#how would they get together in the context of the lore?

[cultural-marxism-official]

The veil jumpers were founded by the Dalish.

Dalish are very protective of what remains of their culture…because nearly everything has been taken from them. Their history, culture, their land, their flesh and blood. They are mistrustful of outsiders for very good reasons. Especially in arlathan as the forest is within the tevinter empire. It makes no sense that they should readily welcome anyone to explore their ancient historical sites, deeply sacred to them, when anyone could very easily be a tevinter agent and honestly, it should be crawling with them wanting to get their hands on whatever is causing this magical friction, as its very powerful and tevinter covets magic and the fucking hate elves.

There are centuries of cruelty and ethnic cleansing between the dalish and tevinter, still actively ongoing(see: the invisible slaves that the writers did not want to address). If this was a well written game(its not) it would be a very hard pill to swallow regardless, but in light of everything else in veilguard, I highly doubt I "missed the context" when I literally just played through that intro again before writing that post, just to be sure I wasn't going crazy. Sure we say we were sent by the veil jumpers, but Bellara should ask for some proof we didn't just finish murking their hideout and are now looking for the stragglers, something tevinter would 100% do.

And also the magic bubble thing you mentioned; we meet Bellara outside of the bubble and then enter it together(also insane that we take that risk with no hesitation, completely ridiculous, sure varric says shes good but we just throw our lives in her hands with no worry). So there's no imperative of just believing rook and their companion to survive. If anything, that highlights what could have been a much more interesting introduction of rook wandering into the bubble containing bellara, her being rightfully mistrustful but after your help getting through the ordeal, decides to trust you. Alas.

No my friend, it's just really shallow writing, the writers do not care to inhabit the world with the characters theyre writing. That's why we see no slavery in the slave capital, that's why there is no cultural conflict between anyone or any allied faction, that's why the crows were completely white washed of all previous wrongdoings, that's why the maker and andraste are hardly ever mentioned or uttered and we never even hear a word of the black divine even though most humans are andrastian. I really could go on with how shallow everything feels.

I hadn't even really gotten back into DA for a few years, I'd been meaning to but I love this world and story so much, it's richness and atmosphere never really leaves me, I hardly had to refresh my memory for much of the lore, that's how good an impression previous games left. And how utterly pitiful the writing in veilguard is in comparison.

a really cool part about dragon age veilguard is the first scene where you meet bellara, especially if you're a shadowdragon mage and you have neve with you

so to set the scene: bellara, the dalish elf who's devoted her life to the conservation, discovery and protection of her people's lost and ancient history, meets two strangers, two tevinter mages, in sacred arlathan. They tell her, hey your gods are back in the world but also they suck and we gotta kill them, and instead of telling them "fuck off you vile enslaving shem, you defile this land with your presence" like most normal dalish, not only does she instantly believe them that her gods are bad for some reason, they're back among the people and need to be stopped, she also happily starts telling them all kinds of secrets and valuable knowledge about ancient elven magic and is even so kind to, without question, take them on a grand tour of this very historically important and sacred ruin in arlathan to find a truly priceless artifact, a one of a kind archive of ancient elven knowledge thought lost forever, because really, what could these unknown tevinter mages possible want with that!

...

are these writers smoking crack?? is that it? theyre smoking crack??

[vir-tanadahl]

If I’m being honest, writing A Wolf’s Redemption is far more challenging than I initially expected. I knew finding a "lore-friendly" solution—one that makes at least some sense within the broader context of Dragon Age—would be the toughest hurdle. And, as it turns out, it absolutely is. But it's not the only hurdle.

TL;DR: I’m definitely overthinking this. I probably don’t need to be putting this much effort into making the fanfic sound believable—because, let’s be real, is anyone going to notice once we get there?

Me complaining below the cut, because it also has DATV spoilers.

Solavellan Hell:

- Striking the right balance in the narrative to ensure that Solas fully owns his responsibility while Lavellan supports him without taking over his role - Because this is his path to redemption, not hers. She is there to support, to help, to guide, to connect...but not actually be the ONE to solve the problem.

Portraying Solas:

1. Showing him being vulnerable/uneasy about working with others, while keeping his composure and doesn’t overall appear visibly nervous to others. 2. Avoids coming across as whiny (though, honestly, I don’t think he does—but readers may have differing opinions). 3. Balancing him still being a bit arrogant and instinctively being pulled back to his old ways out of habit, but also trying to show that he is resisting this pull.

Weaving together the established lore of DA with the new developments introduced in DATV.

Tackling the Blight:

- The shifting nature of the Blight in DATV, especially with Antoine and Evka discussing changes to the song. - The idea that it might now be harmonizing adds an intriguing and complex layer to address. - Concepts from lore and fan theories based on lore that talks about curing/weakening the blight and adding that into as a foundation for how Solas will cure/weaken/soothe the blight.

Harding's Companion Quest + Titans + Lyrium:

- The red lyrium they encountered is just angry lyrium, clarifying that it isn’t simply blighted lyrium. - Then connecting this information to information we learned about how the blight is created. - Taking information learned from Harding's companion quest and integrating it in to the theory of curing/weakening/soothing the blighted lyrium.

The 'Veilguard' and Rook:

I’m going to be honest—I’m completely ignoring them. There’s absolutely zero indication of what they’re doing afterward (besides presumably helping Thedas recover). The Veilguard was created by Varric to stop Solas. Solas was stopped. So… now what? I don't want to even try to touch that.

It’s just so much information to sift through and connect the dots to create something that sounds plausible. Honestly, I’m not even sure if it’s worth the effort—but I’m also a menace, and I need it to sound plausible. At the end of the day, making it plausible is more for my own satisfaction, with the hope that it also benefits and resonates with readers in a meaningful way.

[blueinkie]

Ruh roh not me being back at my bullshit

Yes i am the ultimate rarepair shipper, how 'bout it?

teheh, I just think they'd be cute together idk. Something about them both being traumatized but one ending up emo and the other being an airhead /j

Anyways, its time I return to my depths to die.

[bravewolfvesperia]

/ Since I mention in my pinned post that this blog has some changes from canon, I'm going to make a rundown post that I'll be linking in my muse info on my blog. My timeline post covers some of this too and has other things canon to my muse that aren't here because they're timeline based and not direct changes based. I'll update this as needed.

Repede had another owner before Yuri got him in the game. I'm combining this with FS. Thus, Repede would have been basically an infant when he and Lambert ended up with the knights. From there he took to Yuri as he did in the FS drama CD so Yuri was primarily in charge of Repede during his stay with the knights, but he and Flynn raised Repede together as is in line with the game. This means they continued raising him together even after Yuri left.

In the JP version of the game, Yuri says he was with the knights for a short time but doesn't specify how long that time was, so I'm completely yeeting the "three months" dub aspect from this blog. I can't reasonably assume he signed up, took the exams, went into training, went from errand boy to battle status, then went on normal missions and left in the span of three months. So as usual, we're following the JP timeline. Generally anything the dub makes up or actively changes from the original context/tone gets yeeted here.

In the FS drama CD, Flynn is extremely repetitive about Yuri quitting the knights and with his nagging. At least with @mistralxsoul and anyone else who prefers it the following way in threads with my muse, we're toning it down because it just feels absolutely batshit to us how bad it is in the drama CD (it's worse than even the movie itself).

Since the timeline for Yuri and Flynn's knighthood conflicts super horrendously between the novel, FS/FS drama CD and the game, I'm mixing all of it together (primarily because I consider the novel more canon than the FS drama CD). Basically (for my muse), they signed their names and didn't take the exams immediately, but when they eventually did it was at least a couple years later, due to Yuri still having his teen appearance when he signed his name to join in the novel. This is because otherwise, if I average my muse's teen age out to be fifteen/sixteen and his age to be about eighteen/nineteen in the knights, it would mean he'd been with the knights (including training, etc) anywhere from 2-4 years if his sign up was immediately after the novel's events. If they were to sign up and join immediately after the novel timeline, it also makes even less sense because Flynn's attitude in FS and his relationship with Yuri (and remember, the FS drama CD comes before the movie's timeline and Flynn was even worse about Yuri's attitude in the CD) would seem like it literally 180'd overnight.

So basically, to avoid all this insanity, a short summarized timeline for my muse would be: they signed up but didn't join right away, Flynn moved away and was gone for a couple years or so after the events of the novel, both of them changed in personality/behavior drastically in that time, they met up at the exams, they went into training, they got sent to Niren's squad, they were more errand boys than actual knights when they were still super fresh newbies and Yuri was extremely annoyed with that, they were actual knights for a while (I'm going to say Yuri was a knight for at least six months or more, especially if I consider the trajectory of Flynn's behavior toward him in the drama CD through the end of FS), the events of FS were not one straight timeline and things happened between the days etc etc, then Yuri left.

Following the game's drama CDs, Yuri hesitated a lot more when Flynn was injured at Zaude. If not for Flynn nudging him to go after Alexei even while wounded, Yuri wouldn't have left him there.

Following the same drama CDs, it's Raven and Repede who find and look after Yuri when he wakes up after Zaude. That is to say, Repede was already with Raven and lunged when he sniffed out Yuri in his room (super doggo powers). Raven followed Repede in a panic, who ran to Yuri's room upon realizing Yuri was there, and Raven finds Yuri awake but right in the middle of passing back out (the sound is basically Raven's voice being distant with some ringing, so it's from Yuri's point of view that Raven is trying to get him to steady himself but he passes back out). Raven takes care of him from there until he's recovered properly enough to go back. In this time, Rita did investigating and eventually, with the others minus Raven, went to Zopheir after deciding they couldn't dawdle and just wait in their grief. While they're there, Yuri and Raven have headed out after them and show up together and reunite with the rest of the group. Raven has already been updated on what Yuri knows from Duke at this point (Duke saved him as usual, but the drama CD changes come in after that), so the two of them update everyone else.

In the game, there's a skit with Yuri, Flynn and Karol where Yuri mentions "playing in a river", but in the novel, they were actually getting water at the river and the other kids were playing in the river when they got attacked by a monster, fell into the river (Yuri also mentions (I thiiiink in another unrelated skit) that just falling into "a river" was enough to panic him), and Flynn grabbed onto a merman. For my muse, I'm just going with Yuri simplifying the situation to Karol while keeping the novel's event as my muse's canon.

[annabelle--cane]

"the magnus protocol had a whole ARG beforehand? what?"

yes! it did!

"oh so I need to have participated in this whole big thing to actually understand the podcast?"

not at all! from the official post-mortem put out by RQ, "while the ARG was not something that was necessary to participate in to understand the magnus protocol, it was designed to contain a wealth of background story and context that would enrich any player's listening experience."

"a wealth of background context that would enrich my listening experience 👀👀👀 how can I learn about this?"

SO glad you asked. sadly, many of the materials made for the arg have been taken down since the game ended 😔 (ex., the official OIAR, magnus institute, and bonzoland websites. (edit ii: I found partial wayback machine captures! see below) though @strangehauntsuk is still up!), so we're a bit low on primary sources, but in terms of learning about what happened:

for a starting point, I would really recommend this video by @pinkelotjeart

it's super accessible, it was made in real time as the game progressed and follows the solving and revelation of clues as they happened, it hits all the major points of the mystery and moments of community insanity while eliding some of the nitty gritty puzzle grinding, 10/10 would recommend.

here's the official summary put out by RQ, and I'd recommend reading through this once you've already gotten a basic handle on the flow of the story and the basic connections between major clues and events. it's got some fun behind-the-scenes info and lays out the thought process behind the puzzles in simple terms

here's the full masterdoc of all puzzles and resolutions put together in the statement remains discord server. masterdoc my absolute BELOVED, masterdoc my bethrothed, masterdoc my soul mate. I'd recommend this as a second port of call after the above video as it either contains all details about the puzzles or links to other expanded docs that do.

here's the narrative summary doc that lays out all the plot and lore discovered in three pages of plain prose. if you just want to get to the good bits as fast as you can and get blasted directly in the face by contextless lore bombs, this is the doc for you. if you don't want to start with the video, I'd say this is another good entry point.

once you've got the lay of the land, some of the game materials that I found particularly interesting include:

the in-universe east germany expat usenet forum, with all content translated into english. most of it is irrelevant space filler with occasional extremely sus lore, but I still found it fun to read through. love to soak in some fictional forum drama.

chdb.xlsx, the spreadsheet of the names of all the children the protocol 'verse magnus institute was studying/experimenting on. EDIT: here is a version of the sheet without any annotations and with all of the names in their original order, kudos to @theboombutton for catching that the commonly shared copy had the order swapped around.

klaus.xls, a (very corrupted) spreadsheet with what looks like the classifications of a bunch of old OIAR cases.

EDIT: have a few more saved materials from the game that I forgot to include.

an in-universe audio ad to apply to the OIAR that ran before archives episodes and kicked off the whole game.

an in-universe video ad to apply to the OIAR, this one is an official upload that's still up from the game itself. you can subscribe to the OIAR's official youtube channel today, if you so chose.

the robo-voicemail greeting from the OIAR's phone line.

EDIT II:

here is a wayback machine capture of the OIAR's official website.

here is a wayback machine capture of the bonzoland website.

(pretty sure both of the above captures just archived the home pages, though I haven't tried clicking all of the links. I'd say they're still worth looking at, the home pages give a good window into the vibes.)

once you start poking around in these documents, you'll find a bunch of links to others with further information, the materials I've included here just contain what I feel to be the most relevant details to getting a broad feel for the whole game. once again, huge shout out to the statement remains server, I was barely in there as the ARG was in progress and only ducked my head in every so often to find links like these. true mvps of the fandom.

[tubbytarchia]

My friend convinced me of the potential of this very specific trio (especially in a roadtrip context) so I'm spreading the propaganda

Again, oddly specific trio but listen. Look at this graph @liauditore made. This is all you need to know (TLDR these guys make for fun duos between one another, but putting all three of them together would neutralize any cons that would arise otherwise)

We call them sappies because idk it sounds cute and funny. Very vaguely based on the idea of tree sap (not just from how that can be related to "treebark" but also the idea of sap being a thing that helps a tree survive and making for good glue and medicine in some cases. Idk they're sappy. You get it)

The croc meme is based on this. I think Martyn would be too stupid to grasp the concept of gender so I replaced his speech bubble with watcher lore

[shoezuki]

hi hello so for any people curious bout the dream beef i am talking about im gon chronicle it all here in a hopefully fully contextual way for both longterm weirdos and new people who dont know bout my parasocial beef w dream. ill try to keep my biases out of it somewhat but anyways,

this began with a podcast Tommyinnit and Jack Manifold have together in which they had philza as a guest. Episode 9 is currently behind a paywall on their patreon but they have a youtube channel where they post them publically as well. Not sure if they make all their episodes public eventually or not but i digress.

Twitter user _constel_ has posted 5 clips from the podcast in question that contain their discussion about dream. I have downloaded the videos but tumblr doesnt want me to put them in this post so i will try and sum up each clip as I go.

Clip 1: Phil starts talking about how once the dsmp was done people would joke about how their 'contracts' would be over and they would be allowed to talk about things behind the scenes. philza mentions the infamous philza tweet in response to dream.

for context, the main discussion is around this exchange from around february 2021, where dream 'jokingly' argues that he is responsible to tommy's high viewership on youtube:

Most of it the tweets are deleted by both parties but it was very much a whole thing. Phil has apparently joked about revealing the context of his reply 'when he retires' (mentioned clip 1).

Jack Manifold had apparently been in a call with tommyinnit when the exchange was happening and recalls tommy being extremely stressed. The context philza gives is that he was texted by tommy to look at the thread while he was going on a walk and tommy was panicking over if dream was genuine (mentioned clip 2). Philza says "I'll find out if he's fucking joking' and that he essentially vibe checked dream. Tommy also states that after the twitter exchange he legitimately wrote in his diary to never be rude to dream: "never be horrible to dream. It's not worth it. It makes me too sad". Additionally jack manifold establishes that he hated dream from the beginning, they hate each other, and that, although he acknowledges dream aided him through the dream smp, he hates how dream 'takes ownership of other people and their accomplishments because he was a guiding hand' (mentioned clip 3).

Jack manifold mentions that tommy was 16 during this exchange and philza additionally says it was out of line (Clip 4). Philza more openly talks about there being 'reds flag after red flags' with dream in clip 5.

OKAY thats honestly a vague description and theres a LOT more so watch the clips if u want. Heres another tweet 'summarizing' it as well. But anyways this of course had people talking about dream again, some people (accidentally?) acting like this is about dream smp lore, and a lot of people concerned about how tommy was afraid to upset dream and would blame himself when dream picked fights with him.

Dream's response on dreamwastaken was to tweet about how he appreciated everyone who was on the server dispite differences, as well as a zip file to download the dsmp server/world file.

Worth noting there is a limitation on how many people can download the file within 24 hours so now people are only getting an error message when trying to access it which is fucking funny. On his private he also tweeted "love and appreciate you guys <3 very happy to be uploading again :) hope to keep it rolling" (Im not cropping out the reply its funny)

Thats all hes said so far, I havent seen tommy or jack manifold talking about it either. technically it isnt outright in response to their podcast but obviously everyone is taking it as such.

final stuff/my thoughts: dream has obviously had a tendency to kinda 'take credit' for 'making' the streamers who were on the dsmp and its notable that in his tweet he still acts like his server was the reason for people's fame and relationships. Saying 'a group of creators most of which would never have collaborated under any other circumstance got together and made something really cool' is just his thinly veiled way of still taking credit for tommy's fame and the relationships he and others have made and its moronic. Not to mention dsmp was very much NOT the server that got these specific people together, i mean techno and phil met through minecraft mondays, tommy and jack manifold met both of them through smp earth i believe. Even if the dsmp wasnt a thing they probably would have collaborated with other members through mcc eventually. the idea that the dsmp was what brought them together and a bunch of minecraft clowns would 'never have collaborated under any other circumstance' is stupid.

anyways sorry this is long as shit. im going to pray dream doesnt let this go for at least 3 to 5 business days as per usual

[royalarchivist]

Phil briefly talks about QSMP, the admin situation, Quackity, the new team, and the harassment both Quackity and the admins have been receiving.

Please listen to the clip and read the transcript in its entirety. Keep in mind that things can easily be taken out of context (even this clip, though I did try to include everything he said).

If you'd like to see the full unedited conversation, Phil started talking about last week's interactions with YD and Bad ~1h 57m into today's VOD, which led into this conversation about QSMP.

[ Complete Transcript ↓ ]

—

Phil: Yeah, she's great. Another- another reason why QSMP is just like... fuckin' incredible. That was like, not even ever going to happen without QSMP. Like, obviously it's had its problems, it's go– it's had its problems. Those problems are being rectified. All the people that were wrong'uns have been fired [Laughs] And Quackity's put a new team together. So like, I'm so happy that I'm like– that Q is doing everything he can right now to make it like, right.

But I am still just sad that Chayanne and Tallulah are just asleep, that is just making me real sad. So I've been like, logging on whenever I can to just like, hang out and stuff and just, you know, be around. But I am- I am just sad boy now. [Laughs] I've like– throwing all those penguins into the- the Spawn area was like, my limit. And the like, laughing with YD and Bad kind of cheered me up a bit.

But yeah, I'm sure most of you can agree. It's like, once- once you've been making content on a server a certain way, it's- it's been like, 6 - 8 months of like, the same like type of content I've been making on that server. It's been very lore-heavy, it's been very Egg hanging out with the Eggs and just chilling. Like, not even like doing anything crazy. We would just hang out. But yeah, I'm sure everyone's in the same boat. Like, we all just like, miss that, you know?

So... just gotta wait around. Just gotta wait. Wait for things to get better. Trust in Big Q.

But yeah, moments- moments like the other day, Chat, where me, Bad, and YD were just hanging out just like kind of... you know, it just kind of like... What's the word I'm looking for? Like, drills home how important the QSMP is and can be for connecting people. Not just now, but in the future. And like, that- I feel like that is something that's definitely worth protecting, or something that's worth like, seeing happen in the future with other people. Not even thinking about like, if I'm gonna be interacting with anyone like, thinking about like other people interacting with other people in the future. It's fucking- It's so cool.

Like, imagine seeing like, brand new streamers that you might've not have heard of interacting with people that you know right now. Not necessarily me or people that I know, but like– like, the connections that we've all made.

Dude, Me and Kristin went to fuckin' Switzer-France to hang out with these people! [Laughs] Cellbit and Lore traveled from fucking Brazil to Switzer-France to hang out! The- these connections are like, mental. Just never would have happened without the server, and that's definitely something worth protecting. And like, ensuring it is done the correct way in the future.

That means a lot to us Chat, it does– [Briefly responds to Chat] It means a lot to us and like, obviously the admins being well-taken care of is like, at the fore-front.

And Quackity speaks very highly of this new team. He's like- he's chatted to us like, in calls and stuff. He's been keeping us up to date on everything that's been going on behind the scenes, everything that he can tell us anyways. And like, he is very happy with this new team. He pretty much said that they are like, very passionate about the project, and we can like, trust that he trusts them to do a very good job. So...

Yeah, I'm excited but like, we just have to kind of like, wait. Like, there's a lot being changed around, there's a lot of plans. But the good thing to know is that the people that caused harm have been removed. And now the people that are like, in charge are like, very passionate about the project and just want to see everyone happy and succeed and be taken care of. But these things take time. So we just have to hang about, we have to wait.

[Responding to someone asking about what happened with QSMP and the Admin situation] I'm not going to go into too much detail, you can find out exactly what has gone on, and it's not as simple as black and white. It's- there's a lot of gray areas in there, and it's like very complicated, so you can go look it up yourself, but ultimately, all you need to know is that the initial admin team, the like, head people at the top that Quackity put in charge like ages ago when the server first started were making decisions that were like, not good for the health and also the well-being of the actors, and like, admins and like, the staff. So like, some staff were fine, other staff had a shit fucking time, and it was unfair and terrible and went unnoticed for a while, and then it all came out and Quackity's been like, fixing it since.

Most recently, he stepped down from the team because of like, how serious shit was getting. Like, people online have been fucking awful. And it's very dangerous at the minute for like the ex- like, members of the team, and also him. It's like- it's terrible.

So it's very heated, very– it's– again— and it's not as simple as just like "This- this is– this is right, this is wrong." It's like- it's very- there's a lot of muddled areas, and it's not as easy as just saying "This is exactly what happened." I'm summarizing. I'm literally just summarizing. But all you need to know right now, the latest update is that the team that are in charge are very passionate about the projects and are like, much, much better and will take care of the new people and the admins and all the actors and stuff a lot better than the last fucking team because the initial problem was that Quackity kind of like, took a bit more of a step back and he wasn't like, overseeing every single thing that was going on behind the scenes, but now he's had to- he's had to take a step back, he's been forced to take a step back, but he's left it in the hands of a team that he truly trusts this time. Like, he's actually fully-vetted.

So HOPEFULLY– again: there's more things that need to be done behind the scenes, and I'm not an official spokesperson, I'm just a person playing on the fucking server that my friend has made, and I'm very happy to support him, and I trust that he will do and continue to do the right thing.

But yeah. Not as simple as just [Snaps fingers] "This is this." It's like– there's so much fucking like, middle ground and shit that's gone on. And that's all I'm gonna say on it! 'Cuz otherwise it's just gonna go on and on and on, and people are gonna be like, "What do you know?" and be like "I don't know shit!" And the stuff that I do know, I probably can't talk about right now. There's like, certain things that like, can't be said, for legal reasons and stuff.

[windvexer]

Linking cards does not mean creating "combo meanings" out of 2 cards. It means drawing a map that shows the roads between 2 cards.

Potentially hot tarot take, but linking tarot cards is not mashing 2 cards together and coming up with "third definition."

I believe that tarot readings are deeply contextual. The question at hand provides context (which is why 'general' readings can be a struggle), and cards link together to create a narrative that is anchored to the question.

"Sun + 8/Cups means wish fulfilled" isn't tarot. That's like, Lenormand.

Tarot is a craft beyond deck structure. Tarot also speaks with its own language (like lenormand or runes) and being able to read tarot requires an understanding of that language beyond memorization of cards.

A major part of the language of tarot is being able to describe how cards relate to each other.

Linking cards together means discovering the flow of information between cards, as they relate to the question at hand.

That flow is not necessarily a combination of meanings.

It is probably better understood as drawing a map that explains how you get from one card to another, and what one card does to another without necessarily transforming the basic nature of either.

"The happiness in the Sun card slows down when it reaches the 8/Cups, which is surrounded by cards that relate to contemplation and meditation. Here, the Sun + 8/Cups link together to show hope shining on ideas that you have not yet decided to carry out."

But that all must be grounded into the context of a question.

Advice spread: "The Sun + 8/Cups show that there is hope, but nothing will happen until you stop contemplating and choose to take action."

Spirit contact spread: "The Sun + 8/Cups show this spirit's strong support for you thinking things through on your own."

Future prediction spread: "The Sun + 8/Cups shows that a joyous event will bring you to a place of contemplation."

If you fail to link the cards, the readings instead might look like:

Advice: "The Sun says to be positive, and the 8/Cups says think about your options."

Spirit contact: "The Sun shows the spirit is happy with your relationship, and the 8/Cups says opportunity is at hand. Maybe it's time for your relationship to grow."

Future prediction: "The Sun shows something really good happening, maybe related to money. After that, you will have a lot of options open up to you."

Even if we examine the future predictions side-by-side, they are not as similar as they seem.

With flow, "the Sun + 8/Cups shows a joyous event will bring you to a place of contemplation." Will bring is the clause that shows how these two cards relate to each other.

Because of how we link the Sun, we have additional knowledge about the 8/Cups.

The Sun card provides context, explanation, or modification of the 8/Cups. Now, we know how the 8/Cups starts, and what events it is related to. The points on a map (Sun, 8/Cups) are now linked together by a road that shows a journey from one to another.

The presence of the 8/Cups provides context, explanation, or modification of the Sun.

Because of the 8/Cups, we are able to predict where the Sun is going. We understand its role in the story (it brings contemplation). The Sun gains lore in the story of the spread; it is not just "a good event," but now also a progenitor and a necessary waypoint in the map of the future.

Without flow, "the Sun shows something really good happening. After that, you will have a lot of options open up to you."

Without flow, neither card modifies the other. The Sun is not understood to be something that causes options to open up. This would be like saying, "first your dishwasher warranty comes through. Then, you get a coupon book with a lot of fast food options." Just because one happens before the other does not mean there is flow between the two things.

Without flow, we do not know where the options described by the 8/Cups come from. We do not know what other events they relate to.

Without flow, we don't know what good things the Sun card relates to. We don't know where things go from there. We don't know if there is any link at all between the Sun and the 8/Cups.

Card linking is more like forging links in a chain that describe how things are related. It is less like melding 2 cards into a 3rd meaning.

There are tarot exercises, which are very useful, that involve melding 2 cards together into a 3rd meaning. This can help stretch the brain and play with concepts of "picture reading" and creatively brainstorming meaning.

But this does not mean that card linking is card melding.

[darkshrimpemotions]

Sometimes I remember everything season 5 gave us and I lose my mind all over again. Like:

Nandor thinking he forgot Guillermo’s birthday so he makes everyone go to dinner to celebrate and then buys Guillermo something he said he wanted to surprise him.

Nandor being extremely jealous of Guillermo’s time and attention.

More Nandor dick lore: not only has Guillermo seen it and given it his stamp of approval, re-designed it, and is all Nandor can think about when he uses it...Guillermo has also now circumcised it. 💀

Nandor going to space to impress Guillermo because he's jealous of all the time he's spending with Laszlo.

Nandor and Guillermo walking home together after the Pride Parade to find their housemates in the midst of an orgy, and Nandor inviting Guillermo to join.

Guillermo being a dad again.

Guillermo saying he loves Nandor the most.

Nandor once again trying to goad Guillermo into defending his importance to Nandor and being visibly taken aback and disappointed when Guillermo doesn't bite.

Nandor being all smitten and dreamy-eyed as he describes Guillermo slaughtering a theatre full of vampires for him like it's a fond memory.

Nandor begging the Baron to show mercy to Guillermo.

Nandor clutching at one of Guillermo’s sweaters like a security blanket and looking distraught at the thought of losing him.

Nandor falling to his knees, holding Guillermo's head so gently in his lap, stroking his hair, crying when he thought he was dead, and arguing that Guillermo was more than just a familiar to him.

Nandor staring sadly out his window wishing Guillermo well, thinking he's lost him forever.

Nandor's face and the way he says Guillermo’s name when Guillermo pops out of his coffin.

The fact that when Guillermo was in danger he ran to the safest place he knew, and it was NANDOR'S COFFIN.

Nandor having a card Guillermo gave him over a decade ago memorized word for word, proving once and for all that he has ALWAYS cared more for Guillermo than is considered seemly for a vampire, even from the very beginning.

Nandor declaring he knows Guillermo better than anyone.

Nandor calling Guillermo "good boy."

The tears in Guillermo’s eyes when he confesses what he did to Nandor, and how afraid he was of hurting him.

Nandor's look of absolute heartbreak when Guillermo confesses that he asked someone else to turn him.

The implications of "you could have asked me!" in the context of the fact that Guillermo hadn't actually brought up his turning to Nandor at all between 3x10 and 5x01 (the implication being if he HAD asked again, Nandor would have done it).

Guillermo finally admitting that being a vampire had become more about being closer to his found family than about vampirism itself for him.

Nandor knowing all along how to get Guillermo to come to him but not using it until he had decided not to kill him.

Nandor forgiving Guillermo for something considered utterly unforgivable, accepting what is considered a massive humiliation, and getting over it for Guillermo’s sake.

Yerno Nandor looking at Guillermo’s baby pictures with his mother-in-law.

Nandor putting his life in Guillermo’s hands and speaking to him in Farsi.

Guillermo instinctively hypnotizing his own mother to protect Nandor.

Nandor inviting Guillermo home with him and declaring he will live with them all as an equal.

Nandor knowing immediately why Guillermo wasn't a vampire, and how to fix it (implying he HAS thought of turning him).

Nandor being so excited at Guillermo’s transformation, quite literally happier than we've ever seen him.

Nandor looking out for Guillermo after his transformation and knowing something was wrong, then revealing he has always feared Guillermo would not thrive as a vampire (essentially reframing his whole attitude toward turning Guillermo all this time).

Nandor giving Guillermo a choice and another chance, creating a whole ceremony for him because he DOES know Guillermo, all while looking sad the entire time and utterly devastated when Guillermo chooses not to remain a vampire.

Nandor breaking the only real taboo for vampires in front of half a dozen witnesses for Guillermo’s sake.

Basically just...absolute confirmation that Nandor loves Guillermo back and has always cared about him.

[bellshazes]

dreaming up a syllabus for an imaginary course on metanarratives about gameplay, which i think would go something like:

unit 1: who do you think you are i am - auto-documentary & games

Vlogs and the Hyperreal, Folding Ideas

The Slow Death of Let's Play Videos, Meraki (to ~10:00)

World Record Progression: Mike Tyson, Summoning Salt

ROBLOX_OOF.mp3, hbomberguy

Life as a Bokoblin: A Zelda Nature Documentary, Monster Maze

optional: Braindump on the History of Let's Plays, slowbeef

unit 2: what like it's hard? - intro to challenge narratives

Chapter 26: Games as Narrative Play: Two Structures for Narrative Play, Rules of Play

A different kind of challenge run: Minimalist 100% (BOTW), Wolf Link

Surviving 100 Days on Just Dirt, Mogswamp

Can You Beat DARK SOULS III with Only Firebombs, the Backlogs

Is it Possible to Beat Super Mario 3D World while permanently crouching?, Ceave Gaming

The Pacifist Challenge - Beating Hollow Knight Without Collecting Soul [CHALLENGE] - Sample

optional: How to 100% Snowpeak Ruins in under 15 minutes, bewildebeest

unit 3: nelly you don't understand, i AM the narrative - form and function

The Future of Writing about Games, Jacob Geller

Can You Beat GRIME Without Weapons?, the Backlogs

Mushroom Kingdom Championships, Ceave Gaming

My Life as a Barber in Hitman 2, MinMax (Leo Vader)

MyHouse.WAD - Inside Doom's Most Terrifying Mod, PowerPak

optional: Mega Microvideos, Matthewmatosis

the theme and structure is mostly intended to introduce at least one critical or historically contextual work followed by examples of the type of narrative in question.

in unit 1, this is the idea of "How do people talk about their own experiences in the context of YouTube and playing video games?" across three rather different kinds of documentaries. unit 2 is intended to take that lens of who is telling what tale and dial in on challenge running, where i first noticed the way some videos turn the story of overcoming a challenge into its own narrative that is distinct from but related to the narrative events of the game itself. unit 3 circles back to the bigger picture with a variety of examples that, to me, are maximally metanarrative, the emergent story of the player-narrator now functionally replacing the game's embedded narrative.

bonus unit: broken narratives

Glitch & the Grotesque at the MLA, Sylvia Korman

Watching time loop movies to escape my time loop, Leo Vader

The Stanley Parable, Dark Souls, and Intended Play, Folding Ideas

Breaking Madden, Jon Bois

The TRUTH about the Pizzaplex in FNAF: Security Breach, AstralSpiff

this one is highly underdeveloped, but i'd love to work out something more robust building on randomizer challenges that produce intentionally bizarre, semi-ironic "lore," and bois-esque endeavors to break games so hard the story itself crumbles. but that's really out of scope so i'm just including the links to things i couldn't bear to get rid of. more rambling abt the challenge runs I chose under the cut.

Challenge runs represent one of the most obvious places to start, due to being extremely plentiful and having a hook that makes a "here's how I did X thing in Y video game" format almost unavoidable. Minimalist 100% is an underrated and sweet straightforward example that I mostly include as a baseline for reporting-out style narrative; here are the facts, here's what happened, this is the thing that it is. Mogswamp's 100 Days on Just Dirt is similar in style, but the physical measuring of days is a delightful and, more importantly, external narrative device.

Now oriented, we get a taste of Ceave Gaming's narrative approach to Mario challenges with the no-crouching run, and while we still aren't at the degree of player-characters being constructed for the narrative's sake, the spirited belief in crouching sets the stage for other rhetoric in more extreme cases we'll see later.

The Backlogs' entire body of work qualifies here, but GRIME is the strongest inspiration for putting this list together. I include the DS3 firebombs run because what was initially a factual description of how his wife's use of firebombs inspired him to play differently in the original DS1 firebombs run has developed into full-blown multi-game narrative arc with the Firebomb Goddess (his wife, who also voices the character) compelling his in-game character to achieve his destined quest. Grime takes that even further,

In-Game Documentaries

I include Life as a Bokoblin mostly as a contrast to My Life as a Barber - there is a level of fictionalization and roleplay involved in the Zelda in-game documentary that highlights exactly what I want to single out when I am talking about metanarrative, the story about a story.

[meanbossart]

DU DROW LORE ASK COMPILATION: COMPANIONS, ASTARION'S READING HABITS, AND HIS LONG-INQUIRED OPINIONS ABOUT BODILY WASTE REVEALED.

I don't think "discussed" is the right word, more so mocked her for her blind faith and got into brief spats. It was precisely Shadowheart's water-off-a-duck's-back attitude towards his remarks that kind ingratiated her to him - DU drow spoke his mind, she took it in stride and remained firm in her beliefs without arguing or trying to push it on him. That, alongside the fact that they are surprisingly similar people is what brought them together as friends.

Even long after the events of the game he's still opposed to her hopping from Shar to Selune, also. Shadowheart's attachment to religion is simply something they agree to disagree about.

Can I answer your question with one of my own?

Am I the only idiot that killed her in their first run LOL

BUT YES, he killed Lae'zel when she tried to murder suicide the camp and I went through the whole game without her. I didn't go to the creche either!

I have since had other runs and she's actually one of my favorite characters, I just haven't had the chance to draw her yet.

ACTUALLY - scratch that. I've drawn her once-

Somewhat! But not really. He genuinely just likes jewelry, and rings are the only kind that suit his life-style (necklaces and earrings are a hazard during fighting) this is a reference to his bhaalist days when he used to be completely covered in the stuff day and night.

Hence why he finds them comforting to have on in some way or another. They change around because he gets bored of/misplaces runs out of fingers to wear the new rings that he loots constantly.

The great link in question

I don't know if it's been made clear enough, but DU drow's love for Astarion is borderline pathological, LOL. He's got a good humor about things and Astarion is definitely no stranger to having little quips and jokes made at his expense (a few references to him being Pointy And Long here and there, for sure), but the guy overwhelmingly adores him and thinks he's always the prettiest girl at the ball, even when he gets in his face and his nose looks huge.

I'll be honest, Astarion strikes me as the kind of guy that has like, 3 really weird books he really enjoys and reads them again and again very slowly over the course of years. Otherwise, not really a reader, but I digress -

DU drow was probably never a big reader himself, I would say he got started on a couple of books back in the day but likely never finished any. He's fairly intelligent, but most of his downtime was spent managing the cult and parsing through relevant documentation.

I definitely don't think he'd have the attention-span for fiction (which I picture as being said books that Astarion enjoys) but he does like to snuggle up with his beau to watch him read - every once in a while he catches a particularly scandalous line or description and they bicker about it. He makes a remark, Astarion feels obligated to explain the context, it devolves into some playful kind of argument that ends with Astarion telling him to go dig a hole and die in it while playing with his hair - The usual LOL.

Oh man I have a few more in-dept descriptions of how that went, both lore-wise and just for me as the player - but in summary, DU drow was pretty mean to everyone earlier on in the game and he did catch onto Astarion's very obvious and obnoxious seduction attempts very clearly. He doesn't like being so desperately pursued and they actually got off on the extremely wrong foot because of it, LOL.

After being unpromptedly rejected at the tiefling party he was a little more enticed by him, basically the "no" was his "go". I like to think of it like Astarion catching onto the fact that his initial strategy wasn't working and that this man in particular needed him to play hard to get - from that point on, DU drow started playing along. DU knew this was still a game, but now they were playing it on even ground so he was fine with it.

First of all - he inexplicably got butt-ass naked for the event.

All in all he liked it a whole lot and it was his re-introduction to the concept of pain being dished out as a form of love and his deep enjoyment of it.

Thank you so much, glad to hear you get some joy out of my work!

Dang it I had a pretty good write-up about his thoughts on Wyll from a long time ago, but I can't find it 😭

In summary, Wyll was a frustrating person for him to be around because of what he viewed to be a deeply ingrained naivete about the world. He shockingly didn't hate him (Wyll is kind of difficult to hate) but he never really saw him as an equal either, and definitely not as a friend. Du drow just desperately wanted him to express something that he would perceive as a genuine emotion; some kind of outburst or show of anger or frustration, but all he ever saw was someone trying to put on an act of performative heroism that he didn't buy at all.

At the same time, Wyll was far too young for him to be too mad. He might have held his father more accountable for making the guy into what he was than Wyll himself, really.

Can a man be scared of being scared? Because if so, it's that.

He also doesn't like shit a normal amount. (piss is fine depending on whose it is.)

[solidaritygaming-fanblog]

right. So I'm kinda insane and found another song to talk about in some life series / evo context: Copycat. (Song will be linked at the end of the post!)

So, many people headcanon Jimmy and Grian being brothers- and it makes a lot of sense. They're both dirty brown haired, have dark brown eyes, are British, bird coded, have warring personalities, and actually are associated both with yellow, and then one other primary color- Grian taking red, and Jimmy taking blue. Even their main colorations show a kind of "parallel difference" between them, with recently, Grian being associated with red and purple, and Jimmy with blue and yellow.

Now. Recently Jimmy did some lore of him praying to the Watchers. And back in Evo, Grian was taken into the Watchers ranks- so there is some repeated or rhyming elements in their arcs. However, I raise you this- Jimmy is Grian's "replacement", or basically, a backup for if he defects from the Watchers. That's why he has such a deference to them- its hard coded into him. That's why he's acknowledged them so much recently, because Grian's slowly leaving, and they're beginning to get Jimmy to replace him.

For a long time, those two have had a sibling dyanmic- Grian, the older, stronger, and smarter brother, and Jimmy, the younger, weaker, stupider sibling. Grian basically torments Jimmy for his own amusement, and the Watchers let it happen- if Grian ever defected, they could simply feed Jimmy praise -you're better than Grian ever could have been, hes weak and you're incredibly strong, of course we will listen to you- and he would instantly be completely loyal to them.

The song has a few choice lyrics I'd like to point out:

"We get along just fine!" "I say everything you like to hear..." "It's funny how much I feel like I'm looking in a mirror!"

Say "Hello! What's up with you?" "I'm starting to talk like you do..."

"We've grown apart this time, I can't figure out the reason why." "It's funny how much I'd kinda like to see you cry."

"I've become what you like! I am what you wanted, right? Sacrificed all that I know, I have taught myself to let go!"

In any case, the main motif of the song is losing your identity- and that's exactly what's happening to Jimmy, memories of servers being scrubbed as the Watchers prepare him to take over Grian's position. The whole chorus is Jimmy giving in to the Watchers, and thinking about Grian in anger- he pushed him too far, yes, of course- the perfect way to get back at him, to team up with the eldritch gods Grian hates. Grian said he should be stronger- well now look at him! He's one of the strongest beings alive! He is now what his brother wanted him to be, perfectly made in his image.

Oh, and in case you need further convincing, look at how Grian's wings are usually portrayed. Scarlet macaw- red, blue, and yellow. Now look at Jimmy's wings- nearly always yellow, but in Wild Life, he's become a parrot. His wings are blue and yellow now. I bet he sometimes sees little red feathers and rips them out, desperate to distance himself from Grian- unfortunately, his brother.

Meanwhile, Grian doesn't know what's up with his little brother, and is desperately trying to get him back, to prevent him from making the same bad decisions he did- maybe even losing some of his Watcher powers as Jimmy's power begins to eclipse his own.

Link+ a lil more below the cut. This post is too long already. Whoops

Okay I can perfectly see in the "Copy that copy cat!" bit in the chorus, different sprites show up with every beat. The first four are of Grian (followed by a short animation of him saying the line) hitting poses, with maybe each sprite having a little refrence to a different season or series they have been in together. And then it swaps to Jimmy, facing towards him, hitting the same poses, with matching refrences. However by the end of the song, Jimmy takes charge, doing the poses first and surrounded by eyes- and Grian, trying (and failing) to match the poses and control the eyes, confused why he's lost his power.

Give my boy Jimmy the power. Grian has tormented him far too long.

[twooftheluckyones]

Heads or Tails. Woo hoo! 300 followers! Thank you all so much. As always I like to remind that our ask box is open for silly prompts or drawing requests. GET IN THERE! But we got something else for y'all! Lore dump? Lore dump! We wanted to yap off about how our Narinder and Una's powers work in our AU, but this requires a bit of context in how gods work in general. A god is a sum of its devotion, the raw power poured into it by the will of mortals. Much like a fire, devotion can be as simple as a candle or as raging as a bonfire. A god channels their devotion through a Conduit Crown, which allows them to manipulate the universe. These powers are basic at first, but eventually form themselves into a Domain, or an area of expertise and control a god has. For example: Heket controlled Famine, and in it both hunger and feast. Shamrua, a more aged god, had a wider domain of both War and Peace but also Knowledge and Unawareness. Originally, Narinder was the god of Death, raised by Shamura to blend with the shadows and assassinate rival gods, but his hunger for a larger domain led to his family fearing his rise to power and thus his imprisonment. When Una was given the red crown, she channeled Narinder's energy through herself. She was not a god, simply a vessel, a mortal given the power but not truly the one commanding it or being worshiped. However, as time went on, her followers began to slowly worship her instead. It wasn't by their own choice, mind you. She preached the gospel of the red crown, but mortals saw her feed them, shelter them, and protect them. Its difficult to praise a god you've never met while the one who saved you from being sacrificed is right there cooking soup for the cult. Thus she began to form her own godhood, as mentioned in part one. Her domain was Fortune and change, as she was both quite the lucky lamb and the harbinger of a new era. Lucky to be the last one found. Lucky to be saved by the god of death. Lucky to always get good dice in knucklebones. Narinder could sense this, but his fondness for her and the promise of freedom allowed him to ignore it. A problem that would eventually solve itself. Except it didn't. When fate came to be and their blades met, Una triumphed against Narinder and stripped him of his godhood. But she didn't want to. She had always wanted to rule by Narinder's side, and be his most loyal follower forever. A dream kept deep in her heart from the first days of her revenge, even if it was impossible from the start. So in the apex of battle, when the swirling energy of destiny filled her blade, Una's raging power changed things without her even realizing. A crown cannot lie on sit upon two brows, but a throne can be wide enough for two to share. And with a fateful bargain, a new crown allows them to rule side by side, intertwined as their roles combined. Post ascension, Narinder's old power now belongs to both of them, though each still has a unique domain. Una still controls fortune, ranging from anything to getting lucky in a card game to bumping into your soulmate by pure coincidence, but her power also alludes to growth. Her power manifests as intense bursts of energy, lightning that strikes hard and fast leaving opponents nothing but ash. Narinder's power still pertains to death, but now his domain is Decay and Misfortune. Stubbing your toe, getting rained on, and so many worse fates. His power forms as inky blobs of wispy shadow, corrosive and consuming. Powerful in their own right, their strength only grows when they come together. When life and death meld, their ability carries the strength to change almost anything they desire, if the bickering pair can agree on it. They exist together now, united as gods for eternity.

[blackkatdraws]

Black and Narry lore! [Narry is owned by @insomniphic and some of the art here were drawn by her too]

[Small Note: None of these are canonical to their stories and were made just FOR FUN.]

As a being of purity and light, Narry was appalled when he first came across Black who appeared to be the very embodiment of darkness and wrongness [at least in Narry's point of view]. Narry sees Black as a waste of potential because of how much power Black ["the bad guy"] has at his disposal.

Black feels indifferent to Narry's existence, as he's already used to similar beings like him. He sees Narry as a waste of power since he's clearly holding it back for the sake of the people he wants to protect.

Because of how much impurity Black's power emits, Narry is incapable of seeing Black normally.

In Narry's perspective, Black is a huge writhing mass of something that's very unpleasant to look at. This appearance is inconsistent and can shift continuously. This effect extends all the way to even photos or depictions of Black.

He physically cannot [refuses to] be in the same room as Black because he can't stand the feeling, the smell, the sight, everything about his power. It sickens him.

There's no context for this comic. This is a What If scenario where Black and Narry are going somewhere together when a group of bad guys come and attack them.

Narry is the type to hold back his true power in order not to hurt the people that are attacking him which annoys Black into stepping in [because he has somewhere else more important to be and Narry is delaying it].

Of course, Narry ends up getting injured and Narry makes Black promise he won't kill the aggressors before passing out.

[Admittedly, this scenario breaks a few canonical lore for both characters but we'll go with it for now.]

As a response to that idea, Insomni drew this.

Narry wakes up after the fight was long over and he sees piles of bloody bodies laying on the floor. He gets upset that Black didn't follow through their promise.

Black does not care. Instead, he laughs at Narry for finally snapping [considering it took a while for Narry to finally loose his cool at Black].

Black did keep his promise. All the aggressors are still alive, but barely.

We talked some more about their dynamic and we both drew these.

In this scenario, Black and Narry are fighting. [Started by Narry, who had the full intent to kill him for (what he perceives as) the greater good.]

He thinks this world would become cleaner without Black around.

Narry is convinced that Black is a monster incapable of feeling or doing anything remotely positive. Even as Black saves Stanley from the attack that Narry himself sent towards Black, he's still in that mentality where he sees everything that Black does as something for negative reasons.

Narry is a good person but his (justified) blind dislike for Black leads him into taking extreme actions at times. Plenty of people dislike Black for what he is, but Narry is the only one with the power to actually do something about it.

[The last drawing is another What If scenario where Black had to take Stanley and flee because he keeps getting in the way of their fight (and Narry is too focused on his task to take other people into account). Black doesn't want Stanley dying because of a stupid scuffle.]

[Note that Narry won't actually hurt anybody EXCEPT Black, he's a good guy who wants to do what's best for other people. Black is just EVILLLLL mwehehehe]

[Then I proposed another What If scenario where Narry won the fight causing Insomni to draw this.]

As Narry was about to strike with a powerful attack to finally end him off, he felt something familiar coming from within Black.

In the ocean of filthy dark energy Black emitted, there was light.

It was small. It flickered weakly in the air as the darkness that kept it safe was falling apart, but it didn't go out. It lit up softly without any signs of extinguishing any time soon.

Narry was in disbelief.

Stanley had done the impossible. His relationship with Black had given birth to a different side of Black's power, tucked away deep inside where only they're allowed to see.

And it was now in full display to Narry.

As a being filled with goodness and empathy, his guilt starts to eat away at him as he finally snaps out of it and sees the extent of what his impulsive actions have done.

[Insomni and I both agree that their fights would probably be settled with a draw or mutual death, so this scenario is not as probable to happen. It's interesting to think about though.]

[Again, breaking a few canonical lores but we like gay people here so it's whatever. I was the one who proposed the idea anyway. (❁´◡`❁)]

-------♦

[Here are fun extra doodles!!]

[nadas-dirthalen]

I Saw Solas's Origin in an Achievement Icon and It Opened My Eyes on 15 Years of Lore

— PART SEVEN: if you haven't read previous parts, do it now! —

[ 1 ] [ 2 ] [ 3 ] [ 4 ] [ 5 ] [ 6 ] [ 8 ] [ 9 ] [ 10 ]

Welcome, friends and travellers! I wanted to get some thoughts recorded before Veilguard's release so I could see if I am right about an absolute BOATLOAD of theories I have.

In short: I saw the achievement list when it was released. I have seen the backstory hints for Solas included in said list. AND MY MIND WAS BLOWN.

You have been warned: THIS COLLECTION OF THEORIES INCLUDES SPOILERS FOR EVERY DRAGON AGE GAME AND ALL PROMOTIONAL MATERIAL UP TO AND INCLUDING OCTOBER 18, 2024.

Come sit down with me. Make a nice cup of tea (and hide it from Solas). We've got a lot of unpacking to do.

(Image from Brianne Battye's Won't Know When. it's a great read! not the spoiler, though.)

Today's Discussion: The Tragedy of the Evanuris (3/3)

— Pestilent Doom Upon All the World —

Welcome back! If you're new here, go read all the other parts. Yes, I know there are six of them. There's a reason there are six of them! The context is building as we go, I promise.

If you made it this far, you're a hero. Thanks for bearing with me through the muddled chronology of the earlier Evanuris. I promise: it matters, for when we get to Solas in future (soon!!) instalments.

Now, the most immediate threat to Thedas: the blight. We know the story of Ancient Elvhenan ends (in one sense) with Solas creating the Veil, sealing the Evanuris in their prisons, keeping the blight from consuming all Thedas. We know that the blight involves red lyrium, but not how it involves red lyrium. We know that Ghilan'nain and Andruil have had contact with it, but not how.

The truth is: all the Evanuris are guilty, in their own way. Ghilan'nain's and Andruil's story is only part of the blight's story—and figuring out the rest of it will piece together some of the final gaps in the puzzle that is Solas Dragonage.

Let's begin.

"Blackened Hearts" and Portents of Doom

Pestilent Hate

"Banal Malas Elgara" — What WAS the Blight's Beginning?

Andruil: Huntress of the Void

Mythal: Intervention, Too Late

Ghilan'nain: Mother of Monsters, Who Once Was Most Sensitive

One Mistake Becomes Everyone's Weapon

"Blackened Hearts" and Portents of Doom

There is a reason I went over all the Evanuris, even the ones not most immediately related to Veilguard. It was to establish a pattern: the Evanuris all harvested from the Titans to do horrible experiments on both spirits and corporeal people.

The Titans are living organisms. We see Shaper Valta describe their song as "breathing." Red lyrium contains the Blight, and the Blight only affects living things. We even see red lyrium growing in the Fade.

There is not an Evanuris among the bunch who is not guilty of taking from the Forgotten Ones. Mythal mined their bodies for lyrium, which she made into people. Sylaise and June did the same, each with their own horrible experiments. Elgar'nan took it one step further, sundering spirits under his domain. Dirthamen shoved additional spirits/demons into the bodies of his worshippers—and animals, trees, etc. Falon'Din may have made it his mission to kill all Titans entirely, but blackened their hearts instead (we'll get into the meaning of that very shortly).

Not only do these actions solidify Solas's motivations for imprisoning all of the Evanuris, regardless of the blight that would threaten everything—it also sets the stage for that blight to emerge.

Every Evanuris did something that could have prompted the blight's beginning. Their wretched crimes doomed all of Thedas. It's just a matter of figuring out the exact moment that doom took shape.

Long has it been debated in the DA fandom about whether red lyrium began the blights, or whether the blights caused red lyrium to start growing within the Titans. I could not decide which argument I believed more...

Until I saw Solas's Manifestation memory icon, and then read World of Thedas.

Pestilent Hate

Remember how I said a couple of times before that the Titans are named similarly to spirits/demons in World of Thedas?

Long have many of us in the fandom wailed over the fact that Spite is on this list. But I think that, collectively, most of us overlooked Pestilence.

Let us go over what we know. According to both the Chant of Light and the Dwarven faith and ancient elvhen texts, Titans shaped the world. They are living beings, whose blood is everywhere. They are named in the same fashion as spirits, and can evidently be "turned" in the same ways as spirits, likely because all spirits are formed from Titans' thoughts.

All four of these Forgotten Ones have been "turned." We also know that what "turns" a spirit in Thedas is trauma: usually the trauma of passing through the Veil.

Seeing the name Pestilence, I checked my theory against all other sources available to me, starting with what we know of the blight thus far.

Ancient elven sources refer to the blight as a plague that spread through Andruil's lands (more on that later). Again, it is mentioned as a plague in a blood-memory on a Tevinter statue. The Chant of Light also makes mention of the word "plague:"

There in the depths of the earth they dwelled, Spreading their taint as a plague, growing in number Until they were a multitude.

But I wanted to go one step further. I wanted to see if pestilence would be mentioned explicitly, in any way that might point it back to the Forgotten Ones.

(17) The Seven struck against the Archon With all their twisted magic, But no pestilent hate could turn aside Tevinter's Ferryman. (18) Across the plain, the Archon saw, Where the defilers stood, corruption, Blackness all consuming, Threatened to engulf his land and all his people. With fire and lightning he strove To cleanse the spreading poison from the earth, To no avail. Magic could not undo What evil had done.

There: the Seven (the Magisters Sidereal, the ones who went to the Blackened City) turned pestilent hate against the Archon when he tried to stop them. That magic is then described as defiled, corrupted, a blackness all consuming, threatening to engulf his land and all his people. It is likened to poison spreading through the earth—which we now know can be interpreted as the Titans' domain.

But magic could not undo what evil had done, in much the same way that flinging fire and lightning at a demon will not persuade it to revert back to its former, friendly nature.

I do not believe the Magisters were the first ones to bring the blight to what would become the Silent Plains. In fact, I do not believe that to necessarily be Andruil, either, who famously stalked the Void to hunt the Forgotten Ones.

I think the real culprit comes sooner: the foundation of every Evanuris atrocity.

The mining of Titans for people.

"Banal Malas Elgara" — What WAS the Blight's Beginning?

One of the first songs I posted about, way back in part 2 of this series, may hold the key to our entire understanding of the Blight.

Ir sa tel'nal Mythal las ma theneras Ir san'a emma Him solas evanuris Da'durgen'lin Banal malas elgara Bellanaris, bellanaris.

Isatunoll Mythal gives you dreams Lyrium within Becomes Solas Evanuris Little stone boy...

Here is where I paused, because I remembered something about the elven language: a word that does not appear in this song, but is cited in World of Thedas vol 1. Something I had not considered, even when I wrote part 2 of this theory, because the realizations are happening that fast.

Banalhan: "This place of nothing," the Elven name for the Blight, or, rather, where the Blight comes from.

If "Banalhan" is where the Blight comes from, and "-an" is the suffix that denotes a place name, then what is the root word for Blight?

Banal.

The rest of the song would then become:

Blight you give to the Many-Spirit (Titan) Forever, forever.

Oh.

But hang on a moment: we don't see Mythal wielding the Blight like Ghilan'nain is in Veilguard. We haven't seen her do it even once! In fact, Solas describes Mythal as the lone voice of reason among the Evanuris, and laments the fact that the others killed her.

Mythal is known not for her greed, nor her impulsivity, but her wisdom and restraint. It makes me think that this codex about the ancient elves sealing the Deep Roads belongs in this portion of the Evanuris's history: before the rise of Ghilan'nain, and before the end was near.

In the light of the veilfire, the runes seem to shift, coiling and uncoiling like snakes. A thunderous voice shatters the stillness, shouting: "Hail Mythal, adjudicator and savior! She has struck down the pillars of the earth and rendered their demesne unto the People! Praise her name forever!" For a moment, the scent of blood fills the air, and there is a vivid image of green vines growing and enveloping a sphere of fire.

Part one seems to be what we know: Mythal struck down the Titans and farmed people. But then?

The vision grows dark. An aeon seems to pass. Then the runes crackle, as if filled with an angry energy. A new vision appears: elves collapsing caverns, sealing the Deep Roads with stone and magic. Terror, heart-pounding, ice-cold, as the last of the spells is cast.

Elves hurriedly sealing the Deep Roads. Terror, as the last of the spells is cast. We know that Terror is the name of one of the Forgotten Ones, and I would imagine that this codex describes that Titan turning.

But if this Forgotten One is Terror? What came next confused me, for a time.

A voice whispers: "What the Evanuris in their greed could unleash would end us all. Let this place be forgotten. Let no one wake its anger. The People must rise before their false gods destroy them all."

This is the exact same language that's getting used about the blight in Veilguard—namely, by Solas, who hinted at this concept in Inquisition as well. The blight threatens to end all creation, so what is it doing associated with Terror, not Pestilence?

"Pestilent hate" does not refer only to Pestilence's hatred. It refers to hatred that spreads like pestilence, from those "blackened hearts" of the Titans.

Many have thought of it before I: the blight is the Titans' defence mechanism against the Evanuris's war effort and subsequent crimes.

Mythal was wise enough to seal it all away. But the others?

Andruil: Huntress of the Void

Many of you are already familiar with Andruil, and so I will be brief.

Before I dive into the blight material, I'd like to draw quick mention to: yup, Andruil was also taking spirits. She took the "screams of the south wind," which I am going to interpret means "spirits of the Fade in the south."

She took the gathering storm, trapped its fury in golden limbs, and strung it with the screams of the south wind. Andruil, blood and force, your people pray to you. Grant that your eye may not fall upon us. Spare us the moment we become Your prey.

Since we know that the Titans are un-sundered in her time, this does still count as stealing from the Forgotten Ones in the same way as mining lyrium does.

Back to the blight, and to the hunting codices that many of us know and love.

One day Andruil grew tired of hunting mortal men and beasts. She began stalking the Forgotten Ones, wicked things that thrive in the abyss. Yet even a god should not linger there, and each time she entered the Void, Andruil suffered longer and longer periods of madness after returning.

I want to draw attention to this first paragraph because of the mention of its timing. Prior to this codex, the Evanuris loved fighting the Titans! They loved mining the Titans for lyrium! For people! This is the first mention we see of venturing to the Abyss being an inadvisable thing to do. This tells me she went after the Titans became "wicked things." Now, there was a danger. Now, there was blight.

Andruil put on armor made of the Void, and all forgot her true face. She made weapons of darkness, and plague ate her lands. She howled things meant to be forgotten, and the other gods became fearful Andruil would hunt them in turn.

Important to note: the wiki lists that darkness and taint/blight are the same thing. Additionally, Andruil howled things meant to be forgotten. Knowing what we know now about lyrium, and about how darkspawn hear a unique calling—I'm going to wager that Andruil heard the songs of these twisted/tainted Titans, whether or not that counts as the Calling.

Plague ate her lands. We know "lands" refers to Titans (remember that Elgar'nan was asked to tame the land). Therefore: plague (blight) ravaged the Titan of her domain.

Most importantly: the other gods became fearful Andruil would hunt them. They weren't afraid of that before. It means she must have changed.

(I'm not going to discuss the lyrium armor at this point; every Evanuris has done many a Lyrium Crime, and I do not think there's anything super substantive in Andruil wearing lyrium armor, save for the fact that it is probably red, as her art in The Missing [comic image pictured above] suggests.)

My key takeaway is: Andruil did not create the blight, nor did she discover it. The Evanuris knew about the blight, and Mythal's elves had tried to seal it away. Andruil's crime is that she stalked the Forgotten Ones again, bringing the blight back to the pantheon.

Mythal: Intervention, Too Late?

Remember that Solas refers to Mythal as the lone voice of reason among the Evanuris? He was likely referring to what came next in that codex.

So Mythal spread rumors of a monstrous creature and took the form of a great serpent, waiting for Andruil at the base of a mountain. When Andruil came, Mythal sprang on the hunter. They fought for three days and nights, Andruil slashing deep gouges in the serpent's hide. But Mythal's magic sapped Andruil's strength, and stole her knowledge of how to find the Void. After this, the great hunter could never make her way back to the abyss, and peace returned.

We all know the point of this codex: that Mythal stepped in to intervene when Andruil came back carrying the blight. I want to draw attention to a few key facts here.

Mythal is clearly using lyrium/Titan-based magic, while Andruil is using the "air"/Fade-based magic. Remember that Andruil's bow was strung with screams from the wind: this is that. Mythal's magic counters Andruil's, just like templars' magic counters mages' magic.

Mythal then takes Andruil's memories away from her with this lyrium-based magic. The only way that we are aware of how to do that is by then Shaping the memory into the Stone. This is where a lot of people link Andruil, Sera, and the Small Painted Box found in Origins and referenced in Sera's dialogue (another theory I have no time to elaborate on—I am positive it is located somewhere, if you go hunting!)

Andruil is never mentioned as getting these memories back. But that does not mean that knowledge of the blight halted there.

In fact... Andruil raised up a mortal to the ranks of the Evanuris, just like Mythal did for Solas. Since we know Solas's origin. . .

Ghilan'nain: Mother of Monsters, Who Was Once Most Sensitive

"As you were raised up from mortal men to stand with our Creators, our Makers, so raise me up now to defend this world." — Inquisitor Ameridan

Ghilan'nain is oft cited as a follower of Andruil. We know, though, from the stories of Mythal, Falon'Din, Sylaise, and even June, that followers of the Evanuris do not necessarily mean mortals who chose to follow them. Rather, we know that follower most often means creation.

Ghilan'nain is a creation of Andruil, who created many monsters for Andruil to hunt. In fact, as the goddess of sacrifice, that seems to be what Andruil wanted the most from her "followers."

My most important question is: where did Ghilan'nain come from, to make her the way that she is? It's likeliest that Solas came from the same Titan that Mythal initially locked away (or another similarly blighted Titan). Yet, Solas is not... Like That™, the way Ghilan'nain is.

(AKA, I don't see him sliding around on tentacles, creating all manner of horrors under 12 different mountains in Nevarra.)

Ghilan'nain seems to be the strongest proponent of and most skilled wielder of blight magic among the Evanuris. I think it has everything to do with the Titan she came from. And I think we can guess at which one that is, based on a few key details.

First, we know that the Titan Mythal sealed away was likely Terror. Second, we have a codex from another of the Forgotten Ones: Geldauran.

There are no gods. There is only the subject and the object, the actor and the acted upon. Those with will to earn dominance over others gain title not by nature but by deed. I am Geldauran, and I refuse those who would exert will upon me. Let Andruil's bow crack, let June's fire grow cold. Let them build temples and lure the faithful with promises. Their pride will consume them, and I, forgotten, will claim power of my own, apart from them until I strike in mastery.

Geldauran is speaking out against specifically two of the Evanuris: Andruil and June. If Geldauran had first been mined by Mythal, wouldn't Mythal's name also have been mentioned, as Mythal's horrors are the first among the Evanuris (as far as I can tell)?

But no: there are only two mentioned here. I believe Andruil and June, therefore, were both mining from Geldauran.

What was Ghilan'nain doing, before joining the Evanuris? Staying away from all the elvhen, creating.

Ghilan'nain kept herself apart from the People. She used her power to create animals none had ever seen.

I'm imagining this means she is hanging out nearby her Titan, down in the Abyss.

The skies teemed with her monsters, the land with her beasts.

And this? We know skies means the Fade, full of her monsters. What monsters are known to inhabit the Fade? Demons. As for the land, that's the Titans' domain, and it encapsulates every other creature: anything corporeal.

Andruil hunted them all, and after a year of killing, approached Ghilan'nain with an offer: the gods would share their power with Ghilan'nain, but only if she destroyed her creations, for they were too untamed to remain among the People. Ghilan'nain agreed and asked for three days to undo what she had made.

The creations were hurting the elvhen: the Evanuris's other creations. Their other property. And so Ghilan'nain, spirit of Geldauran, was asked to leave the Titan's domain, promised the power of the Evanuris instead.

(We won't go over the "which monsters did she kill and why did Pride stop her hand" here, because it is not relevant for a discussion of the blight, except to say that griffons are peculiarly resistant to the blight.)

Let's assume that this Titan, Geldauran, was a spirit of Creation, or something similar.

What is the opposite of creation? Life? Pestilence.

While I believe that the blight is the defence mechanism of every injured or angered Titan, I believe that Pestilence affords Ghilan'nain with different abilities than the other Evanuris, save for June/June's domain (who, also, as Architect? 100% was "improving upon" his own creations with what sounds like the fires of a forge).

This is also why I think that Ghilan'nain and Andruil's relationship matters as much as it does. I'm not the first to speculate that it's Andruil making up Ghilan'nain's second torso. I'm not the first one to have latched on to how Solas said Ghilan'nain was, "most sensitive of us."

Conclusion? Ghilan'nain did not invent the blight. Once, she may have even created beautiful creatures on purpose.

I believe that there may have been a point where Ghilan'nain tried to cure Andruil of the blight. A point where she was more aligned with Creation/Healing than Pestilence. Where what she wanted was to populate the world with good things, healthy things. The halla we see in the open world (not the insectoid monstrosities painted in Hormak and other temples). The griffons, maybe.

But somewhere along the way—perhaps even because of Andruil hunting her Titan—Ghilan'nain changed. And when she changed, (re)discovering the blight as it was brought back by Andruil?

No one could keep it a secret any longer. And if there is one thing we know about the Evanuris, it is that every single one of them has done unspeakable acts in the name of augmenting the lives of their creations, to the detriment of everything and everyone else.

Thirst for power among the Evanuris would threaten to blight the world, and it was all of their fault at once.

One Mistake Becomes Everyone's Weapon

This—THIS is why I spent 6,000 words going over the other Evanuris. Because the blight is not the fault of just Andruil, or just Ghilan'nain, as so many of us believed for so long.

In fact, the blight sounds like it first made its appearance because of Mythal. Mythal, the only one to turn away from it and try to keep others away from it, lest everything else be destroyed.

Every single other Evanuris has expressed nothing but interest in it, that we have seen. Elgar'nan is using it in Veilguard, from what we know. Falon'Din maybe wanted every Titan to die, not live in peace. Dirthamen might have tricked the Magisters Sidereal into entering the Golden City just to blight them all and escape himself. Sylaise and June both pushed their creations to the limits of what is possible, bending life to their command and their image.

Every single one of them had an archdemon. A blighted dragon. All but Mythal (that we know of).

THIS is why Solas cannot stop with just imprisoning Ghilan'nain and Elgar'nan, or Ghil and Elgar'nan and Andruil, or even any six of the seven.

The tragedy of the Evanuris is that every single one of the pantheon was unstoppable in their greed. Every single Evanuris caused the events that led to the blight. Every single Evanuris ignored Mythal's warnings.

And they all killed her, in the end.

----

AAAAA THANK YOU for reading this far, AGAIN, if you have! I'm trying to finish up the entirety of my theory collection before Veilguard drops, so stay tuned!

Also: I am essentially FULLY OFFLINE to try and avoid game spoilers! As these reviews have just gone live today (10/28), I am not reading my notifications/replies, and am appearing here only to continue posting my theories. I have heard that the embargo has been broken at least once already and I refuse to risk it, so I will respond to messages and notifications once I have played Veilguard for a bit.

(Mutuals, if you need me, you may DM me, as long as you do not mention the reviews in any capacity.)

This series is close to its end. It should wrap up after 9 or 10 parts in total.

Coming Up Next: The Story of Solas Evanuris, Da'Durgen'lin.