#hyacinth st. clair

[sweetbuckybarnes]

You Clever, Clever Boy

Pairings: Anthony + Kate; Benedict + Sophie; Colin + Penelope; Daphne + Simon; Eloise + Phillip; Francesca + Michael; Gregory + Lucy; Hyacinth + Gareth

Extra Characters: Dowager Viscountess Violet Bridgerton, Edmund Bridgerton II, Miles Bridgerton, Thomas Bridgerton, Violet Bridgerton II, Agatha Bridgerton, Belinda Basset, George Bridgerton, Amanda Crane, Georgiana Crane

Summary: The annual Bridgerton Pall Mall has been somewhat interrupted by the first words of one young Bridgerton. or: How I imagine the final ever scene of Bridgerton taking place.

It was time for the annual Bridgerton Pall Mall game. This year, playing for the Mallet of Death, was Anthony and Kate, Benedict, Colin, Daphne and Simon, Eloise, Francesca, Gregory and Hyacinth.

Violet was sitting in the shade, looking out at her fully grown children, squabbling over pall mall sticks. She sighed and shook her head. They were like this as children, Edmund had always encouraged their competitive nature - and this is what it has spiralled into.

She pulls her attention away from her children, looks over to the other side of the Aubrey Hall gardens, and smiles at her grandchildren. She could see Anthony's boys (Edmund and Miles) chasing Colin's son Thomas. Three little girls were using one of the new skipping ropes - Benedict's daughter (Violet), Colin's daughter (Agatha - lovingly nicknamed, Aggie) and Eloise's daughter (Penelope). One of Daphne's daughters - Belinda - was sitting in front of her grandmother, working on her mathematics.

Two pairs of shoes brought the Dowager Viscountess away from her musings, and a pair of little hands wrapped themselves around her legs. Looking down, there was little George Bridgerton - Colin and Penelope's youngest child. "Hello, Georgie," she ran her fingers through his brunette locks - he looked so much like Colin did at his age. The only difference? Georgie Bridgerton has yet to speak a single word. "Where is your mama?"

"Hello, Violet," the voice of Penelope Bridgerton causing Violet to look over at her daughter-in-law with a smile - she had always wished for Colin to marry Penelope (when he found out everyone knew of his feelings before he realised them, he nearly demanded to know why nobody ever told him). Penelope leaned down and pressed a kiss to her mother-in-law's cheek. It was well known Penelope had a better relationship with her in-laws than her own family.

Colin looked away from the game of Pall Mall and spotted his wife talking to his mother, who was currently running her fingers through his son's hair. Penelope looked away from Violet and caught the eye of her husband (much like they always had done in every social situation), a large smile blossomed over Penelope's face as well as Colin's.

She looked away from her husband, a subtle pink blush still rose up her cheeks, even after all these years - he could still make her blush. "Thomas!" Penelope exclaimed, hurrying over to her son who had been accidentally toppled over by Edmund. "Are you alright, darling?" Colin had dropped his pall mall stick and hurried over along with his wife.

Colin was followed by Anthony and Kate to deal with the situation between their sons.

Anthony, Kate and Colin made their way back to the Pall Mall game as Penelope took Thomas up to where Violet was sitting with Belinda and Georgie.

"Are you alright, Thomas?" Violet asked, reaching her fingers out to wipe away one of his tears.

Thomas didn't say anything. Only nodded at his grandmother and manoeuvred himself so he was sitting in the chair with Violet.

Colin kept glancing over at his wife and two of their children. He couldn't imagine just how close he got to losing Penelope to Lord Debling (who went on to marry Cressida Cowper, however, part way into his travels to the North, he and the entire crew perished). If he hadn't admitted his feelings in the carriage, he would have lost her - they wouldn't have their four darling children. Agatha, Thomas, Jane and George.

One of his mother's ladies' maid brought out another chair for Penelope to sit in as she brought Georgie into her lap. 

Daphne looked over at her husband, Simon, with a smile then glanced over at Belinda (who was being supervised by her grandmother with her mathematics). "I believe she may ask for advanced mathematics soon," she tells him.

Simon also looked over at their daughter, a smile growing on his face. "I believe so, she is more Bridgerton than she is Basset," Daphne laughed at his words and stepped up to take her turn.

Simon watched his wife, as she swung her red ball through the third wicket. He was extremely grateful to have been able to marry Daphne, rather than any other debutante that year.

Both Gregory and Benedict were worrying over their wives (Lucy and Sophie, respectively) as they were both nearing their suspected due dates. Eloise kept looking down to the other end of the garden, where her husband Phillip Crane (the former husband to the first Lady Crane - Marina) was planting some new flowers for Violet with his daughters Amanda and Georgiana.

Penelope had been talking to Violet, staring out at the garden (making sure her children were alright) when the gentle "mama," made her stop talking. She knew three of her children's voices. The only one she didn't know was...

She looked over at Violet, to make sure she did hear what she thought she heard. Violet also had a look of surprise.

It was Georgie. Her littlest baby finally said his first words.

"Georgie? Was that you?" She asked gently, looking down at him.

Georgie tipped his head, so he was completely resting against Penelope. "Mama," he says again.

Penelope let out a stuttered gasp, then a loud shriek escaped her. Which caught the attention of Colin and Eloise (the former who dropped his pall mall stick and ran over to his wife as quickly as his legs could take him). "Pen!" He called, which prompted Eloise to run over. "What is it? What happened?"

"Georgie spoke," she cried, holding their son to her.

Colin looked from his wife to his mother (who nodded, with tears in her eyes). Belinda pulled at his sleeve from where he was kneeling in front of his wife. "He spoke, Uncle Colin."

Colin let out a stuttered laugh, reaching over to rest his hand on the side of Georgie's head. "Of course he did, my clever boy!" Georgie smiled at his father. "What did he say?"

"Georgie," Violet said, capturing the little boy's attention. "Who has you? Who is this?" She pointed to Penelope.

Tilting his head back up, his face shone with the amount of love he holds for Penelope, even before he spoke, it was well known that Georgie was Mama's boy (as Agatha was Papa's girl). "Mama."

Colin rested his head on Penelope's knee for all of one second. "You clever, clever boy! Yes, mama has you!" Colin pressed a kiss to the top of Georgie's head.

"P-P-" Georgie started, making Colin look down at his son, with wide tearfilled eyes. However, before Georgie was distracted by a passing butterfly.

Penelope giggled and rested her cheek on top of Georgie's. "Give him time, he will say Papa soon."

Georgie looked away from where the butterfly had flown and then looked up at Colin. "P-papa," of course Georgie had to speak and call for both of his parents within the space of five minutes.

Colin exclaimed with joy, pulling Georgie from Penelope's lap and throwing him up into the air (which was followed by Penelope asking him to please be careful with Georgie), and pressed multiple kisses to his son's face. "You clever boy!"

[marislittlethings]

deeply obsessed with the bridgerton siblings finding the loneliest, most underappreciated people and then forcibly adopting them into their family by way of scandalous marriages

[nicetoseesofttotouch]

Happy Bridgerton month!

Can't wait for THEM

[iheartbookbran]

Gareth St. Clair and Hyacinth Bridgerton doing detective work on the diary of his Italian grandma only to accidentally discover in the process that his other grandma fucked her grandpa:

[rebecca-arielle]

hello have not been on here in literal years and reactivated simply to post my modern bridgerton hcs that came to me as i was falling asleep would not let me go until i wrote them down! enjoy!

~~~~~~~~~

the entire family is still very much british upper class - they regularly interact with the royals and attend all the family event like wimbledon and ascot. they are regularly featured in the pages of the tabloids much to their annoyance. they also went to either oxford, cambridge, or st. andrew’s (franny)

- anthony - still who he is, took over edmund’s position in the family business. huge company either a law firm, business like real estate or holdings. he’s ceo and damn good at his job. still viscount but it is really in name only.

- kate - still very much who she is, i can see her either going very much a lawyer or the artist route but i like to think of her as leaving her art as a hobby that she does simply for the pleasure of it.

- benedict - artist can do either painting or photography but has become very famous for it, initially it was because of the family name but then people started seeing his talent for what it is. his photos have been featured a bunch of times in british vogue and he is one of their go to photographers.

- sophie - very much a primary school teacher because of her experience with araminta as a child she was determined to not let that happen for other children so she makes damn sure that while they are at school in her class they know some one is looking out for them.

- colin - travel writer. he works for some magazine and has his own column. the magazine is owned by like some big media company that has their own building.

- penelope - pen works for a different magazine that is owned by the same parent company as colin’s so they work in the same building when colin is not on assignment. she secretly still runs lady whistledown that is like deux moi and once she gets outed she starts her own mini media empire. still besties with eloise.

- daphne - she is very much the perfect socialite philanthropist that is so perfect she seems like she would be a bitch but truly is that nice. is still married to simon after they fake dated due to some media scandal. lives her absolute best WAG life and has the season down to a science.

- simon - is a huge sports star, think david beckham. technically was still the duke but officially gave up the title to piss off his father. this man was born to be girl dad.

- eloise - once she realized just how much privilege she has, she put her money where her mouth is and is constantly going to protests much to anthony’s annoyance (not because he doesn’t agree with the cause just because she is giving the family a bad name in the press, he actually super proud of her.) el went to school for a degree in women and gender studies and is super involved in academia when not getting arrested.

- phillip/a - a botany professor at the university where el is based out of. still has the kids from their previous relationship with marina but they were able to get a divorce because it is the 21st century and co parent the twins quite well. their gender honestly doesn’t matter for this, they love plants and eloise - the order of that is not important.

- francesca - autistic, it is important to me that you know that. she is a film composer, she loves getting to create the score for movies and that it doesn’t require that much human interaction.

- john - still unfortunately passes away, but prior to that was some kind of finance guy. was generally the nicest guy and loved fran with his entire heart.

- michael/michaela - hot. like the most beautiful human being you have ever laid eyes on. they work as an actor because it’s fun but secretly are insanely smart and like build computers for fun.

- gregory - anthony’s mini me and he wouldn’t have it any other way. he works for the family company and loves it. generally small bean like but is insanely tall, like taller than benedict much to everyone’s annoyance but no one more than hyacinth. he worships the ground lucy walks on but they only have three or four kids because they have access to birth control.

- lucy - a mini kate. also a lawyer who’s family firm got bought by kate’s and then started working under her where she eventually met greg when he was visiting his favorite sister kate for their monthly lunch date. has ocd.

- hyacinth - a child prodigy, started university at like 15 (which she never lets greg forget) works as a ta (or whatever the uk equivalent is) for agatha who is an old family friend through whom she meets gareth. her field is like archeology or some other super niche thing. (agatha does not have to teach, she does it because if she doesn’t how else will the new generation ever be taught the right way to do things)

- gareth - is so fucking chill but absolutely matches hyacinths freak. no one is quite sure what he does, he has explained it many times but no one truly knows even hyacinth.

- violet - was besties with princess diana (old money england) she unfortunately passes around the same time as edmund and she just loses it. luckily it is the modern days was able to get help but it took a little while. though once she is back on her feet she is a force to be reckoned with. she runs the family foundation which focuses on mental health and allergy awareness.

thank you for reading this! i will take no criticism at this time but welcome any addition thoughts!

[gorgxoxus]

Ranking the Bridgerton books:

1. The Viscount Who Loved Me - 4 ⭐️. Kate and Anthony’s book is number 1 because the characters were true to themselves throughout the book, I understood their motives and that made them amazing characters to follow as they fall in love with each other. It’s a great rivals to lovers, and seeing their love grow is beautiful. It made me giddy with happiness, kick my feet, cringe and made me almost cry. The angsty first time sex scene was everything I needed it to be. Season 2 was amazing, and the book is almost better!!

2. ⁠When He Was Wicked - 4⭐️. Side note before I get into it: I loved Micheal’s familial relationships in this book, as he grew up with his mother and Johns mother as parental figures, and I consider those two lesbian icons.

I loved reading Francesca and Micheal’s story. When you meet them before their story begins in earnest you see their friendship, and they immediately jumped out of the page as two people who have a fun and interesting connection as friends and ‘cousins/ family’ (they’re not actually cousins, Micheal is John’s cousin). When you meet them four years after John’s death, they have to work to become friends again. In the midst of that you see that Micheal respects Francesca as the countess of Kilmartin as he left her in charge as he left England for four years. Because Michael and Francesca are technically family (Micheal becomes the new Earl of Kilmartin when John dies) and share some residencies the lack of propriety is expected so they are alone together. It brings them together and it lets them do wicked and sexy acts to each other, especially when the story moves to Scotland and they are alone together in the Scottish country-side ( and Francesca’s been married, the power dynamics in the bedroom were 🥵🥵❤️❤️). It was beautiful to see Francesca experience love and desire after loss, and after expecting to get married again just to produce a child (and also keep the Kilmartin name and estates she’s run for years, and her connection with Micheal and John).

3. ⁠ It’s in His Kiss - 4⭐️. Hyacinth and Gareth are the most well matched characters in the series. Hyacinth is such a riot and never shuts up and Gareth is her match. The banter between them is amazing. Hyacinth and Gareth have a shared goal in the book which makes it interesting and gets them into all kinds of trouble. As Hyacinth is a person who knows who she is, that also translated to the best first kiss and first time, as she was taking as much control as she could. There is some dodgy lines of consent in this series, and I appreciated the full and out loud consent Hyacinth gave at all steps. They’re great characters to read about, and Lady Danbury plays a prominent role which is so much fun.

4. ⁠Romancing Mr Bridgerton - 4⭐️. Colin and Penelope’s story ranks fourth because Colin is one of the worst men in this series, with his anger and resentment and hurt he causes Penelope both emotionally and physically were hard to read. I love Penelope in the book, 28 year old her is quietly confident and has some of the best lines of the whole series. This book also highlighted friendship, between Pen and Lady Danbury, Pen and the Bridgertons especially Eloise and Hyacinth and Pen and Colin. I also appreciate this book as the Lady Whistledown plot running parallel to the love story gave it intrigue and drama, and made up for the fact that the romance was very middle of the road.

5. ⁠To Sir Phillip, With Love - 3⭐️. I was nervous about reading Eloise and Phillip’s love story because I had heard bad things about it, but it was fine. Phillip is a bad man, but all the men are in this series. I appreciated that Phillip knew he was bad and wanted to change himself and started to make changes in the small amount of time we had with him in the book, I respected his growth. Eloise is great, of course, speaks her mind, is talkative and interesting. I don’t think they are the most well matched couple but I had an enjoyable time reading the book and I think when they did communicate it did work. Phillips kids from his first marriage are a riot and very well written as children in my opinion. I do read Eloise as queer in the books, she literally runs away from home to a guy she’s never met because Penelope, her bestie she was planning to grow old together as a spinster, got married.

Side note: Penelope, Eloise and Francesca (to Micheal) get married in the same year and month in the books, poor Violet.

6. ⁠On the Way to the Wedding - 3⭐️. Gregory and Lucy had an interesting story (there was action, twists and turns, guns, blackmail, a gay character), but I don’t think they are well matched. Gregory believes so much about true love after watching the rest of his family marry for love, and Lucy values looking after her family and order. They didn’t convince me they were meant to be, they clearly loved each other but was it enough? I was definitely getting jaded near the end of reading the series. And I kept thinking that Lucy is like 17 (she’s the youngest of all the wives by a few years) and Gregory is 26, their age gap really took me out of the story.

7. ⁠The Duke and I - 2.5⭐️. Just watch season 1, the book is almost the same with a little less characterisation and less exciting and beautiful sets and costumes. I respected Simon’s hold on his values, but it definitely conflicted with Daphne’s. I wanted to smash their heads together to communicate. As with the show, the best part is when they are fake courting.

8. ⁠An Offer from a Gentleman - 1.5⭐️

Benedict and Sophie’s story ended up being my least favourite. I actually think Benedict and Sophie are well matched, but some of the things in this book really annoyed me. Benedict is the worst Bridgerton man/ sibling because of inexcusable actions he made in this book. I respected and enjoyed Sophie until she did something totally and completely out of character and then I stopped respecting her. My favourite part was when they met, my least favourite part was almost everything else.

[marionettedupaincheng]

I want Anthony to be all protective when it’s Hyacinth’s season. Not like toxic in season 1, but that’s his baby sister.

He was her father figure! She had never met Edmund. She’s his baby. He’s extra protective. He cries in bed at night a little when Hyacinth enters the marriage market bc his baby girl is growing up and Kate has to rub his back.

I want him to be Gareth’s number one hater but still lets Hyacinth marry him, because he wants her to be happy and he trusts her judgement.

(He takes comfort in knowing Gareth is scared of him and also that Lady D would also absolutely destroy Gareth if he hurt Hyacinth)

[mrs-jamesbbarnes]

Truly obsessed with Anthony Bridgerton because in each book about one of his sisters, their gentleman callers become aware of the fact that the viscount is actually a madman. I laugh out loud every time.

Current example as seen in It’s in His Kiss

How many men had the viscount scared off in this manner, Gareth wondered. Good God, was this why Hyacinth had gone unmarried for so long? He supposed he should be grateful, since it had left her free to marry him, but still, did she realize her eldest brother was a madman?

“If you don't make my sister happy," Anthony Bridgerton continued, his eyes just intense enough to confirm Gareth's suspicions about his sanity, "then you will not be happy. I will see to it myself."

But then Anthony goes on to tell him that even though Gareth will never reconcile with his father, he’ll always have the Bridgertons, and they’ll love him as one of their own. 🥹

[funemployed-fangirl]

Which couple elopes in your modern AU?

What is Violets reaction?

Technically speaking, none of them. But...

Anthony & Kate, Colin & Penelope, and Daphne & Simon all have nice, traditional society weddings.

They're big, but not excessively so. Tasteful. With Daphne being Violet's first to get married and Anthony being the oldest, they would never get out of doing big society affairs. And Colin & Penelope kind of like the spectacle of it all. Plus, Penelope's mother would never pass-up the opportunity to show off the family's new connection to the Bridgertons.

Benedict & Sophie and Francesca & John/Michael have small affairs.

Benedict & Sophie don't want to wait to do a full society affair. And besides, Sophie doesn't have any family or really that many friends doesn't know that many people, and Benedict doesn't want her to feel uncomfortable at her own wedding.

Francesca & John are just out of college, so its a respectably sized event, but nothing huge. When Francesca & Michael get married, they decide they don't want to make a huge deal of it, but still want to do something special, so they have everyone fly out to Cabo and do a beach ceremony.

Eloise & Phillip and Gregory & Lucy come the closest to eloping.

Eloise & Phillip have been living together for awhile, and one day decide they should just make it official. They set a date for a courthouse wedding, and inform the family. Anyone who can make it up is welcome to be there, but they aren't changing the date.

Gregory & Lucy go to the court house not long after the whole "crashing Lucy's first wedding" incident. They decide that a full wedding so close to the incident is probably in poor taste, but they don't want to wait. Like Eloise & Phillip, they tell people they're going, though that message may have gone out the morning they went to the courthouse...

Hyacinth & Gareth go BIG.

There are big society weddings. And then there's Hyacinth & Gareth's wedding. With both Bridgerton and Danbury money going into the event, and Hyacinth's personality making decisions, it's an over-the-top event that people are talking about for years. The bride and groom have multiple outfit changes. The reception goes for hours. The couple and their friends go bar hopping until 4 AM.

The weddings don't really matter to Violet, as long as her children are all happy.

[dvilkings]

my predictions for the bridgerton show and its remaining seasons/bridgerton siblings and their romance stories, the order we will see them all.

all the speculation surrounding who is going to be the next mc in bridgerton s4, and of course i am hoping and wanting it to be benedict. but i do think it actually will be him and not eloise.

yes, eloise’s story comes directly after polin’s, jump started by their engagement. but that is also due to the time jump polin’s story has so that pen and eloise are older and settled into the titles of “spinsters”. in s3 eloise is only in her 2nd season out, and would not be considered a spinster yet for another season or two. and also considering the fact that it would have just been another year (2 in total) since marina and philip got married, so her children would not be that old. in eloise and philip’s story, the children are a big component, and them still being toddlers/babies wouldn’t push the story like it should. (yes they could alter it, but i don’t see that happening).

as for benedict, his story offers the perfect time jump. if he were to meet sophie at the last ball at the end of s3, it would offer the perfect opportunity for a time jump between s3 and s4, perfect for ben to have been searching for his mystery woman during that time (and perfect for philip’s children to grow in time for eloise and his story).

it also brings in the build up we have seen so far for the cowper’s. cressida’s mother’s name is “araminta” and they would not have two characters of the same name, especially one uncommon as araminta (the same name of sophie’s stepmother in the books). and seeing a little more of a glimpse into cressida and her parents, even her father, it makes sense that they could be the ones connected to sophie. not to mention cressida being such a more complicated character than the audience had thought, honestly being a good mixture of rosamund and posy (sophie’s step sisters).

it also wouldn’t quite make sense for eloise to be next to have her romance. she is still young, and we have not seen any build up for her yet (the letters, the mysteriousness that leads to her running away to philip). meanwhile, we have seen constant build up for benedict, especially after his short talk with anthony in s3e1 where he mentions he liked stepping in as viscount to look over the estate while kanthony were in their honeymoon because it gave him purpose and something to do, the exact thing he seeks for in his own story and is delved deeper into then.

people will counter that eloise’s story starts because of polin’s engagement so it’s a direct correlation. and that’s how it was in the books, but i don’t think that’s how it will go in the show. i think her catalyst will be benedict getting married instead. her relationship with ben has shown to be closer and more pronounced than her other siblings, and with her and pen’s relationship still being unsteady and unsure what will happen at the end of s3, it doesn’t quite make sense for it to affect eloise as hugely as it does in the books. i think even polin’s engagement/marriage will spark eloise to start writing letters (i see polin travelling for awhile for their honeymoon, sparking eloise to want to write letters to pen and colin as much as she can, sparking further her writing to philip upon hearing of marina’s death (probably having heard of it before polin does so feeling a sense of responsibility to write to him in their stead)).

having benedict’s story come next will also we a good segway into seeing life outside of society. with eloise, francesca, hyacinth and gregory’s story not set majorily in the eyes of the ton and society, but benedict’s have some of both, being a good start to transitioning the show to that side of this world that has been built.

this way, s4 would still center around benedict and his romance with sophie, most likely after she has run away from her home (so we will probably see the flashbacks to those events throughout the season as it will have been a few years). and it also gives some time to build up eloise’s story more and maybe hearing of marina’s death, etc.

and of course, the remaining seasons will still continue in the order of the books. in s4 (benedict) and s5 (eloise), we will see more of francesca and john, them marrying, being introduced to michael, john’s death, and maybe a little bit of the separation between frannie and michael. which will lead to their story as s6, right after eloise and philip. and hyacinth and gregory will be older (and their actors as well so it won’t be inappropriate for them to have their own adult romance stories told). so for s7 and s8, they will step into their stories with gareth and lucy

you can see i have thought a lot about this and i appreciate anyone who has read this far lmao. but i would love to hear other people’s thoughts as well!!!

[strnger1985]

gareth and hyacinth be like

[sea-owl]

As an apology for my last post I wanted to put this idea out there as a potential plot line for hyareth.

We all know Lady Danbury and Lord Ledger's relationship ended shortly. Choosing their duty over love. Lord Ledger choosing his duty to Violet and Lady Danbury focusing on securing all the newly titled families.

What if Violet and Marcus Anderson also have a short-lived love affair. Sorry, Mama B.

Lady Danbury comes to see it as a curse that a relationship between her family and Lord Ledger's can't last. Always ending on bittersweet notes, or they choose something else over that blossoming love.

Then along comes hyareth, and Lady Danbury thinks it's the third generation of short-lived love. But Hyacinth and Gareth's love isn't short-lived. When it comes down to the choice, they choose love and each other. They are the relationship that breaks that cycle.

[asadfangirlbitxh]

My favorite Bridgerton books

1) When He was wicked - Francesca Bridgerton

Michael Stirling the man you are.

2) The Viscount who loved me

I personally prefer the book's story to the show because of the dynamic between Kate and Edwina. But I loved Kate Sharma with all my heart

3) An Offer from a Gentleman

Sophie Beckett is going to be beautiful i just know it . I hope they keep the last jail scene it was my favorite

4) It's in his Kiss

Gareth St Clair and Hyacinth

✨chef kisses✨

Hope she finds the jewelry in the show

5) Romancing Mr. Bridgerton

Pen and Colin. The ultimate friends to lovers with a spice of girl boss x boy himbo

6) To Sir Phillip with love

More excited for Eloise to bond with the twins then the actual love story. Hope the show makes it Spicier

7) On the way to the wedding

Gregory and Lucy are cute. But it could have been better but the family scenes are amazing.

8) The Duke and I

Could have been amazing but that SA scene just ruined it.

[crazychicke]

Bridgerton couples {book & TV verse} - Gregory's pov

'Sometimes love isn't fireworks, it's a slow burn that consumes you completely' - On the Way to the Wedding

[pmpknspcaholic]

I managed to take photos of the original artwork for The Duke and I, The Viscount Who Loved Me, To Sir Phillip, With Love, When He Was Wicked & It’s In His Kiss. When I’ve tried to look for photos online, they haven’t always been the clearest quality. For some reason An Offer From A Gentleman, Romancing Mister Bridgerton & On The Way To The Wedding hardcovers didn’t have the artwork on the back, so I’m waiting to come across beat up copies of the paperbacks to take a picture of their step backs. Part 1 of 2.

[checkoutmybookshelf]

Brigerton Round-Up

Ok, so I have read all of the Bridgerton books I care to at this point, but my reviews are spread across this blog and possibly like a year of time??? So I thought it would be fun to bring them all together in a single post!

All of these reviews were written between S2 and S3 of Netflix's Bridgerton Series, so bear that in mind when you're wondering why I haven't talked about all the seasons!

Content warning for some misogyny and discussion of sexual assault.

Also...THERE ARE SPOILERS HERE.

The Viscount Who Loved Me

There comes a point where a girl can't deny she has engaged in a fandom. It probably is well before you start writing fic (you can find The Polin Fic on Ao3), but y'know, here we are. Let's talk Bridgerton.

Ok, couple things right off the top.

We are not dealing with either The Duke and I or S1 of Bridgerton on Netflix. We are not dealing with *THAT* scene and it's complete disregard for consent. Find that somewhere else on the internet, it's a big place.

We are literally only talking about The Viscount Who Loved Me and Romancing Mr. Bridgerton. They're the only books I've read, and at this point they're the only books in this series I care to read. That means we'll also chat about S2 of Netflix's Bridgerton.

Ok, with the ground rules established, let's jump on in!

I think the reasonable place to start here is with Kate. I watched Bridgerton the Netflix series before reading The Viscount Who Loved Me, and Kates Sheffield and Sharma are objectively not the same woman. They wouldn't even LIKE each other. Kate Sharma is self-assured, confident, driven, and quite frankly, a force of nature when she wants to be. Kate Sharma understands that not only is she a grown ass woman but also that if she does not get in gear and go for her goals, they ain't happening. You guys, I freaking love Kate Sharma.

By contrast, Kate Sheffield is a blond, blue-eyed, infantilized debutante with some serious unresolved PTSD. I was not at all sorry to see that Shondaland did away with THAT library scene and THAT bee sting scene. I think that the show did both of them way better, and I will never be mad when an adaptation takes an adult female character and lets her ACT like an adult. I also appreciated the shift from creepy Anthony trying to *checks notes* suck the venom out of the bee sting to a full-blown panic attack. It subverted a highly gendered trope and put both Kate and Anthony on a much more even and human footing. It was also--and I cannot stress this enough--so much LESS CREEPY than the book scene. Anthony describing what he was doing in detail while the reader is told but not shown that he's panicky left several different flavors of bad taste in my mouth. Kate Sharma showing actual dimensionality in her strength in the show in this scene as Anthony goes fully nonverbal is objectively a stronger scene that does far more to develop the characters.

Generally speaking, Anthony Bridgerton is Anthony Bridgerton in both the show and the book, with maybe some of the high-and-mighty, self-righteous edges sanded off for the show. He's a regency era Viscount, there's not a whole lot you can do with him in adaptation. Show Anthony is my preference because he has some of the high-handedness sanded off, and because Jonathan Bailey is extremely nice to look at. I don't even hate the S1 (*gasp* she mentioned Bruno!) sideburns and hair, they had a very 1995 Colin Firth as Mr. Darcy vibe that I was willing to lean into. I honestly don't have a whole lot else to say about Anthony, so let's move on and hope that maybe we get an S3 release date before I get to the end of this post. (Spoiler Alert: We did not)

An Offer From a Gentleman

Dearest Gentle Reader, I suppose if you play with fire, you do eventually get burned. This Author has finally been burned by a Bridgerton novel. --Lady Bookshelf's Society Papers, 7 June 2023

So uhh...yeah. We gotta talk about Benedict Bridgerton. And we gotta talk about what the actual hell happened between book and Netflix series, because I found the series before the book, and even knowing that the characterizations were different, this book was JARRINGLY different, and not gonna lie, I absolutely cannot stand book Benedict and I fully do not understand the Benophie appeal. Now that I've finished painting a target on my back, let's talk An Offer from a Gentleman.

Ok y'all, I have recipts for this one, because book Benedict was basically a "too aloof and edgelordy to give a damn" and he really, REALLY needed to stop telling Sophie she was stupid or thinking too much. He also was hideously high-handed about blackmailing, coercing, and passive aggressively manipulating Sophie into doing the closest possible thing he can make happen to what he wants. He can't hear the word "no." His art seems somehow less important to him than the bowl of rocks at the cottage.

Show Benedict is a sweetheart artist with a wicked sense of humor and a real damn good sense for his siblings' moods and needs. I like show Benedict. I was prepared to yeet book Benedict off a cliff.

So real quick before this descends into incoherent screeching, I just need to point out the section where Sophie leaves the Cavendar's house during a party that is SUPER not safe for her. The "male lead saves the female lead from getting raped" is not my favorite trope in the world, but I'm not here to shame anyone for rescue fantasies. What I am here to do is explainin why Benedict is the WORST POSSIBLE EXAMPLE of this trope. I'm just gonna go ahead and put the passage up here, for ease. This is Benedict's reaction to seeing Sophie is an objectively scary situation:

Cavender was standing under a stately old elm with two other gentlemen. They appeared to be having a bit of fun with a housemaid, pushing her back and forth between them. Benedict Groaned. He was too far away to determine whether the housemaid was enjoying their attentions, and if she was not, then he was going to have to save her, which was not how he'd planned to spend his evening. He'd never been particularly enamored of playing the hero, but he had far too many younger sisters--four, to be precise--to ignore any female in distress.

WHAT THE HELL IS THIS REACTION??? What is this "ugh, I guess I HAVE to step in, what a pain in the ass FOR ME" nonsense??? This is not allyship, this isn't even--as Benedict tepidly says--"having sisters," this is just "ugh, I guess I have to be a hero, how annoying."

If you're going to do the rescue trope, it kind of works better if your leading man gives a rat's ass. Like, give him a strong position on rape being bad. Give him a motivation. Give him something other than an eye roll and vague irritation that he has to do the thing! He's not even particularly T-ed off with the guys in this situation, it's just...and event. That he has to deal with. Like going to the DMV or something.

Can we PLEASE not do this. This is gross, it is bare minimum, and frankly? It's the least interesting version of this trope. I wasn't a Twilight girl, but the scene where Edward rescues Bella from implied gang rape was done better than this moist tissue of a scene purely because HE GIVES A RAT'S ASS ABOUT BELLA.

Bare freaking minimum, your romantic leads have to have strong feelings for each other. Those feelings can be positive or negative, depending on whether or not you're doing enemies to lovers, but the feelings have to EXIST. And when you're dealing with limited third omninscient narration, the character in who's head you are should probably have stronger emotions than *eye roll* to keep it interesting for the reader!! We know Sophie is already in love with Benedict at this point in the novel, but we aren't in Sophie's HEAD just now.

I'm basically out of coherent things to say about this book, so let's just go over key examples of other things in this book that made me rage. It's not every instance, but it's a selection of demonstrative examples.

Let's check the receipts:

She shot him an arch look. "Horse races are almost always silly." "Spoken just like a woman," he muttered.

And just WHAT is wrong with speaking like a woman, Benedict??? Is it maybe because you think they're somehow LESSER than men???

"Sophie," he said, "I can practically see the steam coming out of your ears. Stop taxing your brain with useless mathematical computations and do as I asked."

TAXING HER BRAIN, BENEDICT??? Let the woman think for her own damn self for five seconds!

"His chin jutted out belligerently. "You're not supposed to be thinking. That's the point of of it."

LET. HER. THINK. FOR. HER. OWN. DAMN. SELF.

"You bloody fool," he swore. "Do you have any idea how dangerous it is in the world for a woman alone?" "Er, yes," she managed. "Actually I do. If he heard her, he gave no indication, just went on about "men who take advantage" and "helpless women" and "fates worse than death." [...] About halfway through his tirade, she lost all ability to focus on his words. She just kept watching his mouth and hearing the tone of his voice, all the while trying to comprehend the fact that he seemed remarkably concerned for her welfare... "Are you even listening to a word I'm saying?" Benedict demanded.

YOU SPENT THE WHOLE BOOK TELLING HER NOT TO THINK AND NOW YOU'RE MANSPLAINING CLASS TO HER??? SERIOUSLY???

"Don't you ever call me stupid," she hissed. " Benedict blinked, trying to get his eyesight back to the point where he only saw one of her. "I wasn't--" "Yes you were," she replied in a low, angry voice."

Oh, yes, call her stupid. That's a GREAT way to get in any woman's skirts, Benedict. (Please excuse me while I scream incoherently into a pillow in rage.) Punch him again, Sophie.

"I didn't save you from Cavender just to let you squander your life away." "That isn't your choice to make." She had a point there, but he wasn't inclined to give it to her. "Perhaps," he allowed, "but I'm going to make it, anyway."

Wow, so you do ONE DECENT THING and suddenly you own her life??? PUNCH HIM AGAIN, SOPHIE. And no, gentlemen, going "oh shit, I am actually being a huge dick here" and then DOING THE THING ANYWAY does not earn you any points.

"I didn't want--" "You don't know what you want," he cut in. It was a cruel statement, condescending in the extreme, but he was beyond caring. She'd wounded him in a way he hadn't even known was possible, with a power he'd never dreamed she possessed.

ACTUALLY SHE DOES KNOW WHAT SHE WANTS, BENEDICT, BECAUSE SHE IS A HUMAN PERSON WITH AGENCY!!!!!! AND SHE HAS SAID NO TO YOU LIKE FIFTEEN TIMES!!! Dear god, someone throw this man back in the lake and hold his head under.

"I didn't think," she whispered, more to herself than to him. "I know." He smiled. "I know. I hate it when you think. It always ends badly for me."

FOR FUCKS SAKE-- *screams in impotent rage while channeling Beatrice's "would eat his heart in the marketplace" vibes*

So...I actually don't recommend this book. Don't read this one. Just enjoy show Benedict and we can all collectively pretend that the book didn't happen.

Romancing Mr. Bridgerton

I actually thoroughly enjoyed the fluffy confection that is Romancing Mr. Bridgerton, which makes it much harder to talk about than The Viscount Who Loved Me. I suppose the biggest difference between the book and what the show is setting up for Polin is in the stakes. The book stakes are arguably extremely low; the consequences for being Lady Whistledown in the book are essentially a round of polite applause and some deep-seated rage that Cressida freaking Cowper would dare to take credit for Penelope's work. And frankly, I was 100% with Penelope on that one. The show cannot possibly roll with that ending (or if they do, they're going to disappoint everyone) because Penelope has pissed off a reigning monarch, and that has, historically, gone poorly. So I think the show is setting up to give Colin real, concrete reasons to be pissed as hell when it comes out that Penelope is Whistledown, and to actually make the pair work for their romance. And for all I enjoyed the fluff in the book, I am a sucker for multiple layers of increasingly high stakes and I hope the show really goes ham on the payoff for this setup. Frankly, I want Colin to be absolutely furious with Penelope and still ready to sneak her out of England if the Queen decides that Lady Whistledown is too dangerous to leave at liberty.

In terms of how Colin himself changes in the show, I'm fairly cool with the "I am a bottomless pit where is the food" aspect of Colin's character being quietly left behind. I think we can do more interesting things with our male characters than that. However, like many of the people who have both read the book and kept up with the show, I am WORRIED about how much Colin's writing has been downplayed. Yes, he and Penelope have a correspondence, and clearly they mean a lot to each other, but writing letters does not necissarily set up Colin's journals and the writing relationship that the two develop in the book. It's so, so wildly uncommon for game to recognize game and form a partnership of equals in skill in regency romance novels, and that was one of the things I loved about Romancing Mr. Bridgerton. I also loved that Colin, not Penelope, was the less experienced newbie of the writing partnership.

Not that the book didn't complicate this issue, because Julia Quinn didn't hesitate for a millisecond to slot Penelope into the historical role of "uncredited, unpaid, and historically unknown editor and 80% of the reason that history remembers the husband who's name is on the cover of the book." And that SUCKS for Penelope.

That takes me really smoothly into the thing that I love most about what Nicola Coughlan brings to Penelope in the show. She has an edge, a little more willingness to take risks, and that really makes me believe that the Penelope of the show could be behind the edgier, sharper, WAY riskier Whistledown. I am excited to see what they do with Polin in S3!

When He Was Wicked

Ok, as a Bridgerton book, When He Was Wicked was UNUSUAL. Given how tightly knit and very much there for each other the Bridgertons are (although I admit, this might be show bias affecting my reading), the fact that Francesca was, for the most part, isolated up in Scotland and very separate from the rest of the family was odd. It really allowed us to see what a Bridgerton-raised person would do when their back was to the wall and they were more or less alone.

Add to that the fact that most of this book is Francesca's second season and second love and that she gets to have actual EXPERIENCE and CONFIDENCE and not be your bog standard romance ingenue meant that this was a refreshing change of pace. I also would be absolutely remiss to point out that this novel went unapologetic on the fact that Francesca knows a little something about sex and her own body and that she has zero doubt that her needs, wants, and pleasure are important and that she can (and does) ask for what she wants with Michael. That's something that contemporary 2023 still really struggles with, so props to Julia Quinn for making it clear that Francesca can, should and DOES have a voice that matters during sex.

I also want to say that while Francesca wanting to be a mother so badly that she goes for a second season often gets side-eyed or openly pooh-poohed for being anti-feminist, breeding kinky, or somehow lesser, I would say that while the "All I want in the world is to be a mother" is complicated by the regency setting and the gender roles and expectations imposed on women whether they wanted them or not, Francesca is a widow for most of this novel, and widows historically had more (not complete, this isn't perfect) choice about their remarriage, and had Francesca not wanted to, she didn't have to remarry. So I'm willing to give this book the benefit of the doubt that Francesca actually DOES want to be a mother, actually DOES want children, and making the choice to remarry to have kids is an active, intentional choice on her part. Motherhood isn't for everyone, and that's 100% fine. But we shouldn't shame people who do want it, and I think a generous read of this book puts Francesca in that camp without some of the weird vibes and setting complications that you get with Daphne.

Again, none of this is wholly unproblematic, and there are arguments to be made that social conditioning overrode any choice Francesca could make. However, that's a deeply cynical read of a fun, fluffy romance novel, and I'm not here to shame people who can get pregnant for their reproductive choices, whatever those may be.

Michael is, in the grand tradition of non-Bridgerton love interests, fairly bland. His whole thing is being the merry rake, which, like, whatever. That's fine. I'm not like, terribly enamored of his full-on BAILING on Francesca for like three years after her first husband unceremoniously drops dead. I'm also not super enamored of his whole "did I secretly cause my cousin's death because I was coveting his wife and now I can never be with Francesca because I don't deserve her for killing my cousin" schtick, but this is Bridgerton so the absurd drama is pretty par for the course.

The reason to read this book really is Francesca, and Francesca finding her feet as a more mature heroine than we typically see in these books. I was very very much here for Francesca, and I hope that if the show gets this far, we really do get to see how Frannie is different from Daphne, Eloise, Penelope, and Hyacinth.

It's In His Kiss

This is now the fifth Bridgerton book I've read, and I actually have to say that while it's not my favorite of the series, it was a nice change of pace. Hyacinth and Gareth feel like they spend more time together as a couple really getting to know one another, which honestly was not really the vibe of previous couples. Anthony was too wrapped up in waiting to die, Benedict was too busy being shitty Prince Eric and generally devaluing all women everywhere, and Francesca and Colin were working through dead spouse trauma and a variation on professional jealousy, respectively. Hyacinth and Gareth just like each other, and Gareth was refreshingly brief in his daddy issues in favor of seducing Hyacinth and realizing that whoops, he actually meant it. So frankly, Gareth and Hyacinth feel more like they are actually good friends. And as a Polin Stan, that is a little heartbreaking to say, since Polin was supposed to be the friends to lovers storyline and as far as the books go, I actually think Hyacinth and Gareth feel more friends to lovers. Polin is more she fell first, he fell harder, which is a great trope but it's not really friends to lovers.

I swear I'm not going to be low-key disappointed about Polin for this whole post though, because in addition to Hyacinth being genuinely good friends with Gareth, we get her friendship with Lady Danbury. And THAT friendship is an absolute delight, although Jukia Quinn might be flying just a TAD close to the sun by spoofing bad romance books that we read to mock in her series of borderline read-to-mock romance books. This is very akin to my feelings about Penelope getting weak-kneed over Colin's writing talent because he described the temperature of the Agean Sea as half-hour old bathwater. Like, I get what you were going for emotionally, but on a very realistic level, you fell flat on your face and your skirt rode all the way up so you flashed your panties at people by accident, and not in a kinky way. Not that that makes Hyacinth and Lady D's dynamics any less wonderful, it's just one of those "my eyebrows were raised while I was smiling" things. We cannot help but love Lady Danbury.

I also just want to call out the objectively hilarious scene where Gareth goes to ask Anthony for permission to marry Hyacinth and Anthony completely blows the tone with his combination "YES ALL MY SISTERS ARE MARRIED OFF I AM KING" and "hurt her and I won't kill you, I will make your long life a living hell" reactions. I enjoyed this Anthony.

Now, having noted what I enjoyed about this book, it wouldn't be a Bridgerton novel if there weren't also a couple of things that I feel the need to call out as WILDLY WTAF. We're gonna go ahead and start with the prologue, because we need to take a minute and ask ourselves why the actual hell the girl Lord St. Clair was trying to force Gareth to marry had to have a mental disability, and why the hell we needed Lord St. Clair's "kick the dog" moment to be telling his son to rape a vulnerable woman. And that's before we even get into the issues with the rampant asexual objectification and infantilization of disabled people, and how that plays into wildly ableist tropes throughout literature. And the worst part is, this adds literally nothing to the story. We do not even see this character on the page, she is just briefly mentioned twice in the novel and is literally not even an obstacle. This didn't have to be casually thrown in and frankly I saw ten different shades of red when I was reading it. Honestly, it's one of hose thoughtlessly, pointlessly ableist things that causes real harm in the world and I am not here for it.

The other WTAF thing about this book is the fact that Gareth plans to "ruin" Hyacinth. I'm not gonna go do ar as to say there are consent issues here, because to say that would be to wildly and willfully misrepresent their relationship and I'm not going to do that. But I'm not wild about the perpetuation of the idea of virginity as some magical thing that can be taken from a woman and tbat devalues her. And yes, I know, it's it's regency romance. But I can understand scenes-a-faire and still not like it. Which I do not, because it says more about the level to which Gareth initially values Hyacinth than anything else, and you shouldn't have to devalue your SO to feel worthy of them. That is some toxic bullshit, do not do it.

Overall, though, this book was pretty cute and it was heisty, and I am a bit of a sucker for a good heist. Insofar as I recommend any Bridgerton novel, this one was pretty fun.

On The Way To The Wedding

It is a truth universally acknowledged that a hot romantic regency male lead must be in want of a more intelligent heroine. But even given that, Gregory flippin' Bridgerton strains credibility about how obtuse he is throughout this book. Anthony might have been lying to himself and deeply traumatized, Benedict might have been a chauvinist dickhead, and Colin might have been a golden retriever, but none of them were so vacuously vague as Gregory managed to be. That's not to say that I didn't enjoy this book; there were chunks of it I found thoroughly amusing. So let's talk On the Way to the Wedding.

I guess we might as well start with Gregory, because holy cow there was no critical thought in this man's head. He literally did not hear a thing Lucy said to him the night before her wedding to Haselby, because AS COLIN POINTED OUT while he and Gregory were *checks notes* SITTING IN A TREE SPYING ON LUCY'S HOUSE, she did not actually ever at any point say that she wasn't going to marry Haselby, she just made bland statements and let Gregory hear what he wanted to. Like, Greg. Sweetie, honey, friend, she did not explicitly say she was calling off the wedding, and you KNOW she would have if she really intended to. You were thinking with the wrong head, my dude, and frankly it's on your own dang head for being so shocked the next morning.

But on top of having cloth ears when it comes to hearing "no," Gregory managed to talk himself into being in love with Hermione and out of being in live with Lucy. And this is AFTER separate sit downs with Anthony, Kate, and Violet that collectively tell the reader (and should have told Gregory, except he has cotton wool instead of a brain inside his skull) that Gregory has exactly zero connection with reality, no drive or ambition, and has had so much handed to him in life that he won't extend effort to get something that isn't handed to him. Quite literally, my reaction was, "Aww, Lucy gets the second-worst brother. She and Sophie should get together and start a support group." So Gregory and Benedict are super not my favorite Bridgerton Brothers.

One thing about Gregory that was well set up and paid off and used fairly humorously throughout though, is his complete inability to hit anything he aims at with a firearm. I was impressed that he was not toxically masculine about that, and the fact that he nonfatally shot Uncle Richard at the end was well executed, and Lucy telling her Uncle that he is lucky Gregory can't aim for shit actually got a laugh from me. It was very good. AND it established that all four Bridgerton girls can shoot as well, so at some point I want a pall mall game settled via target shooting. My bet is that Eloise thinks she's the best shot, Francesca actually is, Hyacinth does trick shots just to piss off Eloise, and Daphne is scarily efficient as a markswoman.

However, what really kept this book interesting were Lucy and the CW drama-esque plot, because I did not see "oopsie poopsie, did a treason, and now my neice has to marry my blackmailer's gay son" coming in the Bridgertonverse, but here we are, I guess.

Lucy falls into line with Penelope and Sophie in terms of women who are head and shoulders more competent than the Bridgerton man they married, although admittedly Lucy has less personality than either Penelope or Sophie. Lucy is a people manager and pleaser, and she is extremely organized. She also has some excellent one-liners and is more than smart enough to wrap Gregory around her little finger when she needs to.

Unfortunately, she couldn't talk Gregory's stubborn streak out of tying her to a water closet (seriously, what is this, a regency Criminal Minds episode???), which is how we get the big reveal that it's her Uncle, not her father, who committed treason. It's also how we somehow end up with Uncle Richard holding a gun to Sophie in a random bedroom before her marriage to Haselby was consummated, which... Richard. Honey. What was the plan here??? You needed that girl legally and permanently married before Davenport gave up the blackmail. Why are you holding a gun on her right now??? What the hell was the way out of this room of you hadn't been interrupted by the husband squad and their two guns? Weird time for a power trip, is all I can say. You might as well have gotten caught monologuing for all the sense this scene setup made.

And Gregory once again proves that he is a COMPLETE IMBECILE because if you spend an entire book announcing repeatedly that you can't hit the broad side of a barn, why on God's little green earth do you take the shot at a man holding a gun to your love's head? You're as likely to hit her as him! He got lucky because plot armor, but he wasn't the only man in the room with a gun, Lucy's very angry brother ALSO had one, and he was almost certainly a better shot than Gregory. Nobody is exercising critical thought in this scene, is all I'm saying.

Now, for all my criticisms, if you suspend your disbelief, this whole scene is VERY fun, and in principle I quite enjoyed it. Sometimes you have to meet a book where it's at, and in this case it was at CW-esque dramatic farce. So this book was very fun for what it was.

OOH and before I wrap.up and forget: Hyacinth gets to be totally furious in this book, and holy cow I wish we got Hyacinth in a decade st some point, because she would have been show Lady Danbury's equal but more spitfire, and I love that so much for all of us.

This is definitely the last Bridgerton book I'm reading because I have no desire to deal with Daphne or Eloise's books. That said though, the books I have read I was largely either pleasantly surprised by or thoroughly entertained, and really you can't ask more of these books than that. Book Benedict still sucks though.