the question is, how will they characterize Amy? Sega's struggled with her for years, and there's a million different directions you can take her. Her one scene here has her smashing a bunch of Metal Sonics and wearing a cloak for the sake of a dramatic reveal, which gives her the vibes of a mysterious, badass action girl. This is, of course, completely different from how Sonic and Amy met in the games. What will her personality be like? She doesn't speak here, so who will they get to play her? Where did she come from? Will she even have a crush on Sonic? All of these have yet to be determined. So, like, I'm hyped to finally see Amy, a character who should've been in the movies from the start, but they could so easily end up playing it safe with an incredibly boring girlboss version of Amy who's no fun at all. We'll have to wait and see.

(My prediction: they're going to try to cast either Zendaya or Ariana as Amy.)

Metal Sonic, likewise, is very exciting, and he looks perfect. He looks just like the design from the games. But the question is: what will they do with this army of Metals? Will they be lead by one main Metal Sonic, perhaps Neo Metal Sonic, who gets to be a proper bad guy? Will they take some cues from Sonic CD, Heroes, and the OVA, or do something completely original? Where did they come from? Were they activated as a failsafe after Eggman died? Did they and Amy come from some sort of bad future, riffing on Sonic CD's time travel? Will they explore the fact that Metal wants to be the one and only Sonic? Or will they just be an army of disposable robot grunts for Sonic and friends to mow down like it's a Dynasty Warriors game, while some other villain takes center stage?

It could go so many different ways, and some prospects are more exciting than others. I mean, the Knuckles show had endless possibilities for what it could do with him, and none of the options on my bingo card were "Pachacamac's ghost tells him to help Wade win a bowling tournament." And while I'm a sicko who thinks it's funny that the Knuckles show is what it is, forgive me for keeping my hype about Amy and Metal Sonic in check here until we learn more.

Regardless of what they do, it'll still be hard to top the hype of Shadow, and it'll be hard to fill Jim Carrey's shoes for general audiences. So despite this clear statement of intent, I have no idea what the future of this film franchise holds. But regardless of what they do, I can say one thing for certain: the kids in my theater were hyped as hell for it. They popped off over Metal Sonic, and they were screaming their heads off with excitement over Amy. I heard a teenage girl on the opposite end of my row of seats say "finally!" over Amy's reveal, verbalizing my exact thoughts. She also said that this movie was "peak," though it diverged from the games, and she hoped they'd do a movie with Silver and Blaze someday.

The kids are gonna be okay.

[cy-cyborg]

Hi, I saw your rant-post about amputee representation and you brought up cyborgs/cyberpunk again.

Tbh I just stumbled upon your blog yesterday because I wanted to see what thoughts people on tumblr have about writing cyborgs, you know prompts, ideas, anything really and then I found your posts about amputee and realised that it's much deeper than just "okay what do other people think how to care about cybernetic enhancements?" but more like okay, I need to be careful in how I write this side character so I won't cause harm.

And yeah. I don't know if you answer asks like this but I was wondering since you mentioned it now again, how you wish the cyberpunk genre would represent amputees? Like what kind of issues should not be just "fixed" by tech no matter how advanced it is?

I would really like to try and represent my amputee character in a good way. I'm just a bit insecure on how to proceed.

Thanks!

Hey, I'm glad to hear that I made you think!

I have a post and video on my page (somewhere under all these asks lol) about the "prefect prosthetic" trope, which is a good place to start! Mainly, you want to focus on making something about the cybernetics different to the real thing, outside of just appearances. You don't want it to just be "arm, but shiny metal" - something about the way it functions should change.

For cyberpunk in particular though, I HIGHLY suggest looking at some of the shitty behaviour the irl prosthetic component manufacturers already do. Things like forcing amputees to have their logos on their bodies (and penalising us if we try to cover/remove them by voiding the warranty), which can actually be a problem for amputees wanting to go into jobs like acting or modelling, because you have a brand logo on you. Things like my prosthetic leg collecting data about me and my activity levels, which can be used against me to prove I'm not "using it enough" to warrant getting it fixed/replaced by insurance (in Australia, we have the NDIS but they work off the same principles) - that's also deeply unnerving to think about in general and you could take that a lot further in a cyberpunk setting. Also not making prosthetics for certain body types despite the tech being available, because there's "no demand for it" but they're the reason there's no demand. e.g. many companies don't make prosthetic leg components for people above a specific weight, because "people who are that big don't usually use prosthetics" but we don't use prosthetics because none of the existing components are safe for us to use, so we can't use them, which means there's no demand, so they don't make them and it becomes a weird cycle. this has contributed to MASSIVE issues with eating disorders in amputee circles as people desperately try to force themselves into the "acceptable" weight window so they don't loose the ability to walk.

Also, if you're going to tackle the "how much of your body can you replace with robotics before you stop being human/stop being you" question, be sure to tread carefully and remember that there are already real people who you might be (unintentionally) discussing the humanity of.

[relicsongmel]

Iris, Miles, and their mutual "secret"

The Ace Attorney fandom is no stranger to discussions of homoerotic subtext in the game's script—pretty much everyone who's spent more than five seconds here will be able to tell you that. Screenshots of lines that imply romantic tension between same-gender characters are all over the place, to the point that many fans are drawn to the series purely by its reputation as "the gay lawyer game." Some scenes are more well-known than others, but one I find brought up fairly regularly is this conversation between Miles and Iris:

This is optional dialogue that can be triggered by presenting incorrect evidence on Iris' Psyche-Lock during the Investigation portion of Bridge to the Turnabout. The argument here is that the "secret" Iris is referring to is the same as her own: that being, a romantic interest in Phoenix Wright. Which is definitely hilarious when you consider that Iris has known Miles for less than a day and she's already reading him for filth (granted, she could have been clued in by the similarly infamous "indispensable friend" line, and she's also exceptionally good at reading people despite Miles thinking otherwise). As a Narumitsu shipper myself I am not immune to enjoying that interpretation; however, I feel like there's a lot of nuance in this scene that isn't often addressed by the fandom at large. Which is unfortunate because watering it down to just Iris calling out Miles for being the gayass he is (to be fair. she's not wrong) does a MASSIVE disservice to both of their characters, and I'll explain why.

My bone to pick with the usual analysis of this scene is mostly centered around the larger conversation to be had regarding the treatment of female characters in fandom spaces. All too often they tend to play second fiddle to the male characters, and a similar principle holds true for ships with their canonical male love interests: mostly ignored in favor of the the more popular M/M ship(s). At best these women are sidelined, at worse they are flattened into wingmen for the boys (as is frequently the case with many AA girls and Narumitsu, Iris included), and at the absolute worst they are demonized for their perceived "competition" with whatever gay ship is most popular and therefore the Only Valid One for the male characters involved (as exemplified by some very "passionate" fans that I generally try to avoid interacting with). Whenever this scene gets brought up, the focus is almost always exclusively on Miles and what the interaction says about his relationship with Phoenix; Iris is only relevant insofar as she's the one initiating Miles' Homosexual Moment™—you could replace her with almost any other character and there'd be a similar level of neglect for their role in the interaction. Only very rarely will you see attention given to what Iris' question about Miles' secret means when she is the one asking it, and what it can tell us about her relationship with Miles/what she thinks of him, and vice versa (absolutely wild how even Miles himself is often flanderized despite being the fandom's golden child). It's all too characteristic of the systemic misogyny that has plagued fandom since its inception, which is deeply frustrating to me as someone who adores Iris as much as I do (if that wasn't obvious by now). So that said, let's dive deeper into what I think the missing link is here: namely, the Iris-Miles dynamic as it pertains to their relation to Phoenix.

Iris and Miles is one of my favorite relationships to explore in the whole series—but as I've described above, unfortunately a lot of people get it wrong in my opinion. Discussion about the two is frequently centered around Narumitsu Love Drama—which is a conversation worth having, don't get me wrong—but the elements at play there aren't always represented the way I envision them, which again, is frustrating. Take the idea of potential jealousy, for instance: it's pretty standard love triangle fare that can be (and often is) quickly turned into demonization when it's used in a shipping context, character assassination be damned (re: Narumitsu fanfic authors that project their personal dislike of Feenris onto Miles via his jealousy of Iris and/or how they tend to portray Iris unfavorably). However, it's not inherently a bad thing to explore: personally, I do believe that there is mutual jealousy between the two of them. Miles might not have the full context of Iris' history when this conversation takes place, but he's emotionally intelligent enough to pick up on what Iris means to Phoenix, and vice versa. And him being a jealous hoe about it isn't out of the question when you consider that he's a bit of a loner by nature and doesn't have many close friends or outlets for socialization outside of his job. The crucial element that's sometimes missed, though, is that Miles not only lacks the self-awareness to realize he's a jealous hoe...he's also a self-sabotaging jealous hoe.

And the same can be said for Iris, who is similarly introverted and doesn't often leave her home at Hazakura Temple.

The whole reason Miles is peering into Iris' heart in the first place can be found in this exchange, after he breaks her Psyche-Lock:

Miles uses the Magatama in order to gain the answers he needs to bring the truth to light and get Iris acquitted, and he does so for the express purpose of reuniting her with Phoenix so they can find closure—in fact, he reiterates this to her multiple times. He obviously recognizes how Phoenix is suffering from what happened between them (I'd argue he sympathizes with Iris' plight as well) and has resolved to do what he can to help him heal, but there's no reason for him to be so insistent that she rectify things with Phoenix when it does nothing but harm his own chances with him. Unless, of course...that's the whole point.

To convince Iris to reveal her secret so he doesn't have to face his own, because he thinks himself undeserving.

And Iris, noticing this because she empathizes with that feeling of unworthiness, calls him out on it in an almost uncharacteristically forward manner when she asks him what he's hiding.

Takes one to know one, indeed.

Iris highly respects Miles for taking on her defense despite the risk to his job as a prosecutor. She's willing to trust him after hearing he's a friend of Phoenix, hearing him out and letting him reason with her. She still keeps her cards close to her chest in some regards, but she's more honest with him than she's been with anyone else in her life apart from her sister. She sees his commitment to the truth and how it starkly contrasts with how she's lived her life to this point, and thinks that this is the type of partner Phoenix deserves—not someone like her, who only knows how to survive using lies and deception. She sees so much strength in him but still recognizes the insecurity lurking beneath his tenacity, which is why when he falters in his logic, she takes a leap of faith and gives him one last chance to examine his reasons for pushing the burden of his unspoken affections onto her, as if to say: "Look in the mirror. Is this really for me? Or is it for you? Do you really seek the truth for its own sake, or do you merely hope to find one truth so you might run from another?"

Her question to Miles is a gamble—a coin flip of self-sacrifice. If she loses and he presses on, she has to face the secret within her heart she's been suppressing for five years. But if she wins and he gives in to the truth in his, she has to live the rest of her life watching it unfold and knowing she threw away her chance to finally stop living in fear of her own love.

Either way, there's no escaping heartache for her anymore.

Miles and Iris both want what's best for Phoenix and prioritize their vision of his feelings over their own. However, they are also both deeply emotionally repressed people who find difficulty in being direct with their feelings, and are predisposed to self-sabotage due to childhood trauma. These tendencies may manifest in different ways for both of them, but the fact remains that such people would likely not compete for a person's affection in the traditional sense, which is exactly what we see with how Iris and Miles deflect their feelings for Phoenix. These selfless, lovestruck idiots toss that man around like a game of hot-potato because their mutual self-hatred for the ways they've harmed him has rendered them terrified of the reality of what he means to them, and desperate to find a way out of admitting to it. It's the most compelling explanation I can think of for why the usually unassuming Iris makes such a bold judgment about what Miles might be keeping locked away, and why Miles goes to such lengths to make sure she talks to Phoenix and tells him the truth—his agreement to defend her was conditional on that exact promise. They go through this whole song-and-dance of playing wingman to ignore their own feelings while still trying to bring Phoenix the happiness they think he deserves—and then they wonder why seeing Phoenix give the other one attention burns them up inside.

Because they’re dumb. And I love them.

TL;DR the Iris Psyche-Lock scene in BttT is so much more than just "haha Miles gay" and I wish people talked about it more. Also Iris and Miles are way more similar than they appear at first glance and if I think about it for too long it makes me physically ill thank you for coming to my TED talk

[commandershepardvasfuckit]

An Arranged Marriage, part 23

Part 1 | Part 2 | Part 3 | Part 4 | Part 5 | Part 6 | Part 7 | Part 8 | Part 9 | Part 10 | Part 11 | Part 12 | Part 13 | Part 14 | Part 15 | Part 16 | Part 17 | Part 18 | Part 19 | Part 20 | Part 21 | Part 22

1.4k words

(I am feral over my own character, ask box is always open for talking about my writing or just monster fucking in general!)

--------

You could tell just how much Zen was holding himself back. He helped you undress and carefully set your new clothes aside, knowing that there would be hell to pay from Bira and Hoonti if he damaged them. His hands were shaking where they rested on your waist and he was breathing hard while he paused to look you over and just take in every detail.

Without saying anything he lifted you up with ease and sat on the edge of the low dresser. As he stood between your spread legs he pulled your hips against his and you could feel every twitch and throb of his erection against you.

You could not resist running your hands up under his shirt, just touching him anyway you could. He took that as a hint and quickly pulled his shirt up and over his head and tossed it aside. Softly you kissed along his chest and stomach, paying careful attention to the deeper scars scattered across his skin and enjoying the soft sighs between his moans.

He continued to grind against you. At this height with you on the dresser his erection was rubbing right against your clit and you felt the ache between your legs.

This was much more forward than he had been before and you were pretty sure that you liked it. For all of his reputation and status Zen was never a dominate or aggressive person, not the sort you would have expected for a war hero or avatar of a god. Instead he was gentle in everything he did, fussing over you before ever even beginning to think about himself, careful to always respect your boundaries and never make you uncomfortable if he could help it. He was not the man you expected to marry in any sense, but that did not matter. You really could not imagine getting luckier in an arranged marriage.

Your thoughts were quickly banished when Zen took a step back, this time causing you to whine from the sudden lack of friction between your legs. You watched him closely as he undid his pants, letting your eyes drift downward. You figured he was probably proportionate for someone of his height, but even so that was a lot more than you were used to. His tip was more tapered than a humans and had less of a pronounced head, though you knew even midway up that he was thick enough where you could not get you hand fully around him and the thought made the ache between your legs worse.

He did not immediately step back up to be against you, but instead leaned down to press his forehead to yours, “May I have all of you?”

The wording of his question felt right. Over the last week and a half or so you had given him parts of you, both physically and emotionally but still held quite a bit back.

Zen on the other hand was quick to give you all of himself, happily encouraging you to touch and explore him at your own pace. He had also made it clear in his confessions the other day that more than anything he wanted to be loved. The way he looked so worried when telling you, the ache in his voice when he asked if maybe one day you could love him, he was happy to give you his heart.

He had periodically reassured you that he would never ask for more than you were willing to give, and he was asking for a lot right now, but he was right; it was not more than you were willing to give.

You nuzzled your forehead against his, “Yes.”

The words had barely left your mouth before he scooped you up in his arms, your legs wrapping around his waist without hesitation, and another needy, inelegant kiss shared between the two of you. You felt him gently lay you down on the bed, keeping as much contact with you as possible the whole time while trying to not crush you under his size.

He was massive compared to you and inadvertently pinning you under him. With his forehead still pressed against yours his tusks were on either side of your face, keeping you from from being able to turn your head or look away from him even if you wanted to.

You did not feel trapped though, instead it made you feel shielded and protected. Zen was always gentle and reassuring in everything he did, where his size and strength was intimidating initially now it was comforting.

“And you really want me? Truly?” he asked, almost sounding worried.

You reached up and tangled your hands into his hair to pull him closer and kiss his forehead before nuzzling against him, “All of you.”

There was an audible sigh as he must have been holding his breath while waiting on your answer. Any tension he had seemed to dissipate and he leaned a bit more of his weight onto you, just melting against you and purring louder than he ever had before.

He carefully began to reposition himself and used his knee to nudge your thighs farther apart. The two of you giggled as he tried to line himself up with you and kept missing and instead jabbing your thighs, it felt like being young and awkward and inexperienced all over again.

You reached down and wrapped your fingers around his cock and felt him immediately buck into your hand while you tried to guide him in. His eagerness was charming in a way, excited but not pushy, and unable to hide it.

Finally you managed to help him find your entrance and felt the goosebumps prickle your skin as he slowly pushed in. You were thankful that he was more tapered at the tip and going slowly, though it did not outweigh the fact that he was still much larger than a human.

The sounds he was making were incredible though. Little whimpers interrupted by purring, deep shuddering breaths through an open mouth, and soft moans, you had never had a partner quite so vocal.

Slowly he continued to press into you, nuzzling you almost frantically as he did, but the gentle stretch was giving way to a bit of a sting even though he was barely a couple inches in. You winced, though he did not seem to notice. You took a few deep breaths trying to steady yourself, but it was not really helping as a ‘bit of a sting’ was quickly becoming just ‘hurting’.

Zen said something softly. Something you did not catch. Something that most definitely was not in common. But that hardly mattered now.

You let out a yelp when he gave a bit of an excited thrust that made him stop in his tracks. Quickly he pulled his face away from yours and was looking over you in a panic.

“What happened? Are you alright?” he blurted out.

“You’re umm…a bit much to handle” you awkwardly began, “I mean, you tower over humans.”

He looked back at you, taking a few moments to process what you meant before speaking, “Oh.”

Carefully he clamored off of you to lay at your side but did not try to pull you against himself or anything.

“I am sorry” he said.

“It’s ok, it was just an accident. We both just got a bit too excited”. You rolled onto your side to face him and give him a smile to try to reassure him.

“I was worried about this.”

“Worried? About what?”

“Hurting you.”

“I promise you it’s fine, it was an accident. And why were you worried about it?”

“Because you are so much smaller than a troll, and that has made me worry that maybe it would not be possible…” he trailed off.

“And would it matter if it wasn’t possible?”

“Of course not” he finally reached out to you to pull you closer to himself, “Whatever is possible is more than enough.”

“Then we go slow, and maybe warm up next time” you pressed a few soft kisses against his chest and could feel how his heart still was racing. You loved how the scent of incense always lingered on his skin.

--------

Part 24

Tag list

@blushycadaver @hazyspacefairy @littlelovebug98 @tufflepuff23 @graveblanketgreen @krayziee @zaqnette @emonatural191 @lets-imagineastory @lovingbadguys @after-laughter-come-tears @plathsotherib @nogoatsnoglori

(Sometimes mobile fights me when tagging people, apologies if it didn’t work!)

[tornioduva]

Dungeon meshi and body proportions

Ok, i'm feeling the rush i got from binging the manga this last week is starting to fade away, i'll be back to being a normal person soon i think. at least, that is before i find a new something for me to dive into uhuh.

Before that happens, i want to praise Ryoko Kui for one last think. The design of the characters!

For years i've expressed (maybe not so much online) my hate towards the "anime style", this homogenization of traits and beauty standards to an artificial degree, and the mass spread and consumption of it. yes, trends exist for a reason, this is not the first nor the last art current to be popular and i'm not the first detractor of one in history. I do think there is something uniquely harmful in this one though, and that is why i'm able to find the energy to be such a pretentious dipshit about it. That is a discussion for another day though.

All this to say that going through Dungeon Meshi and seiing these characters, plus (and in a way because of it) all the additional sketches of the daydream hour bonus sections, was such a breath of fresh air! (at least for what concerns japanese exported stories)

All i could say and praise in regard to character designs in general is perfectly expressed in this video, which i recommend you to watch if you want to hear my opinions (and the video author's too, uhuh):

I want to leave you though with at least one specific praise for me: Falin.

i've seen countless time people (online) just not understanding how people's body work, how much differences there can be and how proportions do distribute and affect the body. in anime I see a lot of short and tall people (mostly women girls) that share the same proportions despite their actual height, and that often leads to think "yeah, she is short" and than she's tall when around someone, or (most often) the contrary. same lenght of limbs, same head to body proportions, and little details like this.

Falin you can tell at a glance she is a tall woman before she's around anyone, even when she is standing near her brother who is taller than her.

Kui did her homework in studying bodies and variations, and, whether consciously or not, she differentiated her in body in subtle but fundamental ways: her head being slightly smaller than her body, the neck being fairly long, and her having somewhat broader shoulders.

I accept that there might be an element of suggestion at play here, considering also how she is dressed most of the time, but I really do think there is a direct effort at differentiation here.

This is the first time in a long time (in a series like this at least) where i've seen a woman carrying herself around others and the space around here kind of like a person like me, tall, would; at first i didn't think much of it, but then i saw her near other characters and....i don't know, i felt a warm, joyful feeling, seeing that i was right in recognizing that trait and being right.

I was especially happy in seeing her next to marcille. not so much for the height difference, but for how different they were in proportions and mannerism. A lesser manga i fear would have used marcille's body type and way of moving and interacting as the default for most other girls, but here she was uniquely herself!

Now, i could've used more extreme exemples to show how this author rocks in body types representations (while aknowledging there could've been even more diversification still), given there are far larger, taller and stranger women, but to me, nailing the little, most subtle details in such a chirurgical manner shows a greater level of mastery and comprehension. As such, Falin left me with a deeper fascination than most other characters.

Sorry for this wall of text, but i needed to let my happy thoughts go, so that i could be free again uhuh.

Feel free to tell me that i'm wrong, or that i should just accept anime media as is. i'm just really happy Dungeon meshi exists as is and i want Ryoko Kui to keep refining her craft, and drawing beautiful women and dwarves.

Plus, this was very much a stream of consciousness, i didn't go into technical details about what i think conveyed what i described, but if someone is interested, or does not get what i'm saying (while expressing it in a curious and gentle way, i won't respond to spiteful assholes), i'll be happy to make a follow up post in which i try to dissect this! For example, i didn't reread the whole manga to find examples of her, i just went to the wiki uhuh. in a follow up post maybe i'll try to go through chapters and pick more specific examples of her.

Anyway, have a good day!

[stardustizuku]

So, Gushing Over Magical Girls Is The Best Thing To Happen to Magical Girls

Gushing Over Magical Girls get this bad rep. For all the wrong reasons. I’ve seen it be called an insult to Magical Girls, I’ve seen it be called “gooner bait” a term I absolutely despise but that’s a thing for another day. I’ve seen it insulted for everything and anything under the sun.

I first got acquainted with it when I was scrolling through Twitter and I saw someone complain about the PV. However, as an avid Magical Girl Fan, I wasn’t disgusted. I was intrigued.

I decided to read the manga, and oh god.

This is one of the best things I’ve read.

The story follows Utena, a shy girl that loves Magical Girls, tricked to become the evil general that will defeat the Magical Girl team “Tres Magia”.

And it’s a delight.

I binged all the episodes available to me in the manga, and had fun in each and every chapter.

The same, however, couldn’t be said by half the people who watched the anime. And I was extremely baffled. As a queer woman, this was the first time in my life, in which I had seen something so deliberately catered towards me. I saw tell-tale signs of someone who genuinely admires the genre, and is simply using it as an outlet for exploring deeper and more interesting topics that a SFW version of it would not be able to.

Yet, I turn around and I see people calling it the most horrendous stuff, and accusing everyone who likes it of being monsters or men.

Genuinely, I’ve had enough.

Gushing Over Magical Girl is not the Devil. In fact, I think it’s the best thing to come don’t even like Magical Girls AND IT SHOWS.

PART 1: “Magical girls are for little girls!”.

The first criticism you’ll see aimed at “Gushing over Magical girl” is the amount of sexually charged content it has. And it is true. It borders on straight up porn in many instances and it just gets wilder as you go on. By chapter 30, we’re way past PantyShots. Like, I’ve seen some of these girls’ vaginas, and I’m not joking.

Personally, I don’t see anything wrong with it, but there’s people who might disagree.

“Magical Girls are for little girls” some people say “and you’re corrupting it!”

Which genuinely makes me laugh.

This is because this type of argument could only be done by someone with no real concept of Magical Girls aside from maybe Sailor Moon and Sakura Card Captor.

out of the Magical Girl genre in a WHILE (Ignoring Precure, because they just gave us a magical boy and that’s my win of the decade).

People are just, you know, stupid. And reactionary. Enough that they see a boob and lose their minds like a Karen at a Christmas Eve Mall.

My point is, I love this manga. And I’m willing to risk my reputation to defend it. Cause genuinely, half the people who are clutching their pearls over this show - Magical Girl Anime haven’t always been PG, or aimed at girls.

Cutie Honey is a great example. It’s one of the most famous Magical Girl Anime you will find - and it’s a shonen. With the protagonist, Honey, being constantly naked, groped, put in suggestive situations and have outfits that show her cleavage.

And it’s one of the most famous, most popular takes on Magical Girl there is. Yet, I never see any amount of outrage towards it. (Part of me wonders if it’s because the fan service is aimed at men, rather than involving yuri).

There’s also Lyrical Nanoha, one of the most popular serial franchises there is. It spans several seasons and spinoffs, and it’s beloved by many.

And it’s aimed at older men. Yes, it’s a Seinen.

In fact, its origins are far from PG. It’s actually a Spin-off of an erotic game named “Triangle Heart”. It was most definitely not created with little girls in mind, and themes it tackles reflect as much.

There’s Fate/kaleid liner Prisma Illya too, a spinoff of the Fate/Stay Night VN, very obviously aimed at older men, it’s a Seinen. It has a lot of fanservice and scenes where the characters are half naked.

Day Break Illusion is also a Shonen.

And as much as I adora Madoka - I’ve been stating for years now that it isn’t a show meant for little girls. You could argue it’s for everyone, regardless of gender, who’s a little older. But it most definitely wasn’t for little girls.

So, no. This was never an “only girls” club. Trying to paint it as such, is not only wrong but ignorant.

Magical Girl shows can be for anyone. Men, boys, girls, women and I find it infantilizing to consider it “only for little girls”.

No one says “super heroes are ONLY for little boys”

Well, some do. But they’re, you know, bigots. Who don’t want girls playing or adults o have fun.

So no, Gushing Over Magical Girls being a sexually charged anime in the Seinen category isn’t “corrupting the genre”. In fact, I would argue it’s doing exactly what the genre has done in the OVA shadows for a while.

Not to mention, many people have screamed from the rooftop how they want “more mature Magical Girl shows” referring to the success of Madoka. But as soon as an actually mature take on Magical Girls shows up, tackling issues of sexuality and love, you all don’t want it anymore.

(We all know why, though. Americans, and western culture in general, considers mature themes, only that which involves violence. Anything close to discussing issues of sex is no longer “mature” but “Pornographic” and deserving of being shoved into a corner. With all queer themes, gender studies, and any nuance that could be had regarding these issues).

And speaking of sexually charged, have you watched so called “wholesome” magical girls? They’re still very much sexy. Not in the “on the nose” ecchi way Seinen and Shonen are - but they still are.

You’ll find transformations were the girls are naked, zoom in to their breasts, you’ll have panty shots every now and then. Even themes of growing up, having crushes, and innuendos about sex. Inappropriate relationships, taboo romance, and the likes.

Sakura had Rita and a professor’s relationship (mutual in the manga), Sailor Moon had Chibiusa and Elliot’s romance, Sugar Sugar Rune even having an element for ‘lust’ and other different types of love, and let’s not forget Mermaid Melody which has several instances of the girls naked, in compromising positions with other men. And I’m pretty sure Tokyo Mew Mew likely opened a whole bunch of doors for girls to be into CNC.

This is, by the way, normal.

Completely so.

These stories often talk about the girlhood experience. And girls and teenage girls are interested in all of these things. They’re interested in sex, romance, their bodies growing up, their own sexuality and the likes. It’s no wonder same-sex relationships and romance get included, they’re part of what experiencing the world through the eyes of a young girl is like.

And subsequently, it stands to reason that as people who engaged with MG grow up - they find comfort in exploring their sexuality through Magical Girl themselves. There’s a reason why there’s a growing section of “Magical Girl” in your local hentai site.

“Men get off on corrupting this wholesome girl targeted genre” is actually TERF rhetoric sneaking through the mainstream. It ignores AFAB ppl and gender nonconforming people, who grew up with Magical Girls, simply using a medium that originally started their journey of sexual identity, to explore more “grown up” aspects of that same identity.

In particular, I’m a Cis AroAce Woman. I wrote a lot of Magical Girl NSFW when I first started writing NSFW Twitter threads. They’re bad and they’re cringey. But it was something I needed.

Magical Girls were a huge part of my childhood and early teens. When I was mentally in the space to want to engage with NSFW content: it was obvious I would turn to what first sparked excitement.

So this idea that “men are corrupting Magical Girls with their sick fantasies” is nothing more than TERF-lite propaganda. People, including women and men, have been doing this for ages; for a variety of reasons. And doing so, doesn’t rob children of their spaces - but the gentrification of the internet is a story of another day.

The other argument I have heard is that GOMG is a mockery of the genre. Which is even more laughable in my opinion.

PART 2: Parodies and why I hate Earth Defender’s Club.

Gushing Over Magical Girls loves Magical Girls. It’s a parody, in a way, but it knows very well what it parodies. It’s not surface level in the slightest. And it absolutely is not mean spirited about it.

A lot of the time, shows that reference and parody the Magical Girl genre, do so in ways that feel like they view it as a lesser genre. They take generic images of cute girls in frilly outfits, swap the colors around, and have them chant over-the-top spells. You’re meant to laugh, not only at how silly they look, but people who would love it. Especially if they’re grown ups.

I do not like “Cute High Earth Defense Club LOVE!” For this exact reason - even tho many people praise it to all heavens.

Because

1) It feels surface level in its commentary and depiction of Magical Girls and

2) More mocking towards the genre than paying homage or doing anything with it.

The continuous use of the word “Love” is a very obvious jab at Magical Girls using these words, which feels mean spirited just for the sake of it. Their outfits are almost exactly the same, save for the colors. And they all use the same sticks as weapon, with no thematic link for the shapes of the scepters. The mascot too (a wombat for god knows what reason), I think it’s meant to be a joke of some sort for how ridiculous some of the mascots for the girls get, which rubs me the wrong way.

In general, it feels shallow and mean spirited. But no one calls this an insult to Magical Girls. Because people who like it don't actually care about Magical Girls. They see cute boys doing silly things and love it. Which is kinda sad.

Now, Gushing Over Magical girls has sort of that same problem on the Tres Magias…But they’re not the protagonists. And even then, in later chapters, they get power ups that are different in design, and thematically linked.

The protagonist, and the ones we follow, are Utena and the girls. And they all have very distinct outfits, all with motifs that are tangentially thematically linked, and speak of each character’s personalities in interesting ways.

Utena in particular has THIS outfit. Which a lot of people don’t like, but I actually do.

It’s very obvious it’s taking inspo from other iconic Bad Girls in the genre. Namely, Utau, Kraehe and Devil Homura. All “Enemy characters” that have unhealthy obsessions with other characters. In particular, I think the wings and the feathers resemble Homura - THE character known to have a massive obsession with a Magical Girl (Madoka), to the point of insanity.

There’s also Magia Azure. Who’s a clear reference to the Mean Tsundere girl that is iconic to the genre. She’s also a Miko. Which is a callback to Sailor Mars, arguably THE girl who popularized this archetype.

I also love what they do with the mascots. Unlike Earth Defenders, where the mascot is you know, a mockery of the archetype of a mascot - useless, only there to give power ups, and obsessed with food - the mascots of GOMG is taking a book from Madoka.

It considers the mascots both all-too-powerful and yet limited in their reach. Which is exactly what the mascots have always been in Magical Girls. Beings so powerful they can give mythical powers to girls, yet helpless to do anything on their own. So, they use magical girls as a vehicle to achieve their goals. Most Magical girls try to paint this as a good thing, but newer genres shine light on how dangerous that can be too.

Madoka tackles it with Kyubey as the main initial mascot, only later to turn out to be the villain of the series.

And in a Post-Madoka world, trusting the mascots is just the slightest bit more difficult. That’s why, from the get go, GOMG portrays their mascots as morally corrupt. He’s not a good character, he’s malicious and doing more harm than good. But for the majority of the series, he’s painted more as a useless harmless evil than anything genuinely terrifying or worthy of concern. The attention is focused on other things.

But I love the way that it’s heavily implied that they’re not good. It’s a very interesting take on the mascot and it helps with the themes of the series. Which yes, by the way. Gushing Over Magical Girls has themes.

Which lead me to-

Part 3: Yeah, uhm, Gushing Over Magical Girl has themes.

There’s this idea that Sex is an inherently violent act. In which a man humiliates and sodomizes a woman, and therefore the woman is exploited in some way. And 10x worse is any act that involves BDSM. It’s violence; born out of hatred.

This is TERF rhetoric. I’m not joking. This line of thought leads directly to TERF ideas.

Many on the internet have pointed out as much, and BDSM members have gone to be very vocal about it. In particular, people on the role of the submissive (or the bottoms) are loudly trying to explain the contrary. How they like the act of sex, like the idea of being vulnerable, or being humiliated. There’s also plenty of LGBT+ stories that talk about it, both in western and eastern spaces. Just jump into the section of dom/sub verse at your local manga browsing website, and you’ll find something.

That said, the same is not as common for people who like to “dominate”.

I can only think of two pieces of media that argue that, whoever is the dominant or the sadist, is also a human being. That whatever they’re doing is done, not out of hatred for the submissive or an act of violence, but love.

One, is the husky and the white cat. In which Mo Ran, among other things, has to come to terms that his love isn’t “pure”. That he cannot love someone without the want to have sex, and to completely dominate that someone.

The second one is Gushing Over Magical Girls.

It’s very clear to me that Utena’s sadism isn’t a violent act. It’s an act born out of love. She genuinely loves the Magical Girls, and most girls for that matter, and whenever she is inflicting pain and fighting with them - what she wants is to ultimately help them in some way.

She wants them to “be the cutest version they can be” and wants them to shine brighter than ever.

There’s this one scene I love, around chapter 20, in which Baiser (Utena) is fighting Magia Azura. And due to Baiser going a bit too far, Azura ends up being Mind-broken. She crawls towards her, calls her “mistress” and begs to become her servant.

In any normal Hentai you’ll find, this is a good thing. This would be the ideal outcome. A character being turned into nothing but a sex slave for the enjoyment of the dominant.

Which is why I found it breathtaking when that didn’t happen.

Baiser is horrified by this. She does not want to break the girls, she wants them to be powerful. She wants them to win. With her, the evil one, being nothing more than a vehicle for them to be even stronger than before.

This is the first time I’ve ever seen dominant or sadist characters being presented both sexually, and in such a positive light. Much less a queer woman in the same position.

It doesn’t treat BDSM sex as a disgusting taboo act, but something born out of genuine love - and a want to see the other person be or feel better.

This is reinforced around chapter 25 where Leberblume and Loco Mùsica are fighting Baiser. For context, Loco Musica wanted to be an Idol, but had terrible singing. She uses her evil power to basically force everyone to listen to her sing (which is so reminiscent of Mermaid Melody btw). When they fight, Baiser wins, and is then set to use her new found power to “punish” Loco Musica.

Originally, Loco Musica points out how Baiser’s sadistic tendencies are “the same” as Lord Enorme, who we’ve seen uses sadism as a genuine form of punishment. Something to avoid. You behave well, because you don’t want to get hurt or humiliated by her.

However, when Baiser uses her own unique type of sadism on Loco Musica, something happens. Instead of causing her physical pain by beating her or using violence, she forces her to get naked and perform her idol song like that. This causes her to get extremely embarrassed. And in the process, she actually starts to sing really well.

This is important for two reasons

1) Baiser is actually taking into account who Musica is. It’s later revealed that Musica wanted a more frilly idol-like outfit but Lord Enorme shut it down, for the sake of a more ‘unified’ aesthetic. Baiser is not just throwing around the same treatment and punishment for all girls - what one might like, the other might hate.

2) At the end of the day, while she did the punishment, it was both embarrassing, but ultimately something that helped Musica and made her feel better.

And that’s really the key here, and why I love the series.

Sadism, sex and kinks in general are not tools of degeneracy. They’re treated as part of our experience.

Also, it’s just fun?

Part 4: Gushing Over Magical Girls is just extremely fun when you don’t have a dumb bitch yapping abt how unholy it is to see tiddies on a screen

Yeah, GOMG just has one of the most creative depictions of the most insane of kinks you’ll see - I could spent hour gushing over Nero Alice.

Seeing all these different kinks being depicted as powers and abilities that these characters have - and seeing how they interact with other people is just interesting.

The sex scenes are both hilarious and kinda sexy. Specially if you do like to see women all hot and bothered. Personally I’m not into girls (or anyone for that matter) but I have to admit the scenes were pretty hot. And there is no shame in admitting as much. No matter what the puritanical Christian on Twitter crying abt “god honoring lesbian sex” Will tell you.

I cannot begin to explain just how hype and relatable it was to see Magia Baiser defeat Lord Enorme with the power of straight up delusion, we STAN.

So, yeah.

It’s been a while since I last saw a Magical Girl Show so unashamed of being a Magical Girl Show. Unashamed of being weird, of praising the genre and just enjoying it.

My essay is titled, in part, as a joking reference to my much more popular series “MLB is the worst thing to happen to the magical girl series”. Which I still think is true.

And while, yeah, maybe GOMG isn’t the best thing to come out of the genre…I still think it’s good that it came out.

A lot of people say they want a more “mature” take on Magical Girls but - this proved to me that just isn’t the case.

Gushing over magical girls proves that the Magical Girl Genre Can Be so much more than what people think. More than glitter and sparkles, more than vapid action scenes, or what little girls want.

Much like any other genre, it can be raunchy, it can be messy, it can explore things outside of the status quo. But it can still deeply respect the source material, and the origins of it.

GOMG proves Magical Girls can be fun. Just. Straight up fun. Regardless of your age. They can serve and connect you to parts of yourself you didn’t realize you could connect to.

I hope it proves to more people that the genre can be so much more than “just for little girls” that parodies can be more than pointing and laughing, and that it can have themes beyond just, “friendship”.

Magical Girls can be so much more. You just, have to have an open mind about it.

[cheriecelestial]

Jacob Black’s Self Saving System Pt.II

disclaimer *:･ﾟ✧*:･ﾟ✧ crack. swearing. not proofread.

a/n *:･ﾟ✧*:･ﾟ✧ So here’s part 2. I’m aware it’s a bit more than overdue but FCKING FINALLY. literally so proud for completing it cuz like take that depression. Also it’s kinda short so sorry abt that. Anyways Comment, Reblog and Like（╹◡╹）♡

part 1

Jacob was abruptly pulled from the gentle embrace of sleep by the simultaneous blaring of his alarm and the persistent ringing of the system. It was an unmistakable sign that the day was about to begin, whether he was ready for it or not—a day full of promise, or so it seemed.

“Just five more minutes,” he grumbled to the system, burying his head deeper into the pillows, not remembering the fact that the system’s voice was inside his head. Covering his ears wouldn’t do anything to muffle the annoying mechanical sound.

[Congratulations ! You have unlocked a beginner’s quest.]

[ ➤ 「Accept」]

[ 「Reject」]

The message hovered in him, waiting for his response, completely indifferent to his desire for a few more minutes of peace.

Jacob’s ears perked up the moment he caught the word “quest.” His curiosity piqued; he peeked out from under his pillow at the blue window that had materialized before him. “What kind of quest ?” he questioned. Huh, this is more user-friendly than I expected, he thought.

[Further details will be provided upon accepting the quest.]

A beginner’s quest was usually something straightforward and low risk. Besides, Twilight was generally a safe story to be transmigrated into—Stephanie Meyer hadn’t exactly shown much nerve in killing off characters, unless they were villains. And it wasn't like he was diving headfirst into some cutthroat world where danger lurked around every corner. Thank the heavens he wasn’t a Hunger Games hater.

Jacob weighed his options, his finger hovering over the “Accept” button. A beginner's quest in seemed like the perfect way to ease into this new reality. But then reading about it was one thing but actually experiencing it was another. Jacob still had lot of learning to do regarding his surroundings. After all, it was still too early and the thought of getting involved in anything, even if it was “low risk” felt exhausting.

“Nah, I’ll pass,” he muttered, reaching out to reject the quest.

[This option is unavailable. Your user level too low.]

“Then why even offer that option ?!” Jacob hissed at the system. A blank screen appeared as if the system was about to respond, but Jacob cut it off, “That was rhetorical. Keep that shit to yourself. Does this thing have a Google review rating system ? Because I’ve got a few things to say.”

The system remained silent, apparently taking his words too literally. In all fairness, based on his experiences with the system so far, it felt almost too generous for it to acknowledge his rejection without a fight. Even while clicking, he half-expected some resistance from the system, maybe a guilt-trip message or a reminder that beginner’s quests were important for progress.

Unlike those rare morning people who leap out of bed fresh and ready to conquer the day with a smile, Jacob, like any normal person, rolled out of bed with a groan and a string of unintelligible curses. And by “rolled out of bed”, it meant he literally tumbled off the mattress, hitting the floor with a thud, tangled in his sheets and struggling to get up.

This was his usual morning routine, occasionally accompanied by sobbing into his pillow about how he can’t do this anymore. But, oh well, a quest is a quest.

He stared at his reflection in the mirror, confirming that he was still Jacob and that this was all very real. Jason had never had long hair, nor had he ever tried to grow it out, but Jacob’s long locks were starting to give him ideas. He picked up a comb from the vanity, parted his hair down the middle and then grabbed an umbrella leaning against the side.

“Fate is not to be taken lightly, Cloud,” he declared, flourishing the umbrella as if it were the mighty Masamune itself, his tone grand and serious—completely unaware that his father was watching from the hallway.

“Son are you planning to duel the weather or is this just a new morning routine ?” his father finally asked, breaking the silence trying his hardest to hold back his laughter at his son channeling his inner swordsman.

Jacob froze, the illusion shattering as he realized he wasn’t alone. He slowly turned to face his dad, feeling his cheeks flush with embarrassment.

“Uh, just… practicing,” Jacob stammered, lowering the umbrella. His father chuckled, shaking his head. “Well, brush your teeth and come down for breakfast. Breakfast is the most important meal of the day, even for master swordsman. And maybe next time, close the door.”

[Mild OOC]

“Go fuck yourself.”

Jacob sighed as his father wheeled his wheelchair away, leaving the door slightly ajar. He set the umbrella back in its place and stared at his reflection once more.

“You are a fucking dumbass,” he muttered to himself, gripping the sides of the vanity and jabbing a finger at his reflection. Positive self-talks were necessary for good mental health. Jacob for one never missed it a day of his life, though his choice of words always stayed limited.

He picked up his toothbrush and started brushing. “And what about the quest ?” he asked through a mouthful of toothpaste.

[Further details will be provided in due time.]

Jacob rolled his eyes at the system’s vague response. “Of course they will,” he muttered, spitting into the sink and rinsing his mouth. For something that was supposed to be mechanical and emotionless, the system sure seemed to have a vendetta against him.

As he stepped out of the bathroom, the aroma of breakfast wafted up the stairs, reminding him of the real world outside his head. Jacob headed downstairs, the wooden floor creaking beneath his feet. His father was already at the table, engrossed in the morning paper with a cup of coffee by his side.

“Morning,” Jacob said as he sat down, reaching for the toast acting all Jacob Black rugged werewolf alpha-to-be stud-y.

His father glanced up with a small smile. “Morning. Planning any more sword-fighting today?”

Jacob gave an awkward smile as he spread butter on his toast, a crack appearing in his facade, “Not unless I get ambushed in the living room.”

His father chuckled softly before returning to his paper. Jacob took a bite of his toast, trying to focus on the routine of breakfast, but his mind kept drifting back to the mysterious quest. The system had promised more details, but the anticipation of what was to come was already making him anxious.

“So, son, you might remember that Bella’s coming to town tomorrow—” his father began, folding his newspaper and setting it aside. As he spoke, a blue exclamation mark appeared above his head. Jacob internally rolled his eyes. “Seriously? You turned my dad into a quest-giving NPC? That’s foul, even for you.”

[Initializing quest]

“So, I thought you could fix up the old truck as a welcome gift for her,” his father concluded.

[Quest Accepted: Welcome to Forks!]

[Objective: Prepare a welcome present for Bella Swan.]

[Reward: Unlocking Skill Interface and +20 B points]

“So, my mission is to fix a truck for the female lead ? What, am I her servant now?” Jacob scoffed at the task.

[Correction: Jacob Black is a male lead of the novel.]

Jacob didn’t answer back. Everything seemed so in place that he had forgotten that he’d momentarily forgotten his role—the second male lead in a romance novel, whose sole purpose was to worship the ground the female lead walked on. His life wasn’t truly his own; it was meant to revolve around her, with no room for his own desires. His existence was defined by what he could do for the female lead, a reality that left a bitter taste in his mouth. He knew it wasn’t Bella’s fault—she hadn’t asked for this, just as he hadn’t. There was only one person he could blame for it all.

“Stephanie when I catch you Stephanie,” He cursed silently, but he knew he had no choice but to accept the quest. Forcing a smile, he looked at his dad and said, “Consider it done.” His dad smiled at him,

His father smiled, clearly pleased with Jacob’s response. “That’s the spirit. Bella will appreciate it,” he said, pushing back from the table and wheeling himself toward the door. “Let me know if you need anything.”

Jacob nodded, though his mind was elsewhere. As soon as his father was out of sight, the fake smile dropped from his face. He headed out to the garage, where the old red truck was parked. The sight of it made him sigh. Fixing the truck wasn’t really the problem—it was what it represented. This wasn’t just a mechanical job; it was the beginning of his role in the story, the part where he’d be sucked deeper into a plot he had no control over.

The system chimed again in his head as he approached the truck.

[Reminder: Completing quests will increase your chances of survival in this world.]

“You do realize I don’t know shit about fixing machines, right ?” Jacob muttered under his breath, staring at the set of tools with resentment bubbling inside him. With a resigned sigh, he picked up a wrench, though he wasn’t entirely sure what to do with it. “Great,” he muttered, “just another thing I’ve got to figure out on my own.”

In his previous world, he had graduated from college, but with a degree in chemical engineering, not mechanical and didn't know the first thing about machines. He popped the truck’s hood and surveyed the engine, trying to remember anything he’d ever seen or heard about fixing cars. It wasn’t much, but he knew he had to start somewhere. His hands moved hesitantly, testing bolts and wires, half-expecting the system to chime in with a snarky comment or some overly complex instructions.

But the system remained silent, leaving him to muddle through on his own. Jacob tightened a few bolts, poked around in the engine, and fiddled with whatever parts looked like they might need adjusting. It was slow, frustrating work, and he doubted he was doing much good.

[New Feature Unlocked: Easy Mode.]

Jacob blinked in surprise as the notification appeared in his mind. "Easy Mode ? Now you decide to help ?" he muttered, half-annoyed and half-relieved.

[Easy Mode : Guided assistance will now be provided.]

[Activation requires : 10 B-points]

[ ➤ 「Accept」]

[ 「Reject」]

“Ugh, fuck it. Accept.” Almost instantly, a series of holographic arrows and instructions appeared, overlaying the truck’s engine. The system highlighted specific parts, showing Jacob exactly where to place the wrench, which bolts to tighten, and which wires needed reconnecting. Each step was broken down into simple, manageable tasks.

[-10 B points ↓ ↓ ↓] 

Following the holographic instructions, he carefully placed the wrench on the first bolt the system highlighted. “Okay, I can do this,” Jacob muttered to himself, tightening the bolt as directed. He moved on to the next step, reconnecting a loose wire that the system had pointed out. The process was much smoother now, and with each completed task, the truck started to look less like a hopeless wreck and more like a functioning vehicle. At least with Easy Mode activated, the overwhelming sense of helplessness was gone. The minutes ticked by, and before he knew it, he was tightening the last bolt the system had highlighted.

[Progress: 100% complete. The truck is now operational.]

Jacob stepped back, looking at the truck with a mixture of pride and disbelief. “I actually did it,” he murmured, feeling a small sense of accomplishment. Even though the system had done most of the heavy lifting with its guided assistance, he had still been the one to follow through. 

 “What’s is the skill interface ?” He asked out of curiosity. As Jacob's question hung in the air, the system responded with a chime, and a new window popped up in front of him, displaying the contents of the survival kit.

[ Quest completed. processing rewards.]

[Entering skill interface]

[ 「Shapeshifting」]

[ 「Superhuman strength」]

[ 「Superhuman speed」]

[ 「Accelerated healing」]

[ 「Combat Skills」]

[ 「Mechanical Knowledge」]

[ 「Memories of “Jacob Black”」]

Jacob chose [Mechanical Knowledge] first, eager to see how it might assist him with future tasks. The moment he selected the option, a torrent of information surged into his mind—detailed schematics, repair techniques, and a newfound intuitive grasp of machinery. The influx was almost overwhelming, giving him a throbbing headache.

“Alright, that’s definitely useful,” he said, rubbing his forehead. He felt more confident about handling mechanical tasks going forward. The other skills on the list remained greyed out, indicating they were locked and would likely unlock at later stages.

Curious about the remaining options, Jacob hesitantly tapped [Memories of “Jacob Black”]. Instantly, he was hit with a wave of pain as fragmented memories and experiences from the character he was supposed to embody flooded his mind. The memories were disjointed and confusing, offering glimpses into Jacob Black’s motivations and actions.

He wasn’t sure how to feel about this change—was it a relief or a burden ? He couldn’t tell. A part of him had always feared embracing the identity of Jacob Black, worried that doing so would mean losing himself entirely. Yet, another, louder voice in his mind scoffed at the idea. What was there to lose ? Jason had never been someone worth remembering. His life had been marked by mediocrity, at best. For years, he tried to deny it, but eventually, the truth became undeniable. In every aspect—looks, athletics, personality, academics—he had always fallen short. He was nothing more than a background character, one who could vanish without anyone noticing.

From being bullied and ostracized in school to facing isolation in college and work, the pattern remained the same. His peers—whether classmates, batchmates or neighbors—seemed to move forward effortlessly, while he remained stuck, perpetually left behind. Eventually, he gave up trying to keep pace. Why bother, when it was clear he never stood a chance ?

Jacob Black, on the other hand, was everything Jason had always dreamed of being—smart, good-looking, charismatic. It made it easier to slip into the character’s persona, to hide from his inadequacies. Despite the flawed story Jacob Black came from, he was someone—someone with a real chance at life. And that was something Jason had never felt he could be. And so, in a strange and twisted way, he found solace in becoming someone else, even if it meant surrendering pieces of himself in the process. It wasn’t that he wanted to forget who he was, but clinging to Jason’s identity only brought him pain—memories of failures, insecurities and a life that felt perpetually out of reach. Jacob Black, by contrast, offered an escape, a new narrative where he wasn’t invisible, where he could matter.

Still, as comforting as that illusion was, it came with a heavy cost. The more he embraced Jacob Black, the harder it became to distinguish where Jason ended and Jacob began. Yet, a nagging thought echoed in his mind: Did it even matter? If being Jason meant a life of irrelevance and emptiness, maybe losing himself wouldn’t be so bad after all. 

“Heard you guys coming all the way down the road”, Charlie chuckled, greeting Billy with a grin before fist-bumping Jacob—a gesture he insisted on using to "keep up with the younger folks”. Jacob gave a polite nod but kept glancing between the door and Charlie, mentally counting down. Any moment now, he thought, waiting for Bella’s entrance. He wasn’t exactly a fan of Bella Swan as a character—mostly due to the way the story was written—but from what he could gather from Jacob Black’s memories, she seemed pretty chill. He figured it wouldn’t hurt to befriend her. 

The door creaked open, and there she was—Isabella Marie Swan, the illustrious female lead of Twilight. Bella fit the mold perfectly: the quintessential plain brunette lead that romance novels loved to idealize. The archetype was crafted to be highly relatable—an "average" girl with nothing striking about her outwardly. Yet despite that description, Bella was undeniably attractive by conventional beauty standards. Her features weren’t particularly distinctive—the kind you might find on an aspiring young model—but they gave her a soft, doe-like appeal, also a common trait in romance novel female leads.

It was this very trope that irked Jacob: the unrealistic fantasy of an ordinary girl, doing little to alter her circumstances, who is inexplicably "discovered" and elevated by an idealized partner. It reinforced a passive role, one where the protagonist didn’t have to work for change or growth—everything simply happened to her.

Jacob suppressed an eye roll as he watched Bella quietly step inside, glancing around with that reserved, slightly awkward demeanor he remembered from the story. Yep, classic plain-brunette-lead energy, he thought. There was nothing inherently wrong with Bella—she wasn’t annoying or overly dramatic—but it was the way the narrative framed her as the ultimate object of desire without much effort on her part that bugged him. Everyone, from Edward to Jacob Black, seemed drawn to her like moths to a flame, while she just... existed.

“Bella, you remember Billy Black,” Charlie said, breaking the silence. Bella responded with a polite smile, “Wow, you’re looking good.” Billy chuckled warmly. “Well, I’m still dancin’.” Though he wasn’t fond of the wheelchair, Jacob had come to understand that humor was Billy’s way of dealing with his condition. “I'm glad you're finally here,” Billy added with a grin. “Charlie here hasn't shut up about it since you told him you were coming.” He shot Charlie a knowing look, who, clearly embarrassed, averted his gaze and rolled his eyes—prompting a round of laughter from everyone at his expense.

“All right, keep exaggerating. I'll roll you into the mud,” Charlie shot back with a smirk. He wasn’t the type to openly show affection, but his quiet protectiveness and demeanor made it clear how much he cared for Bella in his own gruff way. "After I ram you into the ankles !" illy shot back, wheeling toward him with a mischievous glint in his eye. Charlie, grinning, raised his fists like a boxer ready for a playful showdown. Bella shook her head, half amused, half exasperated by her father’s shenanigans.

“Hi, I'm Jacob,” Jacob said, giving her a friendly grin. His voice was casual, familiar, like they’d been friends all along. He didn’t need to overdo it; Jacob Black’s charm came naturally, after all. Bella gave him a small smile in return, looking a bit surprised but pleased by the warm greeting.

“Hey,” Bella said, her voice soft but steady.

“We uh— used to make mudpies when we were little.” he recalled, trying to break the ice. “Right. No, I remember,” Bella nodded, and he laughed lightly, and for a brief moment, Jacob found himself wondering if maybe he’d been too harsh in judging her earlier. “Are they always like this ?”She asked and Jacob rolled his eyes and let out a tired and dramatic sigh, “It’s getting worse with old age.” Before they could continue, Charlie gave the truck a solid pat, rejoining the conversation with a grin. “So, what do you think?”

“Think of what?”

“Your homecoming present,” he said, a proud smile spreading across his face. “Just bought it off Billy here.”

“I totally rebuilt the engine for you,” Jacob chirped, eager to take some credit.

Bella took a step closer to the old red truck, inspecting its weathered exterior. The paint was faded, with a few dents here and there, but somehow, it had character—like it had been through a lot and still held its ground. She ran a hand over the cool metal, a small smile tugging at the corners of her mouth.

“Oh my gosh,” she exclaimed, glancing at Charlie, who was watching her expectantly. Charlie’s chest puffed up slightly with pride. “Thought you’d like it. It’s reliable, sturdy, and got a lot of miles left in it.”

“Are you kidding me ? This is perfect !” 

Jacob leaned casually against the side of the truck, grinning. “Yeah, and if you ever break down, you know who to call.” Bella gave him a faux skeptical look as she retorted, “You sure I won’t end up stranded on some back road ?”

“Hey, have a little faith. It’s practically indestructible now.” 

Billy laughed, wheeling himself forward slightly. “Kid’s been tinkering with engines since he could hold a wrench. You’re in good hands.”

As the conversation carried on, Bella opened the truck’s door and climbed in, running her hands over the steering wheel. The scent of old leather and oil greeted her, and despite its worn state, it felt right—like it belonged. Starting the engine, she was pleasantly surprised when it roared to life without hesitation.

“See? Told you it was solid,” Jacob said smugly, leaning against the window. Bella laughed softly, shaking her head. For a moment, things felt simple, easy—like the beginning of something new.

Still, Jacob had a plan. He wasn’t here to criticize the story—at least not openly to avoid triggering the system. He was here to observe, maybe stir the pot a little, and most importantly, enjoy the chaos as it unfolded. Making friends with Bella could be useful, especially since she was at the center of all the supernatural madness to come. Plus, from what he remembered, it seemed like they had gotten along pretty well before things got complicated with the whole love triangle nonsense.

[Quest Completed: Welcome to Forks!]

[+20 B points  ↑ ↑ ↑] 

Jacob stared down at the slab of steak on his plate, its surface glistening with a thin sheen of butter. The rich aroma filled the kitchen, mingling with the faint scent of charred edges. Anyone else would have been salivating by now, but not him. He picked up his fork and knife reluctantly, cutting a piece off with mechanical precision. The knife slid through cleanly enough, but that didn’t stop the unease building in his stomach.

It’s just food. You need it. Get it over with, he told himself, spearing the piece and raising it to his mouth. As soon as he bit down, that dreaded texture hit him—chewy, dense, and greasy. He hated how it clung to his teeth, how it seemed to fight back every time he tried to chew.

Steak wasn’t about the taste; the flavor was fine, even decent. It was the texture that made his skin crawl. The way it demanded to be chewed thoroughly, the way every bite felt like more of an effort than it should’ve been—turning a meal into a chore.

Still, he didn’t have much of a choice. His body needed the protein, especially with the increased appetite and metabolism that came with being... what he was. Skipping meals wasn’t an option. His muscles burned through calories too fast, and no amount of vegetables or carbs would cut it. Something he learned after transmigration. Fuck Jacob's werewolf genes man, this shit's nasty. 

He forced himself to swallow the bite, chasing it down with water before it could sit too long on his tongue. The cool liquid was a relief, washing away the lingering sensation.

Across the table, Billy watched him with an amused expression. “Not a fan of steak, huh?” Jacob shot him a tired look, cutting another piece. “Not really. It’s... the texture.”

Billy chuckled, wheeling himself back a bit. “Never thought I’d see a kid who can put away half a fridge of food complain about a steak.” Jacob didn’t respond. He just kept eating, each bite an exercise in patience and necessity. It wasn’t about enjoying the meal—it was about fueling the machine his body had become. And whether he liked it or not, he’d have to learn to live with it.

While chewing, Jacob had what he proudly considered the most brilliant idea of his life—like a metaphorical light bulb flickering on above his head.

[OOC warning!]

Oh, shut up, I haven’t even said anything yet ! he mentally grumbled at the system, only to be met with an ominous silence. Since he had already prepared a welcome gift for the female lead, it only seemed fair to do the same for the male lead. And since Edward’s Volvo didn’t exactly need repairs, the next best idea that came to mind was… cue the drumroll… steak. Maybe if Edward had some, he wouldn’t look quite so anemic. It wasn’t like offering food would be a huge deal, right?

[OOC warning! OOC warning! OOC warning! OOC warning!]

“What now?” he snapped at the system, clearly annoyed.

[OOC! Do not give raw steak to Edward.]

“Can’t you mind your own damn business for once?” Jacob snapped internally, his irritation flaring and patience running thin.

[Edward Cullen is your enemy.]

[Edward Cullen doesn’t consume meat.]

The system’s monotonous voice rang in his head, pushing him closer to the edge. He groaned in frustration. “Fine, he can have the blood, then.”

But despite his snark, the warning made him think twice. Showing up unannounced with a random gift, especially steak, probably wasn’t the smartest move. Edward barely knew him, and it wasn’t like they were on friendly terms. He had lucked out last time, but relying on luck again was risky. Plus, knowing vampires, the smell alone might irritate Edward—and that wasn’t a situation Jacob wanted to deal with.

With a resigned sigh, he realized he needed a different approach. Something smarter. Something that wouldn’t backfire spectacularly. For now, it was best to put the idea on hold and figure out a more... vampire-friendly approach. But for now, he had to get some fresh steak first. 

“Give me the bloodiest steak you’ve got. Like, completely soaked in blood,” Jacob requested, glancing at the lady behind the counter. She frowned slightly at the odd request but didn’t question him—after all, he was a regular.

“The bloodier, the better,” he added, thinking it would provide more… sustenance for Edward. That had to count as a good thing, right? Noticing the lady’s wary expression, he let out a nervous chuckle. “Uh, it helps with the flavor.” He hoped the offhand remark would diffuse any suspicion, but she merely shrugged, uninterested, and continued wrapping the steak without a word.

Edward stood in the clearing, utterly flabbergasted as he stared at the bizarre sight before him—a piece of raw, bloody steak dangling from a tree branch, tied with a bright red ribbon as if someone had packed it like a school lunch.

He approached cautiously, his sharp senses on high alert, as though expecting this to be some kind of trap. But no danger presented itself—just the absurdity of the situation hanging in front of him, literally. The blood on the steak was fresh, but it didn’t appeal to him in the slightest. If anything, it annoyed him thanks to the wolf smell. 

Why ? Just why ?

His mind immediately began narrowing down the possibilities, and his mind drifted back to the boy he saw that evening. He didn’t have proof, but something about the sheer ridiculousness of this gesture reminded Edward of him. But he didn't have a name nor motivation for said crime.

Edward sighed, pinching the bridge of his nose. “Of course this had to happen to me,” he muttered under his breath, his tone somewhere between irritation and reluctant amusement. It wasn’t exactly a peace offering, but it felt like… something. A weird, clumsy attempt to get his attention—or maybe just to mess with him, he couldn't tell. 

Another glance at the steak, the bright red ribbon swaying slightly in the breeze. Whether it was meant as a joke, a message, or simply an oddball's antics, Edward wasn’t sure. All he knew was that he wasn’t touching it.

With a resigned sigh, he turned and walked away, leaving the steak to hang there like some twisted forest decoration. Whatever this was, he figured he’d get his answer soon enough. After all, whosoever left this here wasn’t exactly subtle.

a/n - And special thanks to that one commenter who said they believed in me. Thanks man. Wouldn’t have done it without you.

tags - @duckysprouts @awesomeartfound @crimechor @the-bizzare-catnon @spookyfishoperalamp @faitrash @sleeping-willows @interdimensionaltravelerposts @porcelana-r0ta @theabsoluteweirdo @mileamintuemalarky @flamingoreo @verypersonadazzel @breyito @fandommenagerie @re4l-life-npc @frebbybirb @2lbballpeenhammer @lasswithaquill @overtherose @tataruz @phoenix-kite @fistfuloflightning @fagflint @starrii-blue @mintyfrogpluto @zgirlly @rareavian @sco-ot

[apt502-if]

I think I have the ultimate™️ angst ask for the ros minus rainn (also kinda of nsfw warning, ignore this if it makes you uncomfortable pls!!)

If mc and ro were being intimate, how would the ros react if MC said rainn's name in that moment?

OUCH YIKES OOF D: D: D:

A: This would be their worst nightmare. This is their worst nightmare. A would immediately stop and probably leave the room. I think the relationship would be over after that tbqh It would ruin them! After their past and then that they'd most likely give up romance and relationships for good. They would leave the room and cry in the bathroom for an hour before distancing themself and rebuilding all of the walls MC managed to break down :<

L: L would make a joke at first out of reflex ("Usually people are mistakenly saying my name not the other way around lol") and then stop. If it's just FWB then they wouldn't care that much. They would, as a friend, delicately tell MC to handle their issues though. In a relationship, they'd insist on having a conversation. L is a lot more understanding when it comes to relationships and messy feelings and moments like that because they've dealt with a lot of people in their days of hooking up. They'd tell MC that they should take a break and give MC time to figure out how they truly feel about their ex before getting back together. Just very understanding! Much more than most :P In a deeper relationship, L will say that but internalize it as "I'm not enough for them I knew I should've never gotten into a relationship this is why."

Cal: Cal would try to ignore it for MC's sake. They'd make an excuse as to why they have to stop and probably run out of the room. Cal's gut reaction would be to push it down and pretend it doesn't bother them because they don't want a confrontation or to embarrass MC. People pleaser ways :P Eventually Cal would give in and have a sit down with them. It would really hurt them though. And would take a long time to get over it.

M: Get mad. :P M would definitely ask MC if they're just a distraction from Rainn. They'd be insecure and question themself. M would go home and need a day or two to process what just happened. Then they'd outright ask, "Do you want to breakup with me?" and MC is like wow don't be dramatic LOL but all of the characters are dramatic so. M would give MC time to figure it out but I think the relationship would be over for a while. Not forever but for a while.

G: Find out who Rainn is to decide whether Rainn is better than them. If they are, G would make it their mission to be better and to make sure MC realizes that Rainn is the downgrade, not them. G is competitive.

Andi: Suppperrr awkward and super hurt. Wouldn't be able to look MC in the eye for a while. Like A, I think the relationship would be permanently done. If it was someone else they'd prob be able to move on from it but it's Rainn. Just bad all around. Andi would also be in too deep to be able to breakup and be just friends with MC. It would probably be bye bye Andi in general for MC for good.

[lemonlimestar]

she needs to fight!!! here’s my redesign for anita :)

i felt like something was lacking in her costume and i wanted to take a stab at redesigning her so! here she is!

explanation will be under the cut :]

when i started this redesign, i knew i wanted to incorporate her cultural background a lot more. she is implied (i don’t believe they outright specify it) to practice specifically haitian voodou & both of my parents practice african traditional religions. so, i talked to my dad about different ways to connect that to her costume and he brought up west african masquerades.

i was sent many, many videos (thank u dad 🫡) of masquerades as well as celebrations of junkanoo, which is a festival that started in north america rooted in west african festival traditions & they both have bright colors & masks that i felt really lent itself to the empress costume

i knew i wanted to keep her general silhouette, but i tweaked it to better suit the masquerade & festival costumes e.g. her glove and boot cuffs being flipped.

the stripes were a common aspect, and i based the masks more on junkanoo than masquerades just because of the important meanings behind masquerading that i am not qualified to apply to a dc comics characters ajhdjsja. i also made her under armor a lot more yellow to have less people confuse it as her skin? which i’ve seen a few times.

speaking of, now onto her actual appearance. i think anita has a very cute design, but like many non-white comic characters , it is a bit of a struggle. but! that’s an easy fix.

first, i gave her knotless french curl braids, bc all the black vigilantes i draw have to have protective hairstyles apparently lmao. but also it’s a nice mix of the braids she wears in yj sometimes and her usual hair. yippee

(+ i just made her empress hair a wig, bc it’s very much more convenient & plays into the festival costume aspect)

and, finally, i made her skin tone a lot deeper bc, especially compared to her white teammates, her skin is super gray 😭 which is common for a lot of brown comic characters unfortunately. i could’ve just made her og skintone more saturated but ¯\_(ツ)_/¯ it’s a free country.

and that’s a wrap :^) ty to anyone who actually sat through my rambling! if anything came off unclear i’ve open to questions about it. bring back anita fite 2k24

[ocelotlesbian]

i've been thinking over this aspect of his character for a while now and i think i have enough material to make a post about it, so...

> genderqueer mitsuba!!

an analysis on mitsuba's peculiar gender expression and queercoding! ( ´∀ ` )

full post under the cut!!

before i begin, a disclaimer: mitsuba is canonically a boy, and i'm not trying to say he isn't!! he can be a boy and also genderqueer. genderqueer folks can still identify with the "binary" labels of girl or boy, since being genderqueer doesn't require anything aside from having a queer experience with gender. and as i'll explain in this post, his gender is pretty damn queer!!!

also for the record i myself am genderqueer. lesbian flavor

now, to start off: the immediately obvious.

it's pretty obvious that mitsuba is the most gender non-conforming character in the entire manga. from his medium length pink hair neatly tied up in a little ponytail, to more subtle details like his hands being drawn similarly to that of the female characters & his occasionally drawn bottom lashes, which no other male characters seem to have.

along with his general "you should not ask me to lift heavy objects" demeanor, all these more feminine details serve to make him distinct from all the other male characters in the manga, putting him in a kind of seperate category consisting solely of him.

and this idea of him being in his own seperate category ties in with other important aspects of his character as well!

for sousuke, it ties into how he was ostracized from his peers for standing out too much, and for no.3tsuba, it ties into how he feels alienated from humans & other supernaturals and feels as though he doesn't belong anywhere. if you think about it, it's all pretty analogous with the queer experience!

and going further with sousuke specifically, the turning point of his character arc was his conversation with kou on the stairs, where kou essentially tells him that he didn't have to try and fit into a polite box to make himself more likeable, and he can just express himself the way he wants to. ...i don't think i need to explain how this sentiment could easily be tied in with his queerness and gender expression lol

now i could go even deeper into how queercoded mitsuba's character arc is, but i think i'll leave it here for now.

another thing i wanna go over is the genderswap episode of the after school hanako-kun anime. now, the events of this episode including him didn't actually happen in the manga, so the canonicity is rather dubious. but i still think it's worth going over!!

this episode deviates from the manga by having mitsuba join hanako & sakura in the genderswap shenanigans. in the episode, mitsuba gets hit with the gender reassignment surgery beam and... well, basically nothing happens.

the joke here is obviously the fact he already looks like a girl, so you wouldn't really have to change anything in a genderswap, but the part i find the most interesting is how he himself didn't notice a change whatsoever.

i'm not sure how the specifics of the genderswap robot work, but i'd imagine he'd notice something was up, right? so to me, this scene just hammers in the fact that he's just kind of unnaffected by / outside of most things relating to gender. he's in his own gay little corner, he's immune to this shit!!

so in conclusion, mitsuba's gender is in fact very queered!! his queerness & gender expression is extremely interlinked with his character arc and motivations of feeling othered from the rest of the world, and i just felt like this needed to be discussed. and also i love him lots. <3

end of post!!! thank you for reading my autistic ramblings ^_^