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i need Eloise to take one single glance at Phillip and be like “i need to get him pregnant.”
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truly the wildest thing about all the Bridgerton discourse about "is Nicola Coughlan too FAT to be a convincing love interest???" is that in many ways she actually looks better in the period costumes than her thinner counterparts because she has the figure to really fill them out. those dresses are incredibly flattering on larger bodies because they emphasise the bust and cleavage whilst creating a very elegant silhouette. there's something unintentionally hilarious about hearing pearl-clutching in the distance over "idk is this FAT WOMAN sexy enough to be believable as an object of lust??" whilst Penelope Featherington's majestic heaving bosoms are almost spilling out of her dress in a category 5 titty event. if anything she's too sexy. they had to spend the first two seasons putting her in ugly dresses in a desperate attempt to conceal the fact that she's serving more cunt than the entire itty bitty titty committee combined
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i hope netflix renews for four more seasons of bridgerton 😭 jess brownell reduced the quality lowkey and im worried they’ll pull the plug after season 4.
I NEED TO SEE ELOISE FALL IN LOVE
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luke thompson and yerin ha on set filming the masquerade ball in season 4 of bridgerton!
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TikTok has convinced so many people that you're autistic or ADHD if you have completely typical experiences like "getting songs stuck in your head" or "having a strong sense of social justice" or "reverently kissing the ice-cold crown of the crow lord". No, you do not need to have autism to squeeze your eyes shut and stand completely still as a living statue to demonstrate your total submission to the crow lord. Plenty of neurotypical people bring him tributes of glass beads, tinfoil strips, roadkill, coins from dead men's pockets, and mice or rabbits fattened weeks in advance. Honestly TikTok has become such a dangerous engine for spreading misinformation. I wouldn't be surprised if they provoke the wrath of the crow lord soon.
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brock was smart as fuckk for putting the pan on his head my dumbass wouldve probably hit ash with it and then lost a true friend in the process
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i hate to admit this but i think if i were in a bad mood and spongebob were around i wouldnt be able to navigate that situation with the patience or grace it demands. and i worry he would blame himself
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ADHD at night: I could write a book. I could get my Master’s Degree. I could go to the club and come home with 12 new friends. I could get a job at that club and meet the mother of my children. I could cure every disease and use my wealth to bring world peace.
ADHD during the day: Fold laundry too hard :( Come back next week
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The newest Episode had SO sooooooo many good scenes I don't think I can keep up with all of it! But man.... This scene in particular made me so happy because Ragatha finally got the recognition she deserves!
My heart was bursting through my chest when Pomni finally approached Ragatha and told her how much she appreciated her efforts! I thought it would be funny to imagine what Ragatha was actually thinking in that moment..
I'm so happy for them 😊💕
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Ragatha covers up her true feelings with a veneer of positivity and acts like nothing bothers her for the sake of avoiding conflict. Not only is this a coping mechanism to prevent abstraction, but this doesn't actually have the intended effect on her relationships with others.
While she dotes on Gangle and sticks up for her against Jax's bullying, Gangle sees through it; she notes that while she means well, it's difficult to tell when Ragatha is being genuine or when she's just trying to make someone feel better. Tellingly, when Stupid Sauce removes her filter, she speaks the most openly about others. She explicitly states her dislike of Jax but doesn't want him to dislike her, derides Zooble as a grouch, and even calls Gangle annoying when she's wearing her comedy mask, practically saying she prefers her depressed. In trying to maintain a perpetual state of positivity, Ragatha's kindness comes off disingenuous and doesn't actually help those around her.
Oh, she’s definitely gonna regret saying all that once she sobers up.
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idk, but I think in the benophie season of the show, i would want less and less physical intimacy, just like how it was in the books
I want sophie to reject benedict physically so many times, that he goes back to think of how every other relationship he has ever had, in which he thought he was in love because the physical intimacy was good, was actually not love, because he would realise that no matter how much sophie rejects him (and he knows she does it not because she doesn't wants to, but because she thinks she has no other choice) he would want her and only her. I want him to crave her touch.
I want benedict bridgerton literally roaming around sophie as if his entire existence belongs to her and matters only if she is around, and him to realise how hard he has fallen in love with a woman who doesn't think herself worthy of someone in his position
I want benedict to erase sophie's fear of falling in love with him because she is the reason he has been able to fight that fear himself. I want benedict to hold sophie like she is so important to him, as if he would rather d!e than let her or her hopes down .. idk if people understand this, but it is very important for me
but that's just me, hehe
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Introducing Yerin Ha as Sophie Baek Bridgerton Season 4
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You know it's kinda sad that Ragatha isn't in Gangle's drawing...
But I can't blame Gangle for not including her, you can tell that her words did sting (just look at her face 💔) and made Gangle change her perspective on Ragatha. The fact that Pomni and Zooble were the only people on this adventure who has consistently shown kindness to her really impacted her and valued it.
(But I'm confused to why Kinger isn't included...)
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Oh come on lady, you can't deny a man his gaycation
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I see a lot of people clowning on the people of Pelican Town for not repairing the community center themselves or clowning on Lewis for embezzling and. like. Those criticisms aren't entirely unfair. But I think instead of coming at it from a perspective of "why can't the townspeople do this" we should be asking "why and how can the farmer do this?"
Like. Think about it. The farmer arrives in Stardew Valley on the first day of spring. By the first day they're obviously different. By day five the spirits of the forest who haven't been seen by the townsfolk in years or generations are speaking to them. By the second week they've developed a rapport with the wizard that lives outside town.
In the spring they go foraging and find more than even Linus, who's spent so many years learning the ways of the valley. Maybe he knows, when he sees them walking back home. Maybe he looks at them and understands that they're different, chosen somehow.
In the summer they fish in the lakes and the ocean for hours on end, catching fish that even Willy's only ever heard of, fish that he thought were the stuff of legend. They pull up giants from the deep and mutated monstrosities from the sewers.
In the fall, their crops grow incredibly immense; pumpkins twice as tall as a person, big enough that someone could live inside. The farmer cuts it down with an axe without even batting an eye. Does Lewis wonder, when he checks the collection bin that night and finds it full to the brim with pumpkin flesh? What does he think? Does he even leave the money? Does he have the funds to pay the farmer millions of dollars for the massive amounts of wine they sell? Or is it someone--something--else entirely?
In the winter, the farmer delves into the mines. No one in Pelican Town has been down there in decades. No one in living memory has been to the bottom. The farmer gets there within the season. They return to the surface with stories of dwarven ruins and shadow people, stories they only tell to Vincent and Jas, whose retellings will be dismissed by the adults as flights of fancy. People walking by the entrance to the mines sometimes hear the farmer in there, speaking in a language no one can understand. Something speaks back.
The farmer speaks to the the wizard. They speak to the spirit of a bear inside a centuries-old stone. They speak to the shadow people and the dwarves, ancient enemies, and they try to mend the rift. They speak to the Junimos, ancient spirits of the forest and the river and the mountain. They taste the nectar of the stardrops and speak to the valley itself. They change Pelican Town, and they change the valley. Things are waking up.
And what does Evelyn think? She's the oldest person in the valley; she was here when the farmer's grandfather was young. (How old *is* she, anyway? She never seems to age. She doesn't remember the year she was born.) Does she see the farmer and think of their grandfather? Does she try to remember if he was like this too, strange and wild and given the gifts of the forest?
And does their grandfather haunt the valley? He haunts the farm, still there even after his death; his body died somewhere else, but his spirit could never stay away for long. Does Abigail, using her ouija board on a stormy night, almost drop the planchette when she realizes it's moving on its own? Does Shane, walking to work long before anyone else leaves their house, catch glimpses of a wispy figure floating through the town? Does the farmer know their grandfather came back to the place they both love so much?
Mr. Qi takes interest in the farmer. He's different, too; in a different way, maybe, but the principles are the same. They're both exceptional, and no matter what Qi says about it being hard work and dedication, they both know the truth: the world bends around the both of them, changing to fit their needs. Most people aren't visited by fairies or witches. Most people don't have meteorites crash in their yard. Most people couldn't chop down trees all day without a break or speak to bears and mice and frogs.
The farmer is different. The rules of the world don't work for them the way they work for everyone else. The farmer goes fishing and finds the stuff of fairy tales. The farmer goes mining and fights shadow beasts and flying snakes. The farmer looks at paths the townspeople walk every day and finds buried in the dirt relics of lost civilizations.
The farmer is a violent, irrepressible miracle, chosen by the valley and destined to return to it someday. Even if they'd never received the letter, they would've come home.
They always come home eventually.
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