#i almost came just typing that

[dozydawn]

hand-knotted garnet, rhodonite, freshwater pearl, glass, & bali sterling silver bead torsade necklace

[samarecharm]

tiny.

[deoidesign]

Hi, how did you learn to draw Steve's physique?

Ohh what a complicated thing to answer...

When it comes to how I learned to draw anything, it's hard to say anything too specific since it's always a culmination of many years of assorted study and practice... but I can try to do my best to explain some of the biggest things that helped me learn, some tips I keep in mind, and maybe at least some places to start/delve further.

(just a little disclaimer it's not like my drawings here are going to be 100% medically accurate.. they're just to illustrate concepts!)

The main thing about learning various physiques is understanding anatomy. Which feels obvious, but I don't mean proportions; these are important, but perhaps more important is understanding the skeleton and how it moves and learning where muscles connect to bones and where fat grows on the body. When you understand how these function on a more mechanical level, depicting form and movement in a way that feels natural comes in tow.

For instance, understanding things like the pronation and supination of the radius and ulna, as well as the fact that muscles can ONLY contract or relax, will help you understand a bit better which muscles will be flexed and which will not while someone moves. It's inherent to the positioning based on the structural makeup of the body... It's not like you NEED to memorize all the muscles and bones, of course, but understanding and gaining at least a passive familiarity with the concepts really helps.

In tandem with this concept is the way parts of the body flow into eachother. Muscles ALWAYS come in groups because they can only contract. Whatever muscle is there to lift something, there is a muscle on the other side to pull that bone back down. What this results in is a series of straight edges next to curves, which gives us a lot of really lovely "s curves" and dents and folds and so on and so forth just naturally occurring.

I would suggest at least learning the "bony landmarks", which are bones (usually) visible on the surface of the body. things like the iliac crest, the great trochanter, the 7th vertabrae, the acromion process... These can be used to help you understand the parts of the body as angles and relationships, rather than trying to remember lengths and sizes, which vary immensely... (since you asked about steve, he can be our model... also study these on your own don't just take my word for it haha, these are the ones I personally keep in mind)

I've done the same thing with body hair... learning where it grows and in which directions... It helps me make up variations without needing reference, because I have a set of rules I can follow.

The biggest thing that helped me understand all this on a much deeper level was my ecorche course. I sculpted this guy. We started by sculpting the entire skeleton to understand the bones, and then we added muscles on top. Not every single muscle, of course, but the "artistic muscles" AKA the ones which directly affect the surface of the body. Doing this let us see where muscles connect, because we would make a shape, put it on the bone where it actually goes, and then you get to see how other muscles overlap that.

This helped me, perhaps, more than anything else. But I also didn't just start with this course, I had been drawing for years before I even took it. I had been in school for years before I took it. Not that I think it wouldn't be helpful to someone just starting out, but I do think that the more you know going in, the better an in-depth course like this will help you and stick with you. Classes are also expensive, though so I'm not really like... recommending you pay potentially thousands of dollars to take one... But it did help me a lot, personally.

I also, of course, have done many figure, gesture, and master studies...

These just help you quickly gain a stronger understanding of generalized anatomy, and gives you real life examples of and practice with of how people move and balance.

What all this does when combined, is gives me a very solid ability to depict movement and form in a way that feels relatively natural from my subconscious without the need for reference.

The rest of how I've learned to draw his physique is honestly mostly just stylization. I understand the body, and this is how I am depicting it for his level of musculature.

And as I move into depicting him in other ways, either moving in comics or in animation, realistically rendered, or extra stylized, these concepts inform every step of that process for me! When he keeps the same/similar relationships between parts, he gets to still look like himself.

It ALSO really helps when putting clothes on, because the way cloth falls and bunches and lifts is all directly related to the form it is on... So the more you understand that form, the more you can depict clothing and movement in a way that feels natural.

This is all, of course, true when I draw anyone, you asked about Steve so I'm trying to mostly show with him! But because I'm just drawing from raw information of general anatomy rather than trying to study one body type at a time, it allows a lot more "give," I think!

Like, here's most of the cast from TTA so far... actually, they're not as varied as I thought they were nevermind LMAO ignore this part

But, it also makes monster and alien design much easier! It's a lot easier to come up with non-human anatomy when I understand human anatomy, because I can manipulate the knowledge I have...

There is infinite more to study in the world of anatomy... The complexity of the human body goes extremely deep. For our purposes as artists, we need only depict a fraction of it, but more information rarely hurts the process.

I'm sure there's something in here that's wrong on a technical level, I'm mostly going off of memory. But that's kind of my point - I understand enough generally and conceptually that when I am missing something and need to find reference for it, I understand what I'm looking at. It's much easier than trying to learn AND draw at the same time.

I hope even one thing in here helped you! Sorry it's so long.

[softpine]

i like how we all collectively agreed that covid does not exist in any of our sims stories

[toffee-rambles]

Hello! You reblogging SDV Harvey (my fav bachelor) made me realize that I might have a type...

hello gim my certified mumbo enjoyer mutual

[triglycercule]

horror's jacket fluff has probably accumulated so much DISGUSTINGNESS over 7 years in it that it's managed to acquire it's own signature Dog Smell (TM). however i think this would be a prime opportunity to pet him and then get some of that disgusting smell on you because for some reasons Dog Smell is just unavoidable when you pet a dog with a lot of hair

he'd hate it but awww awww whos a good boy (ﾉ´∀｀*) whos a good boy (*≧∪≦) YOU ARE!!! awww so cute you didn't commit all those murders against innocent people you were innocent (￣▽￣)／ such a good boy!!!! (gets beheaded) (he got too embarrassed)

[keeps-ache]

in a cafe rn. this place is nice :>

[chaosbloot]

More dragons! I drew more things on paper. I did the 2 big ones along with the lil water dragon, and earth dragon (big bull horns) completely in pen, I did do the last on in pencil to start tho.

[eeblouissant]

15, 19, and 20 for the golden wives if you want!! That ask game is so cute omg

“do they always say I love you before leaving (a room, the house, etc)?”

Yes!! oh yes & all three of them do it in different ways imo!

Dorothy isn’t afraid to tell either (or both) of them that she loves them, it’s getting into specific thoughts & feelings that intimidates her (& ends in her shutting herself off most times). So she does, but she will never leave a room completely until the other(s) confirm that they’ve heard her. Yelling an ‘i love you (both)’ across the room & getting a response can be enough for her. Rose will normally come running to give her a quick kiss & Blanche follows behind to admire!! Not that she doesn’t also want to steal a kiss, and she will if she feels so inclined, but sometimes standing back & getting the look from Dorothy for smiling so unashamed while roses smothers her is exactly what she wants (she’s a little menace, I don’t make the rules I just follow them).

Rose is just the sweetest of sweethearts (as if that even needs to be said), neither of them leave the house (& most rooms) without a kiss, an I love you, and very often a ‘where are you going?’ (Because she wants to come with!! By the time she’s said that she’s already up & on her feet). She follows the both of them around the house a lot, so they’re never really out of her sight. But when they do leave the house without her she showers them in affection. Hugs & kisses, helping with their coats & shoes, last minute touch ups to hair & makeup, making sure there’s not a thing in the world they could possibly need before they leave– all of it!!

Blanche would be similar to Rose, but heavier on the physical touch side of things. Reaching out for hands/arms/wrists, so so many kisses. But I think hugs are her favourite before one of them leaves the house. Leaving a room I don’t think she’s as conscious of it (saying anything), but she always makes sure they’re a little loved on before leaving the house without her! I think she’d rather tag along whenever she can, so she’s never really saying goodbye to them.

‘How do they feel about PDA?’

oh boy. I think they’re very torn on this one:

For Dorothy it depends, but for the most part it’s a huge nono. Based on my own observation (& a hint of my own hcs) she seems to put her walls up impossibly higher when she’s outside of the house. So anything that could possibly send them crumbling down she’d avoid like the plague (or in this case, give a very stern warning to. Which she wouldn’t enjoy doing, especially not to either of them and especially not to poor Rose. Blanche understands, but rose seems to take it a little harder even after it clicks). I think there’s a chance of her warming up to the idea of a quick kiss on the cheek or linking arms, but it would never go very far on her part. & the others know (and would never cross) that! They know that if Dorothy is interested she’ll make it known.

Rose doesn’t hide her love for them, why would she? & in public the most of that energy gets thrown Blanches’ way (after she comes to understand Dorothy’s situation a little better, she’d never want to make her feel uncomfortable. The guilt would eat her alive). She shows the most affection towards Blanche but always makes sure that Dorothy knows that rose knows she’s also there. & that she loves her just as much. They share a look, & Dorothy smiles, & that’s enough for them.

Blanche, to me, is less touchy than I think most would like to believe. She loves the feeling of having someone (rose, mostly) on her arm or being on (hers). Her & Rose initiate equally & respond similarly. But blanche loves knowing that others know that she’s in love, for one reason or another. She’s not searching for external validation necessarily, I think she’s just a bit possessive. (Dorothy would also be that way, if she became that comfortable. Sort of an internal yes, she’s on my arm because she’s my wife. Jealous?) (and oh how Blanche would feed off jealous looks).

‘Choose one song that perfectly describes their relationship’

only one?!!! must I???

Because I can’t choose only one, I’m giving them each a song that I think describes their relationship perfectly from their perspective:

Dorothy: meadows in bloom by Jonathan Bree.

Rose: a lots gonna change by Weyes Blood.

Blanche: get free by lana del rey.

[xadenviolct]

Just... gonna leave this here. Without any further comment.

Take it as you will.

"You think you own whatever land you land on The Earth is just a dead thing you can claim But I know every rock and tree and creature Has a life, has a spirit, has a name You think the only people who are people Are the people who look and think like you But if you walk the footsteps of a stranger You'll learn things you never knew, you never knew

[...]

Come roll in all the riches all around you And for once, never wonder what they're worth

[...]

How high does the sycamore grow? If you cut it down, then you'll never know And you'll never hear the wolf cry to the blue corn moon For whether we are white or copper skinned We need to sing with all the voices of the mountain We need to paint with all the colors of the wind You can own the Earth and still All you'll own is Earth until You can paint with all the colors of the wind"

--partial lyrics from "Colors of the Wind", from the Disney film, Pocahontas (released in 1995)

[lilac-udon]

the two main endings for my mythical au spoiler

I get tired bc I can’t draw or write

bad ending: Sunny and Basil successfully double suicide, they aren’t able to help Kel and Aubrey. Aubrey dies in kel hands, then a crying Kel met with the awakened angry Mari

good ending: Sunny gains hope and forgiveness towards himself, decides to live, and along with Basil in time to stop Aubrey's self-destruction. Interrupted Hero and Mari's confrontations, Sunny talks with Mari. In the end, Mari forgives Hero and flees. Hero thanks the group and Sunny, decides to go on a journey to find Mari, and hopefully make a genuine connection with her again. Sunny and Basil finally left the castle and started traveling around the world.

[truegoist]

I want shido to turn out to be rllly insecure and shit

[wewontbesleeping]

seeing posts about people lining up for eras tour at SEVEN AM to get barricade. oh. i would not be doing that. in any lifetime. lol.

[dan-crimes]

I love writers I love when they ramble on abt characters and their motivations, their core values and the reasons why they react to things in certain ways and having character interactions work off of each other due to their differing ways of viewing the world and in general I just love character analysis

[nerosdayinanime]

Sanemi & Giyuu were about 16-17 when they both individually went on an undercover mission in the Kaze no Kuni capital city, they henged/disguised as fake personas Kazura (vaguely derived from kaze, wind) and Nakuu ('to lose')

Kazura is supposed to be darker skinned + two-toned eyes like that of Kazan no Kuni descendants & is sensible and confident but lazy, Nakuu has a hairstyle + facial shape from Mizu no Kuni & an outgoing enthusiastic and pretty sly personality

Giyuu put some particular effort into his disguise and really got into the character he was playing up, he also had fun with it where he could- and thats how he met Kazura. i dont have or really want specifics of why where how or such bc it ruins the imaginative bit of it ig? but while they were on the mission they were meeting up, they both knew the other was disguised but neither pried about it. they fell in love a bit, however it means, but as Nakuu's namesake they were never going to last. it was a mission and when it was done they would leave for home and never meet again.

but then they did :)

at 19 sanemi and giyuu had a political marriage arranged(forced) by Kyogo being a greedy fuck and wanting more trade from the Tomioka, in both the Happy & Broken marriage paths giyuu's the one who notices sanemi acting the same way as kazura in some ways and realizes the two are one in the same. In the Happy marriage its a thought that brings a smile to his face and a jest about how they fell in love twice, in the Broken marriage its only twice the heartbreak after the apathy sanemi regards him with and the loneliness that consumes him

[binch-i-might-be]

it's clowning hour (<- just randomly finished a oneshot I started in january 2022 after not having written for eight years straight)