#i also did not proofread this

[lostinmycolor]

"darling," he whispers, ever so softly, the rasp in his voice reverberating through you and making you shiver. he chuckles silently at the little squeaks that leave your lips whenever your hips slam down on his cock as you look down at him with those pretty eyes of yours. for some reason, whenever he looks into them, they remind him of the stars he was so close to once upon a time. something that should be a bad memory but really isn't because you make it more nostalgic, in some kind of mysterious way. you almost make him miss it.

your hands are gripping onto his shoulders for dear life, nails digging into his skin in a way that should be painful, but instead just makes everything feel ten times better. he has a hand on your hip, gripping it firmly, his fingers forming slight dents in your skin. his free hand is wandering over your body, moving up from your clit to your tits, pinching your sensitive buds. he swears he's falling even more in love with you when you toss your head back and let out a long whine of pleasure when he does so. you look so beautiful.

how are you even real? he wonders. he's never had eyes for anyone the way he has eyes for you. he's seen and experienced so many beautiful things, explored so many different worlds in his dreams, in his past lives, but none of them compare to you. anything in any universe that is considered beautiful is nothing when it comes to you.

the way you moan his name is like the strings that play in his mind when he's feeling the rush of his highs, but somehow you're always able to make them sound like a beautiful symphony instead of just a jumble of noise like it used to be, before you. he wonders what type of magic you hold inside of you that makes you capable of making even the ugliest and most broken of things look so beautiful. he notices your legs are giving up on you and smiles at how endearing it is, the fact that you're practically struggling, but you need him so badly you're doing everything you can to keep up your movements. his hand grips your hip tighter, almost enough to bruise your skin, and he moves his free hand to your lower back to help you keep your balance.

he wonders, for a moment, if he knew you in the past life, or all those years ago. he can't really remember since it's been so long, and the memories of when he was cast out of heaven clouded his brain. but it's almost as if he can see for a brief second, something otherworldly when he looks at you, the way your skin glows with splendor when your back arches as you cum on his cock. for a moment it's like you're a real life angel right in front of him, it's such a sight to behold. was god testing him? were you sent to him as a lesson in disguise? would you be gone as soon as this was all over? whatever it was, he didn't care, as long as he got to feel you as close as possible even if you turned out to not be real when he opened his eyes again.

it's almost a relief when he does and he sees you there, still on top of him, panting heavily, eyes hooded, hair sticking to your face. a beautiful mess. the most gorgeous thing he's ever seen. he's so in love with you. he reaches up to brush your hair off of your damp cheeks, smiling and delicately taking your chin to make you look at him, his thumb brushing over your lower lip, the way you lean down to kiss him and smile against his lips making everything feel a little more real.

more real and alive, he thinks. he's never felt more alive than when he sees you like this—beautiful and wild and messy in all the right ways, all for him, because of him. there was nothing better than being able to love you in such a pure way, without repercussion, no matter how terrifying it was, because you remind him of himself before everything. before the jealousy and fury, before he fell from heaven and got his wings stripped from his back, before he was disowned by god himself. the fallen angel was redeemed from the depths of hell and found his heaven in your embrace, in your eyes, in you. you're everything he's ever wanted.

[childrenofcain-if]

How would the RO's change MC died after they were romanced?

C LACROIX

C wasn’t made for grief.

they were made for insulting words and cutting smiles, for elegant lines and perfected exteriors. loss was not something they wore well; it settled wrong, like a coat several sizes too heavy, dragging them down. they didn’t know how to process it, not when they first heard the news, not when they saw your body, not even in the quiet moments afterward when the world felt like it had slipped out from under them and left them hollow.

it was a plane crash. nothing grand or cinematic, just a routine flight that went horribly wrong, the kind of accident that everyone reads about but never imagines happening to someone they love. one second, you had been flying back from a conference, and the next, you were gone. just like that. no warning, no chance to say goodbye.

C had stared at the TV when the news broke, their face frozen in something close to disbelief, their hand still clutching his phone like maybe, just maybe, you would call and say it was all a mistake. it was supposed to be a big fucking joke, wasn’t it? it had to be. you were too alive to just disappear. you were too vivid, too present, too… everything.

when the silence settled, after the news anchor had moved on to some other tragedy, C let their phone fall from their hand. the sound of it hitting the floor was distant, a hollow echo that meant nothing. everything meant nothing.

they never cried. not at the funeral, not during the long, agonizing weeks that followed. people expected them to, C could tell. they waited for the breakdown, the outpouring of emotion, the proof that C.A. Lacroix was, in fact, human. but it never came. instead, they stood by your grave, their hands in the pockets of their coat, their eyes as dry as the winter air around them.

“i always thought i’d be the one to leave first,” they said quietly, their voice almost drowned out by the wind. it was a bitter truth. C had lived their life like they were invincible, like nothing could touch them. and now, standing there in front of the cold stone with your name etched into it, they realized how utterly foolish that had been.

one night, weeks after the funeral, C found themself in your apartment that you’d rented after graduation, sitting on the edge of your bed. the door had been left unlocked for them by the landlord, who had given them a look of pity before leaving them alone with the memories.

the apartment was the same as it had always been. same stupid art that C had painted on the walls. same worn leather couch. same lingering scent of lavender in the air—so faint now it was barely there, but enough to make their throat tighten. they walked through the space like a sleepwalker, their fingers brushing absentmindedly over the coffee table, the kitchen counter, the handle of your favorite mug.

this is it, they thought. this is all that’s left of you.

they then proceeded to walk to your bedroom. it was untouched, as if you might walk in at any moment. they picked up one of your books from the bedside table, thumbed through the pages without really seeing the words. it was a tattered old paperback you’d read a dozen times. they flipped through the pages, stopping at the footnotes you’d scribbled in the margins, half-formed thoughts, sarcastic remarks, things you’d meant to tell them but never got the chance to.

their fingers traced the words as if that action would bring you back to them.

“you were always smarter than you’d think,” C murmured to the empty room, their voice rough, broken at the edges.

but there was no answer. there never would be.

the door creaked slightly, and C’s heart leapt for a fraction of a second before reality crashed back down. It wasn’t you. it would never be you again. they closed their eyes, trying to will the ache away, but it only spread deeper, gnawing at the hollow space you had left behind.

***

for a long time, they did nothing. they went through the motions of life—work, social engagements, even the occasional meaningless flirtation—but it was all mechanical. they weren’t there, not really. they were somewhere else, trapped in the memory of what you two had, of all the things they never said to you when they had the chance. the words that stuck in their throat now were the ones they’d dismissed as unimportant then.

because they thought you still had time.

“come back,” C would whisper into the dark of their empty apartment one night, drunk and foolish. “you’re supposed to be here, damn it.”

C hated how small their voice sounded. they hated the vulnerability that seeped in when no one was watching, when the mask they wore for the world slipped just enough for the cracks to show. they didn’t want to be vulnerable. not to anyone. especially not to a ghost.

***

years passed like water through cupped hands, but it didn’t heal the way it was supposed to. instead, it twisted the wound, making it fester in the quiet moments. C became colder, more rough. people commented on it behind their back, how they’d changed, how they’d become more distant. as if they hadn’t always been distant. they avoided relationships like a plague, finding them tiresome, pointless.

they took to spending more time alone. alone felt safe. alone meant no one could disappoint them. alone was all they had now.

***

C never married. they never loved anyone after you, not in the way that mattered. there were flings, of course—fleeting, shallow things that never stuck. they didn’t want them to stick. they’d feel sick everytime afterwards; it was a subconscious way to punish themself.

when C died, at the age of 74, it was in a quiet, sterile hospital room, their body finally betraying them to some nameless illness they didn’t care enough to fight. no one was at their bedside. no family, no lovers, no friends. just them, alone, the way they had spent the last decades of their life.

the nurse who came to check on them found a small silver bracelet on their wrist, the only piece of jewelry they ever wore. it had been there for as long as anyone could remember, though no one ever asked them about it. but rumours are fickle, and there were many. they believed it belonged to the only soul C had ever loved; they’d be right.

alas, there was no confirmation. C never talked about their past, never spoke of the person who had owned their heart so completely all those years ago. but the bracelet stayed with them until the very end, a quiet reminder of the love that had once been, the love that had shaped them in ways no one could see.

and so C.A. Lacroix left the world as they had lived in it—cold, distant, and untouchable. they were buried next to an heir who died young, a fortune to their name which C had inherited and then donated to several charities around the globe.

V NÆSHOLM

V would’ve never imagined that their life could unravel so completely in the span of a single, terrible moment. they’d spent so much time wrapped up in their faith, in the steady rhythm of prayer and the familiar weight of their cross resting against their chest, that the thought of losing you seemed almost impossible, even when they whispered it in the quietest corners of their mind.

but now, you were gone, and all V could do was stand there in the hospital room, staring at the empty bed, their mind slow to catch up with the horrifying finality of it all.

it had been a car accident. quick, brutal, unexpected. you had been walking home, your usual route through the city, nothing unusual. just a random, terrible twist of fate—a driver who wasn’t paying attention, a red light ignored. and then the call. V had gotten the call, their heart dropping into their stomach the moment they heard the voice on the other end, calm but clipped, like they were just delivering bad news in a routine, detached way.

at first, V had held out hope. they’ll be fine, they told themself, clutching the metal cross around their neck so tightly the edges dug into their palm. they’re strong. they’ll be fine.

but you weren’t fine. you didn’t wake up. you didn’t squeeze V’s hand back or open your eyes when V whispered their name. the machines hummed, the doctors muttered their apologies, and in the end, it was just… over.

***

in the days that followed, V couldn’t seem to find solid ground. the world tilted around them, spinning out of control, but they kept moving as if through thick, suffocating fog. people spoke to them—friends, family, even strangers at the funeral—but none of it registered. the condolences, the words of comfort, they slid off V like rain on glass, unable to penetrate the haze of disbelief and sorrow that wrapped around their heart.

they spent hours alone in the small church near their apartment, staring at the flickering candles that lined the altar. the scent of incense hung heavy in the air, but it didn’t soothe them the way it used to. nothing did. not the prayers, not the hymns, not even the familiar rhythm of the rosary beads sliding through their fingers. they prayed, but the words felt empty now. they didn’t know what they were asking for anymore. forgiveness? strength? understanding? none of those things seemed to matter when you were gone.

one evening, weeks after the funeral, V found themself at the spot where it happened. it wasn’t a conscious decision; they had just been walking, trying to escape the suffocating quiet of their apartment, and their feet had carried them there. the street was busy, cars rushing past, people laughing as they walked by, utterly unaware of the history beneath their feet. V stared at the pavement, at the place where you had fallen, and something inside them broke.

“i should’ve been there,” V whispered, their voice swallowed by the noise of the city. “i should’ve… i should’ve done something”

they didn’t know how they could’ve stopped it, but the guilt was there, gnawing at their insides like a slow, relentless tide. they wrapped their arms around themself, clutching at their cross like it was the only thing holding them together. but the truth was, they weren’t holding together. not really.

“i don’t understand,” they murmured, their voice trembling. “i don’t understand why god took you. you didn’t—” their voice broke, and they pressed a hand to their mouth, the tears coming faster now, hot and relentless. “it wasn’t supposed to be like this.”

V stood there for what felt like hours, the world blurring around them as their tears blurred their vision. they had no answers, no solace. only the terrible, aching silence of a world without you in it.

***

in the months that followed, V’s faith began to falter. they went through the motions, attending church, praying before bed, but it all felt distant, disconnected. the questions swirled in their mind, louder and more insistent with each passing day. why would god take someone so good, so full of life? what kind of plan was this? V had always believed in a higher purpose, in the idea that everything happened for a reason, but now? now, nothing made sense.

V stopped wearing their cross. they couldn’t pinpoint exactly when it happened—one day, they just forgot to put it on, and then the next day, and the next. eventually, it stayed in the drawer by their bed, tucked away like a relic of a life that no longer made sense. their prayers, once a source of comfort, felt like words spoken into a void. and V, for the first time in their life, felt truly alone.

***

time passed, but the ache never really went away. V learned to live with it, the way one learns to live with an old wound that never quite heals. they moved on, or at least that’s what everyone said. they got a new job, met new people, filled their days with distractions. but every time they walked past the spot where you had died, they felt that same hollow ache in their chest, the same weight of regret pressing down on them.

V never got married. they didn’t believe in soulmates anymore, not in the way some people did, but they knew deep down that they’d never love anyone the way they’d loved you. they carried that love with them, quiet and steady, like a flame that never went out, even as the years blurred together and their hair turned gray.

when V died—peacefully, in their sleep, at the age of 83—they were found with an old, worn photo of you tucked under their pillow. the photo was crumpled and faded, but V’s fingers had held onto it until the very end. they were buried with it, and when the priest spoke at the funeral, he didn’t know the story behind the photo. he didn’t know how V had spent a lifetime missing someone they’d lost too soon, someone they’d never stopped loving.

but that love? it stayed with V, even in death.

W OSTENDORF

W had never been good at letting go. of anything. not of people, not of feelings. so when you died, it was like losing gravity, like the world had unmoored itself from beneath their feet and left them floating, untethered, in an endless, cold space.

for a while, they had you. they had you in all the small ways that mattered—the quiet moments in the morning when you would drink coffee together, the long, easy silences that wrapped around you like a second skin, the unspoken understanding that nothing could break them.

until something did.

it had been an illness, terminal and insidious. at first, W thought it was just exhaustion—long nights of work catching up with you, a bout of stress, nothing that couldn’t be fixed. but then the doctor’s visits turned into hospital stays, and the vague reassurances became grim warnings.

you got weaker, thinner, your voice a little quieter every day until W couldn’t ignore the gnawing dread that curled in their stomach every time they looked at you. you tried to be brave about it, for them, for everyone, but W could see it in your eyes—the fear, the acceptance.

“i’m not scared of dying,” you had told them one night, your hand trembling as you reached for them. “i’m scared of leaving you.”

W had kissed the top of your head, their lips pressed hard enough against your hair to hide the fact that they were shaking too.

“you’re not going anywhere,” they’d whispered, because the alternative was impossible. they couldn’t lose you. not you. not again

***

but you did go. slowly, painfully, slipping away in a way that left W feeling raw and powerless. they were there, at the end, holding your hand, their voice cracking as they begged you to stay. but you didn’t.

and W broke.

it wasn’t a loud break, not at first. it was quiet, a silent shattering of everything they had built around themself, a slow unraveling of the person who had once known how to smile, how to laugh, how to love. they went through the motions at the funeral, shaking hands, offering nods of thanks to the people who said they were sorry. they were all sorry, but what did it matter? sorry didn’t bring you back. sorry didn’t fill the gaping void that swallowed them whole every time they closed their eyes and saw the empty space beside them where you should’ve been.

***

in the weeks that followed, W became a shadow of themself. they stopped going out, stopped answering calls. their apartment was too big, too empty, every corner of it a reminder of the life they’d lost. the couch where you used to sit together. the kitchen where you would make fun of their terrible cooking. the bed—god, the bed—where your absence felt like a punch to the gut every night when they lay down and realized they’d never feel your warmth beside them again.

they didn’t cry, not really. not like they thought they would. the grief was too big for tears, too vast and strangling. instead, it weighed them down, pressed against their chest until it hurt to breathe. every morning, they woke up and went through their routine—shower, coffee, sit at their desk—but it was all mechanical, all pointless.

emerson tried to reach them, worried out of their mind. their aunt asked if they were okay. but W couldn’t answer them. they didn’t know how to explain that the person they had known, the person they used to be, had died the same day you did.

***

time passed, but it didn’t heal. W didn’t move on. they didn’t want to. moving on felt like a betrayal, like erasing the only part of them that still felt real. they didn’t go on dates, didn’t flirt or laugh or even think about love. they couldn’t. not without thinking of you, not without comparing everyone to you and finding them all lacking.

sometimes, late at night, W would pull out the old letters you had written them. small notes, tucked into books or left on the counter, filled with inside jokes and quiet declarations of love. they’d read them over and over until the words blurred, their vision clouding with tears they never let fall.

“i miss you,” they whispered one night, the paper crinkling in their trembling hands. “god, i miss you so much.”

the apartment echoed back in silence.

***

W never married, of course. people talked about it sometimes, behind their back, wondering why someone like them—successful, good-looking, with their whole life ahead of them—never found anyone else. they didn’t understand. they didn’t know what it was like to have your heart buried with someone else.

they grew older, their hair turning silver, their body slowing down in ways they hadn’t expected. but they kept going, day after day, carrying the weight of their grief with them like an old companion. it wasn’t sharp anymore, not like it had been, but it was always there, lingering at the edges of their mind, a dull, constant ache.

when W died, quietly in their sleep at the age of 79, they found them in their armchair, a book in their lap and a small silver band on their ring finger. it was worn, the inscription inside barely legible after all the years. but if you looked closely enough, you could still make out the initials: three letters which belonged to a young heir of a massive fortune who died a long time ago.

W hadn’t spoken about you in decades. they hadn’t needed to. you were always with them, in the silence of their apartment, in the spaces between their thoughts, in the worn pages of the notes they had never thrown away.

D DIACONU

D—rook, as many would know them—had always been too good at running. they knew how to leave feelings behind, how to laugh things off, how to keep people at arm’s length so nothing ever hurt.

“flighty little wolf,” mihail, their older brother, would laugh when they were younger. the sentiment didn’t lose itself even as D grew older.

it was easy, life was easy, until you. and suddenly, nothing was easy anymore. they were flirty by nature, playful, keeping everything light, but you were the exception to every rule D had lived by. the one person they couldn’t outrun.

but even then, D didn’t want to acknowledge it—not completely. love was an unwelcome thing, something that made people weak, made them care too much. so, they danced around it, avoided the word, kept things just close enough but never fully admitted it.

they were still D, still flirty, still detached on the surface. yet, whenever you were around, something about them softened in ways they’d never allowed before. in those moments, they were scared shitless. because what if one day you weren’t there? what if you disappeared like everything else D had been too afraid to love?

***

and then it happened. suddenly. the kind of thing that’s supposed to happen to other people, in distant stories, not to you. you were in an accident—an unforgiving, tragic turn of events that left D shattered. they were at the scene. D could still remember the way the sky looked, overcast and thick with grey, how the sirens sounded distant, like they were underwater. it wasn’t real. it couldn’t be real. they stood there, frozen, heart in their throat, staring at the wreckage that used to be a car, and everything in their world stopped moving.

D didn’t say a word, not to the paramedics, not to the people around them. they couldn’t. there was nothing to say. nothing mattered anymore. you were gone.

***

“you’d laugh if you knew,” D muttered under their breath one night, sitting alone in the corner of some dingy bar. they stared down at the half-empty glass in front of them, spinning it slowly between their fingers. “all this time, you thought i didn’t care. that i didn’t... feel. but here i am. utterly wrecked by you.”

they chuckled, but it was hollow. the kind of laugh that only came out when the truth was too heavy to hold in. because you had gotten under D’s skin in a way that no one else had. even after all those times D had told themself not to fall, not to let you get too close, it had happened anyway. and now, D was stuck with all these feelings they didn’t know how to handle.

so they write and write. songs after songs, pages after pages filled with their long-gone eternal muse. the band’s popularity skyrocketed, the producers milked it for as long as they could.

D could not bring themself to give a shit.

***

months passed, and D became a ghost in their own life. they showed up, sure, but it was like they weren’t really there. they’d skate through the days with the same careless swagger, but something was missing. people started to avoid them. it was too hard to be around someone who looked alive but was dead inside. it seemed like the only people who tried to be there for them at that point were their bandmates and C.

they would laugh it off when their friends asked if they were okay. “me? i’m fine. never better. just living, you know?” and they’d wink, flash that charming smile that always got them out of trouble.

but the world became smaller, dimmer. D moved from one party to the next, one high to the next, chasing something they couldn’t name, something they had lost with a bright-eyed heir with an evergreen heart. nights blurred into mornings, and nothing felt real anymore. nothing except the ache, the emptiness that had been left behind.

on some nights, after too many drinks and too many bad decisions, D would find themself sitting in a bathroom, staring at their reflection in the mirror. their pale face would be gaunt, their gray eyes hollow. they would look like a stranger.

rook didn’t know who they were anymore.

***

D died young. too young. it was late one night, after another wild party, and they had pushed things just a little too far. the drugs had been an easy fix—an easy way to drown out the feelings they didn’t want to face. but this time, their body couldn’t handle it. the paramedics found them slumped on the floor of a room at chelsea hotel, empty pill bottles scattered around like confetti from a life that had spiraled out of control.

but what was strange—what the paramedics couldn’t quite understand—was the look on D’s face. even in death, behind the glazed-over eyes and the pale, lifeless skin, there was a smile. a soft, almost peaceful smile, like D had finally found what they’d been searching for all along.

in the end, D had stopped running.

M WHITLOCK-SINGH

the news of your death came to M as a whisper, traveling through the rigid, polished halls of their life before it reached their ears. at first, it didn’t make sense. death, for someone like you, felt improbable, impossible even.

you had been everything untamed in M’s world, everything wild and unpredictable, a force of nature that couldn’t just stop. yet, the world had stilled. all the reckless plans you had made—the fleeting escapes, the late-night laughter—had ended in a way too final for M to comprehend.

M grieved in silence. royals were trained for composure, for duty above all else, and M had mastered that lesson too well. there were no public displays of despair, no headlines that suggested the depth of the loss they felt. even when they stood at your graveside, surrounded by others who wept openly, M stood perfectly still, a model of grace and solemnity. inside, though, their chest felt hollow, as if someone had reached inside them, twisted through the maze of their ribs and snatched their heart away.

after the funeral, M’s life became a carefully curated performance. they married—someone of equal status, someone safe and suitable—but it was all a façade, a slow march into an existence they hadn’t chosen. the marriage was a duty, a requirement. it lacked everything you had ever been. The late-night conversations that made the world feel infinite, the reckless plans that filled the air with electric energy—all of it was buried with you, and M was left with nothing but a name and a title they never cared for.

they’d close their eyes at night and still hear your voice, soft at first, then louder, like a song they couldn’t forget but could never play again. the world, once vibrant with you, felt drained of color. the laughter that used to spill from M’s lips was replaced by brittle smiles, the kind that didn’t touch their umber brown eyes.

they never spoke of you—not to their spouse, not to anyone. it was as though speaking their name aloud would unravel M’s delicate grip on sanity, on the life they were barely holding together.

***

a few years passed. M became more distant, more remote, even within the walls of the palace. their marriage grew cold, each day more formal and lifeless than the last. they were trapped, locked in a gilded cage with no way out. your memory remained, a quiet presence that lingered at the edges of M’s mind, haunting them with the life they could’ve had, the person they should’ve been.

there were whispers, of course. rumors about M’s detachment, their coldness, their increasing absence from royal duties. but no one knew why. no one could have guessed that their heart had been buried in the grave of a lover they couldn’t even publicly acknowledge.

***

a scandal. a disappearance.

the royal family awoke to find M gone, their accounts drained, their titles stripped of meaning. no one knew where they had gone, or why. the official story was vague—an extended sabbatical, perhaps—but there were no answers. their spouse, barely more than a stranger, said nothing. the media speculated for weeks, but no trace of M was found.

***

years later, in a small village (zaanse schans) in the netherlands, a farmer passed away in their sleep. they had been quiet, unremarkable, living in a modest cottage on the outskirts of the village. they kept to themself, never married, and was mostly known for their collection of british royal memorabilia. it wasn’t until after their death, when the local authorities came to settle their estate, that they discovered who they truly were.

a runaway royal. third-in-line after their mother and older sister.

the village was stunned. for all the years they had lived among them, no one had guessed their identity. but as they sorted through their belongings, the truth became undeniable. among the memorabilia were photographs—of you, smiling beside M in moments no one else had ever seen. there were letters, too, carefully folded and kept in a box, written in a hand that only M could recognize. letters that had never been sent, but that held all the words M had never been able to say.

the villagers spoke of them with quiet reverence, a kind and humble individual who had always paid their bills on time and helped their neighbors when they could. they didn’t know about the wealth that had quietly flowed into anonymous accounts over the years. they didn’t know about the palace, the titles, the life of privilege M had left behind. all they knew was that they had lived simply and that they had loved someone fiercely until the day they died.

***

and that was how they were remembered. not as a royal, not as someone of wealth or power, but as someone who had once loved deeply and had chosen, in the end, to live for that love, even if it meant leaving everything else behind.

M’s name would never appear in the official histories, but in that quiet village in the netherlands, they were remembered for who they truly were—someone who, despite it all, had found a way to keep you with them until the very end.

[saturnniidae]

I love how Trollhunters is such an outlier in its genre in the sense that from the very beginning, when establishing the status quo, the notion is set; you can't always win someone over, you have to finish the fight. It is very often kill or be killed, and you can't bank on being able to change that.

And of course in the beginning Jim is horrified, and staunchly refuses to even kill even the troll equivalent of a rodent, and he does manage to win people over by talking, multiple times. And he defies everyone's expectations with these new allies. His ability to do this is one of his strengths and it's incredibly impressive, but in the end he learns and relents to the fact that sometimes of only way you can stop someone is to meet violence with violence and by then he wants to.

It's not just about self defense or damage control anymore, Gunmar killed his friends, and caused those still living to suffer, and indirectly forced him to give up his humanity, his future, his chance of having any semblance of a peaceful life,

(In Jim's eyes anyway. But really, from the moment he picked up that amulet, he lost his chance at normalcy. He was doomed from the beginning. He was also 15.)

And he wants him fucking dead. I don't know, but that's just so unusual for the type of character that Jim is, but it's so very human to break under something so heavy (Young Atlas and all that, I suppose), and it's almost ironic for him because at that point – again, to him, at least – he is anything but human.

[motorway-south]

i know its pointless to debate meaningless tumblr litcrit terms but "haunting the narrative" as a concept gets thrown around all too much for my liking. you can't use haunting the narrative to describe absolutely any character who was grieved over (especially if the character functionally exists within the narrative to die i.e. the dozens of dead dance era targs)

i think to truly haunt the narrative the central thread of the story needs to be a clash of interpretations over what the characters intentions or feelings were (or at least a clash of perceptions). the first one i can think of is Suddenly, Last Summer by Tennesee Williams

in this story, cathy is a young woman who witnessed the death of her cousin sebastian last summer, and she wars with sebastian's mother violet over what exactly happened, who sebastian was, if cathy is or isnt mad. it's revealed that sebastian was queer and also kinda a predatorand also catherine was super into him, and obviously violet doesn't want this getting out. cathy and violet both mourn the versions of sebastian they each have in their heads: as a mommas boy or a sexy older cousin, while they both aim to stamp out the secret they both hold about him. but sebastian is slowly revealed to the audience in a careful peeling back of his character, in a way that his ghost physically occupies so much of the page

the other example is the titular rebecca from rebecca by daphne du maurier, who's character the audience and narrator have to uncover entirely posthumously through mr de winters or mrs danvers or whoever else. the narrator is literally haunted by rebecca, but the narrative form is too - it is deciding what her intentions are, and how this untimely death with resolve itself in the characters

its why i balk at the idea of robb stark "haunting the narrative" (no hate to robb we love robb here). first of all hes alive for 2.5 books but second we don't really uncover more about him after his death. his siblings mourn him but theres hardly a question of what his legacy/intentions/or character were like before his death that is reshaped afterwards

[hoshiina]

pairing: hoshina soushirou x gn!reader (no prns)

request: Hii im the anon who ask for the wips and i saw the blurbs you have. IM VERY MUCH HOOKED with the third ones where hoshina loves reader's smile🥹 relating to that maybe i would like to add(if you want, but feel free to do seperate if you want) soft moments with hoshina x reader who felt like she being the most pessimistic person regarding love(not anti but just felt like she doesn't deserve it) so she is on denial when hoshina make a move on her

notes: reader is usually rather energetic, talkative reader, hoshina thinks you are "beautiful" at some point, TYSM FOR THE REQ!! sorry it took so long omg

wc: 1300

Something was wrong— terribly wrong. There was no way someone would want you, let alone your vice-captain who could have anyone in the world. Not your vice-captain who did everything with such care and looked after everyone so preciously. And definitely never your vice-captain you were terribly in love with.

There must be some mistake. Or else he wouldn’t have just said what you thought he said.

“Pardon me?” you asked.

He looked a little flustered and you had never seen such an expression on him, confusing you further. “I love you,” he said again, softly. “I’d love to know if you’re in a relationship.”

The way he spoke so carefully added to how nervous it made you feel— it was so different from how he usually talked to you. Now, you were lost to say the least, because you couldn’t think of one reason why he would like you, let alone romantically. Under normal circumstances, you’d assume you were being played with or that this was a silly prank or dare, but you knew that Hoshina wasn’t one to do something so horrible. So what was happening?

“I am not…” you said, still confused, but the visible relief in his eyes made your heart tighten. Oh gosh, is he serious?

“I’m… thrilled,” he said, and he wished you goodnight and left. While you were terribly flustered to know he liked you back, there was a voice in your head that wouldn’t stop making you feel anxious. Something felt so odd to you— to be loved back. To be loved back by him. You enjoyed talking to people so you talked to him often, but never had you thought he'd think of you like that. Having a naturally talkative personality, it was true that both of you had fun talking to each other, but you had accepted that your love was unrequited ages ago. When would he have possibly fallen in love with you? The more you thought about it the more impossible it sounded. As thoughts of him circled your head, it’d be morning before you knew it.

It'd be hard for him to point out exactly when he fell in love with you, because he was in love before he knew it. Before he knew it, he'd catch himself following you with his eyes. He adored watching you work, because you made everything look exciting. Of course, he saw how you groaned at the paperwork you had to do, but he'd see how the little things would put a smile on your face.

He liked the work he did, he liked all of it quite frankly. From neutralizing kaiju all the way down to the research he had to do— rarely did he think something was a chore to do, but if you were around to laugh at something silly he found or mutter about the binders and binders of files that the 3rd division just doesn't have space for anymore, he'd start looking forward to these moments.

While he knew you were like this with everyone, he hoped that you were happiest with him. It would mean everything to him if you looked forward to doing seemingly mundane work with him too.

However, while he loved so much about you, there was one moment specifically that made him realize he wasn't moving on. His heart would be yours forever at this rate. You'd look so horribly tired after all this work, and yet, if someone needed help with anything at all, you'd still smile and ask them what's wrong. You'd find the energy and speak to them so kindly. You might not have the energy you usually had, but you'd be so happy to help. Even if they couldn't tell how exhausted you were, he could. He knew how much you did for everyone in the division, and he thought you were stunning when you did so. You were the most beautiful when you had that lovely smile on your face that seemed to light up his world.

He loved you so dearly.

You loved talking to people, so there always seemed to be something for you to talk about. A new finding you wanted to share or a terribly random thought that popped up in your head. While you naturally talked to most of the people in the division, you looked forward to talking to Hoshina the most. The way he'd always listen so intrigued at your dumbest thoughts and laugh at the smallest things you said meant more to you than one would probably think.

And if you shared your daily happenings with him, he'd share his with you too. To say you loved these moments would truly be an understatement. Nothing could possibly make you happier.

However, you knew he was like this with everyone. His laugh would always manage to keep the morale of the division up and he'd never miss potential problems in the condition of any of his officers. You knew he was a sweet person, but also the best one could ask for in a vice-captain. You weren't special— he was like this to everyone. You knew better than anyone else.

You couldn't imagine anyone falling for you, let alone the kindest person you'd ever meet in your life. Let alone the person you'd probably love for the rest of your life.

Yet, here you were, alone with him this afternoon working away through paperwork and it was quiet. Eerily quiet. He was the first to break the silence.

“I rather dislike the rain,” he said, looking out the window. “It’s been raining all day.”

You paused to look outside as well. “No, you’re right. I don’t mind the rain, but I hate how dark everything is.”

“Yeah,” he said. More silence.

“Sorry, I’m awkwardly nervous now,” he said, eyes fixed on his work. “I didn’t mean to make things… weird.”

You could tell he probably didn’t want you to, but you couldn’t help but look his way. Your eyes widened and your heart filled. You weren’t afraid to say much, but you were afraid to talk about this. However, you thought you’d be able to if you were talking to him.

“I just… can’t imagine that you’re… in love… with me,” you said, looking down at your paperwork. “Sounds too good to be true. I know... sounds unlike me, right?”

Immediately he looked up at you, shocked to say the least. You could tell he probably wanted to ask why, but he thought for a moment more.

“What… would I be able to do to show that I am?” he asked. “You’re the one I love… you always will be.”

Your eyes widened. “I just… don’t know why,” you said honestly. “Why me?”

“Because I love you,” he said. “I love a whole lot about you, but I love being with you. I enjoy spending time with you and watching you enjoy the life around you. Is that too simple?”

It took you a second to reply, but you felt a lot better. “No, not at all,” you said. “Because I feel exactly the same way.”

“You’re kidding”

“Absolutely not”

“I’m going to kill you if you’re lying,” he said.

That made you laugh. “You know I wouldn’t,” you said, and yes, he knew you wouldn’t.

“Hey, Hoshina,” you said, avoiding eye-contact. “If I get worried… will you tell me again?”

“I’d tell you until you get sick of my voice,” he said while getting up to kiss your forehead. “I love you so much.”

[quibllyfish]

Can I have Mammon being possessive headcannons plz😊

౨ৎ﹒Mammon x Reader : Possessiveness HCS．𝝑𝝔

﹕You are MAMMON'S human! He's a little possessive when it comes to you- what else would you expect from the avatar of greed??

૮꒰ྀི∩´ ᵕ `∩꒱ྀིა：❝—Whipped this one up in about half an hour! Short and sweet, just a couple of ponderings ꒱ . . ♡

‹𝟹﹕ In my opinion, I think mammon would do a lot of subconsciously possessive things. We see this already when Mammon flippantly calls you 'my human' and whatnot. Often mindlessly, his hands find themselves holding onto you. One rested on your thigh while he's driving or his arm consistently draped over your shoulders as you walk side by side. When other demons ask you a question, he also has a tendency to answer for you (which… can get annoying at times). In his mind, you're practically his, which means he knows everything about you! Why wouldn't he be able to pipe up in your place?

‹𝟹﹕ When you succeed, your success feels almost like an extension of his. If his human gets a good mark on a test, he will be as EQUALLY ecstatic as if he were to have done that well. You answer a question correctly in class?? A giddy smile tugs at his lips- because of course his human would be that smart!!

‹𝟹﹕ A majority of his possessiveness likely finds its origin from the fact that he views you as genuinely his. Maybeee its a bit toxic, as no one wants to be viewed as something thats owned, but these habits of his are oftentimes less harmful as they are irritating. For instance: Mammon is going somewhere. He automatically assumes that you are also coming, as you are his human and therefore need to be brought along. He will most definitely barge into your room whenever he sees fit and announce 'we are going to X/Y/Z' as if it's a statement of undeniable fact.

‹𝟹﹕ He WILL get jealous of almost anything under the sun. Why is Asmo taking you to the mall?? HE can take you to the mall, and he can most DEFINITELY buy you many more things than his brother can. Hell, he'll even go into debt for you! Do you want a car? A house? Asmodeus definitely wouldnt buy you a house. Mammon is either going to the mall with the two of you, or the avatar of lust will have to lock him in a closet and make a mad dash for the door.

[airenyah]

Episode 6: FadelStyle vs. Beginnings and Endings

In the past one and a half-ish weeks we've discussed at length just how good the last scene at the diner is and how Style drawing tears on Fadel at the rock concert was foreshadowing to Fadel ending the episode crying real tears. What I haven't seen discussed yet, however, is how that ending scene is actually a counterpart to Fadel and Style's conversation after the rock concert. And I think that makes the scene in the diner even more poignant. And it also makes the scene at the rock pub even more painful as well. Because they are basically the same scenes, just flipped. And I desperately need to talk about it or else I'll explode.

Part 1: "Tonight I am very happy"

In this scene Style knows something that Fadel doesn't: This will most likely be their last chance to be happy together like this. Tomorrow Fadel will go on his mission where the police will be waiting and then Fadel will be taken away from him.

But Style already loves Fadel, he is already worried about him and he really does not want to lose him. So he keeps trying to subtly talk Fadel into staying home from the mission and spilling the beans about the mission so he can explicitly ask Fadel not to go. But Fadel keeps his mouth shut. And as happy as Style is together with Fadel this evening, he is also very upset. He doesn't want the night to end, but there's no way around it. For Style this is a goodbye.

And for Fadel? Fadel went from I'll tell her this will be your last job to Ruerat is the last jerk we have to kill. After that, we can live however we want. Even in this episode, right before he goes to the concert with Style, Fadel tells Bison "Once we’re done with Ruerat, I’ll talk to Mother again", when Bison says it's time for them to quit. Fadel is on the same page as Bison now. Ruerat is their last victim and after that Fadel wants out. For Fadel, this is the last night where he's still stuck in his hitman life, but once he is done with his mission the weight will be off his shoulders and he can finally truly be with Style. For Fadel this is the opposite of a goodbye.

In the words of my mother: For Style, when the night is over life will end. For Fadel, when the night is over life will begin. Style is ending something and Fadel wants to begin something.

And another thing my mom pointed out is how they're standing in front of a pink sky:

And at what time of the day is the sky pink? Either at dawn or at dusk. The beginning of the day or the end of the day. And for Fadel this scene is only the beginning of the day while for Style this scene is the end of the day.

Part 2: "I think I already love you"

In this scene Fadel knows something that Style doesn't: Style has played him, has made him lower his protective walls, has made him fall for him only to turn around and betray him.

Style told Fadel he hoped that Fadel wouldn't get any more scars and yet here Style is, stabbing Fadel right in the heart and jeopardizing his life. Here Style is, bursting Fadel's bubble that he's finally started daring to dream about, a dream of a future where he wasn't lonely, a future where he was happy and himself with someone, Style, by his side. Style is a danger to him. Style can't stay. As happy as Fadel has been together with Style, he needs to let go of him. For Fadel this is a goodbye.

And for Style? He has just spent a full week worrying sick about Fadel after his mission went wrong and went completely MIA. Style has likely (definitely) spent a week checking the restaurant every single day for any sign of Fadel's return, not giving up hope of seeing him again. And then Fadel is back. Style is overjoyed. The heavy metal concert wasn't their last day together, Fadel is pulling through on his promise to have many more nights like that with each other. The concert may have been the end of the day, but now against all odds a new day has come. For Style this is the opposite of a goodbye.

And so we're left with the exact opposite situation from what we had at the concert: Fadel is ending something and Style wants to begin something.

Conclusion

These two scenes go together, they're flipped parallels of each other.

At the concert Style is internally saying goodbye to Fadel because he thinks their relationship will be over when Fadel gets arrested at the mission and the police take him away. At the diner Fadel is internally saying goodbye to Style because he thinks their relationship is over now that he "knows" that none of it was real on Style's part since in reality he was working with said police.

At the concert Fadel is truly happy, because once his mission is over he'll talk to mother and when he's managed to convince her that him and Bison will be out, then Fadel can go and start a new life, a new future with Style. At the diner Style is overjoyed because he thought he was about to lose Fadel, but Fadel has come back and now Style gets a second chance at a future with Fadel.

At the concert, Fadel is happy and he can tell something is kinda off about Style ("What's wrong? You act like we’re not going to see each other again."), but he has absolutely no idea that Style is in the process of bidding him farewell. At the diner, Style is happy and he can tell something is kinda off about Fadel ("You were just calling me out for being affectionate. Now you wanna be romantic?"), but he has absolutely no idea that Fadel is in the process of bidding him farewell.

It's brilliant writing, really. And both scenes are flawlessly performed by both boys.

[winchestermylove]

my favorite thing ever is if sam and dean somehow get through their entire lives without crossing the line into sexual acts, until they move into the bunker.

like maybe sometime from s11-s14, they've been toxic codependent freaks since childhood but they haven't kissed, fucked, or done much else beyond a slightly-longer-than-normal hug after a near death experience.

but one night they're in the dean cave watching reruns of some show from when they were kids, both slightly tipsier than they'd like to be.

sam of course being the lightweight of the two, gets touchier and cuddlier in the darkness of the room, just the two of them, and all is right with the world.

sam doesn't know what comes over him, but he looks at dean, the light from the tv illuminating his face, and leans in. surprisingly (or not so much), dean follows suit.

their lips press together, ever so lightly, just a graze at first because both of them are still hesitant. but after a second or two, dean takes the leap and fully leans in, reaching up to rest one of his hands at the nape of sam's neck and the other on his hip. sam grips onto deans flannel, fearful that he'll pull away.

it's as if the final puzzle piece is falling into place. dean feels at peace for the first time in over a decade, and sam is overwhelmed with emotion, his eyes welling up as he reluctantly pulls himself away.

"dean," sam chokes out.

"sammy..." dean pulls sam even closer, pressing him up against his front, and brings his right hand up from his neck to push some of sam's bangs out of his eyes.

"i-i'm so sorry, dean-i didn't-"

"sam, sammy, shhh. it's okay, i know. you don't h've to say anything, i know." sam's eyes are shining with unshed tears, and dean notices he's ever-so-slightly shaking, so he pulls him in for a second sweet press of their lips, this one only barely longer than a peck.

"it's just you and me, sammy. we don't have to talk about it."

sam closes his eyes and leans his forehead against dean's, bringing both of his hands from dean's chest to cup his cheeks, "are you sure, de?"

"why didn't we do this sooner?" dean asks as he leans in once again. sammy is dean's everything, the one person that he would choose over everyone and everything. their lives are already fucked up, so why not one more thing to add to the winchester resume?

it's the most natural thing in the world; they already own every other part of each other, so sharing a kiss or two here and there is rightfully the next step.

but of course, it doesn't stop at kissing. sam and dean curl up next to each other on the couch for the rest of the night, and they haven't slept in separate beds since.

[fossore]

Interview with Rick Celebrini, ft. some of his thoughts on the Sharks team culture and the Celebrini and Smith friendship, how often he brought Macklin around the Warriors as a kid, and part of what he says to him on the phone before every game, among other things.

Experience sports talk radio! Or save yourself listening to a couple of guys saying Daddy Rick far too many times and read the transcript below. Slightly trimmed and ads removed, original here.

Greg Silver: What's going on everybody! We're focusing on one family and one family only. No it's not the Papa family, it's not the Silver family, in the last 25 minutes of the show it's the Celebrini family. Macklin is going to be joining us coming up in about 15 minutes, but first, it is Warriors Director of Sports Medicine and Performance Dr. Rick Celebrini hanging on the guest line. What's happening Rick?

Rick Celebrini (RC): Hey guys, how's it going?

Silver: It's going great! Great to have you on, Greg Silver, Greg Papa, and I guess I just want to start with a Warriors related question because everybody's going to be wondering about the health of Steph Curry and I know that he's been navigating this knee tendonitis throughout the season. So just if you could tell everyone kind of how he's navigating that, if it's continuing to improve over time, if doing that back-to-back the other night was a lot of wear and tear on him, what's kind of the status of the superstar of Golden State?

RC: Man, you guys are starting with a tough one, you know I can't ans- I can't divulge that kind of information. But I will tell you Steph's in a great place, just the professional that he is and how committed he is to every aspect of his professional and personal life. He's a treat to work with and he's in a good place I think physically and mentally.

Greg Papa: And he's in good hands with you. Now we did not invite Dr. Rick on, we invited Daddy Rick on 'cause your son is coming on. And you were on the Dad's trip, we saw ya, Greg went and watched him play against Sid the Kid, what a thrill that was to score the game winning goal. The game last night in Seattle didn't go great but he did score a goal in the third period (transcriber's note: he did not score, he assisted on Toffoli's goal. KNBR is not quite beating the doesn't care about hockey allegations). Rick just how is it, being able to watch your son play at this level, how many games do you get to watch him in person?

RC: Well, like I tell everyone I'm adjusting to now becoming Macklin's dad, I'm not Rick Celebrini anymore, I'm known as Macklin's dad (chuckles as he speaks) so I'm adjusting to that. It's surreal to be honest with you, it's incredible to see him make this transition, to see him have the kind of season that he's having right now. And I guess, more than anything, as a father, to see him kind of do it with the joy and just the good nature and the fun that he's having doing it? It's one thing to sort of see what he's doing, but also you see guys like the Steph Currys and the Steve Kerrs that preach having joy in this environment which is not always easy to do and to see him doing that at 18 years old with all the pressures and expectations that come with that transition is probably the most satisfying from a parent's perspective.

Silver: Alright, so enough of me prying Dr. Rick, I'm going to focus on Daddy Rick as well. So just what would you say your influence has been on Macklin being NHL ready and just kind of knowing so much about preparation, being in the right physical state and all of that. He's only 19 years old which is hard to believe but how have some of your habits translated to him as he's really testing the waters in the NHL for the first time and killing it? (transcriber's note: he's 18)

RC: Yeah, you know guys it's not just this past offseason, it's sort of been something that I'm really blessed and fortunate to have. Four kids that have their own sort of unique sport-related goals and they all sort of have a dream to get to the highest level of sport. So having a passion and professionally being in this world, there's nothing more enjoyable or satisfying than to take some of those professional knowledge and learning and apply them to your kids. So the four kids, some of them tell people, some people kick back and maybe watch football or go golfing, I have my greatest joy and relaxation when I'm out working with the kids in the off season (transcriber's note, I'm not sure "some of them tell people" is correct). The four of them quite often work out together. This past season for Macklin has been a little in that you're trying to get him, as much as you can for an 18 year old, physically and mentally ready for the rigors of an 82-game season coming off a college season which, again, it's a challenge but he's as professional as you can get at 18 years old in terms of his approach and his commitment to his craft.

Papa: And he's got great lineage obviously, with you being a former soccer player and your whole family, I know his brother is a great hockey player as well (Translator's note: there are two brothers, both of whom are play hockey). You've been in the Bay Area, we've watched you work with the Warriors for years since you joined them in August of 2018, Dr. Rick. Macklin was just a baby back then, how much did you bring him around the Warrior locker room where he could interact with Steph and Klay and Dray and Andre and even Kevin Durant when he was there?

RC: Yeah, I wouldn't say in all honesty that is was a lot, but I think that the opportunities that he and the others did have, one, were really impactful, just to see how these guys approach their craft and two, it's just the influential age that it happened at. I think it was kind of that perfect timing of just as they're getting very serious in terms of where they want to go with their sport, being exposed to that type of environment.

Silver: Talking to Dr. Rick Celebrini here slash Daddy Rick as Macklin will be joining us in about ten minutes and I know this has been quite an awesome experience for you Rick, so just kind of want to get your sense — I don't know how much you've gotten to observe the season, I know the two seasons, NBA and NHL, have quite a bit of overlap, but what's your sense so far of the dynamic between a lot of the youth on this Sharks team and some of the older vets. How do you think Macklin's integrated himself with a lot of these vets, but also having other young guys like Eklund and Askarov making a name for themselves at the same time?

RC: Yeah, especially just coming off this father's trip I got the opportunity to see it sort of first hand and first of all, they have a great group of just people. Never mind players and athletes but just people that the dads — you can see kind of where their sons have gotten it from. Macklin, I think, has really benefited form coming in as a rookie with Will Smith, they've developed a really close bond and friendship and so I think that's helped immensely. You mentioned some of the other young guys, I think there's a really nice balance of rookies, and the veterans that they do have around there have taken a real interest in helping these guys along. So I think all that has helped. I mean, obviously it hasn't necessarily translated in terms of results for the team, but if you're building for the future I think they're going about it the right way in terms of getting good quality people to support these kids as they're building for the future,

Papa: Yeah, Will Smith and Macklin go back to BC BU I know, and that great rivalry and the Beanpot there in Boston and everything and to hang with his dad I know was great for you in Seattle. The one thing that struck me as interesting is that Macklin is back home. he could live with you and your wife and your family, but the way they do it in the NHL is unlike any other sport where he's actually with Jumbo Joe. And what Will Smith is living with Patty? I don't remember Brandin Podziemski moving in with the Currys when he got here Rick. How is — we'll ask your son, he's coming on in a few minutes, we'll ask him directly, but why doesn't he just live at home with you and your wife and your family rather than trimming Jumbo Joe's beard?

RC: (Laughs) Well, first, from a practical logistics standpoint we're out in Livermore so with traffic, as we all know in the Bay it can be a monster, so he's far more proximal to the rink with Joe. But I think over and above that, just the incredible value you have of him living with the family. With Joe's family, they've all been so welcoming, and to have a former number one overall pick who's had an unbelievable hall of fame career to lean on and to be guided by and to keep perspective and things that I can't necessarily relate to, to Macklin, I think it's just been so incredibly valuable for him. Like you said, hockey is unique in that way, stories of Sidney Crosby with Mario Lemieux, the list goes on in terms of different individuals that have had that type of setup. I think it's an incredibly valuable way to transition into the pro game for especially an 18 year old like Macklin.

Silver: So we are having him on in a moment, and since it's such a short interview Rick, we want to make sure we maximize the minutes we get with him but, is there anything you want us to — is there any message that you have for Macklin that we can play coming back for him.

Papa: Make you bed, brush your teeth, wash behind your ears.

RC: Yeah, that's right (laughing). No, I would say, my message to him is, he actually calls before every game, we've done this for probably the last four or five years and I really cherish that time. One of the things that I consistently remind him before every single game is just to enjoy it and to keep perspective and to find the, even in the grind of the season at this point, is just to play with joy, have fun, it's what he's always loved to do. So that's probably the main message.

Papa: (Transcriber's note: at this point Papa relays that George Kittle's father hand writes him a note before each game and says it's nice the Celebrinis can have a similar moment of connection, which is cut for time/I didn't want to transcribe it) Because you're so well versed in the body and how to get through it, it's a hard challenge, He's just 18 years of age, the NHL schedule is grueling, they've got little time off before they play their next game. What's the advice to him as far as getting through this first NHL season as opposed to a much shorter collegiate season, Rick?

RC: Yeah, it's two-fold. One, get your recovery when you can and try to really maximize that, that's sleep, that's all the different modalities. Fortunately I've got peace of mind in that Mike Potenza, who was my performance director here with the Warriors for the last couple years, I actually stole him from the Sharks and now they stole him back. Selfishly for Macklin I'm thrilled that Mike is back there with the Sharks and looking after the group and specifically Macklin. Again, it's being as professional as you can with taking care of yourself. In this day and age it's unlike back in the old days where guys could have late nights and still kind of get by and play themselves into shape. It's just so demanding, the pace that the league's played at, the physicality, the expectations on and off the ice, it's really something that you have to, again, maximize your recovery when you can.

Silver: Rick, thanks so much for coming on and I hope it's not rude to cut you short for your child but in a true fatherly fashion I would say I think you're gonna be OK with it.

RC: As Macklin's dad, yeah, I'm great with it (laughs).

Papa: Anything you want us to relay to him since we're going to talk to him in a moment? Anything we should tell him?

RC: Tell him to give me a call later.

(Laughter)

Papa: Call daddy. Call daddy, Macklin.

RC: (overlapping slightly with previous) Yeah, or maybe call his mom. Even more important.

Papa: Yeah, call your — forget about dad, call mom, would ya.

(General sign offs)

[vinelark]

i've been chipping away at the ch6 draft all day and the bad news is that i've hit the "oh this is actually so bad and no one will like it" stage, but the good news is that usually precedes the "full steam ahead let's finish it" stage

[stormyoceans]

I can absolutely talk about bottom Fadel. He would be so overwhelmed at first, trying to hide his face and his noises, not sure whether to push Style away bc it's all just too much or pull him closer bc it's also just so good until Style grabs him by the neck and makes him look into his eyes and murmurs how good Fadel is and just to let go and with a shuddering breath Fadel would finally relax into it. Afterwards Fadel would be shivering all over and clinging to Style who holds him and pets his back, dropping small kisses wherever he can reach and whispering how much he loves Fadel. Yeah... I can totally talk about that.

CLIMBING THE WALLS OF MY OFFICE AND SPINNING COUNTERCLOCKWISE ON THE CEILING BECAUSE YES YES YES ABSOLUTELY YES TO EVERYTHING YOU SAID YOU GET IT!!!!!!!!!!!!!

it's just the way fadel looks so overwhelmed every time style touches him. every time he's not the one initiating physical contact and taking charge of the direction it takes. and yet at the same time he almost looks in pain with how hard he tries not to show it, as if there's something wrong in being on the receiving end of pleasure, in feeling that pleasure and letting it wash over him, pulling him under. even jerking off seems like a perfunctory act just to scratch an itch and be done with it as quickly as possible

style, tho. style is all about pleasure and fun and feeling good. he’s also more observant than anyone gives him credit for. so when fadel bites his lip so hard to the point he draws blood just to prevent himself from making any noises while style sucks him off, of course style notices. he also decides right there and then that that simply won’t do

the next time style presses fadel down onto the mattress, he takes his time. he sucks and bites on fadel’s nipples until fadel starts squirming under him, telling him to just get on with it already. style looks at fadel’s flushed face and heaving chest, at the way he’s already rock hard and leaking through his underwear, and wonders if he could make fadel come just by playing with his pecs, but that will have to wait. he finally moves lower, kissing his way down to the wet spot on fadel’s underwear and mouthing at it. fadel barks out his name, half a warning half a plead, voice strained and legs trembling

style frees him from the underwear, slicks his fingers with lube, and presses gently at fadel’s entrance with one. fadel seems to relax for a second, but the furrow between his brows is back as soon as he realizes that style has no intention to hurry. style tries to distract him with kisses, the rhythm of his finger inside fadel excruciately slow on purpose. he adds another, and he knows he has found fadel’s prostate when fadel jolts away from the kiss and his hands close around style’s arms as if to push him away. style shushes him, his free hand coming up to hold fadel’s head. he hits the same spot with his fingers again, and fadel’s grips on his arm tightens. fadel’s eyes are blown wide and his teeth are sinking into his lower lip

style places a kiss on fadel’s temple and starts talking, his fingers massaging the same spot inside fadel again and again. “it’s okay to let go, you know. you don’t always have to be strong and keep your guard up, at least not with me. im here. i’ve got you. let me hear you. let me take care of you.” for the first time, fadel throws his head back and comes with a loud cry

ANYWAY. sorry for this mess, i guess i got kinda inspired by what you wrote ;;;;;;; THE POINT IS THAT STYLE WOULD LOVE TO TURN FADEL INTO A PLIANT SOBBING MESS AND TELL HIM HOW GOOD HE IS AND FADEL NOT ONLY WOULD LET HIM BUT ALSO COME TO LOVE IT THANK YOU FOR COMING TO MY TED TALK

[mingirn]

heavenly

lee minho x reader

genres: smut, some fluff

warnings: smut, grinding, dry humping, some dirty talk, getting off on the way someone smells, gender neutral reader

notes: titled after the song heavenly by cigarettes after sex

word count: 1,7k

”You smell good,” you say quietly, nose squished against his neck and lips brushing over the collar of his t-shirt as you speak.

”I smell good?” he asks, and you hum. ”Like my perfume? Or just the fact that this shirt is fresh from the wash?”

Minhos voice is humorous, underneath the softness of it he’s poking fun at you.

”Yeah, but also just- you. Your skin, your breath, your hair, your sweat, everything.”

Your hand is under his shirt, resting on his side. His naked skin is so smooth and warm, and with your eyes closed you can recall exactly what it’d feel like to kiss the skin thats underneath your hand. You know exactly what he feels like, every inch of him, you know every little spot on his body from the countless times you’ve kissed all over him. You know what he smells like too, whether he’s just gotten out of the shower and his skin smells like the bodywash he uses, or if he’s just woken up and he smells of sleep. You even love the way he smells when he comes to see you right after practice, when he hasn’t yet washed up and he just smells like himself.

”You’re crazy,” he laughs softly above you, while his fingers stroke over your hair. His voice reverberates through his chest and sounds a little lower when you lay on his chest like this. Everything about this, about him, feels like so much right now. His smell in your nose, his body in your hands, his touch on you, his leg between yours, the very warmth of him so close.

You scoot a little further up, aligning your chest with his so you can burrow into his neck, the tip of your nose brushing against his ear. You give him a quick kiss there, just where his ear meets his jaw and neck, and he shivers from the sudden contact in a place you know he’s sensitive.

Minho must be able to tell that your breath has gotten a little heavier, but he’s kind enough to say nothing of it. You bury your face in his neck, inhaling the scent of his skin. He smells best here, somehow stronger than any other place on his body, here it’s just so richly Minho. Without even thinking you hitch your hand higher, moving from his side up to his chest, letting his shirt bunch around your arm and reveal the skin of his stomach. He smells so good it’s almost makes you dizzy, having all your senses be so full of just him.

”Do you like this?” he asks suddenly. He has dropped the tone he had earlier, no longer teasing you but sounding genuinely curious, or just entirely oblivious. It’s not the first time you’ve commented on his smell, nor the second or the third, and Minho should be more than aware of his effect on you at this point. The fact that he somehow doesn’t know, or perhaps didn’t really realize the depth of it until now has you whining silently into his neck.

”Yeah, I thought you knew,” you mumble sheepishly, pushing closer to Minho as if you’d somehow be able to sink into him to avoid the embarrassment.

”I knew you liked the way I smell. Fuck, I love the way you smell too. I just.. didn’t know you liked it this much,” Minho says.

”Mm, what?”

”This much,” he states, grabbing onto your hips. ”You’re grinding against me.”

Minho is right, but until now you hadn’t noticed the unconscious pull of your hips against his thigh. Suddenly, you become aware of your own body, before you’d been preoccupied taking Minho in, feeling him underneath you and trying to drink in as much of him as you can. Now, you feel pleasant warmth spread through your body, pooling together between your legs where you’re far too effected by all this and somehow you still can’t make yourself stop, even though your boyfriend has drawn attention to it.

”Oh my god,” you whine in embarrassment. Your hips stutter as you try to will yourself to stop, but it just won’t happen, your lips are brushing against the skin of Minhos neck every time you take a breath and he still smells so fucking good, you just can’t bring yourself to stop. Then, you feel his hands wrap around your hips further, fingers digging into the side of your ass, and you realize he’s helping you guide your hips.

”That’s it, there you go,” he says softly. His voice is right by your ear, so close it sends shivers down your spine. ”You should have told me you like it this much.”

”What?” you manage to spit out, trying desperately to stay focused in the moment.

This is something Minho likes to do. He talks to you, asks you questions and makes little statements he fully expects you to answer. He words them like he’s not helping you grind yourself into his thigh, and he’ll do the same when he’s fucking you, not relenting until he’s gotten the reply he wants. It makes you just a little dizzy, how he stays so composed when he’s got you falling apart in his arms and your head always feels so light when you think about how much control he has, not just over you but of himself too.

”If I had known you liked my smell this much I think we could have had some more fun with it,” he says, and you can hear it on his voice that he’s smirking.

”Fuck,” you breathe out. ”What- what fun?”

”Something like this. Or maybe I’d skip showering at the studio, if I knew I’d come home and get you to be like this for me.”

Minho lifts his leg a little, pushing his thigh further between your legs so you have no choice but to ride it. The new angle makes your breath hitch, it feels even better like this and Minho is still controlling your hips, making you yearn for a lot more than just his thigh.

”Really turns me on to know how you get for me, you know that right?” he says. You can tell that he’s hard against the side of your leg, but Minho still grabs your hand and places it over his shorts to make sure you can feel how hard he is. He speaks again, ”Fuck, it makes me so hard, can you feel that? Just for you.”

”Minho, please, please-” you choke out, mouth against his neck. He understands you somehow, reads your mind in that stupid Minho way, and weaves his fingers into the hair at the back of your neck so he can pull you up and then he kisses you.

It’s messy and desperate, even Minho is starting to lose himself and he kisses you as if he’s never kissed before. He’s all tongue and teeth, tasting you and moaning into your mouth when your tongue meets his. It shouldn’t feel as good as it does, but the hurried kisses make your head feel like it’s spinning and all that’s repeating inside of it is Minho saying just for you, just for you, just for you.

It hasn’t been long, you know that, but you’re already starting to get close. Even though your underwear and his shorts are seperating you from feeling him, there’s something so intense about this and about Minho that it hardly matters, and you know it won’t be long until he’s got you making a mess in your underwear. It has your hips faltering a little, unable to keep up with how good it feels. Luckily Minho still has a hold on you, and when he notices that it’s getting harder for you to keep composed he lets go of your head to keep both hands on your hips.

”Don’t stop,” he murmurs into the kiss. You moan into his mouth, a lot too loud and a lot too desperate. ”Want you to be good and cum for me like this, okay? Can you do that?”

You nod fervently, stuttering out something between a ’yes’ and a sob, and he rewards you with a kiss. You lean your forehead against his, eyes shut tight and hands fumbling to get a hold of anything to get your bearings. You want him as close as possibly and somehow this, his mouth mere millimeters from yours, swallowing your breath, isn’t enough.

”Minho, Minho, please. Please, I’m so close-”

”Baby, you can cum whenever you want. Come on, sweetheart, want you to cum for me,” he speaks softly, his own breath erratic from being so worked up.

He starts thrusting up, meeting your hips so you don’t have to do any work, Minho does it all for you when he can tell you’re about to cum. It’s this that finally does it for you, his hands holding you and his hips meeting yours just like he does when he fucks you like this.

Your breath catches in your throat, too overwhelmed and sensitive and still cumming, and Minho doesn’t stop for a second, just talking you through it with mumbles of ”I’ve got you, you’re so good, there you go, angel”.

Your legs are shaking when you finally come down, vision unblurring and lungs catching air again. Minho is rocking his hips ever so slightly to help you ride it out, and when you return to your senses you can feel the cum that’s soaked through your underwear and probably now stains his shorts.

”Oh my god,” you breathe out, slumping down on him. He laughs quietly, stroking your hair and craning his head to kiss your forehead softly. You continue, ”Thank you, Minho, what the fuck.”

”Thank you,” he says. ”I think I’m gonna have a lot of fun with this.”

”Oh, shut up!” You squeeze his arm a little, a pathetic attempt at being intimidating, but your fingers feel fuzzy and you’re still regaining your strength.

”It’s just because I love you so much, you know,” you say. He hums lowly at this, and yet again you know he’s smiling without having to look at him.

”I love you too,” he says. ”Always.”

[crystallizsch]

“It’s Always A Dance With You”

yuusha tala💜 x jamil viper🐍 (oc x canon) word count: 500+ words cw: not angst surprisingly notes: takes place during book 5; i got overzealous and wrote a dance scene (insert question mark)

their first dance in the kitchen was not really any less weirder than being outside ramshackle—

standing on the itchy grass;

next to the gravestones;

with the bugs that crawl at night.

a little more privacy would’ve been nice but they can’t be too picky this late at night.

━━━━━━✦

the prefect looked at the scarabia vice housewarden’s outstretched hand.

🐍: Are you ready?

💜: Sure. But without music?

🐍: Just follow my lead.

💜: But how am I supposed to—

🐍: Will you stop complaining, Prefect? I’d rather not be out here for longer than we need to.

yuusha made a dramatic sigh as she begrudgingly put her gloved hand on top of his.

💜: You’re the boss.

━━━━━━✦

it started with a light step forward, and two light steps back.

and the judgments began.

🐍: No, Prefect. Your other left.

🐍: Why is your back so stiff? Relax. It’s like I’m dancing with a log.

the vice housewarden felt his patience wearing thin.

the prefect knew how to dance. he saw.

well—

she danced with him herself.

the impromptu dance in the kitchen.

sure she wasn’t great, but she knew how to keep in rhythm.

so why now does it feel like the prefect is making it deliberately hard for him?

━━━━━━✦

jamil spoke too soon.

yuusha was a fast learner, of course. he knew this.

or she decided to be compliant out of spite.

either or they were dancing in sync to the tuneless sound of the night, save for the occasional chirp of crickets and the jingle of the bells from jamil’s hair ornaments as they twirled around each other.

there’s always a sudden shift with her that he can’t control.

unfortunately for her, two can play at that game.

the vice housewarden concluded the dance with a sharp dip.

━━━━━━✦

so it was another one of those moments.

did the air become particularly warmer that night or was it just that their bodies were pressed closed together in the dip, their faces were almost touching?

from this angle, the prefect gazed into jamil’s eyes. it sparkled like the night sky illuminating behind him.

that’s a soft, starstruck look yuusha hasn’t seen before.

oh this is dangerous.

at this moment, she forgot the implications of eye contact with the scarabia vice housewarden.

she felt herself letting her guard down, much to her dismay.

unbeknownst to her, jamil fell to that vulnerability first. a vulnerability he didn’t think he’d have again.

yuusha matched his soft gaze which jamil immediately honed in on.

💜: Your eyes are beautiful, Jamil. Have I ever told you that?

━━━━━━✦

the prefect yelped as she landed butt-first onto the ground.

jamil had let her body slip out off his hands, dropping the prefect on purpose.

yuusha attempted to kick his shins in retaliation but to no avail. jamil dodged it effortlessly considering she’s still on the ground.

🐍: We’re done here.

he averted his gaze, trying to hide that he felt warmth rushing through his cheeks.

the hood of his dorm uniform can’t save him right now as he’s not wearing it.

💜: You didn’t have to DROP me! Sorry for complimenting you, I guess.

jamil didn’t acknowledge her complaint and just reached out his hand to her again.

he looks like he’s trying so hard to hide a laugh with that shit-eating smirk of his.

she looked up at him with disbelief but proceeded to accept it anyway.

💜: …..Thanks for the dance, Vice Housewarden.

🐍: You’re welcome, Prefect. Dont ask me ever again.

[toasted-buguette]

Into Your Own Hands

Summary: Ryis decides to pine from a distance in order to be a better wingman for March. The farmer has other ideas.

Ryis is many things: A son, a brother, a nephew, a pretty good woodworker if he were to say so himself. A friend, and he tried to be a good one. 

Ryis is also in love, although he would desperately like to not be. 

Mistria is, despite its constant activity, a very small town with a very close knit community. It’s one of the things that made him love it there, that and the quiet that let him hear birdsong with more clarity and variety. Everyone knew each other and everyone had some manner of bond that had existed for at least a year or two, so it made sense that the arrival of a new member of the community would spark interest in everyone. Ryis wasn’t exempt from this, after all the last time someone new came it was him, but he liked to think himself a little bit chiller about it than some others.

Chiller than March, he means.

March is, as much as he likes to hide it, a pretty good guy underneath all his bluster. He just doesn’t like change, when Ryis first moved in it took March a week to stop sulking and talk to him. It was only once Friday came along and Olric dragged his brother to the inn that he and Ryis actually got to have a conversation and that (Plus one or two of Hemlock’s drinks) was all it took to spark a friendship that would surely last a lifetime. Because besides being craftspeople and their mutual adoration of Mistria and its citizens, the quality Ryis and March shared in the highest quantity was their loyalty. 

Which is why Ryis can’t acknowledge his growing fondness for the new farmer. 

You see, after the earthquake a lot of things needed repairing and the citizens of Mistria needed a distraction, so a new face was just what the town needed. Ryis, on his part, was eager to welcome the new farmer into town, after all he knew better than anyone what it was like to be the new member of a well established community. Besides, he knew they would be working together on the myriad of reconstruction projects, so it was only natural that they get along outside of work. It helped that they were very easy to get along with. 

March, as is his wont, was not as receptive to this newcomer. No one was surprised when any conversation with him eventually led to him grumbling about the no good farmer who was only here for their own gain and totally wasn’t going to last the season. Ryis, at least, was surprised when these grumblings continued past the first week of the farmer being there. 

After all, the farmer went to very great lengths to talk to everyone frequently, March included, and usually once he got to know someone he mellowed out at least a little. But no, it seemed that March’s ire only grew with every attempt to make peace the farmer made. Ryis tried to reassure them that March would warm up to them eventually, (He had to, they were just too charming even for March to hate for long), but his reassurances could only go so far when March seemed to go out of his way to antagonize the farmer. It wasn’t until late spring that Ryis found out why March was being so… like that. 

For all his guardedness it only takes a couple drinks to get all of March’s walls to crumble like a termite infested fence, and once they did the blacksmith was the most open book in the world. There was no such thing as secrets with drunk March, so Ryis got a front row seat as March got to rambling about the farmer once more, and it instantly became plain as day that March’s blush that night was not caused by the beer. 

Ryis couldn’t remember a time March was ever so enthralled with someone. He sat there and listed out Ryis’ thoughts verbatim about how interesting and capable the farmer was, how helpful and hardworking, and Ryis realized two things simultaneously.

One: He was developing a crush on the farmer.

And Two: He could not, under any circumstances, let it continue to grow.

When was the last time March was so enamored with anyone? When had he ever been this animated when talking about something that wasn’t made of metal? March had always been a happy drunk but this was beyond anything that Ryis had ever seen from his friend and he wanted desperately for that happiness to continue.

So he resolved himself to try and help March realize the feelings he had while he was sober as well as pushing the farmer in his direction whenever possible. It was easy for Ryis to ignore his own feelings, at first, after all the farmer hadn’t been there long and was always running around going who knows where to do who knows what. Out of sight out of mind and all that, and when they were not out of mind Ryis could always find a project to take his mind off them for a little while. And when that failed to work he could always tell himself that once their novelty wore off so too would his unfortunate crush.

And then the general store was ready to be remodeled and all that flew out the window. 

Unlike with the bridge Ryis couldn’t do the whole thing alone in a single day, and aside from his uncle (Who he loved very dearly and wanted to enjoy his retirement as much as possible) the only person qualified to help was the farmer. So the two of them set to work and Ryis tried very hard not to think about how every time their hands touched when exchanging tools a shock would go up his arm and send his heart racing, or how every so often he’d look up from his work and see them so deeply focused that he fell just a little deeper in love. 

That, he thinks, is what finally broke the dam and now when he aims the farmer in March’s direction (Because he still does, because he loves March) it is accompanied by a horrible pang in his chest that he knows he’ll never be able to get rid of. 

‘It’s fine.’ He tells himself. He’ll make do with what he can get and he’ll blame the work on why he’s so flushed every time he joins the farmer on a project and when March can finally admit to himself that he doesn’t hate them Ryis will look on as two of his favorite people can freely admit their love for eachother and it will be because of him and maybe the ache in his chest will get a little easier to live with. 

The next time he sees the farmer, Ryis wants to hide in his scarf. They’re sweaty and out of breath and he can tell why when they hand him a stack of hardwood so big he wonders how they fit it all in their bag. They smile so wide when he accepts it and their face makes him want to melt. That doesn’t stop him from inviting them to the shop, of course. After all, it's hot and he can’t move all of that himself (he can) and wouldn’t they like to sit down and cool off for a second after all that work? Really it’s the least he could do after everything they’ve done for the town (for him). 

And now they’re alone in the shop and the wood is all put away and Ryis would talk about all the projects he has planned for it except the farmer makes it really hard for him to think and of course Landen is gone and can’t distract the farmer from him so they’re just watching him stammer with those intensely beautiful eyes of theirs and Ryis realizes a little too late that he said that last part out loud. 

Mortified, Ryis looks away and it takes him a minute before he can bear to take his eyes off the pile of sawdust they landed on and return them to the farmer. The sight that greets him when he does is not what he expected; The farmer is staring at him with a sort of half-smile and did they get closer? Their face is definitely closer to his than it was when he looked away. He bashfully tells them that he’s sorry and they should probably forget what he said and after a second they say that maybe they don’t want to. Maybe they gave him all that hardwood because to them his smile is the prettiest thing in the whole town. 

And every plan Ryis ever made to play matchmaker for March goes in the trash because hearing that makes his heart stop and when the farmer kisses him it is the most right anything has ever felt. And soon they’ll have to leave because it’s late and their chickens are still outside and then Ryis will have to grapple with the fact that he just kissed the person his best friend is in love with but for now none of that matters because after a season and a half of pining and pushing his feelings down it feels like he can finally breathe. 

And as the farmer leaves, trailing promises to see him soon behind them, Ryis revels in not having to dread their next meeting any more.

[old-skyguy]

Look.

Ace Attorney fandom.

I know why people don't like Turnabout Bigtop. I am among the people who dislike Turnabout Bigtop.

But I GET why people like the case. I'm not going to be one of those annoying people who just blindly dump on it because I hate those mfs too.

Thing about Bigtop isn't that it sucks. Thing isn't the weird grooming stuff (though that is a huge part of it). It's not that it could've been good.

It's that - in my personal OPINION - it could have been *great*.

I think it had the potential to be one of the best third cases in the trilogy. It had everything; a fun and goofy setting fit for a pretty dang goofy lawyer game - where the environment itself had jokes and quips and one-liners and mishaps and tomfoolery written all over it, it had the previous case introducing a very interesting and important plotline that gave background for one of the more well-loved characters while also introducing an equally fucked up and lovable new one who was a child forced into a shit childhood of naivete in a CIRCUS with another character who was very naive and childish - whose interactions could have been funny and cute and reflective of said shit from the previous case (seriously she becomes such an important character in the 4th case, WHY would they not include her in this one for some character development? How did they fuck up letting a CHILD explore a CIRCUS?? That would have made the interactions flow MUCH better).

They had a pretty good, sympathetic killer imo, a morally dubious victim, an asshole of a client (who was pretty flat admittedly in-game, but I like his weird, topsy-turvy reasoning for it in the anime. Also, I think Max being kinda a dick would have bode well for the themes of Farewell since most of his clients up to this point have been like...nice? Not nice, but sympathetic, but him having to defend someone who's innocent but a prick would have shown him that just because someone is an asshole, doesn't mean they deserve to suffer for it and that they have the potential to grow as people, which is almost a complete foil to what Matt was. Ultimately, I would have loved the contrast of them as clients and I think it would have also served as character development for Phoenix, especially with his low-empathy tendencies).

They just didn't think that far ahead. They just didn't execute it well enough. They just decided to make three of the adult characters fight for the hand in marriage of a teenage girl. (Bat's part of the story was actually kinda good if he was just YOUNGER, I think him doing that for Regina would have been a stupid thing someone in the circus would do to impress their crush. Damn you Ace Attorney and your weird treatment of underage girls!!)

It just flopped and that's ok.

Even though it kinda sucked, it can still mean something to me.

Also I'm a Moe Curls apologist. I liked him, shut up.

[neege]

What are some things Sirius finds annoying in Peter? 👀

OH god so many things.

I don't have any textual evidence to back up these claims, but here are some ideas that I'm just making up:

I think he would be annoyed by how pathetically Peter hero-worships James. Following them around and siding with James and pretending to be into the same things as him, it would grate on his nerves I think especially because Sirius would see his own friendship with James are genuine/real, whereas Peter just does/says what he thinks James will approve of (I also think it would annoy him that James is nice to him/includes him in their friend group at all)

I also think he would be very irritated by Peter asking questions or not understanding things all the way, I think a potential flaw of Sirius's is for sure his impatience with people he finds to be unintelligent, and I think he would snap a lot at Peter.

This could be interesting as well because there could be contrast between his reactions to Peter and Remus. I could see Peter being someone who just asks for answers rather than looking for answers, whereas Remus strikes me as someone who, when faced with something he doesn't know, seeks out the answers himself. Sirius would maybe find this admirable, which could build resentment in Peter, who feels he's being treated unfairly (maybe a little fuel to the traitor-fire, maybe why he gets people to suspect Remus)

I also think Sirius would get annoyed by Peter trying to involve himself in complicated shenanigans (like the map or becoming animagi) because he knows that Peter won't be able to do them easily or as quickly as himself or James.

Also, he snores really loud and it wakes Sirius up