#how they figured out the core aspect

[iwritenarrativesandstuff]

ok now I’m thinking of what a video game of some of my favourite manga would ideally look like. hm…..

[4-the-l0ve-0f-art]

“The Captain’s beloved…wait, what?!”

Capitano x Gender Neutral Reader one shot

Work count: 2.2k

Genre: Fluff, Comedy, Domestic Fluff, Established Relationship

Rating: General Audiences

Trigger Warnings: none

Summary: The fatui discover that their Captain does, in fact, have a life outside of work and gossip between the ranks ensues. (Cue silly fatui shenanigans)

Ao3 Link

Capitano, the Fatui’s first lord and harbinger, contrary to popular belief, was respected and admired by his platoons rather than feared. There was a widespread misunderstanding both in and outside the organization that the Captain was a harsh and dangerous leader due to his mysterious nature. However, the people who worked under him knew better as they had grown to admire him the more they interacted with him.

He held himself with pride and treated his soldiers the same way he wanted to be treated: with respect and dignity. And in return, they learned the depths of this man’s strategic genius and strength. His strength was unmatched in combat and led his people well with good decision making and training. They could only hope to be as good as him in his various fields of expertise.

He was strict, and quick to discipline unruly fatuus, yes, but that did not stop others under his command from admiring him. And to emphasize this even more, it was clear that his fellow harbingers and even the Tsarista respected him, whether their goals and morals aligned with his or not. However, this made the people around him curious about aspects related to him outside of his work and title. He was a revered public figure and people were naturally curious about his personal life.

This is where you came in. You, his one and only beloved, the only person who held his whole heart in your hands. Not many people knew of this, but the Captain was a gentle man at his core, and you had somehow managed to uncover all of his being and see him fully as himself, without his title, without his strength. You knew this man inside and out, just as he had come to know you. It was a mutual love, one which even he did not know he was capable of feeling, and that made him all the more enamored with you.

This, however, people did not know. So you can imagine the surprise on their faces when you, an ordinary civilian, came to the Zapalyarny Palace and asked for directions to the Captain’s office. The clerk at the desk looked at you blankly, as if she were staring at an anomaly. This prompted you to try and explain yourself.

“..I’m here to drop off his lunch. So, if you don’t mind..?” You asked.

No response. The blank stare continued.

You already knew that you looked out of place in this grand palace with no Fatui uniform or mask on. But you were determined to make sure your beloved got his lunch, which you had specifically decided to make for him that day as a special treat for how hard he had been working while preparing for a business trip to Natlan.

“Excuse me..?” You said a little louder this time. That seemed to snap her back to reality.

“You cannot enter this place, only authorized personnel are allowed inside. If you’d like to meet our lord, please book your appointment accordingly.” She replied on autopilot, as if she’d rehearsed the same sentence multiple times.

“I’m sorry, I know you have your duties, but I’m here just to drop off his lunch. You can check with him yourself if you’d like..”

“He’s busy at the moment, please leave your package here and we will deliver it to him.” She replied. It seemed like you were being studied like a suspicious person who was attempting to sneak in.

Fair enough.. you thought. I was hoping I would get to spend a few minutes with him and see how he was holding up at work but that can wait till he’s home. And she’s not wrong, I did drop by without notice, so it makes sense for them to be suspicious.

Fatui soldiers passing by had also been glancing at the ongoing conversation at the front desk, eyeing the lunch box wrapped in patterned cloth in your hands with raised eyebrows. You decided to leave the food there, getting one last word in before leaving.

“If you could, please make sure it reaches him soon. It’s his favorite meal and I would prefer it didn’t go cold before he ate it.”

And then everyone watched as your ordinary self left, unaware of the number of eyes on you.

…

A pyroslinger skirmisher stationed near the entrance asked dumbfoundedly, “Did..did they just say that was the Captain’s favorite meal? Our lord harbinger?”

A cryogunner skirmisher who had also watched the whole thing go down as he clocked in asked another question right after, in the same state of confusion as the previous fatuus. “..Has anyone seen them around before? They don’t look like someone who would be seen standing next to Lord Capitano.”

And as the just as confused clerk left the scene towards his office with your goods in hand, excited chatter filled the halls.

Chaos would be the right word for it. You had left chaos in your wake with a simple visit to his workplace.

…

That night, as you and Capitano settled in to relax in your shared home after a long day of work, you asked him how his lunch was.

“It was delicious, my love.” He replied, gently caressing your face with his hands while looking down at you through his mask. “It felt like a treat to have your home cooked meal at work. You didn’t have to, but thank you. It made my day.”

You smiled and took his hands in yours as you nuzzled into his touch. “I’m glad you liked it. I was going to give it to you myself but I couldn’t enter the place.”

“You should visit more often. I’ll let the security personnel know to let you enter so you can come and go as you like.” He paused, clearing his throat. “..Seeing you in the middle of a long day would bring me relief.”

You felt slightly flushed at his straightforward choice of words. “I don’t think I’ll ever get used to you being so..open with me. But I like it, of course. I would like that as long as I’m not disturbing you at work.”

Capitano chuckled. It was like the angels decided to bless you today, really. “I will always make time for you, my love. Just as you do for me.”

You beamed. “Okay, okay, let’s get some sleep now, Mr. Loverman. We still have work tomorrow in case you’re forgetting.”

A kiss on the forehead and the rustling of sheets was all you heard before you were whisked away to dreamland.

…

Unbeknownst to you and Capitano, however, word about you spread like wildfire across the next few days between the excited fatui soldiers. Some from even the different departments under the other harbingers might’ve heard. The person who looked like a civilian, dropping lunch packed in pretty cloth for their Lord did not go unnoticed.

This was the only time someone unrelated to work had been seen asking for their Captain and questions about your relation to him were on the tip of everyone’s tongue during break times.

Two fatuus gossiped as they watched the Captain spar in training with his fellow soldiers, admiration evident in their eyes.

“Someone dropped off lunch for him? I thought he would be too busy having meals with high rankers from across Teyvat.”

And after a short pause the other replied, “Dude, hold on, does he even eat? I thought he was superhuman or something.”

“I know you’re dumb, but I didn’t know you were that dumb, my guy.”

“Hey! Just saying… anyway, are we even sure the people weren’t hallucinating when they saw the person drop lunch off for him?”

“I heard it was his favorite meal, freshly cooked, apparently. Who knows, man? Maybe it was a fan or something. Our lord does have a pretty big following, y’know.” The fatuus stated proudly.

Their lively chatter continued until they were called back into training.

…

A few days later, as soon as you found the time, you decided to visit Capitano at work with yet another home cooked meal. You wanted to make most of your time with him before he traveled to Natlan and having meals together would be a good way to wind down a little.

You entered the palace yet again, determined to meet him this time. It should be fine, right? He did say he would inform them..

And as you had hoped so, he did, in fact, inform them. As soon as the same clerk from before saw you, it seemed like her eyes were bulging out of her sockets. All you had to do was reach the desk and she confirmed your name and led you to the training grounds, where he was currently working. It seemed like some sort of training session was in the works, with all kinds of combat taking place between the soldiers in the distance.

Before you could ask her if you were even allowed to enter this place, she bowed and hurried back in the direction of the front desk. The strange behavior didn’t go unnoticed by you but now you had to find your way to Capitano across the opposite side of the field. Since you were here at last, why not just see things through?

The middle of the field was the most densely occupied with various people fighting in different groups, while what you recognised as skirmishers were practicing their aim at dummy targets on the right side. The soldiers were hard at work even in the harsh everlasting winter of Snezhnaya. The left side of the field, however, seemed less crowded compared to the rest as people seemed to be setting up their gear or resting. Your Captain, opposite to you across the field, was busy conversing with a group of soldiers who seemed to be listening to him attentively.

You decided your best option was to take the left side. It would be easier to walk through the calm atmosphere over there.

As you made your way through the crowd, people started to notice you. They were pretty intimidating with their weapons and muscled bodies at display so you decided to be extra careful to not bump into anyone and quickly made your way across, and as you got closer, Capitano’s voice became clear.

“The heat in Natlan will be unbearable. You will be stationed in the wild all day, so make sure you have the appropriate supplies to get you through the day. It is of the utmost importance that...what, what is it? Why are you all staring at me like that?”

The group’s attention shifted from him to you, as you stood behind him and tapped his shoulder.

“Capitano, do you have a moment..?” You asked as he turned around, his armor clinking from the movement.

“Oh, my love!” He exclaimed in a soft voice. “What brings you here? Hold on, let's get you back inside. You’ll catch a cold here.”

The group (and everyone nearby) watched in complete awe as his demeanor from before completely switched from authoritative to somewhat… joyfull? Was Lord Capitano being affectionate?

“I brought you lunch, but I can leave it in your office if you’re busy right now.” You said hurriedly, not wanting to keep him busy.

“No, that won’t do, my love.” He took the package from you and placed his hand on your back. “Eat with me inside.”

He then turned back to the group, who jolted straight up at his sudden change. “Finish the supply preparations once you’re done training. All of you are dismissed.”

“Y-yes, my lord!” They replied in unison and bowed. And yet again, they watched in awe as he guided you back inside the palace, ever so gently, one hand on your back and the other carrying a box wrapped up in a floral patterned cloth. A stark contrast to his all black and blue outfit.

…

As soon as both of you were out of sight, chaos erupted yet again, more loudly this time, with multiple voices talking over the other.

“”My love?” Did he just call them “my love?” Did I hear that right?!”

“What was that? What did we just witness?”

“That was so romantic, holy shit! Was that the same person we take orders from everyday? What the hell?!”

“DID THE LORD HARBINGER JUST… GET VISITED BY THEIR SPOUSE?”

“I thought that ring on his finger was for fashion…”

And that is how they found out that their beloved Captain, who seemed to have no soul outside of his work, was a married man with a loving spouse.

This proceeded to be the hottest gossip in the Fatui for the rest of the month, until they discover more about you from another future visit.

…

BONUS:

Sitting in the privacy of his office, you enjoyed your meal together.

“..You seem to work with very strange people, Capitano.” You said to him.

“Do I? How so?” He asked before you fed him a bite.

“Hm.. actually, nevermind. It would be even stranger if they weren’t strange, considering they work with you.” You chuckled.

You enjoyed your time together and went back home, leaving your beloved in confusion from your conversation, and the sight of you fondly feeding him for him to think about for the rest of the day.

[moonstruckme]

I’m not quite sure if this is too explicit so if it is please feel free to decline, but I was wondering if you could do a poly!marauders x reader who has a past with sexual assault so is kind of iffy and stand offish about sexual inter course? Again, all good if you can’t because it is a touchy subject ! I hope you’re having a lovely day/night !! (p.s. I love your writing so much :3)

Thank you gorgeous, love you <3

cw: trauma response, mention of past sexual assault

poly!marauders x fem!reader ♡ 1.2k words

Sometimes you can feel left out. Of the easy way the boys touch each other, the knowingness they have of the other’s bodies, the in-jokes about intimate aspects of their relationship that aren’t secret from you but you’re not a part of. And you know in your bones, in that thrumming, impossible-to-ignore beat inside your ribcage, that you’re not ready to be a part of them, but it still hurts to have something about your boys that’s separate from you. Some part of them you can’t access, and it’s only because you won’t allow them access to you in return. 

And sometimes, like now, things go astonishingly well. Sometimes you can let them touch you while feeling nothing but the pleasant warmth of love and lust brewing like a potion in your core. Sometimes you can let yourself tug Sirius closer as he kisses you, can swallow the soft sounds he makes into your mouth without your mind taking you anywhere other than this bed, this boy. 

Sometimes you can get so lost in them it feels like the fear can’t find you. 

“Okay?” Sirius breathes, setting a tentative hand on the small of your back. He tastes like coca cola, and his lips are a manifestation of every soft and earnest part of him he never shows. “This okay, sweetness?” 

You nod fervently, trying very hard not to think as you tunnel your fingers into the featherdown silkiness of the hair behind his ear. 

“Yeah?” You’re growing quite sick of all his talking, persistent in your kisses even when Sirius breaks them. His mouth curves against yours, sensing this, and his hand settles more comfortably into the curve of your spine. “Alright, you’re in charge. Just let me know if anything’s too much.” 

You make a muffled sound of acknowledgement. Truly, logically, you feel safe with Sirius, the same as you would with Remus or James. It was his idea that you be on top, after Remus figured out that you feel most comfortable when you don’t feel trapped, after James was the one to initiate the conversation on how they can make you feel good while respecting your (admittedly, nebulous and often fickle) boundaries. You haven’t worked up the courage to do anything beyond kissing, and none of them have pushed you. Really, you’ve been the one doing the pushing, wanting more and more from the kissing until it’s turned into this, you and Sirius hiding from dishwashing duty with you on top of him and sucking his face like a dementor.

You grind your hips down into his, and Sirius’ chuckle rumbles through the both of you as he grabs a greedy handful of your ass. 

Your breath stills in your lungs. 

You still completely, actually, every inch of you rigid, from your bum under Sirius’ hand to your eyes, stuck closed tight. The only part of you that seems to get that you’re still alive is your heart, thrashing wildly inside the bars of your ribcage like it wants to escape when you can’t. 

“Shit.” Sirius’ hand flees upward, skimming up your back to safer territory below your shoulder blades. “Shit, sorry, baby. You okay?” 

You want to tell him yes, in every physical, objective, important way you’re just fine. But your breath is frozen solid somewhere between your throat and your lungs and it won’t let you speak. 

“Sweetheart.” Sirius is starting to sound desperate, though he’s clearly trying to stay calm for your sake. He sets gentle hands at your waist, sitting you up while he eases out from under you. You expect you’ll move like a statue, but your arms move of their own mind once freed, wrapping tight around your middle. “You’re okay, baby, you’re safe. I’m so sorry, I was—I should have asked. I moved too fast, I didn’t mean to scare you. Can you talk to me, please?” 

“Sorry,” you manage. Something comes loose inside you. The air comes back to your lungs, you pull your legs up onto the bed, and laughter unspools from inside you like wire long coiled tight. 

Sirius doesn’t smile. “Don’t be sorry,” he says. “I’m sorry, I shouldn’t have touched you like that. Are you okay?”

It’s now that James and Remus decide to come and see what you’re up to. At the sound of Sirius’ panic-tight voice, their footsteps hasten down the hallway. James taps on the doorframe and you turn to him so fast your neck clicks. His face is melded by a soft worry. 

“Everything alright?” he asks. 

You nod, but Sirius must signal something different from your other side, because James and Remus advance towards the bed the way one might approach a feral kitten. 

“Are you okay?” Sirius asks again, voice cracking now that the other two are here. 

“Hey, it’s alright, love,” Remus says gently. “Maybe stop touching her for a bit.” You hadn’t even noticed Sirius’ hand gripping your leg, but its removal feels like you’ve lost a thousand pounds. You fight back a shiver. “She’s okay. Aren’t you, darling?” 

To hear worry in even Remus’ voice is significant. You try to make yours even to counter it. “Yeah,” you agree. “Yeah, sorry, I’m fine.” 

“You don’t need to be sorry,” James promises, crouching in front of you and Sirius. You’ve nowhere to hide from his melty-soft gaze. “What happened?” 

“I went too far.” Sirius’ voice sounds like it hurts, scraping its way out of him. Your heart throbs in response. 

You shake your head, insistent and perhaps a touch too fast. “No, it wasn’t your fault. I was—I—I escalated things, and then it just—”

“Take a deep breath,” Remus instructs. 

“I’m fine,” you say again. 

“Please, sweetheart. Just try.” 

You do, for his sake, pushing air in and out of your lungs like you’re trying to inflate a balloon. They won’t get as full as you want them too, but it’s not until you try that your body seems to catch up to what’s been happening. You start trembling all over. 

“Shit.” Your voice thickens, tears threatening. “Sorry, this is so stupid.” 

“It’s not,” James says. “Can I...can I hold your hand, or are you not ready for that yet?” 

“Please,” you squeak out. 

He grasps your hand, and you squeeze tightly, breathing until the tears don’t press at your eyes so insistently. You hate that the ugly thing of your past is touching something this good. That it’s hurting people who aren’t you, like it’s a virus you caught and now you’re spreading it.

“It’s really not your fault,” you tell Sirius, turning to him. “I thought I could handle it.” 

“I shouldn’t have moved without checking,” he replies in a similar tone. “I’m so sorry, sweetness. I never want to scare you like that.” 

You shake your head. “You don’t.” 

A dense silence lapses, not uncomfortable but full of things unsaid. James’ hand is warm in yours. 

“Hug?” you ask Sirius. 

He looks surprised. “Are you sure?” 

You nod, extricating your hand from James’ to wrap your arms around his middle. Sirius is tentative at first, palms placed lightly on the high and low points of your back, but when you hold him tighter he reciprocates. You hear Remus whisper something to James. Sirius’ fingers press into your back, the tip of his nose cold where it squishes into your neck. 

Sometimes, they make you feel completely safe. 

[tevanbegins]

To think that Buck's always been bisexual without realising it, checking out hot guys' asses because he thought that's normal. He's crossed paths with many hot guys in his life. He works with hot guys, his BFF is a hot guy. He's been in multiple situations where there have been innuendos thrown at him of his being gay/queer.

But he still never thought much about all of that. Until one day, he met Tommy.

It took one hell of a compelling man like Tommy Kinard for Buck to relentlessly pursue this subconscious attraction till he'd finally had a taste of what it was like, and known for sure that he liked it and wanted more of it.

This is the most obvious indicator that Tommy is not just any other guy. Buck had many choices and chances before to question and explore this part of him, but Tommy is the only one who shook something in the core of Buck's being and made him want it so bad, that he had to keep trying till he got it. The attraction is unlike any he's ever felt before, and not because of the gender of the person, but because of the intensity of his feelings towards him.

Buck wanted Tommy's undivided attention, he wanted to keep spending time with him even if that meant making random excuses, getting to know him better. He couldn't get Tommy out of his head. That's how magnetically drawn he was to Tommy. Tommy's gender is not really a big factor here as most people believe it is, because the key takeaway here is that Buck's never felt this drawn to anyone – girls or guys.

Just because Tommy is his first queer experience, doesn't mean that Buck's using him on a trial basis. That boy's down bad. And that has nothing to do with the novelty of dating a man. It's all got to do with who Tommy is as a person, how patient, caring, and understanding he is, and how happy he makes Buck, making him feel safe and loved in all the ways he's never felt before.

That's the whole point of it. In Tommy, Buck's met someone who could very well be the love of his life. It's just that he never thought it would be a man. For Buck, it's so much more about finding lasting love at this stage, than it is about playing around with this newfound aspect to his sexuality. This is more than a coming out arc. This is a romcom as well, where Buck has finally found true love. He's getting off the hamster wheel for good. His father-figure Bobby and everyone around him can see it.

Tommy is clearly being written as Buck's endgame, and I don't see how anyone in their right mind can be blind to the significance of this storyline. I for one am super-thrilled and optimistic about all the possibilities of Buck and Tommy's romance moving forward! 😍🥰❤

___

[keypaa]

Astrology Observations No.6

with lovely @sc0rpi0suntaurusm00n

Saggittarius suns, moons and mercurys don't have a social filter, they say what everybody is afraid to say blunt af. Jupiter the optimist makes them confident to say what they mean, feel or think (Sun,Moon,Mercury)

If you have venus in tense aspects with neptune you need to do a reality check of your relationships now and then, because sometimes you will put the people around you on a pedestal and other times you will dislike people because they don't fit into your picture perfect fantasy anymore. Just needs some work.(Neptune is like a siren that wants to sell you a fantasy that isn't there, and when you follow her whistles she gets you. Venus energy wants to receive, get loved and share love. So combining these two energies in a tense aspect like a square or opposition gets messy)

Saturn square north node + the south node are generational breakers. Their upbringing was hard and truly intense

Scorpio mercurys don't mind sounding too direct they will ask you anything if they want to know the answer. Oh I saw that you talked about me on a tuesday girls night with ... around midnight, why did you do this...¿😆

Capricorn suns please let us know how to help you. You go through traumatic sh*t, and after all that you stay humble and act like nothing happened

Jupiter aspecting neptune in a positive way love to create art (all forms of art), it makes them genuinely happy ^^ Neptune has to do with artsy stuff, singing, imagination jupiter expends this energy

Mars in leo want to achieve something (whatever it is) The ego is also ruled by leo, so leo placements feel worthy if they achieve something for themselfes

Pure devine love is something that pisces venuses and moons are capable of giving to human 🫘 But they will also text or call you multiple times if you don't answer (Especially Pisces suns with a pisces venus)

You just want to listen to people who have scorpio mercurys, they always have something interesting to say...They know the secret spots, newest updates overall everything that is hidden honestly

Taurus moons have the ability to become real successful and are some of the warmest people if they let you in :) They like to be confortable and also give this energy out to their beloved ones

Mars in aquarius are known to behave different than the rest of their peers. Nothing that is bad, we need more people who think outside the box and follow different life tracks

If you have your moon (square,opposition) your venus list of your emotional needs and your definition of love and find a solution to combine both, if you not want to hurt the people around you regarding showing them your feelings. Due to this conflict of wanting to show love and not being able to express your feelings as you would like to this technique could possibly help you (:

Taurus venus attract love easily (best example: Ariana Grande MASTER MANIFASTOR)

Leo moons love receiving princess treatment and they know how to get it aswell ;)👑 They are LOUD with their wants and needs

Gemini moons get borderline crazy in their love reationships. One day they LOVE the other they despise you and the cycle begins again (also if you have a gemini venus)

Leo placements are either one of the most timid people you will ever meet or they

want all attention on them

Why did I meet a whole lot of taurus sun boys that struggle with finding real genuine love

Mars in sagittarius are se*ually free people. They like going after their needs and what they feel free to do

Sun (trine,conjunct,sextile) jupiter are confident at their core or they come off as such. It gives the personality an optimistic vibe

Venus in virgo are the most devoted lovers on the world, they will not forget your anniversary (and get real mad if you do), take care of you, pay attention to your dislikes & likes

If you have sun in scorpio degrees your real personality is so hidden from the public. Everybody is going to want to figure out who you are only to discover a new personality trait of yours every now and then

Virgo man get the ick real quick. Why do they hate on women without a reason, boy get that frustration out in a healthy way

Aquarius placements may feel excluded from groups a whole lot but later in their life they find their people and have a good amount of friends around them. Also people who start trends and influence a whole generation (XxxTentacion, Paris Hilton,...)

@sc0rpi0suntaurusm00n part:

Pisces moon - these are the folks who you see drawing in a corner or reading an interesting book, whether it is mixed with fire or air there will always be an ethereal Aura or a mystery to these natives 🫶

Cancer moon - shy individuals quite often. Not ones to initiate contact but definitely enjoys some attention to their needs. Cares about their mother or maternal figure quite deeply. Often times these individuals have a significant relationship with the mother which is part of who they are, single mother raised is quite common and adoption is likely as well from what I have seen. There may also be a misogynistic type in lower vibration natives from what i have seen

Capricorn moon - they may seem like the mysterious yet charismatic type but deep down there is a lot under the surface. These natives being cardinal signs, they can relax into something and then when you least expect it their passion and drive is unstoppable. You never know when they're tumultuous emotional life might break through the surface and send them blazing toward a new goal.

Taurus moon - (I am biased as a Taurus moon myself lol🫣)they may have a soft spot for comfort and stability, and typically the pinnacle of finance, care, and stability (although when mixed with sag it may be expressed quite unconventionally) Taurus moon natives are the least likely to make plans and change them due to "not feeling like it" if they are going to do it, they will. Taurus moons are always sharing their food OR they will never let you touch it - no in- between lol😭

Aquarius sun - Aquarius is very different, what I notice in common is the respect for difference. Often these signs are good with computers lol (maybe just because I have 3rd house aqua). The Aquarius man can be so caring or they can be cold, but they have a soft spot always -whether it is a quirky girl or a Quirky interest. These are often the people who want to be first to do something- the trendsetters... Although some can just be quite on top of trends-i have never seen an Aquarius who wasn't ahead of their pears in something whether fashion electronics or anything new.

Scorpio moon - one of my personal favorites💕, but I'm so biased lol(Scorpio stellium🤫) although these natives are known for having rough lives which is true, these peeps are totally down for a trauma dump sesh, or just a really good rant when you are their close friend. The female Scorpio moons are often friends with more females- might be gay even but too stubborn to act on it. There is always something interesting going on in their emotional world. Either the purest virgin or somewhere between that and a man eater... Scorpio moons do not play around, they are often no bs types whether mixed with air or fire -except for Libra placements sometimes if undeveloped.

Aries moons - omg 🤍 y'all are so passionate with your emotions, like if you are mad you can have a hard time hiding it, but yall are just made to be a ball of passion. There is nothing you do that you do not put your whole heart into, if you don't have your heart in it you won't do it. You can set boundaries a little too rough sometimes for us water signs, but it's okay because you are baddies and need that extra space for chasing passions. PLuS You are always loyal anyways so we don't mind. Aries moon has a really hard time holding a grudge against people, because y'all just want to live and let live. Amazing peoples! especially the girlies whom I have met. The lower vibrations can be super flirty and super flighty tho🫠

Pisces and Aries are actually a really great duo, despite what the horoscope things so often say - pisces and Aries are the most common duo i see i believe this is due to the fact that pisces is at the end of the zodiac and Aries is new to the cycle. Its like opposites but they are also alike which is perfect for a friendship.

Unlike me, a scorpio, since i don't often have libra best friends although libras fall into my 11th house - might be due to my lilith placement being in libra as well...😭

Virgo mercury can be so intentional with their words, and this mixed with virgo mars can make for a really sharp mind but also sharp words in an argument.

- That is part of what makes cancer (sun/moon) and virgo moon a good pair in a relationship, because cancer (sun/moon) is very emotionally intelligent and virgo moon is often good at compartmentalizing emotions and rationally dealing with emotions, and often times cancer (sun/moon) need to learn to balance emotions with reason

Moon quincunx to Mars or mars square moon aspects may cause anger issues in men, specifically cancer moon Sagittarius Mars or Aries Mars. As well as Aquarius moon with Virgo mars.

Pisces placements remind me of the most beautiful expression of emotions. The positive expression of pisces placements can be expressing deep and dark emotions through arts, music, love, and things that are beautiful expressions of feelings. Some pisces placements are old souls having to go through rough experiences in childhood, like experiencing many be lifetimes in one life, it reminds me of what I believe mMitski said best 'I was so young when I behaved 25'

April Mercury Rx in Aries!? Was I the only one or no? - there were so many fights and arguments...as well as exes coming back 🫣 like as a scorpio mercury rx it wasn't that crazy for me but my friends had their exes come back into their lives and there was even a small fight which is very mars..

_______________________________________________

If you would like you can join my spiritual family glad to have you here, and never back down never WhAaAT! Keep your hopes in life up always¡ :)

Luvv muah

555

7:25 PM

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[deception-united]

Let's talk about worldbuilding.

Worldbuilding is a crucial aspect of writing fiction, particularly in genres like fantasy and science fiction.

Remember that worldbuilding is a dynamic process that evolves as you write. Don't be afraid to experiment and make changes to your world as needed to serve the story.

Here are some tips to help you build a rich and immersive world:

Start with a Core Concept: Every world begins with an idea. Whether it's a magic system, a futuristic society, or an alternate history, have a clear concept that serves as the foundation for your world.

Define the Rules: Establish the rules that govern your world, including its physical laws, magic systems, societal norms, and cultural practices. Consistency is key to creating a believable world.

Create a Detailed Map: Optional, but helpful. Develop a map of your world to visualise its geography, including continents, countries, cities, and landmarks. Consider factors like climate, terrain, and natural resources to make your world feel authentic.

Build a History: Develop a rich history for your world, including key events, conflicts, and historical figures. Consider how past events have shaped the present and influenced the cultures and societies within your world.

Develop Cultures and Societies: Create diverse cultures and societies within your world, each with its own beliefs, traditions, languages, and social structures. Explore how different cultures interact and conflict with one another.

Flesh Out Characters: Populate your world with memorable characters who reflect its diversity and complexity. Consider how their backgrounds, motivations, and personalities are shaped by the world around them. (See my post on character development for more!)

Consider Technology and Magic: Determine the level of technology and the presence of magic in your world, and how they impact daily life, society, and the overall narrative.

Think about Economics and Politics: Consider the economic systems, political structures, and power dynamics within your world. Explore issues like inequality, governance, and social justice to add depth to your worldbuilding.

Show, Don't Tell: Instead of dumping information on readers, reveal details about your world gradually through storytelling. Show how characters interact with their environment and incorporate worldbuilding seamlessly into the narrative.

Stay Consistent: Maintain consistency in your worldbuilding to ensure coherence and believability. Keep track of details like character names, historical events, and geographic locations to avoid contradictions.

Leave Room for Exploration: While it's essential to have a solid foundation for your world, leave room for discovery and exploration as you write. Allow your world to evolve organically and be open to new ideas and possibilities.

Revise and Edit: Carefully review your worldbuilding to identify any inconsistencies, plot holes, or contradictory elements. Pay attention to details such as character backgrounds, historical events, and the rules of your world's magic or technology. Make necessary revisions to resolve any issues and maintain the integrity of your worldbuilding.

Happy writing!

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[na0koz]

hiii how do you think jinx would handle a (partial) ldr? like reader is an international student and has to go home for a few weeks at a time. maybe mails her some naughty polaroids

toxic!jinx masterlist

cw: explicit polaroids, suggestive but no sex

oh hell yes you are cooking with the polaroid thing nonnie.

she insists on sleeping over the night before you go home for a couple weeks over the winter break so you can “maximise your time together”. she just wants to fuck, and that you do, but she doesn’t tell you that was her intention.

she clings to you with surprising force as you stand in the entryway of your apartment, your bags strewn around you as you hug her goodbye. when she finally lets go of you, jinx shoves a hoodie into your hands, one of hers.

“it’s cold. take this with you,” she sounds almost embarrassed, like a teenager in her first relationship.

she calls and texts you constantly, she’s honestly awful at the long distance aspect of your relationship. she doesn’t do well with being away from people she loves and pretty much gets separation anxiety. she’s like a puppy with the amount she calls you just to say that she went to the store or something.

she’ll never admit it but she feels slightly lost without you around. she doesn’t really know how she’s got this far without you by her side, but she does know that she absolutely does not like it when you’re away from her. if she had her way you wouldn’t be apart for more than 24 hours at a time, but she has to let you go a few times a year to visit your family.

a few days into your stay at home with your family, a thick envelope comes for you in the mail. your sibling comes and drops it in your lap and you smile to yourself when you notice the jagged pink and blue writing sprawled all over the paper.

excusing yourself to your room to open it, you carefully peel open the envelope to pull out its contents. inside is a letter, some other sheets of paper, a small box and finally some polaroids that slip out of the letter. they fall face down onto your bed, waiting for you to pick them up.

you read over the letter where you learn the extra sheets of paper are drawings jinx did for you, and the box contained a necklace she made. it has a J carved into one side of the pendant, and your initial on the other. you’re not really sure where jinx learned all these artistic skills but you’re not complaining.

at long last, you reach the polaroids - ones which jinx encouraged you to look at when you’re alone, followed by a drawn winky face at the end of her letter.

you raise an eyebrow at her message and flip over the photos. quickly, you realise why she warned you.

you’re faced with various photos of your girlfriend. ones of her perky tits, of her knelt on the floor naked, one of her face with an expression that you know means she just came (hard), her figure from behind in the bathroom mirror.

you spend a few minutes looking over each of them in great detail; your core starting to throb with each one. grabbing for your phone, you open your messages with her.

you | i got your letter

she replies almost instantly.

jinx :3 | you like it?

you’re not sure whether she’s referring to the gifts or the photos, which you suppose are also a gift in their own way. either way, you reply to her.

you | of course i do

jinx :3 | just showin u how much i miss u

you grin and go to stuff the polaroids away from the hands of your family. this isn’t the first time jinx had done this, she did it the last time you came home for a couple of weeks but the photos were much more tame. you suppose she’s shed some of the embarrassment now she’s done it once before.

tucking them away with the other ones you sneakily packed with you in your bag, you hear your mother calling you for dinner. you’ll have to ignore the wet patch in your panties for now. maybe you’ll call jinx later to show how grateful you are.

[memememaybe]

✨  *  ―  𝙀𝙓𝙏𝙀𝙉𝙎𝙄𝙑𝙀 𝘾𝙃𝘼𝙍𝘼𝘾𝙏𝙀𝙍 ���𝙄𝙊𝙂𝙍𝘼𝙋𝙃𝙔 / 𝙎𝙏𝘼𝙏𝙄𝙎𝙏𝙄𝘾𝙎 𝙏𝙀𝙈𝙋𝙇𝘼𝙏𝙀 !

The Character Development Template is a comprehensive tool for creating detailed and well-rounded character profiles, ideal for writers, roleplayers, or anyone exploring character creation. It covers essential details like identity, personality traits, relationships, and background while diving deeper into habits, quirks, and beliefs. Additional sections include alternate universes, scenario-based questions, and a variety of fun, introspective prompts to uncover hidden aspects of your character. The template also provides space to list inspirations from media, historical figures, and quotes, making it a versatile resource for building dynamic, multidimensional characters.

I. BASIC INFORMATION

Full Name:

Nickname(s):

Pronunciation:

Reason/Meaning of Name:

Preferred Name(s):

Titles:

Date of Birth: (Month, Year)

Place of Birth:

Age: (e.g., 20s, 30s)

Zodiac Sign:

Gender Identity:

Pronouns:

Sexual Orientation:

Romantic Orientation:

Species:

Ethnicity:

Nationality:

Living Arrangements:

Occupation:

Primary Source of Income:

Secondary Source of Income:

Education Level:

Religion:

Political Affiliation:

Social Class:

Dialogue Style:

II. PERSONALITY

Positive Traits:

Neutral Traits:

Negative Traits:

Primary Vice:

Primary Virtue:

Greatest Fear:

Greatest Desire:

Motivations:

Core Values:

Sense of Humor:

Strengths:

Weaknesses:

Quirks:

Pet Peeves:

Life Philosophy:

Jung Type:

MBTI Personality:

Enneagram Type:

Temperament:

Moral Alignment:

Hogwarts House:

III. RELATIONSHIPS

Mother:

Father:

Siblings:

Children:

Significant Other(s):

Best Friend(s):

Rival(s):

Enemies:

Pets:

Other Important Relationships:

IV. BACKGROUND

CHILDHOOD

Place of Birth:

Hometown:

Socioeconomic Status:

Parents' Occupations:

Type of Childhood:

TEENAGE YEARS

Key Relationships:

Education Level:

Significant Events:

ADULTHOOD

Current Residence:

Notable Life Events:

V. HABITS & QUIRKS

Daily Routine:

Nervous Tics:

Unhealthy Habits:

Peculiarities:

VI. ALTERNATE VERSES/THEMES

Verse 1 (Description):

Verse 2 (Description):

Verse 3 (Description):

VII. ADDITIONAL CHARACTER QUESTIONNAIRE

PERSONAL INSIGHTS

What would they say is their biggest flaw?

What is actually their biggest flaw?

What is their biggest blind spot?

What is their guilty pleasure?

How do they act out when stressed?

What makes them envious?

What is one thing they wouldn’t want someone to know about them?

What is their biggest nightmare?

What was their worst subject in school?

What makes them feel insecure?

What are two things that make them uncomfortable in conversation?

SCENARIO QUESTIONS

What would they do if they knew they couldn’t fail?

Name three things they are grateful for.

When was the last time they did something for the first time?

What is something they wish they could redo from the past?

Describe a memory that makes them feel proud.

What’s in their bag/pockets?

Are they proud of who they are? Name an achievement they value.

What do they notice first about someone?

Do they value creativity or practicality more?

Describe a time they did something despite being scared.

What is their favorite gift they’ve received?

How old do they feel on the inside, and why?

Do they feel they’ve missed opportunities they regret? Describe one.

VIII. BELIEFS & OPINIONS

What is their idea of perfect happiness?

What is their greatest fear?

Which trait do they most deplore in themselves?

Which trait do they most deplore in others?

Which living person do they most admire?

What is their greatest extravagance?

What is their current state of mind?

What do they consider the most overrated virtue?

On what occasion do they lie?

Which living person do they most despise?

When and where were they happiest?

Which talent would they most like to have?

If they could change one thing about themselves, what would it be?

What do they consider their greatest achievement?

Where would they most like to live?

What is their most treasured possession?

What do they regard as the lowest depth of misery?

Who is their hero of fiction?

Who are their heroes in real life?

What do they most value in their friends?

What is their motto?

IX. MISCELLANEOUS QUESTIONS

What is their favorite word?

What is their least favorite word?

What sound or noise do they love?

What sound or noise do they hate?

What is their favorite curse word?

If they were reincarnated as a plant or animal, what would it be?

If Heaven exists, what would they like to hear God say when they arrive?

What profession would they most like to attempt?

What profession would they not like to do?

X. INSPIRATION

TV Character(s):

Movie Character(s):

Book Character(s):

Song(s):

Historical Figures:

Quotes/Poetry:

Other Media Inspirations:

[astronnova]

trying to figure out how i would wanna draw both of them inbtwn working on shtuff

ramblings under the cut

ok *cracks knuckles* excuse my design ramblings

vlad & danny are such interesting parallels to me esp if u wanna play more into the horror aspect of the show. vlad to me is the kind of horror vampires bring, they're attractive and alluring with large spiked gothic mansions as they suck you dry before you even register what happened.

danny is more like... small town radioactive horror? to me? does that make sense??? the horror of feeling, of knowing something is wrong with one of your classmates in your small, middle of bumfuck nowhere town. you know something is up, but he's still here walking around like always.

unfortunately my style is basically rip off anime LMFAO and i've never been good at communicating horror (falls to my knees and cries) but phantom could be so creepy and eerie. a seemingly teen boy in a hazmat suit, with a gas mask and/or goggles, wandering the streets at night, floating over streetlamps and making them and traffic lights buzz on and off. also electric core danny. he died to electrocution his ass is electric i do not Care what the show says, frost core danny can eat my ass🖕 (sorry to the frost danny likers. i do have an idea for the frost core thou)

my friend gave me the idea of making vlad snake-like too to match danny as a badger, snakes and badgers are natural enemies and all that. plus i didnt realize until after i drew it but vlad's hair and cape give him the silhouette around the head of a cobra! so i gave vlad cobra stripes on his ghost tail

i really like the idea of vlad kind of representing what danny could be. he represents the allure of power and letting go of your humanity i guess. he's petty, selfish, and has definitely murdered a couple people just because he felt like it. i know there are bones in the walls of his manor i just Know it. which i feel could be a fun way to rethink danny's first interaction with plasmius proper, maybe danny figures out who some wisconsin serial killer is with the added bonus of finding bones and rotting clothes in the walls of the basement because. ghost powers. and only another ghost could hide a body that way. ya feel me? its cool. kinda just rambling atp

i played around with giving danny a full face gas mask but i didnt like them too much. the goggles im on the fence about, i wanted them to be the same round goofy goggles maddie and jack wear but it takes away from the potential creep factor i feel... or maybe i just dont know how to draw it creepy (yet). he doesn't need the gas mask as a ghost but it would help hide his face i think. thats one thing, im watching eps with some friends who arent really into the show like i am and they keep asking how tf does no one know its danny and i just have to gently put my hand on their shoulder and tell them its cartoon logic. but for this! i feel like danny's face would be harder to see, like he's usually engaged in combat and when he's not he still has that gas mask and goggles combo, and its not like his hair looks the same like it does in canon.

ok crazy people ramblings OVER

[sadokasochism]

For me, the most heartbreaking aspect of Ivan is that the poor clueless bastard didn't have the tools to express his affection in any way that didn't involve violence or manipulation, or weren't too inscrutable, quiet, or unseen to be picked up by Till.

I definitely interpret Ivan as autistic for several reasons, a big one being their Segyein teacher's notes about him:

It's just. Classic ND behaviour to me.

Not only does expressing emotion and communicating the way other kids do not come naturally to Ivan, but it's not as if he's been given a great example of coping with this from the Segyein.

Ivan managed to mask in a way that made him popular with other students, and got him in the good graces of their captors. He did everything expected of him to survive and thrive in this environment.

Then he meets Till, inscrutable and very different to the other kids, just like Ivan is. Except, Till doesn't mask. He doesn't change or try to endear himself to their captors, and he doesn't bend to anyone, no matter how much he is hurt and punished for it.

This is a new situation for Ivan, and he's never had anything to compare his feelings to. He also can't figure out how to communicate with Till, every interaction, no matter how well meaning, seems to end in failure.

I bring your attention to the cheer up comic, and how, again, autistic this interaction feels:

There could be many reasons why Ivan chose to say what he did, but to me it feels like ND bluntness not being received well. And that's fair! From Till's perspective Ivan is being a jerk for no good reason.

Instead of responding with glee towards Till laying him out (as we see from Ivan when they're a bit older), Ivan justs seems... really confused. Like he didn't expect that statement to upset Till that much, and he didn't expect Till to respond in the way he did. Everything was fine a second ago, what went wrong?

Then, Ivan uses the phrase he learned from Till in an attempt to self sooth. It might have been the first example of comfort after an injury/hurt he had ever seen, given how he defaults to it. And it was from Till trying to cheer up a flower.

This also shows some of Till's blindspots. He has grown up having to be vigilant, because violence and hurt have been a core part of his upbringing. This leads to anything he doesn't immediately, clearly understand being perceived as a threat or a slight, and so he reacts violently to Ivan's statement.

I'll also draw your attention to this comic where, as far as we know, Ivan is simply stating a true fact in a blunt manner:

In my interpretation, these types of interactions keep adding up, and Ivan is grasping at straws the whole time, trying to be closer to Till and failing every time.

Eventually, the only surefire way to get Till's attention is to piss him off, provoke him, manufacture scenarios to talk to him. I'm not excusing this behaviour, but I understand where Ivan could be coming from, from the perspective of both an emotionally immature/stunted child and/or an ND child.

Despite how much they fight and bicker, at every moment it really mattered, Ivan was there for Till. It was always Ivan coming to free him, to take off his collar or gag, and it was Ivan who led their escape.

Ivan couldn't leave Till behind when he went back for Mizi. Even with the confirmation that Till would choose Mizi over Ivan every time, Ivan couldn't leave him.

The miscommunication goes two ways though. It's insane to think that Till didn't care about Ivan at all. They were close as kids, and I doubt Till ever forgot about the escape he gave up.

We have the graduation messages, where Ivan is able to write something that could be reasonably interpreted as affectionate or fond towards Till.

Meanwhile, Till's message-

If we're being charitable with our interpretations, we can say this was Till's way of saying 'of course I remember you' and attempting to communicate that Ivan HAD left a lasting impact on him.

However, how could any reasonable person be expected to get THAT out of 'you stole my fucking pencil'? Ivan could have taken this one of two ways:

1) Omg he remembers me 🥰

2) he leans into his 'i will never be loved back' bias and thinks that Till really doesn't care about him at all

Who the hell knows what goes through that weird little brain of his. But given how Round 6 went, and what Ivan had to say in the confession comic, he obviously didn't think his impact was significant enough.

Then Alien Stage happens, and in Round 3 Ivan is FINALLY communicating his feelings in a way that is vulnerable and might even have a chance of being understood as love and yearning!

Till is unconscious through it until the very end.

Then in the next round, Mizi goes missing, and Till can't care about anything anymore.

Ivan finds him after the private performance, takes off his gag, and just holds him. Again, Till is unconscious for all of this.

Then, in Round 6, not only is Till distraught from the disappearance of Mizi, but he's given no time to process what the fuck is going on before Ivan is dead at his feet. Till might have finally had a chance to really understand where Ivan was coming from, how he really felt all this time, and Ivan DIES.

And still, Ivan's most transparent act of affection? It's delivered with violence. He's kissing a distraught Till who tries to push him away, and neither of them are happy. He puts his hands around Till's neck, not really hurting him, but it's enough to look convincing for the cameras, and it's enough for Till to go limp and wait for death. Ivan's final loving act is to give Till a soft look with blood pouring out of his mouth, that Till still does not see, and then let go before falling to the ground.

It's just a collection of failures. We see from Ivan that he truly loved Till, made a lot of selfless decisions for his sake, was filled with so much longing and affection, but he just couldn't get it across in a way that doesn't seem fucking deranged from an outsider's perspective. And when he DID manage to communicate his feelings more clearly, it was to a Till that was unconscious, or too distracted/dense/traumatised to see Ivan's actions as ones of love.

There's no guarantee that Till would have reciprocated even if Ivan had managed to communicate his feelings in a healthier way, but there was at least a CHANCE. At least Ivan could have gotten some closure, even if he was rejected.

Instead Ivan died thinking he was completely unloved by the person who he cared about more than anything else, and his last ditch effort to make Till understand was deeply flawed and uncomfortable.

If these kids had grown up any other way, maybe they could have had a chance. Unfortunately, the world they were in didn't equip them to not hurt eachother in their attempts to grow closer.

[astrologydayz]

PLUTO IN HOUSES - SYNASTRY🔒💜

PLUTO IN PARTNERS 1ST HOUSE = house person can get a better view/actually a whole damn script by the Pluto person of why they move the way they do in this world - PLUTO SEES, & NOTICES EVERYTHING👁️. House person can get more calculative/cunning, more intense, more ruthless, more powerful, or very much more fearless in life bc of the Pluto person! Pluto person can also help the house person with transforming their worldview/or help them become better at controlling themselves before they make a move in this world!🤌🏼 House person can feel REALLY special here, bc Pluto can be really into them, & it's really obvious/or Pluto makes it very obvious here❤️‍🔥. House person can be very attracted 2 the Pluto person - they can find them sexy, & magnetic<33. Also very very intense sometimes - but that's usually also one of the reasons they can feel really attracted2em, actually. Conflicting aspects can show problems/issues bc Pluto can get obsessed with/or2fixated on the house person/issues bc house person can feel like Pluto is trying 2 overpower them - get them under their control.

PLUTO IN PARTNERS 2ND HOUSE = house person can feel an incredible support from Pluto person here - Pluto is the one always giving power 2 house persons confidence, & self worth😻<33 - Their self worth/values/material possessions/even their income could have transformed a lot when Pluto came into the picture. Pluto's way of showing power, fearlessness, intensity, cunningness, & their way of transforming/facing their shadows is something the house person is really attracted2/secured by, & they value the shit out of it2🔒<33. Pluto can also be really into supporting the house persons financial goals2 - sometimes they can even give the house person a "push forward in the line” here🫶🏼. Conflicting aspects can show issues bc Pluto can try 2 dominate the house persons spending habits, material possessions, or self worth/issues bc house person can feel like Pluto is trying 2 take away their personal security.

PLUTO IN PARTNERS 3RD HOUSE = house persons mentality/mindset can go through a transformation here, bc of the Pluto person. house person can feel heard, & listened 2 on a whole other level here💞<33 - Pluto can go insanely deep, when it comes2 their conversations with the house person. Pluto can also be really interested in the house persons relationships with their siblings/cousins - if they have any ofc/they can also be really interested in figuring out the house persons thought patterns. House person can be attracted 2 Pluto persons powerful/fearless way of communicating🫰🏼/attracted 2 Pluto persons potent ways of getting their points across❤️‍🔥<33. Conflicting aspects can show issues because the Pluto person can try 2 dominate the house persons mind/or always try2 dominate their conversations together/or try 2 dominate house persons relationships with siblings/cousins.

PLUTO IN PARTNERS 4TH HOUSE = house person can get a clear view of their upbringing/childhood/of their family here because of the Pluto person🤌🏼 - Pluto person goes deep here bc they want 2 know the house persons core - why they are who they are, & how they became like that. Pluto can also want 2 know everything about the house persons past in general🤔 - always being two steps ahead<33. House person can feel very very secured, & loved by Pluto, because Pluto knows every "beautiful, & ugly" thing about them, & they choose 2 love, & accept every single thing❤️‍🔥🫶🏼 - house person can be very loyal 2 Pluto bc of this<33. Pluto can also transform the house persons family life/homelife<33. Conflicting aspects can show issues bc Pluto can try2 control the house persons home life/home, contact with family/issues bc house person can feel like Pluto is always watching over them/Pluto can be 2 probing. PLUTO IN PARTNERS 5TH HOUSE = house persons views on dating, & fun can really get transformed here🌪️ - Pluto can show them new ways of doing things<33. Pluto can be very focused when it comes 2 courting the house person in the beginning, & they always go all in when they have 2 plan out dates🌹 - they're deep, & meaningful. House person can find the Pluto person mysterious, magnetic, & very intense🫦. Sex between these two can feel/be very deep, passionate, & intense<33. Pluto can also be a powerful supporter/investor when it comes 2 house persons creativity/art<33. There can also be a deep focus on raising kids together here - Pluto can be the one who's all about "micromanaging"/over protecting their kids at times🔒. Conflicting aspects can show issues bc Pluto person can be/feel way 2 intense for the house person when it comes 2 dating/fun/creativity/kids.

PLUTO IN PARTNERS 6TH HOUSE = Pluto can transform the house persons daily routines/transform the way the house person live their daily life here - Pluto can go all in on helping the house person with getting fit💪🏽/or help them take care of themselves in general here. Eating habits can also be focused on🥗🍜🥞 - Pluto can be the one making their food/or deciding on what 2eat<33. Pluto can also help the house person with seeing things clearer/help them with always being 2 steps ahead when it comes 2 their work/or coworkers here👥 - if house person has issues with giving their power away, Pluto can teach them how take it back<33. House person can be really grateful 4 Pluto in their life, as Pluto can help them with doing things they never thought they would have the power to do💪🏽. Conflicting aspects can show issues because Pluto can be too fixated on house persons daily routines eating habits/their health/on how, & how much they workout - issues bc house person can feel micromanaged here.

PLUTO IN PARTNERS 7TH HOUSE = Pluto can transform the way the house person sees/views partnerships/marriage/relationships in general here👥<33. House person can find the Pluto person crazy sexy, & attractive bc of how they showcase their power/bc of how fearless/brave they can be when interacting with others🤌🏼 - Pluto can also be very very focused on their connection, & on protecting it❤️🔒 - which also can cause major attraction from house persons side. Pluto can help the house person become more fearless when it comes 2 how they deal with others/help them be more "on top" when it comes 2 how they go about their "businesses" - teaching them 2 really think about their moves, before they move when it comes 2 other people. Conflicting aspects can show issues bc Pluto can be 2 dominating/or 2 into deciding things 4 the house person - especially who they talk2/surrounds themselves with. PLUTO IN PARTNERS 8TH HOUSE = Pluto can be really into knowing the house person on a very special, & intimate level here❤️‍🔥 - they want 2 know what kind of intimacy they really seek in life/what really turns them on/what fetishes they have/what kind of secrets they keep/what transformations they've been through/what traumas they got in their bag<33. House person can become very attached 2 Pluto, because Pluto knows all their truly vulnerable points. Sex here can feel/be very very intense, powerful, & transformative, & it can bring a liking 2 darker stuff, or they can be into some kind of bdsm shit together👋⛓️ - Pluto is typically the one dominating. "Transforming through/or because of a deep intimate connection/sexual connection". Conflicting aspects can show issues because one can manipulate the other 4 own benefit/issues bc Pluto person can violate the house persons boundaries.

PLUTO IN PARTNERS 9TH HOUSE = Pluto can be very fixed here on showing house person the way when it comes really "living life, & really being free"🕊️. Pluto can be intense when it comes 2 showcasing their belief system/or their higher thoughts 2 the house person here. Pluto can be a very big supporter when it comes 2 house person experiencing life all around🛩️🌍 - with, or without them<33. Pluto can also help further the house persons education level📚 - Pluto can be fixed on helping the house person with achieving a higher education📓. Conflicting aspects can show issues because Pluto can be 2 dominating when it comes 2 house persons beliefs, or education level/issues because Pluto can be/feel 2 confining 4 the house person. PLUTO IN PARTNERS 10TH HOUSE = Pluto can be fixed on helping the house person with furthering their achievements/work/image/reputation/social status here⭐️🥇. House persons social standing can also go through a transformation bc of Pluto❤️. Pluto can be a powerful public supporter 2 house person - Pluto's connections can also come in handy 4 the house person<33. House person can become more secretive, more calculative, but also more fearless in public, & when it comes 2 how they make moves 4themselves in regard 2 their worldly goals here, because of the Pluto person✨<33. People can see these two as a powerful duo! Conflicting aspects can show issues because Pluto can be 2 involved/or 2 decided on deciding things 4 house person, when it comes 2 their career/social image - how they're seen in public/issues because house person can feel like they have no power/or voice. PLUTO IN PARTNERS 11TH HOUSE = Pluto can be a very big supporter/investor when it comes 2 house person achieving their dreams/their humanitarian goals here💋<33. House persons friends can see the Pluto person as elusive, intense, & mysterious - Pluto can also make a big impact in house persons friend group here/or make a big impact on house persons social life🫰🏼<33. They can make big changes in their community/or in communities all around together, & be very dedicated 2 it<33. conflicting aspects can show issues because Pluto can be 2 dominating when it comes 2 house persons social life, dreams/issues because house person can feel like Pluto is holding them back in life😤.

PLUTO IN PARTNERS 12TH HOUSE = Pluto can transform the house persons sleeping pattern/views on spirituality, & isolation here. Pluto can also make the house person become more powerful in themselves, when it comes2 their hidden sides - the sides they hide away from the world/or when it comes 2 the things they don't want showcased🫣<33. These two got a very profound psychic connection💜, & house person usually feels it right from the start - House person can also feel that the Pluto person is gonna be someone really special 2 them/or feel that they're someone pretty important, when it comes2 their journey here on earth, in some way, shape, or form😘<33. Pluto sees right through the house persons hidden fears2, & can either help them with em, or make em worse😮‍💨. Conflicting aspects can show issues because the house person can feel like they can't ever hide here - Pluto always sees, knows/issues bc Pluto can effect the house persons psyche in a bad manner.

THANKS4READING LOVE💜 APPRECIATE U, ALWAYS🫶🏼

MASTERLIST✨

[itacats]

Butcher Shop Connection

FT: Simon x gn!reader

Warnings: DV, abuse, please let me know if anything else should be here!🙏

SUM: Simon watches, helpless, as Tom’s oppressive grip continues to suffocate your light. Each visit to the butcher shop feels like a battleground, your forced smiles and guarded demeanor amplifying the frustration and fury building within him. The space that once offered Simon comfort now mirrors the suffocating tension of your reality, each cut of the knife a reminder of the wounds—visible and unseen—that bind you.

Though paralyzed by the fear of making things worse, Simon clings to hope. He vows to be a steady presence in the shadows, dreaming of the day you’ll untangle yourself from Tom’s control. Until then, his resolve remains unbroken: to be there when you need him most.

A/N: A slow burn of frustration and quiet determination coming at you this time around. Simon is stuck in a holding pattern, a caged lion watching the storm rage just outside his reach. Writing this part was like balancing on a knife’s edge—how do you capture the quiet agony of wanting to act but knowing it’s not the right time? It’s tense, it’s heavy, and it’s all leading somewhere big. Keep holding on—Simon is. 🥩⏳

Part 1 Part 2 Part 3 Part 4 Part 5 Part 6 Part 8 Part 9 Part 10

Part 7 - The Silent Protector

Tom became the invisible leash tethering you to a life you never chose, dragging you wherever he pleased, like a cruel puppeteer manipulating the strings of a marionette. He had his hands on every aspect of you, tightening his grip with each passing day. The tension between you and Simon grew more palpable every time he saw you in the butcher shop, a silent war waged within him. He watched you, longing to do something, to intervene, but the weight of the situation kept him rooted to the ground, unable to act. Every moment he saw you standing there, quietly trailing behind Tom, something deep within Simon stirred—a primal yearning to break you free from this torment.

He couldn’t tear his eyes away. Each time you entered, Simon felt a familiar ache in his chest, a tug of frustration at the helplessness of his position. You’d greet him with a smile, but it was always forced, fragile—never the smile that had once come so easily. Under Tom’s watchful gaze, it was brittle, as though each word you spoke was measured, calculated. Simon saw it every time: the contrast between the warmth of your personality and the cold shadow that clung to you. How could such duality exist in the same world? The light you exuded, so vibrant and full of life, trapped in a world where Tom's darkness loomed like a constant threat.

Days blurred into weeks, and with each passing moment, Simon’s frustration began to crystallize. He could feel the slow burn of resentment, a gnawing fury that he couldn’t name. The napkin with his phone number remained crumpled on the counter, a mute reminder of what he couldn’t say or do. Each time his knife sliced through flesh, he thought about your wounds—the marks on your body and the ones buried deeper, etched into the very core of you. Every customer’s cheerful laugh, every conversation that filled the air, seemed to magnify the silence that surrounded you. It was as if you had become a ghost in the shop, a silent figure moving behind Tom’s shadow, lost in a world of quiet desperation.

The butcher shop, with its raw meat and steady rhythm, felt like a prison. Simon could no longer see it as just a place of work—it had become a battlefield, a space where his own sorrow festered in the stillness. The flickering fluorescent lights above, the hum of the old fridge in the back, the endless slicing and wrapping of cuts—it all felt suffocating. Every piece of meat he worked with, he envisioned as your pain, as the things Tom had stolen from you. With every stroke of the knife, he tried to carve out a future, a future where you weren’t bound by invisible chains, where you could smile freely again, without fear of reprisal.

But he couldn’t bring himself to confront Tom directly, not yet. He couldn’t risk the consequences, not when you were still in his grasp. Simon’s mind raced with plans—ways to get you out, ways to give you an escape—but each time he thought he had found a solution, doubt crept in. What if it made things worse? What if it put you in more danger?

Still, his resolve remained. He would never turn his back on you. He would watch from the sidelines if he had to, but he would always be there, lurking in the background, a silent protector. Even as his own frustrations mounted, he promised himself each day that he would be a constant, a steady presence, no matter how hopeless the situation felt. The butcher shop, a place he had once found comfort in, had become a reflection of the struggle he now faced: a never-ending cycle of meat being cut and packaged, just as your life had been reduced to mere survival. He longed for the moment when you would find the courage to break free, to untangle yourself from Tom’s grip.

In his mind, Simon clung to that hope. He carved it into every piece of raw meat, as though etching a future without Tom’s shadow looming over you. And in the quiet moments, when the shop was empty, when he could breathe without the suffocating weight of Tom’s presence, Simon let himself dream. He dreamed of a life where you weren’t a ghost, where you could laugh and live freely again. Maybe, just maybe, one day you would find the strength to undo the threads of control that Tom had wrapped so tightly around you. And when that day came, Simon would be waiting, ready to help you break free.

I know this one's a bit short - finals week be kicking my ass😣 - but I've got more in stock coming up tomorrow! 💙

Tag List:

@jessicab1991

@hotaruteba

@daydreamerwoah

@angelic-thingys

Here's the current post schedule with some upcoming stories to look forward to!

[tesscourtes]

saw you had asks open, not a drawing request but wanted to know if there was any more story to your human bill’s punishment-for-weirdmageddon-is-to-turn-weak-human au, I really like it (sorry if you explained this a while back, I only just watched gravity falls😭I’m a late-comer to the fandom)

it’s just superepiccool to me, how are dipper and mabel about him being human now? Soos n Wendy, Stan and Ford? What was it like for them (especially Ford) when he just turned human? What was it like for Bill?

oh hey don't worry, I haven't really talked much about the details of the AU like ... ever. I just started reviving it because I got my partner into the show (they are also a new fan! yay, new fans! Funny enough I had no idea TBOB was coming out so the timing was mad exquisite.) and they have just been an amazing help shaping my messy thoughts and coming up with new, fun plots! It's also nice to know there's someone out there interested in it, so thank's for asking! Now that I read TBOB I want to change the premise a bit, but the core is still the same.

Let me tell you this AU is silly. I'm aware Billford is toxic and there are many corners to dive into to picture their messy relationship. But I kinda wanna keep the spirit of the show here and make it equally as fun as it is disturbing. Given that Bill canonically is trapped in endless Therapy gives me even more food to work with, he just out there being toxic and people repeatedly telling him to cut it out.

I'm not gonna go into too much detail because I'm actually working on the first comic chapter for this AU, but regarding the characters: Each of the Pines, as well as Wendy and Soos, are not happy seeing him, but individually grow more accustomed to him and with him. I guess going from "most accepting" to "least accepting", Mabel took it the best. I wouldn't say she was quick to forgive, but quick enough to give the guy a chance. And I honestly have to say that, although this is 100% a Billford AU, there's so many plot ideas for just Mabel and Bill and their amazing, chaotic shenanigans. Put these two together and the stories basically write themselves. Wendy is pretty similar, and the most chill in actually helping Bill figure out human stuff.

Naturally, Ford took it the hardest. I'm aiming for slowburn here, haha. They got to figure out some stuff that I'm so ready to put onto pages... Ford is a lot of emotions. Confused, angered, curious... Meanwhile Stan is Bills biggest hater. (There is a lot of bullying in this AU) He just keeps up with it because his Family makes him. He's very protective and tries to kick Bill out several times. Soos sticks with Stan, but he's also Soos and has a big heart, so in Bills eye, he's very gullible and a target he can mess with easily.

Dipper is not a fan either, he has a hard time adjusting to the triangle just getting to ... be there. He's suspicious for the most part and Bill has to try hard to get on his good side. But honestly he might be more upset with Mabel (and later on Wendy) for making friends with Bill so easily, even though he knows that's just their nature. I just recently started thinking about Gideon and how I'd like to include him, but nothing worth mentioning so far yet.

With Bill himself, one my favorite parts trying to portray so far is how he's dealing with his new mortality. He adjusts to the body fine, he knows how to navigate flesh, but he has a hard time accepting that it's his body. His new prison, essentially. If it's gone, he's gone. If he treat's it like shit, he feels like shit. Then we add the psychological aspect of things. And more importantly, we add Ford to the equation. When I tell you, that demon is experiencing psychological damage here, and it's fully his fault. TBOB really pointed out to me that I need to dive into his obsession with Ford. How do you even get a man you fumbled so bad, to even acknowledge you again?

I love yapping about this AU, thanks again for giving me the grounds to do so anon! I'm an insecure writer so it'll probably take another hot minute to choose which script feels best to draw out, haha. But I'm glad you seem to be up for the ride!!

[reason-with-the-underdog]

you were not mine to save -> to be loved is to be changed

i keep thinking about how

if you boil down alhaitham & kaveh's akademiya-era fallout fight, it was that alhaitham wanted to change kaveh & kaveh could never agree with his proposed course of action

but now, as full grown adults, alhaitham isnt trying to change kaveh anymore

that core conflict does reoccur, as it did during Parade of Providence when alhaitham lectured kaveh after Act II & kaveh got annoyed

(even though Alhaitham was obviously just worried about kaveh's health/wellbeing...)

this is a common pattern of behavior for them: alhaitham is worried about kaveh & kaveh reacts defensively to it

which speaks to how stubborn & hyper-independent kaveh is

despite being someone who's dedicated to giving back to the community and contributing towards the larger social good, he's quite determined on his own path in life

he'll bear the consequences (ie bankruptcy) all by himself if necessary...! and he's much too stubborn to be talked out of his own decisions

i dont think there was any possible way kaveh could have walked away from the wrecks of the first build of alcazarzaray and still be at peace with himself

and kaveh even admits he was naive (in his teapot dialogue), but he doesnt regret it still even now

so i think its cool alhaitham realised that there's no point in trying to convince kaveh to change who he is

such is kaveh. kaveh will not be someone different, not even for alhaitham. his work & altruism are parts of his core identity

why fight a mountain who will not be moved?

instead, alhaitham goes for more "harm reduction" strategies:

help cover kaveh's bar tabs, which means he's also the one lambad calls to pick up kaveh & see kaveh home safely

snark at kaveh when he's ranting about clients to keep him in a righteous mood instead of getting depressed

there's a quote about how to be loved is to be changed....

and alhaitham certainly has changed so much from that smart-mouthed student who had pinpointed what he thought was the root of kaveh's overbearing altruism and figured he could fix kaveh's problems with that knowledge!

to now as an adult with a lot more life experience: alhaitham knows that kaveh isn't his to save

and the more he tries to force kaveh to changing, the more likely kaveh is to dig his heels in

alhaitham doesnt need to be kaveh's minder or overbearing best friend--

he wants to be kaveh's partner, his equal, which means respecting kaveh's choices for what they are

anyways kaveh's drowner analogy works rly nicely for this core conflict between them (changing people vs supporting them and protecting them from harm)

& i cant believe its canon

i really appreciate this aspect of their relationship too-- it feels very mature & realistic...

how easy it would be if you could just TELL someone how to fix their problems!

its very frustrating to see someone you care about run straight towards problems again & again...

but you can't change someone's mind bc you want it to be that way. they have to decide on their own, on their own volition, and to truly believe in their decision, for the changes to really stick

as much as it sucks that you can't just solve people's problems for them

the human experience is so much richer for all of our different perspectives and ideas and principles that will not be compromised bc someone else wanted it to be

you can't control people's thoughts & that's for the best (also alhaitham's SQ is literally about this lmao)

[ghostgirl-22]

Somehow the conversation coming up that art doesnt know what he likes or knowing his own body because he always did what he was supposed to and no girl has felt the need or want to touch him because "hes the man and shouldnt need all that" "guys take care of the girl not the other way around" iykwim so patrick decides to help him figure it all out

How much pressure he likes, how wet he likes it, if he like gentle or nipping, gripping or biting.. where his erogenous zones are... kissing the sensitive parts of his inner thighs, what roles he likes to take, how he likes to be spoken to...?

U can ignore this part but Maybe pat asks "You never even tried doing it yourself? Like taken your time and see where your hands go?"

art says how would i be able to figure it out when i dont know where to start or what to do. Pat understands there probably a repression aspect to it aswell aand so they discover art together with pat guiding him through this new world/exploration

Omg! Your ask is literally ten times better than what I wrote but I love you for letting me try it dear nonnie <3

CW: 18+ !NSFW! Explicit

Basically this is just yearning and longing and porn with the thinnest of plots. So Artrick core.

——

It all comes out over holiday break. Art is staying with Patrick, it’s a few days after Christmas and Art’s parents are already busy with fundraisers and meetings. To them it doesn’t matter how Art gets back to Stanford, as long as he gets back so they could care less that Patrick keeps him for a few days.

They’re up too late. Patrick is lying on the floor with his laptop, looking up the scheduled matches for this season and who he’ll likely be playing. Art has taken over his bed, flipping channels on the television, going back and forth between American Pie on TBS and ESPN. Patrick is certain the sex conversation starts because they’re watching American Pie but what starts out as Art trying to get more information about Patrick’s sex life with Tashi leads to Art admitting he’s never really explored what he likes in bed.

“What do you even mean, explore?” Art asks, suddenly self conscious. He’s such a little perfectionist, checked off all the boxes, straight As, Ivy League college, division one tennis player, first girlfriend at the “right” age, lost it (many times) before high school finished. Patrick can tell it’s frustrating him to feel like he missed something. “Do you mean… touching myself?”

That’s really all it takes to divert Patrick’s attention. He shuts his laptop and sits up, gazing at Art. “Yeah jerking off is one part,” Patrick says, “But I meant what do you like?”

“I like having sex,” Art shrugs, “it’s simple. What else is there to explore?”

“Oh come on,” Patrick smirks. “It’s anything but simple. Do you even know your favorite position?”

Art rubs his arm, its so obvious he’s never even thought about it. “I don’t really… I mean um… I like… you know… the usual way.”

“Yeah that checks out,” Patrick says teasingly and Art’s gaze darkens.

”Why? How do you fuck Tashi?”

Patrick grins because he knew it was coming. “Nice try.”

Art huffs an irritated sigh. “Whatever man. Just because I’m not trying every position or whatever. I mean what difference does it make? She still…everybody still leaves happy.” Art picks up the remote and switches channels again like he’s done with the conversation but his skin is starting to flush.

He’s so easy. Patrick decides to push a little more. He shoves Art’s legs over and settles next to him on the full sized bed. Art just sits up, crossing his legs, he rests back on his palms.

Maybe it’s because Patrick helped him with his first sexual experience or maybe it’s because he has some kind of corruption kink but he loves whenever their relationship shifts back around to this show-me-how dynamic.

Art is so good at walking this line of self delusion that he’s this perfectly good straight boy… but when he needs something from Patrick. Usually experience. That’s when the lines start to blur. It’s a fucking mess but that’s exactly where Patrick lives.

“Look dude it’s not even about that.” Patrick continues. “It’s about… you remember when we were kids. You were so scared you’d suck at kissing so I—”

“Yeah I was a dumb kid,” Art interrupts quickly.

“Sure but you practiced…” Patrick points out. “And you’re a really good kisser now,” he says, smirking. Art looks away.

Patrick sighs. “I’m just saying if you play around… and learn what you really like. Sex can be really, really fucking good. Besides that’s half the fun of it anyway, right?”

Art chews his bottom lip and then he sighs. “It’s just… I mean I’m a guy… I thought I was supposed to look things up. I didn’t want to look like I didn’t know what I was doing.”

“What did you look up?”

“I don’t know, how to put on a condom? Only the first time. And like there was this article about unhooking different types of bra straps. Shut up,” he adds, shoving Patrick gently because he can’t help laughing at that.

“Okay how about this?” Patrick says, the ghost of a smile still on his lips. He leans back against the headboard, “Do you like it slow? Or do you prefer going fast?”

”Both,” Art says. “I like whatever she likes to do.”

“You don’t have a preference? What about when you’re touching yourself?”

Art plays with his tongue, rolls it back and forth in his mouth as he’s thinking. “Slower.” He says after a while. “Like… when I get the chance I like it…” He glances at Patrick and then looks determinedly back at the tv. “Slower.”

Patrick takes a breath and tries to slow himself down too but he can already feel his cock starting to fill up. “Okay what about touch? What makes you feel good? What gets you up?”

Art frowns. “I um… I don’t—- what about you? Where do you—” he sighs and then shakes his head. “Patrick, this is ridiculous.”

“No it isn’t, what’s ridiculous is you really don’t know what you like.”

Art is gripping the remote too tightly. “I know what I like,” he says.

“What?” Patrick gazes at him.

“Lots of stuff,” Art says.

“Like?”

Art rubs his thighs, Patrick looks down, following the anxious movement.

“I know something you like,” Patrick says after Art doesn’t say anything for a minute. “You want me to show you?”

Art starts playing with his tongue again, he takes a deep breath and nods and Patrick sits up so he’s close.

“You like it when someone kisses you here,” he brushes his knuckles along the junction between Art’s neck and collar bone and he shivers, pulling his shoulder up towards his ear. Patrick considers going in for the kiss but getting Art in a headspace is a delicate thing. It can lead everywhere and nowhere depending on how Patrick handles him.

And he knows Art… fuck… apparently he knows things about Art’s body that he’s not even aware of. This messy little “friendship” is gonna drive him crazy.

“Can I—“ Patrick lets his fingertips settle along the nape of Art’s neck where his curly hair is fine and baby soft. Art closes his eyes momentarily and takes a little breath.

”You like that too,” Patrick says.

“Yeah,” Art says softly.

Patrick licks his bottom lip to keep himself from licking at the flush on Art’s throat. “Do you like being on top? Or on the bottom?” Patrick asks, carefully.

Art opens his eyes and bites his lip again before taking a deep breath. “I think I prefer it when she… when she’s on top.”

“What do you like about it?”

“I don’t know… it’s hot. I mean…” he looks at Patrick. “I like looking at her tits when she….” He looks down shyly. Such a stupidly, pretty boy.

Patrick smirks. “So you're a boob guy.”

“So are you,” Art says, like he’s been caught doing something bad and doesn’t want to be the only one to get in trouble.

Patrick shrugs. “I love everything. I’m more of an ass man. But if you want to kill me show me a great pair of legs… I mean… fuck.”

Art rubs his thighs again. “I really like Tashi’s legs.”

“I bet you do,” Patrick smirks, leaning in. “What about you? You ever let her touch your chest?” He teases his fingers over Art’s t-shirt where his pecs are. Art gasps lightly as Patrick pinches just the right spot and the nipple starts to harden immediately. Patrick circles it lightly and Art shifts on the bed, pressing one hand into his lap and pushing Patrick away with the other. “Fuck no. That’s weird right?” Art asks, his voice a little pitchy.

God he fucking loves it. Patrick wants to push him down on the bed. But he sits on his hands to make himself behave. “What’s weird about it?” Patrick asks.

“I mean… I’m a guy. Why would she want to touch my… my nipples.” Art huffs a nervous little laugh.

“To make you feel good,” Patrick says softly.

Art licks his lips idly and lets out another breath.

“What about grip… do you like it soft?” Patrick asks.

Art nods. “Yeah.”

“This?” Patrick grips his wrist gently. “Or this?” He asks gripping a little tighter. “Or?” He grips tighter still, until Art squeezes his eyes shut.

“The… the middle… the second one.”

“Just right,” Patrick lets up on his grip. “What about here?” Patrick trails his fingertips…slowly… down Arts tummy.

“Stop,” Art breathes as Patrick’s fingers reach the elastic of his boxers.

Patrick shrugs, letting go of the elastic and smirking. He could do this all night. Touch and poke and prod and feel. He knows it’s turning Art on. He’s flushed so fucking beautifully, worrying his lips all red, squirming on the mattress.

“What about…” Patrick sits up on his knees and plays his fingers into Art's hair. Art looks up at him eagerly. Eyes fully dilated, lips parted, breathing shallow.

God.

Such a fucking pretty, pretty boy.

All Patrick wants now is whatever the fuck he can get away with. “Can I kiss you soft?” He asks as he presses his lips to Art’s mouth. Art nods and opens up, sliding his tongue into Patrick’s mouth right away, wanting it. Even though they’d only ever kissed a handful of times, ever since the first time their lips touched Patrick could tell that for Art kissing would be a Thing with a capital T. Patrick caresses the side of Art’s throat and feels it as he shivers. He listens to the way Art’s breathing. So aware of how Art’s body is moving. He’s opening up, he’s uncrossed his legs, knees pulled up, he’s grabbing at Patrick’s t-shirt trying to pull him closer as Patrick starts to deepen the kiss. Pressing his tongue more firmly into Art’s mouth. Art really likes that. He starts gasping, nibbling on Patrick’s lip before pushing his own tongue back in. When he starts moaning Patrick pulls back. His heart is railing against his ribcage and he’s losing himself. His hips are pressed in between Art’s legs feeling everything. Certain Art is feeling everything.

”Fuuckk,” Patrick breathes. He flops onto the bed resting his head on his pillow. If he were with Tashi right now he’d probably be halfway inside her already. Everything with her is impatient, horny and desperate. Everything with Art is pleading, anxious and pretending he doesn’t want it as badly as he fucking does.

Art is breathless, lips kiss swollen, he scoots back to get distance. “This is… so…”

“You like dirty talk?” Patrick interrupts.

Art smiles a bit and shrugs. “Kinda.”

“What’s kinda?” Patrick asks.

Art kicks his legs, lightly. “I like… I like when she tells me how she can’t wait for me to fuck her…”

Patrick sits up on his elbows. “Like I’m so wet for you baby, can’t wait to feel that big dick inside me?” Patrick says softly.

”Jesus Patrick,” Art says, covering his face.

“What?” Patrick says, smiling slightly at the reaction.

“You don’t have to say it like that.”

“Like what?”

“Like you're wet,” Art whispers.

“So what do you want me to say?” Patrick says, he gets up again, abruptly crawling back into Art’s personal space. Art reacts at the sudden movement by opening his mouth… Patrick can see his little pink tongue, desperate for another kiss.

Art is gazing at him, pupils so large the rings of blue are barely visible. They’re so close, their lips are almost touching when Art licks his mouth. A horny little mess, if Patrick tried it now he thinks Art might let him fuck.

Patrick smiles and then leans against Art’s ear. “Can’t wait till you fill me up and fuck me good baby…” he murmurs softly.

“Yeah,” Art says quietly. “I can fuck you good.”

Patrick thinks he’s gonna go insane.

Art’s breathing starts to pick up again.

“Can you fill me up and stretch me… fuck me so hard I can feel you for days…” Patrick whispers.

“Mmhm,” Art hums eagerly, he starts lapping and sucking along Patrick’s throat, it’s so fucking yummy.

Patrick rubs his hand lightly along the inside of Arts thigh, trying to graze his knuckles along Arts cock. Art hitches another breath.

“That feel good?” Patrick asks gently.

“Yeah,” Art says breathlessly.

“You like it when she goes down on you before you fuck her?” Patrick asks.

“Yes, mm, yes,” Art says eagerly, shifting on the bed so Patrick can get between his legs. It’s so slutty the way he opens up so quickly, knowing what Patrick wants to do. Patrick presses a kiss along the inside of his upper thigh.

“Mm,” Art whines, and Patrick’s sure he’s just found another sensitive spot. He kisses it again, this time sucking at the skin there and Art moans properly. Patrick grins and starts palming him through his shorts. His own cock feels so fucking heavy. He’s thought about fucking Art since the first time he watched him nut all over himself but right now he feels like he’ll die if he doesn’t get this.

“You gotta tell me how you want it to feel,” Patrick says looking up at him. “Can you talk me through it?”

“What if your… what if we get caught?” Art whispers.

“Everyone is asleep by now I promise,” Patrick says.

”Are you sure?”

“Fucking yes.” Patrick says impatiently, though if he’s honest he wouldn’t give a fuck at this point if they were all right outside his bedroom door. He can’t help himself, he tugs Art’s shorts down to see it.

He’s still barely got any hair there and he’s definitely still blonde everywhere. He’s so hard, his cock is so pretty and pink and full to the tip, pearls of cum dripping. Patrick laps it up and Art hisses.

“Talk to me,” Patrick whispers. “You like it wet?”

“Fuck,” Art breathes. “I mean yes. Yeah I want it wet. Oh god.”

Patrick fills his mouth.

“Oh— oh— fuck—-“ Art groans, he’s so loud. His hips stutter but Patrick holds him down, swirls his tongue around, doesn’t swallow anything, just drools all over it. Arts toeing the bed, trying to push up. “Mm fuck your tongue can you… can you do it faster…” Art moans. So Patrick moves his tongue faster.

He doesn’t ask, maybe because he’s too far gone but he teases his fingertips up along Art’s entrance and the sounds that Art makes in response, make Patrick shiver.

“Patrick,” Art gasps, his body is practically vibrating. Patrick presses his fingers in a little deeper and he moans like the boys do when Patrick’s on those websites in the middle of the night with the volume down low. But Art can’t be quiet… and Patrick doesn’t want him to stop.

“Patrick! Patrick I can’t—- I think I’m gonna—I’m gonna fucking cum— holy shit—“ Art wasn’t even done saying Patrick’s name when Patrick’s mouth started filling up. And boy does it fucking fill up. Patrick’s swallowing, and swallowing and swallowing. He’s so greedy he doesn’t want to waste a single drop of it. Art is whining breathlessly when Patrick finally lets it drop from his mouth, still so shiny and red and wet, twitching helplessly. Patrick just stares at it, dizzy for a minute before he drops onto the bed next to Art and reaches between his legs and starts touching himself.

Art sighs and pulls his shorts up properly before rolling over. He puts his hand where Patrick’s is and starts helping. “What about you? Art asks softly. “What do you like?”

A/N: Sorry this took hundreds of years my love. I wanted to do better but unfortunately got lots to catch up on so it shall be good enough <3

[weaselandfriends]

Post-postmodernism in Pop Culture: Homestuck’s Revenge

I recently saw an excellent video essay titled Why Do Movies Feel So Different Now? by Thomas Flight. Though the title is opaque clickbait, the video is actually about major artistic zeitgeists, or movements, in film history. Flight describes three major movements:

Modernism, encompassing much of classic cinema, in which an earnest belief in universal truths led to straightforward narratives that unironically supported certain values (rationalism, civic duty, democracy, etc.)

Postmodernism, in which disillusionment with the values of modernism led to films that played with cinematic structure, metafiction, and the core language of film, often with more unclear narratives that lacked straightforward resolutions, and that were skeptical or even suspicious of the idea of universal truth 

Metamodernism, the current artistic zeitgeist, which takes the structural and metafictional innovations of postmodernism but uses them not to reject meaning, but point to some new kind of meaning or sincerity.

Flight associates metamodernism with the “multiverse” narratives that are popular in contemporary film, both in blockbuster superhero films and Oscar darlings like Everything Everywhere All at Once. He argues that the multiverse conceptually represents a fragmented, metafictional lack of universal truth, but that lack of truth is then subverted with a narrative that ultimately reaffirms universal truth. In short, rather than rejecting postmodernism entirely, metamodernism takes the fragmented rubble of its technique and themes and builds something new out of that fragmentation.

Longtime readers of this blog may find some of these concepts familiar. Indeed, I was talking about them many years ago in my Hymnstoke posts, even using the terms “modernism” and “postmodernism,” though what Flight calls metamodernism I tended to call “post-postmodernism” (another term used for it is New Sincerity). Years before EEAAO, years before Spider-verse, years before the current zeitgeist in pop cultural film and television, there was an avant garde work pioneering all the techniques and themes of metamodernism. A work that took the structural techniques of postmodernism--the ironic detachment, the temporal desynchronization, the metafiction--and used them not to posit a fundamental lack of universal truth but rather imbue a chaotic, maximalist world of cultural detritus with new meaning, new truth, new sincerity. That work was:

Homestuck.

That’s right! Everyone’s favorite web comic. Of course, I’m not the first person to realize the thematic and structural similarities between Homestuck and the current popular trend in film. Just take a look at this tweet someone made yesterday:

This tweet did some numbers.

As you might expect if you’re at all aware of the current cultural feeling toward Homestuck, many of the replies and quotes are incredibly vitriolic over this comparison. Here’s one of my favorites:

It’s actually quite striking how many elements of the new Spider-verse are similar to Homestuck; aspects of doomed timelines, a multiversal network that seems to demand certain structure, and even “mandatory death of parental figure as an impetus for mandated personal growth” are repeated across both works. The recycling and revitalization of ancient, seemingly useless cultural artifacts (in Homestuck’s case, films like Con Air; in Spider-verse, irrelevant gimmick Spider-men from spinoffs past) are also common thematic threads.

As this new post-postmodern or metamodern trend becomes increasingly mainstream, and as time heals all and allows people to look back at Homestuck with more objectivity, I believe there will one day be a rehabilitation of Homestuck’s image. It’ll be seen as an important and influential work, with a place inside the cultural canon. Perhaps, like Infinite Jest, it’ll continue to have some subset of commentators who cannot get past their perception of the people who read the work rather than the work itself even thirty years after its publication, but eventually it’ll be recognized for innovations that precipitated a change in the way people think about stories and their meaning.

Until that day, enjoy eating raw sewage directly from a sewer pipe.

(Side note: I think Umineko no naku koro ni, which was published around the same time as Homestuck and which deals with many similar themes and then-novel ideas, will also one day receive recognition as a masterpiece. Check it out if you haven’t already!)