#i actually thought the one about orion was interesting

[jweekgoji]

Can you do another part of yandere D-16, please 😭 I love the stories so much! Make us pleasure him so bad until he's wimpering, then tons of aftercare! And make us love him, not just a one-night stand 😭

Yandere!D-16/Reader

tw: some minot changes in canon, slight yandere themes, valve fingering (MDNI), gn!reader, D-16 has a valve, sub!D-16, soft dom!reader, power dynamic cogged!reader/cogless!d-16. word count: ~1650 a/n: this can be considered as a second part to this. but I think (??) it also can be related to this. probably somewhere between the other two I wrote before. there are a few similar requests about d-16, but I want to do all of them differently as much as my creativity lets me. tagging since I was asked: @that-one-weeb-buts-its-the-main

The day D-16 met you felt like experiencing one of those vivid dreams he constantly had. His whole body was in pain; the loud ringing in the processor made his optics see the tiny stars circling around him in the air. Thank you, Pax, this is exactly how he wanted to spend his day! And totally not to ogle your sleek, shiny alt mode from his seat..!

Oh no, oh, Primus. You probably saw it all too, aren't you?

D-16 groaned in pain as he tried to sit up. He leaned his frame against the wall, holding onto the dented shoulder. Orion left him waiting here, all alone, as the blue-and-red mech tried to endlessly explain the situation they were in. The optimism this guy sometimes had...he can only pray in his mind that somehow you hadn't seen him failing on the race.

Maybe you had never noticed him, just passed through without paying attention. Yeah, this is more like true. After all, he's so  gray in every sense of the word; among all the other miner bots, how is he any different? Too small in this world to be noticed.

The day was a disaster of any means. The cold looks he received from other racers as he waited for the repair, that awkward meeting with Sentinel, and of course, Darkwing just had to be there too. The moment Orion and him leave this area and go back to mines, there's no escape from their supervisor. How much more lucky does he get today again?

D-16 was nervous to the core of his spark. The thoughts of “Why did I even follow him...especially on the day when Sentinel Prime arrived?” or “I hope they don't know it was me” flooding his mind.

Another worst thing was, you hadn't even won the race! Chromia got before you just in mere seconds, and the possibility of him, being the reason behind this fail only made D-16 sigh in disappointment. 

“You and your friend put on quite a show today,” your voice suddenly came from beside him.

D-16 almost jumped up from his seat at the sight of you, and for a moment, his spark stopped beating. He barely had time to process what you told him before suddenly, the little miner rises to his feet and looks up at you with those big optics.

You saw that his mouth was open, but not a single word came out from his mouth. The poor thing was so scared, he had so many thoughts running through his head, but he couldn't pick a single one to voice it to you. You could only calm him down slightly by holding your hands in the air, trying to show that you didn't mean any malice.

“I'm sorry, I probably ruined your chance of winning this race,” his optics ran his eyes around as if he was trying to find the right words to say to you. “I'm a big fan, and I would never want-”

“I was going to say that you two actually made this race a little more interesting than usual,” you interrupted him. “Racing against the same bots isn't as interesting as it used to be. I admire that.”

You admire him. D-16 falls silent again, but even though he's stopped saying anything then, his optics perfectly captured all the thoughts in his processor. Love.

He never thought he'd ever meet a bot in a higher position than him who would treat him with a speck of kindness. That brief moment when the Sentinel shook his hand was the first such occasion. His idol, standing right next to him, shook his hand. Somebody pinch him harder!

Then there was you. Someone who had always held a special place in his spark. So small, incredibly fragile in your hands, but every time D-16 is near you, it beats so hard, as if your mere presence is enough to give him more strength.

He doesn't know what you see in him. He's an ordinary and insignificant miner, there are hundreds if not thousands like him. Even Primus didn't give him any bright colors.

He never had a chance to think about standards of beauty, certainly there was barely enough time to rest after hours of non-stop work. There were one time he could hear the conversation between the supervisors as they discussed the celebrities of Iacon. Blurr, Windblade, Rosanna, they all just glowed in relation to the dull, battered frames of his coworkers, definitely not the ideal of beauty that exists on Cybertron.

And yet, here you are, right next to him, and your hands are holding him so gently, so close to your chassis. He moans softly as you move your fingers inside him. Only two, no more, no matter how often he begged and whimpered for you to add another, you always denied him.

“Just relax and feel every touch from me,” you kiss the corner of his mouth softly.

Right. Calm down, D. You're already giving him too much time, begging you for more would be wrong, he doesn't want to seem pushy to you. If this continues, you'll just get disappointed in him and walk away.

“Mgggh...!” D-16 instinctively arched his back. A loud, needy moan once again escapes his lips.

Sometimes he feels like, aside from your obvious charm, you can definitely read his mind, and your every slightest movement is calculated to make him forget his rank.

He's so wet, the lube coating your fingers and already managing to slowly flow down his inner thighs. For a second, you think about just flipping him over on his back and burying your head between his legs, making him scream and beg to give him a break from the endless round of overloads you're giving him.

But no, that would be too much for the first time, wouldn't it? You don't want to scare the poor, little miner away with your twisted thoughts. Not now, anyway.

In the time it takes you to give yourself to daydream, D-16 only gets more impatient. Moving his hips, he practically fucks himself with your fingers. His head is thrown back, and the servos cling tightly to your shoulders, squeezing gently, each time he lowers his own body down.

He feels so full, but that small, carnal desire for more can't help but pollute his mind. More, more, please give him more. Perhaps because of a sliver of fear that you're about to leave again, he'll be left alone and with nothing, and all he'll have are memories. He wants to get as much as he can while there's still a chance.

“Careful, or you'll hurt yourself,” you gently lay your other servo on his waist.

Tiny. You can't help but want to run your finger over every little bump on his body, every little rough edge...something about him fascinates you, that slight naivety and eagerness to make you proud. He's just hard to say no to.

You gently guide his movements. He's inexperienced, but the desire for something more, even though he hardly knows what he's doing, clouds his mind. You feel his tight, small valve squeezing your digits like a vise. His initially quiet, needy meows grow louder, and by the little blush on his cheeks, you realize he's embarrassed.

“Can I overload? Please,” he whimpers shyly, hiding his face in the curve of your neck. “Ahhh...I'm so sorry, I can't take it anymore.”

How sweet. You've convinced him so many times that it's okay, he shouldn't have to keep hiding his pretty face every time you hold him like this. You don't care what position he takes, miner or not, you want him to feel like an equal. He deserves to be pleasured just as much. To love and be loved.

You nod, making a mental note to talk to him about it later. His habit of pleasing bots ranking above him just kills you.

D-16 wraps his arms around your neck, leaning slightly closer, as much as he can. He so wishes it was your spike instead of your fingers, stretching his valve with every thrust.

But he'll never admit it, he'd rather take whatever you offer him, because he loves you so much. Every touch from you, every glance in his direction, it's all so overwhelming.

“Thank you, thank you, thank you-” he repeats over and over, his hips desperately meeting every thrust of your fingers inside him.

You feel him squeeze your digits again, his breathing halting for a moment before he exhales heavily and then nearly collapses on top of you.

D-16 leans his forehead against yours, closing his optics to slowly gather his thoughts. You barely move your fingers, still deep inside him, and even a slight twitch earns a whimper from him. Still very sensitive, you should definitely work on his stamina.

You gently take his chin, tilting his head up to give him a small kiss. He moans softly, but reciprocates the kiss.

D-16 has never seemed plain to you. Unusually strong despite his height and lack of t-cog, his body covered in many scratches after cycles of hard work. But now you are treating him with such care.

 He cherishes it so much. Sometimes he wonders if you have any idea how many times he's touched himself, with you in mind? How an embarrassingly lot of pictures of you he keeps plastered all over the wall? I guess that's a question for another day.

You may not have won the race, but you got more than that today.

[quirekey]

Can i request an Orion x gn!reader x d16 but the two try to fight for readers attention and friendship?

<3 pleeeeeeeaaaassse?

Live laugh Orion x Reader x D16 fr dude, I love this request dude I WAS WAITING FOR THIS

[ ORION PAX ] x [ GN!READER ] x [ D16 ]

[ Orion pax x D16 x Cybertronian!GN!reader ]

You were a pretty quiet Cybertronian Miner. Socialising wasn’t something you enjoyed and you preferred the peace and quiet instead of the constant bustling that you will hear. Not having any connections did make your job more lonely since every-bot had someone to call a friend while you are working your aft off in the mines.

After working in the mines for a while, these two mechs named Orion Pax and D16 turned out to become your closest friends you ever had yet. The three of you guys always got into some sort of trouble that was started by Orion and you three are inseperatable in the mines.

Overtime, the two have become possessive and each wanted one-on-one time with you and only you. It’s not that they were not friends anymore, they just had a disagreement on who should talk to you.

D16 thinks it’s unfair how Orion can just pull you away from him just to get in trouble by the higher-guards. D16 thinks that it’s rude to pull you away from what you are already doing and assumes that you just wanna talk to him instead of going around since it’s better to stay by the the rules instead of rebelling.

Orion thinks that it’s unfair because D16 is constantly bickering and yapping to you about whoever his new interest or idol is and nothing else. Orion assumes that you think it’s boring and it’s better to get your body moving and frame in shape instead of being isolated in the mines.

They’re both fair reasons but they keep vouching for you and assuming what you want, you’re just too scared to speak up. The two are now constantly fighting over you since they always want your attention and that you enjoy only their company.

“D, you have kept them inside of this isolating waste for so long! It wouldn’t hurt to at-least go outside and get some real light in your optics!”

“Well, I want to keep (Y/N) safe unlike you. You always get them into trouble and you guys could get punished! This is for their safety.”

“Well, you’re only online for so long.”

“At-least I’ll be online for longer than you.”

“And at least I am actually doing something with my life instead of staying in the mines.”

D16 just scoffed and walked off. D16 still cares for Orion but doesn’t want to admit it due to their friendship being at stake. Orion just smirked and shrugged at you, basically not caring one bit about the guy he used to hang out with every klick (minute).

“(Y/N), why is D now so down? He’s changed.”

“I’m not sure…”

You lied to him, you knew both of their secrets to a T but it was best to not share. You are pretty observant so you took some mental notes overtime and you’d reflect over them. Both D16 and Orion Pax are always fighting for your approval and friendship but seemingly their actions prove otherwise. They are way more affectionate than your regular friends and some could never be considered as platonic unless you are really close with them. You didn’t mind their affection but it was strange that they wanted you and only you.

It gets to a point where D16 gives you small kisses on the cheek when he walks by or Orion brings you somewhere empty then asks you to cuddle. You never declined because you didn’t mind but it was hard to pick between the two. You knew they liked you and you liked them back, the problem was that they didn’t want to share.

You just walked away from Orion and thought to yourself

‘Why did this have to happen to me…?’

Well you’re lucky enough that I enjoyed this because now I’m gonna continue this overtime… bigger poll than normal that’s for sure.

[pearpap-ponders]

CAN WE TALK ABOUT ORION PAX'S (optimus prime's) LOYALTY AND DEDICATION HELLO???

Orion said this when he had first met D-16 and yet he took that seriously and never went back on his word. All he asked of D was to watch his back, D didn't have to make any deep promise to that. However Orion did, he promised to help this man no matter what.

He always jumped in and help his best friend without ever having a second thought. He immediately saved him from falling off the Iacon 5000 track, he jumped to save him from sentinel's guards and checked if he was okay. He had done so much prior as well that I didn't screenshot.

But even though he had saved him countless times from death physically, he's always had his back metaphorically. He always had D's best interest in mind, he could tell that D had changed after he found out sentinel was actually a villain, and he didn't want this anger to take over his best friend. So he tried to stop him from actually getting to a point where he knew D would never come back. Orion would do anything to save D, in any way possible. He tried talking to him over and over, yet D always let his emotions get in the way of understanding what Orion was trying to convey. So when his words stopped working he had to show him in a way that D would never forget. As a final attempt to stop D from becoming evil he jumped in front of D's blast to save sentinel to prove to him that violence isn't the answer. He promised to always watch out for him, even if it took getting shot to make him realize that he was doing this to save him. He sacrificed so much to help his best friend over and over and over again. Yet in the end D chose to fulfill his desires and let his best friend die to get what he wants and become exactly what Orion was trying to stop him from being. GUYS PLEASE WATCH TRANSFORMERS ONE IN THEATERS OR ON PARAMOUNT+ WE NEED ANOTHER MOVIE!!! IT IS A CINEMATIC MASTERPIECE PLEASE WATCH!!!!

[lets-try-some-writing]

Transformers One: My Thoughts and Critiques

Note: This is going to be a very long read, so be prepared.

Before I begin my thoughts on the film, allow me to state beforehand that I will be looking at this film as a standalone film first and foremost. I will not be considering the fact that it is meant to be part of a trilogy until the end of my assessment because a good piece of media should be capable of standing on its own. With that said, minor allowances will be made because of this fact.

Additionally, I will not be applying any other continuity lore to this film review in order to limit my continuity bias (although I will make frequent comparisons). Please note that these are my thoughts and opinions and the fact that I even bothered to write more than a two sentence 'it sucked' with a wail of anguish tacked on means that the film has value. I am merely picky. Obviously, this will have a heavy does of my personal takes thrown in along with genuine analysis, so don't take my assessment as gospel.

From this point onwards, spoilers will be present. Read at your own risk.

The Good

(Me trying really really hard to not accidentally be negative.)

The visuals for Transformers One are, of course, stunning, and the voice acting, as a general rule, is very on point. Chris Hemsworth as Orion Pax and later, Optimus Prime, was a decent decision. I like his voice as Orion, but regarding Optimus? I have opinions that will be discussed later. But for the time being, his voice as Orion gives the character life, emotion, and a great deal of ethos. He's likable and interesting, giving him depth that we have not seen in any other Orion Pax since G1.

Megatron's voice actor was also incredibly well picked. The emotion and tone in his voice was undeniable and gave D-16, and later Megatron, such enthusiasm and vibrancy that I (and likely much of the audience) couldn't help but feel for him in many of his interactions and speeches. I loved hearing how his voice evolved as he went, slowly becoming more aggressive and deep. Elita-One was a reasonable pick when it came to voice actor. She certainly had tone and opinions. Bumblebee's voice actor was very entertaining when it came to giving the character development. Having Bumblebee with such a enthusiastic voice actor made him into someone who had far more depth than he likely would have otherwise.

Sentinel's voice actor was golden. He comes off just the way the movie needs him to be, and it is done quite tastefully, although it certainly doesn't break any molds when it comes to the cliche evil character arc. I adored Airachnid's voice acting. It fit her well and was a polite, but well earned shift from the snootiness seen in other continuities. She automatically has more depth simply because of her voice.

The worldbuilding for Transformers One was well done considering the time limits of the film and the focus that had to be given to other subject matters. There are many issues of course, but overall I cannot fault a single film for not having the length and depth of something like Prime or the IDW comics. The flora and fauna showcased were bright, and at least in the case of the flora, quite diverse. The designs for the few creatures showcased were interesting but not overwhelming, especially for the Quintessons. The shift from inorganic to organic was clear as day with their presence, and highlighted the love and care put into every single frame of the film. It was clear that there was real love shown to each character, movement, and scene. For once, the creators seemed to genuinely care about what they were doing.

The fight scenes were stunning. They flowed incredibly well and made excellent use of the environment and the biological aspects of fighters. The use of partial transformation and transformation in general was something I have never seen given such emphasis in a Transformers film or cartoon, not since Prime at any rate. It was done perfectly in my opinion, and showed an actual understanding of how the characters should move and likely would move in various combat situations.

Onto the actual film. The movie hops right into the action and we, the audience, are given a fantastic view into who Orion Pax is as a character. We see his longing to be something greater right off the bat, giving new fans a solid start for his character. Old fans are also given a nod to various continuities with his character design and his overall knowledge and interest in the archives tied with his station as a miner.

The design of Iacon was a fascinating shift from other continuities, that with everything being underground. And D-16's introduction was well integrated into the scene. His and Orion's friendship is masterfully done, and their interaction on the train gives amazing hints into their past, potential history, and creates interesting lore for an audience to ponder. Their relationship is by far one of the most important and intricate parts of the film. It is a masterclass in setting up a relationship prior to a film or story actually shoving two characters into a setting where more of their traits are showcased. Honestly, we can see so much about both of them from that first scene.

D-16 bailing Orion out of trouble quietly like its normal. Orion going through all the effort to give his friend something of value that is both personal and has money attached. Banter that showcases their depth and rich relationship that also flows smoothly and naturally, like old friends should. We get to see how Megatron will come into being through his adoration of Sentinel Prime and Megatronus Prime. His youthfulness combined with Orion's desire to see and experience everything brings out the best in both characters, giving them reason to be together and to get along.

I will never stop giving my praise for that first scene with D-16 and Orion since it was so tastefully done.

Their work in the mines is well directed and the introduction of Elita is... a thing. (thoughts later)

The lore presented in the mining operations is ingenious as it showcases both Cybertron's situation, lays the groundwork for the knowledge characters possess later in the film, and overall shows D-16 and Orion's hesitant heroism (at least on D-16's part) when they save Jazz from certain death. In some cases, the introduction of new information is masterfully done through the use of referencing demotions and promotions in a manner that applied to the situation in question. The lore regarding energon and the overall loyalty of the miners also demonstrates much of the mindset Cybertron is operating under and is done quite well, as seen with the cogless bots being totally fine with their lack of transformation ability for the most part.

Brilliantly done pre-set mindsets. Especially showcased with Sentinel's message to the cogless leaving them all in sheer awe and cheer. I could sense the villain a hundred yards away, but I could tell that the characters believed what they were hearing, and that in my opinion is a show of how well presented the mindsets of the characters and overall view of the society are.

The race was fun to watch, with plenty of spectacle. Orion and D-16's conversation pre-race showed more of their character and D-16's adherence to the rules vs Orion's desire for something more. Orion leading them through back roads into the race also added more depth to Orion's character which I adored (and was unfortunately underutilized). I appreciated the tricks pulled by Orion and D-16 to win. I also adored the brotherhood shown between them, especially how Orion went through the effort of giving D-16 his chance to be a hero, even if D-16 was hesitant. Their brotherhood in the beginning of the film was honestly one of the best highlights, and distracted me from many other things that I will discuss later that were less than optimal.

I loved seeing how excited D-16 was toward the end of the race, and of course how Orion stopped to help him. Their banter in what I assume was the medical bay was also enjoyable and laid further groundwork for D-16's character.

The scene with Sentinel congratulating D-16 and Orion Pax was suitably filled with awe and stiltedness in equal measure. It played well and showed D-16's character as well as Orion Pax's passion and drive. One thing I will not fault the film for is Orion's devotion to his goals. They were clear and remained so from the get-go along with D-16 admiration (right up until the fifty minute mark).

The meeting with B-127 was unique, and an interesting show into the madness that forms in those who are condemned to the bottom rungs of society, even though it was played for laughs. The introduction of the main plot device was something I have critiques regarding. Although, with that said, D-16 and B-127's reasonings for going were both done pretty well. I like how D-16's reason played off his character and previous history with Orion. Again, the brotherhood between them is key in this film.

The logical leap to get onto the trains was well done and also set up essential plot devices for later. Elita's presence was odd, but whatever.

The fight scene on the train and the rush to stop Elita from telling on all of them was well played for the most part. Her anger made sense and her snark didn't exactly come from nowhere. Her taking of the map made reasonable sense (although I have opinions). B-127 is vaguely humorous at times during their journey, which I can appreciate in small doses. (His cave comment got a vague chuckle out of me.)

The introduction of the Quintessons was well placed in light of the future scene with Sentinel. I loved our main characters maneuvering to avoid detection as it showed their cooperation as a team for the most part. Orion's knowledge of the Quintessons made sense in light of the very first scene in the film (again, it was an excellent start to the movie and laid a lot of groundwork).

There were a few scenes in this film that really kicked me in the feels, and the moment the group enter the cave and find the bodies of the dead Primes is one of those moments. The scene is solemn, not a hint of snark or banter to be found. Everyone is lamenting, thinking. The atmosphere was perfect, and the sheer emotion from D-16 in particular was delightful in its own quiet way. The way he sat before Megatronus Prime was emotional. For once in the rapid fire mess that is TF One, time was taken to let everything sink in. You can see a quiet shift in him, and in Orion there is something that makes the audience note how lost he appears. Elita and B-127 only added to the scene as their usual lines died off, letting the scene simply breathe. It was, in my opinion, very well done. Especially with the music running softly in the background.

Their worldview was shattered in that cave, and I adored seeing it play out.

Alpha Trion's character was done well, very well considering how short of a chance he had to be on screen. He showed proper confusion, but then moved along once he noted the situation. There are things I would change obviously, but his character played its part, and I appreciated how he got to the point and limited his cryptic behavior to an extent. He seemed tired, as he should have. His death was also well timed and I appreciated how much the movie wasn't afraid to straight up off a titular character in other continuities. The scene with the T-cog distribution was also a delight to watch. The animation was very clean and it gave me a whole lot to ponder biology wise.

I must say Sentinel's interaction with the Quintessons was, quite frankly, not surprising. But it did convey its point well. I like watching this noble looking character finally drop his façade fully, bowing before invaders and shocking our main cast (even if the audience could see this coming from two seconds into the film).

D-16 and Orion's first argument hit me in the feels, mainly because I really did understand D-16 far more than I did Orion. He was angry, he wanted justice, and above all else, he looked lost. I was simply enthralled with the way his character started to shift and change, going from passive to aggressive in response to rapid fire hits to his worldview, ultimately leading to a perfectly reasonable bot shattering under the pressure.

Alpha Trion offering the group T-cogs from the Primes was interesting and left me with many worldbuilding related questions. The scene where the group first transform was fun. I liked how the characters were given a chance to show their inexperience and struggles. Disregarding the comedy, it made perfect sense for bots who'd never once transformed to have to learn to do it all from scratch, trial and error. It was fun, especially D-16's leg being stuck halfway into turning into treads.

From here my praise is a bit more limited, but I enjoyed seeing D-16 flex his authority and get his group in line. I appreciated the moment of tension between him and Orion, showing the conflict brewing and yet the lingering brotherhood that had not yet cracked. It was delightful to see the war going on inside D-16 in that moment, the hesitancy and the care for his best friend buried under newfound rage and betrayal. Orion later doing his best to try and check up on D-16 was a delightful touch that only further cemented their struggling companionship as the film progressed.

Seeing Starscream was fun. Shockwave's voice was a nice addition and the extra emotion I find was a bonus. Also Soundwave with unique abilities. Nice.

D-16 beating the ever living snot out of Starscream was fun on its own, at least without considering the context and pacing. I enjoyed Starscream's character and the change to his usual cowardly behavior was, in my opinion, well earned and much needed (at least so early on in this new continuity). Orion's growing confusion and uncertainty was a lovely touch. I also adored how he stepped in, bringing D-16 back to reality long enough for him to spare Starscream and make his declaration.

Just going to throw this in here. Sentinel Prime is peak evil and I loved how cruel he was throughout the entire film. He oozed snooty and evil billionaire. The entire scene with him slaughtering Alpha Trion like some sort of hound, his dialogue, and later his insults toward D-16 were just *chef's kiss*. Him carving Megatronus's symbol onto D-16's chest was downright evil and served to further prove just how terrible he was. It was a great scene with very solid dialogue. Honestly, despite how evil he was, Sentinel was one of my favorite characters simply because he was consistent and his dialogue was very well done without any severe stilted moments right up until the end.

Not much to say about the D-16 capture and the Orion & Elita-One pep talk scene. It happened. More thoughts in The Bad section.

Additionally, D-16 staring death in the face was brilliant. I loved seeing his sheer defiance, and the way he met his potential end with honor even when B-127 was willing to stay down. It spoke so much of his character and his development since the beginning of the film. He went from wanting to hide from fights to actively standing up for his rights.

Orion talking to all the miners was, in theory, and probably on paper, a fantastic scene. It wasn't as grand as it could have been, but I really appreciated the size difference between him and the others combined with his attempts to rally them. His speech was moving and I could see his comradery with his fellows the spark of Optimus Prime within him. I loved seeing him rally his troops, encouraging his people to stand and fight. The miners being all so small really did wonders for the scene though. I know I already referenced the size difference, but seeing all these cogless bots look up in awe did something wonderful, especially with the lighting.

The revelation of the truth was downright brutal. It wasn't done as well as it could have been, but I appreciated it all the same, even if it gave off "I'd kidnap a thousand children before I let this company die!" vibes. (Thank you, Monsters Inc).

D-16 fighting Sentinel and then the subsequent attempt on Orion's part to calm him down was... painful (in a good way). I knew it was coming, I could smell it a mile away, but I honestly hadn't expected the scene to play out as it had. Orion trying to stop D-16 once was expected. Him trying again and getting hit was very him, and very powerful with D-16's response thrown in. Seeing the anger that had been brewing in D-16 fade for a moment to instead be replaced by guilt and grief for a precious second brought me nothing but sheer joy. It was such a turning point for the character, especially when the disbelief in his tone hit. D-16 holding onto Orion while on the verge of breaking down, warring with himself, and then deciding to let Orion fall?

Beautiful.

In that moment, we got to see D-16 metaphorically die alongside Orion Pax, breaking their brotherhood so that Megatron could rise from the ashes and try to bring down everything that led to their paths crossing and ultimately diverging. Honestly, I would have paid good money for an alternate ending where Orion died and stayed dead for a while longer, specifically so that Megatron could have a chance to grieve and contemplate. There was just so much going on in that scene with the music, the loss, and the tension that made it a fantastic visual.

The whole comparison between Orion and D-16 as they changed and morphed was a wonderful thing to witness. I enjoyed Megatron's birth a bit more than I did Optimus's, but that was largely because as Orion approached Primus's core, I personally would have adjusted a few small things to keep the dramatics in place. Megatron's birth however was truly stunning, showcasing his strength, his rage, and his passion all in a few short scenes. The music was phenomenal and only made it all the grander. His speech was simply perfection and I have absolutely no complaints. The concept of Megatron was rightfully embodied there and I was all but squealing in excitement when he made his declaration.

Optimus and Megatron's battle was amazingly done. The fighting and the use of weapons and transformation was spectacular and I have exactly zero complaints regarding the fight scene on its own. Optimus then banishing Megatron from Iacon had its own set of feelings, although, there are things I would change.

Bumblebee's line at the end of the movie was actually funny. It got a very solid chuckle out of me.

The flashback was adorable. I loved seeing the contrast between the bot who D-16 was, versus what he became. A brilliant scene, albeit a tad out of place in my opinion.

I have exactly nothing good to say about the last few sequences of the film. But I will say that Megatron is forever awesome.

With all that said, the music for the movie was phenomenal and made scenes that otherwise would have been simply moving into heart wrenching moments of awe. The Fall is by far my favorite simply because of all the emotional tracks in it. Every time I listen, I see that pivotal scene play out in my mind. Megatron and Optimus's birth, so perfectly contrasted and the emotion played out spectacularly. It's been days since I watched the film, and the emotional value of the music hasn't worn off in the slightest.

The Bad

(Aka, my rant combined with actual critiques)

Oh boy here we go.

Orion is just off. As a character, there's something off about him. He's perfectly acceptable on his own, but there is a lack of substance to him that makes it difficult to find him compelling at times. We never really know why he even gives a crap about the things he does. He just cares about the Matrix and becoming greater because of... reasons. There's no basis for his interests, not like D-16 who expressed in dialogue and actions why he cared about the things he did. He loved Sentinel because Sentinel "saved" them. He loved Megatronus Prime because he was the "strongest Prime who ever lived". Orion's reasoning for caring about the Matrix and freedom in general amounted to wanting to help Sentinel. I mean, it made sense, but it wasn't particularly fulfilling for his character, especially when the rest of the population was perfectly fine with their situations for the most part.

There needs to be reasoning. What happened to him to have him break the mold and try to act out? Why did he break it at all? Orion is obviously an outlier in mentality, and therefore he should have at least been given a single line of dialogue with D-16 to explain his interest, (excluding his declaration of wanting to help Sentinel find the Matrix. That is a mere statement and it didn't give me much of anything to understand why he cared since he wasn't as devoted as D-16). This issue follows him throughout the whole film. He's a bit of a shell at times, although it could have been due to the way his dialogue hit. This lack of foundation for his character made it difficult for me to really feel for him like I did with D-16. When D-16 got angry, I was on his side because I understood where he was coming from. But with Orion? He was always just... there. He expressed emotion and I loved seeing how he shifted, but his growth didn't match the pace the movie set, leaving him in the dust a bit.

It weakened his character drastically.

His voice is also a tad... bland. No offence to Hemsworth, but I just don't think he managed to capture Orion like Brian Tyree Henry managed to get D-16 and Megatron. Orion had his moments, and those moments were spectacular, but his speeches never had any of the depth of Peter Cullen's Optimus or the youth of TFA's Optimus. He lacked something distinctive to set him apart. He tended to sound somewhat blank in certain scenes, almost like Hemsworth had only just been given the script (or was still attempting to be Thor). It was especially bad when Orion becomes Optimus Prime. Where Hemsworth did an arguably fantastic job as Orion, his voice simply didn't fit Optimus. Am I biased because I enjoy Peter Cullen more? Yes. But also, Optimus is a mech meant to show power.

He needed a deeper voice desperately, something that would rattle and have the tone of a true commander, demanding respect even when he's being gentle. Hemsworth was a fine Orion Pax, but Optimus needed to change and become something more in my opinion. They didn't even have to change voice actor if Hemsworth could pull off a bit of range like Brian Tyree Henry did with D-16 and Megatron.

No complaints about D-16's introduction.

Back to the film. The sheer amount of background Easter eggs was fun right up until I started seeing far too many familiar faces in the same place. The world of Transformers One, unfortunately, feels incredibly small. We see Iacon and we see the cogless and Sentinel's servants, but nothing else is really there. It's a strange emptiness. I can tell the film creators were trying to fill the void, but we never got the chance to see those who did more than just mine. Where's the middle ranks? Who is running everything else? Why is every single Autobot a miner? There should at least be a few middle rank bots wandering around. We did see scenes with random civilians at the end, but I would have liked to see a greater range of work involved in Iacon. Even just a medic would have been great. If those things don't exist, then how does the city operate? Where the heck are the other cities? Is there a council of some sort? How is Sentinel running literally everything without an inner circle? We only ever see Arachnid after all.

Honestly, a tad more variety is what we needed. Not to say the variety we got was terrible, but seeing a medic, a random vendor, or even a military drill sergeant in the background would have done wonders I think.

Additionally, there should not be so many familiar bots all in one place. I know this is a new continuity, but it feels weird because there is no way every single big Autobot just happens to come from Iacon because they were ALL cogless miners. If that is the case, that destroys so much depth it's not even funny. I mean, the continuity can do what it wants since its new and has its own lore, but I suppose its a bit of a let down if everyone shares the exact same origin. Additionally, the voice acting for most background characters was... fine. Some scenes were fantastic, like the race where everyone rushes to see the miners on screen. But the movie could have greatly benefited from a few more unique and passionate voices. I wanted to see true anger, REAL heartbreak at the lies that had been fed to the cogless. This is more petty than anything else, but a few more voices and a bit more depth would have been fantastic.

It's only made worse by the fact that the entire film just feels tiny compared to the scale its operating on. One city, one mining area, one train, one open field, one race track, one abandoned base, one rebellion base, and a cave. Sounds good on paper, right? Lots of room to move. But we never see anything about any other part of the world. Not even a mention or a poster on the wall for a different city. It made everything so much smaller and more controlled. That's not necessarily a bad thing film wise, but giving artificial depth through background characters and whatnot would have been great. Even just some chatter from background characters would have served this purpose. Think about Star Wars or Lord of the Rings. Both movies referenced planets and places that came into play later far before they actually showed up, and in only one or two lines. TF One needed such dialogue if it wanted to establish the scale of the world. Unfortunately, we didn't get that.

The first mining scene in the movie agitated me on a spiritual level. Not necessarily because it was bad. I found the actual operation of the scene very interesting, especially seeing how Cybertron reacts to the mining and how the bots go about getting energon. It was downright fascinating watching the trained and trialed methods the crew used to get in, do their mining, and get out. Jazz was hilarious. However, Elita-One murdered the mood for me.

Elita is... an interesting case. I will just say it outright. She serves no purpose within the film that actually means anything. And this fatal flaw reflects horribly on her character. On her own, a bit of snark and anger over her situation and even the arrogance would be good character flaws for her to work past, but combined with her place in the film, it made her nothing short of grating. Every scene she did anything more than fight or offer reasonable commentary was a slow torture for me. There was nothing to give me a reason to like her. She's an arrogant bot who thinks she knows and can do everything, and that bothers me. If there was something for her to have to go through to work past those flaws, then I could appreciate it. But she maintained her poor disposition throughout the entire film with little to no outward changes. It was a wasted character and an arc that was never even given a chance to exist.

With that said, every time Elita turned up and started getting talkative I died a little inside. I am prepared to be crucified for that take.

Elita's attitude after Orion and D-16 saved Jazz was just the worst. Even though I understood her take, she still bothered me with her rudeness. She's a very selfish character if you really look at her, and it shows. Her voice acting wasn't bad, although there were a few repeat lines that got stale fast.

The Iacon race was a fun concept, but Orion's character was again left to exist in a vacuum when he took D-16 to the race. Evidently, Orion knows a crap ton about the underground and travelling discreetly. This skill is never seen again. Nor is his knowledge of travelling quietly on his own ever mentioned after this scene, to my knowledge at any rate. Whatever the case, he was given a hint of lore and then left to go be rebellious for reasons we still do not have a solid foundation for. Honestly, I understood D-16 far more than I did Orion and I think that's a problem in a film meant to be their origin.

I have no real complaints about the actual race. The scene with Sentinel had nothing for me to comment on negatively.

Bumblebee is again, another character who holds little use in the film. I understand WHY he was put in (fanservice and all that), but the way he was implemented was very poor. There were far better ways to incorporate him into the story and actually make him important and telling. Instead, he's just a chatterbox there for jokes and one liners. He's far less agitating than Elita though because at least he has vague chemistry with our main protagonists. Also, B-127's whole nickname sequence should have been cut, or at least sidelined a bit. It really wasn't that funny, and if the crew were trying to show how isolation has gotten to him, the whole fake friends part got that across quite well.

The plot device was ridiculous. Not necessarily in its existence, but in its implementation. You want to have a SOS message from Trion to be the key? Cool. DON'T put it in the actual trash in the most obscure place on Cybertron. The fact that the bloody message survived is a miracle and quite frankly, it felt contrived. There were far better ways to implement the message. Think about Stars Wars and R2D2. Personally, I would have been privy to a bit of War for Cybertron coming into play, or possibly Smokescreen from Prime. That way Bee could actually be useful while still offering the crew their plot device. That said, it wasn't the worst thing and with a bit of grace, it is not a major sin.

The train scene with Elita was actually painful to watch. I despise her so much, and she just made the whole thing agony to get through. I skipped through her kicking the guys around like boyscouts because it was not appealing in the slightest. (I do understand some people like her, but I am not one of them and this is where my bias shows most.)

No complaints about their stint on the roof of the train.

Elita's entire scene on the ground where she gets in Orion's face made me want to strangle her. I can understand her reasoning, but she's so frickin annoying that I simply could not care about her in the slightest. Her lines might have even been funny if she hadn't been such a poorly done character.

Why does she get the map??? Why??? She isn't even meant to BE there??? Orion, why are you letting her walk all over you??? That's your evidence! You can't even trust her! Let D-16 read the bloody thing. He feels like he has the most braincells out of all of them. I get that they were aiming for girlboss and mom friend vibes combined with Elita, but she's simply agitating and I think it would have been far better for Orion or D-16 to lead the way and show more of their character. Actually, let Orion do it. He snuck into the archives all the time. He's a perfect fit for the role and would have given him the chance to show off that foundation that he lacked throughout the entire movie. If they REALLY needed Elita, they could have used the chance to build that oh so lovely ship bait for fans by having Elita and Orion have to work together to successfully read the map. After all, Orion knows all the weird underhanded stuff and Elita was a team leader for the miners. Their combined knowledge could have been a bonding moment AND been useful to the plot later to show why they fight together in a reasonable fashion.

Again, Transformers One feels tiny. There was one creature type shown on screen, and I understand animating is a pain, but even just some shifting shadows as the group walked would have been nice. Would have made things feel more alive and artificially expanded. (again, a petty complaint above all else. Maybe Cybertron just doesn't have a ton of animals.)

No complaints about the cave scene.

So... T-cogs can just be taken from the dead? Is that not a health issue? We see later that Megatron taking Megatronus's T-cog changes him further. Does that imply that all four of the crew are now biologically related to the Primes? If those T-cogs aren't rusted to hell and back after fifty cycles and don't give the crew infections later, this has some startling implications. Less of a complaint and more of my confusion. Seriously, are there no prerequisites to have a T-cog when a bot's original one has been removed?? Does this mean that biological offspring can be a thing via passing on a T-cog?

(I have some worrying thoughts about relationships on Cybertron now because of the shift in characteristics for the crew when they got their Prime inherited T-cogs)

Too much exposition from Alpha Trion. It fit the scene certainly, but the whole film had a running problem of mouthing off and throwing exposition around like candy. It was not done particularly tastefully 90% of the time. In fact, the only exposition that I liked was from D-16 and B-127 because it felt natural for them to explain things as they did. Trion's was cool certainly, and honestly if Orion's first exposition in the archive and then Trion's were the only dumps, I would have been quite happy.

I can't believe the Primes fell as easily as they did. I understand they were ambushed. But how on earth did Sentinel manage to personally cut down several of them when, up until that point, Alpha Trion said they were winning? One sneak attack is understandable, but the rest was a bit unbelievable. Especially Megatronus Prime.

Why is everyone suddenly so chill with killing? I mean D-16 just shot someone to DEATH despite having never raised a hand to pretty much anyone with intent to kill up until that point. Is this a society thing? Cultural? (I am not talking about Orion here. He's a sunflower compared to B-127 and everyone else going off and chopping enemies to bits)

Regarding D-16's arc, it was rapid fire from this point onward. I can see what they were aiming for, but there was a distinct lack of anything to really cause him to fall as far and as fast as he did. Actually, allow me to rephrase. Rather it was that he HAD reason, it was simply too fast paced of a film for me to feel his change and truly cement it in my soul. It stuck and it most certainly made sense, but it was a bit like whiplash when he chose to let Orion fall to his death despite them having gotten along up until that point for the most part.

Orion is an idiot as well. He spent all of D-16's rapid fall into warlording staring at his best friend like a confused goldfish. He did very little to step in aside from try to ask if D-16 was alright and stopping him from killing Starscream. Yes, D-16 was captured and there wasn't a lot of time to do therapy. Yes, the rapid character change occurred literally over the course of like, a day and change, so I can't fully blame Orion. And do I understand why he was so hesitant? Yes of course. The change was super fast. Do I also understand how and why D-16 fell? Absolutely yes. Were both of these characters rushed? Abso-frickin-lutely. The foundations were there and they were fantastic. They just had to be roller coastered to their completion without any regard for the emotional value of pacing their respective shifts away from their previously shared goal.

I do not truly blame the film creators for the rush, but it does kill a lot of the emotional impact that would have come if we'd been given more time to see D-16 and Orion have more and more arguments over increasingly difficult moral decisions.

Starscream and the High Guard are stupid. They are a fantastic concept on paper, but much like half the cast, their implementation was poor in the extreme. They came from nowhere, were exposition dumped into existence, and promptly followed the rando who beat the snot out of Starscream and could have, for all they knew, been an actual spy. For some of the best trained bots on the planet, there was not a single braincell amongst them.

Starscream had so much potential too. But that vanished into smoke twenty seconds into his face getting bashed in. Soundwave looks like a taco. And he acts like one with his lack of substance character wise. Shockwave was neat right up until he got wrapped up into the stupid gag with B-127. It's a dumb joke and it destroyed whatever seriousness was building. Like come on guys, we are at the one hour mark. It's time to get serious or go home. Again, aren't these the High Guard???? Very important very well trained bots??? Why are they acting like savages and petty children? We at least need explanation for that if we are rolling under that rule. They needed more depth desperately. As it stands, they were nothing more than free guns for D-16 to yoink for future movies.

Also, again, Orion the goldfish. Standing there all confused without doing a bloody thing about it. He's so passive in this movie and it infuriates me because it feels like his character arc never picked up the pace like D-16's did at the hour mark. I understand he's going through a lot and watching his bro fall is likely a bit shock to the system, but one would think with how close they are that Orion of all bots would be the one to try and humble his brother in arms. (I am aware he did his best with what time he had, but still). I know that if one of my siblings decided to go all murder hobo on me I would be the first to get up there and throw a shoe at their head. Once more, I do understand that Orion was likely in shock, but due to the pacing of the film, he feels a bit like stale bread right up until he's literally shot.

Neat, a fight scene. D-16 is captured, ooooh that could be interesting- aaaaaaaand there's Elita being the worst again. Great pep talk. Fantastic even. Now I hate her even more because all I am getting is sheer arrogance and not even in a humorous way like Knockout from TFP. Good heavens Elita sucks.

"We won't follow you." *Elita exists* "wE wiLl fOLLoW yOu" - Frag ALL the way off with this garbage. High Guard indeed. High on drugs and low on self-esteem. Elita has done NOTHING to prove herself worthy of being followed, or Orion for that matter. It would make far more sense for the High Guard to just be pissed off and opt to go fight Sentinel on their own since they've lost their new leader and a ton of their troops all in one raid. It would have been majestic for them to straight up decide now or never and lead a charge, and then have Elita and Orion join them with unexpected troops in the form of the cogless.

Again, aren't these guys meant to be the High Guard? Why can't they get into their own city? Surely they have contacts or old knowledge? Actually, why can't Orion bargain his way into their ranks using his knowledge of all things underhanded in Iacon? It would have been a great callback to his scene getting himself and D-16 into the race. I know they sort of went that route by having Elita get everyone in while Orion went to fetch the cogless, but it would have been way more interesting to see them working together in a logical manner and planning their attack. I know there were time constraints, but that doesn't mean they couldn't have worked together for a short period of time and shown either the brutality of the High Guard or their similarities in regards to goals and ideals.

The scene with Orion addressing the cogless was certainly stunning, but it needed more. Emphasis, tone, lighting, music. I think it needed something just a touch grander. Not too much mind you. Orion needed to have come back with a new aura around him, something to really make him stand out aside from his newfound height. This is his dawning moment after all, his first spark of Optimus Prime. If he'd spent some time scheming with the High Guard, maybe he could have had an air of a fledgling soldier, just bloodied and ready for battle. He did punch Darkwing, and that certainly helped, so I will give him a pass in this regard. His speech still would have meant more if he'd been a bit grittier and yet still kind, especially contrasting D-16 who took one life and then never stopped doing that. His compassion was a nice touch, as well as his relatability to his fellows, but there had to be that hint of something more commanding. He had the inklings and I appreciated his first real speech, but the rallying cry was, in my opinion, a tad off. It could have been due to the voice acting. (Seriously though I did love this scene, I just have itty bitty suggestions regarding how it could have been better. And Orion made a funny face halfway through his big pep talk so there's that).

The background character voice acting didn't show quite enough confusion or awe for me to really be sold on the scene. I would have preferred something more akin to the TFP scene where the kids are introduced to Optimus. Shock, awe, excitement, a hint of fear. Those things were present of course, and I understand the miners were tired from doing their million and a half shifts. But a bit more could have been done. More background chatter essentially.

No complaints about the Sentinel and D-16 interaction.

The battle scene was well done, all of them. The Arachnid thing worked, but the big reveal of the truth did absolutely feel torn right off of 'cliche villain downfall bingo'. I would have liked something a tad more original. Just a bit. But it did get the point across well enough so I can't really be upset.

Again with the background characters. It wasn't bad, but where's the RAGE?!? Where is the sheer chaos? It was emphasized later with the battle, but I think that scene with the big reveal needed a bit more violence so show just how unruly the population ended up. It could also make it clear why so many would eventually choose to join Megatron. Give me ONE guy with a Molotov cocktail throwing it at a statue of Sentinel or something. Why not have some of the cogless start attacking their superiors as well as Sentinel's servants, just to show the sheer destruction going on? Please, it would have been delightful and only have taken up like, five second of screen time MAX.

No real complaints about the scene with Orion, D-16, and Sentinel. It was still fast paced, and Orion still felt a bit like a goldfish, but overall the scene was perfect. The pacing is all that made it feel somewhat off.

The birth of Megatron was perfect. Zero complaints.

Once Orion reached Primus's core, the birth of Optimus gave off "Meeeeeeeegatrooooooooon~" vibes from the TFP Movie (Thank you Unicron. Love the voice acting man). Alpha Trion's voice was not doing it for me. It made a grand moment rather cheesy. Personally I think Orion needed whispers, echoes and flashbacks to go along with D-16's increasing violence and declaration. It would have been the perfect time to throw that flashback from the closing part of the film in. Let Orion see a ton of rapid images of him and D-16 along with increasingly loud whispers from all the Primes, cumulating in "Arise, Optimus Prime." Maybe even chuck in visions of the dead Primes, showing bits of their lives as a way to nod to the knowledge contained within the Matrix (if this continuity is going that route anyway. If nothing else, it would look cool and allow each Prime to meet Optimus in a natural manner during his creation). Additionally, that way Optimus can maintain a hint of mysteriousness but also grandeur.

Optimus flying up to the surface like superman.

I get what they were going for, but it was a tiny bit silly. I think it would have been grander for Optimus to have taken a bit longer returning, simply so that he could have the very earth part for him Moses style. I am not entirely sure. There isn't really a right way to fix this scene in light of the time constraints, and frankly the sonic shoot up to the surface did look cool and served its dramatic entrance purpose. I don't necessarily dislike it, but given the opportunity, I would have gone a slightly different route.

No commentary on the battle. It was perfect.

Again, Megatron's character arc was seriously rushed. He needed far more time. I adore him in TF One. He's quite literally the best character in there. But everything leading up to his final moment was rushed and it left me feeling unsatisfied at the end. There was plenty of foreshadowing in small ways, but those didn't start happening until the hour mark, give or take. Also, Optimus banishing Megatron from Iacon?? Why just Iacon??? Where the heck are the other cities?? Do they exist?? I'm spitballing but the whole scene felt ever so slightly off. Megatron limping into the distance didn't feel quite right. I honestly think that in exchange for wounding him, Optimus should have gotten a scar somewhere in return as a reminder of his cause. Megatron got Megatronus's face burned onto him. Let Optimus get a similarly noticeable marking, that way both players show a mark of their fallen friendship.

Sidenote: How does ANYONE know how to fight in this film?? Sentinel, the High Guard, and those with T-cogs makes sense. Orion? Sure. He did a lot of rough housing. Elita? Maybe. Hard to tell with her limited background. But D-16 and B-127? The rest of the cogless? Where did they pick it up? Its a recurring problem. And how does the crew improve so fast? I mean, they know how to fight with their big ol saws from mining, but we don't get to see in anyone except Orion so its hard to believe anything. We are never given a solid time period between the journey to the surface and then back down again, and really I think some of that travel time should have been spent with the group sparring or otherwise bantering about their backgrounds to lay the groundwork for their skillsets.

Regarding the final scene of the film, its really bad. Painfully bad.

(I would like to throw Elita off the nearest structure thank you.)

I get that they are laying the groundwork for more movies, but the flashback was quite forced. It was cute and absolutely had a place in the film somewhere, but not right there. It didn't feel quite right, or at least not with how it was edged into. The narration was just... weird, to me at any rate. The T-cogs being distributed was cool, certainly. But it raises many questions about the logic of it all. It feels dues ex machina. Not in a good way either. Not saying it wasn't cool, but it did feel forced. Like a participation trophy. I would have loved to see the cogless remaining that way and having to collect cogs from wherever Sentinel stored them, or otherwise take them from the fallen. That way they could have more diversity going forward.

That whole ending bit with Optimus and the Autobots running into the sunset was stupid. There is no other way to describe it. The scene gave nothing to the film and I think it would have been spent far better if we saw Optimus and Megatron both gathering their armies while the Quintessons loomed overhead. Megatron watching his warships be built and then him looking up at the sky. Optimus gathering up the cogless and helping them get their T-cogs via Matrix and then also looking upward. Only to then have it end with the Quintessons looming above.

The Quintessons were so underutilized in TF One it wasn't even funny. I don't even really know why they were there. I mean I understand they had to exist for war reasons and Sentinel and all that. But if they are such a threat, then they need to either be driven off so that the Cybertronian civil war can happen, or they need to make themselves everyone's problem so that Optimus and Megatron's spat looks all the worse for the planet.

There needed to be more for the Quintessons. They needed to have played a bigger role or to have been somehow removed from the playing field by the end of the film. Even one scene with them seeing Sentinel falling and then opting to get the heck out of dodge would have served well enough. But they didn't. And for that reason they are just... there. Letting their prized slaves rebel. They won once against all the Primes. Why not do so again?

Also why do they want the energon??? There are too many questions right now and not even the barest inkling of an answer.

The Characters

(A look into every character of note + my edits to their development in the film.)

Orion Pax/Optimus Prime:

Orion's character is quite well done. He has goals, morals, and a personality that shines in the right environment. His adventurous spirit gives him life, and his desperate desire for something more makes him compelling when he's given the opportunity to really flex his morality muscles. He has a bit of fight in him, an eagerness to improve and assist those around him that makes him lovable and fun. Every moment he was on screen was a delight, and there was never any point where I directly despised his presence. He had moments of greatness, and moments where I would have preferred someone consulted Peter Cullen for advice on scenes where more Optimus was meant to show. His arc was steady, but it didn't move quite fast enough to match the pace D-16 set with his rise (or fall). It was clear Orion was meant go from largely trying to become greater for his own personal reasons to instead fighting for something more than himself. The creators were attempting to broaden him, give him more to fight for and more to lose. They were well on their way to doing that, but Orion's arc simply did not move fast enough, leading him to end up feeling a bit static while D-16 steamrolled ahead.

To adjust him, all I would want to see is for Orion to be shown having a more solid reason for his goals. Instead of just wanting to help, perhaps have him witness a hint of the mess on the surface at some point in his youth. Maybe he could mention it to D-16, saying that when he was newly forged, he either witnessed a record or saw a peek of the surface or perhaps some other Quintesson related thing to get him to feel a degree of investment in trying to help. Maybe he found the surface lovely and wanted to travel there. Maybe he heard legends of the Primes and particularly wanted to see them and make sure that they really had fallen. He either needed to show a level of devotion to the cause to match D-16's love for Sentinel and Megatronus Prime, or he needed to be skeptical. I would have loved to see Orion doubt, simply because no bodies of the Primes were ever recovered and old records did not mention the Matrix passing on (or perhaps he is skeptical in general). Whatever the case, giving Orion this foundational skepticism or believe would have allowed him to be more compelling when the truth was revealed.

Then, to match D-16 character arc, Orion should have started to try and take a commanding position earlier. Perhaps he could feel just as betrayed and angry, but instead of being more passive like in the film, his anger could instead be directed as the Quintessons who allowed things to happen as they did. Maybe Orion could feel loyalty toward his people as a whole, making him want to do things correctly and rally his kind together for the sole purpose of ensuring no other could ever enslave them, directly contrasting D-16 who was off to kill Sentinel for arguably more personal reasons. Making Orion care more about the people as a whole, knowing that they have all suffered under the threat that is the Quintessons, all the while D-16 cared more for his specific group of fellows... yeah it would have been delightful. Just, having Orion focus more on the bigger picture as the movie progressed, leading him to maybe mistreat D-16 a bit in his haste to spread the truth rather than get rid of the source of the problem. This way both Orion and D-16 could be given depth, since arguably, both are right in their approaches.

These are, of course, vague edits. And much like D-16, there isn't a ton I would change for Orion. He just needed more time on screen, and more opportunities to be presented with moral challenge and/or chances to lead.

"The line between friend and enemy is not as clear as I once believed. Once it's crossed, there's no going back, because some transformations, are permanent."

D-16/Megatron:

D-16, and later Megatron, was by far the best developed character in the entire movie. A very good thing considering the film is his origin moreso than anyone else's. He had the most growth to go through, and my goodness he went through it fantastically. He started off somewhat meek, mild tempered, and cheerful. He was a normal bot, one just happy to go about his life and enjoy his few passions as an average civilian. But as the film progressed, his character shifted from one of fun and adventure to anger and betrayal. One lie after another stacked up, slowly breaking down his innocent belief in everything he held dear until he had nothing left to stand on. All he could do was direct his anger at something, lest he lose himself entirely. His reasons were all justified, and you could see the way his morality shifted between "I want him in chains" to "you need to get out of my way, before I move you myself." and it was brilliant. Everything about his arc was well formulated, at least regarding showing his shift in character.

All I would have changed is the rate at which he changed. It was very fast paced. And from what I gather, occurred over the course of maybe a day or two. Crimes of passion are a thing, and some change really does happen that quickly, but D-16 needed at least a few more scenes of moral debate. Perhaps a scene in the beginning where he makes a simple choice that Orion's agrees with and then a very similar scene later where he goes directly against his previous choice. He should have been shown arguing with Orion more as the film progressed, and over more and more serious matters. Perhaps it starts with the map, but as time goes on, it starts edging into who to kill, who to suppress, what path to take in laying siege to Iacon, etc. That way D-16 moral shift can come a bit more naturally when he finally beats the snot out of Starscream and later kills Sentinel with no remorse.

D-16, and later Megatron, is a delightful character. There is very little I would change for him. Above all else, he needed more time on screen to shine, and I think that's the best possible critique there could be for a character.

"The age of Primes has ended. No more false Prophets. Follow me, you will never again be deceived! Rise up!"

Elita-One:

Elita-One is the worst offender in the entire film when it comes to horrible character. Where others lacked personality, she got far too much and absolutely zero development for it. She came in arrogant and came out just as if not more so. Obviously, the creators were aiming for her to be a foil for the boys, trying to make her into a more stable and commanding counterpart to Orion's, and later D-16's, rebellious nature. But her extreme arrogance, snarky attitude, and little to no love for anyone else made her presence grating. There wasn't enough of a relationship between her and the boys for me to see her in a more familial light for them, nor was there enough of an indicator of rivalry for her viciousness to not be annoying in its presentation. She was mean, bitter, and overall a pain throughout the entire film. And while there were reasons for those traits to be presented initially, they were obtrusive and took away from the film since they were never again addressed or given proper conclusion. Elita-One had no character growth, and as such, she leaves a bad taste in my mouth. Her relationship with Orion in particular was agitating. She had a backstory at least, and it did contribute to her character, but it didn't help to differentiate her a ton or warrant her arrogance, unfortunately.

Elita-One needed a reason to be so confident in herself that was visible to the audience, not just her forcing her crew to repeat her greatness. Arrogance can be done well, as seen with Starscream and Knockout in TFP, but Elita's just came off as annoying at the best of times. To adjust her character, I would have pre-established her relationship a bit differently. Instead of aiming to be supervisor, she should have been one already. To make her arrogance less annoying, she should have been shown as being affiliated with Orion before her demotion, perhaps as the one letting him get away with all his shenanigans. That way her arrogance plays off as her bantering and simply noting her station, and maybe she flaunts it around a bit, having Orion do her random favors since she won't go breaking protocol, but she knows he will. Their relationship could be one of mutual benefit, perhaps even hinting at Elita having used Orion's help to achieve her station at some point. That way they can be vaguely affiliated and their power dynamic can be somewhat equal since Orion offers a service and in turn, Elita covers his back when he decides to go and wander off.

If the creators wanted to go the ship baity route, or even just make Orion and Elita closer, it could be a thing where Elita was an old friend of Orion's who simply drifted apart after her rise to supervisor. Instead of being harsh with him during the mining scene, she could offer to speak later. Their entire dynamic could be that of ancient friendship, older than even Orion's and D-16 connection. Maybe they were in training together. Perhaps they were on the same mining crew for a while. Whatever the case, making Elita a bit nicer would go a long way, especially if she attempted to cover for Orion yet again after he broke protocol to save Jazz. She could try to cover for her old friend and be punished for it, making her less willing to help later in the movie when her aid is needed once more. Her character could go through serious growth because of this.

Additionally, if this were to be how her character played out, when she's brought to the surface, her lingering arrogance can be crushed like a grape in the unfamiliar environment. Where she once looked at Orion as a bit of a nuisance due to his habit of going places where he really shouldn't have been, she can now appreciate his skill and support him with her own. Maybe as a former supervisor, she's the only one who can read the map accurately, but for that same reason, she has very little skill in traversing the land and translating old indicators on the coordinates. That's where the boys could step in, helping and offering their skills and in turn showing Elita that while she's not the best and never will be, her skills are valuable when applied correctly, just as her companion's skills are as well. They could play off each other in a more meaningful way, helping Elita develop a healthy relationship with her companions and her ego. By the end of the movie, she could end up a bit more like Skybound or Earthspark Elita-One, confident and competent, but mature enough to know when to let someone else take the lead and when her job should be to play support.

She could even serve as a bit of an echo of Megatron, starting off where he ended. Anger, passion, and of course, arrogance. Then slowly she can learn to mellow a bit and apply herself in a far more productive manner. This could let her relate to D-16 as he starts to crumble, giving her more of a reason to be invested in him since as she improves, he starts to fall to pieces. There are many ways she could be played, but more importantly, she needs to be showed having actual chemistry with her companions and changing as a character into someone more mature. She's not a bad pick for a character, but she needed to be tempered, a lot.

"My point is, that your instincts tell you to break protocol for a reason."

B-127:

B-127 is a character that, on his own, doesn't really have a purpose being in the film at all. He's comedic and does show the beginnings of maturity in more serious moments, like when he and D-16 are captured. However, he lacks substance. He's fun, he's peppy, but it feels like a lot of the basis for his presence hinges on old and new fans recognizing his paintjob and knowing who he will become later down the line. He's a rather shallow character, which is not a necessarily bad trait since Sentinel pulled it off brilliantly. But since he is meant to be a main character in this film, I would have preferred he be given a more solid foundation. His actions are fine, his personality is acceptable, but he needed more to work with, a reason for his behavior if you will (since he can't exactly have a reputation to run with, being on sub-level 50).

I think the best way to have introduced him and given him a foundation would be to foreshadow the sub-levels. Perhaps have it be noted that bots go down a few levels and never come back, unfortunate miners who mess up one too many times. (maybe D-16 reminds Orion of this potential fate). Instead at staring at smelters, B-127 could be introduced as a scavenger. Rather than be down so many levels doing essentially nothing, perhaps show him weaving through discarded rubbish in huge heaps before they can be incinerated, taking bits and pieces that he likes. This way his random assortment of knowledge can make sense. It can explain his madness in a slightly more believable manner. Seriously, if B-127 knew how to get out, why wouldn't he leave at some point to seek out companions? Better it be that he's trapped, and now that he's got new companions, he feels totally fine accepting them and showing off his collection of trinkets since they are all prisoners together. He could state he's been down there for a very very long time, maybe making him the oldest out of the eventual group of four. This would explain why he has the plot device later, and if he shows off more confidential reading/viewing material he's collected, his knowledge base and animalistic fighting style make more sense.

It would give him a foundation as someone more feral, easily surprised, and excitable. It would give him unique skillsets, such as scavenging and self repair. If needed, he could even be the team's makeshift medic. Maybe B-127 could even have a broken T-cog instead of missing it altogether, showing that the practice of removing a cog was imperfect for a time, and since his removal failed, they disposed of him. Yet another hint of what is to come. His introduction scene would be about the same length too, since all that would change is the setting. It would also give all three time to bond since B-127 doesn't know how to escape, but has resources, which would allow D-16 and Orion to put their heads together to get them all out. It would also create a sense of loyalty for B-127, encouraging him to stay with the group. No changes need to be made to B-127's personality, just a shift in scenery.

"Are you serious? This is the greatest day of my life! I get to work for the government!"

Starscream:

Starscream's appearance in this film, much like Elita's presence, served little to no purpose. He existed purely to provide D-16 a chance to exercise his brutality and growing passion for rebellion. However, with what little time he had on screen, he presented an incredibly unique version of the character. Gone was the cowardly behavior seen in almost every single Starscream to have ever been produced. This Starscream appeared to be a highly competent character, willing to fight and die for his cause. He showed determination, energy not seen in any other Starscream. I can't exactly say he was the most intelligent character, a shame considering his station. But the embers of something more that he presented were fascinating, and in my opinion, a delight to witness.

I would have liked to have had his foreshadowed earlier. Personally, I think a great way to have hinted at his presence would have been to make him a bit of a martyr. He could have been blamed for the betrayal of the Primes, with Sentinel pinning their fall on the High Guard and Starscream in particular. That way, he could have been foreshadowed via D-16 absolutely hating him for his "betrayal" and also served to hint at the High Guard's power later. Additionally, if Sentinel made it so the High Guard looked like they'd sold out to the Quintessons, him going to the surface would be even more "Dangerous" since he'd be fighting "traitors". All the more for him to have lied above, and more to keep everyone off the surface.

Bonus if Starscream actively has a warrant out for him, as evidenced perhaps by chatter from background characters or maybe even Darkwing calling D-16 and Orion Pax "High Guard/Starscream sympathizers" for their rambunctious activity. Through this slight shift, Starscream's later appearance could be far more meaningful and make him an ally of note, especially if its mentioned that he and his people have been attacking energon trains for sustenance and to mess with Sentinel. Starscream's intelligence can be shown, as can his former ties to the Primes, all by adding a line or two depicting his presence.

"Two options for you! One, we slowly dismantle each of you one bolt and screw at a time, and really make sure you feel it. Or two, in exchange for a quick death, you give us intel on the energon trails, access to the mines, or anything else that could hurt your Boss, Sentinel Prime."

Soundwave: Soundwave can hardly be called a character in this film. He exists. That's about all he has going for him. He looks like a taco and has all the personality of one, that being none at all. There was so much potential for him, but he got a grand total of perhaps three lines before he became background noise. Jazz had more lines than Soundwave. Jazz, the cogless background character. We know nothing about Soundwave except the fact that he's with the High Guard and apparently important enough to have been in the records. No explanations regarding his abilities, no backstory, no reason behind his connections. Nothing. He's a familiar name for old fans to gawk at and does little else.

If Soundwave is going to be in a film, I feel like it is law for him to play at least a semi-important part. Even if I didn't know Soundwave from other continuities, he would still be seen as highly underutilized. Personally, I think he would have done so much better serving as an agent of Sentinel Prime who turned when he learned the truth. He could have been right at Sentinel's side whenever he was in the city, offering reports on other cities and their struggles to obtain energon but ultimately being waved off. This could help with the small setting feeling and give Soundwave character through his hesitance and concern for the rest of the population. It could be fascinating to see Soundwave loyally follow this Prime, despite his concerns, and then be betrayed with the knowledge that his world and his people have been enslaved by the one he thought was their savior. This way, he would have a very valid reason to hate Optimus when he comes into being, and consequently have a reasonable desire to join Megatron.

"Scanning electrical impulses: He speaks the truth."

Shockwave: Thankfully he's less of a taco. Unfortunately, he only has a bit more personality than Soundwave. We also know exactly nothing about him and he suffers from the same problems as Soundwave personality wise. We've got next to nothing to work with, not even a title. He also comes off as a bit of a potato since the very first thing he did when threatened by Elita of all bots was to bend the knee. It does tell us about him, but its not done tastefully and as it stands, Shockwave has the personality of a small child who got his favorite toy stolen from him.

Much like Soundwave, if one is going to use Shockwave, he has to at least have had some sort of impact in the past, if not the present. I would have liked to have seen him possibly have been the one who assisted in removing cogs from the newly forged. It is an essential part of their structure, so I imagine there is a certain degree of delicacy involved. Or barring that, why couldn't he have been the High Guard's medic or scientist and studied the process and uses of the Transformation Cog? That way, he would have a plethora of knowledge and be very invested in Sentinel's downfall since he knows the truth of the matter. Perhaps he feels guilty for having assisted. Maybe he was banished for trying to do too much. There are a thousand things that could be done with even a hint of such a backstory. Heck, maybe he could be the one to have a small mountain of cogs to offer cogless bots during the battle against Sentinel. Or if we want to maintain the emotional value of the bots fighting without their cogs, have Shockwave offer up images of piles upon piles of destroyed T-cogs or something for evidence. There is a lot of potential for him that was never realized, and all it would have taken is a line or two to establish him and his usefulness to the Decepticons later.

"He wouldn't stop talking."

Sentinel Prime:

Sentinel's character was, quite frankly, delightful. There were no redemptive qualities about him, and I personally found that to be perfect for his character. He was cruel, prideful, vicious, arrogant, and everything else I expected from a cliche villain. And yet, despite being cliche, his voice acting combined with his stable character portrayal always had me adoring how terrible he was. Whenever Sentinel came on screen, I was excited to see him because I knew how he was going to act, and I was thrilled to see it play out every time. I knew his personality, and yet how he went about his activities always exceeded my expectations. Personally, I adored how smug his dialogue was, right up until the very end of his life. It sold him as being the worst, even if he wasn't breaking any new ground with his character. Sometimes you just need a character who sucks as an individual. I appreciate that the movie was willing to make him irredeemable, unlike other iterations of Sentinel Prime who at least had a slightly non-selfish hidden motive somewhere in their backstory. There's nothing I would change about him, not in the slightest, at least not without adjusting the entire movie and rewriting it from the ground up. He fits. Simple as that.

"What truth? That I plucked your cogs from your newborn chests, forced you to mine so that I could pay off the Quintessons, and live like a King?"

Alpha Trion:

Alpha Trion was a fascinating character with so much potential history and lore attached to him. I am quite sad he didn't get more of a chance to shine, considering his past and his status as the last living Prime. He did serve his part in the movie, quite well might I add. But he could have had more. He was so very tired sounding, lost even. He seemed to care for our main cast and offered so much wisdom, and yet had so little time to actually impress it upon the main characters. He died with honor and what times he did have the chance to speak were well put together. However, I would have liked to see a bit more of him, personally. A bit more character, spice if you will.

I would have given at least one digit on my right hand to see him train our group of four, or at least begin guiding them back to Iacon so give them more time to talk. His presence could have accentuated the fallout between Orion and D-16, showing their shifting ideals when compared to the pure goal of Alpha Trion. Perhaps he could be the one to try and guide the group into working as a cohesive unit. And perhaps his slaughter could be one of those things that drives D-16 and Orion apart now that they no longer have a stabilizing force to keep them from arguing over what to do with their evidence. Honestly, I'm thinking something Uncle Ben combined with Uncle Iroh for Alpha Trion would have been a perfect way to introduce him, make use of him, and ultimately offline him in a meaningful manner. But again, time constraints are a real issue and I understand the problems the movie had giving everyone time to breathe.

"I failed you, old friend. You deserved so much better than this end."

Arachnid: She's a fascinating character who I personally would have loved to see more of. The times she turned up on screen were always noteworthy, and the fact that her intentions were largely unknown gave me a feeling like she was this movie's Soundwave. She didn't need too much development because her role in the movie was perfectly structured. She was Sentinel's right hand, his eyes and his hands. She is a perfect example of a character who doesn't need much exposition or backstory simply because she fulfills her role perfectly. We can make assumptions and still have room to speculate, but her character doesn't feel like a vacuum or like its missing some grand piece. Would I have appreciated a hint more for her thought? Yes.

Personally, I think hearing rumors of Sentinel's frightening right hand might have given her the final touch she needed to be a solid character in my book. Just some bots being in awe as she walks by with Sentinel, or perhaps Orion recognizing her from some old text from the archives. That way she could come onto the scene with a reputation. Or barring that, a sense of dread. That said, I did enjoy her introduction and I have no real critiques of her. The character is built well for the time she's on screen. I enjoyed her far more than I did Elita-One which should tell you all something. A girlboss character can be done well. Look at Arachnid and her combat prowess and intelligence. Elita was just a poorly done, slapped together attempt at giving our main cast flavor.

"I see everything."

That One Random Quintesson: It looked neat. Very intimidating in its own weird way. Certainly uncanny considering the metallic scenery. Could have used at least a line or two to sell the evil. I personally would have paid money for the Quint to talk in gibberish and for Sentinel to somehow understand because that would show just how long he'd been working for the Quintessons.

Jazz: We saw him a grand total of perhaps five times and I love him. No complaints. He's very Jazz and maintains his Jazz attitude throughout every single scene he turns up in. I especially love him during the scene where Orion rallies the cogless. He looks so confused and yet so happy later one when he gets his Transformation Cog.

"Little? There's nothing little about you."

Darkwing: DARKWING DUCK- I'm kidding. Darkwing's character had little to no depth, but he served perfectly fine considering his role in the movie. An aggressive enforcer of some variety, evidently high ranking enough to be in the Iacon 5000. He's got enough flavor to him that I'm sure someone in the fandom will decide he is their blorbo and run with it. He's not breaking any new ground, nor are his lines anything noteworthy. He simply is, and considering his role, it suites him.

"You are no cog bots with limited options. Report to waste management immediately."

Background Characters in General: Nothing really of note. They existed and served their purposes. I appreciated the fact that no two bots were the same appearance wise. It made Iacon feel more lived in, a trait desperately needed considering how small the world felt. Seeing so many familiar faces was fun.

The Plot

(An assessment of the story overall & its holes.)

The plot was fantastic, at least with all the random unneeded scenes not considered.

There were quite a few themes present, most of which were at least touched upon. Honestly, the journey to discover the truth was a wonderful overall plot. I have very few complaints about the way the story set out. Two miners who, by accident, are cast away and gain an inkling of the truth. This in turn sending them on a quest to uncover said truth, only to have their worldview shattered. It's simple, and at the end of their road, their differing ideas regarding what to do with the truth are what drive them apart.

There are some things that don't add up, such as the time it takes the crew to actually get from Point A to Point B at any given part of the film. Time is a real issue in the movie. If we had only been given the illusion of more time passing, some of the pacing issues might have been less in our faces. Additionally, there are a few inconsistencies.

The boys being chucked down fifty sub levels because the plot needed it to happen. The plot device just happening to be there for reasons. How B-127 and the boys know how to get anywhere is beyond me. Elita being at the exact train they need to board at the exact right time is a bit off. The t-cog situation is interesting and I can't help but wonder how that whole mess really works. The High Guard popping out of the ground like cabbage patch kids. D-16 suddenly choosing to betray his best friend for reasons that were not given enough time to justify.

It's just a lot of smaller things that added up, when combined with the pacing, to create something a bit off. However, overall, the base story attempting to be told is very solid, only needing to be tweaked and refined to add further depth and give characters reasons to be there at all.

A very solid 7.5 - 8/10 movie when viewed overall.

The World Building

(Current questions & Information + musings)

Cybertronians don't bleed, unlike other continuities.

I find this fact downright fascinating. When characters are killed, they don't bleed. TFP bled, pretty sure other continuities did as well. Except for G1 at any rate. It's an interesting take since energon appears to be a liquid, not crystal, on this new version of Cybertron. That leads me to believe that it must be pure energy since the moment it is taken in, it appears to go straight into powering the bot in question, rather than flowing through their veins. They are far more machine like, and I have had that fact grow on me a lot. Less alien, more mechanical.

The cogless had their cogs removed before coming online. Where are said cogs now?

It really is fascinating to think about. Sentinel had all of these T-cogs removed, presumably thousands upon thousands of them. I have to wonder, were they destroyed? Stored away in case on of the bots allowed to have their cogs needed a new one? If they were thrown away, how did no one notice or snag a few? There are many questions regarding how this big biological aspect of the cogless was kept from them.

Where are these bots forged? No Well of Allsparks was mentioned, at least to my memory.

It was stated that the first Primes came from Primus's core, which adds up since they are the closest this new continuity has to demi-gods. I would say that it would be likely that bots just clamber on out like the Primes did, but considering how fricking long that fall was for Orion, I have my doubts. Personally, I'm thinking this continuity probably is going the hotspot route where bots just kinda pop out of the ground in certain places. They obviously aren't climbing since they weren't online for their T-cogs to be removed. That leads me to believe that they likely form in hotspots and are cultivated until they are ready to come online. This would give Sentinel plenty of time to do a little removal all easy peasy.

Cycles are years. Days are days.

Interesting take on time, but ultimately kind of useless on its own. Lots of human time terms are used, so it seems cycles is just in there for alien factor. A unique take all the same though. I like it.

Primus is mentioned and acknowledged, but there is no mention of Unicron whatsoever.

It's really quite fascinating, but not particularly surprising considering the setting TF One takes place in. Many bots are uneducated, and with the fall of the Primes, it could very well be that no one knows about Unicron anymore because the threat he posed paled in comparison to the Quintessons. It could also be that Sentinel might have had any records about him removed in order to keep the population afraid of one threat, rather than many. It's not as thought Sentinel can deny Primus exists. But Unicron? Can't see it? No need to believe it. Still, it will be fun to see if Unicron ever comes up.

The war with the Quintessons is stated to have gone on for thousands of cycles, and yet there are few ruins. Just how devastating was it? How powerful are the Primes?

I am of the belief that long ago, Cybertron was an empire. There were cities everywhere and the surface was most likely covered in defenses. Most likely, the Quintessons whittled away at Cybertron's surface population, hence the war going on for so long and the people retreating underground into their creator's shell. The Primes appear to be powerful, but they were most likely scattered across the surface to try and limit the damage done by the enemy. The war was likely very close to be lost after millennia of being continually under siege when the Primes finally fell. In a sense, Sentinel likely did buy Cybertron time, but he also doomed them by destroying what history they had that might have helped them.

Are there other cities on Cybertron? There has to be, considering how large the planet is, but the offered energon to the Quintessons tells a different story. What happened?

We don't have enough information to make a good guess, but I personally believe, as stated above, that most cities were likely wiped out. Those who survived fled underground, meaning that most cities are either few and far between, or they are so sprawling that 'Iacon' encompasses far more area that we are led to believe. The offering of energon could have possibly been so small because it has been so long. Maybe, once upon a time, the offerings were far larger since more cities could bring energon in. It's hard to tell.

Is Cybertron in a post apocalyptic state?

I think so. Considering the ruins on the surface, the suppression of the masses, and the struggle to get energon, I do think that Cybertron is sitting in such a state when the movie is happening. The setting scene in Transformers One, and Iacon in particular, appear to be the last gasp of a dying race after what could have been a siege lasting up to thousands upon thousands of years.

T-cogs evidently have a certain amount of biological alteration involved in their acquisition.

This can be seen in Megatron when he takes Megatronus Prime's T-cog. Personally, I think this says something about the use of a T-cog. Some appear to be more suited toward combat whilst others have other uses. It appears to be Cybertron's version of the genetic lottery, since up until one gets a T-cog, it seems as though it is quite impossible to determine alt-mode or abilities. Look at Jazz. He didn't get his little door wings until after he got his T-cog. This has a lot of implications for T-cog inheritance too. Is that a thing that can happen? Does it affect various bots differently? Many many questions.

Does the T-cog have an effect on the mentality of those who inherit it? Was Alpha Trion aware of this when he chose which T-cogs to give to the crew?

I honestly think it's impossible to know at the moment. We don't have enough lore to make a solid assessment. But I would like to think it at least has some effect on the bot in question when they get a T-cog that was not originally theirs. Again, look at Megatron. Maybe Alpha Trion selected the Primes with the most adaptability for a reason. Perhaps some of those latent traits present themselves in their new wielders. I don't know, but I would very much like to.

Cogless bots are essentially children.

They are smaller, slower, and from the looks of it, less liable to fight against those larger than them (although that could just be common sense.) They don't appear to be less intelligent or anything, but I do imagine the T-cog is a sort of wakeup protocol for bots. It diversifies them, allowing for specialization. So yeah, from the looks of things, they might as well be children frame wise.

No noticeable spark chambers. Instead, we have the slot for T-cogs.

I find it downright fascinating that instead of having a way to expose their sparks, the TF One bots instead expose their slot for their T-cog. There's not a ton I can gather from this lore except for the fact that this must mean sparks are likely farther into the frame and more protected, and like a human heart, probably not meant to be seen.

(Also the smut writers are going to have to get creative)

There are different Primes this time around. Still Thirteen of them, but a few old and new faces from various continuities.

I have no clue what it implies for the most part, but from the looks of it, we aren't going to have an IDW/TFP Arisen any time soon. All the Primes are named, have faces, and are confirmed to be dead. There's no mystery here about some secret resurrection Prime goofing around in the background. I like it personally, even if it does limit the more mythological aspects that could be present in this new continuity.

There don't appear to be any sort of familiar or mentor-mentee social structures on Cybertron. We also don't see anyone who acts young enough to possibly be newly forged. Does this mean everyone comes online with basic knowledge? Or are they put through bootcamp before even entering society?

Again, I'm thinking the bots are raised like cabbage patch kids, grown and watched over wherever they form until they come online. Then, most likely, the cogless just kinda figure it out, IDW style. Same goes for the rest of the population.

How are the cogless selected for their fate? Is it random since Sentinel removed their T-cogs before they even came online?

It's a good question that I would like the answer to. Most likely, it's a numbers game. Special traits don't appear to present until a bot gets their alt-mode, leading me to believe that the cogless are selected based purely off how many miners are needed at the time.

D-16 gained a weapon via being angry. Do all bots have that? Is it a stress response? Or is D-16 special like that?

Again, the T-cog question. It feels like it's related to biology somehow, but I don't have enough info to make a solid guess.

The Matrix is referred to as an entity. Why is that?

No bloody clue but I really hope the dang thing talks or has some sort of unique ability aside from being an extra battery that gives Optimus a really cool axe.

The bots have eyelids and tongues.

It makes sense that they have them. I just think it's neat.

Some bots have real names. Other do not.

I have no clue what this implies, but I am running under the assumption that there is either a criteria to meet to get a name, or bots just pick their names and roll with it.

The Ending + Implications

(How I think things will go from here in future films.)

The ending scene was ridiculous and felt chucked in there above all else (note: I am referring to everything after the t-cogs are distributed). However, it did offer a hint of insight into what is coming in the future.

Based on what Transformers One presented, and the fact that it has been stated that it will (if all goes well) be part of a trilogy, I have a few predictions for the coming films. Of course this is all speculation because the movie ended on a rather open ended note without much foreshadowing for what is to come, at least on the surface. So take this as my musings above all else.

Firstly, the Quintessons are going to be removed or otherwise sidelined as a threat. Optimus's line regarding the Quintessons at the end of the film leads me to believe that they were more of a plot device than anything else, and I expect them to become even less prominent going forward. I simply cannot see them being the BBEG of the trilogy considering the layout of the movie. Although it is very possible that they could serve as a minor antagonist to push the war along in later films.

If things continue as they are and the creators keep to the origin story vibe, then I see the second movie as likely focusing heavily on the war and its rapid fall into sheer chaos. I expect it to be fast paced, just like Transformers One. So quite likely, it will be a series of battles, schemes, and Megatron marching his armies while Optimus desperately tries to rally his people and fight back.

The second movie will probably be split between Autobot and Decepticon perspectives, Avengers Civil War style if I had to guess.

We will likely see Megatron gathering troops and capturing territory while Optimus fortifies what land Sentinel previously controlled in order to try and limit conflict (and promptly fail).

Optimus will go through some arc or another that gets him to fight seriously, but considering this is Optimus, he is probable to maintain his attitude of 'I can fix him' at least to an extent. Although, considering how he sent Megatron away, we may be surprised going forward.

We are going to be introduced to key Autobot and Decepticon characters throughout the second movie. Prowl, Jazz, Ironhide, Arcee, and others. Starscream, Soundwave, Shockwave, and the rest will likely get actual development.

There will probably be at least one peace talk that goes south the instant Optimus dares to breathe in Megatron's general direction.

Elita is bound to get more screen time than she deserves.

Bumblebee will earn his name and either have his voice taken from him, or he will end up forcefully silenced through some other means, perhaps a vow or trauma. Depends on how mature the creators want to make him in the future.

Megatron will probably end up seeing Orion as having died in some capacity, either that, or he will see everything Optimus stands for as a betrayal of their shared history and a insult to the suffering of the cogless.

The third movie will likely end with both factions abandoning Cybertron during a great exodus (if they are trying to follow G1/comic canon vaguely.) I simply don't see the films moving to Earth since that's been seriously overused over the past twenty or so years.

I anticipate the introduction and or the alteration of previously well known characters throughout all the films. Since the creators have been willing to adjust the origin as much as they have, nothing is off the table.

Those are all the predictions I can make at the moment considering there has been very little to work with foreshadowing wise.

My Suggested Adjustments

(My thoughts for an ideal TF One which stays within the time limit, keeps to the established plot & acknowledges the future existence of more films.)

Now, again, before I begin my edit rant, I will try my very best to keep to the plot of the film and not go off track. I will be offering edits, not a rewrite (yet). Also, most of this is just musing and things I would like to see, not professional writing. Take with a grain of salt. That said, here's what I would adjust.

I would add a few lines of dialogue during D-16 and Orion's chat on the train to hint at Orion having a fascination with the surface and/or skeptic attitude toward what they've been told backed with a desire to check things out for himself. This would be just to build a little extra character. Additionally, during their chat, D-16 can remind Orion that the surface is dangerous not only because of the Quints, but because the traitors are up there. The wild High Guard, now gone mad. Orion can wave him off, stating he's not going to become like Starscream before moving onto his discussion about how he has a feeling like he's meant for something greater. The conversation can then continue as normal.

Remove Elita from the mining scene in the beginning. Have someone like Ironhide be the team leader so that his gruff personality can really drive home just how dangerous their job is before they even get started. Instead of Elita's rant, Ironhide can again remind his group about the risks of their work and maybe even discuss how someone got his or her lower half crushed in the last tunnel collapse. The group can then rush to get to work, with D-16 and Orion being all buddy buddy about it. D-16 and Orion can greet a few of their fellows, maybe assisting a bit in order to bring in more familiar faces. A brief pause can occur for Elita to look down on the group from her position overseeing things. She and Orion can share a brief look/nod/salute/gesture that D-16 can then mock and Orion can use to remind his brother in arms that Elita is an old friend, nothing more thing less. Elita can then call down, ordering them to get a move on before they get in trouble. Ironhide can then get the group hustling into the tunnel. This would solidify Elita's place of power while also introducing other characters and the harshness of the work.

The mining scene can go on as usual, but when the rescue happens, Elita can jump down and order Orion and D-16 back, maybe yelling something like: "Pax, D-16, pull back! I won't ruin my record with three deaths in one day!" in order to cement her deep care for her position. And once they make it out safely, Elita can check Jazz over for a moment before getting in Orion's face, D-16 probably trying to not be involved. There they can share some dialogue that shows Elita's exasperation with him, but also her fondness. Perhaps something like this:

"How many times have we done this Orion? I can't keep letting you break protocol!"

"Even to save a few lives?"

"We are miners. Danger is part of the job. Your recklessness is a liability."

"Even though it saved you from that tunnel collapse last cycle?"

"That is beside the point Orion, and you know it. You really need to develop some self-preservation skills."

Then of course Darkwing can jump down and fire Elita, only this time instead of being as sudden as it was in the original TF One, Elita can instead be fired for letting Orion and D-16 off yet again AND sustaining an injury to her team (RIP Jazz's leg). She can fight back, saying that lives were saved despite the breech of protocol. Darkwing can then shoot her down again even when Orion steps up to try and take the blame. This way, Elita can have the final straw moment with Orion, her expression being bitter as she has her rank badge ripped off. Her dialogue with Darkwing can hint that this is not the first time she's let things slide, hence the demotion. She can look at Orion and D-16 in sheer anger, shaking with rage as she murmurs about how hard she worked for this position before shoving past both of them. This would make her less agitating as a character but still give her ample room for snark and anger while maintaining a connection to our main cast.

When Sentinel gives his message to the people, D-16 can get just as excited TF One canon, but Orion can be a bit skeptical. The scene with Elita can influence him, making whatever skeptical nature he'd developed all the more real. Perhaps, as a bonus, Sentinel mentions that the winner of this race will get to request something from him/get a new rank. Seeing this, Orion will then want to get in both to try and prove a point, and to hopefully make it so that he can get himself and those closest to him to a high enough rank to make a difference. His hope could be that if they won, he could request better oversight in the mines and a chance to show their grievances. D-16 can still, of course, not want to be involved when Orion implores him to try and be something greater.

The race scene can stay as is, only changing to show Soundwave AND Arachnid by Sentinel's side. But when the duo are in the med bay, Ratchet can come by to fix these two idiots up. Instead of being cogless, he can be one of the higher ranked bots and perhaps serve Sentinel personally. While Orion and D-16 have their little banter session, he can work on them and probably tell them to shut up before the Prime arrives. Perhaps he also comments on their poor repair, wondering if the mines have medics. D-16 and Orion can state that they do not, earning Ratchet's anger since he assumed they at least had basic health care. Maybe he even tells them to watch their mouths, or perhaps praising them for their stupidity and being mildly in awe of it. This could set him up as an ally later.

The discussion with Sentinel can go as it does in canon, but when he leaves with Arachnid, it can be Soundwave who is ordered to 'remove' them. Soundwave can hesitate, looking at the duo and then at Ratchet would could try to object since he would know what is coming. Soundwave, ever the loyal aid to his Prime, could then call Darkwing in to take D-16 and Orion to their fate. Soundwave can even look genuinely upset at the scene, his fists all clenched up as the duo cry out in confusion. Ratchet can curse, and the scene can end with our two heroes being thrown down to sub-level fifty where no one without an alt mode with wings can escape.

Down in sub-level fifty, it can be a horror show. A huge set of incinerators where huge conveyor belts are transporting waste to the fires without end. Maybe there are even a handful of bodies amongst the mix, miners and other cogless. D-16 can continue to believe it must have been some huge mixup, perhaps getting all angry about it before B-127 appears from the rubbish, looking terrifying and scuttling over to them. He can get all up in their faces, maybe touching them to ensure they are in fact alive before his mask lifts and he goes right into being himself. He can have his nickname moment, but it can be mixed in with him showing the duo around the fires, giving them some warnings like:

"Don't mess with the bodies, those tend to be infected."

"Watch where you step! Don't want to miss energon by accident. It's rare down here!"

"With you two here, I won't have to worry about accidentally ending up on the conveyors while recharging!"

B-127 can ramble for a bit, much to our duo's horror. Then he can show them his makeshift residence, made of trash and other things. Inside can be all sorts of wacky things, including STEVE. As he's showing off his collection and gleefully pointing out things from various cities he's found, D-16 can marvel at a few of the older wartime relics Bee has and Orion can sift through Bee's stack of random reading and viewing material. As D-16 tries to smile through B-127's eager explanations of how he found things, Orion can note the symbol of the Primes on one of the small disks B-127 has. Bee can notice and exclaim how he found it on the body of someone from the High Guard forever ago. At that, D-16 can recoil, but Orion can turn the disk on.

The message can be revealed as normal, and again, Orion can convince D-16 to go despite the threat. Being trapped underground, they decide to give it a shot. B-127 sadly points out that he's been down in the sublevels for actual cycles and he's never been able to get out, not without a T-cog. At this point, he can show off his damaged T-cog, taking it from one of his shelves for all to see. The duo can be quite confused as Bee states that he came online with it broken, mentioning how he felt someone trying to mess with it before he was thrown into the sublevels. Orion's suspicions can grow, D-16 can become more adamant that something OTHER than Sentinel is going on here, and from there, they can use B-127's things and tools to work their way out. Perhaps they construct a grappling gun, or otherwise use old material to tower their way up to a vent on the far wall. D-16 can undo all the screws with some difficulty as the conveyor belts below them threaten to drag them into the fires. But with time, they can quickly crawl their way out, perhaps with D-16 grabbing Bee before he can fall back into the rubble below.

From there, Orion can use his knowledge of all things underhanded to begin guiding them up toward the surface. D-16 can add his input by feeling for wind currents and whatnot. All the while, B-127 can tell them he's heard of a train depot nearby, considering maps and other things that fell into the rubble with him + shaking over head occasionally.

Once they get to the depot, they can try to join the masses of miners loading up the train carts. Attempting to blend in, they grab grates and try to move quietly and just, not emerge from the train once they get on it since they know its heading to the surface. But as they are waiting to load, they encounter Elita. She engages with them, attempting to stop them as a form of retribution and even arguing that she's saved their hides one too many times. Orion, despite his respect for her, pushing his group on. They push past Elita, discarding stealth in favor of leaping into the train before it can take off. Elita, still upset and desperate to stop them from causing more harm, throws herself in after them with the intent to stop them. The doors close before she can, and in anger, she pauses, and books it toward the front of the train to try and halt it. Being smaller and nimble, she dodges attempts to grab at her, even knocking a crate over which hits Orion. As they make it to the surface of the train, D-16 and Orion lag behind, but B-127 manages to slow Elita down by grabbing her leg long enough for Orion to also pull himself up and grab her arm before she can hit them.

Then the traintop scene can play out as normal.

Once they are thrown to the ground, Elita can still get up in Orion's face, but instead of losing her cool, she can instead grab him, take a few breathes, and say something along the lines of this:

"Orion, since they day we met, you've been a thorn in my side. Always getting me intro trouble whenever you decide to run off with your go-bot buddies and make a scene."

"I know. And I'm sorry. But this... this is beyond any of that. We could find the Matrix, Elita. We could do what Sentinel hasn't been able to. We can save our home."

"And that is the only reason I haven't tried to punch you yet, Pax. But if this mission of yours fails, if this is all some grand hoax, I'm taking you and your pals back to Iacon and getting my rank returned to me."

"That's fine, because I quite firmly believe that this is the real deal."

"It better be, or you can bet your bolts I'm never going to let you live this down."

"I wouldn't expect anything else."

Orion and Elita share a moment of reconciliation before they both look over the map together. Leaning on each other for support as they follow the coordinates. All the while, D-16 and B-127 comment on the scenery, and helping their group avoid various hazards. D-16 might even note how there aren't an High Guard rebels, a fact that leaves him suspicious, especially as the group passes through increasingly frequent ruins, all inhabited by the bodies of bots who bear the symbol of the High Guard, or the long dismantled old Cybertronian army. D-16 might even see how it seems as though a few of the High Guard were actively trying to defend civilians, as evidenced by the bodies. This leaves him thoughtful, less angry.

There should be a few flashes of the group taking cover as strange creatures move on the surface. B-127 can pause to gather up some abandoned weaponry from an old base, earning commentary from Elita-One about how she never knew they once had so many cities on the surface. It should be a somewhat solemn march, and as they go, they can practice with their haphazard firearms by shooting as various targets to acquire what energon they can and to scare off random creatures. Orion notes the cities they pass through, listing off names he's read in the archives and being saddened by the fact that they lost so much. D-16 becomes more and more upset as they go, seeing the bodies and wondering why Sentinel hasn't recollected abandoned resources or otherwise given the dead a bit of respect in light of the fact that they haven't seen a single enemy so far.

The scene running from the Quintesson scanner can continue as normal, and the group can rush to the cave as they watch the huge ship loom overhead. The cave scene can also continue as normal, only this time, the group can be even more distraught since they've seen the remnants of their old empire and already have doubts. Awakening Alpha Trion can go as normal, as can Sentinel's discussion with the Quintessons.

D-16 and Orion can get into a slightly more heated debate than normal when they return. Orion exclaims his desire to have the people get their justice, making sure everyone knows their loss. D-16 can agree, but their argument can occur when Orion makes it clear that the people come before getting revenge on Sentinel. This does not go over well with D-16, and although Elita and B-127 attempt to step in, Orion and D-16 begin to argue more furiously until at last, Alpha Trion steps up and pushes them apart gently. Probably saying something like:

"Primus has a plan for all his creations. Do not judge too quickly, instead, act with wisdom and foresight."

Trion can offer the values of his fallen brethren, encouraging D-16 to act as Megatronus Prime would, as a guardian of the people, their voice and their sword. In turn, he can urge Orion to follow after Prima or Zeta, telling him to use his noble spark to be a voice of reason. He might turn to the Elita and B-127, but then he notes that they are low on time. From here, Trion can give the group the T-cogs of the fallen Primes and hurriedly usher them out as Arachnid draws near. The escape progresses as normal, and Orion and D-16 again have their debate. Orion stands his ground a bit longer, showing a hint of anger. But remembering Alpha Trion's words, he consoles himself and D-16 by stating that he trusts D-16, which in turn diffuses the tension.

The group can move quietly, with Elita being solemn and B-127 a bit shaken up. Orion and D-16 discuss what they plan to do as Elita watches for enemy units and B-127 hurries ahead to scout. As they talk, it becomes clear that Orion wants to rally the people and spread the truth first and foremost. Meanwhile, D-16 wants to strike hard and fast, a tactful assault meant to end Sentinel. They can worry about the truth later in his mind. They argue for a while, and as they fight, Orion can get a bit aggressive, leading D-16 to push him. As they tussle, they end up tumbling, and despite both B-127 and Elita telling them to shush and trying to pry them apart, the group are unable to evade the High Guard soldiers that surround them. they aren't given a chance to fight back before Shockwave orders their capture.

The scene with Sentinel and Alpha Trion can go as normal.

The group can wake to Shockwave assessing them, noting that their T-cogs are not biologically theirs. He finds this interesting, and since they are of interest, he prepares to remove said T-cogs/perform other surgeries to see if they are a new flavor of spy. D-16's fears are confirmed for a moment, up until Skywarp and Thundercracker stop him, ordering Shockwave to bring the prisoners to Starscream. The name rattles the group, causing them all to bunch up in momentary fear. But when they are brought before him, Starscream looks at them all in intrigue. He questions them, asking why they were on the surface at all since its essentially a barren wasteland. Shockwave points out their T-cogs, and Starscream finds it suspicious. Skywarp and Thundercracker guard the group, one with a gun to B-127's helm to keep him quiet.

Starscream steps before the group, scarred and battered, maybe even a little sickly looking from lack of energon. The rest of his soldiers aren't much better. He assesses the group before concluding that they aren't spies, merely newbuilds who got too curious for their own good. Not wanting them to go back and spill the beans about the High Guard, Starscream offers them a place as soldiers in his ranks, confirming that they fought against Sentinel, not the Primes. He also makes it clear that he will require the group's information regarding energon, that being his major reason for keeping them at all.

At his point, D-16 can step up, angry and unwilling to serve another false prophet. He refuses to bow to a mech who fled, and then their battle goes on as normal. D-16 proceeds to hold Starscream captive, stopping Thundercracker and Skywarp, Starscream's lieutenants, from acting and ordering the rest to attack. He declares his desire to fight, to strike back against the enemy while they still can. He points out their weakness, their lack of energon, and describes his experiences in the mines. Knowing they served the Primes, D-16 repeats the tenants of Megatronus Prime taught to him by Alpha Trion, rallying the High Guard. The High Guard, seeing his passion, and after watching him beat down a few more bots eager to stop him, agree to follow his lead. Starscream is allowed to live, only because Orion steps up and grabs D-16's blaster. They have a moment of tension, but it fades as D-16 throws Orion off and declares that he knows the mines and can guide them in for an assault on Sentinel. The High Guard, having little to lose and finally having a chance to fight, are eager to serve.

Orion can then step up, upset that D-16 cares more about vengeance than the truth. D-16 states that they can share the truth later, once Sentinel is dead. Elita steps up to calm Orion, urging him to not be rash and compromise. B-127 attempts a similar method with D-16 and urging him to at least take time to plan. Orion and D-16 do not back down, and just as Orion asks for them to at least take time to discuss things, the attack from Arachnid occurs.

The battle goes as normal, but in its aftermath, Thundercracker, Skywarp, and Shockwave remain, along with about half their troops. Elita tries to get Orion up and going, reminding him of how his nature has saved bots time and time again in the mines, and how his instincts brought them there, to their newfound truth. She comforts him with a quick hug, urging him to get back up now that they have information to spread and friends to save. Orion agrees, and speaks with Thundercracker, Skywarp, and Shockwave. He bargains temporary leadership by offering the same information D-16 had, the way into Iacon. The High Guard are hesitant, but they follow if only to have one final hit at Sentinel before their end. They are all sickly anyway, and Thundercracker can note that without Starscream, they don't have much motivation anyway.

The group can board up on a train that passes by, throwing out the crates and loading soldiers instead. Elita takes control of the bridge with the help of Shockwave who guides her through security protocols. When asked how he can do that, he simply states that he once served Sentinel, keeping it vague and maybe stating he was his head scientist at one point and that his credentials are still valid since he was assumed dead. It could be something like that. And Shockwave can get them past security without issue. Thundercracker and or Skywarp rally the troops as Orion leaps from the train, making his way toward the mines.

There, he can speak to his fellows. Covered in soot, grime, and ash, he can hold a gun given to him by Skywarp before his leap, and he can make his grand speech. There, the miners are hesitant even after being told the truth. But Ironhide and Jazz can step up, offering their belief and support. Seeing that, other faces from the mining scene earlier in the film come forward, willing to fight. Orion tells them to gather up their tools, to fight for their freedom, and from there, the miners also raise concerns about their wounds. At that point, Ratchet can step forward, stating that he can help. Orion is in awe, but is even more shocked when he gets word that Soundwave of all bots is offering aid and supplies. More soldiers join the miners, eager to fight. Ratchet can smile, picking up a pistol and declaring that he, Soundwave, and a few others have had enough of turning a blind eye to the injustices committed by Sentinel and his kind.

D-16's interaction with Sentinel goes as normal, although Starscream does pipe up along with B-127, attempting to save D-16 neck as he refuses to bow. After Sentinel carves the symbol and Arachnid points out their incoming enemies, the scene can shift to show cogless, not cogless, and High Guard soldiers alike all pouring onto the premises. Sentinel can demand to know why their defenses are lowered, turning to Soundwave in anger. Soundwave for his part can then betray Sentinel openly, showing his distaste and getting a solid punch in before he's thrown across the room. On the ground, Ironhide can be seen directing soldiers alongside a future Decepticon of choice, perhaps the Stunticons or Constructicons help him tear down some walls or other defenses. Ratchet can also be seen working with a few of the cogless and offering covering fire as Jazz and Prowl rush forward to get in a few potshots with their far too large weapons.

The battle progresses as normal, and Orion manages to get the truth out as per usual. The scenes shift to show bots all across the city swarming in anger, breaking things and fighting anything or anyone that looks like they might follow Sentinel. Elita and B-127 celebrate and Orion orders them to go assist with controlling the assault in order to capture Sentinel's followers and limit the chaos. They agree and rush off, but Orion soon finds himself in the battle with D-16 and Sentinel.

The Fall goes as normal, only having a bit more aggression on Orion's part as he pleads with his best friend, begging him to at least wait until the people can judge Sentinel themselves. They are fighting for freedom of choice, and he tries to dissuade his friend for D-16's sake. Unfortunately, the Fall goes as planned, and D-16 lets Orion drop after he comes to the conclusion that it would be better for Orion to die here than to witness what he's going to do next. He may even tell Orion as such, calling it a mercy. Then, he lets him fall.

Megatron rises as normal, and Orion is brought to Primus's core. There he hears whispers, contrasting Megatron's speech. Orion hears the Primes speaking to him, each murmuring softly and quietly showing him visions of times gone by between him and D-16, a final goodbye of sorts. Then, it ends with the Matrix bestowed, and Optimus Prime is born as a chorus of voices calls his name. He rises to the surface as Megatron starts shooting at Elita and B-127, Soundwave joining him along with Starscream who covers his back. More future Decepticons rally around him, helping him in his rampage while the cogless and Ratchet try to limit the crossfire. It all ends as Optimus Prime comes forth.

Their battle can then progress as normal, with Megatron being banished. Optimus can still be sorrowful, but something hardens in his gaze as he turns away from where Megatron fled. He had his moment to let go when he took the Matrix, and now he's ready for war. He gathers his allies, looking over the devastation and up toward the surface. Elita comforts him quietly with a smile and a hand on his shoulder. B-127 notes Optimus's new height and points out the people below, the cogless all watching in awe. Elita encourages him to speak, and Optimus does just that, rallying his people one more time with encouragement and a declaration that they must move onward, to reclaim their freedom and their world.

He raises the Matrix high, and energon again flows. The people are thrilled, and soon they each begin to step closer to the streams of energon. The cogless lean close, and their T-cogs are returned to them. The movie closes with Optimus's narration about how their battle is not yet over, and how it has merely begun. All the while, Optimus is shown getting his people in line, Elita standing proudly by his side as he begins to organize his troops. Ratchet smiles and pats him on the shoulder, Ironhide flexes and picks up a blaster, Jazz gleefully flutters his door wings. The people salute and cheer as Optimus passes. The scene then changes to Megatron with the High Guard, rebuilding their destroyed ship. Megatron welcomes new recruits from Iacon into his ranks.

Everything ends with the two leaders looking up toward the surface, ending with Optimus overlooking their world and seeing a Quintesson ship flying away as he gives his closing narration.

This is roughly how I would adjust the movie, minus all the itty bittie things that would have to be brought up with the animators and voice actors. But plot wise, these are my adjustments. It would lay the groundwork for future films and also establish character lore early. So yeah, enjoy my take.

Arguments Against My Critiques

(Q&A against Strawmen. More of a joke than anything else don't take it too seriously.)

The movie is aimed toward a younger audience. You shouldn't be so serious with your review.

The movie had Megatron quite literally tear a mech in half. On screen. No cuts. It also dealt with the slaughter of actual Primes and touched dark themes like slavery and the beginnings of an Orwellian society on Cybertron. Sure, it had jokes and gags aimed at younger audiences, but this film was created with so many Easter eggs and callbacks that I cannot find it in myself to believe the creators were aiming for a children's film. They made it for Transformers, a franchise forty years old. When messing with such an old franchise that has always touched delicate and serious themes throughout all its media, you have to consider old and new fans alike.

Thus, I feel no inclination to be nice in my assessment. This is a film that's trying to reach all Transformers fans, so I will assess it as a full and proper movie.

The studio only had 75 million dollars and a tight time limit for the film. Can't a few allowances for pacing issues be made?

No, no allowances cannot be made. A good piece of media should be able to stand on its own, and a well constructed film should be capable of cutting excess fat in order to keep the movie on track. Transformers One was trying to do the seemingly impossible by shoving an entire origin story in one film. While I think it was possible to have been done tastefully, as seen by the glorious scenes spread throughout the film, they failed to make the pacing make sense.

They had roughly and hour and forty minutes to make their story happen, and far too much of that time was spent on meaningless characters and scenes. If that time was reallocated, the film could have dealt with much of its pacing problems. It probably wouldn't fix everything considering the tight timeframe for such rich characters, but it was doable.

Additionally, 75 million is MORE than enough to make a quality film. I doubt funds were an issue here. Although they might be going forward.

Orion was in a state of shock and couldn't be expected to act perfectly considering the situation. And D-16 anger made perfect sense so there is no need to criticize them both so harshly.

I partially agree. I can't judge them too much because on their own, these traits of theirs are expected and in fact, good for their development. Unfortunately, due to the pacing, D-16's combustive rage and Orion's passiveness came off as rushed and somewhat childish on both Orion and D-16's side. I judge them harshly because their arcs feel like whiplash, or in Orion's case, unfinished. I'm willing to give D-16 a little room because his arc actually arced, it did its thing and finished in a convincing manner (disregarding the pacing). But Orion? Nah. I judge him and D-16 because they could have been so much more given TIME.

The plot wasn't that bad. The progression made sense on paper and each shift in the narrative led into the next scene without much trouble.

I'm sure it did! I really am! If I were writing a novel with this plot, it would make sense when blocked out! But the presentation of an idea is what defines it. Transformers One had a perfectly acceptable outline, I'm sure. But the pacing threw the entire thing into a blender and topped it with mustard and kale. Because of the pacing, the plot itself started to fall apart, especially with excess bloating in the form of unneeded scenes and characters. It's a shame since I'm certain that given enough time and proper progression, the jerky scene shifts could have been made spectacular.

The High Guard could have worked. They really could have. But they needed foreshadowing and time. The same goes for a lot of things in Transformers One.

Why are you so harsh with Elita-One? She finally got some spotlight and had a chance to shine!

A shiny turd is still a turd. Next question.

You can't expect every background character to have depth or for there to be a thousand cities for the cast to traverse.

True enough! But to that, all I can say is: Environmental factors.

I don't need to see Kaon, Tarn, Helex, Uraya, Polyhex, Rodion, or any of the other cities seen in various Transformers lore to know they exist and feel the world is bigger (And if they don't exist in TF One then it would be a great hint at the horrors inflicted by the Quints to state that there are no other cities anymore). All it would have taken was a bit of background lore and attention to detail to make me and other viewers feel like there's more to Cybertron than a cave, a field, and a city. A few posters on the walls, some background chatter from side characters, maybe even Bumblebee mimicking various accents from around Cybertron since he's meant to be comic relief. Heck, just show various flashes of bots in other cities being shooketh during the big reveal with Sentinel and suddenly the world feels so much more lived in.

And for characters? I don't need Soundwave's entire biography to feel he's rich. Look at Arachnid. I know next to nothing about her but she feels alive. All the side characters needed were important side roles and a few actions worthy of note. Think of TFP Soundwave who hardly ever centered but was always there. Always doing something to assist the main story. It really shouldn't be that hard to make a world feel alive. Just attention to detail.

Why does the voice actor for Orion/Optimus matter so much? What's the point in focusing so much on it?

It matters because there is a distinct change between Orion Pax and Optimus Prime. Frankly, you could have anyone be Orion because Orion is the origin. But when it comes time for him to grow, to become more? That's when its time to put on a warface and give Optimus Prime a voice that matches the name. Optimus Prime isn't just a name, it's a title, it's a long string of powerful characters each showcasing empathy and strength in equal measure. If Optimus's voice is not distinctive or powerful, his resonance as a character is seriously damaged. Now why don't I share this opinion for Megatron? Because Megatron doesn't have a frickin relic in his chest. Megatron is a voice for the people. Megatron is the embodiment of strife and anguish. His rage and his passion is what gives him distinction, not necessarily the commanding tone of his voice.

It's a difference in character that makes me care so much about the voices for Orion Pax and Optimus Prime so much.

Why bother with such a long review at all?

Because Transformers One is the first not-garbage to come out in over a decade. (No, I do not like Earthspark. That's a whole other animal and I don't think I'd have the willpower to actually watch the thing again for a review of this length.)

I want to give this film the respect it deserves by showing my every thought for it. I want to show people that despite all its good and bad features, its still something to think about and acknowledge. I don't want something this groundbreaking for our beloved franchise to go down the drain because people were too apathetic to care or too blinded by new content to use their brains and help develop better things going forward.

Final Note

(Best film ever? No. Great addition to the Transformers Franchise? Yes.)

Transformers One was a masterclass in setting a scene and establishing relationships. Everything in the first ten to fifteen minutes of film was brilliant in regards to setting up the world and our main characters. Even if I weren't a Transformers fan, I would care about the brotherhood between Orion and D-16, or at least understand it. The visuals were stunning but not too intrusive and the film was clearly made with love. The characters that were given screen time were fleshed out as much as they could be considering the constraints. And while a great many things were very out of place and made no sense logically, at least within the rapid fire time frame that is the film, the overall movie was enjoyable right up until the meeting with the High Guard, at which point things became a bit contrived.

The plot was whack considering the film's short run time. Some things were very janky. The Quintessons weren't shown nearly enough or given sufficient presence. But again, lots of this was just a side effect of not having enough time to get things rolling slowly and properly as they should have been. It was a kick back, binge on popcorn, and scream at Easter eggs type movie.

If you want something colorful to look at and a half decent set of characters to enjoy, go right on ahead and watch TF One. You certainly won't rot braincells like you would watching some of the Bay films, but I can't in good concious say that TF One is better than older things like Prime. It is a brilliant concept that needed more time. It needed probably a two and a half to three hour runtime to set up, to get the ball rolling in a meaningful manner, and to establish the broken friendships and rivalries in a far more intimate manner. The concepts are lovely, the scenes are well done, but its a pity that it was cut so short and so many things were shoved together when they could have shone on their own in the proper setting.

There was so much there, and yet so much missing. So many pieces that fit well and yet so much more that was cast aside altogether. It is an imperfect thing, but this movie isn't a bad introduction or addition to the Transformers franchise, not in the slightest. Its a new start, a chance to make things better for this fandom and its abysmal run of bad movie after bad movie developed in Bay explosion style topped with far too much emphasis on humanity.

I believe that while TF One isn't going to be my personal favorite, or even the next big thing for the time being, it sets a new standard. No longer can we be fed garbage, because now we've been given a chance to look at something better. Hopefully, TF One will set the groundwork and foundation for far better films and shows going forward, giving this fandom new life and redeeming our sullied name as the big explosion robot fanatics.

TF One is flawed, but its a start. It's a fledgling attempt to make something new and interesting in a show business that is dead set on killing creativity and squashing anything of quality in an attempt to press an ideology. It is the baby steps shown by people who care. People who want to see the movies they never got. I will not fault it or the creators for existing. It may not be Lord of the Rings, War for Cybertron, Transformers Prime, the comics, or other big names, but it is a hope for the future.

It's not a bad movie. It was simply born in a bad time.

With that said, I'd recommend watching it at least once, if only to get a glimpse of what we have gotten and to have hope for what we might get going forward. I certainly intend to fill in holes with fanfiction, but that's just part of fandom, is it not? Enjoy this new piece of media, but don't take it too seriously. It's flawed just like everything else, but can be taken for what gifts it brings.

"We could have built the future together."

"I'll build it myself, after I tear down everyone in my way."

[emilys-bangs]

Orion - #14 “I can’t believe you remembered.” I think Emily would remember the smallest details about the ones she’s closest to but gets surprised when someone does the same for her. Could really go any way! Could I just request some fluff for it though? Happy 200 followers! ❤️

Anon you are so so sososo right, ty for requesting <3 I’m so behind in finishing these but whatever I really loved the way this one turned out :) reader is down so bad (me)

Part of the 200 celebration

Word count: 0.9k

In all honesty, you don’t even know what makes you do it. It could be the crisp air, or the warm scent of just-baked pastries lifting your mood, making your shoulders go loose and light before you head to the BAU. 

But really, you think it’s the coffee. Freshly brewed and bitterly dark; it reminds you of a pair of eyes ringed with thick lashes, wide under feathery bangs that dip into the crevice between manicured brows. 

Just the thought of your coworker brings a heat to your body. You flush under your coat, hands clammy and warm as you reach the counter and order one coffee for you, one hot chocolate with extra cinnamon for Emily.

“And can I have two of those croissants?” You point to the pain au chocolates, thinking there’s no point in handing her a sweet drink without also getting anything to eat. Emily mentioned it a while back, when the two of you were on a stakeout. On cool fall mornings—any mornings, really, but especially those—she prefers a hot chocolate over a coffee, something sweet to give her that rush when the sun is just barely off the horizon. It wasn’t really surprising to hear—she has a sweet tooth to rival a young child’s. That said, you almost never see her with a cup in her hand; she comes in, almost every day, just a few minutes before what could be technically considered late.

You have a sinking suspicion that even if she did end up crossing the line one day, a pointed heel accidentally slipping over it, she’d be able to slither her way out of a reprimand, charming and sly. After all, it’s easy to fall prey to the entrancing curve of her lips, the half moons of her dimples gently digging their heels in ivory cheeks. 

The yell of your name breaks you out of your unwarranted daydreams. You blink and find yourself back in the warm bakery, enveloped in the scent of sugar and coffee beans.

God, you need to stop thinking about her.

Which proves difficult when you’re carrying her an armful of breakfast, a smile tingling at the corners of your lips whenever you catch your name scrawled on her paper cup. Pressing the elevator buttons is a struggle, but it’s one you don’t mind as you rise up to the sixth floor and something far more interesting than paperwork.

It’s only when you approach yours and Emily’s joint desks that you remember the others. Morgan and Reid lounge in their chairs, bickering about something you’re sure is too early to bicker about. JJ seems to be locked in her own office, but your stomach preemptively twists in knots at the thought of them seeing the handoff, your hands empty of treats for them.

You inhale a deep breath and keep your eyes forward, not chancing a glance at anyone but Emily, who looks up with a smile when she sees you approach. Distantly, you think it’s unusual that she’s here so early, but the thought evaporates when her eyes brighten.

“Morning,” she says, and her voice is already smooth honey, warm and inviting as you approach. Her eyes drop to the cup holder in your hand, the paper bag gripped between your fingers. “Got anything for me in there?” She teases.

Oh, only if you knew.

“Actually I do,” you smile, irrationally proud at the way her brows lift in surprise. Finally reaching her desk, you set down the cup holder and loosen your grip on the paper bag. “Got you breakfast.” You say softly, almost hoping to keep the words between you and her.

Emily’s mouth parts. For a moment she stares, almost in shock, before regaining her composure. 

“Thank you.” She says sincerely. Her eyes are piercing on yours, then trailing over your jaw and cheeks, in search of a reason, no doubt. “You didn’t have to.”

You hum, dropping your gaze before you confess your love. “Yeah, I know. Here,” you pluck out the heavier paper cup from its holder, “it’s hot chocolate.”

Emily’s smile turns incandescent. “It is?” She gasps softly, her pupils blown wide. Her irises turn to thin rings, her voice dulcet and warm, almost as sweet as the drink in her hand.

Your heart flutters.

“It is. You said you like hot chocolate in the mornings.” You say quietly. Somehow, the words sound like I love you. “Uh, thought it’d go well with the croissants,” you mumble, but Emily is still hung up on the chocolate.

“I can’t believe you remembered.” She whispers, her fingers tightening around the cup like it’s something precious.

You shrug and take the opportunity to shed your coat. Heat simmers under your skin, crawls up your jaw and to your ears. “You remember stuff about me all the time,” you say, taking your load and your coat over to your own desk. Pretending like it’s no big deal. Like you don’t want to get her hot chocolate every day, just to see the shine in her eyes.

Emily looks down. She chews on her lip as she pops open the lid, a flush spreading over her pale cheeks. You blink in surprise, thinking you’d imagined it, but the blush remains firm, staining her skin a soft, rosy pink.

“Oh, c’mon, hey.” A voice breaks through the silence. You distantly identify it as Morgan, but you’re too busy tracing the blush with your eyes. “None for us?” He asks; you’re not sure how serious he is.

Emily looks up. Her eyes meet yours, expectant. You look away and clear your throat, swallowing down butterflies as they rise from your stomach. 

“Nope.”

taglist: @suckerforcate @sickoherd @lextism @catssluvr @i-lovefandom @haiklya @justhereforthosefics @storiesofsvu@ashluvscaterina @basicallyvivi

[d0llcuries]

CURIOSITY

pairing(s): orion pax x fem!cybertronian!reader

summary: you caught him red-handed! fortunately for him, he doesn't seem to mind at all.

author's note: the way nobody asked for this LMAOO. whateverr

orion wasn’t supposed to be here.

the hall of records in iacon wasn’t a place for mechs like him—too quiet, too controlled. it was nothing like the mines, where everything was loud and constantly breaking down. his frame wasn’t built for the delicate silence that lingered in the air. it was all too clean, too refined. he was just a miner—rough around the edges, marked by the press of hard labor, the grit of his life below ground still clinging to him like an afterthought. here, it was still, like even the air was afraid to move, and orion, with his dirt-covered plating and rough edges, felt out of place by just breathing in it.

it hummed with the weight of millennia-old history, each data strip stacked with a kind of knowledge he’d never needed before, never cared to learn. and yet, here he was, stepping into a space where the glow of the archive lights felt like a spotlight aimed straight at his back. it felt wrong to be here. but he was.

he had to be. the others were counting on him. counting on this risk, this stupid, reckless chance he’d taken because no one else would. because he was the only one dumb enough to think sneaking into the archives could make a difference, that he might actually find something useful buried in all these ancient records. something to change things for them. help the miners, help the mechs who spent their whole lives breaking their frames for endless crates of energon. give them a way out of the dirt and the darkness, show the rest of cybertron that those born without a cog were just as worthy and special as those who could transform.

now, he didn’t exactly have a plan, but he figured he’d know what to when the opportunity to do something presented itself. that was the kind of logic he lived by: act first, figure it out later. it hadn’t killed him yet.

but then he saw her, and everything else fell apart.

she was standing by one of the consoles, a mech built for this kind of space—quiet, composed, her movements deliberate. smooth lines and soft curves. she blended into the room like she was part of it, but orion couldn’t stop looking. it was like the stillness bent around her, and she was the only thing real in the room.

his processor lagged, cycling through useless thoughts about how different she was from anything he’d seen before. how calm she was, how she seemed to belong here, where he didn’t. and, for a moment, he almost forgot why he came. he was staring, no point in denying it, and that’s when she spoke.

“you’re not supposed to be here.”

his frame stilled, optics shifting from the corridor back to her—leaned up against the console, her posture relaxed in a way that made him second-guess his decision to leave. “uh… not exactly, no.”

“and you are here because…?”

he scratched the back of his neck, shifting his weight. “i figured it wouldn’t hurt to look around. you know, expand my knowledge and all that.”

“right.” her voice stayed even, neutral, though the faintest twitch of her mouth gave her away. “because miners always come to the archives to ‘expand their knowledge.’”

he laughed under his breath, the sound short and awkward. “well, we’re full of surprises.”

“clearly.” she tilted her head slightly, optics lingering on him a second longer than necessary. “you must be very curious.”

he shrugged, stepping closer. “i like to think i’m a mech of many interests.”

she raised a brow, almost teasing now. “you take interest in sneaking into places you don’t belong?”

he smiled a little, trying to keep his voice casual. “just a little.”

she hummed in understanding and everything remained silent for a while.

“you gonna turn me in?”

her optics flickered down, back up again, and something about the way she looked at him made the wires in his chest feel tighter, more constricted. “you really thought i would just let you walk out of here without saying anything?”

“i was hoping for something along those lines, yeah,” he said with a small grin.

she studied him for a moment, her gaze steady but unreadable. then, with the faintest tilt of her head, she asked, “and what do i get out of that?”

he blinked, not expecting that question either. “what do you want?”

her lips quirked, not quite a smile, but close. “now that depends on the offer.”

“the offer?” his voice dropped slightly, a playful edge slipping into his tone. “what makes you think i’m in a position to offer anything?”

“you’re the one sneaking around in a restricted area,” she countered, her optics narrowing just slightly, the amusement clear now in her voice. “seems like you’re the one who needs something from me.”

he exhaled, leaning in just a little, close enough that the air between them felt charged. “maybe i’m just here for the conversation.”

“mm.” her gaze flicked down briefly, then back up to meet his. “you must be terribly bored to come all this way for that.”

“not bored,” he said quickly, almost too quickly, and then laughed at himself. “just… curious. like i said.”

her optics lingered on him, and this time, there was no question in the way they softened, even if her expression remained cool. “you could’ve come during normal hours, you know.”

“where’s the fun in that?” his grin widened slightly. “besides, it’s quieter this way. fewer interruptions.”

the corner of her mouth lifted just enough to be considered a smile. “so you like the quiet?”

he shrugged again, trying to keep things light despite the way her gaze seemed to make his processor stall. “sometimes. depends on the company.”

…

“so,” she continued after a beat, her voice back to that easy, cool lilt, “what do you plan to do with your ‘expanded knowledge’ now?”

orion blinked, his processor stuttering again. “uh…”

she smiled then, fully this time, and it hit him like a shock to his circuits. “that’s what i thought.”

he laughed, more out of nerves than anything, but he couldn’t help the way his own smile lingered. “guess i’ll have to figure that out.”

“i guess you will.” her voice was soft now, her optics still holding his, and for a moment, neither of them moved.

then, without another word, she turned back toward the console, like nothing had happened, like the entire conversation hadn’t left his spark thrumming in his chest. “you should go,” she said casually, though there was something warmer in her tone now, something almost amused. “before i change my mind.”

orion straightened, forcing a breath he didn’t realize he’d been holding. “right. i, uh… yeah. i’ll go.”

but as he took a step toward the door, he hesitated, glancing back over his shoulder. “unless, of course… you want me to stick around.”

“another time, maybe.”

he nodded, more to himself than to her, and turned to leave. “i’ll hold you to that.”

as he slipped out into the hallway, he couldn’t help but feel lighter, his spark still humming with the unspoken tension that hung in the air between them. maybe he’d have to find an excuse to sneak in again.

[sroloc--elbisivni]

i've been reminded of my old 'Transformers No War AU, Lord High Protector Megatron mentors punk bodyguard Hot Rod' AU that I don't think I'll get around to ever actually writing in fic form, so please enjoy this bullet point outline:

standard setup of a no-war prime and protector au. megop married and gross about it especially because megatron spends most of his time in space beating up quints doing the liberation thing.

well, not personally beating up quints, that's the problem, he has bodyguards now who won't let him do things like 'beat the shit out of a 50 foot alien monster'

because it would be a 'political crisis' or something if he died. whatever. cowards. faithless cowards, every one of them. as if he'd get killed.

but over time he has finally managed to shoo off, scare away, bribe with better positions, or otherwise resort to shameless matchmaking to get rid of most of them and now deadlock, his last remaining bodyguard, is married off and bothering his husband about personal safety instead of megatron

so he sets off thinking it's going to be a great trip except there's a teenager by his chair on the bridge. there's a teenager making fun of him. the teenager has flames painted on him and he's calling megatron an old man. wait what--

what do you mean you're the new bodyguard. what kind of a name for a bodyguard is hot rod

so of course megatron calls optimus to complain, immediately, to go 'i KNOW you're up to something, WHAT is this, why do I have a child, you CANNOT trick me into this I WILL not fall for it' and optimus just goes 'please i can't tell you why yet i just need you to trust me that he has to go with you'

megatron, because he is whipped, goes '....fine'

Mentoring, Reluctantly, Ensues. neither party is happy about this.

(megatron at one point calls up deadlock to complain and deadlock goes 'oh yeah hot rod i wrote him a recommendation letter for the job :D')

blah blah plot happens they bond eventually they are in a tight spot and hot rod sets himself on fire to get them out of it

it takes a lot out of him and he's woozy and giggly and megatron has to carry him back to the ship and he goes 'you're a terrible bodyguard. i bet you've never even killed anybody' hot rod, loopy: untrue! i killed zeta megatron: megatron: you fucking What.

turns out that back during the revolution, during one of those crazy months right after nyon got blown up (hot rod also killed all those people but he Doesn't want to think about that), when then-orion pax vanished for a while and came back with the matrix and was like 'yeah it's fine zeta's dead it's not important'. it was kind of important

sequence of events from op's perspective: when hot rod blew up nyon OP went 'oh my god you are a Youth' and took him under his wing to keep an eye on him and also to have someone else to do paperwork

op and hot rod both got kidnapped by zeta because it turns out that carrying the matrix means you can sense who else is a viable candidate for the matrix so zeta, now kind of insane, went off ranting about how orion was trying to build a dynasty to replace him and he and hot rod both went 'what the fuck are you talking about'

stuff happened. hot rod maybe burned him from alive to Very Dead and op retrieved the matrix and hot rod went 'i don't want anyone to know about this ever' and op went 'you know what that's fair you didn't sign up for this'

so OP has kept it on lockdown ever since and hot rod went off and joined the wreckers and jaunted around the galaxy for a bit and then wound up back on cybertron

and the priesthood took an interest in him. because there are Signs. and hot rod went from just a dude going to temple because he likes the music and has thoughts about theology and sometimes talks about it with OP to 'hm these sure are people in authority paying attention to me what a bad sign'

OP saw that hot rod needed to get off cybertron and decided to kill two birds with one stone

back on cybertron: priesthood: where is...the young bearer....(translation: can we talk to the kid instead of you, he seems impressionable and like less of an asshole) OP, an asshole : oh I sent him to go stay with the Lord Protector :) (translation: if you think you can get through megatron be my fucking guest)

megatron, after having dragged this story out of optimus over the long-distance call: i know you said no last time I suggested this, but I really think you should let me murder the priesthood optimus: megatron they do all of the IT work

this story has no real ending which is the main reason it probably won't exist, but it amuses me very much to subject these idiots to each other, and i hope it will amuse some of you.

[iridescent-serpent]

Back at it, back again. Also Ngl I May need to start a AU tag for the bayverse stuff bc I’m pretty sure I’m starting to hit that line. Yippie.

(Also @orion-archives I know there’s no Meg here for u (sorry 😔) but I’d love to hear ur thoughts :3!!!)

Anyways, got caught up in how Nemesis Prime (evil clone of Optimus) would fit into this, and it was uh, interesting. Was originally gonna go base route of black/red coloring of bay!oppy (but with the lines of the flames colored instead of fully) but then it turned into this

Here’s my base pages, the one of the left was my initial starting point and the one on the right is what it ended up being (though Nemesis is still gonna be prone to being redesigned, I can Feel it)

Reason I did this all? Wanted to draw a meme, which was Difficult (not about drawing Oppy, he was easy peasy)

Despite how downtrodden he is, he is Still an Optimus Prime. Living example of unhopeful optimism, would love for the universe to be nice to him for once but he does Not expect it.

Also a piece I did to Really nail in Nemesis vibe, which started as opposite Optimus (upbeat and kinda insane with no chill) and then it turned into religious guilt (how’d that get here)

Some extra doodles and past attempts of the meme (I went through So Many Brushes, and I’m still not happy) underneath readmore

A doodle to show the general vibe of how I felt toward nemesis during this

And the past meme versions!

Also! For those who actually clicked under the readmore, you get a free preview to a comic I’m thinking of making :3! It’s just the rough draft (key panels). It May become a part of a prologue for my re-imagining on bayformers, otherwise it’ll just be a solo comic.

[necromancer-at-abattoir]

THE TRAVESTY OF THE VIRGIN GODDESS ATHENA

Note: red highlighted parts are important and must be read.

This is a link to a post that beautifully talks about Rick Riordan's horrendous portrayal of Athena and the other goddesses down below-

It's a must-read. Please read it.

ATHENA SHOULD NEVER HAVE HAD CHILDREN IN THE FIRST PLACE

Rick has made many, many egregious writing decisions. I can't say which one is the most horrible, but a leading candidate is the fact that he chose to make Athena, a virgin goddess, have children.

For the shocked Pikachus who have had the utter bliss of not having to know how Rick Riordan ruined Athena, yes, Rick made Athena have children.

She doesn't lose her virginity though-she has brain children formed from the thoughts of her and her lover, which she considers the purest form of love.

And this is terrible, because the Ancient Greeks equated virginity to not bearing children and not marrying. If Athena bears children, then how can she be a virgin?

Yes, Athena's children ARE HER CHILDREN. They are explicitly called her children. And she's said to be their mother. That means that she's not a virgin anymore.

And Athena's virgin goddess status and refusal to marry reinforced her role as a powerful goddess who was independent. Marriage symbolized subordination to a husband, so by not marrying, Athena's autonomy and power were shown very clearly.

Athena's key qualities-wisdom, strategy and war-are associated with rationality and independence, which were not associated with love in Ancient Greece. If she loved men, then she would be unable to retain her identity as goddess of wisdom and war.

Virginity oaths for goddesses were taken very seriously. When Artemis came close to loving Orion and breaking her oath, Apollo decided to kill Orion and risk the long lasting wrath of his sister rather than having her break her oath. That's how serious they were.

And this is already so terrible, but you know what the worst part is?

She doesn't tell her lovers that she's going to give them a baby. She just forms the baby and then DUMPS it on them, which is horrible, because-

ATHENA IS THE GREEK GODDESS OF WISDOM!

NO GODDESS OF WISDOM WOULD DUMP A CHILD ON AN UNPREPARED MORTAL'S DOORSTEP AND FORCE HIM TO RAISE THE CHILD WHEN HE DIDN'T WANT TO!

IF RICK HAD TO MAKE HER HAVE CHILDREN, WHICH IS ALREADY SO HORRIBLE, THEN HE ABSOLUTELY SHOULD HAVE MADE ALL THE MORTALS WHOM SHE HAD CHILDREN WITH REQUEST HER TO AND GIVE THEIR CONSENT TO THE PROCESS!

And Athena did not even have to have children in the first place.

ATHENA SHOULD NOT HAVE BEEN A BAD MOTHER

Also, even if Rick was inexplicably desirous of going through the terrible process of making a virgin goddess have children, did he really make ATHENA, goddess of WISDOM, think that Annabeth would be well-treated and cared for with a single father who was unprepared and did not even want her in the first place?

Athena was a bad mother to Annabeth simply by creating her without her father's permission and placing her with a father who did not want her, thus leading to Annabeth being neglected and abused. Athena knew that Frederick didn't want a child and still created one and made him raise her-she didn't even give Annabeth away to an adoptive family who would most likely have raised her better.

On some level, she knew that Annabeth would be traumatised-even Frederick would be traumatized by her actions. That makes PJO Athena a horrible person and a bad mother.

She did claim Annabeth, but she also let her wander the streets even if she guided her to help-and that help was two other traumatised children.

And to say that she let her children fight their own battles-a seven year old shouldn't have to fight their own battles when their battles are monsters and living on the streets. Gods have been shown to break laws multiple times, so why didn't Athena do this? Zeus wasn't watching all the time and he's pretty much the only one who enforces these rules.

And when she deems one of her children worthy, she gives them a Mark and sends them to find her statue, despite knowing that it's fruitless and that all of her other children have died.

Just read this post-it explains a lot.

Let me digress here and tell you a little something about Myth! Athena.

Athena had an adopted child in the myths. His name was Erichthonius, and even though he was a product of an attempted rape on Athena, she adopted him as her own, wishing to make him immortal, and frequently protected him. He, in return, honored her by founding a festival for her (Panathenaic Festival) and setting up a wooden statue of her on the Acropolis. Their relationship was a very good one-

So tell me, why would Athena conceive a child without asking the father for permission and then force him to raise a child despite knowing that he did not want to?

Exactly. Real Athena would never do this. Rick's Athena would. Note the difference, please.

Of course, this is just another frustrating portrayal of a Greek God as a bad parent which continues throughout the PJO series-then again, that is its core foundation. Still, thought I'd write this section just to set things straight.

HOW SHE'S INCORRECTLY PORTRAYED

Athena is quite vilified in the original PJO series and all throughout the franchise.

First of all, she disapproves of Percy's relationship with her daughter. This is at first understandable, because he's a son of Poseidon, her archnemesis, and at first glance she might not like him.

But something annoying here is that she always gets bad moments with Percy, threatening him if he dared cross her, while POSEIDON NEVER GETS ANY BAD MOMENTS WITH ANNABETH.

In fact, Real Poseidon is more likely to be the person who hates Percabeth given his mythological characterisation, though he would lay off Annabeth for the sake of Percy, because he loves his children very much.

Setting that aside, my real concern here is how Myth! Athena would not do this.

Real Athena, would judge Percy based on his merits and not his parentage.

Of course, she might threaten him if he crossed her or her daughter, as befitting of a goddess, but she wouldn't continue to judge him based on his parentage. Once he proved himself, she would help him and not threaten him.

In fact, in some versions of Theseus' myth, including the one used in Percy Jackson's Greek Gods, he is a son of Poseidon, so Athena actually helped a son of Poseidon, that too in the PJOverse, so it makes no sense for her not to help Percy when it's for the good of all of them.

She also helps Bellerophon, a son of Poseidon, in the myths. In fact, she does this in the Riordanverse too, so why she would hate Percy after helping Bellerophon and Theseus?

PJO Athena also tells Percy to stay away from her daughter during a war, when romance should be the last thing on her mind.

I mean, if Athena told Percy not to get distracted by Annabeth and focus on the bigger picture which would be beneficial to everyone, I'd understand, because she's the goddess of war tactics and wisdom.

But no-her message explicitly tells Percy to stay away from her daughter because she didn't like both of them together.

And yes, she doesn't like Percy because he's too loyal and he was apparently supposed to choose a dear friend over something more important when she thinks that he should choose the big picture but his loyalty never causes any serious consequences and everyone is fine in the end, so this is absolute nonsense and it's not a good reason for her anymore.

Let me digress and tell you a little about real Athena here.

The REAL Athena would help Percy commit war crimes if it helped their side win. Hell, she'd play matchmaker for him and her daughter if it somehow helped them win (well, Aphrodite could do that, but you know what I mean.)

Real Athena was a patron of Odysseus who was a literal war criminal. Actually, she was considered to be one of the most important gods in the Odyssey. She even helps Diomedes by blessing him and directing him to wound the god Ares as well as the goddess Aphrodite (Who caused the Trojan war).

Also, Real Athena is considered a patron of heroes. Not only that, she helped tons of heroes. Odysseus, Hercules, Perseus, Jason, Bellerophon, the Argonauts, Achilles, Cadmus, Tydeus and Theseus.

She also aided several women such as Penelope, Eurynome, the Danaids, Menippe and Metioche and Nyctimene the last of whom she turned into her sacred symbol, the owl.

Athena was also believed to have invented every kind of work that women in Ancient Greece did.

The only time Athena abandoned a hero (Tydeus) was when he committed cannibalism-before that, she planned to make him immortal, in fact, but left him in disgust when she learned what he had done.

There was so much that Rick could have done with her status as a patron of heroes-have her help and advise Percy and Annabeth on their quests (indirectly so as not to risk her father's wrath). Helping Annabeth get over her prejudices and chastising her for letting her jealousy of Rachel almost ruin her chance for a successful quest.

Not.........whatever the mess that PJO Athena is.

And yes, I know that she's thought to have helped Percy in The Titan's Curse-but she just gave him a useless platitude. That was barely help at all. The only time she really helped was when she sent Hermes back to inform Annabeth about Plan 23. For a wisdom goddess of war tactics, she is surprisingly little help in the war.

And in Heroes of Olympus, a lot of people blame Athena for her cruel treatment of Annabeth while it was in fact Minerva who gave Annabeth the Mark. Athena was severely split between her Roman and Greek form and was unable to properly think at the time.

THE SUBTLE YET CONTINUOUS WAY RICK TURNS US AGAINST ATHENA

And it's clear that Rick continues to denigrate Athena-not just by using which myths he wants (Medusa being turned into a demon by Athens after willingly doing it with Poseidon in her temple in TLT, and now Ovid's myth in the PJO show) which he's allowed to do-

but he also actively takes the myths and twists them to form his own version.

Confused? I'll elaborate.

In case you didn't know, there's a Percy Jackson book called Percy Jackson's Greek Gods and Heroes, where Percy rewrites a lot of myths from the Greek Mythology.

I'll give you some advice-just skip it. It tells you about the myths, yes, but it's quite biased, and if you don't know the real myths, please read the real ones first and then read these if you really want to.

You see, if you think that it's just a book, you're wrong.

This is written in a biased fashion and subtle comments like these turn you against certain gods and goddesses that Rick doesn't like.

When Aphrodite arrives at Olympus, Rick writes all the women as immediately thinking, 'Oh, I hate her because she's the most beautiful of us all.' Not the goddesses. Just the women.

This is also shown with Ares, where Percy calls him a bully, loser and a jerk. He also says that he wanted Poseidon to beat Ares up when Ares was defending his daughter from being raped by Poseidon's son because apparently it would have been awesome to watch.

This is shown with Aphrodite as well when Percy outright states that he hates her and twists the stories about her by rewriting the narrative and adding subtle comments to make us dislike her.

It uses terrible sarcasm which is concerningly childish for a grown writer. I don't know what Rick has against Ares or Aphrodite. He definitely has a hate boner for Ares.

Sorry, I digressed a little bit there. Returning to the subject of this essay-

Athena is featured in some of the stories in this book. In one, Athena and Poseidon compete to be the patron of Attica. When Athena says that she has an idea as to how they can settle this peacefully, Rick writes- 'Typical. Athena always had some sneaky idea.'

................Really?

This wasn't a sneaky idea. Athena literally said that she had a fair idea for a competition-both of them would create gifts and the mortals would decide which one was better. How is that sneaky?

In Percy Jackson's Greek Gods, he writes her as a romance-hater (242-243 page no). While there's no evidence to indicate that she likes romance, making a virgin goddess who's heavily implied to be aroace hate romance is very aphobic. Not everyone aroace hates romance-that is a negative stereotype.

Of course, Rick promotes these stereotypes, so what can I expect from him. *Sigh*

Rick subtly makes Athena seem unlikeable like this. It's one of my biggest frustrations-that he makes gods that he doesn't like evil in one way or another through blatantly incorrect misinformation or subtle denigration like this.

All right, so moving on to the more serious story in which Athena is deprecated yet again. It's called 'Athena adopts a handkerchief'.

Brace yourself.

So in the original myth, after Hephaestus catches Aphrodite cheating on him with Ares, he's pretty depressed.

So when Athena comes to him to comfort him or ask him for weapons, Hephaestus literally tried to climb on her and RAPE HER, and she DEFENDED HERSELF from him. A woman defending herself from a man trying to rape her-that's what it was.

But Rick specifically writes Hephaestus begging and pleading and oh so miserable, even when Athena clearly walks away and yells at him to stop. And then Hephaestus cries into her bare leg, and she kicks him away in disgust.

We're supposed to root for Hephaestus here, and even if we aren't, he's still portrayed in a sympathetic light, which is completely fucked up.

Let me tell you something. If a person is crying and begging for your attention and walking after you and grabs you, whining, even after you clearly and firmly tell them not to-

You can defend yourself from, even physically. Doesn't matter if you're a girl or boy or if they're a girl or boy. You have every right to kick them away. Now matter how pathetic they seem, they are still knowingly coming after and harassing you.

But there a lot of people that don't think like this. They feel bad for men who seem 'pathetic' and often denounce women who reject men like this, even though the women have every right not to want to be with men, even if the man seems pathetic and lonely.

Rick wrote Hephaestus to seem pathetic (he literally called Hephaestus poor guy WHEN HEPHAESTUS WAS TRYING TO RAPE ATHENA) and Athena to be cold and bitchy for not acquiescing to Hephaestus' wants, thus flipping the script to make us feel bad for Hephaestus and disdain Athena.

And yes, even if Athena was ultimately written to be the one in the right here, most people will favour Hephaestus and disdain Athena in this narrative simply because of the way their behaviour is written.

It's ingrained in our brains and psychology-let men off, blame the women. Nearly everyone thinks like this-it's practically the default way for society.

I'm not saying that everyone thinks like this. There are very good people who don't think like this or are working on their behaviour and thoughts...........

But they're a minority. There are too many people who default to the 'men good women bad blame women automatically' mindset, even the supposedly progressive ones.

Rick knew the original myth and instead, he chose to twist and write it like this, having us root for Hephaestus instead. That HAS to tell you that the guy has some form of misogyny about Greek Goddesses.

Red flags for Rick Riordan? Hell yes. This was published in 2014, so we can only hope that he's improved on his behavior a decade later, but considering the recent changes in the show, I don't think it's happening.

ATHENA ISN'T ALWAYS WRITTEN BADLY IN PJO

Now, I'm not saying that Athena is always demonized when she shows up. She has a few good moments in PJO and there are some good parts to her.

She realises that Typhon was a distraction and convinces Zeus to send Hermes back, thus greatly helping the demigods.

(But this is overlooked because Rick made her tell Percy to stay away from Annabeth for no good reason. He didn't have to do this at all-but as a very wise person once said, this was another way of trying to distance Percy and Annabeth but not knowing how to properly do so, and of course, Athena becomes the scapegoat who must take on the blame here even though Poseidon could have also said this, thus giving him an actual moment that shows that hey, he's not all-good, Percy and readers!)

She does love Annabeth, as seen when she guides her on the streets to help, immediately claims her at camp, gives her the invisibility cap, appoints her the architect of Olympus itself and compliments her in front of the entire Godly council and many demigods too.

When Annabeth is in Tartarus, she speaks to her and tells her that she did well and gives her a message to send, indicating a gesture of trust, honour and respect from mother to daughter.

(But she was also a bad mother to Annabeth for reasons I've stated before in this essay. She neglected her, forced her to stay with an abusive father, did not bother to find an adoptive family for her, etc)

In Percy Jackson's Greek Gods, she instructs Cadmus on what to do with the dragon's teeth. She rightfully blinds Tiresias for staring at her while naked and not immediately looking away and covering his eyes, but then gives him a walking stick and lets him understand the language of birds so that they can direct him when she learns that it was an accident.

She also helps Percy on his quest in Chalice of the Gods by sending Ganymede and the cart that Percy's hiding in back to the kitchens to save Percy.

It's just that...........her portrayal in PJO had some serious problems. It was hideous, horrendous, ghastly, frightful, atrocious, shocking, appalling, grievous, gross and a whole of lot of other synonyms to match. And she is more often than not criticised and hated on for her bad moments than she is noticed for her good moments in Percy Jackson.

CONCLUSION

I know that Rick is free to use whichever version of the myths he wants, but I just want you to see that he denigrates her and portrays her in an appalling manner. Making her have children without the father's permission and forcing the children onto them and making her neglect her children was absolutely unnecessary and Athena did not need to have brain children.

Now, I'm not saying that Athena isn't portrayed in a positive light. She does have good moments in Percy Jackson, but what I want to say is that a lot about her characterization in Percy Jackson is absolutely egregious for the most part considering her actual mythological counterpart.

Athena is the only virgin goddess who has children, and she's also the only virgin goddess who's portrayed as an adult. Coincidence? I think not. In fact, if Rick hadn't made Athena have children, he would have made her a child too.

He turned Hestia into a child for no reason at all, so it's not entirely implausible to think that he would make Athena a child too-probably use the stupid excuse of 'children learn better and their brains are more flexible than adults' brains!'

(I don't want to give him any ideas.)

To conclude, Athena more often than not demeaned in PJO and her overall portrayal is absolutely ghastly when compared to her mythological counterpart. There are a few good parts to her, but not many, and her portrayal in such a famous pop culture series that has impacted so many people will be an eternal tragedy.

@superkooku

@cynthiav06

@fandomloverangel

[the-one-and-only-taffie]

Back with more White Diamond x Sentinel Prime crackship nonsense baby!!!

Ever since I first thought about these goobers, I haven't known a single day of peace (mostly cause the ideas are just racking around in my brain)

So here's a list of headcanons I came up with for Prime Diamond! If you have any questions regarding this ship, my ask box is open. Double if you have any thoughts or anything to add, go on ahead! I hope y'all enjoy!

I may make a part 2 when I come up with more lol

For this relationship to even be possible (as possible as a crackship between two characters from completely different franchises can be), it will have to take place Post-Steven Universe Finale/Future when White Diamond is in her therapy, self-help guru era. And when Sentinel Prime is... alive.

Also, I have been trying to do research regarding this but since the results are so inconsistent, I'm gonna assume White Diamond is around 80 to 90 ft tall and Sentinel is around 60 (based on how he's double Orion Pax's height and apparently TF One Orion is around 33 ft tall). If you know their actual canonical heights or anything close to that, please lemme know!

As mentioned in a reblog, White Diamond would take an interest in Sentinel Prime as a sort of little DIY project. Though he tries to hide it, White with her supernatural intuitiveness can tell there's more to him than meets the eye (he's an asshole). Having been inspired by Steven to see the worth and beauty in imperfections, she wants to give someone like Sentinel a chance like Steven did for her. Though she is making genuine strides to improve upon her previous controlling and obsessive behavior regarding perfection, this aspect of her will resurface in her attempts "fix" Sentinel while in a relationship with him. She adores and finds much interest in his "positive imperfections," but helping him improve on his more negative ones wouldn't hurt, right?

Other reasons she developed an attraction to him is for the same reason all the Sentinel fangirls did: he's just so... pathetic. When he tries to impress her with stories of battles he's never fought in and gives her a tour of his treasure room full of artifacts he didn't discover, she can tell he's trying way too hard to impress her. She finds this cute and charming rather than douchey and desperate.

Sentinel Prime pursued her because, as stated in a previous reblog, "his diva ass was always going to try and seek out a gem fit for a king." He laid his eyes on an 80-90 ft giant alien rock woman and thought,"I need her." As any sane person would. She was supposed to be nothing more than another symbol of wealth for him to show off to the other elites and officials of Iacon City to further cement the royal image he works so hard to maintain. He definitely underestimated how overwhelming White Diamond can be, and I am not just referring to her height.

Sentinel would rather have his spark be extinguished than admit to this, but his stabilizing servos get wobbly at the idea of his alien girlfriend being so much taller than he is. His pride would never admit to this, nor would it accept someone taller than him accompanying him. He believes that as a "Prime," he is supposed to be much taller, bigger, and more imposing than those around him.

Whenever they make a public appearance, Sentinel insists that White shrink herself to a height more tolerable for his fragile ego. He bullshits an excuse about their buildings not being designed for a being as tall as she is. White obliges, but given how Iacon was built when the previous actual Primes were all gigantic and alive, she quickly figures his lie and confronts him about it. He'd just lie again and say he didn't want the other Cybertronians to be intimidated... by her beauty. Clearly, it's not because of some Napolean complex or something. Still, White is in her patience era, so she takes the compliment for what it is.

The "guy who doesn't like speeches" vs. "professional yapper" isn't a joke. Sentinel can't stand how much White Diamond loves to yap. She's the kind of person to have thoughts and opinions about anything and everything. Given that she doesn't breathe, she doesn't even need to catch her breath in the middle of speaking, so she can go on and on and on, much to Sentinel's annoyance.

He tries to get her to quiet down at times, but as White tends to do, she either doesn't hear him or straight up ignores him. Her monologuing, along with her height and just how shiny she is, is very overwhelming for Sentinel at times. The only good thing he finds about this aspect of his sweetspark is when she dotes on him and showers him with compliments and attention. As if an attention hungry fame whore needed any more of it.

Sentinel even allows White to indulge in her psychoanalysis, playing up the whole "tragic hero whose brothers and sisters perished in battle and now has to face the pain and weight of protecting his people alone" angle that she eats up. White does sometimes hit dangerously close to home, so Sentinel shuts her down before she could dig straight to bedrock and uncover the more unfavorable parts of himself he wants to stay hidden.

Speaking of staying hidden, the way White carries herself in public makes Sentinel was to keep her locked away in a jewelry box. White is excellent when it comes to using her words to inflict psychic damage or to build someone up. When it comes to social situations where charisma, relatability, and poise are needed, this is when White is at her most alien. She is not the most socially adjusted given that prior to the finale, she spent thousands of years hidden away in a world of her own delusions. She doesn't have much of a filter, something she has been working on to avoid upsetting others.

She has the habit of pointing out any interesting thing that catches her eye, especially about people, whether or not it's positive or negative. This has led to her unsettling the bots at best or offending them at worst. Sentinel then has to come in and use his charisma to difuse the situation and paint her behavior in a more positive light. Only for White to turn around and ask everyone if they ever noticed how Sentinel's wings move in accordance to his mood and how adorable it is. Everyone laughs. Sentinel is thoroughly pissed.

Sentinel definitely has more relationship experience than White Diamond. All of her knowledge comes from what she's heard from the gems that come to her for advice or from that human show the little green Crystal Gem recommended (she can't remember her name). In her attempts to emulate the behavior she's heard of and observed, she ends up coming off as cringe or detached from reality. At certain points of the relationship, she even imposes certain "deadlines" on courtship behaviors she expects from Sentinel. All his previous relationships were private, casual flings. He only made this one public because bagging a bad bitch like White Diamond is an accomplishment he felt he had to show off.

This may come to bite him in the aft when her radiance catches the attention of other bots. On these occasions, he acts possessive and showers her with attention, gifts, and affection. He tells himself and Airachnid it's because he doesn't want her to outshine him in the eyes of the public. In reality, he gets jealous and doesn't want to lose her interest and, most importantly, her attention. As overwhelming and embarrassing as she can be, a twisted part of him really craves her attention.

In private, Sentinel can flip flop greatly in how he treats White. On some days he leans on her for support and wants her to pet his wings while he vents about all the dumb, annoying bots he has to fraternize with and all the boring meetings he has to attend. White occasionally interrupts him with advice or her own views on the situation, which frustrates Sentinel. On other days, he's completely detached, not even bothering to give her the time of day. He is at his most consistently sweet and romantic when they're both in the public eye, performing grand gestures of love. This intensifies when they're on camera.

They present themselves as THE Iacon couple, but Sentinel and White argue a lot about pretty much anything. More often than not, White is trying to advise him on how to improve himself and his city, and Sentinel kindly tells her to shut up and mind her own business.

They are both very prideful people who can't accept when they are wrong. White is more willing than Sentinel to admit to it and compromise. If she believes she is 100% in the right, she won't go down without a verbal fight. She has yet to figure out how to properly counter Sentinel's "NUH UH!" though. She believes this is normal and healthy as she hears time and time again how arguments are a sign of a functional relationship. White knows how in the past she never allowed anyone to express their grievances or criticize her. If they did, she'd twist their words to further force her own viewpoint or take control over their mind and body. Seeing Sentinel passionately argue back while White practices her listening skills and only sometimes speaks over him gives her hope that she isn't regressing back to her previous toxicity. No one has told her that disagreements are healthy and normal, but frequent fights and arguments are not. And the kind of hellish circles these two go in just ain't it

[deadlysoupy]

if tf one did anything for me, it 1) made me really passionate about optimus and megatron's relationship and made me re-think the entirety of just how tragic the transformers civil war is

and 2) that i adore optimus and bumblebee's relationship even more now

the first one is pretty self-explanatory and i feel like everyone came out of that movie (who is a tf fan i mean) feeling absolutely baddy and insane

but the second one. my favourite iteration is earthspark, so my constant thought is now, compared to "oh my gosh orion and bee are adorable together i can totally see their dynamic" of tf one, is "holy shit tfe optimus and bumblebee are so dysfunctional why are they like this" and i'm just having so many thoughts about them right now

i would make a separate post but i kinda don't want to so here are my general thoughts (not very coherent i just need them out of me)

it feels very disjointed to be honest. it really seems like they wanted to give them a mentor/mentee dynamic but didn't go through with it

optimus keeps sort of kind of worrying about bumblebee without explicitly stating it, they have a lot of awkward moments (especially in early season 1 i noticed), but i can't tell if it's writers not wanting to commit or it's intentional

there are two episodes bothering me. one: episode 23, right in the beginning, when optimus sends bee to find the hidden ghost facility. they have this interesting almost silent communication, optimus only has to say "bumblebee, what's in that room?" and bee immediately knows what to do. the most important bit here, though, is where bee, after optimus warns him about potentially getting caught or killed, says very methodically "i must disavow any knowledge of your actions". and then he drives away, with optimus looking almost solemnly at him

a similar conversation already probably happened, since bee knew what to say to sort of calm optimus down, but at the same time... was optimus worried there? would he have said this had he NOT been worried?

and then there's season 3 (season 2b?). the hate plague. i'm not going to focus much on bee's perspective (that earns another post), but on optimus' instead. he tries to calm bee down, tries to reach him, tries to reason with him, and what gets me here is that he actually cares. remember, this is probably only a few days or so after the whole breakdown fiasco, and bumblebee is obviously still thinking about it. so optimus doesn't get him to track down the cybertronian ship - he's afraid bee might hurt even more. he says "i knew you would be emotionally compromised going into decepticon territory". which only leads me to the same thought: if you untangle all his diplomatic wording, he says he cares. he cares that bumblebee got hurt and that he didn't want him to relive that betrayal again

they are so awful at communicating with each other they can't even tell if they care about one another. which is odd, right? we can tell optimus can tell megatron his feelings, but he can't do that with bee

and i'm just. what happened between them? is optimus emotionally distant from bee or is bumblebee reluctant to include him? why are they like this??? they drive me crazy istg

[witchofthesouls]

I do think it's a good thing to point out: violence is always the answer to violence when it's the system that creates the violence.

Megatron in every continuity was right that it needed to be a violent overthrow because the upper castes would not listen and would not change.

The title of Prime is a god-king status above the caste system entirely, but it does beseech its own violence just by existing.

Even if Optimus is a good person, that doesn't erase the damage and cruelty Primes are apparently known for. He is patient and he is imperfect and the tragedy of it is, does he even know that he's changed? How much of the difference is he aware of from his time before the Maxtrix to what he's become as a direct result of it?

Skyquake said he'd never side with a Prime. Not that he'd never side with Optimus, or the Autobots, but A Prime. The idea. The symbol. The Decepticons are fighting to be free from the shackles of a lineage of god-kings endlessly creative in their cruelty who, by some irony, they are compelled to follow by the nature of the relic.

Ratchet is a very good example of the hypocrisy. He was medical- upper middle to upper caste- and in TFP, we know Iacon hoarded a lot of resources. We see his prejudice plain as day just from how he describes Orion Pax and Megatronous. Hell, I'd say he flat out hated Megatronous for teaching a young Orion to speak his mind. He doesn't understand the righteous anger that the gladiator carried, and I don't think he cared.

Tl;Dr: there's a reason the Decepticons are more appealing, honey, most people just don't want to think about it too hard

Uh, I don't know if you're new here, anon, but yeah? Keep on cooking!

I don't know if this is a response to the reblog from nukeli about shattered glass, but under my 'analysis' and 'tf headcanons' and 'gladiator soundwave' and 'cybertronian culture' tags, I do talk about the roles of violence and how it's cemented within Decepticon culture as well as the 'appropriate behaviors' of low-caste vs high-caste of the Golden Age, especially between Orion Pax and Megatron and how it essentially fucked them up after the disaster meeting. Plus, I have posts about the potential cultural damage caused by the Quintesson occupation on Cybertron since they were the ones to implement the caste system.

Ratchet is such a great example of the show's use of unreliable narrator and how he encompasses a higher-caste sensibilities, especially when you take in his background. Compared to Orion Pax, who literally bypassed all the regulations and went from uneducated bumpkin from the middle of nowhere to a cushy and prestigious position underneath Alpha Trion, Ratchet had the correct frame and went through the right channels, so he never had to deal with the kind of discrimination others would speak about. I think of him like that prideful, racist grandpa who the "but you're not like them" locked and loaded. There's a lot of those instances across the show, but I really enjoy it since it fleshes out the story and the character. Ratchet isn't subtle. Not at all. And no one calls him out on it, so it's super telling on what kind of society Golden Age Cybertron was.

Personally, I thought it was really interesting when Skyquake had said that, especially with how Aligned/TFP done the Thirteen since Megatron literally took his name from Megatronus Prime, the direct opponent of Prima, and had tried to legitimize the movement with the Primacy. That's how I read Megatron's demand since it was proof of real change, but there was no way the High Council was going to allow that. Instead, they decided to take advantage of Orion Pax as a way to break the Decepticon movement and send a message to everyone else. Orion wasn't meant to be a Prime. He was just a figurehead, a token of empty promises, until it went off the rails, and he actually unearthed the damn Matrix.

Going back to Skyquake, I guessed that the TFP!Decepticons do have devotees to outlawed sects along with atheists as Megatron has no issues with getting Primal Artifacts, even if he needs to commit corpse desecration to a Prime of the fucking Thirteen to use the Artifact. (Which is another wild event under that mech's belt. It's a good thing they don't have balls because nothing could carry his.) So Optimus was basically barking at the wrong tree. But a majority of the Decepticons would be like that since Optimus represents Prima's reflection of a Prime and civilization. That distinction is really important because after the death and exile of over half of the Thirteen Primes, very few were actually left to guide the fledgling societies. Each Prime represented different Aspects and Domains, so with none able to challenge Prima... is it really a huge surprise it went wayside?

Prima was the Firstborn and Eldest. He was literally the God-King as the Prime of Light. Megatronus Prime was the only one who could truly challenge him, but he laid down his weapons and chose self-exile, and with death of Solus and Liege Maximo, Onyx, Micronus, and Thirteen joining the Allspark to kickstart it, Nexus separating himself, and Quintus, Amalgamous, and Vector leaving... Alpha Trion and Alchemist weren't enough to stand against Prima, who had a vision on how Cybertron should be.

My point is that the Decepticons stood against Prima's Champion by fiercely declaring their own leader. Megatron would have been an uncrowned Prime, a call to return to the long past before city-states, or a symbol a future without them.

[sepublic]

IDW Transformers’ take on the war and the origins of the Decepticons was one of those things that was rly thoughtful and interesting to read as a kid (so as the target demographic I guess lol) only as an adult to have some rly troubling implications like the ones you pointed out. I was EXTREMELY relieved that TF One swapped it back so that the Autobots are the low-class miners and the Decepticons were the military (closer to the original cartoon anyway) while still using the IDW comics as inspiration in other ways.

Transformers One is such a strange case for me because on the one hand, it's propaganda. I'm sorry but it's transparently propaganda, it's executives embracing IDW's attempt at "maturity" that well-intentioned or not, inevitably paints the revolutionaries as villains by having them arbitrarily blow up an orphanage, because we gotta demonize revolutionaries who use violence.

We gotta warn kids of the dangers of the violent revolution, because revolution is only permitted if peaceful! Let's just ignore what we were taught about the American Revolution... Seriously, look at the elites' response to Brian Thompson's assassination!

That being said. This is like 95% speculation. But there are clear differences between IDW and Transformers One. So to me, personally, it feels like the writers —Eric Pearson, Andrew Barrer, and Gabriel Ferrari— were aware of the issues of the IDW premise. They were given a basic outline by executives. And so they opted to smooth over the issues as much as they could, work with it, while still being stuck with that basic problem at the end of the day.

So as you've said, I appreciate Orion and D-16 being working-class bots, that they're both coming from the same place. I appreciate the framing of Orion's opposition coming from the concept of Anti-Death Penalty, that no government should have the power to execute people. I appreciate the implications of D-16 siding with disgruntled military soldiers, whose only idea of fixing society is to destroy enemies.

There's something to be said about people who fantasize purely on committing violence, without any of the actual work of rebuilding and keeping things running! That's why Orion's rebellion consists of his fellow miners. I can see the implication, that even if D-16 hadn't gone off, there would inevitably be friction between the High Guard's jingoism and the civilians when Orion reformats things, and bans the death penalty.

...But again, again! D-16 is a black man. Not literally but he's voiced by Brian Tyree Henry, anyone can hear his voice. And his chanting of "Rise up" is juxtaposed with Orion Pax, who is voiced by white MCU star Chris Hemsworth. It feels ridiculous how the movie bends over backwards to paint D-16 as evil with shots of civilians running away from the convenient collateral of his shots, but nothing like that is ever shown with our protagonists and their damage!

B slicing up other Cybertronians is treated as a gag, but Sentinel's life and death matters more than his guards' which is uh. A weird way to frame things. I guess maybe it's because D-16 is doing it out of "reckless anger" whereas B isn't trying to...? But ultimately, the violence of our protagonists is meant to be framed as out of strict necessity, which is something I have to acknowledge.

I can't say for sure what Pearson, Barrer, and Ferrari were thinking. I appreciate Transformers One for smoothing out the edges. But I can't help but see D-16 as a pastiche of BLM activists, of the UHC shooter, because he's willing to be angry and violent towards his oppressors. He's a black man who gets branded and his violence is treated as exceptional and unique because of his anger, meanwhile B's kills are a gag.

There's an irony in that Sentinel's higher-class life is treasured by the narrative, but the lives of his comparatively lower-class bodyguards are worth nothing. The pervasiveness, it felt insidious; It genuinely kept me from enjoying the final battle between Optimus and Megatron, how the narrative wants to be triumphant but the dark undertone can’t be ignored. Call me a buzzkill.

I know people think this sort of trope is meant to be 'nuanced', that it makes for a more 'interesting' villain, one you can relate to and sympathize with. See yourself in. But in the end, you can only go so far in "reclaiming" a stereotype. You can't be in utter denial of the subtext and intention behind it. You can't claim this is actually good writing, I thought we were liking these villains out of spite, not in support of a narrative we think is secretly on our side too!

That executives need a revolution story where the ultimate villain who causes even more violence in the long run is, GASP, a revolutionary who shows people like them no mercy, is telling. There can only be a revolution in media if it shows the elite being deliberately spared at all costs, even to the point of Orion sacrificing his own life (Even if for D-16’s soul), while their own workers like those bodyguards are just fodder.

G1 was not the pinnacle of Leftist media but it was also inoffensive and knew what it was. This is… different.

[metalomagnetic]

Hi Metalo! First of all thank you very much for being such an not only amazing author but also such a nice person, in the last few days I went through majority of your works (which literally opened a whole new world for me) and the quality is absolutely insane and your replies to comments/Tumblr asks are so nice to read, always interesting and engaging. The thought put into your lore doesn't fail to blow my mind!<3 You are incredible! I hope your health will improve soon and without a problem!<3

Last chapter of It runs was such a pleasure to read, I loved cute domestic moments with Sirius and his kids the most and have a couple of questions.

1) Does Bella have favourite nephew?

2) Does Walburga have favourite grandchild?

3)Orion is Bella's ward, but what about other kids?

4) Who is whose best friend among kids? I imagine Harry's is Draco, and Orion is probably jealous about it, lmao

5) Did Astrid grow to actually love Harry or is she still pretending for Sirius's sake?

6) It seems like Orion&Marvelous genuinely view Harry as brother, but Sirius always notes that he is not Black (I remember he even think stuff like "perceived siblings"). Does he truly feel this way, or is he just feeling guilty before James and kinda lies to himself?

Very sorry if it's too much questions for one ask, I'm not all that familiar with Tumblr...

Thank you so much! 🥰

Orion

Orion 😂

Orion and Marvolo are Bella's wards. Helix is Regulus' (and Isadora's).

Harry and Draco are best friends! Orion gets along best with Regina and Regis. Marvolo, poor boy, is often left behind, but he has a couple of closer friends, like Avery's son and one of Yaxley's sons (that man has a lot of children).

Astrid does love Harry, but she will never love him as she loves her sons. But she does her best to treat them the same, even if not always quite successful. Hilariously, she sometimes *likes* Harry the best, because he's such a chill boy.

Everyone in that family has the awareness Harry is not a Black; even Orion and Marvolo, as they grow, they start to understand the difference. This is not just because of his last name that obviously settles him apart, but it is mostly Sirius' fault. And yes, it's because of James. Sirius would feel he's 'stealing' James' son, the last thing that remains of him, if he properly treated Harry like a Black. So in his mind there is always the distinction that Harry is James', not his. He does it out of love and loyalty to James, but perhaps it wasn't quite the best approach.

[infamous-if]

RO reaction to MC just bombing on stage? Just having a bad day and singing/performing terribly? But sitcom level terrible. How would they break the news? Would they tell them?

This is so funny omg

The song ends and you do a quick bow, trying to catch your breath. That was good, right? You glance back at your band members, who are all weirdly looking away. When Rowan catches your gaze, he quickly turns his head, suddenly interested elsewhere. You shrug. Meh. It was good to me.

You and your bandmates get off the stage and you beam when you see [RO]. "So? What'd you think?"

Seven (no hatred): Seven makes a face that's a cross between a grimace and a flinch. They put their hands on your arms, rubbing it affectionately. Oddly enough, it feels like Sev's trying to make you feel better about something. "You know I always think you're great." You can't help but pick up on the emphasis on the 'I.'

"So it was good?"

They narrow their eyes comically small and nod slowly. "Ye...aa...h?Yeha.....aeah...." As if giving up on the pretense, they shake their head. "No. It wasn't. Do you have a stomach ache perhaps? Heart burn?"

"What? No. Why, that bad?"

A shrug. "If I suck, I'd like to tell myself it's for a reason so I can feel better."

"If?" you say.

Seven grins. "Hasn't happened yet."

Seven (during-hatred): "That was fucking embarrassing."

G: G beams and puts two palms on your shoulders. "I really appreciate your dedication to the bit."

You tilt your head, confused. "What?"

G's brows furrow, and then they drop their hands. Then they realize something and huff out a laugh. "Wait. That wasn't a joke?"

Panic rises within you. "No?"

G's cheeks balloon--as if they're trying not to laugh--before the effort fails and they double over. "Oh my god. Seriously?"

"G?! Are you laughing at me?"

They can't stop their laughter and they put a hand on their cheek, awed and amused all at once. "That was terrible. I thought you were kidding! Holy shit, I need a copy of that performance for posterity."

Victoria: "Um." Victoria averts her gaze, looking a bit awkward. "I'm going to tell you because I care about you: it was kind of horrible."

"Kind of?"

A flinch. "Very BUT." She puts her hand on your cheek. "This is just one performance. You'll do great tomorrow! Maybe you were just stressed..."

"I thought it was great..." you mumble.

She makes a face, dropping her maternal act a moment. "Seriously?--Oh." She shakes her head. "Sorry."

Sebastian: Sebastian stares at you blankly, though he looks a bit guilty. "I don't have enough experience to have an opinion."

You shove him playfully. "Just tell me."

Sebastian's throat bobs and he says: "It didn't sound great but I don't know enough to feel confident in that claim."

You frown, feeling both hurt and confused. "Why do you sound like you're in a job interview?"

"You know, I think this conversation would be more beneficial to your progress with someone else..."

August: August tilts their head. "Are you asking seriously or is this supposed to be a joke?"

"What?" "Oh. So serious then." They thin their lips, teetering on the heels of their shoes as they think. "It was bad."

"What?"

"Yeah. Terrible, actually." August smiles. "But that's okay. We all have bad days, don't we?"

"The thing is, I thought I did great..."

Their smile drops. "Oh..?"

Orion: Orion doesn't look up from his phone and you frown, tapping him. "Hello?"

He meets your gaze and waves his phone. "Sorry, I was just on Indeed looking for another job." "What? Wait, the performance was bad?"

He looks momentarily horrified, and then helpless, and then disappointed. "The fact that you can't even tell worries me greatly."

You frown. "I thought it was good."

He shakes his head, rubbing the bridge of his nose in resignation. "This is my fault. I've been coddling you too much."

"You think what you do is coddling?!"

[scribescrawls]

Sentinel as a Foil to Starscream

Though I think the more intentional foils to Sentinel are meant to be Orion/Optimus and D-16/Megatron in terms of the writers' intention, I think in some ways Starscream and Sentinel do foil each other whether the writers intend it or not and I think they have the potential to foil each other in interesting ways in the future too even if Sentinel is dead if they ever explore TFOne Starscream's character more. Now everything I say is mostly interpretation, inference, and headcanons since we had a total of like 5 minutes of screen time for TFOne Starscream lol so I would like to preface that these are just my personal delulu thoughts. I think what's interesting about the potential parallels between Sentinel and Starscream is that in some ways they may share many similarities, but also greatly diverge in other ways. I think they are cut from the same cloth in a lot of ways. For instance, in terms of similarities I think they share traits of being very prideful, arrogant at times, ambitious, scheming, cunning, vain, and inclined more toward self preservation and can have tendencies of self-interest.

It's kind of ironic and funny that one of the major differences between them is loyalty. In most other continuities Starscream is the one betraying leaders to take power for himself, but in this one its Sentinel who does that. And in some ways TFOne Starscream's actions can be interpreted as showing a very strong sense of loyalty to the 13 Primes. Like instead of trying to make any deals with Sentinel to save his own skin he'd rather choose to live 50 cycles in exile on the dangerous surface in terrible conditions with no energon flowing on the planet and being hunted down like animals by both the Quintessons and Sentinel (even after they get caught he instead curses Sentinel and tries threatening him instead of trying to join Sentinel's side to save himself). Not only that but he and the rest of the High Guard are essentially committing guerilla warfare and still trying to sabotage Sentinel even after 50 cycles of these living conditions. I've mentioned it in other posts, but most people do not simply commit guerilla warfare under those conditions for your average deceased leader. To choose to suffer like that I think potentially indicates the possibility that the High Guard and Starscream cared very much for the 13 Primes to keep fighting to avenge them. So in this way I think they foil each other in that Starscream ironically shows great loyalty to the 13 Primes and their memory while Sentinel shows none.

It's also interesting to note that Sentinel criticizes the 13 Primes mentioning his disdain that he spent half the day watching them losing a war and the other watching them waxing poetic about 'loyalty' and 'honor'. Sentinel seems to not have cared at all or at least very little for their cause and for the Primes. Meanwhile Starscream when talking about who they are mentions that they were the High Guard who witnessed Sentinel's betrayal and saw the Primes fall and that they've been doing whatever they can to sabotage Sentinel. Like to hold such anger at the betrayal implies a certain amount of 'loyalty' and 'honor' to either the cause you were all fighting for against the Quintessons, defending Cybertron, or for the 13 Primes themselves or maybe even all of the above. If Starscream and the rest of the High Guard did not care for these things there would be no reason to be so angry and emotional over the betrayal. Because if they do not care for these things why not join Sentinel and the 'winning' side? But they don't and they're full of anger and vengeance so it means they must care a great deal.

Now you might wonder ‘If Starscream was apparently so loyal to the 13 Primes, why did he not follow Optimus and pledge his loyalty to him since he’s the new Prime actually chosen by Primus and holds the Matrix of Leadership as proof to back it up?” And of course this is just my headcanon, but the reason I think Starscream holds no loyalty to Optimus is because to Starscream Optimus from his point of view has not proven himself as a leader worth following and has not done enough to win Starscream’s loyalty in his eyes (I might make a separate post about why Starscream thinks this about Optimus later but this post is already getting very long so I leave that for another time lol, also I would like to note that yes I do personally think Orion was worthy of being a Prime and holding the Matrix but I'm discussing things from specific character perspectives in this post). I feel like to Starscream just having the title of Prime is not enough even if you were chosen by Primus himself. He strikes me as a skeptic who wants to see proof that you deserve the title and are worthy of it before he’s willing to follow you. And considering the movie portrays the 13 Primes in this continuity as honorable leaders who live up to their title and names, I think their deeds and actions proved that they were worthy leaders worth following for Starscream. I think this is one of the potential great contrasts between Starscream and Sentinel in TFOne. Whereas Sentinel’s loyalty will never be to anyone except himself, Starscream’s loyalty is also to himself but it can be extended to others.

However, to gain Starscream’s true loyalty I believe is very difficult but once you have it I think he’d go to great lengths for you even so far as going into exile and using all his wits to scheme/keep you alive/do anything to see your side wins/succeeds. I personally believe that he followed the 13 Primes not because they were Primes but because of who they were as people. So even if Optimus is a true Prime chosen by Primus it means nothing to Starscream. I feel like Starscream is the kind of person who’s audacious enough to tell god to his face that he thinks he made a stupid ass decision if he truly thinks so and will elect to ignore the decision if he disagrees with it. It’s arrogance bordering on hubris that comes with both pros and cons. On one hand, it’s a good thing to not just blindly follow anyone just because they have the title and it’s important that there is someone there who will point out a leader’s blind spots or poor decisions even if the leader most of the time makes good decisions. On the other hand, this arrogance also potentially results in pig headed stubbornness when you’re convinced you’re right even if you’re wrong.

I don’t think Megatron at this point in time has Starscream’s true loyalty either. Not that he’s already planning to betray Megatron since I think he actually believes Megatron has the potential to be a leader worth following, but that Megatron only holds his tentative loyalty. I think Megatron won major points in Starscream’s eyes in succeeding to kill Sentinel but I think Starscream will only follow Megatron so long as he deems Megatron is living up to his role as leader and I think unlike other members of the High Guard he’s the most skeptical and critical of Megatron’s inexperience in war and leadership even if he holds belief in Megatron’s potential at the same time.

This is not to say that I think Starscream is incapable of betrayal. I think he very much is but I think the reasons that would push this version of Starscream to betray someone are different. I think the reason why TFOne Starscream never tried to betray the 13 Primes to gain power in this version is because he saw no reason to. Yeah you guys haven't won the war against the Quintessons, but if the leaders are competent and you care about them and they care about you, you feel like you're all in this together and have a good work environment. I don't think Starscream was unambitious, I think he was very ambitious considering he made it all the way to leader of the High Guard, but I like to think he was satisfied with his life pre-Sentinel betrayal and therefore had nothing larger to prove as he'd accomplished a lot at that point. Leader of the High Guard working directly with the Primes, known as legendary warriors and defenders of Iacon, and noteworthy enough that you are recorded in history in the archives that Orion notes he read about them and Bee knows them both by name and face to be able to point them out individually from each other. It is prestigious even if the job may be dangerous.

And even the Decepticon logo in my opinion has a very personal meaning for the High Guard different than for Megatron/D-16. Because to the High Guard Megatronus Prime was not just a figure they heard great stories about. Megatronus was someone they probably fought side by side with, someone they knew personally. They probably talked with Megatronus, made jokes together, shared meals while out on campaign fighting Quintessons, risked their lives in battle fighting together. To them having Megatronus' face branded on them is probably not simply the way a fan picks their favorite superhero as their logo for a movement, rather to the High Guard the action to them probably feels closer to remembering a beloved deceased friend and comrade-in-arms they admired. The branding mark probably symbolizes multiple meanings for them. For many it probably also symbolizes how they'll never forget him and will always remember him carrying him with them in every battle. And I personally don't think this contradicts them believing the age of Primes is over. I think for the High Guard they hold a certain reverence for the original 13 Primes and only the original 13 Primes. But the "Age of Primes" for them has ended because their leaders/friends are all dead and are never coming back.

I think one interesting angle they could potentially go with if Starscream decides to betray Megatron and try to kill him in the future is if he thinks Megatron’s way of leadership and decision making down the line have become a threat to Starscream's life and the lives of others under his command. Because the High Guard have been fighting together long before the start of the movie I think it opens for the fun possibility that Starscream cares about the members of the High Guard to a degree and there is a certain bond that forms from spending so much time fighting side by side together even if you may get on each others' nerves at times. Therefore I think it'd be interesting if he betrays Megatron trying to kill him in a warped way of trying to save both himself and those he cares for. A 'you're going to get us all killed and I won't wait around for it to happen. I did not spend 50 cycles trying to keep as many people alive for you to throw it all away' sentiment.

It would even be more gut-wrenching if in the beginning of them working together Megatron and Starscream had grown to have a somewhat amicable working relationship with Starscream as a mentor-like figure guiding him and they became almost somewhat friends before things start devolving and fracturing as time passes. Starscream thinking something along the lines of 'It's simple math. You kill one to save the larger number of people even if it hurts to do so. Someone has to make the ruthless and hard decisions. There's no room for sentimentality in war. I have to think of the bigger picture.' And even worse if the betrayal and attempt to kill Megatron fails and Megatron feels like he got betrayed by someone close to him again thinking Starscream is just like Sentinel trying to gain power and leadership for his own selfish ambitions and vanity. Meanwhile Starscream feeling like he's been driven to a point where he has to go to extremes because he thinks Megatron won't listen to anyone but himself and thinks Megatron is blinded by selfish personal desires like Sentinel that led to Cybertron being almost doomed because of shortsightedness throwing away lives of their own troops for little gain just like Sentinel did. Sentinel being the ghost who haunts their narrative and plays on both their traumas of the ways Sentinel's betrayal affected them warping their perceptions of each other. For Megatron it's being betrayed by someone who he thought was on his side again/trusted, while Starscream feels Megatron will doom them and the entire planet through his reckless and shortsighted plans to feed his own personal selfish desires/grudges. Large parts of both their personalities differ from Sentinel, but I think if things hit this breaking point they will only interpret each other's behavior through a 'Sentinel lens' if that makes sense seeing only the worst parts of each other.

I got a little sidetracked lol, but back to Sentinel and Starscream being foils I think even the ways their vanity is displayed demonstrate their differences. Sentinel has his statues of himself and Starscream has a whole throne built for himself. They both show signs of vanity and self-importance. However, Sentinel's statues are pristine golden statues essentially obtained through selling out your own species to the enemy for short term gains by truly bowing to the enemy. Meanwhile Starscream's throne is a made of what looks like scrap metal in a dilapidated ship because he chose exile over bowing to Sentinel or the Quintessons. TFOne Sentinel and TFOne Starscream have the potential to be really fun explorations of characters who on the surface may be very alike but in certain core aspects are so different. I hope this adequately answered your ask!