#i already have scripts so maybe i'll work on some of them

[wogot3]

i dont remember if i ever shared that polaroid/compliant is conductor but yea here you go

spoilery concept stuff but i dont careeeeeeeeeee

[ofstarsandvibranium]

Only Want Your Kiss

Fandom: Marvel (Actor AU)

Pairing: Joaquin Torres x F!Reader

Summary: Joaquin is head over heels in love with you. You know this and he knows you know this, BUT he still feels bad whenever he has to kiss and be intimate with another actor. Which always leads to you receiving some extra love from him.

A/N: Inspired by this TikTok.

You Joaquin was an actor when he asked you out. You've seen some of his work, hell, you became a fan of his work! When he told you he got cast in an indie romance film, you were happy for him, of course!

But then he sat you down.

"So I was reading through the script."

"Yeah, and?"

"There's some kissing and slightly steamy scenes involved in this film."

You slowly nod, "Alright."

"I just, you know, I wanted to make sure you're okay with that. I auditioned for this role before we got together and now we're together and plan on moving in and everything, I wanted to check in to make sure this kind of stuff is okay with you."

You softly smile at him, "Of course it is, Joaquin. It's your job, I know you don't mean anything by it."

"You sure? Because if anything, I could get a body double for the steamy scenes-"

"Will there an intimacy coordinator available?"

He nods, "Yeah."

"Then we're good."

"Okay...you sure?"

You can't help but let out a laugh of disbelief, "I am! Honestly, babe, I really appreciate you telling me and checking in with me about this."

"Of course. When we first started talking, you said communication is one of your biggest things in a relationship. I want to make sure I never unintentionally hate you or ruin what we have," he reaches out and interlaces his fingers with yours.

You lean in and peck his lips, "I love you." It'd been a few months since you two exchange those words to each other, and it still brings a smile to Joaquin's face when he hears them.

"I love you too."

____________________________

Joaquin told you he'd be coming over after work with some food and to spend time with you. You expected him.

However, what you didn't expect was for him to immediately push you up against the door, lips pressing against yours.

You giggle into the kiss and push him back a bit, "This is a nice welcome, but what for?"

"Missed you is all," he mumbles and pecks your lips again. He takes a step back, "Go ahead and sit on the couch. I'll plate the food."

"I can help-"

"No, no, baby. Go on. I got it." he welcomes himself into your kitchen and begins to pull out plates and bowls for the takeout he brought.

It takes a few minutes, but eventually he's coming out with two plates in hand. He hands you yours and then sets his on the coffee table. He rushes back to the kitchen and comes back with a glass of your favorite drink.

You look at him confused, "What's going on? You're acting weird."

"I promise, baby, nothing's wrong," he kisses your head and sits beside you on the couch.

He then puts on your favorite show, and eats in silence beside you. Throughout the episode, you side-eye him. He watches the show intently, while shoveling food into his mouth. Every once in a while, he'll make a comment on what's happening on the show, but nothing out of the ordinary.

Once you two are full, he places your feet onto his lap and begins massaging them.

You try to think what might've happened at work for him to behave oddly. Then you remembered: he was filming the kissing scene today.

You giggle and Joaquin's attention is pulled from the tv show to you, "What's up?"

"Are you doing this because you kissed someone else?" you ask with a smirk.

He looks away from you sheepishly, "Maybe..."

You giggle, pulling your feet away and moving closer to him, "Joaquin, I told you it's fine. I know it's just work to you."

"I still feel bad. I just-I don't wanna fuck things up with you. You told me how poorly your exes treated you and I don't wanna end up like them."

You practically melt at his reasoning. You already know that Joaquin will never be like your exes. Even from the first day of meeting him, you knew he was different from the rest of them. He made sure you were comfortable, never pressed too hard on things. He took his time and went at a slow pace because you wanted to.

You cup his face in your hands, "I love you. And I can tell you with one hundred percent confidence, that you will never be like my exes. Because of how considerate and communicative you are, you've already surpassed all of them."

He leans in, resting his forehead against yours, "I just wanna remind you that I care about you. That you're loved and I always wanna make sure you're okay."

You feel tears welling up in your eyes, "See? My exes would never." And that has you both chuckling.

Joaquin wipes away a rogue tear that runs down your cheek, "I hope the only tears I make you shed are ones of happiness and love."

You giggle, "Didn't you say that in one of your movies?"

He pauses for a moment and then nods, "Yeah...I think I did. Damn, I thought I was original for that one."

You full on laugh this time, "You're such a dork," and you kiss his lips, which he happily kisses back.

[sukunasweetheart]

kimi ni todoke inspired, but with a twist?? except sukuna is suuuuper into your whole scary/creepy vibes (strange fetish) this is more just rambling, not a proper fic sorry, its a little smutty, scratching and knifeplay involved (he's quite submissive), sukuna's a whole FRREAK

sukuna in college au, where he has a strange infatuation with the horror genre-- has a deep appreciation for scary films, and is a huge nerd in this area, and many of his favourite celebrities are actors and actresses that starred in one of his favourite films. his brother yuuji is also a huge cinema nerd but he's not as obsessed with horror as sukuna is. and frankly, yuuji thinks he's a slight weirdo for being able to analyse them in a very detailed manner, whether it's the jumpscares or how realistic a gore scene looks.

and now this horror nerd discovers someone very noteworthy in his area. there's this semi-famous haunted house that operates year-round nearby his university, which he decides to visit alone, out of boredom.

...the atmosphere is alright. the decoration could use some work. the bloody sheets don't look convincing enough. it's too pink and tacky. the "ghosts" give an effort to try and scare him, but he gives them a deadpan look.

"can you try any harder?" sukuna keeps walking.

next, a man dressed like a typical serial killer walks in holding a real chainsaw. oh, boy. the "killer" walks up real close to him, to his annoyance. he takes the chance to inspect the mask on his face. he flicks it lightly with a finger.

"shit's made out of plastic. do better."

the man revs up his chainsaw.

"ha - that's the spirit." he continues walking.

there's suddenly eerie silence, now that he's almost at the exit of the haunted house. what, did they run out of ideas?

he thinks he catches a glimpse of someone in the corner of his eye. sukuna stops and turns back, but there's no one in sight. that gets the hairs on the back of his neck rising, ever so slightly. he likes that.

he feigns ignorance and keeps heading to the exit, wanting something to jump out at him. he hears little footsteps behind him, this time. he whips around again, but there's nobody.

"you're edging me, are you?" he says sarcastically with a chuckle.

you're hiding in a little pocket area out of view, when you hear the man mention something about edging. great. another fucking weirdo. sometimes, you feel like you should just get a new job.

the third time, you actually reveal yourself and stand still in view when he turns around. the weirdo just stands there and grins at you. the fuck??

oh, sukuna loves this one. you look terrifying. like you came directly from a horror film set. you give him the creeps.

"look at you... a diamond in the rough."

the fuck is this man talking about? you want to tell him to just leave already. but he just continues observing you silently, like someone analysing an artifact. you move stiffly towards him, even while knowing that it probably wouldn't be enough to scare him off.

"your makeup looks too real... do you do that yourself?"

you glare at him. it's part of the script anyway. sukuna chuckles, because something tells him that the disdain in your eyes are real.

"i know, i know. i'll get going. any chance i could get your number before i go?" he asks boldly, hands in his pockets. it's a half-hearted attempt, but he felt the need to really try at least once.

he must be joking. what kind of perverted man sees a woman looking like this and asks for her number? well, he probably isn't being serious anyway. silence permeates the area as you backtrack away from him, deciding you've done enough for your pay's worth.

"running away? a shame..."

you feel odd. many men have seen you and ended up running out screaming. none has ever tried flirting with you while you were in this getup. what a weirdo.

sukuna walks out feeling better than expected. that last section really saved it. not a totally worthless experience. maybe he'll swing by again, just to see you.

except, he doesn't really need to. because the next day you bump into him at uni - and he recognises you instantly, like the freak he is. you try to brush him off casually, but he can't be shaken off so easily. and then sukuna pestering you wherever you hid around on campus became part of your schedule.

"what's your deal? why do you keep following me around?" you eye him suspiciously, when he sits down next to you on the bench, unprompted.

"well, i'm interested in you, for one," he says casually, shrugging.

"listen... if this is because you have some weird horror fetish, then i'm not interested..." you tell him truthfully, shuffling yourself away.

sukuna laughs out loudly in response, which makes you jump.

"i won't deny having unusual tastes, but my interest isn't that shallow. if it were the case, i could probably seduce any other girl and dress her up instead of chasing after you."

well, you guess he's correct about that. you've received a couple of stink eyes from a number of girls after being seen with sukuna so often.

he's an annoying guy - when you ask other peers about him, they tell you he's stoic, mean, and rude as fuck. well, you understand the last two a little bit, but stoic? every time he sees you, he seems like the opposite. he's rather loud and overbearing.

"i'm telling you - you have a talent. why not make use of it?"

he's referring to your future acting career, apparently.

"and i'm telling you - stop with the nonsense! i can't be fooling around with a silly idea like becoming an actor. seriously."

you only started working at the haunted house for some cash. you're not even that into the genre itself. what's with this guy?

"why would it be fooling around? at least give it a try before dismissing it."

this back and forth continues, for quite a while. he even forces you to watch his favourite horror films, "for future reference".

and then he proposes a deal to you. that you try and audition for a small role as a ghost in a film. he guarantees you'll get picked, even though you doubt it. and if you don't he promises he'll never bring the idea up to you again. you decide to go with it, just to shut him up.

but guess what? you're selected for the role.

sukuna shrugs at you with a smug smile on his face.

"see? i'm always right."

he pisses you off.

and he somehow pushes his way into becoming your personal "trainer". sukuna revises your script with you, and gives you feedback on your acting. he sits you down and watches classic horror flicks with you, analysing every scene down to every frame. many things happen the more you spend time with him..... you find yourself getting more and more attracted to this weirdo. this horror nerd.

"are you paying attention? this part is important."

the film gets paused, and you very swiftly, dart your eyes away from admiring his jawline.

"i'm trying... i just can't concentrate. i'm hungry," you lie fervently.

"hungry for what? me?" sukuna grabs your face and makes you turn your head towards him.

"...no? whatever gave you that idea?" you ask, heart hammering in your chest.

"how is it that an aspiring actor can't even lie properly? maybe we need to go back and revise some of your acting lessons."

you know that he's studying to become a film director, and honestly you feel sorry for the future actors that'll be working with him.

"whatever. let go of my face, you ass." you swat his hand away.

sukuna chuckles deeply at you, eyes softening.

"you're lucky that you're cute. how about i give you a kiss? will you concentrate better then?"

"yeah... wait, what-?"

too late though, he's already on your lips. and damn, he's a good kisser. anyways, that embarks the start of your relationship with him. shortly after, the filming process for the short film begins, and it becomes a decent success. you're a little ecstatic. maybe more than a little. you get the feeling that a whole new life is awaiting you.

and your boyfriend is so endlessly cocky about it. "all thanks to me," he says, which is technically correct, but you don't want to openly admit it in front of him sometimes.

and...

occasionally...you do dress up scarily before sex as well. at first, you were quite reluctant and awkward with roleplaying in bed, but after you got used to it, you found that it's hot as hell to see sukuna beneath you, squirming as you press a knife close to his throat, grinding your clothed cunt against his boner, dressed as a terrifying ghoul.

a safe word was established beforehand, of course, just in case either of you suddenly feel like backing out.

you want to keep yourself immersed into the role as much as possible, but it's difficult when sukuna's cock is so big, hitting all the right spots. this time, you're choking him with one hand as you ride him like he's a toy.

sukuna's hands are guiding your hips, fingertips digging into your flesh, his dick aching from the soft pressure you apply to his throat. you look so utterly scary, it turns him on. he'd let you kill him, if you wanted. he fucks into your cervix, looking up into your eyes with a blush on his face, groaning openly at the insane look in your eyes.

choke me harder. scratch me. bite me. he provokes you through his gaze.

you do grip his throat harder. and then you dig your fingernails into his chest, and scrape them down slowly, leaving a trail of red marks down him. sukuna shudders under you and curses under his breath.

"just like that... fuck, baby," he moans, cock throbbing inside of you. your walls squeeze him so good.

he cums the hardest he's ever cum in his life that night - thighs trembling and sweat rolling down his temples, and it doesn't help that you lean down to sink your teeth into the side of his neck while he orgasms.

aftercare consists of him cleaning you up and helping you de-costume. when he's wiping all that dark makeup off your face, he tells you that you're pretty with his soft voice, flustering you.

and of course, vanilla sex also occurs regularly, to get away from that freaky stuff sometimes, with the gentle kisses and tender hand holding, in a missionary position, exchanging sweet, sweet gazes with each other. giving you the princess treatment you deserve for being so good to him.

in the future, you run around and play bigger roles until one of your films become a huge hit, and sukuna finishes his degree to become a famous film director... no surprises there! the best horror actress + the best horror film director goes hard... the two of you are already married at this point.

when the both of you finally get together to make the ultimate film, the internet explodes... sukuna is surprisingly bad at being professional. he's seen often taking care of you rather affectionately around the filming area, personally making sure your makeup is done perfectly, and bringing you food and water as if he's bragging to everyone else about his marriage. and it shows in the way he sugar coats his critique for you, when he has never done that for any other actor/actress he's worked with previously.

if there are some snooty coworkers that try to speak with him about the gap in treatment, he would simply scoff at them and say 'and? she's my damn wife.'

when he's working with you, it's all like:

"cut! honey, that was great, but i think this part can be done a bit better."

but when it comes to other actors:

"cut! what the fuck was that? sounded like you were reading off the damn script. get your shit together."

he's notorious for being relentless, but nobody has anything to say because all of his films climbed to the top of the industry. everyone is dying to score a line or two in his films.

and i'd like to think that sukuna himself dabbles into acting a little as well. there's probably one film where he stars as the killer, and it becomes a classic :) but the one featuring you and him probably becomes both of your biggest hits ✨

oh, and on days where you two finish filming together, he takes you home with his own car, but before that, some freaky car sex probably occurs around some corner with his windows tinted... (he's been hot and bothered the whole time filming, watching you act)

the end <3

Masterlist

[partycatty]

Johnny cage and mayB some others being mind numbingly in love

Like they talk to reader and everytime just feel so stupid afterwards because theyre so in love and do stupid shit to impress

i love stupid men anon this works so well for me

johnny, raiden, kung lao, syzoth > stupid in love

warnings: big stupid hot sexy men (what else is new?), bojack horseman minor spoiler?? LMFOAMOF

+ bonus surprise character at the very end

masterlist

johnny >

• have you guys LMAO have you guys seen the. DLGHSDKJ the episode of bojack horseman where bojack gives diane the D in from the hollywood sign?? johnny is SO extra like that and for WHAT.

• OR YOU GUYS KNOW WHEN TODDLERS LIKE REALLY WANT TO SHOW YOU SOMETHING AND THEY JUST KEEP SAYING "LOOKIT" LMFAFOIFMOA

• "reader, reader are you watching - reader, reader watch -" as he's like about to absolutely FUCK UP a nerds rope or some stupid shit

• okay i'll be fr. johnny is by far the most concerningly extra of the entire group. he will put himself in stupid danger just to impress you.

• "watch me take on all these guys at once!" he'll call out to you during your time at the academy, surrounded by a dozen monks. he's in a sling and bandages the next day.

• "kenshi, i bet you sento that i can jump from the roof like bi-han did!" BAM.

• he'd randomly give you expensive gifts out of absolutely nowhere. or he'd give his one of many glasses away to you because he "has no use for them" or they're "out of style" (he's lying, he just wants to see you wear something that's his).

• oh? you briefly mention you're a tad chilly during training? oh no, johnny's top fell off, i guess he has to give it to you now. you know, to stay warm. oh, you don't want his top? okay, here's a comically fluffy, expensive coat! and it just so happens to be your size...!

• lowkey i headcanon johnny as, despite being an actor, pretty blushy if someone matches his energy or really gets under his skin. you'll pass by him with a witty comment about his fighting style, or even just to tell him he cleaned up nice after getting his ass kicked by raiden. johnny just stands there with steam spitting from his red ears, hand on his chest as he fights a stupid grin.

• he is down ASTRONOMICALLY. not even the elder gods can stop this man from being so drunk in love when you're around. he makes it everyone's problem.

raiden >

• we see how flustered he gets when he's called out by kitana. he's a grown man with dick and balls but he's also flustered very easily! he'll be decently vocal about his affection for you, but then word trickles down to your ear, at which point it's so over for him.

• walks into walls when he's so entranced by you training. like face first into a wall, his hat fluttering to the ground. kung lao loses it.

• he can't even hear what you're saying when you speak to him, it sounds like an angel muffled by the clouds of heaven. raiden's also not the greatest with his powers granted by the amulet. if you go in to touch his arm playfully, a jolt of electricity pricks your palm and you yelp. raiden can only sputter apologies as he bows down, his cheeks tinted.

• he's the type to do little favors for you, ones you barely notice. your spot at the table is tidied, the training dummy is prepped for your fighting style, or he's the first one to bring you something if you forget it. that, and tiny favors to butter you up to him.

• "reader, you said you were nauseous last training. i prepared you some tea," he'd slide the small cup over to you, fighting a goofy smile. he rehearsed his script a few times, so he sounded more static than intended.

• will ask you questions about training or the weather just to hear your voice. he couldn't even recall what you were saying, he just loved the way your lips moved.

• kung lao pokes at him for this often, nudging him or making comments about you being his partner when you're not. raiden will stomp on his foot to keep him from talking about his infatuation if you're around. as if you don't already know.

kung lao >

• he's totally the bouncing on his heels type of man. he'll stare at you with a stupid grin, like a kid in a candy store.

• "was there something you needed, kung lao?" you'd ask as you tended to your own duties, organizing various equipment into baskets.

• "ah, no, not at all," he'd wave you off with a grin. "just enjoying... the view."

• you cringe at his words, chuckling to yourself as he speaks you in a daze. his mouth runs off before his brain can stop it from happening, so his biggest downfall with his crush is yapping. he'll sit there and explain his family history to you, or how much he hated farming cabbage, or his favorite meal at madam bo's just to keep you around long enough.

• kung lao always has this desire to keep you close by, so he continuously does stupid shit to keep you by his side. including but not limited to accidentally slicing his hands on his hat, one that he swore was a genius idea. in concept, probably.

• he wants to impress you so bad. SO BAD. anything he does is deserving of a bragging right if he's the one to do it. lao would totally try to shrug it off so you could gas him up more. any compliment, forced or not, was music to his ears.

• "yeah, i totally beat raiden," he'll check his nails nonchalantly as he leans against the wall, telling you the story of the cabbage competition for dinner against his best friend. "really swept him."

• "that's just not true," raiden would try to interject when he heard lao's version of the story. kung lao just holds eye contact with you, grinning, as he shoves raiden aside by his face.

syzoth >

• im sorry IM SORRY BUT I JUST LOVE THE HC THAT HIS TAIL WAGS I KNOW THATS NOT HOW THAT WORKS JUST- JUST BEAR WITH ME.

• you hear thumping when you're around, though you're never able to find out where it's coming from, so you chalk it up to the monks landing blows against the wooden dummies.

• but the sound lingers when you're at dinner. the table is... rattling.

• you look up to see if anyone else notices or if you were hit too hard during training. but, you see everyone staring past you. just down the table, syzoth is sitting with a pile of bugs on his plate, his tail thumping in and out of view.

• "syzoth," kenshi will gently say, leaning into his ear to whisper something. syzoth flushes a green tint and tries to resume to his meal, the bugs scurrying out of his chopsticks as he struggles to keep it together.

• out of respect for his dignity, you hold your tongue at his obvious affection. syzoth tries to keep it under wraps but he can't help it when you're just so cute!

• he'll stand close by you, inching closer and closer until you notice. he'll slip you little trinkets and flora with a small smile. anything from a rock that matches the shades of your eye, to a flower he picked by the gardens, to a stick. a nice stick, to be fair! you wonder if this is zaterran courtship.

• "it reminded me of you," he'd lean into your ear. your bedside table is decorated with various... outside decor.

BONUS! kitana >

• kitana knew she couldn't get entangled with the umgadi after seeing how risky mileena is with tanya, but my god were you breathtaking.

• you would often accompany her in the carriages as she waved to her people, eyes transfixed on her. you're devoted to her protection. it is your god-given duty. your eye contact was too much at times, and kitana would often catch herself staring at you, her hand suspended in the air. she'd forget to wave.

• "is everything alright, my princess?" you would ask innocently, in a low tone to avoid raising suspicion. kitana's mind short circuits when you call her... yours. even if you're referring to the umgadi's worship. she shakes her head and clears her throat, pulling her mask up higher to conceal her blush.

• if she were to give speeches on her mother's behalf or otherwise, she'd find herself forgetting what the rehearsed, or hell, struggling to rehearse. you were the one she'd come to for help with speeches, yet you made things ten times harder when you'd lean in to listen to her better. it makes her mind absolutely numb.

• "and you tell me to steer away from the umgadi," mileena would rasp into her ear as the sister sat on their thrones, you positioned by her side and eyes forward. "it seems you picked a favorite, sister."

• "i'm not the only guilty one," she'd hiss back to her sister, nodding at tanya. "it won't get in the way of duties, as long as mother doesn't know."

• you'd fight to netherrealm and back for your princess. as you fight off intruders or threats, kitana forgets to escape, instead transfixed on the way your muscles would contract and flex with each blow.

• she wants to be the one to care for your wounds. the power imbalance means nothing to her, you're her equal.

[thesummerstorms]

Antaam Invasion of Antiva:

Almost all of this is repurposed from something else I was trying to work out for myself, before finding one single line of a codex entry that answered my question but I had somehow skipped every time prior to now. I figured it might still be a useful reference post for someone, so I reformatted, cut some stuff, and added some stuff.

Blue text is proven fact, red text is inference/supposition by me.

---

As of the quest, Coffee with the Crows, Antiva as a whole is still occupied by the Antaam.

Evidence: Codex: A Letter from House de Riva

"Now we have Qunari in control of all Antiva. Treviso is like their favorite toy. They flaunt the occupation here, showing off how they took charge of our poor, lawless people for their own good. I know you [Lucanis] just got out and too much has happened already, but we still have work to do."

----

2. The King of Antiva is still free, not under house arrest or a hostage, etc. However, he is not currently assisting with the resistance towards Qunari occupation.

Evidence: Multiple pieces of in game dialogue (sourced from the script file, but I have heard most in game) + Codex: King's Draft: Action on the Behalf of Antiva

Teia (Codex): We aren't required to give His Majesty a point-by-point, but he's your blood, Viago. It is a courtesy to let him know we are going to war."

Rook de Riva: "We Crows are all the army Antiva has, but it's not like we can field a garrison. Outside support?" Teia: "The king would say to call on us. The price for being patriots."

Ivenci: "Without you, the king would be forced to deal with this mess. To give proper power to real officials."

Teia: People are desperate. We need to arrange shipments of water from further inland. Viago : (snorts) Maybe the king can be convinced to build an aqueduct—if we involve his favorite sculptors. Teia : It is not a bad time to ask him for aid. Viago : (sighs) I'll go.

----

3. The Antaam started by invading Antiva and northern Rivain, then used that as a launch point to conquer half of the rest of northern Thedas.

Evidence: Codex Entry: The Antaam Invasion

When the Antaam invaded the South, the people there were completely unprepared. Antiva and northern Rivain were overrun quickly, with the invaders pushing down through the Green Dales to the Minanter River, leaving only the southernmost of the Free Marches spared. From there, the Antaam pushed west, overpowering Tevinter magic with gaatlok cannons and brute strength until the defenders finally held at Vyrantium. Nevarra was spared, likely due to the Antaam fears of necromancy and unwillingness to attack until Tevinter was conquered, but almost half of northern Thedas fell to Antaam rule in just a few years...

My messy PowerPoint annotated/color coded map:

(I had to guess where exactly counted as "southern Free Marches", but I feel like the Minanter River makes the most likely boundary given its explicit mention in the codex.)

----

4. Initial occupation of some parts of Antiva was implied to be particularly brutal, though no specifics are given.

Evidence: In game dialogue, confirmed by the script file.

Ivenci: "You know what the Antaam did elsewhere in Antiva. And in every other city they occupied."

----

4. Although the Antaam still hold all of Antiva, they have struggled with supply chains as none of their support teams defected with them. They have been reliant on seizing the resources of occupied territories, presenting a possible weakness.

Evidence: Codex Entry: The Antaam Invasion; in game dialogue

It is also important to note that the Antaam fought alone. With little in the way of supply lines or experts in food production—the craftspeople and strategic experts who would normally support them had not broken from the Qun when the Antaam did—the invaders needed to attack to keep eating. When they encountered resistance that would have forced a siege, the Antaam invasion stalled. The kithshoks who wished only to conquer now had to learn to rule the lands they would claim.

Lucanis: The Crows may have something. The Antaam are moving large quantities of supplies out of the city. Weapons, armor, gaatlok…And food. About half our remaining provisions. Enough to feed the Antaam navy.

Civilian 1: You went to the physician? Civilian 2 : She stitched it well enough. Gave me what she could to ward infection. Civilian 2 : What she could? Civilian 1 : The Antaam confiscated half her supplies. Said they need it for their army.

-----

5. Josephine Montilyet's family and their estate in Antiva City appear to be safe, and potentially operating somewhat normally . Antiva City is also the capital where the King reigns.

Source: Codex: Notes from the Inquisition (if Josephine was romanced); DA:I dialogue placing the family home in Antivan City, Eight Little Talons

"The family writes the weather back home is beautiful. I do miss our quiet times together." "When we return to Antiva, I will ask you, on the steps of the estate, if you will do me a great honor. And I dream you will say yes." "Yvette and Lord Otranto send their best wishes, and hope to see us back home in time to welcome their third child."

Josephine: Well. My parents are alive, and in good health. They live in our estate in Antiva City.

Teia snatched his walking stick and twirled it in the air. “Are you going straight home to Salle?” [Viago] sighed and shook his head. “Antiva City.” “To brief His Royal Fatherliness?” She balanced the stick on the tip of her boot.

-----

6. Teia and Viago have left behind their home territories of Rialto and Salle to join with Caterina in Treviso.

It's unknown if the presence of the Cantori Diamond predates the occupation, but this might mean they are choosing to show a united front in the city most threatened or most symbolic and move outward from there to then retake their own territories.

Possibly this is a deliberate alliance due to Teia, Viago, and Caterina being three of the four Talons to survive the initial attempt to sell Antiva out to the Antaam by a rival House.

Evidence: Eight Little Talons, Codex: A Letter from House de Riva

"Teia had a garden full of the bell shaped flowers in Rialto."

"Andoral [Teia's horse] rarely gets a chance to let loose in Rialto.

"Teia snatched [Viago's] walking stick and twirled it in the air. “Are you going straight home to Salle?”

Now we have Qunari in control of all Antiva. Treviso is like their favorite toy.

This might also be supported by the unimplemented Codex Entry: Many Houses, One Roost. However, many things in the game files were struck on purpose, or contradict the final canon.

7. The Antaam control the port in Treviso, limiting the availability of supplies. However, they don't entirely restrict entering ships, instead taking a "cut" of the foodstuffs they do permit.

Rivain at least is working to send supplies through anyway.

Evidence: Codex Entry: On the Invasion, in game dialogue, Note: Flour Covered Grocery List

Treviso has always been a free port. Even the Merchant Princes respect this. Their fortunes exist because we trade and work where we will. So of course, the first act of the Antaam invasion was to blockade our trading ships with their dreadnoughts

Crow Prisoner: The Antaam kept me alive so they could use me to trick Rivain into sending more supplies....Thank you for your timely arrival. I'll get the supplies to Treviso… and pay back the Antaam there.

A list in Lucanis's handwriting: -Spring onions -Green cabbage -Short-grain rice -Vinegar (white, for pickling) -Vinegar (dark, for dipping with bread) -Coffee beans (for Neve, when she is back) Cinnamon, please! —Bellara If it can be found. The Antaam's navy takes its share from whatever trading ships pass through Treviso. —Lucanis

8. The Antaam across nations aren't working together, but have broken into smaller bands. Any coordination seems to be from the Evanuris.

The Butcher seems primarily occupied with Treviso, so we have no information about who is occupying the rest of Antiva or any alliances they might have.

Evidence: Warlords of the Antaam

It is easy to think that the Antaam broke from the Qunari as one, but the reality is that of a vase shattering into countless shards, each broken in its own way, reflecting the warlord who now leads each kith. Some, like the Butcher in Treviso, use their new freedom to indulge in cultures long forbidden to them. Others, like Ataashok (Dragon King) or Isskatari (Master Killer) in Rivain, reject foreign cultures and either lean on the trappings of the Antaam or invent a heritage to inspire the loyalty of their soldiers. What seems consistent among the Antaam warlords is cruelty, from Baqounasaar (Flaming Wind), whose ships terrorize the northern coast, to Kashtaar (Jewel-Taker), whose kith have become a bandit army in the mountains outside Marothius.

-------------

Further cut information about the Antaam Invasion that can be found in the game files, but aren't technically canon due to remaining unimplemented: Codex Entry: Observations on the Antaam, Codex Entry: Many Houses, One Roost, Codex Entry: No Need for Armies

[kadisiyuswyrd]

MCR GAYLIST MASTERPOST

Hello, gays. I'm in the process of making a video & I'd like some input.

(I blame @cordspaghetti for keeping Alpharetta Gerard in my mind)

As the title implies, the video will rank every MCR song based on how gay it is in chronological order (more or less). Hopefully, it'll be released the first day of the new Black Parade tour (July 11, 2025). No promises, though.

[Edit 6/30/25: Oh man this is not releasing on time...I did not realize how much moving would tire me out. Also Delatrune chps. 3 & 4 took up some time...Me and Google Docs were not on speaking terms for a week.]

At this point in the writing process (just finished Bullets this morning) I think Everyone Hates the Eagles is their gayest song. Prison, Mama, & To the End are up there, though ("he's not around he's always looking at men," I mean...c'mon).

I'm not too good at lyrical analysis, though, nor is my knowledge of MCR as robust as I'd like, so I'm interested to hear different queer readings of their songs.

As unserious as this video concept is, I actually want to approach it from a really earnest lens. Tier lists are already so subjective; gayness is such an arbitrary, amorphous label. I want to play around with the inherent stupidity of this.

There are some fundamental questions that I still haven't really answered but would love to explore:

What does it mean for something to be queer / gay (weird)?

What does it mean for something to be straight (normal)?

I really have no conception of what normality is anymore. I find strange things normal, normal things strange; when I act normally I feel strange, but am called strange when I think I'm acting normally...

3. How does rock music manage to attract both extremely gay and extremely straight fanbases (e.g. Nirvana, Queen, Misfits)?

Nirvana's fanbase always surprises me because the band was so left-leaning and anti-machismo, but because they sounded rough and masculine they attract these really weird, pretentious assholes. The way that rock music oscillates between hypermasculine presentation (leather jackets, jeans, shirtless, hairy) and queer theatricality (David Bowie, early Queen) is really interesting to me in general. It's a genre that's been sexist and feminist, homophobic and relentlessly queer in the same decade.

4. Is there value in deliberately ambiguous queer representation?

This question makes me think of iLLi. She emerged from ambiguity and I think that's part of her appeal. Fanfiction is grasping at straws to make something beautiful and whole. Isn't the ambiguity sometimes preferrable—to allow unique fan interpretation?

Not all of these questions need to be answered in the video, but I want them on my mind while writing. Part of me wants to make a normal tier list video, another part wants to kind of deconstruct it...but. this video is shaping up to be a behemoth as is, so maybe I should avoid scope creep and keep my ambitiousness in check.

We'll see how it goes. I'd love to hear from y'all.

(Also, big shoutout to @angstics who is, by my estimation, the seminal queer MCR scholar. I've been referring to a lot of their writing during the research process.)

Below is a list of the sources I'll be referring to during the script writing process. This is a living document, so expect this list to expand in the coming weeks. Cheers.

—Kay

Research w/Notes:

This article is a fun look at the early days of the band. It features a fun story about a sickly Gerard getting punched by record exec to give him energy to record his vocals. It worked.

Blistein, Jon. (2021). How a Sucker Punch Fueled the Rise of My Chemical Romance. Rolling Stone. https://www.rollingstone.com/music/music-news/my-chemical-romance-rise-book-excerpt-sellout-dan-ozzi-1247331/   

One of Gerard's answers during his famous 2014 Reddit AMA. Mainly focused on his answer to question 5 about Drowning Lessons and its status as MCR's "cursed song."

Way, Gerard. (2014). Reddit AMA https://www.reddit.com/r/IAmA/comments/2i1840/comment/ckxylaq/?utm_source=share&utm_medium=web3x&utm_name=web3xcss&utm_term=1&utm_content=share_button 

A really thorough video about queer (sub)text in You Know What They Do to Guys Like Us in Prison. A helpful resource. souryogurtgirl. (2024). My Chemical Romance's Gay Anthem? YouTube. https://youtu.be/jDP5_Kl36ms

A TRACK BY TRACK BREAKDOWN OF TBP. Hell yeah.

Great MCR essays. The essay SEX & VIOLENCE is the most interesting to me, at least in relation to this video. Love & suffering is such a deeply queer idea. The "queering of violence" is so central to MCR's lyricism. Love how the essay points out the importance of Gerard's delivery, that's something I want to highlight in my own analysis.

"Honey This Podcast Isn't Big Enough for The Both of Us" is not only a great resource for MCR fan discourse, it is just really entertaining podcasting. Maren & EJ are playful, yet insightful. Their episode on the demo lovers has been helpful to try to parse the storytelling of Bullets and Revenge.

Slowly diving a bit more into queer theory for this project. It's daunting, but interesting! I feel like queer time—the idea (to my understanding) that queer people's life trajectories are distinctly different and possibly even incompatible with the traditional straight narrative of getting married, having a kid, entering the job market, etc.—may prove a helpful concept, especially in relation to TBP.

Writer Kathryn Bond Stockton literally describes queer children as "ghosts" because many of them cannot yet verbalize their queerness and are they given a roadmap for what adult queer life will look like. I mean...that's very Black Parade coded.

Haven't read this read this yet, keeping it here to get back to it! I really want to understand the link between queerness and theater, there's gotta be some historical context that explains that a bit more clearly for me.

A cool talk Gerard did at LA Comic Con just a little bit before the reunion tour was announced. Some good nuggets about how the they approached the band and general insights on his creative process. Also, Gerard talks about how medications helped him manage his depression which was helpful when researching Sister to Sleep which is all about using medication to handle mental health.(The audience is so horny for My Chem...just saying "Frank" or "Ray" or a song title will get screams.)

A variety of sources all cataloging the politics of the 90s scene and how it's left-leaning messages contrasted their misogynistic and queerphobic environments. These have been providing a lot of good context on the specific culture MCR emerged from and how they responded to it indirectly.

https://www.tumblr.com/geoffrard/698483754371612672/my-chemical-romance-hardcore-sexual-repression?source=share

[auchrauch]

A (not so) detailed post about the current project I'm working on

Bringing here a slightly more extended version of my post from bluesky.

Please be nice because I might have one more thing to share with TGCF fandom.

I want to make a short visual novel featuring hualian in post-canon. Emphasis on "want to" because with a project of this scale I can't guarantee that it'll end up as a fully finished thing.

The original idea behind me starting this was simply "hualian having a wholesome day", though the mood slightly shifted towards something a bit more melancholic after I picked up a poem after which I named the game. (The poem's "Spring morning" by Meng Haoran). There is no continious heavy plot, just various SFW and NSFW routes which aren't connected between themselves (or are they?)

I tried to include different dynamics, so you can expect to see the classics (Top HC/Bottom XL) as well as versatile hualian (these routes can be hidden if someone doesn't fancy it). I also should mention that my understanding of characters and their dynamic can differ from what's considered the "norm" in the fandom, but I refuse to slap OOC label on my work because that's how I perceived these characters while reading the book and I'll be sticking to it. Oh, and I'm also following the revised version so there could be offhand mentions of events from the new extra or other small details like that.

I'm planning to release the final SFW version of the game for free (if it'll be finished at all), though I'm still not sure if I should hide NSFW version behind a paywall. Maybe I'll make one-time purchase posts for intermediate beta-builds too, so people can have a glimpse of what is in the works. Ideally I'd like to have at least some monetary support while working on this project, but providing consistent updates and materials in the patreon format wouldn't work for me, since, aside from commissions to pay my rent, the other project I'm involved with as an artist already takes a lot of my time.

So I can't give any dates and promises and will be simply working on this at my own pace.

So far, I have a complete (not proofread and not fully edited) script for all the routes as well as a working base for the game in renpy. I'm also almost done with UI and I made a couple of backgrounds, but that's nothing compared to how many more of them I still need. (You'll be subjected to looking at the picture attached to the post over and over again at the every start of the game).

For the next step, I'll probably focus on one route at a time and start filling them with visual assets.

I also can't decide whether I should stick to British or American English because:

1) This stupid gaijin can't differentiate between the two anyway.

2) I already started using "arse" yet I lost all the "u"s from my "ou"s and now I don't know which to change.

I'd like to hear which one people prefer more.

If you want to help in some way—I'm having trouble with sound design part as I'm locked out of purchasing anything from international sites/commissioning someone from overseas, and I don't want to risk commissioning assets for a NSFW lgbt game from anyone local since it' simply not a safe move. If you know any good resources that distribute sfx/sounds/music under a free flexible license please share! I'm using GDC royalty free archives but this obviously doesn't cover all my needs.

Idk what else to say here. Send help? Prayers for my sanity? Donations so I can pay my rent??? God, what am I even doing.

Here's the assortment of some early wips I already shared elsewhere:

[goldenshrikecomic]

"Every time I write their interactions I'm noticing he's becoming [...]" as someone who has zero creativity, especially when it comes to creating stories, it's always so crazy to me when writers say stuff like "The characters are actually alive in our minds, sometimes they make their own decisions and we just write them down and we're just as perplexed as you all are while doing so. 🤷" like I can't even *fathom* how that's possible but I've seen it multiple times so it's definitely a thing. XD Do you have other examples of this happening?

Well sure! In the beginning I can plan that "hmm, Nero won't like Kasko in the beginning", but tons of nuance and new revelations happen only after I actually get to write the two characters together.

This is also what happens with scenes in general. I know what i want to portray in it, but it's bare bones until I script it, and only during that phase I get to see how it'll actually work out. Some scenes need more thinking, some just happen.

I've been dropping these new friends in the group with a vague idea of how they would work together, but it comes together only after I've actually written scenes with them. I didn't expect Boneslav and Kasko to get along so well, but that might be because Kasko is showing himself to be able to handle surprisingly different people - something I didn't plan to this degree. Right now, Usma is new in the group. I'll be frank, I have all kind of ideas and expections how things will go, but in the end it's up to them. I already have fun scenes with her, but I'm still waiting to dive deep and SEE. But my stories, GS especially, I want these relationships to ebb and flow throughout the story until the end. It won't be a nice 'click' and then merry going without a hitch. We have a lot of time for everyone.

I've said it before, that writing a script, for me, is to put my characters in a space and give them a subject to talk about. Someone is first to pipe up, another counters, maybe they argue. I know what the scene is about and what needs to be said to forward the plot, but it feels like they're in charge of how it's said. Then I of course have to clean up things a lot to summarize that mess so it can fit in the comic.

[guppybibi]

Late WIP Wednesday ..

(aaa km not sure if i should finish this, it started off strong but just fell off and now my brain isnt working)

Simon’s home & marriage was his refuge, until it wasn't. He knew something wasn't right when you were coincidentally prepared for his return, all dolled up when you greeted him with an “I miss you” kiss. No, he was sure it wasn't you when he saw that the dinner table was prepared with a generous spread of food on it.

There was no reason for you to come this prepared, everytime he comes home from deployment is a surprise. So..how exactly are you this ready? It didn't sit right with him, the whole thing felt like it came out of a painfully obvious scripted reality TV show.

But food was food and after countless weeks spent eating barely edible MRE’s, a home cooked meal was all he needed. Sluggishly, he sat down at his unsaid designated spot at the dinner table. He closely watched if you would sit down at your designated spot, if you didn't; that’d explained a lot. You do end up sitting at your spot, it wasn't all that hard to do though. Dinner with you was unsettling to say the least, all of the small talk you were making felt forced, it’s barely been an hour and he already feels like he's going crazy.

He knows more than to question you upfront though, having gone through enough interrogations to know that he should take his time and that you could get hostile if things don't go your way. You could be a threat for all he knew, and it's better to be safe than sorry. Unsure if it was the right decision, he starts out some sort of small talk himself, asking you some seemingly innocent questions.

“What were yer up to while I was gone, luv?” He asks mid chew. “Oh not much, I just picked up a new hobby actually. Clay sculpting! I've been watching online tutorials, I could say I’ve been getting the hang of it if I do say so myself.” Liar, was all he could think while he subconsciously nodded to your words. You hated clay, not fond of the texture it had and the way it’d get stuck under your nails. Perhaps it was another one of your impulsive decisions, jumping into conclusions should be the last thing he should be doing. It could cost him more harm than good, so he lets it slide. For now at least.

“Sculpting eh? That's new, have ye finished any?” He pauses, swallowing his food. “I’d love to see them.” A spark lights up in your eyes, but it didn't look right. There's a lit candle in there but it's far, far away. The lack of life in your eyes makes his stomach spin like there's a guinea pig rolling around in their wheel in there, it made him want to puke. He wasn't the biggest fan of prolonged eye contact anyway, so he’ll just avoid looking you in the eye to prevent making a mess. “Oh yeah I actually do! They're already displayed on top of our shelves, I’ll show them to you after.” You exclaim, if that was you anyway, which it wasn't.

Dinner passed at an uncomfortably slow pace, Simon swore he could hear each individual tick and tock of the clock, the scraping of utensils against the porcelain plates and each chew you took. He’s gone through debatably louder things than this, the booms of the explosions were unforgettable after all but this somehow takes the cake. Wanting to distract himself further, he helps with washing the dishes which you normally did but you specifically chose today to help do the other minor chores. Water, that was your weak point. He noticed it, you didn't drink water after dinner either. What kind of monster doesn't drink water to hydrate after eating roasted pork?

To test out this thought of his, he decided to ask another question. “I'm heading to the shower, luv. Care to join me?” Meekly, he suggests to you, deep brown eyes staring intently as he awaited the already expected answer. “Oh I..actually already showered earlier dear. Maybe next time.” A dishearteningly dismissive reply, just like he expected. “Alright, suit yourself luv. I'll be back.”

He thought about it, almost forgetting about the bubbly soap running down his body from how deep in thought he was. There was no doubt about it anymore, everything about you being you, pointed away. At this point, he didn't care what the fake you was anymore, rather where you actually were. You could've been dead for all he knew, replaced by the soulless woman that now roams around his home.

This was beyond cruel, beyond the pain physical torture could've caused. It was like the universe was a cat and he was a yarn ball, being played by it meticulously. The whole thing was definitely planned out by a certain someone he knew, the both of you are fairly private so it couldn't have been a random person. He couldn't handle this alone, as much as he’d hate to admit, the situation was way bigger than him to do alone. So, he decides to call a trusted someone.

“You tellin’ me ye think your wife got abducted or something..and a doppelgänger replaced her?” A gruff voice questions, lightly tapping his cigar against the side of the ashtray. Price, him and Kate are the only members of the Task Force so far that Simon allowed you to meet. Well, it unfortunately looks like the sergeants won't get to meet you under these circumstances just yet. Strangely enough, the clocks inside the pub weren't working. Must be a malfunction. The masked man nodded, sighing through his nose when he got a whiff of the alcohol-filled air in the bar.

“I feel so.” He grumbled. “Couldn't she be just having an off day? We all have those, Simon.” John opposes it, it was an unquestionable possibility they couldn't simply ignore. “No, I know my wife. In my years of being with her, she's never acted this way.” Ghost hissed back, a hint of crystal clear impatience seeping out from his words. The lack of respect in his tone wasn't intended, but what could he do when his wife is apparently kidnapped and replaced so seamlessly? “I guess you have a point, but you need to confirm it Simon. You shouldn't make any decision on impulse, if the woman in your home really isn't your wife then this is a bigger issue.”

Then the plan was set, still a little all over the place but there really wasn't any time to lose. Simon would further observe the woman who's allegedly ‘you’ to make sure he isn't making things up, then if he was incredibly sure it wasn't you, he’ll head to the police and file a report for a missing person. In all honesty, it wasn't hard to do, having gone through missions more intense than this. Yet the fact that you were involved made the bugs inside of him crawl, this was totally his fault.

He didn't hide you away from the world enough, he should've just kept you locked inside a cage like the little birdie you were to avoid any danger coming your way. Simon wasn't stupid though, that was inhumane, you were one of the only few people who has managed to make Simon feel less of a ghost and more of a human. So doing such a thing to you was unethical and out of the books, but how could you blame him for subconsciously letting his possessiveness and worry take over when you're literally so far from his grasp? Being so near before that he could easily grip at the back of your top, now so far that the trace of your scent is long gone.

It makes Simon feel sick, his core being left to rot. He comes from the pub to what felt like an empty house, not home because nothing would feel like home without you there. He’d rather be living in a pile of rocks and plywood with you than in a giant mansion without you, that would be the real hell. “Bloody hell..where are you?” He murmurs under his breath, stressedly rubbing his creased forehead. If he could, he’d pry at every surface that comes up within his sight just to find you.

“I’m back.” He whispers, unsure if the fake you was asleep or not. Anyone, human or not wouldn't be happy being woken up from their slumber. “Welcome home, hun. You alright?” Looking up from your cup of tea, you ask. “Yeah, just spoke with the Captain. That's all, no alcohol.” Simon was so used to you being a worrywart about his alcohol intake, telling you that he didn't have any alcohol is practically ingrained into the wrinkles of his brain. But the woman in front of him didn't seem to care less about his health, let alone him in general. The lack of nagging that usually filled his ears to the brim didn't feel right, he would've much rather gone through another one of your yap sessions about how constant alcohol intake affects him in the long run than..just silence.

He feels the desperation inching up on him, eating him whole. At this point, he's willing to admit he doesn't want you. He needs you. He needs to hear your fretful complaints about him getting deployed, knowing you’d shut up because you were used to it by now. He needs you to tell him to include more vegetables in his diet because he's not some kind of carnivore to be eating that much meat. God, he just needs you with him. Whatever bloody thing came with you he’d take like it was on a stupid Black Friday sale.

“Not yet..” He’d think every single night, eyes wide open as he prevents himself from making a rash decision. The woman sleeping soundly right next to him, if that was you..But it wasn't, even if he stared at the unfamiliar woman for ten hours straight, she wouldn't just magically turn into you. Well sure, she was a carbon copy of you from head to toe but she simply just didn't scream ‘you’. Whatever and whoever you were anyway.

“When all is said and done, I think it'll end well Simon. My gut feeling tells me so, it's rarely ever wrong so I’m pretty sure we should trust it.” You ramble on and on, the little amount of alcohol taking over your lightweight self. Simon was still courting you here, yet he remembers it like it's been replayed in his mind like a broken record. He trusted your gut, and he could consider that as one of the best choices he's ever made in life.

But..trusting you now? While you're probably out, all shivering & teeth clattering from the immense cold night? Impossible, he’s fully aware that you're a capable strong woman however..how far can his trust go? How far do you have to venture into someone’s soul to gain their fragile trust, something that can be easily broken with your own bare hands? Ghost doesn't trust you, but Simon does.

“You're a strong gal, you can hold on for much longer.” He supposes, deep in thought while he flipped around in bed. The fake you hasn't set off any red flags yet, acting normal. Too normal. He knew ‘you’ had a purpose for being here, one with malicious intent, though what exactly? One wouldn't simply come in here and replace his wife with a fake one just out of spite, unless they were a little cuckoo. Tossing aside to check the time, he presses the ‘on’ button on his phone. Weird, the time didn't show up. Maybe it's just a glitch in the system.

“Simon, Hey? Simon, wake up. Hurry, you need to get up.” A voice shakes, lightly nudging him in order to awake him. It's your voice, he can instantly sense its meekness. With one eye and another, they flutter open, still full of sleep in them. “Oh thank goodness, you're awake! But you seriously need to wake up, like right now.” You crooned, hoping he’d fully wake up to the sound of your voice. Groaning, Simon sat up, a few joints popping in the process. “What..? Yeah, I’m awake luv. Whad’ya need me for?” He questions groggily, eyes opening further once he gets a closer look at you. It's actually you, he can tell! The way your eyes meet his, connecting like a bee landing on a precious flower. The way your voice lilted to him like a mother bird nursing her hatchlings, it really was you.

“Wait–luv? You're here? Bloody hell, you actually are–Did you see the other gal who looked just like you? Tell me I’m not losing my shit please.” Then you shushed him, convinced he’ll continuously go on and on if you didn't. “Please listen to me closely, Simon.” You pause, noticing how his eyes bask in yours like it was long overdue. “You need to wake up, hurry.”

[tlbodine]

Stuck? Try junebugging.

I don't know who needs to hear this, but we're 5 days into nanowrimo so maybe this will be helpful.

Do you want the safety and surety of knowing what happens next in your story but can't stick to an outline? Does knowing in advance what will happen suck the joy out of discovery writing? Do you try to wing it through plots but get tangled in plot holes or have a story that runs out of steam because you can't figure out what went wrong? Are you at your most creative when you have a little bit of guidance? Do you tend to under-write? Do you get ideas in your head for random scenes and snippets that drop from the sky without context?

If any of these apply to you, junebugging a draft might be for you!

What Is Junebugging?

Since you're on Tumblr, you might already be familiar with the concept of junebugging as it relates to cleaning. If not -- I think the idea was first introduced to me by @jumpingjacktrash.

The basic idea is that you tackle cleaning by way of controlled chaos. You pick a specific area you want to focus on, like your kitchen sink, and then wander off to deal with other things as they occur to you, but always returning back to that area. You end up cleaning a little bit at a time in an order that may not make sense to an outsider but which keeps you from getting overwhelmed and discouraged.

How Does Junebugging Work in Writing?

OK, so that's great, but how does this work with writing? Well. In my case, the general idea is to jump between writing linearly, outlining, and writing out of order. It usually looks something like:

Start free-writing a scene, feeling my way through it and enjoying the discovery process.

Thinking, ok, now I have this scene, did anything need to happen to lead up to it? Do I need to go back and add some foreshadowing? Does this scene set anything up that needs to be paid off? And then jump forward/back to make those adjustments.

I'll usually have a bunch of disconnected ideas of ideas that have popped into my head, so I'll write those down in a list somewhere and then try to figure out what goes in between them and what order it goes in.

I'll write what I call "micro-scenes" which is where I'll just sketch out a few essential elements of what's going on without worrying too much about details, description, etc. -- just he did this, she said that, the setting was this, real bare-bones script. Then I can come back through and flesh out each of those microscenes into an actual scene later.

Got a story that has a complex structure? No problem. Write through each storyline one at a time and then chop them up and weave them together afterward. Write all the B plot scenes first then come back through to do A plot and C plot. Move the pieces around like legos. No one ever has to know.

This method works for me because I can't "decide" story elements in advance. I have never been able to just sit down and "figure out" what happens in a story beyond a couple steps ahead -- I have to discovery-write my way forward. But at the same time, that gets really daunting. So I zoom forward with micro-scenes, roughing out the beats in the most bare-bones way possible, then when I run out of clear vision for what happens next I backtrack, flesh out those scenes, build in connective tissue, etc. and by then I will probably find more inspiration to jump forward.

It's basically folding drafting, outlining, and revising all together into a single phase of writing, which is chaotic and goes against everything people teach you, but if it works? then it fuckin works.

Anyway, sorry for the jumbled-up post, I'm dashing this off quickly while I heat up a pizza and I'm about to dive back into my WIP -- but I hope this was a little helpful. If nothing else, take this as my blanket permission that it's 100% OK to jump around, write out of order, write messy, outline sometimes, pants sometimes, and do whatever else it takes just to get through the story. You've got this. Good luck.

[dodger432101]

Can you write a fic with lux and female reader where he plants a shut up kiss on her? Like she’s freaking out about something or angry about her horrible day and he plants a shut up kiss on her and making her feel better. Thank you!

Your job has not been kind to you recently. Especially today. Everyone seemed to have it out for you, everything that went wrong was your fault. So you waste no time leaving once your shift is over. Luckily, there's a caring little God waiting for you at home.

As soon as Lux hears your keys jingle in the lock he's racing to the door, bouncing the soles of his feet as you walk in. “Welcome back sunshine! How was-.. work..?” You look completely drained. Sure, he's seen you worn out after shifts, but today you look particularly done. He follows you through the house as you complain about what happened today, his thumbs twirling around each other nervously. Usually it calmed you down when you talked about your day, venting your frustrations out. But now.. it just seems to be riling you up more, voice raising as your anger builds.

You practically throw yourself down onto your bed, having changed into more comfortable clothes. “It was just awful today! How could so many things be my fault?!” Lux climbs up into your lap, grabbing your hands and putting them on his face. Playing with his squishy cheeks, the tufts of hair behind his ears and his antennae helped calm you down before. Even if talking isn't doing the job right now, hopefully this will. It doesn't. Your hands don't move this time, too wound up in your anger. “This one guy, right, he blamed me for something that happened in a room that I wasn't even in at the time! How does that make any fucking sense?! I was busy fixing yet another problem I didn't cause! Was I supposed to be in 2 places at once? How does that work?!”

Lux is lost on ways to help you now. The two usual methods have either not worked or just made you more frustrated. He looks down at your still moving lips. Aha! If talking wasn't helping, maybe he just needed to shut you up. With a cheeky little smirk, the God of Light wraps his arms around your neck, shuffling within your lap so he can get on his knees to be eye level with you. You're too busy ranting to notice the change in his mood. As you take a breath, sighing heavily, Lux surges up and kisses you, both hands running through your hair to massage your scalp. You sigh through your nose at the relaxing pressure, stroking your thumbs over his cheeks as you return the kiss. When he feels your shoulders lose the tension in them he pulls back, smiling at you. “Sorry to interrupt you, angel, but it didn't seem like talking your frustrations out was working today.” He nuzzles your nose with his pig snout, making you chuckle.

After another quick kiss you pull him right up to you in a warm hug. “You're right, I was just getting more worked up as I thought about everything. Thanks for the help sweetheart.”

“You're welcome! Now, why don't we watch some TV? I can always make some changes to the script, modern shows are so boring.” He hops off your lap after one more kiss, already on his way to the door.

With a good stretch you follow after him. “You're not going to make them swear or anything, right Lux?”

“Don't make me laugh!” He visibly cringes as he realises he's used Mr Ring-A-Ding’s catch phrase, causing you to giggle. “Yeah.. ‘cause you're the one who'll be laughing instead! Gotta cheer you up after you've dealt with the annoying rest of your species.” As he flops onto the couch he gasps like he's gotten a great idea. “You could take me to work! I'll put any of those pests in line!”

“Something tells me that's a horrible idea.” You grab the remote for the TV, flicking one of Lux's antennae as you turn it on. “I don't need you causing havoc at my job, I might actually get fired if I bring in the God of Light to sort out people who annoy me.” As you go through the channels for something to watch, your lover shuffles up next to you.

“I'll be super sneaky! They'll never know it was me, or that you're in cahoots with me. Remember, I control light, toots. If I don't want anyone seeing me, they won't!” Lux snuggles up to your side, smiling up at you innocently as you wrap an arm around him. “I promise, I'll be good! No trapping, no killing, no purposeful harm! Just a little itty bitty scare so they leave my angel alone.”

As the channels switch, you suddenly gasp as you put the remote down. It's a kid's film you loved when you were younger. With a bright giddy smile, your attention is fully on the TV. The God at your side looks between your face and the screen, then he leans his head onto you as his eyes close. You seem to like this, so he'll leave it alone and just soak up some light. He's also using this time to think of ways to get back at the people putting your mood down at your job. Hopefully with enough begging you'll let him go with you.

[raven-at-the-writing-desk]

I've been trying to focus on thinking about things I enjoy about the idea of the TWST anime. And regarding overblots, I think an anime version would really help illustrate (even more) how terrifying the process is. I really like how the manga shows Riddle's OB, and I love anime as a medium, so I'm pretty hyped to see how it will be conveyed in it.

I really hope they accentuate the horror of it- I'm aware that they might not go all in w the horror like I would personally like, but the thought still excites me. What kind of music will they play? Will the animation change like it does in some animes when the characters are distressed (wobbly lines, glitchy effects)...? What sort of directions will the voice actors get? I mean, they already voiced the game, but anime gives them more room to do voice stuff. I'm really hyped for this aspect tbh...

And I'm also excited for the possibility of dubs, since I'm quite a fan of the whole dubbing world. (I know some ppl have their fears about this last possibility, but in my case even if it turns out to not be so good, I think we could still have a good time w something like that. Plus I've seen some popular eng dub actors hyped about the anime and wanting to be casted for certain characters)

I also wanted to apologize for my previous ask ᕙ⁠(⁠⇀⁠‸⁠↼⁠‶⁠)⁠ᕗ I already did so in the comments, but I felt bad about doomposting on your inbox. My mind's first reaction is usually to see the negative first and become anxious, and it's something I'm working on, but it sometimes goes out of hand. But now that a bit has passed, and specially thanks to your advice, I can sit down and try to focus on the things that excite me rather than the ones that scare me. Sure, building too much expectation could backfire at the end— but as you said, we have little to no information at this point. So I think focusing on the things I'd like to see is a better usage of my time. If they turn out to disappoint me... That's something I'll worry about next year, I'll suppose. I'm still a bit anxious and scared, but there's also lots of things I'm hyped for. I'll try to take your advice and focus on those. 🫂 Sorry if my previous negativity made you uncomfortable.

[Referencing this news! Asker’s prior post here.]

I’ve seen a lot of fans speculating that the OB transformation sequences will resemble magical girl ones! While that’s a fun idea, I do feel like it makes more sense for the anime to portray OB as something scary and all-consuming, similar to how it is depicted at the end of animated dorm commercials and in the manga. For the characters experiencing them, it’s not meant to be glamorous… All that agony, the dripping ink leaking out of their orifices and dripping like blood. Overblot looks incredibly horrific, and I think that should come through in the animation—whether they change the usual style for these segments or keep it the same.

I think the anime would reuse (or maybe do remastered versions of?) the Twst soundtrack for a lot of the show. The compositions are already there, so might as well. Maybe experiencing the anime will help to make the music more memorable, since it seems the game soundtrack alone isn’t doing it for some fans.

No clue about the JP voice cast; I did see some people worrying that they could replace the game’s voice cast for the anime, but as I’ve mentioned already, that’s an unfounded claim. If the usual VAs are there, surely they won’t just reuse the already recorded lines from the game?? 😂 I’d think they’d at least have to rerecord those based on how the script and its scenes are laid out, plus additional dialogue to fill in the gaps (such as new scenes).

No confirmation of an English (or other language) dubs yet either! (Again, this is another topic related to the anime that sparks worry, but I must stress that it’s pointless to get into a tizzy about something that isn’t concrete yet.) But yes, I’ve already seen English VAs expressing interest in certain characters; Daman Mills wants to audition for Malleus, Alejandro Saab has made it known he has Twst on his radar and wants to voice Leona, etc. (The latter has done Twst dorm leader impressions for fun before; I think Mr. Saab could make for a decent Leona or even Malleus!)

Don't worry about the previous ask ^^ I think it's better that we discuss these things with one another rather than post or tweet into the void and allow those negative feelings to fester. If you want to view it in a different way, think of it like the OB boys actually getting therapy/finding someone to confide in instead of being allowed to stew in their own emotions and risking OB a second time. Sometimes all it takes is that gentle nudge or a reminder to step back and take a deep breath. When we let our emotions get the best of us, we end up thinking and acting in irrational ways, and then that can lead to people--whether yourself or others--getting hurt.

[koolkitty9]

Things so far I've learned about Eternal Love as of 1/24 9:20am CST

Do not click read more If you do NOT WANT TO BE SPOILED. THESE ARE THINGS I'VE SLOWLY FOUND VIA TWITTER.

AGAIN THESE ARE SPOILERS FOR THE NEW BOUEIBU MOVIE, DO NOT CLICK IF YOU DO NOT WANT TO KNOW!!

En is a world traveler. Not homeless! He apparently has JUST gotten back from Malaysia or something.

Atsushi works for the city.

Io is just rich from his stocks.

Ryuu is a host.

Kinshiro is a teacher?

Ibushi apparently has a beard and one said he "is very sexy". He apparently protects kinshiro later on. Oh he's apparently a secretary or something like that.

Akoya WORKS AT A BAR. yes he apparently is a bar server. (Maybe works where Ryuu does????)

Yumoto is Yumoto lol

Sensei COMES TO AKOYA'S BAR

There are apparently a lot of Wombats 😂 so our multiple Wombat theory is right

Aye-aye is a BADDIE. OMG LIKE WE DIDN'T ALL ALREADY GUESS. Am not sure what Death Amor does yet 😂 or if Aye-Aye IS Death Amor.

When they transform it takes them back to a "saved state" just like how @deuterium51614 theorized

The HK and Love boys hardly talk to each other 😂 apparently in the bath THEY'RE ALL IN TOGETHER. They don't talk outside their group

Apparently though....Happy Kiss maybe a different universe from LOVE.

Kinshiro apparently turns evil for a second? Okay I used Google translate and some of this was hard to truly decipher properly.

Ibushi protects Kinshiro from an attack at the bathhouse.

The LOVE boys do MORE than the HK boys in the fight

It is 2025, Yumoto is 25/26, AkoIoRyuuHaruAki are 26/27, KinAtsuEnIbu are 27/28. Gora then is roughly 34/35

Yumoto clearly gets a combined staff as this is what's on the front of the script. I'm not sure exactly how it happens. I'm only going off that image

AkoIoRyuu are all in contact. Akoya calls Ryuu, Ryuu-chan now.

Atsushi helps En shave his beard off and apparently the same user who said Ibushi was sexy, so was En.

En borrows someone's clothes at the bathhouse (can't tell if it's Yumoto's, Gora's, or Atsushi's clothes)

I have found everyone's adult forms uncensored BUT Atsushi and the Student Councils. I don't think the twins and Gora HAVE buttons/art yet with them being adults.

Someone said something like how timelines were shifted weirdly and somehow at one point then HK didn't exist? Again Google translate did NO favors for me here. Okay maybe it's the idea like I said above where Love and HK are at one point TWO different timelines.

When the DC gets back together, they all start talking once more and act basically the same as before.

Apparently when the twins show up, one is holding the other by their waist while standing behind.

The Battle Lovers will apparently last for like a thousand more years?? (Not exactly sure until we see the movie itself but....uhh I'LL STILL HOLD ONTO YUMOTO BEING GOD OF LOVE SO HAH).

Apparently there are many multiverses in the movie and one user wondered if "there are as many multiverses and futures as there are wombats". They also wondered if this is just ONE of the futures they can have. 🤔 (So according to this thought, it basically canonizes all our ideas/fics/aus).

Okay I think that's it for now! If I get more I'll make a second post! 💙

[qkayoostudio]

devlog 6

Hi friends,

I totally missed my devniversary last devlog! Whoa!

Time really flies by. Happy three years, and hopefully to many more!

More exciting news: my patreon will now occasionally have NSFW content! Yahoo! I'll be uploading something extra this month to make up for last month's tease in the character files.

I also have a NSFW bluesky account now--though I post very sporadically, it's nice to have a place to put things! If you're not into this stuff, don't worry. My OG bluesky will keep being dev things and SFW art only (plus silly sketches).

cropped previews of my bg3 tavs having a great time🥰

I'm almost done programming all the sprites, and made a few additions that came up while writing. I also started on another background that wormed its way into the script.

very necessary extra art assets

And since I want to play with ~cinematic exposition~ I've begun the art assets I'll need to make the opening scene.

that's all for now! for this year's reminiscing I wanted to take a moment to reflect on the games that are marinating in my mind palace below the cut \(＾▽＾)/

Once Resonance in Orbit's demo is out I might allow myself to work on one of the following;

a dark sci-fi erotica set in the same universe as RiO. this will be my first explicit game with morally irredeemable characters and a warning tag list as long as my arm. i may have already written for this one a little...!

a butch wlw vn in a cyberpunkesque setting. I have some really great ideas for this one, just not sure yet how to stitch it all together!

a very wholesome and cosy story set in our modern world. there will be cats, books, and a very aesthetic planning calendar. i started the concept for this one ages ago, but got stuck in how to execute it... so it's been sitting on the idea shelf.

a short(?) dark-ish cyber angel vn with at least one yandere love interest. I meant for this to be a short game jam idea, and then it grew five other heads...

a short modern fantasy game with a very wholesome erotic focus. I meant to do this for a jam last year but just didn't have the time back then; maybe next year?

annnd then there are a whole bunch of ideas that got scrapped... maybe to be reused one day! like a short wizard modern fantasy dating game, a wlw fairy game, or a medieval romance modeled after the war of the roses.

I hope I get to continue making games and sharing them with all of you. thank you so much for being here and reading all the way to the end!! ❤️❤️❤️

much love,

qk

[asneakyfox]

Why do you keep talking like the decision to cut ed being found on the island and move his body to the ship was made late in the process? We don't know that. You can't assume the decision was made late just because you don't like it.

"because i don't like it" would not be very good evidence, yeah, but that's not why i think that; the main reasons to think it was a late change are because of what david jenkins and alyssa lane and alex sherman said about it.

(now we should clarify first what "late" means in this context. we know the changes to 2x06 were definitely made very late in the process - after normal script lock, after a lot of set and costume design was already happening, during the filming of the previous episode. that is an extremely weird situation and, well, i can't rule out the possibility it happened more than once, but i sure hope it didn't. when i say the changes to ed being found on the ship happened late i mean probably late within the normal window of time allotted for storybreaking, not after that window like the calypso's birthday stuff.)

anyway that said there's two big indications of this:

djenks said explicitly, talking about the change on bsky, that the reason for switching to ed being found on the ship was so all the events of the innkeeper could fit within a single episode. at behind our flag, alyssa & alex told us that cutting down the number of episodes in s2 from 10 to 8 was a change that happened "fairly late in the game." now it's i guess technically not completely impossible they're talking about two different rounds of revision to condense the number of episodes they'd need - maybe there was an original version of the season outline where they realized they'd need more than ten episodes, and very early on they struggled to cut it down to ten by condensing the third episode, and then at a late point after that they were told to cut it down to eight - but that's not very likely. occam's razor says they're talking about the same thing, that the original outline where ed was thrown overboard was a 10-episode season and the late cut from 10 to 8 episodes is the reason they had to move him onto the ship.

the whole reason we know about this at all is that djenks misremembered the "ed was tossed overboard" version as what actually happened! it is very unlikely that he'd remember it that way if ed being tossed overboard were an idea they discussed briefly at an early point in storybreaking and then discarded! however it completely makes sense for ed being thrown overboard to be what djenks remembers if that were the plan they were settled on through most of the storybreaking process and they only had to change it near the last minute.

now that said i'll be real, even without this evidence i would have strongly suspected this change came late. that's not because i don't like it - there's things i don't like in s2 that i don't think have anything to do with revisions, i should talk about some of them sometime just to be fair, and there's revisions i do like as well! but when you hear about a pivot in the writers' room for a tv show or movie, and you consider how the original idea would have worked if you just slot it into what's already there, and it immediately solves a whole bunch of seemingly unrelated plot holes (why WOULDN'T they throw him overboard? how did they fail to notice he was alive? you can make up answers if you work at it but all the text provides is a vague, suspiciously handwavey "izzy stopped them for some reason") and criticisms (why does it seem like there's a big important arc being set up about the crew not being reconciled to ed and then it just gets sort of abruptly partially wrapped up and then forgotten without feeling cleanly resolved?) and weirdly unanswered questions (do any of the mutiny crew know ed isn't dead? which ones? which members of the crew voted which way? who did stede convince to change their vote and how? again you can make up plausible answers to any of these but they all feel like things that are strange not to answer in the text) all at once compared to what actually happened, that's usually a good sign that the pivot happened late. that still doesn't necessarily mean the pivot wasn't the right choice under the circumstances - over on bsky @dimplyowl and @ourflagmeansgayrights both made strong cases for preferring the version where ed was kept on the ship (here and here) - but if the writers had more time to think through the implications they almost certainly would have been able to find ways to make the change cleaner and you wouldn't be able to see the seams so clearly.

[kerubimcrepin]

Dofus: The Production - what is left of the old movie

Originally, the movie was supposed to tie in with the game and the Welsh & Shedar series, and be a trilogy.

As we had already explored on this blog, this did not happen for a variety of reasons.

Welsh and Shedar got cannibalized by other projects due to its cancellation, and the script of the movie "Dofus Book 1: Joris Jurgen" had to be completely rewritten from its old plot;

In that movie, Joris was likely supposed to be a street urchin, who survived together with Lilotte, who was a rogue, and the trailer we have for the older version of the movie reflects that:

As we can also see from the trailer, and the poster featured earlier, proto-Kerubim is also a part of the movie, and Khan was not yet meant to be a boufbowler.

(And considering the posters, the cat that inspired Kerubim's design was also a part of the movie. I wonder if it's related to Welsh's cat from Welsh and Shedar? But maybe I'm just crazy.)

Subsequently, the movie came out at a much later date than planned originally.

(two images included because, bizarrely, there are two versions - one with Joris's tail censored, and the other with his tail uncensored. This proves that already at this point they had a draconic backstory in mind for him, though we do know that at the time of Wakfu season 1 (and, likely, the cancelled DS game, as was noted in my post about it) it was not the case.)

Also, interestingly, it is the only art of this time to include the tail. A possible error on Xa's part, or something that was considered very briefly?

In the end, Kerubim (as well as Simone) swallowed up not just the design of Welsh's cat, clothes, and Ecaflip friend;

He also got the role Julith was supposed to have, both metaphorically, and also literally.

Or not entirely — considering the fact that Joris was supposed to spend time with him anyway, since we have art of Joris on his mount from that old draft.

It's quite interesting, to think of all that could have been different in the 2009-2012 version of the movie!

But even during the making of the second draft of the movie, a lot of things have changed. From the first idea of Joris winning Kerubim back at a pachinko machine, to the concept art of Joris's non-possessed appearance.

The movie was being actively rewritten at the time of the making of Aux Tresors, so some of the early drafts were already tied in with its canon — taking place in Astrub, to be specific — but not with its ending, because the show was still ongoing.

At one point there was supposed to be a whole cast of Huppermage characters, and judging from the fact one of them is mentioned in the following text, they did play some sort of role in the plot:

It is likely that from this early draft it was decided that Joris would be a boufbowl fan, which was then worked in as a plot point in Aux Tresors.

(Stélina may be a proto-version of Bakara.)

It also seems that at this stage, it would be likely that Lilotte was reworked to be the Princess of Bonta, before eventually becoming the Ouginak we know and love.

After this Ankama once again returned to the concept of Lilotte as an orphan, though — even when the movie was still set in Astrub!

And it seems that the draft involved travel between Astrub and Bonta, judging from the usage of a Zaap to attack Luis.

And even at this point they have come up with the tragically cut "Joris and Khan go to adult industry workers and Joris (10yo boy) engages in depressed underaged drinking" scene.

(I'll never forgive Ankama for cutting this. I still argue that it's in character for Khan, our detested/beloved turbovirgin, to do this — as long as he doesn't get together with any of the women due to thinking himself "too good" for them.)

Also, at some point the gods were supposed to play a role. And personally, I am glad it was cut — it feels a bit too grand for the first movie in what was supposed to be a series.

I don't have any grand statement, or conclusion, but it is interesting to see all the ways the movie has changed.