#i Do What I Want

[creepy-scrawl]

This is how my stupid phone looks like now btw

Imma gonna do a vinil for my phone case wich one of these you like more???

[camilleflyingrotten]

The Fallen Kings

Elendil and Gil-galad

[softfilms]

[boobilby]

Pretty old drawing

[skokepoke]

[fefnepz]

Day 99

[hyacinthstears]

Rottmnt, 2012, 1987, 2003, Bayverse, and Mirage - Tmnt Height Chart

Rottmnt Mikey is the shortest and I love that so much

also 2003 Donnie and 2012 being the same height caught me off guard lol.

I did so much googling to find all their heights, hell I probably got some wrong but tbh I don't care. and also these are the only versions I could find heights for, I tried to find the Mutant Mayhem babys heights but I couldn't find anything.

I thought about drawing over the dumb silhouette with their canon design but I'm tired so someone else can do it ig.

anyway hope you crossover people enjoy 👍🏽

[bluegiragi]

Have you uh…

Have you seen the new campaign?

Cherishing your art and rendition of Ghoap made that shit H U R T

i have, and honestly i just have to laugh at the audacity of this game. i've never respected canon anyway, so it's literally not gonna change a thing for me.

[dipperscavern]

millions must know what you’re currently cooking in the drafts…

HEARD!

jon snow & cockwarming

jon snow & a fellow nights watch reader breaking the nights watch no kissy oorah rule (curtesy of spirit airlines anon)

jon during his wife’s pregnancy/taking care of his child after it’s born

a jon snow fic (no i will not be elaborating) 🧏‍♀️🧏‍♀️ (curtesy of aristotle anon)

thoughts on how the stark men would eat you out [posted]

how i think cregan would be on your wedding night as he takes your maidenhood

flirting with cregan stark

deepthroating cregan stark (curtesy of cheeky anon)

cregan stark eating you out in the godswood/under the weirwood tree

cregan stark cockwarming (curtesy of reverse elsa anon)

enough father cregan stark thoughts to make the labrant family’s breeding kink look tame

i’ll expand on specifics w the father cregan stark thoughts because i’m soooooo kind and generous and merciful. consider these your winter rations

cregan being there for you during the birth/helping you through it (curtesy of reverse elsa anon) [posted]

how he’d react to you interacting with rickon, his one year old son from his late wife (curtesy of witchy anon)

just father cregan thoughts all around. raising them, training them, telling them stories of the north, playing with them etc (same ask as cregan being there during the birth. reverse elsa anon was having thoughts) [same first link]

a lord or lady visiting winterfell & seeing the wolf pack you and cregan have

some will probably be out tongiht during thought sharing time & others will take longer because of my long ass response LOL

[lettucesilver]

Flute Players, Current and Former .

Thank you @ccarmody101 for letting me color [and surprise, render] the amazing sketch !! I love these flute players !! [Reblogs work better than likes, ramble + alt versions + OG comic link under cut !!]

AAAAAUUUUGH, I'M FINALLY DONE WITH THIS !! I CAN FINALLY SHARE IT OMG . I loved getting to color this panel from this beautiful comic here by Clover !! My background work has definitely improved since relearning gouache brushes, and it shows !! Everything might not look as rendered or as detailed, but everything was so fun to add regardless !! Ok ok, alt versions now:

BG Not Blurred

BG Not Blurred / Blurred + Different hat (because I didn't know the hat already had colors when I was coloring the hat then I looked for references and found out the actual colors lmao) Now onto Art Info For Nerds (/lhj):

Time: 20 Hrs, 12 Mins, & 58 Secs

Program: Ibis Paint X

Times Crashed: ~4

Canvas (& Storage) Size: 1213 x 981 (28.9 MB)

[mareastrorum]

These are just initial thoughts, and perhaps I’ll learn something that changes my mind on it, but I’m glad to see Critical Role making the leap to their own subscription service with Beacon.

As a lead in: I’m an attorney that has some background in IP law, though it isn’t what I practice currently. I’ve kept in contact with several active practitioners, particularly those that represent small-time creators either in their own independent practice or via nonprofits. I do not have an extensive Rolodex of IP peers, nor do I spend the money to keep up on IP CLEs. I’m just someone who used to know a ton because I did heavy research and work in that space, and that hasn’t been the case for years.

So here’s my thoughts a bit on the IP angle:

The primary reason I’m happy to see this leap is that CR is taking active steps to keep control over its IP. It’s a boring thing to most people, but when I start paying attention to a specific creator (authors, directors, companies, etc.), I tend to be very attentive to how they use their IP. How freely do they license their marks to partner with other creators to make merch? How often do they allow others to make adaptations or derivatives of their copyrights? What is the quality of those products? What is the supply chain like? Are those third parties objectionable in some way? Were the other parties faithful to the original works or marks? Was this a cash grab or an earnest effort to make something worth the price tag?

Honestly, I like how CR run their business. They have a history of tapping fans and fellow small businesses when making new merch or spinoffs. They embrace the culture of fan-made derivative works, both by featuring fanart/cosplay and by sharing their success. Do you know how rare it is for a company to pay fan artists for their already-made and freely posted work and then sell books of it? Let me be clear: CR bought a limited license from each artist so they could print and sell each work in a physical book, then paid the cost of publishing that book with no guarantee that CR would make that money back, let alone profit. I have a copy of the collector’s edition art books: they’re actually very well made and the packaging definitely cost a pretty penny. That’s not a rainmaker idea, that’s genuinely risking financial loss to sell something people could access for free if they wanted to.

The art books aren’t a one-off either. Darrington Press is CR’s separate LLC for tabletop games. (It’s good business practice to split off companies that handle products in different industries.) CR has also made shows based on those games, and the Candela Obscura series has quite a dedicated audience. Everything about Candela belongs to them: the game itself, the rule book, all the art in the book, the web series based on the game, and merch. It’s so successful that they invested in scheduling a live show for Candela later this month. That’s HUGE.

Contrast that with the distribution of Campaign 1 and the first 19 episodes of Campaign 2. CR cannot host those videos themselves; Geek & Sundry still exists and still holds what I presume to be distribution rights (but I don’t have the contract to review). So G&S gets to host those videos on YouTube and reaps the advertising. I can’t speak to whatever share CR gets from that, but considering that CR is locked out of hosting their own copies of those videos, I doubt it’s much, if any, revenue. (If you’re wondering why CR just didn’t buy those rights back, I ask: what incentive does G&S have to sell something that’s making them money for no cost?)

Knowing that background about G&S, I was wary of CR choosing Amazon to host and distribute The Legend of Vox Machina. Originally, TLOVM was not the plan; CR had a kickstarter for an animated special based on C1. It was only because they blew past the goal that CR was able to make an entire season. The reasonable assumption is that choosing Amazon had to have secured CR additional funding for future seasons of the show, which seems evident from how quickly season 2 was announced, Mighty Nein Animated is also going to be a thing, and that season 3 of TLVOM is scheduled for fall 2024. CR had the option of just doing 1 season and keeping it purely in their control, but going with Amazon meant they could animate more of their works. Animation is expensive. I cannot stress enough how doubtful I am that CR would have been able to afford this many episodes and both campaigns if they had not gone this route. As wary as I was in the start, it paid off, and it’s going well—so far. Hopefully CR doesn’t regret that decision if Amazon tries something sleazy. But, as before, we don’t have the contracts and can’t know how secure CR’s position is if any dispute came up.

CR also partnered with Dark Horse Comics to make Vox Machina comics and Might Nein Origins comics. What’s especially surprising is that each of the cast had a hand in writing the MNO comics for their characters, with Matt listed for multiple. That isn’t very common with comic adaptations. Often times, IP owners let comic companies go ham with minimal oversight. Being listed as one of the authors comes with IP rights that have to be negotiated. That means that Dark Horse had to talk with CR about whether that warrants more or less revenue going to which party in exchange for that—or, alternatively, whether the comic gets made at all. That’s a ballsy move. You think people can just demand to write the comics that a publishing company is going to pay to print? Pffft. CR wanted some creative control, and that is a big ask. However, Dark Horse still has the distribution rights, both digitally and for physical copies. You couldn’t buy the comics from CR until they came out with the library edition, a book bound compilation of 4/8 comics. But the publisher is still Dark Horse; CR is just allowed to sell the book directly from their own site as well.

Contrast that with the novels about CR characters. CR partnered with Penguin Random House to publish novels about Vex and Vax (Kith & Kin), Lucien (The Nine Eyes of Lucien), and Laudna (What Doesn’t Break). Liam and Laura were vocal about having some say in K&K, whereas Madeline Roux said in an interview that she had full control over TNEOL. Both of those novels were narrated with CR voices, but narrating a book doesn’t come with IP rights, it just brings in a paycheck. There’s a lot less IP control in there compared to the comics, but this isn’t abnormal for book publishing. To be blunt, I doubt PRH would have agreed to publish the novels if anyone from CR had been a co-author or had heavy oversight over the author or the editing. I don’t think PRH even considered that as an option. Either an author that has already managed to sell X number of copies or nothing. Creative control over a book a huge ask, asks come with reduced revenue, and switching to books from a web series is already a leap. The fact that Laura and Liam had any say is surprising, really.

That was a long meandering tour of what we’ve seen CR do with its IP. The reason I bring up each of these things is that navigating the way to protect an IP in this space is rife with challenges. Different types of IP warrant different strategies because of the cost involved in creating each medium and the challenges placed by industries that have already sprung up around them. Any time that a third party is tapped to create an IP, it’s usually because they already have the funds and resources to create the work, and CR has to negotiate for revenue, creative control, distribution, and—the big one—who gets to be the owner. These are not easy, quick, or fun conversations, and CR is always going to be the smaller company at the table.

Knowing that, I’m not surprised or worried that CR is creating its own independent subscription service with Beacon. It tells me that they’re being careful with their IP whenever they can. A subscription service means they don’t have to trade away distribution rights or give up ad revenue to a third party. They’re in this for a long term investment, and that requires solid income not tied to third parties that can definitely outspend them in litigation in the event of a dispute. A subscription for bonus content is one of many parts in a diverse revenue stream.

(All that said, this isn’t meant to criticize creators that cant afford to do this type of thing. It took 9 years for CR to get to the point where Beacon is financially feasible and a desirable business decision. They have enough ongoing, popular content to warrant paying for a subscription, and they’ve built sufficient trust with their audience that more will be added. That takes time and an awful lot of money.)

As a final note, I take this step as a sign that CR definitely intends to stick around. This isn’t a move people make when they plan on ending the business after the current campaign. I’m glad to see CR is taking steps to secure their foundation and keep making new content.

I’m sure people will chime in on other issues (cost, content exclusivity, etc.), but I hope my perspective gives an idea of why this sort of thing is good for business generally and why it would be good for CR.

[darcydarlingdabbles]

There are two wolves inside me.

One that wants to write Astarion's jealous/insecure reaction to Halsin propositioning Tav. And Tav comforting and reassuring him.

And the other wolf that wants to write an absolutely filthy threesome

...help XD

[joehills]

Took advantage of this week’s Pinball Expo sales to pick up these pinball parts for the streams at a steep discount, so we’ll be able to properly start on the pop bumpers and leg brackets for my HermitCraft pinball machine during decked out phase 5! We’ll also be able to massively improve the details on our coin door!

Also, I saw some chroma green 80s workout gear at the halloween store today. The next time the Hermits go on an inter-season hiatus, I may try doing some workout streams!

[Image description: a photograph of a table with five items, poorly-arranged, being a pinball machine leg bracket, a pinball machine coin door, a pinball machine pop bumper assembly, a bag of chroma green leg warmers, and a bag of chroma green sweat bands.]

[were--ralph]

big

[scythlyven-art]

I have no excuse for this

[ricky-mortis]

So- Spytown?

I’m in love with this au so much

Inspired by @dxppercxdxver ‘s Spies Are Forever/Hadestown AU. Also by @szollibisz incredible, just out of this world art, and @smytherines many, many text posts about it from the past few days.