#i actually don't draw animals that often

[geminison]

Can you draw like, corvo with rats? Is that weird? I just really like the rats in Dishonored... Also your art is very awesome...

he found some friends. or they found him, depends on who you ask

there's more Corvo than rats but i guess that still counts :)

also, no Corvo with rats is not weird, he canonically has some kind of bond with them

[spotaus]

Me frfr ^

I've been reading a fic today as a treat for finally being on vacation, and when I say I've just been entranced I mean it. (Also. The fic in question is @ancientschampionau 's well, Ancients & Champions fic lol! It's captivated me >:])

[in-asterism]

all the details in this didn't translate so well into a drawing, so I wound up just writing

you can probably figure it out, but this is set immediately after Luce's death

They steal into the Giglio Nero headquarters like a ghost, slipping through half-open doors and winding hallways. Giglio Nero is old, and each new Donna has built on the bones of the last, turning a once-modest estate into a sprawling compound. 

Viper knows every hallway, had spent their time in I Prescelti Sette mapping every secret path in their Sky’s house. 

They let their feet settle on the ground, choosing to walk the last stretch. With an infant’s body, every step only takes them an increment further, but today is significant, and they need the grounding. 

The heart of Giglio Nero was once the inner sanctum of the Arcobaleno- but embittered Elements tend not to stay long after being chained to the world. It was called the Nursery, which, in hindsight, was deeply morbid. 

They slip into the chambers of the Sky Arcobaleno, and settle on the dais where Luce lies. The indigo pacifier stays dim.

 Her neck is bare, her skin is cold, her eyes are empty. Viper doesn’t know how long they stare into those hollow eyes, but eventually they manage to reach out and close them. Luce deserved to turn her gaze away, even if only in death.

They can’t look away.

Her white dress, the uniform of the Sky Arcobaleno has become her funeral shroud. Cold impersonal white, a monument to the purity of her flame, to the duty of her death. Her blank face, orange marking garishly bright against death-pallor. 

It’s so, so wrong.

Luce is warm, and she smiles, and she is always moving, even just a little.

She hated to be still. She made a point to smile, always, even when she cried because there were things that the world could not take from her, and her reactions were one of those things.

For it to end this way-

It was always going to happen, really. The lot of them had lived their lives, exceptional but still sensical, and then somehow found their way into a fairytale. Even the Strongest Sky could not subvert the laws of her narrative.

But it hurts that she wouldn’t even try. That she laid down and waited for Him to come. That she walked up that mountain with the poise she brought to every other tragedy.

 The people they hate most are liars, and Luce was always a liar. All that sight, blessed gift of a dead goddess, and she could never even admit the truth to herself. Pathetic…

They twirl a strand of bluish hair around chubby fingers, but they can’t stay. Within Giglio Nero’s halls, there are always eyes on the ‘precious’ Arcobaleno- already the pacifier has been passed to little Aria, and soon her predecessor’s body will be discovered. 

Best to just go. Time is money after all, and Viper is wasting it here.

[neosatsuma]

like most artists who were teens on deviantart in 2010, I still kinda want to be burdge bug when I grow up

[wellthatschaotic]

hey does anyone here know about drawing tablets

[nullroid]

My posca marker monthly favourites of 2023!

Insta | Redbubble

[changelingeyes]

i've been wanting to practice drawing animals more lately bc i've never really done it much so i've been wondering what Augustus and the Changeling's fursonas would be as further incentive. my gut says that Augustus is a big dopey golden retriever and the Changeling is a hare, but i saw someone drawing a praying mantis fursona earlier and feel like Augustus could very well be a beetle... maybe a rhinocerous beetle bc they're her favorite? but in that case i feel like the Changeling would be a millipede.... maybe they have separate fursonas and bugsonas... ?

[cavegirlpoems]

So, I'd like you to imagine a world where watching cartoons had become suddenly super popular over the course of a few years. Huge burst in popularity. Suddenly everybody's talking about animation. Except: -Most of those new viewers only watch Family Guy, and a good chunk of older viewers stopped watching anything except Family Guy. -Most of these new viewers have got into the habit of just listening to the audio of Family Guy, 'cos the actual animation's kinda ugly, and normally just turn the screen off and listen to the cartoon like a podcast. -These new viewers, whenever they try watching any new animation - from Bob's Burgers to Cowboy Bebop - turn the screen off and just listen to the audio, and then don't understand why these shows are any different and go back to Family Guy because it's familiar. Imagine being an animator in this world. Imagine pouring your soul into the craft of making a drawing move and emote and live, the hours of painstaking effort taken over animating a single scene. Imagine talking to supposed fans of animation who don't even bother looking at the screen to see what you've produced. Imagine making a film like Redline, a celebration of visual art and an absolute technical slam-dunk, and it flops because it's a visual medium and nobody has their screen turned on, and people go back to talking to you about Family Guy with the screen turned off.

This is what it often feels like being a designer of tabletop games in 2024. Why yes, I *am* salty.

[tossawary]

One piece of acting advice that has stayed with me for years in regards to both writing and drawing as well is: "Don't use the body to act what the character is saying. Act what the character is THINKING."

Like, as a very, very basic example: a character is apologizing by saying, "I'm sorry." But that line is going to look and sound different depending on what the character is thinking. Crossed arms and a sullen tone can mean that a character is actually thinking: "I don't mean it and also I hate you." A pleading tone and reaching out to take the other character's arm can mean: "Please don't leave me." A tired voice and slumped shoulders within context could mean: "I did what I had to do."

This is one way to begin to do "Show, Don't Tell" in storytelling. It is trusting your audience to see the depth and to catch on to the things you leave unsaid. It's fun to let the audience be observant and clever. It is also reflective of real life, where people are often scared of being vulnerable, or don't necessarily even understand their own emotions, or can't articulate their own thoughts, or have difficulty identifying the true feelings of the people around them, and so don't say very much.

There are exceptions to this advice, of course. In writing especially, rather than in a visual medium, some POV characters are very good at reading emotions from body language and others are not, and their observations in the narration may reflect this skill. Some characters will assume everyone around them is always angry with them or simply not pay attention to other people's moods at all, personalities which can also be subtly communicated to the audience and later used in the story in some interesting way.

Some characters have excellent control over their body language and tone of voice, because they are on-guard, highly trained in some fashion, or a very good liar. They will not easily communicate their true thoughts through their body language or their actions. Their lie can be so good that it can be slipped past the audience as nothing important to the plot until it comes back to bite. Their oddly perfect control over their body in a tense situation can instead maybe be used to indicate to the POV character and/or the audience: "Oh, there's something up with this person."

Body language will also change by culture and class and disability and so on. This clash can cause communication problems between characters, as a character's affectionate pat on the shoulder of another might be intended as casual comfort, but be received as overly intimate condescension. Different cultures / people can even have very different opinions on what level of eye contact and overlapping speech is rude.

This advice was originally given to me in the context of illustration and animation, in which it is very common for inexperienced artists to act out the words that the character is saying in mime-like gesture. In media for young children, we might choose to keep things very simple, as toddlers struggle to learn what it looks like and feels like to be angry or happy. But past that? People don't really behave this way. What we say and what we really mean are not always synchronized, and we can use the body to communicate this.

[woso-dreamzzz]

Proud IX

Hardersson x Teen!Reader

Fridolina Rolfö x Teen!Reader

Summary: After the preseason against Barcelona

Someone is watching you.

It's nothing you can prove, of course. It's nothing you really care that much about either.

You've just managed to draw against Barcelona in a preseason friendly. Of course there would be someone watching. A lot of someones actually but you don't find yourself minding too much as you head over to your parents.

They're on the far side of the pitch, waving to the very few Spanish Bayern fans that have come out to watch the team play.

You wiggle your way between them and Magda's arm automatically comes to rest on your shoulder. She angles her face towards you slightly, a smile on her face as she presses a quick kiss to your hairline.

Pernille takes your hand on the other side and you smile at her, leaning your head against her shoulder.

It feels good to demonstrate your skills.

In front of your new teammates. In front of your new manager. In front of Barcelona, to make them worry when you're on the pitch, to show them they aren't as bulletproof as the fans think they are.

But, right now, all you can do is smile as your sign things for the very few Bayern fans that have come over to watch your team play for them.

"You did very well today," Pernille says to you, squeezing your hand softly.

"Enough for a lamb?"

"You know the rules," Pernille replies with practiced exasperation," You'll have to really impress. Show me you can really care for one."

You huff, putting on a bit of a show.

This is a practiced dance between you and Pernille, a more playful back and forth now that you've moved to Germany. Pernille pretends that she's more opposed to getting a sweet lamb than she actually is and you pretend to be more annoyed than you actually are that you're being refused.

"Oh come on, Pernille!" Magda says from your other side," I really think she's deserved it!"

Magda's also apart of all this teasing. She backs you up, insists that you've already proven yourself despite having never had a pet in your life. The extent of your animal caring abilities is filling up the bird feeder in the garden.

Of course, you've also got that little binder you made a few years ago with how to take care of lambs and sheep and when to sheer them and what to feed them and how you can make them happy.

Pernille had made you make it after she realised you were serious about raising a lamb for yourself.

You update it every so often, just to show her that this isn't something that you've forgotten about.

Arms close around your waist and you shriek as you're lifted into the air.

You can hear Pernille and Magda laugh as you're hoisted up and you flail your legs around when you're airborne for too long.

"Frido!" You shriek," Let me down!"

Frido shakes you, using her height difference against you before unceremoniously dumping you onto the ground.

You roll onto your back, panting with a smile as you look up at her. "That was mean."

"What has the world come to?" She asks no one in particular," That an aunt can't pick up and shake her little niece anymore?"

"I'm not little."

She grins down at you. "I remember you before your growth spurt," She says," You'll always be my little niece."

Frido offers you a hand.

You take it and pull her down.

She shrieks at the sudden force of your pull and falls onto the grass next to you.

You laugh, letting Pernille help you up and dust the dirt off your shirt.

Frido does the same with her own clothes, flicking a stray piece of grass at you that you bat away easily.

"Good game," She says, ruffling your hair," You had us on our toes."

"Just..." You glance behind you, feeling that same prickly feeling of eyes on your back," Just wanted to impress."

"Well, you certainly did that." Frido leans closer, like she's about to tell you a secret. "But I don't think it's just on who you wanted to watch you."

She jerks her chin over your shoulder and you follow her gaze.

Alexia Putellas is by the bench, talking and gesturing wildly over at you to the new Barcelona manager. You don't quite remember his name but you know what he looks like and even from this far of a distance away, you know he's looking straight at you.

"Best hope Bayern put a big price on her release clause," Frido says to your mothers and you feel Magda freeze behind you.

Her mouth dry, she speaks. "What?"

"Just saying," Frido laughs," A performance like that? In preseason? At a club she's just moved to? You and I both know she's a talent. Alexia doesn't really enjoy talents like that outside of Barcelona."

Magda pulls your back against her front, arms hanging over your shoulders. "They can't have her. She's a minor. They need our permission."

"She'll be eighteen soon," Frido reminds Magda.

"Still. They can't force her to come. I won't let them. I just got her back."

"We just got her back," Pernille corrects.

"Besides," You laugh," Momma won't even let me get a lamb yet. I don't think she'll be too happy sending me off to Spain."

Frido laughs, ruffling your hair again. "I think you'll find Barcelona can be quite persuasive when they need to be. How else do you think we got Ewa with us?"

"Dumb luck?"

Frido gasps dramatically. "You know what, young lady? Come here!"

She reaches for you and you duck out of the way, sprinting across the pitch out of her reach.

"You're getting old!" You shout over your shoulder, ducking and weaving through players and staff alike. "Aren't you meant to be a professional athlete?"

You jump over a crate of drinks as Frido trips over them.

You laugh, leaving her in the dirt as another hand reaches for your own.

"Aren't you tired?" Ingrid asks you," You've just played ninety minutes."

You know Ingrid quite well considering you've never played on a team with her.

Pernille and Frido have introduced you two a lot over the years. She's nice to see, someone who is not family but just as nice as them.

"I'm never too tired to humiliate Frido," You answer, turning to look back as Pernille helps Frido up while Magda howls with laughter.

Ingrid rolls her eyes fondly at you, brushing a few stray strands of hair out of your face.

"Have you met Esmee before? I can't remember."

Either way, Ingrid introduces you to Esmee, who seems nice enough, if a little shy. You can imagine you and her getting on once you're both settled with each other.

"Of course, you know Mapi a bit and this is Aitana. Aitana, this is y/n. She's Magda and Pernille's daughter, Frido's niece."

"Daughter?" The look Aitana wears on her face is one you're always used to when regarding your parentage.

"Adopted," You confirm with a nod. It's always better to explain now than have to deal with the awkward questions as people try to tread around the minefield that's your family situation.

She nods once before speaking. "Do you want to swap shirts?"

"Oh! Er..." You glance behind you where your family is (thankfully) keeping their distance. Still within earshot but not enough to invite themselves into the conversation.

Both of your mothers stick their thumbs up at you.

"Yeah...okay, then."

Like you thought, you and Esmee do get on. You reckon that you wearing a Barcelona shirt (Aitana's Barcelona shirt, you think in the back of your mind) must have settled her a bit. Familiar people with the one unfamiliar one wearing a very familiar colours.

She's nice and speaks well and you almost forget about the prickling feeling of someone watching you until that someone is right behind you.

The little circle you've found yourself in opens up and Alexia Putellas slides into the now empty spot next to you.

Magda moves to approach as well but Pernille holds her back by the back of the shirt.

"Pernille-"

"Let her deal with it," Pernille says," However she wants to do it. We can't coddle her for her whole life."

Magda pouts. "We can try."

"Magda," Pernille continues," She's much more capable than you like to think."

You hope that your eyes aren't as wide in shock as you think they are. it would be embarrassing for Alexia Putellas to remember that expression as the one you wore when you first met her.

"You had a good game," She says to you and you feel your throat go dry.

You force words out anyway. "Th-Thank you."

"A great game, actually," Alexia continues," You're very talented."

"Thank you."

You feel like a broken record, incapable of saying nothing but the same thing over and over again.

"How long have you got on your Bayern contract?"

"Two-Two years."

"Two years? Not three? Or four? For someone of your talent..."

"Oh, er, well, it's meant to finish the same time as my mothers' do."

"Harder and Eriksson's kid, aren't you?"

"And Frido's niece," Ingrid puts in and Alexia nods.

"I thought so. She's never had anything but compliments for you. You used to play for Arsenal as well, didn't you?"

"Yes."

"And you joined Sweden for their Euro qualifiers as well. It's nice to see that young talent is being fostered so well."

You laugh a little awkwardly. "Oh, well, I'm not really anything special."

The look Alexia gives you makes it clear she thinks differently. She doesn't refute your claim though, just purses her lips in thought.

"Barcelona has always been good at noticing young talent and putting our faith in them."

"Oh?"

She smiles at you. "Just something to think about. Have you got the same managers as your mothers?"

You nod. "Yeah, Morsa...Er...Magda and I have the same person."

"Excellent." She claps a hand down onto your shoulder. "You should probably warn them about something coming their way soon after that performance today. I hope to see you on the pitch again soon."

With that, Alexia Putellas walks away, right back down the tunnels and you're left hopelessly looking back at her.

You turn back to the little group around you, a group that your family has finally joined again.

"Sorry...What just happened?"

Frido laughs, a casual arm flung over your shoulder.

"That was Alexia speak for 'Barcelona will be trying to buy you from Bayern soon'."

Magda swears. "For fuck's sake!"

[giulliadella]

Bill Cipher's anatomy UPDATE!

Alex Hirsch is going to kill me one day.

So, for those who don't know, I'm the weirdo who did speculative biology of Bill Cipher, mostly as a fun exercise. I'm a biologist after all.

And now, on the stream, Alex Hirsch brought me the unused Bill's anatomy drawing from his book. I lost my mind:

So, now, I can tell you what my spec bio got right and what I got wrong and I can expand on the anatomy a bit!

Btw, this is going to have a NSFW part. I am VERY serious about that. Also, warning for anatomy drawings I guess.

WHAT I GOT CORRECT:

Bill Cipher is an invertebrate! He has a hydroskeleton, which he calls "arm juice", not bones. SUCK ARM JUICE YOU PERSON WHO SENT ME THAT ASK, YOU KNOW WHO YOU ARE!

And he's also segmented, although he has more segments than I saw. This isn't unusual, internal structures often keep the segmentation that external structures lost. I was very correct about his exoskeleton splitting in the middle to form a front and back plate and that his limbs protrude through the gap.

His skin is black! It's funny how many people needed to tell me that he's wearing gloves. No he's not!

I accidentally got right that he has a liver. I thought "this dumbass eats and drinks so much shit, if he didn't have a liver he'd be dead by now" and I was right. Considering the size of his liver, I was also right about him being a carnivore (or mostly carnivore). Carnivores have large livers because livers are used to process proteins and for uric acid cycle. Since carnivores consume lots of protein, they need a large liver.

His stomach is in the center! I didn't explain on my previous post why I placed it there, but it actually makes a lot of sense. The center of an equilateral triangle is its "mass center", so if an animal looks like a triangle, it would make a lot of sense that its stomach would be there, so that the extra mass from the meal wouldn't tilt its balance.

I also got right that his intestines are in his lowest segment and his brain in the topmost.

WHAT I GOT WRONG:

The entire reproductive system. It's MUCH freakier than expected!

Bill has ears! They are on the sides of his head. They aren't really ears, just tympanal membranes. They are located where Brett is trying his darndest XD

The hat is probably not a part of Bill's body. He used it as storage for extra organs during Weirdmageddon, Holy Moses on a Motorbike! However, if it IS a part of his body, then it could be used as fat storage.

He has 20 lashes. I would have never guessed. They could still be used to sample scent, a lot of animals have scent sampling tentacles.

His feet! He probably has velcro-like structure on them, like geckos. This could mean that Bill could glue himself to walls and walk on them if he wanted to. Little insect motherfucker.

He has a singular anus! And it's between his legs. Do with that information what you want.

AAAAND UPDATES!

I can finally show you Bill's entire digestive system! I couldn't do that in my original post, since I couldn't figure out what would go after the small intestine. Alex Hirsch has cleared that up for me and also, I think Bill uses some form of Malpighian tubules-like structures for urine excretion.

And, now... The reproductive system. AKA, the fun zone and creative juices.

NSFW!

Bill Cipher is a fucking freak, but maybe that isn't entirely his fault. It's in the genes of Euclydeans as species. (His love for BDSM isn't though. "He's got it all figured out", as Ford said.)

So, in case you don't know what a vagina dentata is, it was like an occult belief that women can grow teeth out of their vaginas. Bill Cipher's genitals look like a fucking vagina dentata. So that's why he thinks that teeth are hot - they grow out of his reproductive system.

Now, those aren't really teeth. They look like sharp-edged fleshy protrusions that Euclydeans probably use to tighten the grip during mating. It could probably be used for stimulation as well. That's why Bill doesn't like his sides being touched - the genitals are inside, but rubbing them feels violating.

Euclydeans are most likely one of those species who use pain to sexually stimulate their partners. It's not that uncommon on Earth either (don't look up reptile hemipenes, especially not turtles) and for creatures that are covered in smooth exoskeleton, some piercing action would be highly beneficial for transferring seminal fluid.

This also gives us the option of Bill Cipher being a biological female, who has a vagina with those weird teeth-like protrusions. However, it is entirely possible that males also have similar genitals. Bill calls his thing that's dripping "creative juice", so maybe it is seminal fluid? In either case, it's very freaky, but it fits him so well.

This also means that male Euclydeans most likely don't have a real copulatory organ, or, maybe, they do, but the female has to "bite it off" during mating to absorb the sperm. If they don't have the copulatory organ, they do it like birds, with just pumping, but unlike birds, they hold onto each other's thing with flesh teeth.

I am going to hell for making this art, but you are going with me for seeing it:

It also occurred to me that, since I believe Euclydeans use their bricks to produce sound... they would probably be loud. Fanfic authors, you know what to do.

@mitsu-the-witch you requested this, now live with it. I am going to burn my degree.

[alwaysoutofpaper]

the livestock of haek (top) and haen'oi (bottom), found in and around the landmass/island of Tunib'sau

wanted to draw up some creatures because I haven't created much hae planet fauna. ramblings below the cut, but it's a lot. all you really need to know is all of these animals can be eaten :)

uli'ni are highly social, omnivorous pack hunters (or ambush predators in small numbers), used for pest control by haek. a village can have a near 1:3 ratio of uli'ni to haek, with the pack usually belonging to a single family, or being cared for communally in some cases. bright, soft coats are sought after by haek wanting a pet. there has been a trend of uli'ni being imported into the city as an exotic pet - mainland uli'ni are a lot nastier.

tade are like truffle pigs. they can sniff out root plants from under dirt and snow, so they are critical for farmers when poor weather conditions would normally make harvests miserable. they are usually eaten along with the plants they help harvest. their "wool" is used for bed, bedding, clothes, and other textile things that are otherwise difficult to create with limited fibers. most shed their coats seasonally, but a mainland variety is bred to grow them continuously like sheep.

rudon are the fastest growing, hardest to handle source of protein a haek could ask for. they burrow under the snow, and further into the ground when it isn't covered. raising them is more difficult than hunting them in the wild, but some haek still try, creating stone-lined pits they will fill with dirt to keep rudon contained. they can wreak havoc on any plantlife if left unchecked, so they are rarely raised in the same village as a root plant farm. their fatty tails are used for tallow, which can be sold at high prices or traded for goods if transportation is possible and a surplus is available.

ta'fer is essentially a much meaner lobster. they can pinch, bite, and smack someone around with their tail. they are aggressive to anything that isn't a ta'fer, and evasive when they feel threatened, which makes them difficult to handle without immense caution. the meat is worth it to most haen'oi, though, and just the act of raising them garners a whole lot of respect.

bibbits are some of the most abundant fish (calling them that cus they look like that) in the oceans, found all over the world with different variations. the bibbits found around Tunib'sau are very boney, but those bones are soft and thin, not removed unless necessary (like for baby haek, it could be a choking hazard - baby haen-oi don't have this problem). bibbits are usually smoked and eaten whole for haek, or eaten raw in the water by haen-oi. they are very flavorful, but don't keep well.

le'bul, or the "walking jewel", is a six-limbed nautilus-like critter. they have tentacle-lined arms like octopus, but lack the chromatophores of the same species. they instead rely on their shells for defense and camouflage, evolved to mimic different types of coral, depending on the region they're in. the le'bul shown above grows a shell resembling coral found almost exclusively in underwater caves. tracking them down is a difficult task, but they can be lured out with bibbits, so actually catching them is pretty simple. their shells are often used as decoration or storage depending mostly on the condition of it after the rest of the body is removed.

lastly, corin is basically just a really big tilapia. high in protein, low in fat. their meat is white and not the most flavorful, but it keeps well and their bones are good for making broth. there are much better, tastier fish out there, but these are the easiest for haen'oi to herd, hunt and trade, so it is the most popular option. they're the closest thing to a domestic fish you can get in those waters. some even let you pet them :)

[yourtoradorasextendedwarranty]

Anti's, Twitter Freaks, and Tumblr crazies seem to have this weird itch where they believe any women under 5'6" is "a literal child". And this shit has annoyed me for forever now. What's more this conversation always comes up in regards to Loli in anime and tall men with short women IRL. So here's a poll. And then more context.

Long story short, or rather as short as I can get it. I'm getting sick and tired of the idea that age somehow doesn't matter but, physical appearance of age does somehow matter instead. Especially when it comes with the context of anime. And even then more so I get frustrated at the fact that I have to talk with anyone about what is appropriate and not appropriate IRL.

The fact of the matter is and will remain that just because a girl looks like an adult does not in any way imply that it is okay to sleep with her unless you are also underage. (And I only make that caveat, because I know I can't stop young people from screwing around with one another.) But, when I see people whining about anime specifically I often end up with people who are fans of Ryoko from Kill La Kill or Kitagawa from My Dress Up Darling. Both of whom are minors. And if you like that, then you do you. Because I understand that with anime as an aesthetic they do have a tendency to look older or younger depending on how the people writing the story wanted them to come out.

However, a lot of people have a frustrating little quirk where if it looks like a character is too short, to flat chested, or has no back-end or thighs to speak of, they assess that that character is supposed to either be or look like a child (Ignoring they treat REAL women like this). Which also ignores this fun issue:

Because let's talk age of consent shall we. Sure, it's not universal across every country but it's pretty close among first world ones. But people make a big deal of characters that short with no bust, seek out people that like that character, and will literally treat that person as if they've harmed kids IRL. Yet are seemingly NEVER angry over the abuse of real kids. What's more they will claim something is pedophilia online, THEN SHARE IT saying something like "OMFG LOOK AT THIS EPSTEIN TIER ABUSER!", and I'm sitting here like, "I don't care how old you are if you're an adult you need to be punched in the throat and if your a minor, you and your parents need to be punches in the throat". (My reasoning here is simple. If you think something is CP why would you then share it to more people rather than just report it)

Epstein abused and trafficked MANY young girls and possibly young boys to a lesser extent. A person that likes this goblin?

Isn't even close to Epstein. Because:

This is a drawing

This drawing is humanoid but doesn't look like an actual human

This character is probably older than you are

This character is a dragon

This character is FICTIONAL!!!!!!!!!!!!!!

My point for asking ladies heights is because I'm really sick of people more or less going, "as long as you look old enough it's fine" while not realizing they literally just made the argument that age is just a number and so long as you look of age you should be allowed to be sexually abused.

[therealtbonetpm]

I don't like when artists in the Spy X Family community make Loid look super lean and skinny. In canon (especially in the manga), he's actually pretty big with broad shoulders. I think this really sets apart his character design from a lot of other anime men, who often have the same skinny body type.

HOWEVER there is also the other end of the spectrum where artists make him look freaking massive with like 2% body fat and covered in muscle. I completely understand the point of drawing him like this (it's hot), but there are limits. Personally, I don't find it attractive when a guy looks like a total bodybuilder. I'd much prefer for him to have practical, lean muscle.

My point is that I wish Loid was consistently drawn more correctly; big and bulky but not an absolute unit 😭

[ghostyclay]

[Day 30]: TANUKI JOEL TANUKI JOEL TANUKI JOEL-

(Whenever i export animations, procreate sometimes messes up the colors a bit? It looks fine on my ipad, but the animation is desaturated on my phone, so here's what it should look like:)

Anyways, i thought it would be funny to draw Joel summoning Effo, inspired by Grian & Scar summoning mumbo during season 8. It turned out even sillier than i thought it would and i absolutely love it wkdhwjd

(explanation of the animation + sketch of the tail below!)

Also wanted to show off the sketch since it shows off the movement a lot better! I did end up changing a LOT (and even ended up adding some frames where i did lineart w/o a sketch inbetween... Oop-) but u can still kind of see the drag and offset?

So basically: since the tail isn't a stiff object like... A table or sth, it has multiple 'joints' (<-don't remember the proper term for it). Now, if u animated the tail just moving back and forth it would look v v stiff and wierd, since irl the tip of the tail would be "dragged along" with the bottom (<-aka the ACTUAL joint that the movement originates from). To create a more organic and realistic movement, you need to slightly delay the other parts of the tail. I usually use those lil circles to sketch this out at first, since its a lot easier to do without having to worry about shape and perspective and such.

(in theory i know wayyy too much about animation, but in practice im still struggling to do it bc i don't have much experience animating ekfhakdj- i do know the theory p well, which is why im hoping his lil explanation might help someone! Let me know if u guys want me to include some art theory lessons more often :D)

[empty-movement]

OLD SCHOOL ANIMATION NERDS, I SUMMON THEE TO ASSIST

Hey! Vanna here! So I recently, in a rage at the loss of the end-of-series lot of production materials, bought a cheaper lot I had been curious about, and I kinda struck animation history gold with it! Try as I might to pull the whole context together, I need y'alls help accurately naming and identifying what I have!!! There are MANY MORE of these, all from the same episode, an Utena one, a LOT of Nanami, and a group shot even, all following this similar formula. But let's be honest, Vanna and Yasha wanted that sweet Touga smugness. Analysis and questions below the cut! These aren't ALL the sheets, there are ones for the face shape and sleeve also but to demonstrate. Also, fucking amazingly, I also have the storyboards for this episode, so I can even tell you the shot number is 287 ISNT THAT COOL

So Utena fans. You may or may not know, but episodes 6 and 8 had very chaotic productions, and did end up getting swapped in the end. Per Ikuhara's directory commentary in the Nozomi Blu-ray:

He makes explicit reference here to Akemi Hayashi, credited as the animation director for the episode. I can't recall where I saw it now, but I know the difficulty of drawing Touga on model is mentioned somewhere in all the production stuff I have.

Now. Here's the problem. I DON'T FUCKING KNOW WHAT THEISIWEUGWEYGF what do I callll these. My understanding is the the douga is the final line art, transferred onto the cel, and that is the only thing that you call a douga. A douga is the 1:1 match to its cels in a sequence. With an anime like Utena, it's pretty often going to be included with the cel, if you obtain one. These are douga, the final line art that creates the animation, scans donated by JadeSabre and edited into sequence. The frames are numbered in the top right, and there are no notes or anything drawn on the sheets.

Now. That is NOT what I have above. So none of these materials are douga, they are...genga? Help? (This will get wild with Nanami, where I even have a green sketch that is clearly like, VERY FIRST draft of the shot...)

What I have are the key frames, to my understanding. Meaning these represent a point much earlier in the production process. On first glance, the white sheets are significantly cleaner, but they are also so far off model they're flying along with the Voyager probes in interstellar space. They're very capably drawn, don't get me wrong, but they're clearly done by someone who is not on the Dorito face bandwagon. This is apparently pretty common? You get your initial key frame sketches (genga??) made, and then the animation direction (Hayashi??) grades your work by making messier, but more on model versions of the shots. These are the yellow 'correction' genga?

The douga of this shot are likely with the cels. There are 11 distinct cels of Touga's face (others for the sleeve), guided by the 4 key frame sketches I have here. Looked at individually, I can even see where the filled in frames struggle a bit more to be on model than the key ones, even in the final product.

So clearly, what I have are some pretty early process materials where there was a bit of a back and forth about how to draw the characters. The others I have are similar corrections, but this is the absolute most drastic one. It's like they said 'just do it like kinda shoujo and we'll iron it out later.'

The question I have is...can I safely assume these yellow correction sheets are actually Akemi Hayashi originals? Or would there have been another person in this process doing this correction work instead? Would there be a way to know who drew the original ?genga? That may not be possible to ascertain, but it would be really cool to try, since this episode was a Chaos Production, since I have the actual storyboard for it, since I now have a neat piece of context about what the Chaos might have meant. This shot always stuck out to me in the first arc, because it's true that for a lot of the first arc, Touga and Saionji look....far more like the first drafts here. The strict adherence to the Hasegawa style gets enforced later in the series, but this is an example of the exchange that needed to occur to get folks on board with what was a pretty unique art style.

PS. This is torture, the shape of these means I actually need to make two scans of each one and stitch them together, which is nervewracking when you want them to overlap properly and also you don't want to wreck your toilet paper ass production materials pressing them into the scanner bed. Also several are fucking taped together and lemme tell you, 25 year old 'clear tape' don't stay clear and don't stay sticky.

Basically, any context or knowledge anyone can impart I would appreciate a lot! I know I've got something really cool here, but I am struggling to get much clear information about it, because Google is broken.