#how was i watching it before? .... what are you the cops?

[acowardinmordor]

I think when Steve gets Vecna'd, Eddie adds together what he knows about the situation and comes to a logical conclusion. To him at least. He knows that Steve came here asking for heavy drugs and high quantities. He knows that Steve was sounding a hell of a lot like 'sleep' meant something worse.

He knows that Steve is X, and that means all of the horrible things that Eddie knows X thinks about himself, the guy in front of him thinks that too. He knows that Steve, ever since the letters stopped, has been upsetting the freshmen by being distant and cold.

The only assumption he can come up with is that Steve already took something, and it's hit. Or it's causing a reaction. Or its a bad trip.

He has no hesitation about touching him, immediately checks his breathing and his heart rate. It sorta, kinda seems like an overdose, a little bit could be an allergic reaction, but Steve is trembling like he's scared, and his body is stiff. Those explanations don't make perfect sense, so he watches for something that would mean it IS medical, and heads towards his better guess.

Bad Trip.

Steve is high, and is in a bad brain place, and that means he needs to be grounded. Music helps, right? When he was on that bad trip with Rick after his first senior year, Rick put on one of Eddie's tapes, and talked to him. Calm shit. Encouraging shit.

Eddie fully ignores the flickering lights - electrical gets weird in the trailer sometimes - and grabs the mixtape he made for X, and shoves it into his sorta fucky boombox. It's a mix of X's favorite songs, and the ones he mentioned in his own letters. He doesn't know if Steve ever listened to them, but that tape is the only thought he has.

Gets it playing, and grabs hold of Steve's arms. He knows that Steve stopped talking to him. Since Steve knew who he was, and Eddie didn't know who X was, it means Steve probably doesn't care if Eddie wants him to be okay.

Eddie talks about how everyone else feels.

He tells him about how protective Dustin is. How angry Lucas gets anytime anyone says a bad word about Steve. How Eddie has never seen Robin smile so much. How no one judges him for needing to repeat a year. Everyone knows about how hurt he got, and everyone gets it. No one thinks worse of him for it.

He knows his voice isn't exactly calm and soothing, but the longer this insane eye-flutter, non responsive thing goes, the more terrified Eddie is.

"Steve, please, please, it's okay. Just find your way back. try to breathe, try to feel your body, and you'll be okay. I know - I know I've been an asshole to you. I know, okay. But the boys, Robin, shit, fuck, Steve, I need to apologize for shit, so you gotta slow down your breathing. Whatever you're seeing, it isn't real. I promise it's not real, okay? Come back to the real world and I can get you feeling better, I promise. Steve? Steve?"

He doesn't notice at first that Steve is starting to float. He's too focused on his face, the way his eyes are still rolled back. He lets go before he can notice his own hands rising with him. Shits too real, this isn't just a bad trip, he needs help, he needs an ambulance, a cop, anyone that can actually help Steve.

He has the phone in hand, and is about to dial when he turns back, needing to keep looking at him while he begs someone to come fast. He sees Steve in the air.

One step closer, then another. He keeps trying, another whispered sentence or three. But the lights are going crazy, and the music is staticky, the dialtone is screaming, and suddenly Steve is flattened to the ceiling, arms pulling slowly to the sides.

Eddie runs.

Leaves the door swung open as he throws himself into his van. His hands are shaking and he's hyperventilating too hard to notice Max Mayfield sprinting across the road, up the stairs and into the trailer. He's pulling away, when Max screams as Steve falls.

He hears the scream, he hears and feels the heavy thump of a weight hitting the ground. He knows what that sound must mean.

Eddie runs.

Behind him with the tape still playing, Max holds onto a terrified Steve, who has trickles of blood on his cheeks, and bruises blooming on his arms.

Steve, alive, cursed, who immediately asks if Eddie is safe.

[lizzie-boo]

Christmas Party

Steve Harrington x Reader

Ficmas Day 9

Summary: When your best friend Steve overhears you joking with Nancy it changes the course of your friendship forever.

Words: 1.2k

A/N: Happy last day of ficmas. I wanted to write 12 stories but that never happened. Honestly, though, I'm really happy with writing 9 becuase I never intended to do ficmas at all this year. Divider by @saradika-graphics

“Are we sure this is a good idea, what if someone calls the cops?” You ask, still not fully onboard with the idea of throwing a Christmas party. 

“Don’t worry it’s just for our group of friends plus if the cops get called we’re fine. Remember Chief Hopper is Jonathan and Will’s stepdad and he’d never bust them for having a party,” Steve reassures you as he hands you another box of decorations. 

Removing the lid from the box you grab out a couple strands of garland and begin to place them around the living room. Steve follows behind you stringing up lights as he goes. 

“You’re sure we won’t get in trouble?” 

“It’s just a casual Christmas party, not a rager I promise. Plus half the people coming are practically children. It’s just gonna be us hanging out and eating snacks for a few hours.” 

You knew Steve put his old habits behind him years ago but you were always nervous he would revert to his old ways. That this party would snap him back to who he used to be and what would start as an innocent group hang out would spiral into the party of the century. The fears that if he went back to his old ways he would drop you and you would be without a best friend once more rattled around your brain. As his words finally sink in you let your shoulders relax.

“Plus, Dustin is bringing Suzie and I don’t want to scare her off. He seems to really like her so as surrogate mom I need to make a good impression,” Steve jokes and the last of your reservations disappear. 

You continue to joke and talk as you finish putting up the last of the decorations. Every so often stopping to sneak a glance at your best friend wondering if there would ever be a chance for the two of you to be more. 

The doorbell rings right at seven and you make your way to the entryway. You open the door for Nancy, Jonathan, and Robin ushering them in from the cold. Nancy pulls you into a quick hug as Jonathan offers a quiet hello. 

“So where is the dingus?” Robin asks as she wiggles her eyebrows at you. 

Pushing her shoulder lightly you respond, “He’s in the kitchen finishing up getting snacks ready.” 

“I’ll go help him,” Robin announces before rushing off to the kitchen. 

“I’m guessing this means you haven’t talked to him about how you feel yet,” Nancy says as she loops her arm with yours and pulls you into the living room leaving Jonathan to get the door for the kids. 

You take a seat next to her on the couch. “I don’t wanna screw up what we have. He’s my best friend. Why risk losing him when I can just stay his friend forever and at least have him in my life.” 

Nancy pats your arm giving you the same sad look her and Robin use everytime they bring up the topic and you and Steve being something more. You reach out and tap her nose breaking the awkward tension forming. Just then the kids, Jonathan, and Eddie file into the living room taking up all the available seats. 

Glancing over your shoulder you look for any sign of Steve or Robin, wondering what is taking them so long. Turning your attention back to the room you smile at Eddie as he tries to mediate a fight between Lucas and Dustin about what Christmas movie everyone should watch. 

Steve and Robin make their way toward the living room right as Nancy leans over, “Maybe some alone time with Eddie could help you forget about your feelings for Steve,” she jokes. 

“I don’t doubt that, he could probably make me forget my own name,” you joke back, bumping your shoulder into hers and you both laugh. 

Behind you Steve shoves the tray of snacks he’s holding into Robin’s hands and rushes back into the kitchen needing some time to think. Robin takes it in stride and sets it on the coffee table with a loud thud. 

“I think I hurt my wrist carrying the tray. Do you think you can go help Steve with the rest?” Robin asks as she plops down on the couch between you and Nancy. Before you can even answer her and Nancy are already chatting away about something one of the kids said. 

Pushing off the couch you make your way into the kitchen to find Steve with his palms pushed against the countertop. His head hangs and his eyes are screwed shut. The sight of him sends a pang of panic to your chest. 

“What’s wrong?” you ask as you place a hand on his back. 

“Do you actually wanna fuck Munson?” he bites out as he curls a hand into a fist. 

Your hand drops to your side as quickly as your mouth falls open. You hadn’t realized that he heard your joke. If you knew he was standing there you never would have said anything. 

You take a moment to assess the situation before settling on your response, “It was just a dumb joke between me and Nancy. Plus I never said that I wanted to fuck him, just that he would probably be good at it.” 

“So you don’t wanna get under him?” His tone is gentler this time as he turns to look at you. 

“No, never. It was just a joke.” You run a hand along his arm hoping to calm him down so you can head back to the party in the other room. 

His hand reaches out and grabs your free hand holding you in place. “So do you still want to forget about your feelings for me?” His eyes search yours as if he’s trying to figure out what you are going to say. 

“Only if you want me to,” you whisper, now realizing the space between you had lessened. 

He drops your hand, stepping in to cup your cheek. “That’s the last thing I want baby” he mumbles before crashing his lips to yours. Your hands tangle in his hair as your lips move in sync. Taking a step back he presses you into the counter. The cool press against your back sends a shiver down your spine and you tug at his hair in an attempt to deepen the kiss. 

He pulls back and you drop your hands to his shoulders. You both take a moment to catch your breaths. He shoots you a smile before hoisting you onto the counter. Your legs instinctively wrap around his waist and he wastes no time diving back in for another kiss. 

This time when he pulls away it’s to trail a line of kisses down your neck. He works his way back up and gently nips at your earlobe causing you to let out a moan that you try to muffle with your hand. His lips press against your ear and he whispers, “The only one who is allowed to make you forget your name from now on is me.” You pull him back into another searing kiss completely forgetting about the party in the other room. 

[bird-inacage]

The Heart Killers EP6-EP7: "You think I'd go on living if you died?"

I'm sure everyone is still wiping away the snot from their face thanks to Episode 6's brutal ending. I want to talk about how next week's preview shows we're leading into the best invitation for reconciliation as far as Bison and Kant are concerned. Let me explain.

In the wake of Bison being confronted with the awful truth, he will likely assume (in the immediate instance) that everything - every single thing Kant has said and done was a total lie - a strategically crafted fabrication to get him hooked, including Kant's feelings. That Kant never loved him at all, it was all an act. We as an audience know that's not true but Bison doesn't.

With Bison getting shot next episode, this forces Kant to drop his mask in the most revealing way possible. In the face of losing Bison, this becomes the catalyst for Kant turning the tables, and proves twofold:

Kant's panic over Bison possibly dying indicates he genuinely cares about him. His entire demeanour during this incident will be under the eyes of everyone present including Fadel and Style. If there was any doubt about Kant's feelings, there won't be now.

Kant can no longer lie to himself. He can't live without Bison (by his own later admission). Throughout EP6, Kant's been trying to assure Style he will move on once this whole situation has blown over, but Kant's simply telling his best friend what he wished he could convince himself of. He tries to believe that he can give up Bison and be okay, that it will all be worth it if it means protecting Babe. But deep down he knows he won't be. This confirms it.

So firstly, Bison will witness just how much Kant cares about him. It doesn't deny the fact that Kant lied to him, but the truth is Kant has also undoubtedly fallen in love with him. The man sits by Bison's bedside sobbing and inconsolable, and I anticipate Kant may well confess why he did what he did whilst Bison is 'unconscious', who may recall some or all of what he says when he wakes.

Secondly, Kant will decide that he can no longer put Bison in any kind of jeopardy and that means: 'fuck the mission'. He's going to have to turn on Chris, and aid Bison and Fadel to escape the pursuit from the police that he helped them gain progress with. Chris already suspects that Kant has fallen for Bison which makes him a huge liability. Sealed by either by his own active choices to defy the police, or in Chris' eyes, Kant has effectively chosen to put a huge target on his back. By extension Babe is no longer safe either.

In the preview, we also see Bison disappear from the hospital, just as Chris plans to apprehend him. It's likely that the next time they meet, Bison has been in hiding (probably watching Kant from the shadows) before he intervenes to help. It could be that Kant is being hunted down by the cops or Mother. For Bison to do this shows he's already on the road towards forgiveness, having observed Kant and processed what he now knows. It's far more complicated than he first assumed, and he's willing to hear Kant out. They're ready to start the path to reconciliation and face what's to come together.

On a final note, I've been speculating who may be the ones leading the attack at the bowling alley. The obvious guess would be the police. But for some reason, I have a wild feeling it could be Keen. (I remember Pepper being on set when these four were filming for this scene). It's possible for example that Mother finds out it's Kant and Style who are the informants and Keen tries to score some brownie points by taking them out. In the heat of the moment, Bison protects Kant on instinct and gets shot. Now that would make this all the more heart-wrenching wouldn't it?

You can keep tabs on bird-inacage’s BL meta directory for my other long-form posts around The Heart Killers, which I’ll be updating in real time as the show airs.

[magnoliapromenadegalleria]

TLDR:

-People have a hard time connecting with Kant because his main motivation, Babe, is not around much.

-Kant and Bison are both guilty of lying to one another. Interested to see how they navigate their relationship now that they are both on to each other.

I've had this thought in my head since last week, but never got around to writing it down. I think part of the reason people, not me because if Kant had one fan it would be me, have such a hard time getting behind Kant's reasoning and motivation, is because we aren't that familiar with the object of said reasoning. Babe is Kant's motivation. He's the only family he's got as far as we know, and he's Babe's guardian. It's not only a question of if Kant doesn't do what Capt. Crunch does he will be sent to jail, it's if Kant doesn't do what Capri Sun does he will be sent to jail, and Babe will most likely go into the system because there's no one else. That's simply just not an option. Kant wasn't stealing cars because he liked the thrill of it, he did so because he needed to take care of his brother, and he was desperate. We joke that Kant is a terrible criminal, but I think that's the point? From the pieces that we can grasp, he was/is a criminal out of necessity after his parent's sudden death, and not just for the thrill of it. He wouldn't be in his current situation if he was great at it.

When you write it out like that, I think it makes one more empathetic to his plight but the problem is we don't really know Babe. I wrote in a previous post that Fadel and Kant are the same in different fonts. Both are protective of their brothers and will do anything to protect them, but the stark difference is we know Bison. He's a fleshed-out person and we feel bad for him. We don't know Babe. We know that he likes Shakespeare, he gets bullied, and he's Kan't brother. That's it. We go episodes without seeing him, and his absence leads one to forget that he's the main reason Kant is doing any of this at all. He just looks like a sleaze trying to stay out of jail.

With each episode, it is becoming clear that Kant is failing horribly with not becoming attached to Bison. He lies and has a healthy amount of fear of Bison, but his gestures are honest. He can't help it, he's been into Bison since before he knew what he was. He's not just sweet on Bison because he has a role to play, he's sweet on Bison period. With them living and working in such close proximity anyway, they were bound to be a thing.

But.

That's not what happened, and he can't even fully explore his feelings because this cop is threatening him and has put him in an impossible and dangerous situation with no resources or protection, Bison is a killer, and he's stressed out by both. There's definitely nuance and reasoning there with Bison, but baby boy is still incredibly lethal. Kant's head has got to be stronger than his heart and his other head, and as much as he likes Bison, he loves his brother abundantly more, and that's reasonable. He also does not know Bison. I wrote something last year while watching Only Friends about Sand and Ray's relationship that I think can be applied here. Kant and Bison are not getting the same insight into one another, for clear reasons. They're open with each other, but they are not completely honest with each other for, again, reasons.

Kant is lying to Bison, but Bison is also lying to Kant. Kant knows Bison is lying to him, but being a sweet-faced assassin is a pretty big omission. Bison is under the impression that he's killing bad people, but Kant isn't privy to that and only knows that under that pretty face with dreams and an artistic spirit with a love of cats lies a killer. Someone who could kill him and his brother and not think twice about it. Obviously not, but Kant does not know that. Someone who just as easily lies to him about a big part of his life, and with a lot more ease. Bison doesn't want to be an assassin anymore and wants to live his life, but as far we know he does not lose sleep over any of his kills, and that's still scary. Again, nuance there, I got a whole thought process on other mother raising children to be disposable assassins, but this post ain't that!

It's been touched on many times that Bison knows there's something up with Kant. He is a perceptive little thing, so there's no way he doesn't know Kant is not being truthful. Fadel has pointed out and Bison does not listen. Bison knows. Deep in his bones he's always known, but I think he didn't want to believe it because he's fallen for Kant. That may not have been the initial goal, he just wanted freedom and Kant's hot, great motivators, but dammit if he didn't fall for the guy. I have a similar theory about Kant. Let me explain, don't touch the mic, let me explain. Kant knows Bison's other occupation. Capt told him what was up and he hasn't been completely comfortable around Bison because he knows this information, but I don't think it really clicked for him until he went into Bison and Fadel's secret room. Not because he didn't believe it, but because he didn't want it to be true. I think he wanted Capt. to be wrong about this because he's fallen for Bison too, and not only that, he's falling deeper despite all that. Which is a terrifying revelation. And Bison protected his brother twice now? Kant might be better at keeping himself than the other three, and he might be lying to himself out of self preservation, but he's just as gone. Now that both know about the other, I'm so ready for them to finally be truthful and truly lay themselves bare without deceit between them.

...This got away from me, but whatever.

One last thing! I think this scene above is after all truths and betrayal are out in the open because that looks like a taxi, probably stolen, Kant looks like he might be wearing some sort of uniform that hides his tattoos, and Bison is wearing a hat to hide his identity. Okay, I'm done.

[fromkenari]

@alliwantforchristmasislou

I don't talk about my identity a lot because I live in a town in the 2/3rds of the state that is red despite it being a blue state. I'm not accepted, nor is it really safe for me open about it beyond my friends, and the sad thing is I have only one other friend in this town with the same pronouns as me and my friends, all of whom are queer positive and a bunch of whom are queer themselves don't use the correct pronouns for my other friend who uses them or me because well, you know, transphobia but they claim it's because using "they" in a singular sense is just too awkward for them to do that for my one other friend who uses they/them and me. And I could talk about the suicide rate of non-cis kids in this town, but this is a positive post, right? It's why the Trevor Project is so important.

So anyway. Tumblr, Discord, and the internet, in general, have been the only hardline I have to a diverse queer network. I've been on this site since sometime in early 2009, and you know, before that, I was on Livejournal, and before that, I was on fan forums, Yahoo! Groups, and Pro Boards. So I've been around. I've seen it all in real time. And even though I was not into anything to do with Superwholock, I saw all of that, and you know, I have never really been deep in a fandom. Not even when I was on Livejournal. I just have a massive aversion to oversaturation.

So. I've been watching 911 since the pilot. I was hyped for it because of Angela Bassett. I thought, "You're making Angela Bassett a cop and handing her a TV show; what could go wrong?" (That's rhetorical; don't @ me. I know better now.) Anyway. I was hooked from the first episode, and you have to understand when 911 premiered, I was in one of the darkest points of my life. I had finally been declared legally disabled, which I had been working toward for 3 years. So, you know, nobody on Tumblr was talking about this show. By the end of Season 1, a few of us were scratching around at things, but there wasn't much there.

Then, Season 2 happened, and you know, Season 2 was some of my best times in the 911 fandom. I was there when we were deciding on Beddie vs Buddie. I was there when the first Buck/Eddie fic was posted to AO3. I even wrote some back then. It was a completely different energy then. There was an entire Discord server of us who were mortified that "Be Careful What You Wish For" was likely about the part of fandom that wanted Eddie and Shannon to end, but the consensus was, "WTF, we wanted her gone, but not like that!" And then, you know, the people celebrating it got louder and louder, and I was in fandom less and less until I stopped posting about 911 entirely on Tumblr.

Eventually, I made a new blog, this blog, not because of that, but because Tumblr shadowbanned my old blog, and nothing I posted would show up in tags. And you know, I was a big fandom creator and roleplayer, and I had to start all over. But I was still watching 911. I never stopped. I also watch Lone Star, and oh, the stories I could tell about the early days of Lone Star when 911 OG purists were throwing hissy fits that Lone Star content was getting tagged as 911. Seriously, it was a knockdown, drag-out fight to watch. But anyway, you know, I'm watching, and I'm waiting. I'm waiting for Evan Buckley to be confirmed as bisexual as I get my Henren scraps and cry over everything they do to Josh.

Then, the show gets canceled. But OMG, it's Immediately picked up by ABC, so trying to understand how to feel was indescribable. Because Seasons 5 and 6 sucked, they sucked, and I won't be convinced otherwise, and I was despairing because I was going to have to jump ship. And then the show jumped networks. So, I'm figured what do I have to lose?

So, I am still reeling from the Cruise ship disaster and rescue. And I'm going, "Is my show back? It's kind of back, right?" while also going, "And Tommy's back, and he's getting along with everyone. Sure, why not?" And then, you know, Episode 4 happened, and I'm watching it wondering what the hell is going on. Is Tommy going to be a recurring character now? And then you know Buck was an idiot, and you know I thought it was about Eddie, and I was kind of mad because really? The cast and crew get kicked around by their ship's fans, and you're giving them this? Because anyone who tells me watching that episode as it was airing that they thought Buck was doing that for Tommy before the loft scene, I'm calling horseshit because I've been watching since episode 1

I've wanted Bi Buck for as long as I can remember. And it was not until the loft scene that I even realized something was happening. I didn't know what it was, but something was off. And some point, I was standing on the couch freaking out at my TV, going, "WHY ARE THEY STANDING SO CLOSE TOGETHER? WHAT IS HAPPENING RIGHT NOW?" And then, you know, the kiss happened, and thankfully, no one was living next door in my duplex at the time because I was not quiet about my joy, and I sprained my freaking knee. I was so chaotic in my reaction. (I had to go to urgent care. It was a whole thing. Eh, my joints suck because of chronic illness. I told you I was on disability a long time ago, okay.) And you know, once I simmered down, I ran to this blog to post about it because 4 episodes on a new network, and they gave me Bi Buck.

And you know, I tried so hard to find a voice for Tommy in my head, but I couldn't. I didn't have enough material to do it. I appreciated everyone who could do it because I read your fic, which was great. I didn't even get into the fandom for it until Season 8 because I couldn't wrap my head around the ship, but I was going to sit there as long as it took to understand Tommy because it's Bi Buck's canon ship. Of course, I want to be able to write it myself. That's what I do. And right about when Tommy brought Buck avocado toast, I got it. Everything synced up in my head, and I understood it. I could go back and look at things and understand why Tommy did things now.

So, during that break for Halloween, I was writing little things and not posting them. I had already at the start of Season 8 found a Discord server, and I was hanging out in the tag. I was looking through follow lists people posted and zipping through them. And yeah, sue me. I call it Tevan because that's what Tommy calls him. That's not a judgment on anyone; it's just my preference. I forgot to mention that I was also there when shit hit the fan during the Season 7 hiatus and trying to survive in my old 911 Discord Servers, but people were awful for no reason. I'm never gonna understand why a whole swath of fandom hated the ship to the point that they were causing traumatic harm to other people, especially queer men in fandom. That's just so beyond me, and, again, another reason we need the Trevor Project is that queer men fetishists on Tumblr do not constitute a safe community for queer people. But I'm getting off track.

So you know, they broke up Buck and Tommy in the next freaking episode, and I had a lot of feelings. I posted a lot of them here. Some of them conflict because you know the human brain can handle more than one viewpoint. Gray areas are my bread and butter when it comes to media. Anyone gets puritanical about anything; I don't care what you ship; I will remove you from my curated experience because I don't need it. It's not healthy.

I've been writing more and more about this ship since the breakup. I even wrote a fixit for the breakup. And you know what happened in the show compared to what people say in interviews? There's a huge disconnect. In any other situation, especially given it's 911 and the Abby of it all, you would expect this to not be over because that's not how Buck's big love interests work. Most of his relationships end with him being too invested, but you don't get to call it a pivotal relationship for Buck and say it's over cold turkey. That's crappy writing because it completely goes against his characterization.

But I didn't realize how attached many people were to Tommy. I felt like I finally met him in the Halloween episode, and bam, he's gone in the next. So much wasted potential. So much drama. So many harassed actors and crew members. So many "journalists" acting like it's their blog is the gossip section of their high school newspaper, but they get screeners? So much crap happened, and what was it all for? So Buck can pine for Tommy and cause Los Angeles County to go on a flour ration? Like? I don't get it. So yeah. If the show wants to fix this mistake because this one they did leave themselves a contingency plan by not killing the man, they can fix it.

So bring back Tommy. If you do, I'll think about forgiving you for Amir's storyline last season. But we still need to talk about what messages we're sending people in these episodes. Those teenage girls do not deserve to get blamed because a grown man went rage quit to the max. The copaganda is SO HIGH that I can't even watch Athena's scenes now. And there's a bunch more I won't list because we're talking about Tommy and how you need to bring him back. I love these characters, but I'm tired of them repeatedly getting the same trauma and outcomes. You finally let queer people kiss again on your show, and then you get rid of one of them?

Anyway. I'm going to keep writing BuckTommy because I need something good to happen in fandom as I continue to watch this ridiculous show. And if you read this whole thing. I'm sorry that this is how it ends.

[mentime]

✿ cum undone ✿

title: cum undone

summary: when Billy Butcher isn't coming up with new reasons to hate Supes, he works as a phone sex operator.

w.c: 2.5k

warnings: phone sex, cursing, fingering, slight hint at pain play but only very very slightly, solo masturbation, nothing graphic at all tbh

note: hi first work!! hope everyone is doing well, sorry if there's any typos, kind of rushed it but hope you enjoy thanks for reading <3

What in the actual fuck were you doing?

Your thoughts begin spiralling, and you grasped at your bedsheets to try and ground yourself, but despite your efforts, your breaths were becoming faster and shallower.

And you still couldn't bring yourself to hang up the phone.

See, you had found yourself in a bit of a predicament. It had been building up all week, you've been feeling hot and bothered over small things, it was getting to be too much for you. Which is what lead you to now, watching helplessly with bated breath as your phone dialed the number for a phone sex hotline that you had discovered on the internet in your haste to solve your... problem.

The phone rings once...

This was a bad idea.

Then twice...

This was a really, really bad idea.

Then three times...

This is getting pathetic now, you should really just hang up-

"Hello, love, Butcher here, ready to satisfy every desire you could possibly come up with in that pretty little head of yours", a gruff, gravelly British accent answers on the other side of the phone, reciting what seems to be the company's slogan. You could feel blood flowing to your cheeks and an abundance of heat pooling in your abdomen at the sound of the man's voice alone. "Are ya in need of some…service?"

You scramble to get closer to the phone, flushed and out of breath already. You try to think of something clever to say, something that doesn't give you away as just a total inexperienced loser, but you don't come up with anything special.

"Hi", you manage to will your voice to speak at a somewhat normal volume and pace. "Um, yes please?"

The man, Butcher, on the other side of the phone chuckles at the questioning lilt of your tone, and you feel yourself flush even deeper, although you didn't know that could be possible. When he speaks next, you can hear the smug grin in his voice.

"And what sort of service do ya have in mind, love?", the man continues, and his voice lowers, even deeper, as he speaks again. "I’d be more than happy to accommodate ya."

Your mind comes to a complete halt, both at how fucking attractive this man sounds, and because you actually have no clue what you want from this phone call. Of course, you know the end goal, you're not that oblivious, but you hadn't really thought of how exactly to get... there.

"Oh, um, I don't know", you whisper, shyly. "I've never really done this before..."

"That’s completely fine, darlin’, s'what I'm here for, ain't it?", and even though his words are kind, you could swear you can hear a smirk in his voice. Maybe you're just paranoid. "We’ll take it nice and slow. Why dontcha tell me what you’ve been thinkin’ about?"

You hear some shuffling around and a grunt on the other side of the line, presumably the man getting more comfortable, and even that noise evokes something within you.

"Well,", you start nervously, your tongue darting out to wet your lips. "Um, it's just that lately, I've been getting kind of... riled up over small things, and I haven't been able to really, uh, fix this problem."

You internally cringe at that absolute word vomit that you had just spewed, and you grip at your sheets and screw your eyes shut, nearly hanging up until you hear the man chuckling softly.

"So, what you're tellin' me is that ya need some help masturbating", and you're definitely sure you can hear the smirk in his voice now. "Do I have it right, lovie?"

You nod, unable to command yourself to speak, until you cop onto the fact that Butcher can't actually see you. You manage a quiet little "yes".

"Well, of course I'll help ya, love", Butcher says softly, and you nearly melt as your fingers loosen their death grip on the sheets. "It's me bloody job and I'm fuckin' amazing at it, so we'll have your little problem sorted and you'll be right as rain."

If you weren't so nervous, you'd be full on beaming, and you can feel yourself nodding along to the man's words.

"And 'cause I'm so damn good at what I do, I can already tell you're not much of a talker", and thank god for sexy, intelligent men. "That ain't no big deal to me, love. I'll just tell ya what to do, and your only job is to enjoy yourself and let me know if ya want to stop at anytime."

You nod, and you chide yourself for being so silly, but it doesn't matter because it's almost as if Butcher could sense it through the phone, and he proceeds anyway.

"First, I want ya to get comfy. Do whatever you gotta do, darlin', I'm in no rush."

You hurry to lie back, limbs splayed out over your plush duvet. You try your best to calm yourself down with a few deep breaths, but you struggle to keep your excitement at bay.

"Now, just listen to the sound of me voice", his gravely voice softens, and you focus all of your attention solely on him. "Let me guide ya. I want ya to start by slowly and gently brushing your skin with your nails."

You do just that. You rake your nails softly on the exposed parts of your body, enjoying how it stimulates you and makes your skin tingle.

His voice gets low and soft as he continues.

"Follow the lines of your body, love. Across your stomach, down your sides, wherever it feels nice. If it helps ya, picture me touchin’ you, my hands moving across your skin."

Oh god, why did he have to go and do that. You can just imagine it now, with your eyes shut, breaths deepening as your hands roam your body, an impeccably handsome man, big hands exploring every inch of your skin, leaving a burning trail in their path.

"Good girl, you’re doing very well", his voice still low and seductive. "I want ya to keep moving your hands. Slide them up, higher, towards your tits."

Your face burns at his language, but you comply regardless, shivering at the sensitive touch.

"Imagine it’s my hands that are on your skin, touchin' ya", his voice is as soft as velvet, and even though you can hear the teasing smirk in his tone, you can't bring yourself to care as you get lost in your fantasies of a faceless British man caressing you with all of the care in the world. "My hands moving just as yours are. Do ya like it, lovie?"

You manage to utter a breathless "yes" as you continue your ministrations. You can hear the grin as he continues speaking.

"I’m glad, love. Now, I want ya to close your hands as you reach your chest, let your nails dig into your skin. Not hard enough to hurt, just…enough to feel good, yeah?

You startle a bit at that, but you do as you're told anyway, and find that it actually feels kind of nice, in contrast with the barely there touches from earlier.

"You’re doin' really good. Relax into the feeling f'me, love", Butcher's voice dips into a whisper, and you can hear some movement on the other side of the line as he readjusts himself, but you pay no mind. "Slide your hands higher, higher, until ya reach your neck. Wrap your hand around your throat, darlin'. Not too hard now, don't want ya dyin' on my watch."

"Feels good", you surprise yourself when you huff out a response that wasn't even required, and you curl in on yourself in embarrassment.

He gives another soft laugh as your words. He’s enjoying this.

"Really good, lovie, well done", he cooes slightly, and you can still hear his smile. "'Want ya to imagine I’m in the room with ya, my fingers exploring whatever part of your body I want to."

And oh god, how you want that. One hand leaves your throat to wander down further south, and your body quivers in anticipation.

"Move your hands from your neck now, love", he goes on, almost as if he had sensed that you wanted to speed things up a little bit. "Move them down. Slowly. Across your chest. Down your sides again. Down to your hips. Keep 'em there."

Your fingers venture down further, slowly, and as the heat spreads across your whole body, you can feel a certain wetness building up in your panties too.

"Imagine me lips against your skin. Against your neck, your shoulders, your tits", Butcher continues, his voice still below a whisper, soft and sensual, and it's amazing how just a man's voice could make your body react so much. "Me hands running across your body, down your hips. Across the insides of your thighs, would ya like that lovie?"

You nod and bite down on your lip to refrain from letting out any embarrassing noises.

"Slide your hands lower, darlin’", he pauses for a second, and you can hear his heavy breathing and some rustling on his end. "Run 'em over your thighs, your legs."

"Does it make ya feel good, love?", his words slur together almost, and it turns into a smooth purr, his smirk still audible. "Imagining me there, me hands on your skin, me lips against your neck. Pressin' against ya, and makin' ya shudder. Makin' ya squirm beneath me. You'd probably make the cutest noises too if ya weren't so damn shy."

He lets his words hang in the air for a second, and your brain is still trying to comprehend everything that he'd just said to you. His voice goes even lower when he speaks again, continuing his gentle guidance.

"Slide your hand between your legs, darlin'. Use your other hand to touch the inside of your thigh. Move it up, slowly. Imagine it’s my touch that you’re feelin'. My hands that are makin' ya feel so good."

You reach your fingers slowly down towards the heat, and press against the wet patches on your panties. They're nearly soaked, and otherwise you'd be embarrassed by how undone you've become by just the voice of a stranger, but you can't find it in yourself as you plunge your hand into your panties.

Your fingers circle your lips, and you let your other hand trail into the wetness, rubbing gently as you focus your attention on Butcher's voice.

"Imagine my lips against your skin, tracing a line down your stomach. Where do ya want 'em t'go, lovie?", he makes a soft sound, a mixture between a moan and a grunt, as he continues to speak. He lets out a low laugh. "I'm only fuckin' with ya, I know exactly where you want them to go."

You hear his smirk widening, and you flush even more as you trace little circles around your clit as he speaks.

"Mmm, yes, love, right between your legs, I know. I'd love for ya t'know the things I’m thinking about you, the things I’d be doing to ya if I was in the room with ya right now."

You can't contain the whimper of want you emit when he says that last bit, and you're so stimulated, what with your fingers teasing your clit and his seductive voice on the phone that you can't even muster up any shame.

He chuckles, his voice almost as thick as honey as he speaks.

"Oh, ya like the sound of that, love? Imagining me in your room, on top of ya. Do you want to know what I’m thinkin' about ya right now, darlin’?"

"Mmhm", you just about manage to make out, because even though you were dead set on not uttering a single word unless you absolutely had to to prevent yourself from making a fool of yourself, you just have to know what he's on about.

Your hand works faster and faster, and you slip a finger into the warmth, pumping faster and faster as he speaks.

"I’m imaginin' ya lying on your back, darlin’. I’m on top of ya, me arms pressed against the bed, my body against yours", He lowers his voice to almost a whisper, the smirk on his face audible in his words.

"Imagine I’m on my knees, love, right in front of you, between your legs, me face in front of your hips", your breath stutters as your hand continues to work, maintaining speed and you can feel yourself nearing climax. "Ya want to know some of the things I’m thinkin', darlin’?"

You whimper again, and Butcher takes that as an affirmative.

He laughs again, moving the receiver away as he lets out a chuckle before returning to the low, soft voice. He’s getting much more into this now, his own excitement starting to show in his words. The words are so low that they almost melt together like the sofy purr of an engine.

"I want to taste ya, love. The image of your body, of being so close to ya, it’s driving me bloody mental", he grins, you can hear it in the way he speaks. "I’m thinkin' about how good you’d taste, lovie, how bad I want to taste ya all over. How badly I want to run my tongue over your body, how much I want to make ya moan."

The heat becomes unbearable as you continue to rub your clit in erratic circular motions, and finger yourself.

Nearly there.

"Christ, the things I'd do to ya if I was there", a low laugh escapes his mouth, "you know what my hand is doing right now, love?"

So close, so close.

"And y'know what? If I had ya, pliant and obedient underneath me, I'd lick a fat stripe up your cunt and eat you out like a starving man"

Oh my fucking god.

You let out a moan as you climax, and you hear Butcher grunt in unison. Your vision is a mixture of hot white and blurriness. Your chest heaves as you pant, trying to catch your breath, and your fingers cramp up as you pull them away from the warm, sticky mess that once were your panties.

You hear Butcher moving on the other side of the phone.

"Well, thanks for the wank, lovie, pleasure doin' business with you", Butcher's voice is low, a bit more hoarse now than when the phone call had started, but the smug undertone is still there. "Don't worry 'bout payin', it's on the house since it was so enjoyable for me too."

Your cheeks heat up again as you hear his deep voice chuckle. You can't help but feel a twinge of bittersweetness now that the moment is over, but it's overcome by relief and a warm tiredness that makes your eyelids heavy.

"I hope your little problem is fixed now, darlin'. Call back again sometime, and ask for Butcher."

He hangs up, and you're stuck in your bed wondering how many times is deemed acceptable to ring a phone sex hotline in a week.

[1425fivefive]

this may be a silly question but whats your process for writing smut? i can write fanfic, but when it comes to just positioning and pace of writing smut, i literally feel like i have no idea what i am doing. you clearly EXCEL at it so im wondering you’d ever share your process? thank you

this isn't a silly question and i'm delighted you asked me! also so lovely to hear you think i excel at it, i love writing it and always am overjoyed to hear people enjoy reading it 💕

i don't know how much help i can be, but for me, smut writing is usually (1) hot image or line of dialogue pops into my head and (2) sitting down and writing it. while i'm writing, everything plays out like a movie in my head. like i visualize literally everything, which makes smut writing much easier. i often feel with smut writing i'm just transcribing stuff that's playing out in my brain. i also am just... terminally horny.

BUT i have tips to make smut writing better/easier:

Kill the cop inside your head

So many smut writers feel shame about writing smut. There's nothing shameful about it! It's fun, it's normal, it's a healthy way to explore your own sexuality and ideas and concepts and dynamics. I think of it like a sandbox. There are loads of things I write in smut that I would never want to do in real life, but it's fun getting to play around with them in a safe space.

If there's a voice in your brain saying, "This is weird, this is something I should be embarrassed about," that's not some objective truth. That's a lot of culture being weird about sex and desire and thinking it's something that should be shamed and controlled. Not to be all "writing smut is a radical act of resistance," but like... it sort of is.

2. Tap into one characters' point of view

A lot of smut reads like porn. Like you're sort of watching the author mash Barbies together, but the Barbies don't really have thoughts or feelings. I always find it weird when the POV character's body or appearance gets excessively described during smut. Like why is the POV character thinking about their tight little nipples or whatever. Unless the POV character is actively thinking about how the other character is perceiving them, it's confusing to write about the POV character's appearance.

Also - think about what the POV character finds hot about the sex! Like you're not just writing about sex between two people, you're writing about sex between these characters specifically. Think about what about their personality, appearance, whatever that each character finds hot. That'll make your smut unique rather than feeling like it could be happening between any two characters.

3. Read lots of smut and figure out what you like about it

Just find smut you like. Read it with a critical eye and figure out what you like about it. Look at the writing structure, the dialogue, how the author describes orgasms, sensations, feelings. Try to incorporate some of that into your own writing.

4. Be weird

I've read a lot of smut, and so much of it feels indistinguishable from each other. The top thrusts once, twice, three times and then comes. The bottom begs to get fucked and says "I can take it" when the top tries to give them a third finger. Characters always need exactly three fingers before they can be fucked.

Be weird! It's ok to write smut differently than how other people write it. That's part of what makes fic so interesting! I love reading weird smut that's written by someone who was just clearly really into it. Like I want unique, fun smut! If you're into it/you find it hot, readers will too. Don't think you have to write smut in the way all the most popular fics write smut.

I don't know how helpful this is, especially because I have loads of criticisms of my own smut writing, but hopefully this is interesting, at least!

[rainydayathogwarts]

Unregistered vehicle - Jim Hopper

summary: When Hopper interrupts a sleepover because of your unregistered vehicle, he is forced to take you to the station to complete some paperwork. wc: 2.3k+

Loud giggles on the other side of the front door have Hopper glancing down at his watch with a tired sigh. He could absolutely not deal with excited teenagers at this ungodly hour. The door swings open and you stand there with a wide smile. Clad in your tiny pyjama shorts and revealing tank top that allows everyone a view of your nipples, waving money in the air, you're clearly not expecting the Chief of Police to be standing at your door. Your hand drops down to your side and Hopper hears your disappointed mumble of "You're not the pizza guy." There's a long silence before your eyes widen and a quiet gasp leaves you. Quickly realising what you look like, you scramble to find a blanket or a jumper to cover yourself in, nearly slipping from the fluffy socks you're wearing before returning to the front door, with a hoodie halfway down your chest. It almost manages a smile out of Hopper. Almost.

"Chief!" You breathed out, smiling nervously. Hopper doesn’t know why you’re being so formal, the two of you were more than well acquainted with each other. "How can I help?" Hopper glances behind you into the unfamiliar house, where Nancy and Robin have paused their conversation to observe your interaction. He thought you lived on the other side of town, with your rich parents who leave the city every other week for business trips. Not here. Smiling ineptly at the two girls in the house, he turns his attention back to you. Nancy and Robin are frozen in place, and Hopper realises they are similarly styled to you. He's definitely more interested in your outfit than their's, taking a quick glance at what's exposed of your legs. He must have interrupted a sleepover. He sighs again. "Are your parents home?" You smile proudly, stating "There are no parents in this household, Chief." The man's eyebrows furrow. Tonight could not get more confusing. "What do you mean?"

You give him a moment to look around the inside of the small house. He's not surprised that there are no parents in the household, especially not yours. They'd probably have a heard attack if they saw this place. There's one couch in the living room, and your friends are sitting on a mattress that should probably be in the bedroom. The living room and open kitchen are completely bare, with the only other piece of furniture in the house being a television sat on the floor, connected to a single plug. Oh, and three glasses of wine and a half empty bottle. There's an open door leading to another room, where he can spot a few boxes strewn on the floor. "I've moved out. Want to join the housewarming party?" Hopper's face twists into one of confusion, and he asks "Isn't it dangerous for a young woman to be living all alone out here?" You shake your head with a 'nuh-uh' "Not all alone. It's me and Robin." You grin at the unfazed look on his face "Roomies!" Hopper reaches into his pocket to pull out a cigarette, lighting it up instantly. Your energy always makes him require a smoke, whether it be on a regular Tuesday night, or fighting demodogs with him in the woods.

"Well, there's a car outside that needs to be registered. I'm assuming that's you?" You nod sheepishly at the Chief's words. "I was going to do that first thing tomorrow morning, I swear... Jesus, it's warm in here." Hopper steps back as you quickly undo the covering up you had worried about so much, eyes widening when he finally gets to take a proper look at you. You look back to the girls in the room, pulling an annoyed face at them, and shut the door so that you're stood outside with Hopper. You cross your arms over your chest, looking up hopefully at the cop. "Well?" "I could fine you for this." You feel the blood drain from your face, and quickly throw your hands up, begging "No, come on Hopper! Do you know how expensive moving is? And having to- to get furniture!?"

The man in front of you laughs, nodding his head. "Look, if we go get it registered now, everything will be fine." He sees the way your face drops, an unimpressed look gracing your features. “Hop, come on. You know me! Can’t you just let it slide?” You whine, and for a second, the cop considers letting it go. But he’s already been too lenient with you in the past. "Won't even take thirty minutes and I won't fine you!" You make a show of throwing your head back with a groan before mumbling "Fine" and turning around to step into the house, sliding your feet into slippers, grabbing your jumper and following the Chief out your house without a single word to the girls in your living room.

The drive to the station is quick, the car filled with a comfortable silence. Hopper parks carelessly and you follow him outside, where he stomps his cigarette on the floor, and into the station. You're reaching to pull your jumper over your head when you notice how empty it is inside. You don't bother with your hoodie, holding it limply at your side, walking into the near empty station and into the Chief's office. Sitting down on a chair in front of Hopper's desk, you slip your feet out of your slippers, pulling your feet up on the chair and hugging your legs close to your chest. Hopper sits at his desk, opening and closing random drawers. You hear the shuffle of papers and rest your chin on your hand, watching lazily as he finally pulls out some very official looking paperwork.

Hopper begins scrawling things down on the paper and you stand up, rounding his desk to watch what he’s writing over his shoulder. One of your hands rests on Hopper’s big shoulder, the other one laid flat on the desk. You squint, unable to read his messy hand writing. “Okay!” Hopper announces, turning his chair to look up at you when he freezes. His eyes widen, and he takes his time looking over your revealing attire. “Sweetheart, you’re gonna freeze.” You shake your head, mumbling an “It’s fine.” and gesturing to your hoodie, but Hopper has already stood up, removing his sheriff’s jacket to sling it over your shoulder. He guides your arms into the big sleeves, ensuring your warmth before turning back towards the paperwork.

“Ooh, stylish.” You giggle, catching your reflection in the office window. You spin around, hands sunken in the pockets, and Hopper huffs at the sight, trying to hide his amusement. “Jesus, come… y/n, come sit down!” You mumble something under your breath, and begin approaching him again. Hopper raises an eyebrow at you when you stand next to him, gesturing for him to move his chair back. He listens, and is about to stand up, making a comment about ‘young audacity’, but instead, you plant yourself straight on his lap. Hopper’s eyes go wide, and his hands fly up as he tries to make sense of the situation.

You hum, leaning forward to read through the papers in front of you and your ass pushes back just right against Hopper’s cock. The older man nearly groans, but he holds himself back, listening closely as you ask “So what do I need to fill out?” Hopper gulps loudly, leaning forward to point specific slots out on the sheets of paper in front of you. You don’t hold back the grin on your face, hearing the shake in the man’s voice. “Here, license plate. Fuck, please tell me you know your license plate.” Hopper begs, both hands coming down to grip your hips. You make sure to ground them down in his lap, feeling the way his cock impossibly hardens underneath you. Hopper doesn’t bother trying to hide his grunt this time, his hips bucking up into you.

The unexpected movement had a surprised moan leaving your lips, and you feel Hopper’s chest vibrate with a deep laugh. “How’d you like that when it’s done to you?” He asks teasingly, but is brought to silence when you reply with an almost pornographic moan of “Oh god, so much.”

“Fuck, I knew these pyjamas were doing something to me.” ”That why you’re so desperate to cover me up, huh?”

You shoot back, grinding your hips down even harder on Hopper’s cock. “Shit, okay, that’s enough.” He finally exclaims, gripping both your hips and lifting you up slightly, a sign for you to get up. You squeak, spinning around to face the solemn faced officer. Shit, what if you had crossed a line? But those thoughts are immediately put to rest when Hopper stands up, pushing you back so you stumble against his desk, his big hand coming to cradle the back of your head as he brings you into a kiss.

Your reaction is immediate — melting against his chest as a loud moan rips out of yours. You grip his tie, desperately trying to bring him closer to you. Hopper breaks the kiss, mumbling against your skin “Your friends are going to get suspicious if you’re gone for long.” But you only throw your arms over his shoulders, bringing his body closer to yours as you respond with “My friends are drunk Hop.” The man laughs, accepting the kiss you bring him into. One of his feet kicks your legs open and you gasp, mouth opening just enough to let Hopper slide his tongue into your mouth. Hopper’s hand moves from the back of your head and down your front, snaking into your pyjama shorts to feel around for your wetness. “Shit. We haven’t even done anything yet.” He teases, and you scoff, saying “I can say the same for you, soldier.”

Hopper huffs, watching as you cackle in front of him at your stupid comeback. He doesn’t ask before pulling your short down, making you gasp, eyes worriedly shooting straight to the glass windows and doors of the Chief’s office. “Lay back.” Hopper orders you, nodding towards his desk. You swallow thickly, hopping on his desk before laying down, your legs hanging over the edge of the table. Hopper carefully places the newly signed paperwork in one of his drawers before mindfully folding your legs up so your feet can rest on the edge of his desk. He quickly makes work of his belt, pushing his trousers and boxers down just enough for him to take his cock out.

Hopper grips your hips, experimentally thrusting his hips forward so that his dick brushes against your sensitive cunt. You gasp, watching the older man’s every move. He grins, meeting your gaze to wink at you, finally gripping his cock and lining himself up with your entrance. You whimper when he thrusts into you slowly, eyes glued on where his hips are pushing into you. Similarly, Hopper’s gaze is fixed on his cock stretching your pussy out, watching as your arousal engulfs his cock before dribbling out of your hole. “Oh yeah” Hopper whispers, more so to himself as he begins setting a pace that immediately has you moaning. “Oh god!” You cry, hands looking for anything to grip. Not finding anything to hold, they start trailing down your body until one of them lands on your clit, rubbing tight circles, the other one pinching at your nipples. Hopper curses loudly at the sight, increasing the power of each and every thrust into you.

Objects on the desk rattle with the power of each thrust, and a pen holder falls off the desk, causing a dozen of pens and pencils to go rolling on the floor. You moan loudly, thighs beginning to shake as pleasure shoots up your abdomen. “Yeah, that’s good.” Hopper praises as your pussy clamps down on his cock. He embraces the sight of you in his police jacket, and just the mere thought that it’s going to smell like you afterwards is enough to bring him closer to his orgasm. Hopper bottoms out with each thrust, his balls smacking against the skin of your ass. He pulls out all the way until just the tip is in before slamming all the way back in as hard as he can, which has you crying out due to his generous size, back arching against the cold wood of the desk.

Hopper’s hands move from your hips to your knees, which he uses to push your legs closer to your chest, leaning his body weight on your legs as he continues thrusting into you. The new angle has your head reeling, and one of your hands eagerly comes up to grip his wrist, as though that will bring you closer to your orgasm. You begin squirming at the stimulation, but Hopper only drills into you harder — it’s the least he can do with his pace slowing down. “Fuck you’re so needy. Pussy fucking swallowing my cock.” He grunts, watching as your pussy squeezes him in. It seems his words have a positive effect on you because you’re suddenly seeing white, back arching as your soul is brought to a different dimension.

You pussy flutters around Hopper’s cock, and he’s immediately halting inside you, thick ropes of cum painting your insides white. You gasp, back arching, and Hopper exhales deeply, gently releasing pressure off your legs, which flop tiredly on his desk, your entire body feeling exhausted. Hopper pulls out, and you hear the rattle of his belt as he makes himself modest again. You jump at the feeling of wet tissues on your cunt, looking up to find Hopper staring down at you worriedly. “Sorry kiddo. You okay down there?” You hum, nodding lazily and putting your hands up so that he can help you sit up. You tuck yourself deeper into Hopper’s jacket, hoping he’ll let you take it home, and it seems he reads your mind because when he pulls your shorts back up, he stands there for a moment smiling at you before finally saying:

“Come on, let’s get you home.”

[batcavescolony]

S4 E20 Supernatural

Misha Collins is an amazing actor, I can't see a shred of Castiel when he's playing Jimmy. He's in the same clothes but when he's Cass he's Cass and when he's Jimmy he's Jimmy. He holds himself differently, He speaks differently, He is fully another character.

Jimmy seems cool, but why don't Sam and Dean check and see if the people that they save from demons are possessed by demons? Just a 'Cristo' or splash of holy water just to make sure? I'd take like half a minute and then you know they're truly safe? Jimmy giving himself up so Clare doesn't have to be a vessel 😭😭😭.

Then Dean finding out Sam has been drinking demons blood for a power up. Saying he's not mad just disappointed then him and Bobby devised a plan to get him to quit cold turkey, this'll be interesting. We're getting to the end of the season.

[albonium]

wild to me that it takes hours for people in the usa to vote. it's never taken me more than 10 minutes and that's including the inevitable chit chat with the people there because they're either my parents' neighbours or the parents of people i went to school with.

[bardicious]

Honestly if anyone deserved to survive into the new timeline it was Lila and Five. 😭😭😭

[nemesisvortex]

imagine an episode of a medical drama, where one of the patients self-diagnoses or otherwise hinders the staff by utilizing information they learned off of tv (medical dramas), thinking they know better than the average patient because of their extensive binging, and the lesson of the episode is the dangers of taking stuff you learn on reality tv, or tv in general seriously

[rustystars]

s1 of true detective has its own share of misogyny but at the very least, there’s a thread throughout it that not treating the women in your life with respect leads to those women not wanting to be around you. marty consistently views women & girls as either in need of protection or in want of sex rather than as complex people, & the story punishes him for this. maggie leaves him & his daughters barely talk to him & his girlfriends are few & far between. & this doesn’t make him a bad person! he’s the hero of the story & he cares incredibly deeply about them, but until he sees them as people, it’s hard for them to want to be around him. it’s a baseline understanding that misogyny, both systematically & on personal levels, leads to women being miserable.

compare that with s2, which somewhat builds itself around conversations of sexual agency & exploitation, but cannot define a single woman outside of her relationship to men. women are abused by men & must be saved by them; when women help themselves they do so ineffectively; they scream & cry & fuck & even then men know how to do it better. even ani, the main character & the Strong Badass Woman detective, is punished for having sex. she cannot protect herself or process her own sexual trauma (only men can help her do that), & she cannot make good decisions in terms of partners (& it's only fair that men degrade & shame her in response.) the only way she, & any other woman in s2, can be happy is through marriage or motherhood. she expresses nowhere in the show that she wants to be a mother, but the viewer is meant to accept her ending as happy, because she has a baby, so she MUST be. the only women who matter, or who can find any sort of contentment, are the mothers of sons. every child in s2 is a boy because women exist only to raise or fuck them, & have no experience of girlhood at all. you can be happy only if you find a good man, & if you can't, only if you commit yourself to being a good mother to your sons. women can only be happy with men to guide them. & also the mystery is boring to watch because fuck you

[undyinglantern]

watching this to figure out exactly how far I got without having to read dozens and dozens of episode summaries and kinda surprised I barely got more than half way

[icharchivist]

oh to be French. I put the news on mute in the background of what i was doing because politics took a turn tonight so there’s improvised protests all over the country and i wanted to keep an eye on them. 

I got to see how the protests started to organize and everything. Looked down to play a game. 

I’m looking up again and apparently people set a police station on fire.

So this is going well. 

EDIT: AND A CHURCH RIGHT AFTERWARD??????????????????

[violentdevotion]

if u see me watchmen oc posting no u didnt

my eyes are closed. so long as you can forgive me in 2 days when i stop posting about watchmen and start incessantly posting about something else