#i LOVE these characters and i’ve seen what they’re capable of in terms of driving the story forward

[caifanes]

something i’ve noticed in the late stages of the manga is that it feels like the dialogue is written with the purpose of explaining what is going on to the reader without any actual consideration for who’s saying it. inagaki is genuinely most concerned with the learning element of the series and the plot is just like. whatever this is what’s happening. the dramatic beats are dramatic in their isolated state, but intercut with the purpose (lighthearted education), attempts at connecting moments and transitioning between beats is whiplash inducing. every few chapters it’s like inagaki suddenly remembered one of his characters personalities and they show an emotion outside of ‘holy shit senku is nuts!’

[woundlingus]

Okay I’ve seen Driven (2020) starring richard Speight Jr and I’ve taken some notes to share with the class;

It is not very cinematic. 98% of the shots are very boring. Obviously it’s a very low budget film and that’s not to rag on low budget because a lot of low budget films become cult classics because they have a charm to them that comes from a movie with little money but a lot of love ie. Blair witch project ($60k), paranormal activity (15k) a lot of horror movie franchises start really low budget and it makes them super campy which is what makes them so beloved. But this is boring cinematically. And they don’t commit to what kind of style they want to go with filming and it jumps from very clear steady shots to shaky hand held footage without much rhyme or reason. I think they could’ve done a lot with very little and just the car by incorporating the fact that she’s an “Uber” driver through use of security footage found footage style. Viewing the story from a rear view reversing camera, a passenger camera- those kinds of things and it would’ve given a more visually interesting angle than smack bang in the middle of the dash board and never moving. In a movie that’s comprised 97% of shots of the two of them sitting in a car dialoguing there’s a distinct lack in dynamic shots to spice up the monotony.

Personally I would’ve liked to have seen more of the story happening in the background of things, I think it would’ve been visually fun to see her driving around in The beginning and viewing the oncoming disaster through her windows while she’s distracted with her own personal problems, a little like Shaun of the Dead if you’ve seen that, it’s got this great scene where it’s a one take where he just strolls through town with havoc going on in the background while he’s so self obsessed he doesn’t notice, then we could be part of the journey opposed to getting a lot of information dialogued at us.

The plot is very nonsensical and feels like it was given about 10% of the love and attention for what makes up 90% of the movie while the rest of the care was put into the bantering- which is very good. I will give them that the bantering between the two of them was VERY funny, though I think sometimes they need to know when to let a joke go (toilet spoon).

The two leads aren’t bad actors though, and sometimes that’s really all you need to make something watchable is if the people you’re watching are capable of making a dull script and character interesting to watch, they bounce off of each other with a very natural chemistry on a set where everyone else im going to assume is getting their first big break (no shame, everyone has to start somewhere) because they’re NOT good. Especially Jess who stands there dead eyed and delivers her lines like she’s reading off a teleprompter… that was the worst part of the whole movie, she’s unwatchable it was terrible. It’s a pivotal part of the film, the emotional crux of Emerson coming to terms with needing to self realise that she’s what’s holding her back and Rodger is a dick but his words cut because they’re true. And she’s crying on one side of the car and her ex girlfriend is just “😐 you didn’t… fight for us😐 you sit 😐 in the car of our relationship😐”

It’s very typecast of RSJ to play this kind of guy who’s a little awkward but very flirty and quippy- sassy, I suppose. And he does it VERY well like not just being a Gabriel girlie I always find his joke telling very compelling, but there’s the big emotional climax of the movie where he turns on a dime and snaps at Emerson and it’s MEAN. And I think he’s quite capable of branching out into a more serious type of character role and I’m not sure why he doesn’t, maybe he just likes to play the funny guy and that’s fine but he’s very good at being a little bit crazy and sadistic and I think he could play a good bad guy at some point if he wanted, I think he’s capable of portraying that kind of emotional depth.

The best part is obviously the bi4bi energy going on in this car. They’re both quite awkward and the “my ex girlfriend” rolled off the tongue like it was a very normal thing to say. You know sometimes you watch something and there’s a tense beat and then it’s like “my… girlfriend,” and you’re supposed to go ooooh this is hard for you :( there was none of that. She just spat that out like she was shooting the breeze with someone chill who would just get that, and later brought up an ex boyfriend and there was no needless discussion about bisexuality we’re just expected to get it in the way that Rodger literally could not give less of a fuck about it you know? Cool you’re bisexual, can we get back to hunting demons??? There was no awkward straight guyness to it. He didn’t go “oh? Oh!” Or ask crude details about girl on girl action- you know, the usual stuff. He instead shared his own personal love life strife or lack there of. Bi4bi energy. And chaotic. Love a good bi4bi chaotic duo. Their relationship was the best part of the movie I enjoyed watching them start tense and awkward and quickly bloom into a friendship BECAUSE they’re tense and awkward, it’s fun! There wasn’t a change in character, no suaveness, she does standup comedy it’s dorky it’s cute I think they’re perfect.

And those are all my thoughts, I’d give it a 4/10 just for the distinct amount of missed opportunities they skate on by but it’s not unwatchable, I just certainly would never recommend it to anyone

[vivithefolle]

I was always confused by Hermiones behavior towards Ron in OOTP. Was she trying to hide her feelings? because she didn't really gave him any signs. Why she was so nasty at him with the teaspoon thing. Was she trying to make him jealous with the letters? What did or didn't she understand from Ron giving her the perfume. Is all this just JKR being stupid because she don't want them together before the very end. Sry for all these questions but I am rly confused can you plz help Vivi?

Once again, I’ll copy one of my Quora essays!

it’s a stereotype to say that girls resort to underhanded tactics when it comes to dating, or like to “test” their partner’s love… but it’s a stereotype for a reason: there are teenage girls who resort to those tactics.

The archetype of the Tsundere exists as an exaggeration of the traits some teenage girls demonstrate when they find themselves in a position of vulnerability such as “having a crush on someone”.

For someone as prideful as Hermione is, having a crush on someone is extremely threatening.

Hermione prides herself in her logic and intelligence. The validation she receives from getting good grades is something she needs, because she’s very insecure deep down. She thinks all she has to offer is her intelligence, and as she goes from a little girl to a young woman, this causes her grief because she doesn’t want to be just “intelligent”. As her body develops and changes, she finds that being the smartest one in the room isn’t enough anymore - she still loves being the smartest in the room, but she wants more than just that, she wants validation for other things. That’s why she was extremely hurt when Ron tactlessly (and Rowling-ly) remarks “you’re a girl” - she wants to be seen as a girl, as a woman, as more than a walking brain. She wants validation that she is a girl, and beautiful, and sexy, and capable of making heads spin. She needs “sexual” validation, for lack of a better term.

Of course she doesn’t really realize those feelings. All she knows is that it hurts when Ron seems to consider her “one of the guys”, or looks at girls that aren’t her. She likes it when he compliments her, but she’s also angry at him because he only ever seems to compliment her intelligence and damn it, she wants him to compliment something else! She wants him to look at her, REALLY look at her! Look at her like he looks at the pretty girls!

Little does she know that Ron does look at her, but he probably thinks he’s a pervert for doing so. Because - because she’s Hermione! She’s not like other girls, she’s not - she’s not the kind of girl you ogle! She’s the kind of girl you gift flowers to - roses, they’re her favourite - the kind of girl you have long, meaningful talks with - not sure if they’re always meaningful, but they sure talk a lot together! - she’s the kind of girl you… the kind of girl you love, not the kind of girl you just look at…

*wistful sigh* Mutual pining, mutual admiration, slow burn, +100k words…

But truth is, many people go around saying that Hermione treating Ron harshly and treating pretty much every boy (with exceptions like Draco Malfoy) more gently is because she actually doesn’t like Ron, and likes anyone but Ron.

When the truth actually is that… Hermione is awful. No, no, seriously, when Hermione is in love, she’s terrible. She can be a nice friend but when she’s in love with you she’s horrible. Especially since she’s a teenager.

Hermione is a prime example of a Tsundere.

The cute, blushy, giggling Hermione who flirts with [insert character here] and cries delicately when she’s rejected? Pure fanfiction. Canon Hermione keeps her love aggressively hidden behind countless iron walls, only letting it peek through when she’s absolutely sure the person she likes isn’t looking.

“How was practice?” asked Hermione rather coolly half an hour later, as Harry and Ron climbed through the portrait hole into the Gryffindor common room. “It was -” Harry began. “Completely lousy,” said Ron in a hollow voice, sinking into a chair beside Hermione. She looked up at Ron and her frostiness seemed to melt. - Order of the Phoenix

Rare footage of the Hermione Granger, scientific name Selfinsertus Overratedus, displaying interest in specimen of mighty fine hunk

Hermione isn’t sweet and tender and kind with the one she loves. At least, the teenage Hermione isn’t. She’s harsh, she’s disdainful and only gives out breadcrumbs of affection once in a while as part of the complicated mind game she’s playing.

You see, Hermione is never going to make the first move. You must be the one to ask her out, because she sure as hell ain’t going to do it for you.

This is due, I think, to the events of Goblet of Fire. Viktor Krum asks her out because Rowling absolutely wants Hermione to be the ugly duckling who transforms into the beautiful swan, so she brings in Cardboard Cutout With No Personality Aside From Being Famous to woo her self-insert.

Now Hermione has gotten the experience of being asked out, and being a rather socially awkward person who also hates being vulnerable - more on that later - well, now she just assumes that if someone asked her out once, then anyone who does like her can do the same.

Which is why she doesn’t realize that Ron is actually aware he loves her. There’s a big comedy of assumptions going on in Romione’s love story.

Hermione believes that Ron either 1) likes her but is oblivious to his own feelings and so she thinks she has to “give him hints” to make him realize it. Emphasized best by this exchange:

Hermione laughed. “Harry you’re worse than Ron [at understanding girls]… well, no, you’re not, “ she sighed, as Ron himself came stumping into the Hall splattered with mud and looking grumpy.

“I’ve sent him so many signals and yet he doesn’t notice. Woe is me!”

2) doesn’t actually likes her, but sees her just as a good mate or worse, as another sister.

Hermione keeps flip-flopping between her two assumptions throughout the series, all because of her biggest assumption: she thinks that if Ron was interested in her, he would ask her out. Because Viktor Krum was interested in her, and he asked her out, so why wouldn’t Ron do the same? They’re both boys and she’s a girl, after all. Isn’t that how it works?

This is also why Hermione’s “““invitation”““ to the Slug Club isn’t even an invitation - really, it’s worse than Ron’s invite to the Yule Ball, at least he was actually offering her to come:

“We’re allowed to bring guests,” said Hermione, […], “and I was going to ask you to come, but […] I won’t bother.”

“I was going to ask you to come but I won’t bother.”

This is literally what she says. It’s more of a “look Ron! An invite! If you’re good maybe I’ll think about letting you have it!” than anything else.

It’s because this is Hermione’s last resort. The ultimate humiliation. She has to resort to inviting Ron when in her mind, he’s supposed to be the one asking her out. He’s the boy! He’s supposed to do it! (And this is why I laugh at all the fools who claim that Hermione is the pinnacle of feminism. Seriously, the girl is more of a misogynist than any other character in the series.)

Hermione failed to take into account that Ron’s insecurity cripples him worse than she imagines, and that he copes with it differently than she copes with her own insecurities.

And this is the part where I explain about Hermione’s hatred of being vulnerable.

You see, I can relate quite a lot to Hermione - I see a lot of me in her, and a lot of people who hurt me in the past as well.

Bullied because she was an easy target, being the know-it-all and local teacher’s pet? Yep. Bullied for her appearance (I got braces when I was 8 and have been wearing glasses since I was a toddler, she had her bushy hair and buck teeth)? Can relate. Cried easily? Super check. Rule enforcer when the teachers weren’t around? Mega check.

And naturally, when you’re such a water fountain as I was, there’s nothing more humiliating than ending up crying in front of your bullies. You quickly learn that it will bring you nothing but more bullying. More humiliation. More vulnerability.

Hence why you start despising any form of vulnerability you find in yourself.

Obviously, being in love? That’s one of the most terrible things you can find yourself in when you’re afraid of being vulnerable. Because, oh god, your feelings are completely insane around the person. They make or ruin your day. You keep wanting to show them how cool / great / impressive you are, and you try desperately to mask all your little faults so they will hopefully return your feelings.

Given that Hermione is already not the most socially-aware battering ram in the knife drawer, she acts especially nasty to Ron, because she’s overcompensating for the vulnerability he makes her feel. And she most likely isn’t even aware of it! Forget Fanfic Hermione cringing as she realizes how mean she sounds, welcome Canon Hermione who just doubles down on a pointless argument just to drive home how totally in control she is and how Ron has absolutely zero effect on her, no siree!

In short: Hermione overthinks. She overthinks everything. She’s overthinking every of Ron’s actions, she’s assuming he’s either out to get her because she assumes he’s perfectly aware of her crush on him and he’s just toying with her (this is the very insecure, pessimistic Hermione speaking), she’s assuming he’s completely oblivious to her feelings and so she uses the ages-old technique of the “subtle hints” to make her feelings known to him (and fails miserably because she doesn’t want to put herself out there too much in case he rejects her, which would be the ultimate humiliation and the worst possible thing to happen to her, in her teenage girl mind), and she’s assuming he’ll never like her the way she likes him, all the while being woefully oblivious to the fact that Ron does want to be with her but she keeps sending him signals that she sees him as a troublesome child rather than a potential partner.

All in all, a teenage Hermione in love is utter torture. She’s her own worst enemy, and it’s only when she decides to let go of it all - of the mind games, of the distancing, of the passive-aggressive; of the overthinking - and just takes a chance that her efforts bear fruit.

There was a clatter as the basilisk fangs cascaded out of Hermione’s arms. Running at Ron, she flung them around his neck and kissed him full on the mouth. Ron threw away the fangs and broomstick he was holding and responded with such enthusiasm that he lifted Hermione off her feet.

(As much as I’m disillusioned with Romione, this kiss is still one of my favourite parts of the series. They mutually sweep each other off their feet for god’s sake, you wish your ship would.)

[davidmann95]

So you've talked a lot about Darkseid, but what about the other New Gods?

SO THIS HAS BEEN IN MY INBOX FOR ALMOST AS LONG AS THIS BLOG’S BEEN AROUND AND I JUST FINALLY FINISHED FOURTH WORLD

Well that sure was something. My musings on some major players that I either have substantial thoughts on, or where I especially think the majority consensus/interpretation has subsequently gotten them wrong (a state Kirby is well aware of, because a HUGE part of “Even Gods Can Die!” is him being frustrated at subsequent handlings of the characters even by 1984 mucking things up):

Orion: Perhaps the most hard-done by as a result of Kirby never being able to fully finish Fourth World as he had imagined it, as his character arc ends on a cliffhanger for a decade and is forced into a rapid completion later. When he emerges, while a warrior born he’s also every bit the classical, magnificent hero you expect to see in a superhero comic to try and overshadow his inner demons, while by the end of New Gods he’s embraced not only his true face (the OTHER face, as his father would put it) in the fight against Apokolips but the murderous, sadistic rage that is his birthright, reveling in inflicting agony and very much the berserker others have since portrayed him as. Surely as much a product of his trauma from a childhood on Apokolips (a detail frequently glossed over) and a sense of being unwanted as anything genetic, it’s ultimately unconditional love for him as he truly is in Hunger Dogs that lets him overcome his fear that he can’t be anything but a monstrous tool in service of better people than himself, and embrace ‘the tomorrow overture’. Even his anger has its righteous if tragic place as a primal force of upheaval: “It defies time! It stands firm against the hammers of change! It mocks life and defies death!” I won’t get to it for awhile yet, but very curious what Simonson does with him.

Lightray: Rules! He’s the closest the New Gods have to a traditional superhero, and it’s in that capacity that while a lousy warrior next to Orion (Kalibak thinks little of his attempt at fighting him, mockingly deeming him a “callow little killer”), his strength is in transformation: he makes himself light, he turns a tormented weapon into the glory boat, a machine armed against the New Gods into a weapon against Darkseid, Orion from a man alone into a friend. He’s not a warrior, but he’s the one who makes a better world worth waging war for and who might one day make such war unnecessary. Also he and Orion have definitely fucked.

Mister Miracle: Not WILDLY off the mark since, but it’s interesting that as I expect a result of JLI he’s been written so often since as an everymanish, relatable, bordering-on-comedic figure, when under Kirby he was very much the archetypal good guy. One often committed to freeing others as he had been freed himself, in the likes of Ted Brown and Shilo Norman, an avenue I’m surprised hasn’t been explored more often from what I’ve seen. Also worth noting: Darkseid declared the moment he got his hands on the kid that Granny would be twice as hard on him as others, and that it would eventually drive the boy away and let the war resume. Which not only indicates Darkseid’s understanding of the subtlety needed in control, but would seem to take Scott’s rebellion out of his own hands…except that at the moment of his escape Darkseid still offered him a choice, implored the boy to allow him to “complete the destruction of Scott Free – so you may live with the majesty that is the power of DARKSEID!” And instead he turned his back on his god and chose to be what he is.

Barda: Shockingly, great as she’s been since, her background is often severely mischaracterized. The shorthand is “love saved her and turned her from a servant of evil to a champion of good!”, but that’s…while not entirely wrong, a bad way of presenting it. When she leaves Apokolips initially, even after she starts hanging out with Scott Free and Oberson after having helped the former escape years earlier, she still believes in Darkseid. She fights and hates her former allies not because she’s turned against his vision of the universe (this is in fact a major aspect often overlooked - under Kirby Darkseid’s agents don’t simply fear him, they sincerely believe in him and his vision of how the universe works) but because she sees them as loathsome, brutish executors of his grand design. In short, she doesn’t think it’s the system that’s the problem, but a bunch of bad apples. It’s her experience with freedom and simple pleasures and life on Earth, her lingering guilt over the death of her friend Auralie as eventually manifested in her protection and training of Shiloh Norman, and yes, her eventual realized love for Scott, that brings her around to realizing she truly desires a life beyond what Darkseid can offer.

Forever People: Okay I actually don’t have a ton to say about the Forever People, though I do think they’re underrated and underutilized. Naive and in over their heads as the frequently are they’re also the best of their peers, believing in freedom and transformation and the potential of those around them to become better - their defining moment for me is when they reassure Sonny Sumo that having the power of the Anti-Life Equation doesn’t make him a monster. “Where we come from the Anti-Life Equation is one of many others–almost as awesome!! But they merely exist!! It’s we who live!!”

Metron: The big figure I haven’t really been able to crack. Machinery as not necessarily cold mechanization but extensions of ourselves and our souls, and able to nourish them in turn, is a big aspect of Fourth World, but Metron as the embodiment of mechanization and knowledge feels like not just an outsider as he’s framed but one who never quite became whatever Kirby had in mind for him, making his crucial role at the end of Hunger Dogs a bit of a non-sequitur for me. I’d be curious to hear what other people think.

Desaad: God Desaad’s been made boring. Not that he isn’t fairly one-dimensional under Kirby too, but his craft and awful glee as the god of torture isn’t just in strapping people to tables and poking them with unpleasant tools, it’s in manipulating their emotions and agonies to a fever pitch - he should be such an unsettling figure, and instead he’s a simpering helpless toady.

Highfather: Not a perfect figure, given how he’s framed with the likes of Fastbak, and the Forever People, and the Pact, willing to deploy fear as a weapon in the name of peace as Darkseid will use chaos in the name of a larger order, but always trying - as with Darkseid, an imperfect vessel of what he represents, but capable of growth and realization as a leader.

Steppenwolf/Heggra: Essential to understanding The Pact, they’re the old ways of the world and war, petty despots and warrior-kings, supplanted by fascism in Darkseid.

Darkseid: So I’ve discussed Darkseid before in terms of his broad use and ideas, but the very specific ways Kirby presented him have their own dimensions. In the world of superheroes he’s larger-than-life and often such in here too, but in rare moments, and by the end entirely as all artifice is stripped away? Kirby’s Darkseid is a profoundly human figure. He recognizes the irony that the Forever People believe in letting all be who they are, for that very need to fulfill himself is why he must pursue conquest (“And of course - that’s the pity of it!”). While he thinks to himself “Oh, how heroes LOVE to flaunt their nobility in the face of death! Yet THEY know better than most that war is but the COLD game of the BUTCHER!” he too believes in “Boldness! Risk! The raw meat of existence!” even as he consigns himself to the role of puppetmaster rather than warrior. He does or so he tells himself “no more than what HAS to be done!!” rather than indulging in cruelty for its own sake. He dresses up in ridiculous costumes for his schemes, he gets sarcastic, he recognizes honor and respects worthy foes, he feels love, he craves the laughter of a friend, he fears the obsolesce of his preferred way of doing things, he tells himself that should he achieve omnipotence others will find “eternal shelter”. He’s a person, one capable of a range of emotions, but he is the TIGER FORCE AT THE CORE OF ALL THINGS regardless…not because he is a mythic unstoppable force, but because every day he rises and believes in himself over all others, because there is a black hole within him that he can only hope dominance might fill regardless of what pain he finds in the process. But as Mister Miracle’s battle with the Lump foretold, when left truly alone over a world that is himself he will be only within “a self-made prison”, reflections of his own fear and agony.

[fanfoolishness]

Mandalorian live-blogging, chapter 12, the Siege!

What did the Client really want to do with Grogu? He didn’t exactly seem to be on good terms with Gideon.

Din: “I finally know where I’m taking you — away from my life but not from my heart *cryyyyyy*” — oh wait, was that not the one?

The very practiced way Din is asking Grogu to do complicated shipboard maintenance suggests this has absolutely happened how many times before?

Din is so expressive here! All his gestures! So much nodding! His “no!” Hands! Shit, maybe my storyline about Din teaching Grogu sign is being carried on right here.

This may be the longest amount of time Din Djarin has spent continuously talking in about a year. I love how Grogu brings it out of him. He’s clearly exasperated by the shitty ship, but endlessly patient with Grogu, and I love how his voice absolutely conveys both of those emotions simultaneously

The tender way he says “no no no” to Grogu is so gentle.

I also love his contentedly narrating to Grogu as a part of their daily routine

I could easily watch 20 minutes of that type of content every episode and try to include pure adorableness like that in just about every fic I write

Oh, Cara Dune... why are you such an enjoyable character played by such an obnoxious person? I’m glad Gina Carano is taking her nonsense elsewhere, especially since it was clear she’d had multiple warnings, multiple chances to educate herself, but damn, I am gonna miss Cara on screen lugging Din around like a rag doll, or just smashing people in the face. I really appreciated seeing a woman on screen with the physique and capability to be that effortlessly kickass.

Din Djarin, wearing a jetpack: scrambles off his shitty ramp with all the grace of a flying lobster

I love the dynamic of Greef and Cara and Din. I hope we at least get to see Greef again! Maybe he’ll be like “now that the town’s cleaned up, the Marshal’s moved on.” Also, since when do we have Marshal in Star Wars? I’ve seen how many SW movies how many times, and no such thing as local law enforcement, let alone local law enforcement with a Western flair? Then all of a sudden Mando S2 shows up with Cobb Vanth and Cara Dune and I’m wondering if it’s an actual legal position in the Outer Rim and like, a cultural title of Outer Rim humans on many worlds (because it sure as shit doesn’t sound like a title you’d take in the Core Worlds).

Anyway, Greef’s actual love and adoration of Grogu is the sweetest. Maybe he and Peli can start a Grogu fan club and be the founding auntie and uncle.

Still can’t believe I missed that statue of IG-11 until I saw it pointed out here on tumblr.

Just think of how this is probably the first time Din’s been around this many children since Sorgan. And Sorgan kids had it different, they had a world that loved and protected them, and a place they could freely be above ground, and so that was fine; and Din had thought the children of his covert, the foundlings, they were fine too. But then it turns out it wasn’t true, the foundlings weren’t safe, they were slaughtered. And this is Nevarro, a township that wasn’t Home, but was nonetheless home to his people; and he remembers a little school in their hidden, simple covert for the foundlings in their training helmets; and he’s both heartened and pained that this group of children, at least, are able to be schooled in a safe place.

Din trusts these people as much as he’s trusted any non-Mandalorians, and it’s a lot! He knows he can ask them for help with the ship, he knows they saved his life and Grogu’s. And yet still see how unsure he is to leave Grogu at the school! He knows they don’t mean harm, he sees how beautiful and well-used the school is, he knows it should be safe... but he still stares after Grogu, barely looking at Cara, wanting to follow him. “Wherever I go, he goes,” says Din desperately, barely bearing to trust that anyone else could keep the kid safe like he could.

I keep thinking I need to write a fic of him flying off to go get Grogu at the end, now that I’m rewatching it, perhaps now is the time!

I’d love to have some of these kids’ Star Wars hairstyles

Hey! The Maelstrom! I know that! You know Han Solo did the Kessel Run in under 12 parsecs? And I love correcting people when they think SW didn’t know what they were talking about? Parsecs ARE a unit of distance and that’s what Han meant because of the Maelstrom! He got dang freaking close to it! Anyway I’m just very excited because y’all do realize they built the Sun Crusher in the Maelstrom? Anyone here read those books?

Grogu is such a little shit! and he really did just say “Patu,” huh

I love Greef’s beard. I love it! Are we saying it enough? It’s great!

So is Nevarro basically an asteroid? Are they seriously flying to the other side of the planet for this? Maybe it’s tiny? How can Din fly over half a planet on a jetpack? Nevarro must be a galactic pebble.

I could watch Din just get in and out of vessels all day long

Din is just so excited to use the Phoenix and I love that he’s not that good at it but loves it anyway. “Hold tight”

Lava tide? The hell is this shit planet.

Din is not impressed by stormtroopers one little bit. I love him standing there all nonchalant.

Din is just sooooo shiny in this episode.

Cast it into the fire, Isildur!

Why do these bases never have guard rails for these giant drops

The Mythrol asked the same question 1.3 seconds later

Mythrol? Cracks of doom? Mithril??? A coincidence? Surely not

Greef I love your outfit so much

Yeaaaaaaah get those Snoke-looking bitches outta here

Din with a horrible sinking feeling... “I don’t like this...”

Din is heavily regretting letting this man live rn

Din must have been seeing. FUcking. RED

You know if they stop building their hallways with fucking COVER the stormtroopers won’t keep getting killed in them by enemy assailants with better weapons and aim

Din running to get his son <3

Cara SMASH and I love it

Din, you flew away over the LAVA? That is so badass. And I love his very clumsy superhero landing. And taking a running leap off the top of the lava flat

I love that Cara doesn’t quite get the whole kid thing, but totally supports Din in his love of fatherhood

Cara would be GREAT at driving the Mako

I do love how often environmental hazards take out scouttroopers on their speeder bikes. Like, no shit! You’re a human trying to go 300 miles an hour? Since when is our reaction time capable of that???

Dammit TIE fighters! They’re much more intimidating on a planet, actually. They pack a serious punch when you aren’t shooting ship-sized lasers back at them

Yes!!! The shitty little Razor Crest that could!

And Grogu’s excitement! He trusts Din so much now that it doesn’t even enter his mind they might be in danger. He just knows Din’s here, we’re gonna have fun, I trust him.

And think how much Grogu has grown since S1. He would have been hiding in the back with all of that excitement beforehand, not excited and waving his hands and giggling

Din is just... resigned to Grogu being sick. And he could clean Grogu up and go back to see Greef, but he just wants to make sure the kid’s okay... especially after what he’s just learned about Moff Gideon.

I do miss the slower pacing of S2. I would have liked another episode in between this and The Jedi where Din just sort of processes and deals with all of this new information.

Oh hurr hurr wait I write fanfic

I like that some of these Imps don’t have the Coruscanti accent. They’re just like... y’know, American.

Gideon is so childishly pleased by his Darktroopers, like get over yourself, dingus

If Favreau took this episode I wonder if that means he wanted to make sure all the mythology and shit is going according to plan. Or maybe I’ve just been watching too much X-Files. If Chris Carter wrote an ep, it was mythology ONLY, and that was it.

The end! Maybe I’ll write tomorrow :)

[magaprima]

I really love that Lilith going to Zelda for help in Part 4 parallels her going to her for sanctuary in Part 3. They’re both instances of Lilith being in grave danger and going to the one place she believes she would be safe; Zelda’s coven. That point in itself is really worth noting; it shows not only that Lilith has noted the way the Spellmans are and how they do help people, but also that she does respect their power and capabilities. Two times she has been in severe danger and both times she has believed that Zelda and her coven were powerful enough to help her. Coming from the First Witch herself that’s a pretty big thing. 

But what I extra love is how different the two instances are. 

In the first one, in Part 3, Lilith is definitely more demanding of help, and more to the point, she expects��it. She tells her ‘The Dark Lord is not known to forgive and forget, I’ve already received a threat; I need asylum’ and then when Zelda says they have enough threats going on, Lilith goes to bargaining ‘I could help you’, and then when Zelda says no, she says ‘but you must give me sanctuary. You worship me’. She is being extremely demanding here, she is behaving exactly as she has always seen behaviour in Hell, and, significantly, she is behaving how she has seen Lucifer behaves with his followers; if someone worships you, they have no choice but to help you, so much so that you don’t even ask. I mean, I totally get Lilith’s urgency and the fear driving her demands, but it is definitely not the way to win over someone like Zelda. 

But then in Part 4, Lilith is not demanding at all. Despite needing help even more than she did in Part 3, despite being in immediate danger, despite this being much more urgent and dire, she doesn’t demand or push. She calls Zelda by her title (both in the coven and as a midwife) and the literal first word out of her mouth is ‘please’. She says ‘Please, Sister Zelda, help me. My baby is coming’  and when Zelda asks her questions (because last time she saw her she wasn’t pregnant and certainly not full-term), Lilith doesn’t snap at her or dismiss her questions as unimportant; she actually answers them, honestly and as concisely as she can considering the pain she’s in. And then, she openly begs for help ‘Please help me!’ and let’s Zelda see how desperately she needs her help, while in Part 3 she did everything she could to hide her fear, making an effort to sound in control. 

It’s just such a stark contrast between hiding her emotions in Part 3 and openly baring them in Part 4. And then the requests themselves are so different in the wording and delivery:

But you must give me sanctuary. You worship me. 

Please, Sister Zelda, help me. My baby is coming. Please help me!

And then with the fact Zelda immediately says yes and even volunteers sanctuary later on....these two women had each gone through a hell of a lot in the short time between the last few episodes of Part 3 and the opening episodes of Part 4, and they have significantly grown through it. I think of all of the characters Zelda and Lilith are the ones most different from their Part 1 selves, the ones that have gone through the most growth and change. 

[smalltragedy]

* brigette lundy-paine, nonbinary + they/them | you know kirby wormwood, right? they’re twenty five, and they’ve lived in irving for, like, two weeks? well, their spotify wrapped says they listened to ring ring by mika like, a million times this year, which makes sense ‘cause they’ve got that whole balancing acts at perilous heights destined to entertain, jack of all trades master of none, refusal to accept the mortal world as it is thing going on. i just checked and their birthday is december 1st, so they’re a sagittarius, which is unsurprising, all things considered. ( james, 21, est, they/them )

hllo welcome 2 my third character i love them a lot theyre a. remake of an older oc of mine so this is fun <3 sdfhk anyways once again i am asking u. pleathe like if u wld like to plot.

ARSON TW

mini playlist.

wizard ;; lucas lex / ring ring ;; mika / crows ;; clues / sunrise sunset ;; bright eyes / la llorona ;; beirut / no children ;; the mountain goats / might be love ;; the pesky snakes / sax in the city ;; let’s eat grandma.

statistics.

full name: kirby wormwood (currently).

nickname(s): magpie.

birthday: december 1st, 1995.

zodiac: sagittarius sun, aries moon, libra ascending.

mbti & temperament: estp & improvisor / sanguine.

label: the hellion.

hometown: abilene, texas.

sexuality: bisexual.

pinterest.

biography.

alright lets get right into it. kirby ws switched at birth. they cld’ve hd a very like. picket fence trampoline in the backyard. 4 columns cos its texas n it feels right. bt instead they were chosen <3 somewhat unintentionally <3 by dorothea n fawley wormwood, two traveling circus workers who emergency stopped in abilene.

n u know what. growing up in st. pierre’s traveling circus ws kinda fkn awesome? like ok. besides the fact tht they were homeschooled fr like evr n there were a sparing amt of children 2 socialize with? it ws p cool idk.

it ws kinda like everybody ws their parent n also not at all bc they were all very casual. bt they grew up learning hw 2 maintain the circus (n also like. normal school thingz bt i dnt think kirby hs ever cared abt school like ever) n whenever they hd a show kirby wld facepaint or handle tickets until they were old enough 2 start learning like. the Real fun things. 

fawley hd a lot of his own weird odd little like superstitions n beliefs n practically raised kirby on them like n they dnt rly <3 make a lot of sense. lots of made up philosophy. very much like. nothing defines u. u cn b anything or anyone. n kirby ws like ok cool. n then developed a god complex.

names didnt rly stick 2 kirby when they were a kid like. nothing satisfied them or felt worthy fr them or simply they just. got tired of a name. this isnt related 2 them being nonbinary BUT it did help ease some of the. pressure of exploring gender identity. theyve only hd one name tht stuck genuinely n tht ws magpie n. thts bc everybody hd their own bird name n it felt very. like community. like a role. usually the names they used during performances bt. anyways KFHDSGLKKHL

theyre Kirby bt answers 2 most. neutral nouns.

honestly. they were also a rascal as a youth. ws like. oh. i learned sleight of hand? cool. time 2 pick pockets. wld throw popcorn into the hair of other kids n b like. omggg what was that ... became a mime fr a year. it ws a rigorous training.

now a master of charades. bt anyways. they traveled pretty much weekly, maybe bimonthly n sometimes just pure monthly. there wsn’t an off season fr them, when the colder months came they’d travel south and when summer rolled in they’d go right back up again. it ws easy to switch personas almost daily n just. never reveal ur true self. totally not saying tht’s what kirby did bt thts what they did. it nvr made them lose sight of themselves it ws more like. acting. tricking ppl fr fun. 

anyways all good things come 2 an end and when kirby ws like. 18. they were like hey ur old enough that we cn trust u with fire. we think. n they started 2 learn fire-throwing n like. they were ok at it bt lessons were painfully slow n kirby ws like. i wld b so good at this if i cld do it all the time. n it ws like. hey kirby, chill. u already know a lot of things.

arson tw // u see where this is going. tents are kind of flammable. kirby ws unsupervised. bad decisions all around. circus is aflame. all the animals n all the circus workers got out fine bt like. st. pierre’s ws efficiently out of business. arson end of tw //

n kirby fkn booked it they just. ran. pure fear. nvr looked back which is like super traitorous of them 2 do bt. sometimes they meet up in secret like. sunglasses n all at a coffee shop. not all of them just like. fawley or someone else. theyre like. ur family u cld burn down a thousand circuses n we’d still love u. n kirby is like yeah i know bt i’ve rly committed to the bit now. n they dnt reunite.

anyways. since then kirby hs just been. a traveler. nvr rly staying anywhere fr super long n driving around in their shitty little van tht’d been used as housing back at st. pierre’s.

they’re in irving n theyve been there fr almost. suspiciously long. compared 2 their average stays. when asked abt what they do or why theyre there theyll just. give a vague answer or spin a long tale tht usually involves a burning circus.

theyre staying at uh. abernathy creek rn bc of course they r they fit in so naturally. welcomed with wide arms. might b soul searching rn might b on the hunt fr their birth parents might b just vibing ... whose to say ..

personality & facts.

has a Big personality tht attracts others fr better or fr worse. either super likeable or the most despicable person on the earth. no in betweens. n honestly tht is a talent in itself

has no off button is constantly. spinning tales or performing a dance or getting kicked out of bars fr whatever nonsense reason. 

honestly they prob think tht nothing bad cn ever happen to them even tho like. bad has literally happened 2 them before? love the optimism here. KLFGDLKFSDHGF

acts a bit like u’ve known them fr ur entire life they r oddly warm in tht way bt they themself r so distant tht its like. oh nice ok ...

both honest n yet dishonest like. yes they will hustle u out of ur money bt they will also tell u their opinion straight up. 

probably smart bt they r just like. prime thembo? flowy pirate shirts n cropped tshirts n pants tht r never tight. dresses like they do still work n live at a circus. 

likes 2 instigate things between others n then stand back n just watch it happen while taking like zero accountability. loves a good small town drama. avid milf hunter.

does not hv any faith in the american healthcare system at all n will straight up refuse 2 go 2 a hospital if they get hurt theyre like. i cn do it myself im like practically a professional. they r not a professional. 

bt does hv like. a thing abt apples. fkn loves them. 

uuuhhh cn play instruments bt all very badly. only knows one (1) song tht isnt made up n its wonderwall by oasis. they play it at parties. they expect fr tomatoes to b thrown at them at any given time.

very nimble. agile. granted its frm. learning circus tricks frm a baby age bt they hv impeccable balance n cn sneak up behind anyone without a single noise. uses this 2 their advantage in order 2 scare ppl. chaotic neutral.

loves having the attention on them i wont fk around here. will go to drastic measures to accomplish receiving it. my other muses r capable of taking things srsly bt kirby just. is not. they do not take a single thing srsly they barely even took. st. pierre’s destruction srsly n they caused it. maybe.

likes being able to just. be unknown so the amt tht ppl know abt them is actually very. little. i dnt think they even tell others their last name. sometimes not even their first. just hs so many aliases n nicknames. i know i didnt list any bt thts simply bc Any cld.

probably acts out to compensate fr the. underlying guilt they hv bt thts okay. i mean it isnt bt.

will probably show up if u call them fr help bt they lose interest in people p quickly n r always moving onto the next shiniest person. bt when they do they give them like. all their attention. if u wrong them in this period they will just. ignore it. bt when theyre bored then its like. u werent even friends at all? very odd.

perhaps it is commitment issues bt <3 ya. thts them. they do not claim favorite colors or movies or. most interests. probably bc theyre very very disconnected frm pop culture i think they learn everything thru twitter n google.

i wld not call them a good person bt i also dnt think theyre like evil horrible nasty awful they just. think abt themself a lot more than they think abt others n also refuses to face consequences ever and also .. anyways.

wanted plots.

part of the bird’s nest ;; honorary bird honorary circus member. u hv to be very well regarded by kirby to earn a bird name bt i feel like tht doesnt feel like a lot considering theyve only been here fr like. two weeks KDGDSHKGK. the catch is tht u cn only refer 2 them as magpie frm then forward. 

hand in unlovable hand ;; theres comfort in being terrible ppl together n it may not last bt it doesnt hv to anyways. its just them n the like. vibes. n knowing tht its smth thts nvr gna b long term. cld b anything ur character just hs to be also a little evil. KHDSGFDS

one jester ... wht abt ... TWO jesters .. ;; hoo boy. ooh man. unstoppable force and immovable object combine forces n just become. the worst of the worst. ultimate jokesters. epic pranksters. absolute clowns. chaotic energy unmatched. always nonsense. 

n also ;; ppl they’ve stolen frm, ppl who hv caught them in that act, ppl who’ve maybe seen them in the circus a very long time ago, Found Family Trope, real family shenanigans, kirby just asking everybody if theyre their dad., mortal enemies if they see each other its an instant duel 2 the death, etc.

[dgcatanisiri]

The thing it always always ALWAYS comes back to is the fact that it’s no one source that is responsible for the lack nor capable of fixing it. It’s all a bunch of issues in society proper and the industry culture. Videos games will always be written from the perspective of straight people, and almost inevitably straight men. Film is from the perspective of the male gaze. The world we lives in will assume straight until proven otherwise.

And because straight is “the default,” it is what gets catered to, with any claim to the contrary, any attempt to say “hey, what about [queer identity]?” these big chains can argue “not worth the time/effort/money!” Because pure numbers say that’s a valid excuse. Because they can make more money just accepting homophobia than pushing against it. Because pushing against it is “risky,” and, well, we can’t push people too much for something they’re “not ready” for.

Even when people on the chain WANT to do more, offer more... They’ll get pushback. Like, I legit, 100% believe that sacrificing bi!Jaal on the release of Mass Effect Andromeda was part of a fight to keep Suvi a lesbian - we KNOW that it was a fight to keep her from being made bisexual, I buy that the ground of “one of two bisexual men” was given in order to keep the lesbian representation. It’s a shitty situation and a shitty choice that shouldn’t have been forced in, but I damn well believe it happened.

Or with Voltron - I do not give a damn about the dumpster fire that fandom is, I guarantee that Adam being killed off was part of the terms that they had to agree to just to get it to air, get a gay relationship in a cartoon that is primarily oriented to children. Look at all the fights that creators in Legend of Korra, Adventure Time, Steven Universe, She-Ra, etc. have had to go through - and remember that it’s NOT the same thing for gay guys in action-adventure series, that there has NOT been that kind of breakthrough in M/M relationships and portrayals, and yes, this IS a different track to run through, because, put simply, lesbian representation is not the same thing as gay male representation. Similar, yes, and there’s an umbrella they’re both under, but they’re not the same - as much as you’ll find a queer person who celebrates any win under the queer umbrella, they will still have that wish that there was also a win for their SPECIFIC identity.

This is the inherent flaw of grouping so many identities under the same umbrella - we all rely on each other, sure, but at the same time, just because it’s a queer win, that doesn’t make it a win for every individual letter under that umbrella. It’s not always your mirror you’re seeing, and as much as you can be happy that others get their representation, human beings will always have that egotistical part that goes ‘well what about MY needs?”

I’ll also guarantee that there was an active play for Shiro/Keith (like, LOOK at their interactions and tell me that there isn’t SOME kind of significant bond being established that is outright groundwork for a relationship) and THAT had the kibosh put on it as well - that the active choice on the part of some executive, be it Netflix or other producers was that Shiro could be gay, but they could not have two gay lead characters, and that’s why Shiro marrying random extra happened.

Because I don’t think that it’s actively bigotry that drives these kinds of choices. It IS homophobia, implicit homophobia, the kind that says it isn’t worth fighting for or dealing with the inevitable headaches when the conservatives get in an uproar. No, it’s simply that... They don’t want to deal with that headache. They know it’s going to create blowback from the idiots, and while they understand that those people aren’t really worth endorsing, it’s just a lot to deal with so how about instead we NOT?

Because to them, it’s all hypothetical. It’s all an intellectual exercise. It’s a headache to deal with these people who aren’t really worth listening to, but we still depend on their money to turn a profit and keep our jobs, so it’s just easier not to rock the boat.

Meanwhile to the queer people they are denying representation, it’s our LIVES. It’s our mirrors. And often, that is the difference between life or death. That’s not exaggeration. If you never see yourself reflected in your media, if you only ever see yourself in the secondary roles, never the hero... It damages you.

Like, I’ve reached a point where, if for no other reason than sheer spite, I intend to keep kicking. But... It does wear on me. It gets me down. To know that even the scraps that I find are the result of long, drawn out fights that started with the full meal - and then, because the scraps exist, I KNOW there’s some pencil-pusher going over the results of everything related to this content by whatever metrics they have, just LOOKING to use the scraps as justification for why the numbers came up short and that’s why they won’t include more scraps again.

And this just. keeps. happening. It’s every time that the representation COULD be there, every time it’s SORT OF there, but clearly grudging, every time that the only reason we get queer representation is because the developers don’t want to bother with the coding to lock off certain romances by gender, not because it’s cared about, every time that the developers and creators have to go to the people who pushed for this and say “I’m sorry, but I lost the fight, and if we don’t cut it, they will.”

It doesn’t change. We’re about a decade and a half from Jade Empire, the game that gave me so much JOY in being able to play a gay male character in a video game and see a gay man as the hero. We’re about a decade out from Korrasami. And what are we really getting as different? Okay, video game characters don’t have their sexualities so blatantly hidden - I don’t have to turn down every female love interest in order to get the male love interests to even ask if I’m interested. Okay, we’ve seen the progression of Korrasami to Bubbleline to Ruby/Sapphire to Lumity, but these are still moments that basically cause the network to pull the plug.

Y’know, sure, I’m still going because of spite. But that’s beyond cold comfort when it comes to how I look at the amount of books, movies, TV shows, and video games and still don’t see myself in there.

[aion-rsa]

15 Best Final Fantasy Characters

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While the list of things that Final Fantasy has gifted the gaming world is much longer than the one we’re bringing you today, one of the most consistently incredible aspects of this legendary RPG franchise is the quality of its casts of characters.

Even if you’ve only played one or two Final Fantasy games in your lifetime (or perhaps even just absorbed elements of the series through its prominent place in gaming culture) you likely know and have strong feelings about at least one Final Fantasy character. No matter how fantastical these games get, their heart will always be found in the heroes, villains, and even NPCs that drive some of the greatest adventures in RPG history.

Which Final Fantasy character is the best of them all, though? That’s a question fans will never find a universally approved answer to, but I’m willing to be most personal shortlists include at least a few of these incredible characters that have become icons of this franchise, the genre, and gaming.

15. Bartz Klauser (Final Fantasy 5)

Many Final Fantasy protagonists are tortured souls burdened by destiny and circumstances. There’s nothing inherently wrong with that type of character (we’re actually going to honor a few of those tortured souls later in this list), but too much of that kind of personality can really wear you down.

That’s what makes Bartz Klauser such a breath of fresh air. As a young man just trying to honor his father’s dying wish to go out and explore the world, Bartz didn’t ask to get caught up in an epic battle or grand adventure. Yet, he handles the incredible events that befall him with positivity, humor, and constant support for his friends and allies. 

14. Squall Leonhart (Final Fantasy 8)

There was a time when it felt like Squall’s place somewhere at the bottom of any list of Final Fantasy protagonists was all but reserved. There are still more than a few Final Fantasy fans who passionately hate him, and it’s easy to understand why. He’s angsty, he’s sometimes derivative of other characters, and he’s even sometimes cruel to people who should be his closest allies.

Yet, there’s just something about Squall. His looks and gunblade certainly make him memorable from a design perspective, but there’s also something to be said for how we get to watch Squall grow throughout Final Fantasy 8 in a way that few franchise protagonists get to grow across the course of their own adventures. Squall is the surprisingly grounded heart of a Final Fantasy game that reaches all-time high levels of weirdness.

13. Zidane Tribal (Final Fantasy 9)

I’ll always have a soft spot for Final Fantasy 7 and 8’s more somber protagonists, but like many fans at the time, I was more than ready to embrace Final Fantasy 9’s return to medieval fantasy as well as its returns to slightly more upbeat lead characters. 

Zidane is a fantastic example of a more lighthearted Final Fantasy protagonist, but he is no mere throwback to a simpler time. There’s plenty of darkness in Zidane’s surprisingly deep backstory, which makes his attempts to become a better person and a better leader (as well as his insistence on enjoying life whenever possible) that much more interesting. 

12. Cidolfus Orlandeau (Final Fantasy Tactics)

Some version of Cid pretty much had to be on this list, but which Cid is the best of them all? Well, there’s certainly an argument to be made for Final Fantasy 7’s Cid, Final Fantasy 14’s Cid, and Final Fantasy 9’s Cid, but my vote for the best Cid goes to a somewhat outside the box version of this recurring character. 

It’s interesting enough that Final Fantasy Tactics’ Cidolfus Orlandeau is a warrior when so many other versions of Cid are engineers, mentors, or even political leaders, but what makes Orlandeau really stand apart is how powerful he is. This is one of the most overpowered characters in Final Fantasy Tactics in terms of both lore and in-game abilities. Actually, his incredible power kind of feels like a love letter to the entire Cid “lineage.”

11. Zack Fair (Final Fantasy 7)

It may seem like Zack Fair’s popularity only started to grow in more recent years, but the truth of the matter is that many Final Fantasy 7 fans have always loved Zack and just weren’t able to properly share their love for this previously minor character prior to the modern internet age. 

Before Zack Fair finally got to star in his own game (the largely underrated PSP title, Crisis Core: Final Fantasy VII), he won the hearts of millions with his optimism, friendly nature, and unwavering belief that he can fight to make the world a better place. He is, in many ways, what we think of when we think of heroes. 

10. Celes Chere (Final Fantasy 6)

Final Fantasy 6 certainly isn’t lacking in memorable protagonists (or villains), which really makes it that much more impressive that Celes Chere has arguably become the game’s unofficial lead all these years later. 

Celes initially comes across as a standoffish enemy general who is only helping the player’s party because they’re temporarily united against a common threat. By the time we reach this game’s legendary opera scene, though, we understand who Celes really is and even start to sympathize with what we previously believed were her greatest flaws. Celes was one of the first Final Fantasy characters that properly showcased the storytelling potential of this franchise and gaming.

9. Lightning (Final Fantasy 13)

Final Fantasy 13 honestly deserves a lot of the criticism it regularly receives, but it’s always been a shame that the game’s divisive (often negative) legacy means Lightning is sometimes denied the status she so rightfully deserves. 

Lightning’s backstory isn’t the most complicated in Final Fantasy history, but that actually proves to be one of the character’s strongest qualities. Lightning is mostly interested in protecting her sister, which turns out to be all the motivation as she needs to embark upon an epic journey as well as all the motivation we need to sympathize with the incredible things she does along the way. Lightning is fearless, strong, determined, and the kind of person many of us like to think we would become in her situation. 

8. Balthier (Final Fantasy 12)

It’s certainly easy to understand why so many Final Fantasy fans have compared Balthier to Han Solo over the years. Balthier is, after all, a sarcastic yet suave sky pirate who gets caught up in a war. You don’t have to break your brain to see the similarities.

However, that doesn’t make Balthier any less of a compelling character. Balthier believes he’s the real protagonist of Final Fantasy 12’s all-time great story, which is honestly hard to argue against when you consider that he’s the most consistently compelling character in the game and one of the most consistently entertaining characters in the history of this franchise.

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7. Tifa Lockhart (Final Fantasy 7)

What is it about Tifa that’s made her one of the most popular characters in Final Fantasy history? Is it her warmth? Is it her combat abilities? Is it the ways that she’s able to so easily pivot between leader and supporter based on what the situation calls for? 

The answer is “yes.” Tifa is capable in ways that the best playable video game characters sometimes need to be, but she’s still vulnerable, conflicted, and sometimes scared in the ways that any of us would be if we were in her situation. She’s a truly well-rounded character who is more than worthy of her fan-favorite status. 

6. Auron (Final Fantasy 10)

On the surface, Auron is everything that you’d expect to see in a “cool” Final Fantasy character. With his giant sword, samurai-like philosophies and lifestyle, and mysterious vibes, you could even argue that Auron represents some of the “tropes” we sometimes associate with this franchise’s most notable warriors.

Yet, Auron is so much more than the (admittedly badass) warrior he first seems to be. As we learn Auron’s backstory, we also learn more about the Final Fantasy X universe and this game’s wonderfully weird and surprisingly complicated storyline. Auron is undoubtedly cool, but it’s the sweet and sorrowful details of his backstory that elevate him above some notable competition. 

5. Cloud Strife (Final Fantasy 7)

It’s sometimes hard to look at Cloud and not see a collection of what we now think of as cliches for both Final Fantasy protagonists and JRPG characters. Even if you want to push aside the fact that Cloud helped introduce (or at least arguably perfected) some of those cliches, you can still make a compelling argument for the character’s all-time great status on the basis of some of his qualities that don’t get talked about quite as often as they should. 

Cloud is a much deeper and more mysterious character than he often gets credit for. Given that we learn more about him as we learn more about Final Fantasy 7’s plot, world, and emotional stakes, he’s also one of the best (if initially less obvious) player surrogates in the history of RPGs. 

4. Sephiroth (Final Fantasy 7)

Like so many of Final Fantasy’s other great characters, you could make an argument for Sephiroth’s “best” credentials on the basis of his design alone. Any character that looks this cool and has a theme song as incredible as “One-Winged Angel” is destined to steal some hearts. 

What’s most impressive about Sephiroth, though, are the ways that the Final Fantasy team has revisited this character and grown him over the years. Sephiroth is a tragic character in many ways, but you won’t find many who are willing to shed a tear for him or the ways he’s used his personal tragedies to internally justify unforgivable acts. 

3. Yuna (Final Fantasy 10)

While I don’t hate Tidus as much as some people do, I have to admit that I’ve always seen Yuna as the real protagonist of Final Fantasy 10 as well as one of the series’ best characters ever.

Yuna’s incredible empathy and compassion are appropriate character traits for a summoner who is so willing to complete what is generally considered to be a suicide mission. Yuna believes in the role she plays in this world, but she’s not so committed to her duties that she becomes this one-track protagonist that doesn’t get to develop a personality. Indeed, it’s Yuna’s likability that inspires so many Final Fantasy 10 players to see her complete her quest, whatever the cost may be. 

2. Kefka Palazzo (Final Fantasy 6)

When people are praising Kefka as a villain (which is obviously something that happens quite often), the line you’re almost always guaranteed to hear is that Kefka is one of the few villains in any medium who achieves their seemingly absurd plans for world domination. His almost unrivaled success as a villain has rightfully become the defining part of his legacy.

As a character, though, Kefka stands apart through the almost horror movie-like nature of his design (he’s somewhere between Pennywise and the Joker) as well as for the way he goes from court jester to world-destroying diety so convincingly. He is, at the very least, the best Final Fantasy villain ever. 

1. Vivi Ornitier (Final Fantasy 9)

Vivi’s short lifespan and the fact he was ignored and dismissed for so many of the few days he had to live should make him one of the most tragic characters in Final Fantasy history. Indeed, many aspects of Vivi’s life are a tragedy and a pretty compelling tragedy at that. 

Yet, there’s a reason that simply hearing the name “Vivi�� puts a smile on so many Final Fantasy players’ faces. Vivi may discover the sorrowful truth of his existence in Final Fantasy 9, but he also learns the joys of friendship, confidence, and adventure. In many ways, the character’s final words represent how we all feel whenever we have to leave our favorite Final Fantasy characters:

cnx.cmd.push(function() { cnx({ playerId: "106e33c0-3911-473c-b599-b1426db57530", }).render("0270c398a82f44f49c23c16122516796"); });

“I’m so happy I met everyone… I wish we could’ve gone on more adventures. But I guess we all have to say goodbye someday.”

The post 15 Best Final Fantasy Characters appeared first on Den of Geek.

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[cruelfeline]

I'm rather new to the fandom but I had a thought/theory I'd like your opinion on regarding Hordak's 'defect'/illness as I think its never specified in canon what it is (correct me if I'm wrong). What if his defect is simply something he perceived about his past that is not real, similar to his perception that he was a top general to Prime. It was something he made up to explain events to himself, and that any illness that he displays by the show is simply the result of a manufactured (1/4)

being that was forced to survive in an environment that it was now designed to live in for 20 or so years. I think this might be the case for a couple of reasons, first I can definitely see Prime send defects to the front line, however in season 5 Hordak isn't simply shipped away to a front line somewhere. He is sent to Etheria but not for long and not what I would argue as the front line considering there are actual battles going on the planet and he's not like in the occupied territory (2/4)

most likely to see battle. And two despite how far he has 'fallen' in Primes eyes, Prime takes the time and resources to remold him rather than just dispose of him, and Hordak seems just as physically capable as his brothers after this. And if Prime was able to repair Hordak's 'defect' easily enough that he would keep him around rather than send him out to die in battle as Hordak had been showed to assume earlier, then perhaps Hordak never had any defect or illness to begin with. He only (3/4)

told himself that after he got separated from the galactic horde because why else would Prime send him away, why else would he even have been in a situation to be separated, he would think he must deserve it, that there had been something wrong with him and its his fault for what happened to him, and not the truth that he just happened to be the cog in the machine that fell out because there was a portal and he happened to be in the wrong place at the wrong time. Sorry for the long ask lol.(4/4)

So, this is definitely an idea that’s been floating around the fandom: this concept that Hordak never actually had a physical defect, and that the illness we see is one caused by environmental factors on Etheria.

There’s nothing specifically wrong with this headcanon, and if it’s one that people enjoy, then by all means: indulge! However, it’s not one that I personally subscribe to, for a few reasons.

The first of these reasons is largely meta-based. Removing Hordak’s in-born physical defect removes a huge part of his character arc and a significant aspect of why he means so much to so many people, especially those people who identify with him in terms of physical disability. His arc is very much based on disability and how it affects him, on feelings of physical inadequacy connected to an illness that he cannot control coupled with a “family” and “society” that condemns him for that illness. Removing this aspect of him greatly diminishes the meaning of “imperfection is beautiful” and the lesson that he learns throughout the series.

If there was never any actual defect, if he was never really looked upon by Prime as “inadequate,” then what he learns about failure and having worth as he is, physical problems and all, becomes somewhat meaningless. If the defect never existed, then... the conflict is kind of gone, isn’t it? I mean, in that scenario, it would still be awful to be sent to the front lines to die, but the reason behind it, the thing about Hordak that so deeply hurts him, would be gone. The sort of igniting spark of his entire story would be gone, and with it, a major aspect of his character.

I also think that Hordak sort of rationalizing a position of importance in Prime’s cult is believable, simply because I feel like it happens in real cults. With real victims. Victims who think that, rather than being abused, they are participating in something important and meaningful. Victims who think that their abusers have special love for them (something that we likely see in that clone Prime caresses, in S5E5, actually). But I think it’s less believable that Hordak just “made up” an entire physical illness; I do think that that existed prior to Etheria. Removing it just seems... very odd to me. Especially removing it without coming out and addressing the fact.

The removal would also take away some of the sense of evil surrounding Prime: prioritizing his brothers based on physical ability, rejecting those with defects, is a horrific thing. Take that away, and Prime is still evil, but a certain emotional aspect of it is removed. Which, again, lessens the story, in my opinion.

Now, in terms of in-universe logic regarding why Hordak remains with Prime in season five: in my opinion, this has to do with memory access. 

While Prime is conquering Etheria, he wishes to maintain access to any relevant memories and information about it. Hordak is the only one with those memories. And, as we learn when Prime accesses one of his previous bodies, these memories cannot be uploaded into a server, or put on a thumb drive. They require a mind and body to exist. Therefore, Prime simply (temporarily) fixes Hordak up enough to make him pretty and functional and keeps him around as a memory bank. With this logic, there is a high chance that, once Etheria fell, Hordak would have lost his Healthy Maintenance privileges and been sent back to the front lines, but until that happened, he was useful.

This actually provides another facet to the disability narrative Hordak’s character explores: it’s not so much that Prime can’t maintain Hordak in something of a healthy state. It’s that he doesn’t think it’s worth it. It’s that it perhaps takes more resources, so why bother? Why bother tending to Hordak and giving him the extra care he needs, when Prime can just stick another, healthier clone in his place?

It’s the sort of awful question that, I think, we see asked every day in the real world: why bother making something accessible to someone with some form of disability when they can just be replaced by someone without that disability? Why put in the effort? The answer, of course, is because they’re people who deserve to live comfortable, fulfilling lives by virtue of being people, but for Prime, that’s not a concern. The concern is ease of use. The concern is not “wasting” resources. The concern is never how Hordak might feel, either physically or emotionally.

So that, to me, is how Hordak works in season five: he is useful despite his physical issues, and so he temporarily gets the maintenance he needs because of that use. And, thankfully, we never have to see Hordak lose that usefulness, because Prime dies before he can take Etheria. Small miracles and all.

Anyway! I hope that’s helpful? Obviously, one can headcanon whatever they want. But I think the most common interpretation of this in the fandom, at least the part I frequent, is that Hordak does have an actual physical defect that requires special care. Taking that away just lessens the impact of so much of his story arc, and it lessens a good portion of the representation he offers to many members of the fandom.

Oh, and a quick addition: it can also be both! It can be a natural defect that is made worse by Etheria’s environment! I’ve seen that done, too.

[rosaliekali]

Hi, I want to get into writing for Ikevamp but I only know so much about characters that are not released in English. So I was wondering if you could give me a brief explanation of all 15 Ikevamp guys personalities.

I don’t play JP but I can try my best. Starting with the ones we know and working down. Here is a word-vomit of what I have inferred their characters are and what I’ve seen people translate. 

Obviously HUGE, HUGE spoilers for unreleased routes and Act 2.

REALLY, REALLY LONG post under cut.

Napoleon: Napoleon’s personality is a little more subdued and hidden by teasing. He’s confident with his MC and calls her affectionately ‘nunuche’. He has an uproarious laughter that begins with a ‘snnnnrk’ and will tease MC incessantly if the ‘bear in her stomach’ growls. He also has a habit of sleeping in until the afternoon and will instinctually kiss anyone who wakes him up without a care as to who they are (and has kissed everyone in the mansion at least once).  When he’s with MC, he tends to be teasing of her and likes to spend time together. He’s the kind of ‘cool guy’ personality you expect coming from an Otome Game. I’d kind of compare him to a mixture of Alyn from MidCin except not as abrasive and Ray from IkeRev in terms of affectionate but still ‘cool’. He is best friends with Jean and Isaac.

Mozart: Mozart starts off very cool and aloof with his MC. He openly tells his MC that he hates her and finds her a nuisance. It takes him a while to open up to MC and realize he actually has a crush on her. Once they begin dating, he becomes very affectionate with her calling her ‘min schatz’, ‘his treasure’, or ‘his muse’. He tends to be closed off with the others but he is open with his MC and tends to have a pretty high sex drive with her. His personality is comparable to that of Louis from MidCin and Jonah from IkeRev. They both start off cold with their MC but end up becoming very affectionate in the end and are all perfectionists who detest messes and germs. He is best friends with Jean.

Leonardo: Leonardo is poised as the ‘older’ LI type. He calls his MC ‘cara mia’ and loves to tease her. He is more experienced than she is due to his age and is definitely very experienced / has a high sex drive as well. He tends to tease his MC more often and MC often feels like he has the advantage in the relationship because he can tease her relentlessly but he tends to be oblivious to her seduction efforts. He ends up falling in love with MC very early on and states that she is the only woman that he has ever loved and will ever love from then on. He does not ever want MC to become a vampire and tells her he would rather spend the rest of her life with her and keep her as is. His personality is that of Sirius in terms of the ‘older lover’ trope and perhaps Nobunaga from IkeSen although I don’t play it. He is best friends with Comte although he does tend to hang out with Isaac from time to time.

Arthur: Arthur is a little more of a complex character. At first glance, he’s a flirt who pretty much sleeps with a new girl (or multiple at the same time) every night and loves to be bold and unapologetically seductive, although more lurks under the surface. Deep down, he’s actually very insecure and traumatized from his time as a doctor not being able to save his patients. He sleeps with women to stave off the nightmares and ends up falling for MC early on in his route although he thinks she will never like him back because he essentially ‘assaulted’ her earlier. With his MC, he is very flirty and very seductive as well as starved for attention. He repeatedly tells her he will not do so much as look at another woman while with her, says they don’t interest him anymore, and likes to be confident in the fact that she is his although a part of him still worries she will leave him. His personality is like that of Leo from MidCin in terms of flirty but affectionate, and he has a VERY HIGH sex drive. He also doesn’t like Sherlock Holmes, his own character, because he is better than what Arthur seems himself as even though they have the same observational and intelligent deductive nature. He is best friends with Theo.

Vincent: Vincent is described as the ‘angelic’ LI in the game. He is very kind and sweet most willing to lend MC an ear when she needs it. He treats everyone he meets with kindness and is known to even draw the darker characters to his side because of his sweet personality. He’s a little oblivious when it comes to love and relationships, I think Theo alludes to the fact that he’s never been in love before, and he falls for MC pretty quickly but takes a bit to realize. When he and MC begin a relationship, he is very affectionate and wants to spend a lot of time together. He’s also very forgiving of other characters that have wronged him and likes to see the best in people. He is best friends with Shakespeare and Theo.

Isaac: Isaac is an unreleased English route (next on the schedule). He is very abrasive upon first meeting MC because he’s so painfully introverted. He gets tormented by Dazai and Arthur who have made him their favorite target of jokes. He tends to be more quiet and reclusive and has trouble expressing himself with others. The people around him like Leonardo have to clarify what he means to MC sometimes because he comes off sounding harsh although he’s actually a very kind person. He was known as ‘old, friendless Newt’ when he was alive because he never really had any friends and is a genius who is most often found with Napoleon teaching the kids down at the town or with Leonardo messing with things trying to fix them. A lot of his event stories show him trying to be more open with MC because he wants to be a better lover and is self conscious about how he comes off to her. He’s also hinted at being a beast because he drinks more blood than the other LIs and is a little more sex driven than the others. I’d compare his personality to Luka in terms of shyness, but he’s a lot more closed off and quiet than Luka and definitely more abrasive. He also hates apples and his apple-falling story and will become very upset if brought up. He is friends with Napoleon and Leonardo (and Dazai and Arthur despite how he complains about them).

Jean: Jean is a more complex character who is hardly ever seen on screen. He’s very quiet and unexpressive preferring to spend time on his own. He hates himself as a vampire and sees himself as something vile. While he took Comte’s offer on becoming a vampire, he didn’t realize what it would mean to accept the offer of immortality. For this reason, he hates Comte and refuses to even acknowledge him often times or do favors for him. He is friends with Mozart and Napoleon. He appreciates Mozart because they’re both quiet and can simply spend time together without needing chatter and Napoleon because they’re both soldiers and train together. He is hinted at suffering from depression and self-hatred and goes as far as to starve himself of blood because he wants to die. In Mozart’s route, he is shown to have a gun capable of killing vampires and refuses to answer why when asked although we can all guess why. In his route, I’ve heard he tries to push MC away for the grand majority of it until they eventually date and he asks her to kill him / stop him(?) if he ever becomes the monster he fears he is. He’s just very quiet and very self-doubting tending to keep everyone at an arm’s distance. I’d compare him to Louis in terms of aloofness but he’s definitely a lot more quiet and less rude / cold.

Theo: Theo is Vincent’s younger brother and described as the ‘devil’ to Vincent’s ‘angel’. He is rude, abrasive, and does not bite his tongue. He calls MC ‘knabbeltje’ (morsel) to remind her that she is food in a mansion full of vampires and ‘hondje’ (dog) to needle her. While friends with Arthur, he detests his ‘skirt chasing’ ways and is very cold / harsh when rejecting any women that want to get near him. It takes him a long while to open up to his MC, but, when he does, he is shown to be a very kind person. In his route, he lies to MC telling her that they are NOT vampires so that she will not be afraid while she has to stay with them and actually is shown to look out for her even outside of his route. He only pretends to be rude and condescending because he wants people to compare him to Vincent and like Vincent more. He was their parent’s favorite while Vincent went ignored and this has made him feel very guilty so he purposefully makes himself seem as worse as possible to make sure Vincent looks better. Really, he’s very emotionally mature when it comes to relationships and is very respectful of MC as a lover although he still teases her and likes to rile her up by mocking her. He acts as Arthur and Vincent’s wingman / relationship counselor and isn’t afraid to call them (mainly Arthur) out when they do something to offend MC in their own routes. I’d compare him to Kyle from IkeRev in terms of abrasive but very emotionally mature although he is much more cold than Kyle. 

Shakespeare: Will is the ‘yandere’ of the LIs and the main villain in the Act 1 arc. He is one of the first people, if not the first, Comte brought back and used to live in the mansion before he had a falling out with Comte and left. He is the only person that can get under Comte’s skin and he hates Leonardo. He has paired up with Vlad and seeks to write a tragedy starring whatever LI MC is with and herself. Deep down, he is very self conscious of how he ranks with the other Mansion Residents because he sees them all as geniuses in their own rights, but sees himself as something inferior to them. He has a particular way of speaking, speaks in poetry which I’d recommend using a Shakespeare translator when writing for him, and cannot see out of one eye. With MC, he is cold at first but has a way of masking it by making himself sound polite. He does not think much of her at first, thinks she is like any other girl out there, but ends up realizing she’s much more and falling in love with her. He states numerous times that he would love to lock her up somewhere where only he can see her and keep her for himself. The other characters (minus Vincent and Comte depending on the day) dislike / openly hate (like Theo and Leonardo) him and try to keep MC away from him. I think people have compared him to Kenshin from IkeSen although I don’t play the game.

Comte: Comte is the father figure of the mansion and a very complex character. He is the one who brought back all the residents using a magical door. Upon first glance, he is very sophisticated and a true gentleman, but Leonardo tells MC he used to be a wild child who would ‘smoke like a chimney’ and get into random fights back in the day. He is childhood friends with Vlad and they both decided to bring back historical men as vampires in order to ensure their talents are still used to further humanity. However, now he and Vlad do not speak because they had a falling out a long time ago and Comte took the door from him. Comte is hinted at having fallen in love with MC in every route although he tries hard to push her away in his own route. Deep down, he is a very lonely character and has seen centuries worth of humans he has cared about die. He tries to keep MC away from him at first because he is tired of falling in love only to lose someone to time. He rejects MC at first in his route but slowly falls in love and lets himself be open to her. In the end, he becomes a very affectionate LI and realizes that he should value the time he has with her rather than keep her away. Comte also wants to turn MC into a vampire and has offered to turn her in other routes if that is what she wishes. He sees no problem with turning MC or any other human. He tends to show his affection economically showering her with gifts and loves to go shopping with her so that he can purchase whatever she likes for her. The other characters have called him ‘daddy’ as a joke and he takes care of them economically as well (giving Arthur an allowance when he asks) and anything else they want that he can buy without complaint (unless its Leonardo because then he’ll call him a ‘drain on his resources’ and complain about spending money on him). 

Dazai: Dazai is the next character up on the JP game. He and Comte are the first two members of the Act 2 story line and are very cryptic. Dazai presents himself as the ‘class clown’ upon first meeting and seems to always be smiling and upbeat. He loves to tease Isaac with apples and often teams up with Arthur to rile him up although Arthur does not like him as a friend outside of that. Upon meeting MC, he pretends not to remember her name and instead calls her by several random Japanese names. In truth, he does remember her name and grows close to her, but he does not want her anywhere near him. Dazai is a very lonely character who suffered from horrific depression in life that culminated in him taking his own life, and, for that reason, cannot see himself as anyone desirable to anyone. He thinks MC is a very kind and upbeat person that would have to give up too much if she were with him, so he’d rather she stay far away. He does, however, spend time telling the children in town stories and does tend to step in and counsel MC or her LI in some routes if they’re willing to hear him out. Like Arthur, he is a writer and spends his time writing in the mansion, but he gets very upset if MC reads his stories because they are too dark for someone like her. He also tends to look after MC and the others worrying over their well-being when they are in danger and watches after MC specifically whenever Shakespeare gets too close. Really, he’s a complex character with a lot of layers and sadness. He might look upbeat and carefree upon first meeting, but the reality is anything but.

Sebastian: Sebastian is the only human at the mansion asides from MC. His real name is Akihiko (Akihiki?) Saitou. He is from Japan like MC and is a historian who is obsessed with history and keeps a record of the residents and what goes on in their daily lives. He greatly admires Napoleon and Leonardo and gets very excited when they compliment him or show they admire him as well. With MC, he tends to be very teasing and slightly distant. He is in charge of the chores with MC and is shown to order MC around and teases her when she gets something wrong. He is prone to flicking her on the forehead whenever she makes a mistake (MC calls him a tyrant as a result of his disciplining her), yet he does like MC and is willing to lend her an ear when she needs someone to listen or some advice. The others seem to have a lot of faith in him and he is the one running the mansion by keeping up to date with everyone’s meals, routines, habits, and needs. Really, he’s a kind character deep down once you get past the abrasive, cold, and teasing remarks. He also loves to tease MC and her LI in other routes and will root for her to get with the person she ends up with especially if its Napoleon. He is Comte’s confidante and is often found with Comte or doing chores.

Vlad: Vlad is the main villain in the IkeVam series. While Shakespeare is the villain in Act 1, Vlad is the true villain behind the curtain. He and Comte used to be old friends before Vlad traveled to the future and saw that humanity had destroyed itself. From then on, he decided he wanted to bring back famous historical figures and use them to fix / save humanity. However, unlike Comte who brought them back with freedom and with a desire to form a family unit with them, Vlad wants to enslave them to make sure they obey him and will work to save humanity. Vlad is shown to be very polite and kind although distant at first meet, but darkness lurks beneath the surface. In actuality, he sees everyone around him as tools to be used and hates weaknesses in any form. If someone or something is weak, he will discard them because his plans to save humanity have no room for disobedience and error. He runs a flower shop which MC has stumbled into independently (and I think Vincent too?). He appears to be a very sweet character and polite in the beginning but he is very aloof in actuality and, although he likes MC, he will not hesitate to use her to hurt Comte. He has brought back other historical figures in the past like Comte using a door that he has, but they come back incompletely or insane because he does not care to bring them back properly. He also is the one that brought back Napoleon and presumably brought Charles and Faust back since they both call him ‘His Excellency’ or ‘My Lord’. On a lighter note, he loves strawberries and loves gardening with a field of sunflowers that he and Comte used to hang out in being his favorite spot, and, like Comte, loves humanity deeply.

Charles: Charles is the second ‘yandere’ in the series and the former executioner of Marie Antoinette and King Louis XVI. However, he hates the fact that he used to be an executioner and goes simply by ‘Charles’ now. He is a doctor as a vampire and is shown to be very sweet and flirtatious. Like Arthur, he too goes home with a new girl every other night and flirts with MC upon first meeting her, but he tends to use a ‘sweeter’ and more ‘innocent’ flirting approach like Loki from IkeRev than Arthur’s more seductive flirting techniques. Upon first meeting MC, he falls in love with her right away and asks her multiple times in different events to ‘take him home’. However, his sweeter nature hides some darkness beneath. Like Shakespeare, he is a yandere and obsesses over MC. I’ve said before I consider him to be more dangerous than Shakespeare because, when Shakespeare is caught as a villain and Vincent / MC realize he has been using them, he drops the act-Charles keeps it going for much longer. Plus, Charles is not above kidnapping MC and tricking her into thinking that he is her lover (as was seen by an event story-although the premise of it was ‘horror’ so it may have been exaggerated) and is better at hiding his obsessive nature than Shakespeare. He’s more often seen with Faust and calls him ‘doctor’ although Faust doesn’t seem to be very close to him. He greatly admires Vlad and calls him ‘My Lord’ and will do his bidding although he does think it would be great if Vlad and Comte could get along and both sets of vampires could be friendly. 

Faust: Faust is the final character in the Act 2 storyline. Faust is a doctor / pastor who works in the local church. He comes off as extremely cold-hearted and harsh when first meeting him. He sees people as guinea pigs and would love to dissect MC or any of the other vampires if he could to experiment on them. He is based off of Johann Georg Faust, the alchemist, and is a ‘doctor’ with a great intrigue in human experimentation. There is an old legend about him trading his soul with the devil for immortal life which is ironic considering the fact he serves in a church. He has a very harsh outlook of religion and does not like the christian god or the christian church thinking that both are useless and religion isn’t worth the faith people have in it. However, while all these things make him seem harsh, he is hinted at being a kind character deep down. He looks after the orphanage as a member of the church and does seem to have some sort of soft spot for children. He also may abhor religion, but he does allow people to take comfort in him as a priest / pastor? when they need it. In one event story, he listened to a teenager’s confession of robbery and ‘forgave him’ for his sin because the teenager had just lost his father and needed comfort. Really, when it comes to young children, he is shown to be kind-ish although he still acts very harsh and aloof. He falls for MC slowly and without even realizing it with his first birthday story event showing him smiling at the thought of her without knowing. Meanwhile, when it comes to the other characters particularly Vlad and Comte, Faust seems to have some respect for Vlad, calling him ‘His Excellency’ but he isn’t the loyal follower Charles is. He tends to be more cold with Vlad and has remarked that he doesn’t care what happens to the ‘old men’ (Comte and Vlad) or which side wins as long as he has guinea pigs to examine.

[meta-shadowsong]

Quick response to Mandalorian season finale

Behind a cut because, well.

Okay, yes, I am in this show for Dadalorian and Found Family etc. But I am at least as invested in the plotline this season about various factions of Mandalorians and their, for lack of a better word, sectarian disputes. Which frequently result in barfights. Because Mandalorians.

(AKA that scene where they picked up Bo and her minion was. A Delight.)

(Also, I love my girl Bo-Katan. Even if she’s very much a blunt instrument/not a politician going at this in all the wrong ways and was Very Rude to Boba but tbh I wasn’t 100% sure she was going to show up in this episode and I would’ve been Sad if we hadn’t gotten to see them meet. Either here or next season.)

(Still Sad at the lack of Sabine, though :( )

Leaving aside anything re: Gina Caranno (because that has been discussed by people much smarter and better-informed than myself), I’m kind of thrilled that the strike team was Almost Entirely Ladies.

(On that note. Uh. Does anyone else kinda. That little “Anyone else, we can take” smirk. And I just. Uh. Bo/Fennec, anyone??????)

(I kind of already ship Bo with Ventress tbh but a) multishipping ftw and b) threesome??????)

(Hi I’m shallow sometimes lol)

Anyway moving on.

Also the sound/almost-music when the Cylons Dark Troopers were activating was Excellent I approve.

And that Visual of the one trooper Din set on fire. ...honestly that whole hallway fight sequence was pretty Brilliant.

And the sort of...almost casual layer of the scene in the elevator. Even if these women haven’t worked together before, just that, “sure you don’t need any help with that?” “I got it. Excuse me.”

And that whole thing where Gideon was trying to Manipulate Din and he was like “...dude, I legit just care about the kid. I’ll fight for/with Bo-Katan because she’s pretty badass and I Might As Well plus she gets me what I want but I don’t...actually...Care about her Greater Cause?”

(Side note, I’ve spent a lot of time writing Bo-Katan/figuring out how her head works and literally all she cares about is Mandalore and its survival. It’s why she broke away from her sister in the first place, and has informed every single thing she’s done since. A lot of why she makes the specific choices she does goes back to the Mandalorian Civil War and her experiences there--especially since all the evidence indicates she was not with Satine and Obi-Wan and Qui-Gon. The way that separation and their different experiences of that conflict probably contributed to the eventual destruction of what seems likely to have been a Very Close Relationship before that is fascinating to me. And the subject of a fic I’ve been working on off and on for a couple years now, lol.)

(...anyway, where I was going with this was--I mean, yes, Gideon knows everything in terms of facts, but he doesn’t always interpret them correctly. IMO, Bo-Katan’s desire to rule Mandalore is less about power (for herself) than it is about Mandalore. Especially given some of what she says to Sabine in Rebels--if there was someone else she genuinely trusted to take the throne and rule her world, she’d be willing to cede her claim and be one of their generals. Especially since she’s very much not a political animal. She’s an excellent war leader, but not so much in terms of actual Governance.)

(insert long ramble about the Parallels between her and Anakin, which I touched on in one of my fanfics, lol; and will probably do more with in my BB project which involves the two of them and Padme as the main characters)

(And, yeah, she does want to fight Din for the right, but if she thought Din would be a good Duke/King of Mandalore, I think she would seriously considering swearing allegiance to him? Again, witness how she handled things with Sabine. Also she would probs prefer to avoid a third (fourth?) civil war in her lifetime. But, I mean. I love Din but he is. He is not a Leader. Not like her people need.)

(And I think the way things played out with Sabine affects her decisions here, too--she did accept the Darksaber as a gift/tribute then, but proceeded to lose it. Maybe she does need to fight for it the way Maul and Viszla did (presumably; we don’t know how he got the Darksaber; it may be something he inherited/have been held by House Viszla for a while, even if they never used it to dethrone the Kryzes until now).)

(But, then again, I mean, this has been her life for at least a decade, so...well, maybe she wouldn’t quite step aside. Even if an Absolutely Perfect candidate came along. But WRT Din specifically--given who he is and what he’s capable of, while she absolutely wants him in her camp (and on a personal level isn’t super thrilled about having to fight him like this; she seems to genuinely like this kid), my guess is she doesn’t want him ruling. Not without some more actual leadership training/experience. Because, well, he’s been either a follower or a loner in everything we’ve seen him in, and given Bo’s opinion of (possibly experience with?) the Watch/the group who raised him, and the fact that he’s consistently shown himself to have super-narrow priorities and not really caring about much outside of them...yeah, she probs has some Concerns.)

(Plus, he clearly doesn’t want it. And you have to Want It on some level in order to be an effective ruler--that Wanting can be from genuine altruism/wanting to make the world better, like we see with Bail and Padme; it can be from single-minded determination to Make Things Right, like Satine and I would argue Bo-Katan (Leia falls into either the first or second category, depending on the point in her storyline); and it can come from a desire for personal power and advancement (as we see with Pre Viszla and, of course, Skeev Palpatine himself; to be fair, rulers in this third category tend to be bad in other ways lol). But someone who genuinely doesn’t want power generally kind of Sucks when they’re unexpectedly handed it. Which I could cite several IRL historical examples of. And, I mean, obviously, this isn’t the only factor in play for what makes a good ruler/leader (see above re: Palps and Pre Viszla), but it is a factor.)

(Also, to clarify: none of these are bad qualities/traits, necessarily? Like, traits are good or bad depending on whatever context a person/character finds themself in. And in Din’s current context, with his current life and mission--even in situations where he has to coordinate with other groups in the service of a larger goal--these are excellent traits to have. But for someone who’s responsible for an entire nation? Not so much.)

(One could argue that Bo has some Issues there, too, albeit different ones, which is why I think she might be willing to step aside and cede her claim to a Genuinely Good/Better Alternative, if she found one. She’s a war-leader, not a ruler, and the two jobs require overlapping but different skillsets.)

(..........honestly? I don’t think the show would go there, but I think the two of them as a team/partnership ruling Mandalore would actually be really effective? Either on an equal footing or with one as the Official Ruler and the other as a second-in-command/right-hand. She has the leadership expertise and the actual will and drive to pull this off, and he has the diplomatic skill, as we see with the Tusken Raiders, among others.)

(Not a romantic partnership, lol, that would be Weird, but a political and probably eventually platonically affectionate one. Especially with how Mandalore feels about family of choice/adoption, and the fact that they’re both kind of alone now (whatever happened to Korkie, anyway??) even if no formal adoption is likely in their case...)

(Anyway. Uh. Long tangent aside...)

(also if there’s anyone who didn’t see Gideon trying to decapitate Din when his back was turned...IDEK what you were expecting. Like. I am All About guys like Pellaeon in the Imperial ranks, and the fact that there might be a few people who would make that offer/deal and be on the level. To say nothing of my best beloved Alexsandr Kallus. But. Uh. Gideon is. Not one of them.)

(Also, I thought it was a Nice Touch when the spear started turning red--because, no, the Darksaber can’t cut pure beskar. But it does generate heat, as we’ve seen in, say, TPM. And beskar does melt.)

Also, called it on tossing the Cylons Dark Troopers out the airlock Not Working in the long term.

While it’s not Cool or Flashy like a bomb or slicing, the Cylons Dark Troopers pounding the doors down with their goddamn fists was Cool and Terrifying in all the best ways.

Side note--I think even if I hadn’t been spoiled (forgot to mute the spoiler channels on the SW Discords I’m on before going to bed, and checked on autopilot), X-wing + Grogu perking up would’ve probably clued me in and I would’ve been SHRIEKING. I was still vibrating super hard even though I knew who was coming, but it probably would’ve been slightly more XD

(and then a moment of HAHA GIDEON KNOWS WHAT’S COMING)

(and so does my girl Bo)

(and then the green ‘saber and the glove and other costume details and IF YA DIDN’T SCREAM BEFORE YOU SURE ARE NOW!!!!)

(Kind of cool that they waited until the last minute before showing his actual face though)

NO MY GIRL BO-KATAN!!!!!!!!!!!!!!

(IF YOU DIE WHO WILL GET DRUNK AND SWAP WAR STORIES AND MAYBE HAVE VICTORY SEX WITH FENNEC)

(shut up i’m shallow)

(also I love her she’s legit one of my favorite characters in this series I don’t want her to die DDDDDDDDDDDDDDDD:)

OH GOOD SHE GOT UP

(yeah that was my actual real-time reaction to her getting shot lol)

“Talent without training is nothing.” ::insert Obvious/Tired joke about Luke having all of three months’ training At Best::

(also, I mentioned this in my last quick reaction, as well as elsewhere, but I’m...still kind of uncomfortable with the continuing implication that the Jedi path is the only option other than Darkness. Not because it’s a bad one, either in the PT-era or with Luke’s reconstruction. But the idea that the only way to achieve the mindset/emotional stability/whatever needed to wield the Force without Falling is through adapting the Jedi philosophy sits wrong with me. especially the implication that you can only do so from an early age/in isolation from other influences or bonds; which is a word I’m using very specifically because there’s a difference between Attachment as defined by the Jedi and interpersonal bonds which they clearly have and I don’t want this to get derailed by that particular Discourse(tm) That doesn’t even super hold up on Earth, with a single species, let alone in a galaxy with trillions of beings of multiple different species. Basically, people and the galaxy--and by extension the Force, which is in part created/influenced by living beings--are way too complicated for there to be only one right answer.)

(Also, it...doesn’t really hold up with the core message of Star Wars, which is about Choice? If the only way you can be a Good Force Adept is by meeting this extremely narrow set of criteria, most of which are outside your possible control......but I should probably save this for a separate post, lol.)

(The point is, I mentioned earlier in the post how much I’m LOVING the throughline in this season about different factions/sects among Mandalorians, and I think it would be Great if we got more of that with Jedi/Light adepts.)

(Anyway. Uh. Back to the episode...)

That FACE MOMENT had me legit crying omg

ARTOO!!!!!!!!!!!!!!!!!!!1!@@21!!!!!!!!!!!!!!!!!!!!!

omg had they MET

I...don’t know what I was expecting from the credits but Welp. I wonder who the body double was...

(And before you ask, I didn’t really get the Uncanny Valley effect from Rogue One, not even Tarkin, so.....yeah, I guess I don’t always pick up on that, or it hits me from weird directions, lol. Because I sometimes get that from the Rebels animation, especially in stills/gifsets, because everyone’s faces are all so Smooth...)

.........Jabba’s palace, okay.

.......Bib Fortuna, Okay.

(those fingernails, however, are Not Okay)

YAY RESCUE THE GIRL.

Good on you, Boba, just shooting him in the face instead of letting him posture!

although why you want to rule Tatooine is...okay then.

LOL at Fennec perching on the arm of the chair, sipping her booze all casual-like.

Right! So that was an Experience! Overall, I liked it. Looking forward to how Din and Bo handle things moving forward, in particular! Because, like I said, I’m in this series for Dadalorian (so IDK how I’ll feel with it no longer being the Core Story since Grogu left with Luke) and in this season for the Mandalorian factions/sects and how they interact.

I’m also not sure how I feel about three interconnected series leading up to a Major Finale Event? Disney’s Star Wars has not had a super great track record with giving all the information needed to follow things in the core product (see: the ST worldbuilding lol, and also some of the cameos/appearances in this season, even), so I’m Skeptical of how well they’ll do explaining what is Necessary in each of the three series, in case someone only watches one or two.

What were your thoughts?

[crossdressingdeath]

(1/2) I’ve noticed that the two most popular pairings for JC are when people ship him with LXC or NHS, and like…that just kind of goes to show how this guy has no relationships with anyone but the people forced to like him because they're related to him. LXC really doesn't have many interactions with JC at all, and definitely nothing to make you think that they were even distant friends. And NHS? Pretty sure they only hung out together when they were kids because of WWX

was going to die that day. Also JC was probably one of the few people who weren't part of the Jin sect who knew that something was off with the Wen remnants, because at the very least he'd seen A-Yuan before, so he knew there was a child there (and that's another thing - I've seen a lot of arguments about JC torturing demonic cultivators, but no one seems to talk about how he was totally fine killing the wen remnants, which included A CHILD).

After that he has years to come to terms with everything that happened, and the fact that his sister had sacrificed her life to PROTECT her brother. But no, JC decides to torture anyone that reminds him of WWX, and then treat his supposedly beloved sister's child like utter crap. It's actually so messed up, he has suffered from this kind of parenting for YEARS and then he goes and treats JYL's child like that? And then on top of all of that, even though he knows how his sister really died,

he seems totally cool with letting JL think that WWX did straight up murder JYL. Doesn't even try to tell JL what he really saw happen (always bothered me how characters keep saying that WWX killed JYL, and I don't know if that's because some of them really didn't see what happened, or if they're all playing the blame game but...JC definitely knows what happened).

(This is the ask that I’m pretty sure is missing a bit.)

Yeah, ships for JC always seem to be “Well, which characters don’t completely and openly despise him and aren’t related to him?” And sometimes not even that; he’s shipped with WN and WWX sometimes, after all. (Sadly the ones with WWX generally aren’t filled with angst and suffering as JC is cruel and abusive and then hurt/comfort later. I checked. If you find any of those let me know, WWX suffering and then eventually getting that sweet sweet comfort is always a delight.) The pickings are slim with a character who drives people away from him as efficiently as JC does.

And yeah, JC knew the Wen remnants were no threat. But hey! They’re Wens! That means they’re totally complicit in the deaths of the Jiangs, because it’s not like a guy who oppressed the four other great sects and all the smaller sects as efficiently as WRH did could have been oppressing his own people too! Clearly the Wen remnants deserve to die because they’re related to him! JC wanted to kill fifty innocent people to soothe his pride over WWX choosing someone else over him and because he thought the only correct way of avenging the deaths of his whole clan down to the youngest child was to slaughter their whole sect down to the youngest child. The only thing making JC better than WRH morally speaking is that JC isn’t capable of the level of masterminding and strongarming that WRH managed and I will die on this hill.

And yeah, JC is more focused on making sure that everyone hates WWX than he is on... I don’t know, giving his nephew closure? Helping him understand that his parents loved him very much and only left him because they wanted to do the right thing? Teach him moderation and how to examine the risks of a situation instead of just teaching him mindless hate? After all, that’s the real sticking point here: if JL knows that his parents died accidentally while trying to protect WWX, he might begin to think that maybe WWX wasn’t pure evil and deserving of an agonizing death! And if he starts to think that he might start wondering if JC’s “““““righteous”“““““ slaughter was really as ““““righteous”“”“ as JC tells him it is! And we can’t have that. Also, the fact that JL, having known WWX for maybe a couple of months at most and having spent his childhood being told that WWX is irredeemably evil, does a better job of coming to terms with the fact that WWX is a good person at heart and didn’t mean for JYL to die for his sake or want her to than JC does in thirteen years is both hilarious and very, very sad. JC is less mature than a thirteen year old. I hope he’s proud of himself.

Most of the cultivation world as a whole probably does think WWX killed JYL. Remember, the only ones we know saw what happened were JC and LWJ, and LWJ wasn’t exactly capable of discussing the matter the first few years after it happened, what with seclusion and all. That gave JC plenty of time to firmly plant his version of events in the public consciousness. So, naturally, everyone now believes that WWX killed JYL. After all, why would JC lie?

[seyaryminamoto]

May I ask - why Ozai likes Ursa more than Azula? Keep in mind you're not the only author who choose this portrayal and I'm as confused by it as Azula is

Oh, I know I’m not the only author who portrays it that way. These guys

did it too! :’D Though this guy

backtracked on it, to a fault, merely turning Ozai into someone who gives zero shits about anyone ever. Which means he gives the same amount of shits for Azula and Ursa. His Ozai is surprisingly fair on that front!

Alright, all jokes aside, the main reason many of us interpret Ozai’s relationship with Ursa as a little more complex than originally presented, it’s because of this shot: 

(Credit: former Piandao.org screenshots, now turned into a Google Drive folder)

That’s the same fountain-pond-thingy  where Ursa had been sitting in earlier flashbacks of that episode.

(Credit: same as above)

It’s such a small, simple moment that I suppose most Ozai haters would say it amounts to nothing, yet it actually speaks lengths about his character: why would Ozai stand here, melancholically, before a fountain that is no longer functioning (because in his screenshot, it’s not), a place where his wife used to sit, right on the morning after she left? This is a guy who literally just got EVERYTHING he ever wanted. He is Fire Lord now, thanks to the scheming and conniving and wicked plotting that took place over the previous day. He finally overcame his father and brother’s shadows! So… why would our first shot of a man who finally succeeded at everything he wanted be not a shot of said man rejoicing in triumph, but a shot of a man who is, by all effects, in mourning?

This suggests that Ozai may have cared about Ursa. The fact that we don’t see them angry, arguing or bickering through this episode also suggests that their relationship, while far from a lovey-dovey happy mushy thing, is that of two people who at the very least coexist peacefully. We don’t see any direct interactions between them, so yes, it’s possible they were far more troubled than the episode suggests (I, personally, interpret it that way), since everything in Zuko Alone is seen through Zuko’s eyes. But IF Ursa and Ozai were in such a bad place, to the point where he would have even convinced her to leave as he does in the Search… why would he do this? Why would he stand by that fountain as though honoring Ursa somehow?

All this being said, I personally find Ursa a much more interesting and dynamic character if her relationship with Ozai isn’t that of a victim and his abuser, but of a woman with such sharp wit that, even without being a bender, ergo, representing no physical threat to her husband, still wielded such authority that she could keep this fierce, savage man in check, capable of respecting her when she’s around, and even honoring her when she leaves. I have said it before, and I’ll say it again: in my very humble opinion and headcanon, if Ozai ever got close to genuinely loving someone, it was Ursa.

As ever, disclaimer necessary: this does NOT mean Ozai was entitled to Ursa’s love in return, this does NOT mean Ursa is to blame for the man Ozai becomes, I’m not implying this is a situation where “love” would have absolutely saved Ozai from being the man we know him to be. While I do believe that if he had chosen her above his ambitions he might have been ~better~, it was Ozai himself who had to make that choice. I don’t blame Ursa for how her relationship with Ozai turns out, whether in canon or comics or Gladiator, NOT EVEN A LITTLE BIT. Relationships like theirs are complex, difficult and not straightforward: both characters have faults, and both deserve to be held accountable for them. So Ozai deserves being held accountable for sacrificing everything for power, and that’s that.

But finally, getting into your question… why would Ozai like Ursa better than Azula?

Personally, in the way I want to portray them through flashbacks, it’s because Ursa makes NOTHING easy for Ozai, since day one. She isn’t trying to please him, she isn’t just a doormat waiting for him to stomp all over her: she has demands of her own, the first of them respect, and Ozai finds himself giving it, even if he doesn’t quite reason with why he’s doing it. He wants her to care about him, probably as starved for affection as his daughter is later on too, and whenever he made her happy, even if just a little, he would have felt a sense of accomplishment that was absolutely unprecedented for him.

Zuko canonically has described his family by saying they were “happy”, at some point. While no one can say for sure what time period he refers to (it could be the happy times ended when his mother vanished, or perhaps a little before that), I’ve always assumed he wouldn’t have seen Ozai and Ursa as they were in the Zuko Alone flashback and thought “wow my parents are so happy, look at their poker faces! That’s happiness!” So, I believe they actually were happy once, enough to make each other smile or laugh. There’s a simple scene in the first comic trilogy where they’re at the beach with their children, simply sitting together at the sand while their kids play in the sand and water: who’s to say those aren’t the kinds of moments Zuko refers to as happiness?

Compare that to the Ozai we meet in canon: do we ever see him happy in Book 3 about anything but his advancements and achievements? His smiles are always smirks. Every situation he’s in, he’s merely basking in becoming more powerful and fulfilling more of his often-pointless ambitions. While he seems to respect Azula to a fault (she interrupts Zuko in a war meeting and she gets no Agni Kai as punishment, Ozai is Mr. Hypocrisy Incarnate), did we ever see anything that suggested genuine affection for her? While I write him as directly involved in her training, canonically Azula has been trained by Lo and Li, two non-benders. Even a tiny canonical hint at how Ozai may have been involved in helping Azula reach her full potential as a bender could be, to a fault, interpreted as him caring for her a little more than he originally planned to, being invested in her growth for what it is and not only for what advantages it offers him. But instead, the entire extent of what we know about their relationship is that he sends Azula on missions, basically in the capacity of a military agent or leader: as much as this allows Azula to show she’s a badass, does it show Ozai cares about her? Do we have a single hint that he actually is emotionally invested in his daughter?

AT BEST… the lack of punishment for having lied to him about Aang’s death can be, somewhat, interpreted as unwillingness on Ozai’s part to punish Azula too harshly for a huge mistake. Even then, by the finale he outright yells at her before offering her an important “mission” that he can only entrust to her. And that’s their canon relationship, isn’t it? Missions, missions and missions. He hands her missions, she delivers. The consequences aren’t too steep if she doesn’t, but he might even yell at her if she tests his patience too much.

Basically, my take on Ozai respected Ursa, even though Ursa has no power of her own to threaten him beyond her disapproval and displeasure. Because she earned that respect, she was the only person he NEARLY considered an equal. He was willing to surrender if she was adamant about certain things (this is no spoiler, since chapter 9 we all know that, in Gladiator, Azula never learned swordsmanship with Piandao because Ursa didn’t want her to, and to Azula’s eternal outrage, Ozai gave in to Ursa’s demands, just like that!), he was willing to listen to her opinions on whatever was happening in the world, he would argue with her and they’d have disagreements because they were both stubborn as hell. All of this means Ursa’s opinions, beliefs and decisions mattered to Ozai, enough that he would sometimes back down and let her have her way.

Azula, however, has been his pet project, the perfect child, for as long as she has lived. He raised her to be his heir, to uphold his legacy, molded her after himself (even if the result wasn’t at all like him :’D), and Azula dreamt of following on his footsteps for a long time (until her own equal shows up and his influence serves to change the way she sees the world…). Azula, then, is his most loyal ally, and Ozai takes her for granted because of that. She will always be on her side because he raised her to be, and that’s that. 

Ozai’s first blast of reality that shows him Azula is NOT unbreakable, that she is NOT undefeatable and that he shouldn’t send into danger willy-nilly? It’s in the White Lotus Attack arc, where he finds her terribly sick in her room and she’s mortified that he’d see her that way. That was the first moment an actual surge of fatherly instincts came over Ozai since Azula was a very tiny kid.

Azula’s rebellions against Ozai in Part 1 are relatively small, and she’s constantly terrified to her very bone whenever she opposes him at something, as in her birthday. Ozai was displeased by it, and she was troubled and wondering how to improve things between them again later on. Pleasing her father is a behavior ingrained in her head from an early age. She wanted to make sure she was on his good side, even if she was growing much more aware of his mistakes, his shortcomings and everything wrong about him by then. Not being on good terms with her father was terrifying for her in those days, terrifying in ways it never was for Ursa: in Azula’s case, it’s learned behavior acquired mainly by seeing, through Zuko, what happens to someone Ozai considers unreliable and disposable. She absolutely doesn’t want to be that.

But it’s not until Part 2 that Azula outright starts to take a stand against her father. And yes, she was terrified too in the Festivals, but she went toe-to-toe with him in front of all his military leaders. Then she took his attempt to punish her, by forcing her to give a public speech she wasn’t ready for, and spun it on itself to both present herself as her father’s soooo loyal daughter while providing the entirety of the Fire Nation with new values to abide by in regards of how they treated slaves and honorary citizens. Ozai’s reaction that time was a petty, small revenge… but he actually was amused by what she’d done. And THAT… that was actual respect from Ozai, for once. He saw his daughter could stand up to him, and get away with it safely. Suddenly she wasn’t just his obedient child-soldier, which was what he had taken for granted that she was: she was a potential leader in her own right. At this point, their relationship changes.

That change takes a turn for the worse after she fails to convince him to carry forward her slavery laws project, and then she discovers Seethus’ assassination spree. At this point, the falling out between them is absolutely dreadful. Ozai doesn’t attack Azula physically, however: he argues with her, snaps back and does his best to convince her that he’s in the right, but she’s 100% certain of the opposite. By this point, Azula is behaving a lot more like Ursa than she ever had before: she defies him, stands up to him, and unlike her mother, she does have literal firepower to back her up. 

Point being: AZULA BECOMES A THREAT.

And while they’ve managed to kind of establish a low-key peace after that (though as you may imagine, this new arc is yet more trouble for the relationship between the Princess and her father), Ozai still sees Azula as a threat ever since. He’s willing to trust she won’t do anything too far out of hand, not as long as he makes enough concessions for her, not if he abides by her advice once in a while… but that makes her no less of a threat anyhow. He needs to make her a reliable ally again, and he can’t do that by wielding his authority over her head anymore. Not when she has already shown herself perfectly willing to ignore it.

And that means he respects her in an entirely different way than how he respected Ursa: he didn’t have any reason, Gladiator-wise, to think Ursa wasn’t on his side, they had disagreements but she was his wife and she supported him through thick and thin even in some REALLY shady stuff. Right now, Azula is starting to look like the entire opposite of that: she was the one he raised to be his wholehearted supporter. The one person who would only ever treat HIM as the hero, the winner, the good guy. And now she’s changed her mind about him, he knows it, and he’s worried about what that entails.

It’s ironic that it’s because of Azula’s rebellious bouts, and the cracks in her mask of the perfect daughter, that Ozai’s bottled-up affection for his daughter emerges. I won’t say that somewhere in the depths of his dark heart he loves her… but I will say that every time Azula rises up against him, he sees some of Ursa in her and he automatically takes her more seriously because of it.

Meanwhile, whenever Zuko stands up to him, he basically feels like it’s an ant shouting at the boot that’s ready to crush it. On a REALLY subconscious level, Zuko seems to embody Ozai’s weaknesses, the side of himself he would much rather pretend doesn’t exist. He despises Zuko for it all, because he’s a reminder of his own shortcomings and failures. And even when Zuko tries to rebel, Ozai continues to treat him as a weakling, unworthy of respect, that only warrants being crushed. He’d never be able to act like this with Azula or Ursa.

So, why would I say he cares more about Ursa, or that she’s his actual #1 while Azula is #2? Because Ursa was never a tool, never a source of self-fulfilment: she was someone who he wanted to impress, whose respect he craved and he offered her his own. He valued her, everything she offered him, even if things between them became complicated for an array of reasons. Ursa has always been a sort of blind spot for Ozai, the one person who made him happy in a sense that didn’t involve ambitions and advancement. She was a good influence on him, all around, even if he seldom knew how to react to her influence positively.

That’s not the bond he had with Azula. She was his perfect heir, and that was all he ever expected of her. Canon-wise, that’s all she is. Gladiator-wise, once she stops being ONLY that, Azula doesn’t simply become someone Ozai respects and approves of: she becomes a threat. She is the one and only person in the Fire Nation who can tear down everything he has worked for, and it sure looks like she wants to do exactly that. He has been molding her all her life, only to find she has become his worst possible enemy and now he has to be much more cautious about how he deals with her.

One day, maybe, once his characted develops some more… Ozai might start respecting Azula on the actual same level he respected Ursa. One day, he might realize that, while craving Ursa’s affection and love, he had already earned Azula’s but he threw it to waste. By then, it may be much more difficult to determine who is his #1 indeed… but until that point is reached, he will continue to hold onto the memory of his wife while ignoring that his bond with his daughter is what will determine if he can attain either true salvation or eternal damnation… :’)

[warwaged-archive]

THE POSITIVE & NEGATIVE; Mun & Muse - Meme.

fill out & repost ♥ This meme definitely favors canons more, but I hope OC’s still can make it somehow work with their own lore, and lil’ fandom of friends & mutuals. Multi-Muses pick the muse you are the most invested in atm. tagged by: @theharellan ty so much! tagging: if you read this entire post I’m tagging you

My muse is:   canon / oc / au / canon-divergent / fandomless / complicated 

Is your character popular in the fandom? YES / NO. Velanna is minor enough there isn’t a lot of talk about her either way (and I get it, given she’s a dlc character from Origins it’s understandable not as many people even know her), but I definitely see more dislike towards her than appreciation.

Is your character considered hot™ in the fandom?  YES / NO / IDK. Honestly do not know! I have seen Debates about her personality and actions, but I don’t recall seeing people comment on her looks.

Is your character considered strong in the fandom?  YES / NO / IDK. Not particularly as far as I’ve seen, though I haven’t seen people say she’s weak either. Tbf given her introduction has you investigating murders that no one seems to think were caused by a single person and she literally turns a forest against those who pass through it, I think it’s hard to deny she is strong, though.

Are they underrated?  YES! / NO / IDK. Like I said, there’s very little talk about her at all, and very little appreciation. Velanna deserves more love c’:

Were they relevant for the main story?  YES / NO. She isn’t relevant for the story of any of the main games, given she isn’t even in any of them askdjfnskndf She is relevant to Awakening’s story, given she causes some trouble on the road to Amaranthine, and that’s how you meet her. You can kill her on that encounter, though, so for the rest of it she’s not essential (but killing her is boring guys why would you)

Were they relevant for the main character? YES / NO / THEY’RE THE PROTAG. In a way, since she’s causing some of the problems the Warden-Commander has to solve. Other than that, it truly depends on how you play it.

Are they widely known in their world? YES / NO. Nope. Just a Dalish gal who became a Grey Warden.

How’s their reputation?  GOOD / BAD / NEUTRAL. I lean towards neutral because Velanna isn’t a widely discussed character either way, but I would say it leans towards bad. Many people dislike her actions, and many more dislike her for her harsh ways towards the PC in the beginning (a non-dalish PC, that is). Velanna is very opinionated and angry and a lot of people seem to think that makes her annoying. A bad take imo but I think that’s pretty obvious dkfasndkfjanskdfjn

How strictly do you follow canon?  — For the most part I follow it, only expanding it for what we haven’t seen and filling the blanks. 

SELL YOUR MUSE! Aka try to list everything, which makes your muse interesting in your opinion to make them spicy for your mutuals.  —  I don’t know how to sell her to others so I will just talk a bit about what made her interesting to me. When you meet her, she’s so angry she’s been terrorizing the road and nearby villages so much people don’t even know what (what, not who) is responsible for the bloodshed. If you don’t bother to get to know her, it’s easy to think she’s just the anger, but if you do, eventually you learn a lot that might not justify her actions but makes them understandable, and that she’s so much more than Angry™. Velanna cares so much! For the Dalish, and preserving their magic and culture; for her clan, in spite of the fact her sister was the only friend she ever had; for her Keeper, even though they parted on bad terms; for Seranni, even after she chooses to leave with the Darkspawn instead of leaving with her. She’s outspoken and a great defender of her people, but not in a blind or arrogant way, and not in a way that causes her to inherently resent humans (it’s not history that causes that, but her own experience with having humans act violent against her clan and prefer to destroy the land to drive them away than attempt peaceful coexistence). She’s not driven by personal retribution, but by a relentless pursuit of justice that indeed is twisted into something more akin to vengeance. She acts on anger but she learns to be better. She’s been an outcast all her life, well before becoming the only Dalish in her group of Wardens, and she learned to be harsh to defend herself. She’s not easy to love, but she’s capable of loving deeply, and her loyalty to those dear to her is unwavering. She can be harsh because she’s so used to keeping people away in self defense, even if she’s lonely, even if it’s clear all it takes to get past that is treating her with kindness and respect. Velanna has a good heart, but that doesn’t mean she’s only capable of good.

In game, her growth depends on the PC of course, but the way I see it (and write her) there is no reason why her connections to other characters, such as Sigrun and Nathaniel, wouldn’t be just as important for it. They allow her to see beyond her anger, to move past her resent, and to stop judging people as if they were all equally bad. She goes from someone terrorizing humans in a forest and nearby road to someone who selflessly stands to defend them, even should it cost her own life. She goes from joining the Wardens as a means to finding her sister to actually taking on the role and its duties, not just as in fighting the darkspawn, but in being a protector.

And the way she values history, but not just the actual facts, the tales and legends and culture, how she understands their place as something of great importance definitely helped a lot in endearing her to me. According to Velanna, "Stories connect us to our past. They shape a people in profound ways. Without them, we are lost.” and I think about that a lot you know? It really gets to me c’:

Also she’s an awesome powerful mage who could and has killed a man (uh many men actually) but who blushes and stutters if you call her pretty because what are compliments she is not prepared to deal with those

Now the OPPOSITE, list everything why your muse could not be so interesting (even if you may not agree, what does the fandom perhaps think?).  — Velanna killed people so she’s evil and deserves no forgiveness ever (which isn’t always similarly applied to other characters BUT ANYWAYS). She’s angry and mean towards the protagonist and because of that she’s not cool. She’s whining about the Dalish all the time too so she’s just annoying. Also I never tried to talk to her and often don’t even leave her alive after the Wending Wood. aidsnfkajsdnfkjn seriously though, I can see why people might not like her, as she isn’t made to be likable initially and you gotta get past that to get to the more interesting bits. Velanna is indeed very much tied to her Dalish background, as it is not only her culture and origin, but also a great motivator for her actions, and often even the means through which you get to know her, so if you’re not interested in the Dalish I guess she wouldn’t be an interesting character (but imo, it’s only natural her culture is so important to who she is, given her background and her own feelings about her people. she’s so proud of her heritage, even if being part of that people makes her a target for no other reason than prejudice. even then, she’s so proud of it and so ready to fight for and defend her people and speak and stand for them! I just love her a lot but ok I realize I should be talking about why people might not like her so let’s get back to that). She’s not funny, she’s not friendly, and she’s actually rather angry and outspoken, and I feel like that ends up pushing her to the more ‘controversial’ side instead of being part of the popular or likable characters.  

What inspired you to rp your muse?  —  Literally just played Awakening and ended up like OH I WANNA WRITE ONE OF THEM and I wasn’t sure about who. It wasn’t clear to me, at least, so I ended up thinking about them and at first I was like hm maybe Nathaniel, but it didn’t feel right even though he was the first one I thought I wanted to write. So I thought about Velanna, and the more I thought about her the more invested I became so I was like yeah that’s the one and added her here aksjdnfkjasndf

The first thing that got me really invested in her while playing was the conversation you have with her when you gift her the diary. I just really love her talking about the Dalish and preserving what they have and how important and meaningful stories are. That said, the moment I met her in the Wending Wood I immediately wanted to get to know her. 

I’m just a big fan of elves in case you guys haven’t noticed yet asksjnfsjkdnfkdjfn

What keeps your inspiration going?  —  replaying DA, but specially Awakening, Dragon Age content in general, discussing her with others (talking about my muses is always very helpful to me in that sense), and honestly, others being interested on her too. Discussions about the Dalish or headcanons or other people discussing Dragon Age and their respective characters also help my motivation too tbh! I’m always the slowest to answer to anything, but that’s just how I always am. Those are all things that keep my love for her alive, and thus great part of my inspiration for her.

Some more personal questions for the mun.

Give your mutuals some insight about the way you are in some matters, which could lead them to get more comfortable with you or perhaps not.

Do you think you give your character justice?  YES / NO / I TRY!

Do you frequently write headcanons?  YES / NO / SORT OF? when the inspiration hits I literally cannot shut up

Do you sometimes write drabbles?  YES / NO. I’m usually more about them 5 page headcanons and threads and ask answers than drabbles 

Do you think a lot about your Muse during the day? YES / NO. she lives in my head rent free (as do most if not all of my muses tbh askdfnaksdf)

Are you confident in your portrayal? YES / NO / SORT OF?

Are you confident in your writing?  YES / NO / SOMETIMES. Depends but not usually askndfkajs

Are you a sensitive person?  YES / NO / SORTA.

Do you accept criticism well about your portrayal?  —  Depends on what that criticism is and if I asked for it? aksjdfnkjfn I do ask about my portrayals sometimes, and in that case I’m open to constructive criticism --- if there’s something you think I could do better and you can explain why in a nice way, I’ll definitely listen (though I may disagree, so there’s that). But if it comes down to rudeness or ‘you’re not writing her like I think she is’ then well that’s not my problem, I write her how I understand and interpret her. 

Do you like questions, which help you explore your character?  —  I LOVE THEM! Send me questions about my muses literally any time I absolutely love them!! 

If someone disagrees to a headcanon of yours, do you want to know why?  —  Depends, again. I’m not against discussing it, hearing what other people have to say and why they disagree (and if they say they disagree, I’d probably want to know why), but ultimately, again, it’s my portrayal so it might just be a case of seeing things differently. Like I said, I don’t mind discussing it, though. 

If someone disagrees with your portrayal, how would you take it?  —  As to this, I just honestly expect people to act the same way I act when I disagree with someone’s portrayal, which is just moving on with my life and not interacting kasjafksdnfjk

If someone really hates your character, how do you take it?  —  Depends. They don’t have to like the character, but if it influences IC interactions or if it’s just people who hate a character getting off of bashing them through IC interactions even if it doesn’t make sense that’s a no for me. I don’t like seeing people hating on characters I love, but people are free to do post what they will. If there’s a tag and I can block it that’s fine by me, if it isn’t tagged I’m likely to unfollow.

Are you okay with people pointing out your grammatical errors?  —  If it’s done politely I don’t mind. English is not my first language and learning about errors is a way to improve, to me.

Do you think you are easy going as a mun?   —  I think? For the most part? I do tend to get defensive over characters I love and asks that aren’t clear in tone and come across not so nicely (OOC asks, I mean), but other than that I think I’m pretty chill? Idk though you guys tell me aksnkajdsfnkjan

[mychemicalxmen]

aight here’s the tea on TUA and “It’s Not Like in the Movies” from the Superhero musical

Thank you so much to @mycosmicspacestorm for the excuse to go off on this!! This is probably wayyyy more than you expected, but I just feel like bein a nerd rn. Much love. <3

*Here’s the song on spotify. 

*Basically, for me, it hits that vibe of when someone asks you what TUA is about and you want to say it’s a superhero show because it technically is but it also sure as hell don’t feel like it, in tone and plot but especially in the fact that the Academy itself was a really unconventional superhero force.  *I’m coining the term Duty Bros to mean 1, 2, and 5, the siblings who seem primarily driven by a sense of duty/responsibility. (Luther with his moon mission, Diego with his vigilante justice, and Five with stopping the apocalypse.) These brothers actively want to save the world and know they’re perfectly capable of doing so. (Allison and Klaus, on the other hand, seem to have been running from responsibility their entire adult lives and are only just now making an effort to change that.)

*Like I kinda alluded to in the tags, there’s two ways I like to imagine this song. If you don’t worry too much about the lyric-by-lyric parallels, you could picture it as Diego/Klaus explaining his past to Eudora/Dave for the first time. The subtext being “Yeah, so here’s this thing that made me Who I Am Right Now, and no one really knows/remembers that about me. No, it’s not how you think it would be. Also, it left me with a ton of weird baggage, so even though I like you, it’s probably best if you keep your distance from me”. The other way is this super abstract Oops All Siblings animatic/amv. 

ok let’s go No one can get too close. No one can get inside of you.  No one can know the secrets that you keep. Your head is always down, hoping that people slide past you, Almost as if you’re walking in your sleep. I feel this for all of the Hargreeves. All of them have trauma. All of them have walls. All of them have secrets. All of them have behavioral, psychological, and/or physical scars from childhood. (Five, especially, has a hell of a wall between him and the rest of humanity, and he has no time to be noticed in 2019 while trying to save the world.) And most of them aren’t especially eager to be recognized as one of the Academy kids. And you can’t cry, though you hurt. You are always on alert. Though you try and you fly, people die. 

ngl, this lyric is pretty weak, but it kinda fits with the Duty Bros. This is what they’ve decided to do, but you can’t save everybody, and there’s no time to be sad about it. Alternatively: “Yo, I’ve seen some shit since I was 12.”

It’s not like in the movies, where the hero’s loved and known. It’s not like in the movies; I spend my days alone.

Again, they’re not recognized as the Academy anymore. They walked away. And currently, they’re all living in some form of isolation. Allison not having a family of her own anymore; Luther on the moon; Klaus’s struggles, etc.  

I don’t even get a hug from the kid stuck in the tree. It’s not like in the movies; No one knows it’s me.

The Duty bros can’t really reap any tangible rewards from their service. They barely get recognition. And none of them really got suitable gratification for the missions they did as kids. No real connection to the outside world.  You don’t drive a tricked-out car. You don’t work at a lab or the Daily Planet for a boss who yells but has a heart of gold.

The Handler doesn’t yell but bitch doesn’t have a heart of gold either. You don’t bleed or scrape or scar – well, at least not on the outside – And you’re at your peak, though you can’t help feeling old. Snarky Five line. New body who dis.  You’re always tired, but you can’t rest. You often lose, though you’ve done your best. There’s no parade, no city key. Just anonymity. It’s not like in the movies. It’s a little more complex. It’s not like in the movies. No CGI effects. I don’t get to learn life lessons from my human family. It’s not like in the movies. No one knows it’s me.

Same stuff as before. The Hargreeves in general. Certain aspects of their careers as children were glamorous, but others really really weren’t. And now all the glamor they once had is gone.  I’ve tried to walk away, so I won’t wake each day To cries of anguish in my head.

This could be pretty damn relevant to Klaus, who tries to “walk away” from not only the past, but from even having his powers. Boy literally wakes up in Episode 2 to cries of anguish in his head. And in the Superhero musical, there’s actually a really cool, spooky “Help me” musical motif that shows up whenever this character hears these voices and needs to spring into action. And he fuckin hates it. Spot-on parallel.

Alternatively, for all the siblings: “walk away” = “totally block out the past”. I’ve tried to repress it all and never look back, hoping the memories wouldn’t haunt me. But it doesn’t work like that. 

But if I disappear, you’ll all implode, that’s clear. It’s gotten worse and worse with every passing year.

You could swing this for Luther trying to take control the way he does (“you’ll all implode” = “you need a leader”) or you could swing it for Five (“you’ll all implode” = “the world will end; but also, you guys are a mess as people, and you have been for a while, and you can’t fix this without me”). And quite literally, if Five decided to disappear halfway through his big mission, he knows for a fact his siblings would die. A lot of pressure there.  I don’t mean to sound so harsh. I’ve also seen the good out there. Empathy and kindness on display. But every time I think I can release myself from this nightmare, someone tries to blow the world away. Duty Bros. Especially Luther on the first two lines. He reads as the least cynical of the lot, and his naiveté and hope is really what keeps him on the moon. Five is the one really living the “nightmare”, trying to track down the one who’s going to “blow the world away”. 

And so I don’t want to sound insincere,  but I think you should just forget what happened here, ‘Cause no one ever truly sees me.

“I got a lot of baggage, bro, you really shouldn’t get involved.” (You’re Jim, the man in 4-B.) An outside voice, reassuring. “You’re not Number Two. You’re Diego.” “You’re not Number Four. You’re Klaus.” Etc. “This new identity you’ve adopted after all that shit went down? That’s the real you. That’s who you are now.” Now Simon, that’s an ending I would really like to see, But I can’t make a life out of my secret identity. The rebuttal. “I can’t just stop being ‘Number X’. I can’t just pretend that wasn’t part of my life. I can’t make that stop haunting me.” 

(Why not? It’s not like in the movies.) No one knows it’s me. You mean, like, maybe I can actually process my emotions like a rational adult, and find a healthy way to cope, stop identifying with the shit Hargreeves put me through, and move on with my life? whack. 

anyway........................ where’s that season 2 trailer at huh