#huh long post sorry

[naarisz]

Sooo, I love those headcanons where Maglor still lives on Middle-earth somewhere and after a looong loong time Eru allows Sau to take form again and don't just be a maia fart till Arda 2.0.

Instead of sulking on their unfortunate fate, they actually try to learn from their mistakes. (In progress. They're trying, ok?)

And they have a nice, little cafe too!

//Bonus doodle: Aaand they enjoy a good party sometimes.

[just-null]

Kokichi, similar to Noritoshi in the sense that they're analytical and kinda tsun, but that's mostly it. This is another Megumi and Noritoshi situation where, on the surface, they appear to be very similar, but you squint and realize they're extremely different.

Whereas Noritoshi isn't as bold because he still holds remnants of pride, Kokichi is just shy about it since it's so new. He won't back down from it, just hesitate.

[Long ass rambles under the cut! + bonus doodles.]

When referring to shyness, Kokichi leans into the awkward and stiff type. There's always confusion and slight fear in his eyes when he's experiencing something new or romantic. He doesn't want to mess up, but if he does, he just hopes it works in his favor.

Being born in a body where he was under constant pain and stress, someone touching him was the last thing he wanted. He'd never known the loving touch of another because the heavens decided he wasn't allowed to.

After meeting you, that yearning to be next to you became too much. To hell with his restrictions. He'd to do whatever it takes to be able to be with you even if he had to sacrifice others to do it.

In retrospect, he feels like he should've done it sooner. Being touched or even grazed doesn't feel like his skin is falling off anymore.. Plus having both arms and working legs is always a good thing. It's new and odd, but not terrible. His mind never once wandered back and regretted those he's thrown under the bus because why would it?

Unfortunately, when his body was being healed, Mahito made him healthy.. and that's all. Knowing Mahito, he'd leave Kokichi to struggle with catching up to the rest of his peers by working for his own stamina, weight, and strength from square one. Though Kokichi isn't complaining much about it. He'd still take this rather than being stuck in that god forsaken tub for a second longer.

He used to hate being fussed over because of his illness. He prefers to do things on his own and now he can. Yet, Kokichi still gets pitiful looks on other's faces when he's too weak to carry something. It makes him want to spit at them, he can use Mechamaru to do his heavy lifting for now. He doesn't need a beefed up body to do it.

Unless you're the "beefed up" one fussing over him.. He doesn't mind it when it's you. In fact, Kokichi feels grateful when it's you, endeared even. He never feels belittled or pitiful when its you.. Only you.

Judging by how he treated panda for having the ability to interact with others in person despite being a cursed corpse, Kokichi has a number of insults and creative verbal abuse he's ready to spew out once someone tries getting a little too close to you. Scratch that, he's rude in general to those he isn't familiar with.

Kokichi has a lot of anger for those he deems ungrateful. What do you expect from someone who thought he was gonna rot in a bathtub for the rest of his life to do? Not harbor resentment? Luckily, he holds just as much, if not more, love for you who he's unbelievably grateful for!

Your affection is so odd to him, a new experience that he never knew he could grow to yearn for. It's not terrible, quite the opposite. It's so wonderful he can't get enough. Every time you're around, he wants to have at least one hand on you at all times. Doesn't matter where, just as long as he feels you're around. Safe to say, he's extremely touch starved.

Oh how Kokichi would drop everything for a walk with you. He'd use every Mechamaru he had just to make sure no one disturbs either of you. Murder is just a side effect if they get too persistent. He just wants to spend time with you!

Though he likes walks, he still gets out of breath easily. Walking is nice, but he still needs time to get used to it. Offering to help will only cause him to lean against you, it's not too difficult, he doesn't weigh much for better or worse. He loves when you lend him a hand, it's just another reason to get close to you.

When you part, it's only natural that Kokichi gifts you a little trinket he made. Rejecting it will only reward you with the most devastated frown, so just accept it. If you get rid of it when coming home, it somehow always finds its way back to you? Destroying it will lead to Kokichi giving you another one.

Yes, it follows and watches you, but it's just to keep you safe! Who knows what could happen. Whether or not the little trinkets are subtle, all depends on how you reacted to him asking if it was alright to know your location at all times when he's not around. Kokichi is understanding if you're not okay with it. He'll just make his gifts extra subtle so you wont know he's watching.

He just wants to be by your side constantly, even if he's not able to be there in person. Watching you through a screen gives him a sickly familiar feeling in the pit of his stomach, but it's better than not knowing what you're doing. He can even pick up little things about you this way for when he sees you next time! This is nothing but a win-win in his mind even if others beg to differ.

Kokichi never felt blessed. Not once since the day he was born, not until he found you. You who he feels is truly a gift from the heavens. You who he would give up everything to have. In a way, Kokichi is delusional. He sees you as the reason he got a heavenly restriction. It was as if other worldly forces tried to keep him at bay from pursuing you, but you're also the reason he broke his restrictions. He now has the body he wished for thanks to you, his drive, his motivation, his purpose, his love.

[extra shit]

Kokichi’s so fucking low key about being a chuunibyou. you're telling me he named his mech after an anime he watched. half his attacks have ultimate or ultra in the name.. HE MADE A FUCKING MECH. Your ass can't tell me he didn't watch anime while growing up and got inspired to make it a reality. He probably watched Evangelion or something.. Woah, anime dates with him where he makes your favorite creature and uses it to his advantage.. woah.

[Bonus Kokichi verbal abuse]

[samarecharm]

I wish the thieves had SOME kind of reaction to the Satanael awakening. Kinda wish we at least had RYUJI react to it….

I think its sooooo compelling to have Ryuji be the only person to witness BOTH awakenings; to see how much Akira and his will has grown since they first met. There was a raw, burning fury in Akiras core that recoiled at the injustice before him, and when given the tools to punish said injustice, eagerly accepted it with a wild, almost manic kind of intensity. I think it would be difficult for the others to truly grasp just how scary that was; that for a short moment, Ryuji couldnt pinpoint the cause of that rage, and the target of it. Akiras mellowed out alot since then, but its always in the back of Ryujis head; theres a side of their leader literally none of the thieves have or will ever see, and he doesnt really know how hes supposed to feel about that.

And now the airs charged in the same way he felt back in Kamoshidas palace; right as Akiras eyes widened at seeing him slammed against the wall. The blazing, untamed ferocity in his eyes from back then is replaced with a cool, calm, steely conviction. He knows his purpose; understands completely what his will screamed at him to understand back when it first started. This is the Akira the team knows, and its definitely the one Ryuji is used to now, but its insane to see the shift; insane to see the kind of power that simmered in Akiras core, literally too big and too overwhelming for past Akira to grapple with and set free.

Satanael comes down, and theres a moment, through all the excited screaming and hollering, where Ryuji can see it look right at him, and Ryuji is taken back to the floor of Kamoshidas Palace; not to the fear he felt when Arsene came forth incinerating everything, but immediately after, when Akira comes to with wide eyes and an outstretched hand- that bizarre feeling of safety, of knowing that this kid would have his back, and that hed never have to worry about where his place would be (its right beside him, obviously.)

[me-sploh-rada-imas]

jankris hug vs jance hug at ruisrock aka the part 2 to this post

[ganondoodle]

totk is like a highly polished alpha build of a game to me

graphic- fantastic, i just love botws style of graphics, its the perfect blend of something more realistic but very stylized and timeless

visual design- great, i cant stand anything sonau (zonai), and ganondorfs concept art is better than final (and still involves lots of annyoing stereotypes) but overall still pretty solid

sound design- phenomenal, it really is, the underground, the rain on the parasail? unmatched, already loved botw but they really outdid themselves here

music- possibly best in the series to me, like ... theres so many fantastic tracks, in isolation i love so many of them so much ... which sucks bc being connected to such a lackluster rest sours them badly

mechanics- working but undercooked/unfit for the world, its impressive they got ultrahand working at all, but its still clunky/quickly frustrating and badly balanced also contributes to utterly destroying botws world design- this ability was simply not made for this world and is in the end both detrimental to it and itself, bc that mechanic could have truly shined in a game REALLY build around it (... if they could manage to balance it well and stop handing you the solution, it would be funyn if it werent so sad how many times the game literally doesnt even make you engage with its main gimmick bc it just hands you the prebuild thing) time reversal breaks every puzzle/challenge, also unbalanced, ceiling jump is the most harmless but i still think it lets you skip too much

writing- worst in the series, where would i even start with that, not a single character is written well/interestingly, most detrimentally the main characters, .. like all of them, zelda, ganondorf, rauru... and the "story", its barely even bare bones, its plain cardboard with an old divine right propaganda slogan written on, continuity in a direct sequel is non existant, there is no follow up on anything, why did they call it that when they dont seem to have any love for anything botw did given how much they trample over everything it established, i struggle to believe they actually thought this was good, theres has to have been trouble during development

world design/changes- a joke, ... i dont know how people dont feel scammed by how little was actually changed, no, a few rocks sprinkled througout are not meaningful changes, i was one of the people not worried about them reusing the world bc i loved this world and was sure theyd meaningfully change it- god how wrong i was; the sky and underground are both like the bare bones with textures and placeholder rewards/points of interest, they both do not matter at all and their potential is yet again utterly, painfully, wasted and only add more points of destruction to the map in case of the sky, and both add confusion about everything, not the good kind of intriguing confusion, the bad nothing makes sense confusion it really does seem like they put some quick changes into every main point of interest where most players would go to make them think they changed things when .. they only changed these parts, barely, either bc they knew everyone would skip around the world anyway so it wouldnt be worth it, or bc its ... unfinished

game design/structure- baffling (bad), connected to the point above, but it truly is beyond me why they repeated the exact same structure as botw while removing what made that work, why would you repeat every point of interest of the previous game, i know zelda games always have their regions and thats where stuff happens, but they REUSED THE SAME WORLD, you CANNOT repeat the exact same points in the same world, you just cant, its the same places, the same characters, the same structure (aka dungeons being less interesting/easier titans (divine beasts) with a paint job in structure), you basically erase the well integrated ancient tech civilization to replace it with another, not well integrated, more boring and overly pushed into your face, ancient tech civilization and make them the answer to everything that ever was (BORING), the same story structure (but worse, like the memory system but remove what made it work in botw)- AND THEN repeat the same points in the underground too? thats bonkers, literally baby bananas

dungeons/puzzles - worse than botw by FAR, as mentioned above, dungeons are less interesting titans with a paintjob (plus an extraordinarily awful cutscene, which is repeated like FIVE TIMES almost word for word), they serve no purpose but to act like they are totally real traditional dungeons when they are not, they are laughing at you, shrines are back with a paintjob with less interesting puzzles (if they even have one given how many just give you a spirit orb knock off) that can all be skipped, though the puzzles can often not even be called that (put log over gap WOOOAH puzzle) among many awful and unecessary tutorial ones (its not bad to have easy ones, but aside from the few ones that take all your stuff away -omg restrictions in MY freedom tm game??- which are the best ones, to have none be even a little challenging or not utterly skippable without even using glitches, its like they didnt even try to stop you from cheating, which is like being given a skip button with no strigns attached, doesnt even let you feel smart bc you dont have to try to cheat)

UI/controls- awful, you cant tell me this was tested by real people playing for longer than 10 minutes at once, how did the ghosty sage control scheme and arrow/weapon fusing get through this, HOW, its unbelievably tedious and detrimental to any fun (as im doing with my rewrite, a crafting system would have been so good here ..... like a proper simple crafting system, have the materials, craft your new arrow types in stacks etc) the ghost sages are not only utterly useless in combat, but clog your screen, play distracting animations as soon as you look at a slope, you constantly accidentally activate them or the wrong one bc its mapped to the main interact button!!! if you use them say goodbye to your framerate, fights are now spent chasing after some ghost guy whos actively running away from you, they do not invoke a feeling of 'connection' to my 'friends', they are invoking feelings of hatred and frustration

performance- ... passable (if you dont have the sages out .... well, it runs better than pokemon scarlet so i guess its fine, the lag when closing and opening the menu is rly annoying, especially combined with the finger and patience breaking menues and how often you need to open a game pasuing menue, but fights with a monster horde AND the sages out? yeah no its as bad as pokemon scarlet at its worst, not to mention the chaos of having five useless ghost scramble around you getting knocked around by enemies)

price- a scam, this game is not worth 70 bucks, its just not, if you get a used copy and dont spend more time in it than it takes for you to just go straight to the main points, or if you dont care about anything else but dicking around with a clunky building system ... then you can have some fun with it yeah ..... still not worth 70 money, theres probably better building games out there for less too

it jsut feels not done, not finished, its presentation and some parts are highly polished and their marketing for it is unlike anything i have ever seen, but its so .... unfinished, no amount of epic visuals is gonna let me not think of this game being half done at best, after what, 6 years of development no less? with most assets already being there and being reused unaltered??

(i am holding tightly onto the theory of it either having an extremely troubled development that is being hidden bc of their reputation, or some sort of neglect in order to focus on other more lucrative projects, this is just all too weird to me)

[qiu-yan]

sensitive topic incoming

not a haterpost i promise.

sect leader yao is not a reliable source

further explanation/hypothesizing:

it happened exactly as sect leader yao said: self-explanatory. the version of events preferred by jiggy antis

he mercy-killed rusong: maybe rusong was already showing signs of a life-altering disorder as a result of the incest. or maybe jiggy just felt that, if the incest information ever came out, rusong would be doomed to a life of suffering in a heavily prejudiced society. jiggy himself had spent his entire life suffering and getting kicked around due to his own proximity to society's pariahs/taboos, so perhaps he felt that he could not subject his son to the same miserable existence. thus, jiggy gave rusong a more peaceful end, before (in jiggy's mind) society could force rusong to suffer.

he allowed rusong to die through inaction: this is really only a "kill" under a utilitarian moral framework. by this explanation, maybe jiggy found out in advance that someone was planning to kill rusong; however, for any of the other reasons listed here, jiggy decided to do nothing and allow the assassination to happen. thus jiggy would consider himself guilty of allowing rusong's death to happen through inaction.

he did it to justify eliminating an opponent of the watchtowers: maybe the advancement of the watchtower project, which jiggy knew would make society a safer place, had hit a deadlock because of a particularly stubborn opponent. so jiggy killed rusong and framed the opponent in order to engineer a situation in which his annihilation of the opponent would be entirely socially sanctioned.

and here is where the utilitarian arguments come in. perhaps jiggy knew that the watchtower project would improve the lives of millions of people and would make society as a whole safer. and he saw that one political opponent as the final major barrier. and jiggy could think of no other way to get rid of this guy. so jiggy weighed the lives of those millions of people against his one son, and concluded those millions of strangers were weightier; his son became his iphigenia.

of course, this is still a rather unhinged plan to just come up with on your own, so perhaps a better explanation of events is this reasoning paired with the "he allowed rusong to die through inaction" series of events.

rusong was killed by political opponents and jiggy blamed himself: now we reach the "he didn't do it" section of the potential explanations. jiggy has a habit of claiming kills he didn't strictly perform himself; so long as the chain of cause and effect can somehow be traced to somewhere near him eventually, jiggy will claim credit for someone's death. this is how jiggy takes credit for the death of jin zixuan: even though [novel canon] no one forced wei wuxian to lose control of wen ning and no one forced wen ning to attack jin zixuan, jiggy still acts as if he can call himself jin zixuan's killer, simply because he sent jin zixuan to wei wuxian's location.

jiggy, in pursuing the watchtower project, aroused a lot of public anger. jiggy made himself, and by extension his wife and his child, the political enemies of many, and thus political targets as well. thus, if an enemy targets the life of jin rusong because they are jiggy's enemy, jiggy is entirely justified in feeling as if rusong's death is his fault. after all, if he hadn't pursued the watchtower project, then maybe rusong would still be alive.

jiggy said "he had to die" as a Cope: losing your son sucks. perhaps jiggy, in the despair following his son's death, tried to cope with the new reality by telling himself that rusong would have had to die anyways, because he was an incest baby. if rusong was always slated to die, then the fact that rusong is now dead can now be survived. thus, "rusong had to die" becomes an emotional coping mechanism for jiggy.

no, jiggy himself is uncertain if he allowed rusong to die through inaction: this one is a a bit fanciful but bear with me here. on one hand, jiggy loves his wife and son. on the other hand, jiggy is horrified by his marriage with his wife and by the existence of his son, because his wife is also his sister and his son is the product of incest. jiggy lives with not only this horror but also the constant fear of exposure, because if this information ever got out, the lives of himself, his wife, and his son would all be over.

rusong's growth thus becomes a source of dread, not hope: every day lived brings the possibility of rusong developing some disorder or condition that eventually proves the incest. is it not possible that jiggy, living every day under such fear, might come to believe that things would be better if rusong stopped growing older? if rusong died--then gone too would be the evidence of the incest, would it not?

now along comes the political opponent who assassinates rusong. jiggy does not see it coming and jiggy is thus unable to stop it. but afterwards, upon beholding the corpse of his son, what does jiggy feel? rage? despair? no--relief! he feels relief! though he also grieves, the constant fear shrouding his entire life has, for once, lifted!

but if jiggy is relieved by the death of his son, what does this imply? can jiggy truly say, with full confidence, that he did not see the assassination coming? can he really say, with heaven and earth as his witnesses, that his failure to stop the assassination was not to some degree a choice? is there truly no small part of him that did in fact see the assassination coming--yet, knowing it would be so relieving for him, simply chose to do nothing?

but if jiggy did not see the assassination coming at all--if rusong's death truly cannot be pinned on jiggy at all--then what does that say about jiggy's power? about jiggy's safety? jiggy being innocent of killing through inaction means that jinlintai really is somewhere assassins can penetrate into. then jiggy's son really was killed by a force jiggy had no way of stopping. then, in this situation, jiggy really was powerless.

you can remove the ambiguity and argue the case either way: jiggy knew about the assassination and let it happen, jiggy legitimately knew nothing and could not have stopped the assassination. but the ambiguity makes this scenario more interesting to me. jiggy lives for the rest of his days uncertain if he chose to allow his son to die through inaction, or if he really was just weak enough to fail to protect his son. maybe jiggy's memories of the incident even manage to start distorting after a while, implying either one or the other depending on jiggy's own mental situation.

thus, when jiggy says "rusong had to die," he's uncertain if he's justifying his actions or delusionally coping with a reality he had no hand in making. when jiggy says "i killed my son," he's uncertain if he's even telling the truth or not.

ah well. this is basically original fiction at this point. it's just a potential scenario.

anyways, these are just a few scenarios based on various meta and fanfics of this subject ive read over the past few months. you can probably come up with all sorts of explanations. whatever you come up with, though, should be better than just blindly taking sect leader yao at his word.

[sybisti]

“The missions... the nightmares... they’re... finally... over.”

ARC TROOPER FIVES in The Clone Wars 6.04 — Orders

[kaysdenofchaos]

Phobias aren’t funny. How would you like it if someone made fun of your phobia?

eh?/gen

[mysticalcats]

a cats oc ?!?!

more about him under the cut because i accidentally wrote way too much

. his name is foxglove! (i'm actually thinking about renaming him but this is what i called him when i couldn't decide so it just stuck) he's very chatty, cheerful, and a bit clueless. he's a lot bigger than most of the other cats and is much stronger as well. he seems intimidating but he's just a sweet lil silly billy!

. he looks up to rum tum tugger because he thinks he's cool and really wants to be like him but he would never be able to reach the level of uncaring-ness that tugger has. he is a boy that cares So Much it's just in his nature

. he also looks up to skimbleshanks. i imagine the story of how he joined the jellicles is that when he was younger he was dumped in a box in a train station, and as skimble walked by, foxglove followed him into the train as they departed, and immediately became attached. skimbles initially like "can you Leave" but he probably realised he was abandoned later on, but foxglove still doesn't understand. from there skimble introduced him to the jellicles. seen in the third image, he's always trying to impress skimble, but skimble is just worried he's gonna hurt himself

. foxglove is besties with mungojerrie, they're both annoying little troublemakers who play pranks on everyone. he's also friends with bombalurina because she finds him funny and foxglove is all about being the court jester

. he has a little bell on his collar like skimble does! because the train conductor found him with skimble and was like you're our new little railway cat! so they're two railway kitties, except foxglove doesn't take his job as seriously and just kinda does his own thing. he gets sick on the train and much prefers when they stop

im writing like. way too much. sorry for rambling this guy has been spinning around in my brain for literally ages. love him though he's so silly 2 me

[umbrace-rambles]

One Piece and Being Different

I could talk long and wide about all the things I love about One Piece, from the worldbuilding to the character writing to the political/darker topics it touches, anything. But one of the main reasons I personally love it so much and I don't believe has been talked about as much as it should, is how much it celebrates otherness. This is very much an overarching theme in the series because pirates by themselves directly go against society's standards, but this is focused more on a character point.

Objectively speaking, most OP characters are freaks and weirdos and strange and off putting, and it's good! Luffy specially, and he is the MAIN character, celebrates and embodies this weirdness to the extreme, and it's incredible how he manages to push this idea to other people around him too. It happens time and time again that he will meet someone and, the more different they are, the more he instantly wants them to join his crew. He is so incredibly driven by the wonder of discovering things different to him that he only feels happy about their existence, he wants to know and have fun with and love them because they're different!

And it has been acknowledged, the general effect Luffy has on people, how he manages to pull them to him like moth to a flame and recruit them to his side without even trying. It’s such incredible power, but it's also incredible how everybody around him, and especially his crew, always strive to become better for him, and most of the time becoming better, in OP, implies stop being normal. Being human, being acceptable by society's standards.

Like damn, the whole character plot of Luffy's fight against Katakuri was Katakuri coming to realize that he doesn't have to put up a front for other people, that he can keep going being himself, without hiding his monstrous features. That is when Katakuri stops fighting for his family and starts fighting because he wants to. And even after Luffy wins that fight he is respectful of Katakuri's wishes and covers his mouth with his hat.

Most of the Strawhat crew are really adopted strays, lost people and old enemies. They were othered, by people or circumstance, and Luffy gave them a home and a purpose. And in their increasing devotion to his cause, and through his constant love towards them, they have learned to stop being afraid of being different. Luffy will always accept them.

Franky had to quite literally rebuild himself into a living weapon, he chose to do that so his Battle Frankies couldn't be used against his will ever again, but despite being a cyborg he still looked mostly human. His pre-time skip design often shows how he pulls off his skin gloves to punch with his real metal hands. He was a criminal and shunned by his city and he was okay with that, but he still chose to blend in. After he joins Luffy he fully embraces himself and becomes quite extravagant in his own design, he is proud to show off his body modifications, he has fun with it, he accepts his cards and decides to use them at their full extent for Luffy. His metal parts in full display, painted with bright colors. Flame-shaped fists, changing his hairstyle at the push of a button, that is not someone trying to blend in anymore.

Chopper is a character whose biggest fear has always been being an outcast. He was bullied out of his herd for not being reindeer enough, he was hunted down by humans for not being human enough. Eventually, however, he learns that in order to be able to keep going, to defend his newfound family, he will have to become a monster for them, and he is happy to, because he would do anything for them. He knows that they will never think less of him for being a monster, for being different. These are some of the most extreme examples but every single character in the crew reflects this theme in some way.

We have people with extremely bizarre powers, shapeshifters, furries, witches, made up creatures, zombies, talking animals, talking food, living skeletons, a whole kingdom of queers, sea monsters, dragons, human experiments and so much more. In a series that mixes so many genres, so many themes, so many types of characters, such outrageous and unconventional character designs could have been used for mockery, or simply used as villainous traits as so many other stories do. And they are certainly sometimes cause of mockery, but it's rarely ever malign. In OP this extreme otherness is often a source of awe, a positive trait, something to be admired. It certainly is for Luffy.

Luffy is a main character that exclusively judges people by their true selves, beyond what they may be saying or doing, with his very keen emotional intelligence. In the world of One Piece, where the maximum power is held by the World Goverment, an organization that actively shuns everything different and is willing to sacrifice anything for the continuity of censorship, power and control, that turns a blind eye towards unaffiliated countries, the slave trade, and the underworld, that is willing to create agreements with some of the most feared pirates and allow them to continue to exercise fear in exchange for their assistance as brute force, Luffy and his recurring thread of freedom and acceptance is beautifully fitting.

[grandcovenant]

carlo's inherent tragedy as a character means that if he hadn't died young he would've gone through something worse. the horrifying realization that he inherited his father's personality <3

[zaphiyy207]

Thoughts

"Every life changing events, there's no doubt we'll change."

"But one thing I wanted to stay unchanged is being beside you...so.."

"If there's a next life, let me be reborn with you."

[semi-completely-original]

i usually don't post art here, but i'm unfortunately shadow banned on my normal apps since i reposted too many palestine updates. oops! i'll try my luck here instead

there's a fem!haikaveh takeover lead on twitter rn and one of the loudest champions of this is my lovely mutual who inspired this outfit by giving me femveh brainworms :3 she is a WOMAN IN STEM!!!!!

[girlkisserr]

some hunter scribbles

[evaceratops]

now that i think about it i’m actually so mad about midnight’s death because i get the idea of raising the stakes by having the kids lose one of their teachers but why should it have been her and not any of the others. in terms of women in the ua faculty (that we know of) it was literally just her, thirteen, and recovery girl. it could have easily been cementoss or ectoplasm or snipe instead

[blupengu]

I’ve come to realize why I like all the boys in this otome game when usually it’s just one (1)