#hugh glover

[dustedmagazine]

Milford Graves, Arthur Doyle, Hugh Glover — Children of the Forest (Black Editions)

Children of the Forest by Milford Graves, Arthur Doyle, Hugh Glover

Drummer Milford Graves rarely recorded during his lifetime, and, until recently, most of his releases were long out of print. Corbett vs. Dempsey began to rectify that with key reissues of Bäbi, his trio with reed players Arthur Doyle and Hugh Glover, and The Complete Yale Concert 1966, his duos with Don Pullen. TUM records stepped in with Wadada Leo Smith’s Sacred Ceremonies, a 3 CD set including an incendiary duo with Graves along with a trio with Graves and bassist Bill Laswell. Since his death in February, 2021 Black Editions Archive has stepped up the game, digging in to Graves’ vaults, first with an issue of a trio set by Peter Brötzmann, Milford Graves, William Parker, and now, with Children of the Forest, a set of recordings captured in Graves’ Queens workshop with Doyle and Glover in the months leading up to the Bäbi session. The two-LP set documents a January 1976 duo session with Graves along with Glover on tenor saxophone, a brief drum solo from February of that year and a March trio session with Graves, Glover on klaxon, percussion and vaccine (a Haitian one-note trumpet) and Doyle on tenor saxophone and flute. The torrid rawness of these recordings looks toward the torrential barrage of Bäbi but brings out a more ritualistic edge to the playing.

Graves had spent his early years studying African drumming, tablas and playing timbales in Latin jazz bands and that sense of time, extended from African and Caribbean ceremonial music and ritual imbue these sessions. Hugh Glover talks about this and the time he spent with Graves, whom he refers to as Prof, in the extensive interview included with the LP set conducted by Jake Meginsky. “We were listening to the music of the peoples of the interior forest of the Congo… First, the Prof’s mood sets up a tribal-like atmosphere. It’s Congo-like — possession states. The rhythms, I think they immediately stimulated the need to dance… The next thing one must know and be aware of is that Milford Graves, he is not a time-keeping drummer like most jazz drummers. Prof represents the epitome of traditional hand drumming. I’m talking about ceremonial music and ritualistic sounds most familiar with divination.” 

Hugh Glover only recorded a few times so the January duo session with him and Graves is a particular find. The first of the four improvisations starts out with the percussionist’s churning thunder, leading to the entry of the tenor player’s hoarse, braying cries. The two had known each other for a decade at that point and Glover had been part of a European tour of Graves’ quartet along with Joe Rigby and Arthur Williams. That symbiosis is immediately evident. There’s a fluid sense of polyphony and elastic polyrhythms at play as the two bound along with ebullient intensity. The music is charged with open, spontaneous interchange and while the intensity level is high, they never overpower each other. Graves’ percussion work is revelatory here, spilling across his kit with a limber, propulsive dynamism. One can hear the legacy of African and Latin American rhythms exploded out with the drummer’s lithe control of tuned skin and slashing cymbals, with masterful control of dynamics and timbre. The inclusion of a short, 2-minute recording from the session reveals their careful attention to detail as the two sound-check the room and their balance and then charge into a compact give-and-take. Their concluding 7-minute improvisation is a particular highlight as they ebb and flow with synchronous fervor. 

The inclusion of a three-minute drum solo, recorded in February, is a brilliant addition to the set, particularly since Graves didn’t release any solo recordings until his two discs on Tzadik that came out in the late 1990s. On this 1976 recording, Graves distills his unified, multi-limbed attack into a roiling tempest of energy. Each thundering salvo, each cymbal crash, each resounding wallop of the bass drum is meted out with focus and intention. Glover remarks that listening to the solo recording he was struck by “the melody, and the melody of the tones that he gets, the way he rocks from one melody pitch to another. It has always been a mystery to me how Cuban drummers in Bata were able to modulate the rhythm and the meter. Well, it takes more than one player to do it Cuban style. Prof shows you can do it as one player.” 

The three March improvisations with Graves, Glover, and Arthur Doyle provide a notable link in the trajectory toward the session recorded a few weeks later that would be released as Bäbi. Glover reminisces about the March session here, noting “When we played, though, Doyle and I, we weren’t thinking of BÄBI [a name Graves used for his conceptual approach to improvisation]. We were thinking of… well I know I was thing of, and I’m pretty sure he was thinking, how do we keep up with Prof!” While that may have been going through their minds, that uncertainty never reveals itself in their playing. Graves begins the 12-minute improvisation that opens the set with tuned cascades of rim shots and toms and the two quickly join in, with Doyle’s raspy tenor crying out against the shifting percussion. The modulating rhythms and meters of Graves’ solo are the foundation of the buzzing whorls that develop in three-way, spontaneous orchestration which never flags for a moment. The shorter second piece kicks off with an extended section of chattering drums, making way for the two partners to interject barking, ecstatic exclamations that mount with intensity as Graves hurtles in with clanging cowbell. The final piece is the most abstracted, with Doyle’s high-pitched flute skirling against the chafed yawp of Glover’s klaxon and Graves’ coursing flow. Here, improvisation and ritual are melded together with pelting focus. 

Glover concludes his interview reminiscing  that “It was like Prof was saying, there is no ensemble, there is no musical configuration that I can’t play with as long as I’m allowed to play what I want to play. In other words, his confidence factor was like, I know I have the essence of where any group wants to go. If they allow me to do my thing, I’ll take them there.” The sessions released on Children of the Forest are a fitting testament to that belief and provide a welcome addition to the documentation of the lineage of Graves’ musical legacy. Here's to hoping that Black Editions continues to mine the Prof’s archives. 

Michael Rosenstein

[lewishamiltonstuff]

Ok! Suits!! We love it. These are some of the most dashing red carpet moments from the #MetGala, with stars including #CharlieHunnam, #LewisHamilton, #Chris Hemsworth and #StrayKids looking 🔥🔥🔥 - WhoMagazine

[youre-no-good]

[rhapsodynew]

#Eternity and one day

[zimtrim]

Deep Purple - David Coverdale

[lewisossokoh]

ACTORS WHO APPEAR IN MUSIC VIDEOS PT. 3

Jennifer Lopez starring Ben Affleck in "Jenny From The Block".

The Rolling Stones starring Angelina Jolie in Anybody Seen My Baby

Bruce Springsteen starring Courtney Cox in "Dancing in the Dark".

Enrique Iglesias starring Jennifer Love Heiwitt in "Hero".

Aerosmith starring Alicia Silverstone in "Cryin".

Aerosmith starring Mila Kunis in "Jaded".

Michael Jackson starring Eddy Murphy & Iman in "Remember The Time".

Shakira & Cardi B starring Lucien Laviscount in "Punteria".

Michael Jackson starring Macaulay Culkin in "Black or White".

The Offspring starring Zoey Deschanel in "She's Got Issues".

Annie Lennox starring Hugh Laurie in "Walking on Broken Glass".

Michael Jackson starring John Travolta, Carl Weathers, Mayim Bialik, Whoopi Goldberg, Corey Feidman, Quincy Jones, Dan Aykroyd, Brigitte Nielsen, Danny Glover, Olivia Hussey, Billy Dee Williams, Paula Abdul, Lou Ferrigno, Richard Dreyfuss, Lou Diamond Philips, Don King, Jasmine Guy, Virginia Madsen, Rosanna Arquette, Steve Guttenberg, Amy Irving, Blair Underwood, Beverley Johnson, Malcolm-Jamal Warner, Jackie Collins, Emily Dreyfuss in "Liberian Girl".

[strangekindaerin]

Deep Purple Barbiefied. 

[babeyouaresocool]

dear lord when i get to heaven please let me bring my man

[blueeyeddarkknight]

Some fun cameos in the doors movie u probably haven't noticed 😳😃 (part 1)

Paul williams (the voice of the penguin from batman tas ) as warhol's PR

Crespin Glover ( back to the future) as Andy warhol

Paul rothchild the doors producer as his own character's assistant

(he also mastered the movie soundtrack and helped Val with the role a lot)

Mimi Rogers (Tom cruise ex who introduced him to scientology 😬) as magazine photographer

Lisa eldestine (Dr Lisa cuddy from house md) as makeup artist on the Ed Sullivan show

[romancomicsblog]

5 Non-MCU Characters I'd love to see in Deadpool & Wolverine

Superbowl Sunday saw the return of everyones favorite Merc with a Mouth Deadpool in the trailer for his upcoming new movie Deadpool & Wolverine.

And as usual, Marvel hooked me.

Some fans have seen it as a return to form for the MCU, others as business as usual for Ryan Reynolds, and some just couldn't get over the little bit of Wolverine we got.

Myself, I was mainly focused on one thing. Aaron Stanford.

For those not in the know, this clip from the trailer shows Aaron Stanford returning as minor villain and asshole Pyro from the original X-Men Films. He was a sidekick to Magneto, and has a rivalry with Iceman in those movies.

The return of Pyro from the X-Men films confirms what most fans expected: we will see old heroes and villains from the Fox era, not just Wolverine.

And while a few have been already revealed through casting news or set photos, there are plenty more in store for us, I'm sure.

This got my head gears turning, so I decided I'd look back on the old Fox films to see who I want to return, even for the briefest moment or cameo.

None of these have been confirmed officially, so you are spoiler free from here on out. But I must warn, once I put this ideas in your head, you may be mad if they don't show up.

5. Animated Deadpool Voiced by Donald Glover

*sigh* The project I wish existed.

In 2017, Donald Glover was in development and given the green light on an animated Deadpool show. The show was to premiere on FX in 2018. However, for unknown reasons it was cancelled, and never debuted, leaving fans and Donald Glover displeased.

After the success of films like Spider-Verse, and Glovers involvement with Marvel, having him come in for a scene where he fights with or against Ryan Reynolds Deadpool could be a fun nod to the fans and maybe give the project the boost it needs to somehow come back.

But alas, I'm still hoping Spider-Verse will bring back Spectacular Spider-Man, so what do I know?

4. X-23

If there is a character ripe for a spin-off from the old X-Men universe, it was definitely X-23.

It's surprising to me she hasn't been revealed as a main member of the cast. She's a character I think few people talk about anymore, but was a crucial part of the film. I'd say Logan is up there and one of the best superhero movies.

Dafne Keen and Hugh Jackman made Logan such an impactful moving film. I'd love to see where the character has gone since Logan, and see how them reuniting effects the film.

Not to mention if she fought Deadpool, it would be one hell of a good (and kind of funny ) fight.

3. Apocalypse

Do I like this character? Absolutely not.

Do I want him here just for the Moon Knight jokes? Yes.

I actually think theres a good Apocalypse in Oscar Isaac somewhere. Having Deadpool and Wolverine at one point face the X-Men's Thanos sounds pretty cool, and Isaac is a great comedic and dramatic performer who deserves another shot.

I wouldn't mind a CGI version that looks more comic accurate, like Beast in the Marvels.

But again. I really just want Deadpool to say "So are you Steven or Marc?"

2. The Human Torch

Similarly, I want the Captain America jokes.

But if there's one thing we can all agree on, it's that Human Torch was by far the best part of those Fantastic Four movies.

There's just so many things you can do with it!

We can have him in the frosted tips, in a new Fantastic Four uniform. Maybe even have him fight Pyro, stop a fire guy with a fire guy. Or have him come out from behind a train like Captain America in Infinity War, but it's Johnny.

Having Evans play across Reynolds even for a bit would make so many fans happy and get more cheers then No Way Home.

Besides Evans has done a cameo in a Shawn Levy film starring Ryan Reynolds once. He can do it again.

1. Legion

The rumored main villain of this film tends to have a very particular vendetta with Charles Xavier. So why not use his son to acquire power?

Legion is the acclaimed show from Noah Hawley starring Dan Stevens as David Haller, a mutant with schizophrenia and basically unlimited power.

Dan Stevens is incredible in this show, and I think bringing in such a powerful X-Men character would make for some fun interactions and extreme stakes. Not to mention the insane visuals, all while delving deep into the psyche of both are protagonists.

While I doubt all of these characters show up, if one or two do, I'd be extremely happy. We'll just have to wait and see.

Thank you so much for reading! Please consider following, and check out my socials and other sites here! And let me know: Who do you want to see in Deadpool and Wolverine?

[helloforgottenlibrary]

[liz-freemen]

🌞

[stoneoferech]

Deep Purple

[youre-no-good]

Deep Purple members as contestants from MTV’s “Next”

Ian:

Jon:

Ritchie:

Roger:

Paicey:

David:

Glenn:

Tommy:

[kulturegroupie]

Deep Purple

[the-virgoperspective]

Moon in the 8th House

Donald Glover - Taurus Moon

Hugh Grant - Taurus Moon

Jim Carrey - Gemini Moon

Mark Ruffalo - Cancer Moon

Cristiano Ronaldo - Leo Moon

Zac Efron - Virgo Moon

Rob Kardashian - Libra Moon

Orlando Bloom - Scorpio Moon

Ezra Miller - Sagittarius Moon

Timothée Chalamet - Pisces Moon