#how to use tilt-shift blur in photoshop
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hi!! feel free to ignore this if you'd rather not answer it but i'm just wondering how you edit your backgrounds because they are breathtaking! there is just so much motion in your edits and i love them so much, you are so skilled <333
hi! i’m sorry it took me a bit to answer this, i kept forgetting 😭 but thank you for the kind words, i adore your editing so it means a lot coming from you! ANYWAY! i’ll get into it the best i can down below
when it comes to my edits, it really depends on the screenshot. but i’ll use my makoa edit for an example!
so, this is the original unedited screenshot. i’ll be basing my background off the horizon/ocean behind him. (also keep in mind i do this all with photoshop!)
first thing i’ll do is separate makoa from the background. (do this is whatever way works best for you, for me i use quick selection or pen tool depending on my mood) when he is selected, i'll press ctrl+j and he'll appear cut out in a new layer. it should look like this.
pressing ctrl, hover over your cut out sim layer, and click it. this will active the selection again. now, navigate to your original background layer. with the selection still active, go to select > modify > expand. expand this selection by about 15-20px. press okay! your selection will grow. now go to edit > content aware fill press okay. your original background should be filled now. (hide your cut out sim and wooo there ya go) it'll look something like this.
looks a bit funky now, but once we get into laying down the ocean/sky it'll come together in time. SO! first thing i do is grab the ocean texture i've made/edited for personal use. i'll match this the best i can to the in game ocean/adjust it to my liking. it'll look something like this.
now, i use my beloved sky replacement tool in photoshop to add in a sunset! if you don't know where it is just go to edit>sky replacement. choose a sky you like, and mess around with the settings until you get it to your liking. mine looks like this now.
now we've got our almost finished background. here i'll run some topaz/sharpen actions i have, and blur it using tilt shift.
now you can go in and add whatever you'd like. i usually don't finish my background off until i'm almost done editing, since i place everything around my sim. but here i added in the sun, some lighting, birds!
and then it'll come together in the end after shading/highlighting and color adjustments like so.
i really hope this was semi helpful?! i suck so bad at explaining things lol ;-;
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How I edit my Sims' shadow in Photoshop
as requested by @adelarsims
& based on this tutorial.
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1. Taking a screenshot
First of all take a screenshot of the Sim - I always do CAS but in-game works too ofc.
I take mine in front of a background that loosely matches the color of the background of my edit, in this case white. If you have a fancy CAS background, I recommend this CC by @sonyasimscc to easily get a simple background for screenshots.
I also use this tutorial by @katverse to get really good screenshots, I use 4000x3000px resolution, and this tutorial by @vyxated to not have a CAS UI in your screenshot if you use a reshade like me.
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2. Setting up the Photoshop file
Now in Photoshop create a file, I use 1250x2000 px.
I made a few guidelines, pink being the middle of the image and dark blue guidelines for my shadow editing.
I have a usually white background and a slight Curves adjustment layer with a gradient layer mask so it gets slightly darker at the bottom, completely optional ofc.
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3. Removing the original background
Import the screenshot and place it however you want. I try to align the Sim in the middle and make it as big as possible.
Then select the layer and go to Select - Subject.
This will usually do a decent job.
If there are some leftover unselected areas (like on her left hand on the hip) you can either add them to the selection now or edit the layer mask later.
Then create a layer mask.
Since the screenshot has a similar background, it shouldn't show too much if it is not perfect.
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4. Creating the shadow
First duplicate the Sims' layer (Shortcut: Ctrl + J).
The layer is probably a Smart Object, so you need to rasterize it and right click the layer mask to apply the layer mask.
Now lock transparent pixels and paint the layer black.
Next unlock the transparent pixels again and move the black layer below the actual Sim. Leave it selected.
Now you will need the Perspective Warp tool.
Draw the grid over the Sim, it doesn't have to be perfect, but make sure every part of your Sim is in the grid and nothing pokes out.
Press enter.
Now you want to drag the upper 2 corners separately wherever you want the shadow to be. I always put mine to the left and around the upper thigh area. I also try to match how slanted the left and right side are.
Now move the bottom 2 corners to try and match the shadow with the Sims' feet kinda. It won't work perfectly and you will need to fix it by hand after.
Press enter again.
Now go in by hand and fix the shadow around the feet.
Simply paint with black on the same layer and erase parts if necessary.
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5. Making the shadow look nice
I like to change the layer opacity to 35%, but it depends how strong you want the shadow to be.
Next I apply a tilt shift blur, unlike in the video.
I use a blur of 15px.
Move the circle at the edge of the image basically or a bit below by dragging the middle of it. Then rotate it on the bottom line by around 10°.
Next move the solid line to the middle of the circle and the dashed line around the ankles.
Then press OK at the top.
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6. Optional: Gradient layer mask
Lastly I like to make the shadow fade out a bit towards the top.
Apply a layer mask to the shadow.
Then get your gradient tool and the default black to white gradient.
Hold shift to make a straight line and drag the gradient down.
This is how I roughly place mine so it's not too strong.
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And that's it!
If you have any questions, let me know~
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You don’t need a shift tilt lens. The original image was probably not taken with a tilt shift lens. It's probably digital.
It’s extremely easy to replicate the feel in Photoshop or another photo editing program. It does work better if you take the photo from a top down angle, but then you essentially pick a strip of the image to remain in focus and use lens blur to blur everything else. Photoshop has actually had a filter specifically for this for almost a decade.
See some of my examples:
Kinda starting to work, but the subject is really too close to the camera.
Better, but it would really work if I was at more of a 45 degree angle to the horizon line vs straight at it.
Best. Actually I don't think the original is quite the same photo as the edited one, but it would have been in the same batch so you can get what the original looked like before I added the blur to tilt shift. (I processed this image in 2012 so IDK where all of the raw files are for these.)
The discovery of tilt shift seems to comes in waves. It was super sexy and people where writing tutorials for how to achieve it digitally in like 2011-2012. Tilt-shift lenses are expensive AF. Digital editing software also expensive AF but more versatile expense.
The short answer is... a tilt-shift lens.
The slightly more complicated answer is... Mister Rogers.
Depth of field is the area in front and behind your chosen focus point that remains in focus and then slowly gets blurry as you get farther away.
Shallow depth of field only has a narrow slice of the image in focus and gets blurry super quick. This is caused by a large lens aperture and being close to the subject.
Deep depth of field can extend through the entire picture if your aperture is small and you are super far away.
Usually the depth of field lines up with the image sensor of your camera. So if it is tilted forward, the plane of focus matches.
The stuff outside the green area would be blurry. The edges of the green would be slightly blurry. And the dashed green line would be the sharpest area of the photo.
But the tilt-shift lens allows you to create chaos with your plane of focus. In most cases, you would use this to flatten the depth of field so you can get a 2D plane entirely in focus.
If you were to use a normal lens, the bottom left and top right would be blurry.
But with a tilt-shift lens you can do this.
The green area is taking a little nap on the floor.
However, there is an unintended side effect created by this lens. (The "Scheimpflug intersection" if you want to go down the rabbit hole.) You can choose absolutely wacky planes of focus that create a very narrow depth of field over a geographically large area.
Believe it or not, this is when psychology comes into play.
And possibly Mister Rogers.
youtube
Our only reference for such a large area having a shallow depth of field is our memories of miniatures on TV. So Mister Rogers and Thomas the Tank Engine trained our brains to see this effect as... small.
Depth of field shrinks the closer you are to something. And when filming miniatures, you are placing the lens close to the scene. But the scene represents something big in our minds. We buy the effect, but not 100%. That blurriness wouldn't be there at a regular scale. So our subconscious remembers we are watching small things pretending to be big. It just files that away in the back of our mind.
And then when we see something like this...
Our brain is all, "Look at all that tiny shit!"
Without Mister Rogers, our brains may have never made these connections and tilt-shift photography may just make us wonder why everything is all blurry. That connection to past experience is vital for this effect to be convincing.
Brains are neat.
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Week 1 Edit Your First Photo
download the exercise file here.
Enhance the Photo
Open a photo
File -> Open -> Locate your photo file
Mac: Cmd + O; Windows: Ctrl + O
Start Pane ->Open
Locate your photo file, and drag it onto the start pane
If you have some other open files, drag to the document tab
2. Crop a photo
C for crop
Ratio
Straighten
Uncheck delete cropped pixels
3. Improve your lighting and color by adjustment layers
Add additional layers to adjust the photo instead of just editing itself.
On the layer panel, click the adjustment layer. It is active when it is highlighted.
The adjustment layer will influence all the layers below it.
To apply the adjustment layer only on one layer instead of all the layers below it, Hold the Opt (M) or Alt (W) and move your cursor between those two layers to clip it in.
To reopen the property panel of the smart filter, double-click the thumbnail of the smart filter layer
To delete a smart filter layer
Activate the layer and hit backspace/delete
Drag it to the trash bin icon at the bottom right corner of the layer panel
Some commonly used adjustment layers:
Solid Color
Brightness / Contrast
Hue / Saturation
Levels
Gradient Map
Selective Color
4. Add a layer mask on an adjustment layer
Using a Layer mask is a non-disruptive way of concealing contents
White: 100% reveals the adjustment
Black: 0% conceal the adjustment
Select the layer mask
Select the Brush Tool
Pick black or gray depending on the percentage you’d like to remove
Brush on the area you’d like to remove
5. Color Picker
Foreground color
Background color
Set back to default: D
Swap foreground and background: X
Increase brush size: ]
Decrease brush size: [
6. Compare the before & after
Show and hide layers
Click the “eye” icon to show and hide layers
To only show one layer:
Hold (M) Opt
Hold (W) Alt
And click on the “eye” icon of the original layer
7. Save a file
File->Save, or Save as
Or Mac: cmd + S; Window: Ctrl + S
Save as a psd file
Choose a destination
Make sure “layer” is checked
---------------------------------------------------
Remove Unwanted Contents
Adding a new layer
Add a new layer with the new layer panel:
(M) Cmd Shift N -> Name it -> Ok
(W) Ctrl Shift N -> Name it -> Ok
Add a new layer and skip naming
(M) Cmd Opt Shift N
(W) Cmd Alt Shift N
Click the + icon at the bottom right corner
Layer - > New
2. Spot Healing Tool
Create a new layer to make sure the editing is nondisruptive
Select Content-aware
Content-aware will sense the content around the brushed area and autofill the brushed area with similar contents
Check “Sample all layers”
If unchecked, the spot healing tool will apply to the layer right beneath the new layer.
If checked, the spot healing tool will sense all layers beneath the new layer
3. Undo
(M) Cmd Z
(W) Ctrl Z
4. Patch Tool
Create a new layer
Select Content-aware in the patch menu
Check “sample all layers”
Click and drag to make a rough selection. Make sure the selected area is slightly larger than the unwanted item
Move your cursor inside the selection and drag the selection to somewhere that you want photoshop to patch.
Deselect the area
Select -> deselect
(M) Cmd D
(W) Ctrl D
Structure: how many details you want to preserve
Color: how much color blending you want
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Miniature Effect - Tilt-Shift Blur
Tilt-Shift
Tilt-shift is a blur effect that gives your photo a miniature feeling by adding depth of field.
Activate the smart layer
Filter -> Blur Gallery -> Tilt-Shift
To reposition the filter: drag the black and white pin
To control the blur strength -> blur slider on the Tilt-Shift panel
To control the size of the focused area: drag one of the solid lines up and down
To control the size of the blurry areas: drag one of the dashed lines up and down
To rotate the focused area, drag one of the white circles
Once you finish, click OK on the control panel.
To edit again, double-click the filter name to reopen it.
To conceal some areas of this filter, paint black or gray on the smart filter layer mask
To delete the smart filter, drag it to the trash bin icon
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Color Adjustment
Black and White
Activate your smart object
Click the half-black and half-white circle at the bottom of the layer panel -> choose black and white
To add more contrast to the image, drag the sliders. Drag left -> darker; drag right -> lighter
2. Add a tint
On the black and white property panel, check “tint”
Click the square next to “tint”, and pick a color you want
To reopen the property panel, double-click the thumbnail of the smart filter layer
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Nothing was indexical
Rosalind Krauss's "Notes on the Index" (which comes in parts one and two, like an Isley Brothers single) dates from 1976 and 1977, which was maybe the heyday of an idea that has become another "modernist myth": that of the self-evident evidentiary nature of photography, that a photograph is a "message without a code," an "index" of some physical presence. "Undoubtedly the photograph implies a certain displacement of the scene (cropping, reduction, flattening)," Krauss concedes, "but this passage is not a transformation (as an encoding must be)."
With that understanding of photography in place — that it simply appropriates reality and represents it without any space for transformative manipulation on the part of the photographer — Krauss argues that painting in the 1970s moved toward the indexical, presenting itself as a kind of evidence in a way, as a mode of cropping reality or isolating it to caption it, rather than as a moment of transcendent truth torn from the eternal now of Real Art (à la Michael Fried circa "Art and Objecthood"). It's as though art no longer needed to aspire to evoking "presence" because photography made that mundane, tedious, too easy.
Here's how Krauss's sums up this shift:
Internal division (drawing) is converted from its formal status of encoding reality to one of imprinting it. The edge of the work is redirected from its condition as closure (the establishment of a limit in response to the internal meaning of the work) and given the role of selection (gathering a visually intelligible sample of the underlying continuum). The flatness of the support is deprived of its various formal functions (as the constraint against which illusion is established and tested; as the source of conventional coherence ) and is used instead as the repository of evidence. (Since this is no longer a matter of convention but merely of convenience, the support for the index could obviously take any configuration, two- or three-dimensional.) Each of these transformations operates in the direction of photography as a functional model.
Now it would be hard to take seriously the proposition that photographs are indexical or that they are "messages without code" — they are now commonly understood as digital artifacts made entirely of code and highly subject to all sorts of manipulations and filtering. The suite of tools in Photoshop (not to mention Instagram or TikTok) offer a new range of ways to reconceive visual media and "pictorial conventions" far beyond cropping and captioning. One could probably examine all forms of visual art since Photoshop in these terms (I'm sure many have): as a kind of rendering, as subject to the default settings of standardized operations, as varying levels of deepfakery. "Gaussian blur" and tilt-shift parameters as ways of seeing, and so on.
The discourses around postmodernism often grappled with the idea that objective truth was not straightforwardly representable, that no evidence transcended interpretation, that presence was a metaphysical fiction, a failed grand narrative. Another way to look at those thematics is in terms of the gradual disillusionment with photography, which could no longer be seen as neutral or transparent, or even as a metaphor for "transparency" or "neutrality" or a blank, unbiased way of seeing. The camera itself is no longer a camera but an engine, a producer of images that are not representations but separate realities in their own right.
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hi beauty! hope ur doing ok. I wanted to ask how do you add the glowy white speckles on your pictures? Ex) on Sarai's rings in her birthday post. Thank you in advance!
If you use photoshop, duplicate the picture, go to blur gallery, then tilt shift, pull the eye all the way down and play with the light Bokeh and you did it :)
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Photography-An art to excel
Over the recent months we’ve been presenting various showcases of photography – while many readers hated the showcases, most readers found them inspirational and perfect for a lousy workday’s morning. However, what we should have done in the inspirational posts is not just provide you with some inspiration for your work, but also present useful photographic techniqueswhich can help you to achieve optimal pictures for your designs. And as requested by many of you, now it’s time to correct our mistake.
Over the recent months we’ve been presenting various showcases of photography – while many readers hated the showcases, most readers found them inspirational and perfect for a lousy workday’s morning. However, what we should have done in the inspirational posts is not just provide you with some inspiration for your work, but also present useful photography techniques and photo tutorials which can help you to achieve optimal pictures for your designs. And as requested by many of you, now it’s time to correct our mistake.
In this post we present useful photographic techniques, tutorials and resources for various kinds of photography. You’ll learn how to set up the perfect environment and what techniques, principles and rules of thumbs you should consider when shooting your next perfect photo. This round-up isn’t supposed to be the ultimate one – please feel free to suggest more useful articles in the comments to this post.
You may want to take a look at the following related posts:
Among other things, we cover high-speed photography, tilt-shift photography, black and white photography, motion blur, infrared, night, smoke photography, macro photography, HDR, panoramic photography, RAW processing and others. Hopefully, you’ll find many of the listed tutorials and how-tos useful for your regular work.
With so many people working from home, we thought we would bring our Smashing Workshops from our home offices to yours. Meet online front-end & UX workshops, with practical takeaways, interactive exercises, recordings and a friendly Q&A.Check upcoming workshops ↬
1. High Speed Photography Celebration Of High-Speed Photography This post is supposed to provide you with some inspiration of what can be done with high-speed photography. It also showcases some truly stunning slow-motion videos. Home-Made High Speed Photography (PDF) Pictures of high-speed events such as popping balloons, breaking glass, and splashing liquids reveal interesting structures not visible to the naked eye. With this guide you can take your own high-speed photos to captures these ephemeral events. A very detailed tutorial. photography techniques 2. Tilt-Shift Photography Tilt-shift photography refers to the use of camera movements on small- and medium-format cameras; it usually requires the use of special lenses. Tilt-shift actually encompasses two different types of movements: rotation of the lens relative to the image plane, called tilt, and movement of the lens parallel to the image plane, called shift. Tilt is used to control the orientation of the plane of focus (PoF), and hence the part of an image that appears sharp; it makes use of the Scheimpflug principle. Shift is used to change the line of sight while avoiding the convergence of parallel lines, as when photographing tall buildings. Another, less cost-intensive technique called tilt-shift miniature faking is a process in which a photograph of a life-sized location or object is manipulated so that it looks like a photograph of a miniature-scale model. 50 Beautiful Examples Of Tilt-Shift Photography Tilt-Shift Photography Photoshop Tutorial This tutorial was produced using Photoshop CS2 on a PC. photography techniques 3. Black And White Photography Beautiful Black and White Photography One of the most beautiful inspirational posts on Smashing Magazine, featuring over 50 brilliant works from photographers across the globe. Black and White Photography Techniques 5 Black and White Photography Tips A short, but useful article by by Darren Rowse, featuring shoot in RAW, low ISO and other techniques. You may also consider reading the articles Key Ingredients for Black and White Images Black and White Photography Guide This photography technique starts before the shot is even taken. In this article you’ll find some quick tips on what to look for to ensure the perfect black and white landscape – e.g. camera settings for black and white photography and what filters are good for black and white landscapes. Digital Black and White This site features professional photography articles written by Keith Cooper. It covers black/white-photography-techniques, image manipulation techniques, tools, articles and camera reviews. The Top 5 Black & White Photography Tips Five handy tips to get you going in the right direction: practice, focus on contrast, focus on texture, use color filters and more. If you want to learn more about the actual black and white conversion process in Photoshop, see the article 12 Ways to Make a Black & White Photo as well. Motion Blur Bridge smoke 4. Motion Blur Photography 45 Beautiful Motion Blur Photos A showcase of motion blur photos. Motion blur is frequently used to show a sense of speed. You can artificially achieve this effect in a usual scene using cameras with a slow shutter speed. Also Adobe Photoshop can be used for this purpose, though sometimes images may look unnatural and unprofessional. How to Capture Motion Blur in PhotographyCapturing movement in images
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فیلتر tilt-shift blur فتوشاپ - tilt-shift blur
پست جدیدی در وبسایت گرافیشا منتشر شد.
فیلتر tilt-shift blur فتوشاپ - tilt-shift blur
با استفاده از فیلتر tilt-shift blur فتوشاپ ، می توانیم جاهای دلخواهی از تصویر را بلوری کنیم. این فیلتر، امکان تنظیم مقدار بلور، محلی که بلور قرار می گیرد و جاهایی که می خواهیم بلور نشوند را می دهد.
انتخاب فیلتر tilt-shift blur
از Filter->Blur->tilt-shift blur را انتخاب می کنیم. با انتخاب آن، در سمت راست، دو پنل باز می شود. یکی blur tool و دیگری blur effects. در پنل blur tool، 3 نوع blur نمایان می شود که می توانیم یکی از آن ها را انتخاب کنیم. این کار با کلیک کردن بر روی تیک کنار آن ها امکان پذیر است، سپس هر نوع بلور را که خواستیم را بر روی عکس اعمال می کنیم. این 3 نوع بلور، عبارت اند از:
field blur
Iris blur
tilt-shift blur
نکته ای که در اعمال هر یک از این 3 بلور باید دقت کنیم، این است که نمی توانیم ابتدا لایه را به smart object تبدیل کنیم و سپس بلور را به عنوان یک smart filter بر روی آن اعمال کنیم. پس مطمئن شوید که در ابتدای کار با استفاده از ctrl+j، یک کپی از لایه بگیرید.
نکته ی دیگری که باید دقت کنیم، این است که یکبار ctrl+z بعد از اعمال یکی از این فیلترها مجاز است. اگر یکی از این فیترها را اعمال کردیم و سپس ctrl+z زدیم تا آن را برداریم. می توانیم بار دیگر، از منوی Filter، اولین گزینه را انتخاب کنیم تا فیلتر با همان تنظیماتی که قبلا ایجاد کرده بودیم، دوباره اعمال شود.
بررسی فیلتر tilt-shift blur
در وسط عکس، یک دایره وجود دارد، که با جابه جا کردن آن، می توانیم ناحیه ای که بلور می شود را مشخص را جابه جا کنیم.
دور آن، یک کنترل دیگر وجود دارد که با کم و زیاد کردن آن، مقدار بلور افزایش یا کاهش می یابد.
کلا 5 ناحیه در شکل می بینیم:
دو ناحیه ی بالا و پایین که کاملا بلور شده اند.
دو ناحیه ی وسط که تا حدودی بلور شده اند.
یک ناحیه ی وسط، که اصلا بلور نشده است. می توانیم بر حسب نیاز، خطوط مرزی را جابه جا کنیم تا اندازه ی این ناحیه ها تغییر کند.
اضافه کردن tilt-shift blurهای بیشتر
به هر تعداد از این نقاط، که مایل باشیم، می توانیم اضافه کنیم؛ کافی است که در هر جای دلخواه از تصویر، کلیک کنیم.
ویژگی های دیگری که برای فیلتر tilt-shift blur در پنل blur tools در سمت راست می توانیم اعمال کنیم
ویژگی distortion: شکل انحراف را برای بلور اعمال شده تعیین می کند.
ویژگی symmetric distortion: فعال بودن این گزینه، باعث می شود که انحراف از هر دو سمت به یک اندازه اعمال شود.
مثالی از فیلتر tilt-shift blur فتوشاپ در بالا آمده است. مشاهده می کنیم که چطور بعضی قسمت های تصویر، بلور شده اند و بعضی دیگر، دست نخورده باقی مانده اند.
مرجع کامل فیلترهای فتوشاپ در سایت گرافیشا.
#blur fitlers in photoshop#how blur an image#how to blur an image in photoshop#how to use blur filters in photoshop#how to use tilt-shift blur in photoshop#photoshop blur filters#photoshop tilt-shift blur#tilt-shift blur#tilt-shift blur filter in photoshop#using photoshop blur filters#آموزش استفاده از tilt-shift blur#آموزش استفاده از فیلتر tilt-shift blur در فتوشاپ#آموزش بلوری کردن تصویر#آموزش بلوری کردن تصویر در فتوشاپ#استفاده از فیلترهای بلور در فتوشاپ#بلوری کردن تصویر در فتوشاپ#چطور از فیلترهای بخش بلور فتوشاپ استفاده کنیم#چطور در فتوشاپ، تصویر را بلوری کنیم#روش های بلوری کردن تصویر در فتوشاپ#فیلتر tilt-shift blur#فیلتر tilt-shift blur فتوشاپ
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could u describe ur process of digital painting? i noticed that u first paint it in greyscale, then u put colors. how does it work, how do you work around it?
Hii! Oh my God I never thought I’d have anyone asking drawing advice from me 👉🏻👈🏻 I draw for fun and because formula one is taking 90% of my brain space nowadays and I never went to art school to back up my drawing advice so don’t take it at face value. I’ll just describe how I usually do it 👉🏻👈🏻
So basically;
Searching for references (muse photos, paintings, ambience, colours) for rough conceptualisation
Super rough intelligible sketch 🤣
Normal sketch
Line art (I love linearts because I grew up reading Marvel and I thought they’re beautiful. When people do hyperrealism painting I notice they’d delete the sketch lines later but I don’t)
Grayscale painting, this is important for me to understand the value of every colour and pinpoint the light source for the artwork. If it looks good black and white then it’d loom good coloured 👌🏻 (don’t know who said this but some professional artist I heard somewhere maybe)
Colouring! This is where I just play around with the setting of the layers in photoshop. I usually use a combination of overlay, mutiply, lighten and colour dodge.
And then final touches: Level, Curve, Colour grading, Filters (I mainly use camera raw and tilt shift blur)
That’s it! I hope hope it helps!!
#sbr.asks#answered#but to be honest#90% of the time when I’m painting I don’t know what I’m doing#don’t take my advice at face value#🥲
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VeryUtils Online Image Editor
VeryUtils Online Image Editor is an online graphics editing tool using HTML5. VeryUtils Online Image Editor works in all modern browsers that support HTML5. VeryUtils Online Image Editor lets you create, edit, enhance images using HTML5 technologies on Windows, Mac, Linux, iOS, Android, etc. systems. You can embed it into your Web, Desktop and mobile applications easily.
https://veryutils.com/image-editor
VeryUtils Online Image Editor is an online painting application. You can do all the paint related works using this app. VeryUtils Online Image Editor operates directly in the web browser. You can create images, paste from the clipboard (ctrl+v) or upload from the computer (using menu or drag & drop). Nothing will be sent to any server. Everything stays in your web browser.
VeryUtils Online Image Editor is the best online image editor using HTML5. Edit, adjust your images, add effects online in your browser without installing anything.
License Types:
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* Subscribe to Our Cloud Service (We are provide FREE Maintenance Service forever)
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Key Features: layers, transparency, offline graphics editing, filters, HTML5, Photoshop alternative General Features: open, edit, save images, various drawing tools like Magic Wand tool, Clone tool, erase, fill, color picker, colour selector, layers, pencil, brush, shapes, trim, flip, rotate, resize, transparency, zoom, grid, EXIF data, crop, export/import layers data, paste from clipboard, 30 various filters including blur, Tilt Shift, perspective, denoise, vignette, auto colorize, auto adjust colors, decrease color deapth, histogram, gradients, Hermite resample.
Browser Support: * Chrome * Firefox * Opera * Edge * Safari * IE 9/10 and later versions
VeryUtils Image Editor Highlight Features: * Files: open images, directories, URL, data URL, drag and drop, save (PNG, JPG, BMP, WEBP, animated GIF, TIFF, JSON (layers data), print. * Edit: Undo, cut, copy, paste, selection, paste from clipboard. * Image: information, EXIF, trim, zoom, resize (Hermite resample, default resize), rotate, flip, color corrections (brightness, contrast, hue, saturation, luminance), auto adjust colors, grid, histogram, negative. * Layers: multiple layers system, differences, merge, flatten, Transparency support. * Effects: Black and White, Blur (box, Gaussian, stack, zoom), Bulge/Pinch, Denoise, Desaturate, Dither, Dot Screen, Edge, Emboss, Enrich, Gamma, Grains, GrayScale, Heatmap, JPG Compression, Mosaic, Oil, Sepia, Sharpen, Solarize, Tilt Shift, Vignette, Vibrance, Vintage, Blueprint, Night Vision, Pencil, also Instagram Filters: 1977, Aden, Clarendon, Gingham, Inkwell, Lo-fi, Toaster, Valencia, X-Pro II. * Tools: pencil, brush, magic wand, erase, fill, color picker, letters, crop, blur, sharpen, desaturate, clone, borders, sprites, key-points, color zoom, replace color, restore alpha, content fill. * Help: keyboard shortcuts, translations.
How to embed VeryUtils Online Image Editor into your web page?
-- To embed this app in the other page, use this HTML code:
[iframe style="width:100%; height:1000px;" id="VeryUtilsImageEditor" src="https://veryutils.com/app/image-editor/" allow="camera"][/iframe]
-- Enable VeryUtils Online Image Editor to open an online image file automatically,
https://veryutils.com/app/image-editor/?url=https://veryutils.com/images/picture.jpg
[iframe style="width:100%; height:1000px;" id="VeryUtilsImageEditor" src="https://veryutils.com/app/image-editor/?url=https://veryutils.com/images/picture.jpg" allow="camera"][/iframe]
-- Enable VeryUtils Online Image Editor to open an online template file automatically,
https://veryutils.com/app/image-editor/?url=https://veryutils.com/app/image-editor/images/test-collection.json
[iframe style="width:100%; height:1000px;" id="VeryUtilsImageEditor" src="https://veryutils.com/app/image-editor/?url=https://veryutils.com/app/image-editor/images/test-collection.json" allow="camera"][/iframe]
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Download analog efex pro full
#Download analog efex pro full pro#
Lens vignettes are a powerful tool for recreating the look of old lenses and for concentrating attention on the center of the frame. This one is pretty subtle and barely noticeable on its own, but it does add to the atmosphere and effect of the preset as a whole. You can change the Strength setting and also move the light leak effect around the image using an on-screen gadget. You can see from the Light Leaks panel that there are a lot to choose from. Light leak effects are very popular for creating an atmospheric analog image with an evocative haziness or a deliberate ‘leaky camera’ look, where light has got in at the back and fogged the film. This preset does also use a light leak effect… 4. It looks a little like a light leak but different at the same time. This image gets its ethereal effect from the second exposure, its position and its blurring/blending effect. You can use the on-screen gadget to position the second exposure, adjust its Exposure and its Exposure Balance with the original, and its Zoom Strength and Rotate Strength. It effectively copies the main image, distorts it and blends it back in with the original. The Double Exposure panel is the key to this set of effects. This rolls the dice randomly on this set of filters, so it’s a great way to see countless variations and without getting exactly the same one twice. If you look at the bottom of the sidebar you’ll see a Vary button. All the Double Exposure presets use this set of filters, but that’s not to say they use all of them. That’s because the filter is enabled for this preset but not used. You’ll see from the panel, though, that the Blur Strength is set to zero. You can create a circular blur towards the edges of the picture, which is what’s used here, or a horizontal blur to create a tilt-shift ‘miniature’ effect.
#Download analog efex pro full pro#
It’s not strictly the same thing, but Analog Efex Pro uses ‘bokeh’ to describe its controlled blur/defocus effects. You can use Control Points to mask the effect in parts of the image you want left unaltered. At the bottom you’ll see and expandable Control Points section. This combines a kind of HDR and structure effect to bring out details in the shadows and make objects stand out clearly. The Detail Extraction slider at the top is interesting, though. You use it to tune the basics: Brightness, Contrast and Saturation. This panel is standard in just about all Analog Efex Pro presets. I’ll explain each one individually, how it works and the effect it has on the photo. These tools and their settings are in the right sidebar. It’s applied to the image with a single click, but this preset actually uses several Analog Efex Pro tools in combination. The one I’ve chosen for this walkthrough is ‘Double Exposure 2’. If you select this you’ll see a list of preset double exposure effects in the sidebar. In the left sidebar you’ll see a choice of different ‘Cameras’, and one of these is ‘Double Exposure’. You can launch Analog Efex Pro as a standalone program, as an external editor for Capture One and other programs, or as a plug-in for Lightroom or Photoshop.
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On1 effects current version
ON1 EFFECTS CURRENT VERSION SKIN
ON1 EFFECTS CURRENT VERSION PORTABLE
ON1 EFFECTS CURRENT VERSION PORTABLE
Preview any look or effect instantly What’s New in ON1 Effects Portable
ON1 EFFECTS CURRENT VERSION SKIN
Like placing filters on the end of your camera, just easierĮasily retouch using filters specific to skin tonesĮasily save and organize your own looks and presets Quickly preview the effects and how the look appears on your photoĪI technology detects your subject matter and automatically creates a maskīlend photos together for exposure or create vignettes and graduated filter looksĪdd common adjustments to only a portion of your photoĬrop, content-aware fill, clone, refine, chisel, and blur are perfect for touching up photosĬreate luminosity masks based on the image to automatically protect the highlights or shadows Includes hundreds of built-in photo effects, filters, LUTs, borders, textures, and presets Non-destructive, stackable, and re-editable photo filters and presets The collection of tools in ON1 Effects Portable are perfect for selectively applying effects and cleaning up your photos. The world’s best effects for finishing your photos. You can dial in every setting to your taste with instant previews! You’re in complete control of every edit you make. Once you’ve made your adjustments, you can save your own preset for quick access later on. Filters and presets are easy to find and apply. We’ve made sure that your slider adjustments won’t stick, giving you a fast and smooth editing experience. Every effect can be brushed in or out in just seconds. Use the easy-to-use yet powerful tools to target your effects to specific areas of your photo. Includes 27 stackable filters and hundreds of presets, borders, and textures. You’re going to love experimenting with all the unique and beautiful effects you’ll be able to add to your photos with just a few clicks - the creative possibilities are limitless!Ĭombine multiple effects to create any possible look. Popular looks include B&W, HDR Look, Dynamic Contrast, Lens Blur (tilt-shift), Glows, Film Looks, Split Tone, Textures, Borders and more. ON1 Effects Portable includes hundreds of built-in presets, filters, LUTs, textures and borders that you can combine, blend, and customize to your style. Instantly stylize your photos and create any look you want. The Ultimate Collection of Photo Effects, Filters, LUTs, and Presets. ON1 Effects Portable works on Mac and Windows and can be used as a standalone application or as a plug-in to Adobe Lightroom and Photoshop. Our team of experts curated the trendiest looks with amazing new one-click presets. With ON1 Effects Portable, you get professional results in seconds without having to do any complex edits. We’ve curated hundreds of the most popular looks and styles seen throughout the industry.
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Download pixelmator pro free online
Download pixelmator pro free online update#
Download pixelmator pro free online skin#
Download pixelmator pro free online full#
Download pixelmator pro free online pro#
What if we had bigger pointers for larger brush sizes? Maybe a crosshair for more precise sizes? How about a unique pointer shape for the pixel brush tool, which also has pointer snapping to each pixel for even more precision? So many possibilities to make this a really unique experience for the iPad. There’s also some keyboard functionality missing like being able to select multiple layers/objects on the canvas with Shift or Command.Ī nice little bonus would be to have enhanced pointer shapes with brushes, erasers, etc. Would love to have a tool sidebar kind of like the desktop Pixelmator app! The keyboard shortcuts make this a lot easier, but I don’t always have access to a keyboard (like when I’m drawing with Apple Pencil). Thanks for fixing the issues with selection editing with the keyboard too!Īs some of the other reviews mentioned, the UI is definitely a little clunky especially on big iPad screens-especially the two modal screens you have to go through to choose a specific brush or selection type.
Download pixelmator pro free online pro#
Really love the new keyboard and trackpad support-really makes it feel like a pro app.
Download pixelmator pro free online update#
New update is awesome, but still a few missing things
Download pixelmator pro free online full#
Designed to take full advantage of powerful iOS features and technologies and engineered to leverage the full power of 64-bit architecture, Metal, Core Image, and Core Animation, Pixelmator delivers state-of-the-art performance and real-time responsiveness. Pixelmator is meticulously thought through and created from the ground up for iOS 14.
Instantly publish your images to social platforms like Flickr, Twitter, and Facebook.
Share your artwork with friends and family via email.
Create, edit, and keep all your images up to date on all your devices thanks to iCloud support.
Store and access images in iCloud Drive.
Save your images directly to your Photos app.
Open and save images using PSD, JPEG, PNG, and many other popular formats.
Open, edit, and save Photoshop images with layers.
Easily remove image background or cut and paste objects from one image to another.
Crop, arrange, and rotate objects and layers with pixel-perfect precision.
Use precise selection tools to edit areas of an image.
Blend layers, shapes, and text using any of the 32 blending modes.
Easily add, combine, and customize shapes.
Add text and make it look beautiful with a full set of text-styling settings.
Insert, group, merge, and blend layers of an image.
Apply non-destructive layer styles like shadows, outlines, gradient fills, and more.
Combine words, shapes, and images to create breathtaking artwork right on your iPhone.
Enjoy perfectly seamless painting thanks to the Pixelmator Paint Engine.
Paint more naturally than ever with the Apple Pencil on your iPad Pro, featuring palm rejection, pressure, tilt, and acceleration sensitivity.
Use layers to isolate and blend elements of your painting.
Instantly choose colors right from your image with the Eyedropper.
Easily select and fine-tune colors with a full-featured Color Picker.
Vary the speed of your stroke to change brush thickness of some of the brushes.
Smudge colors of an image for smooth color blends.
Paint with incredible detail thanks to the double texture brush technology.
Create stunning pixel art images with the custom-designed Pixel brush.
Paint with near-natural wetness effect of watercolor and crayon brushes.
Choose from more than 100 artist-designed brushes and numerous painting techniques.
Paint stunning images right on your iPhone and iPad.
Open and edit images of up to 100 megapixels.
Choose from dozens of breathtaking effects to subtly improve or completely change the look of an image.
Blur, sharpen, lighten, or darken areas of an image.
Pinch, bump, twirl, or warp areas of an image with powerful, Metal-based Distort tools.
Duplicate areas of your image with the easy-to-use Clone tool.
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Wipe away image imperfections, skin blemishes, and unwanted objects with the Repair tool.Easily remove color casts and set the right white balance.Take full control over the tonal range of your image with levels and curves.Instantly improve your photos with single-tap color correction presets.Get started with dozens of beautifully designed templates.Pixelmator has everything you need - whether you’re a mobile photographer, mobile painter, or mobile graphic designer - all in one easy-to-use app.ĭesigned exclusively for iOS, Pixelmator takes full advantage of the latest iOS 14 features and technologies, giving you innovative, fast, and powerful tools. Pixelmator is a powerful, full-featured, layer-based image editor that lets you touch up and enhance images, sketch, and paint, as well as create advanced image compositions on iPad and iPhone alike.
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Adobe photoshop elements 11 transparent background
#ADOBE PHOTOSHOP ELEMENTS 11 TRANSPARENT BACKGROUND INSTALL#
The ACR 7.1 dialog allows you to choose the latest process ver. Process Version 2012 Additional control To the top To the top Sharpen tool Move tool Color Picker Color Replacement tool Refine edges tool To the top To the top The Adobe Camera Raw 7.1 (ACR 7.1) converter introduces Process Version 2012, a newer form of deciphering the raw file format. Panel bar Photoshop Elements has been reworked to present the working spaces. User interface Guided edits Panel shortcuts Quick mode toolbar Create menu Panels To the top To the top Photoshop Elements in Expert mode A. Applying the lens blur filter (Filter > Blur > Lens Blur) creates an effect simi. Lens Blur filter To the top Exposure Vibrance To the top Original image (left), and image after applying the Graphic Novel filter (right) Simulate the blur created by a camera lens, by blurring certain objects in an image, while retaining the clarity of the rest. Enhance a portrait by darkening the peripheral areas, and automatically drawing attention to the center of the ph. Vignette To the top Comic Filter Pen and Ink filter Graphic Novel Filter Picture before applying the tilt-shift effect (left), and after (right) Pictures that have vignetting tend to have a brighter central region, and a dark periphery. What's new To the top High key Low key Tilt-shift Guided Edits Filters Exposure and Vibrance (Quick edit mode) Usability Enhancements Actions Panel Adobe Camera Raw (ACR) 7.1 Photo service provider for users in Europe - CEWE Color Tool enhancements Online Content Effects and Styles Preferences Guided Edits Adobe Photoshop Elements Editor 11 in. To the top To the top Is there a way I can mark or tag people in photos ? How can I add information about places in my photos ? In photos of birthdays and other events, can I add event information ? Editing and compositing Can I make quick fixes in the Organizer workspace? How can I open Photoshop Elements Editor from the Organizer workspace and wo.
#ADOBE PHOTOSHOP ELEMENTS 11 TRANSPARENT BACKGROUND INSTALL#
Follow any instructions that appear on the computer to install drivers a. Here are some guidelines that are good to follow: Read the documentation that came with your device. Getting started tutorials To the top To the top Knowing your devices You can take photos or videos with a variety of devices and bring them into Elements. Selecting a region changes the language and/or content on E ® P HO T OSHOP ® ELEMENT S Help a nd tu t orial s. However, keep in mind that hard-edged transparency can cause jagged edges in the image. Use hard-edged transparency when you don’t know the background color of a web page, or when the web page background contains a texture or pattern. When working with GIF or PNG‑8 files, you can create hard-edged transparency: all pixels that are more than 50% transparent in the original image are fully transparent in the optimized image, and all pixels that are more than 50% opaque in the original image are fully opaque in the optimized image. You can create transparency when you create a new layer or use the Background Eraser or Magic Eraser. To create background transparency or background matting in the optimized image, you must start with an image that contains transparency. Background matting works best if the web page background is a solid color and if you know what that color is. Keys for showing or hiding panels (expert mode)īackground matting, supported by the GIF, PNG, and JPEG formats, simulates transparency by filling or blending transparent pixels with a matte color that matches the web page background.Optimizing images for the PNG-24 format.Optimizing images for the GIF or PNG-8 format.Smooth selection edges with anti-aliasing and feathering.Add blur, replace colors, and clone image areas.Scratch disks, plug‑ins, and application updates.System requirements | Photoshop Elements.
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photographic editing.
My today class was wonderful and beautiful, I learned how to use my My photoshop to clean and creates a need and wonderful picture.
this was how i did my editing for my pictures were through the steps which are: going to my Adobe photoshop app, than
1 Crop and straighten
Using the Crop tool, you can trim edges, change the shape and size of a photo, and even straighten a crooked shoreline or horizon.
2 Improve lighting and color
Brighten a photo and make its colors pop using adjustment layers.
3 Remove unwanted content
Easily eliminate distracting elements with the Spot Healing Brush tool and the Patch tool.
4 Add creative effects
Convert color to black and white, add an old-fashioned tinted look, and play with focus using the Tilt-Shift Blur filter.
5 Sharpen and save
Apply a sharpen filter to give your photo a finishing touch. Then save your edited file in PSD format to preserve your layers for future editing. To share your photo online or by email, save a copy as a JPEG.
This are some examples of my work form last class.
i think i am in love with photography than fine art because of today class.
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