#how much of a reason do we really need to love the things we love?

[humanconditionpoetry]

I can agree with everything in this post, but I also want to say that while the term Narcissist and ASPD are being thrown around too much for my liking. Let us also not dismiss those that have loved ones and/or suffered abuse under these disorders. Sometimes, "The Shitty Asshole" as the OP puts it, is actually these personality disorders. I understand that it is a very common response to trauma and that some criteria of the DSM need to change. However, that doesn't have to invalidate those that have the disorder and those who suffered from loved one or people they know with the disorder(most often times the person is undiagnosed, but I think many of you get it).

Look, I am all for giving people a chance to manage their condition and change, but a lot of the times with these personality disorders, they do not see anything wrong with them. The current psychology model is to figure out how the disorders are distressing to the individual, that does not really work if the person does not see anything wrong with them(esp. in extreme cases). A lot of the times, people with these disorders go to therapy due to something else, like addiction, depression, divorce or relationship issues and anger management. So, they get treated for those things, but still have problems, which causes the therapist to look deeper. Now the people with these disorders(not all), will try to outwit and outfox the therapist or person treating them. They also might do, what we psychologist call "Therapy Hopping", because the moment you try to figure them out or get deeper into the trauma, they might end with that therapist and find another one.

Basically, this is a very difficult disorder to treat and we should be trying to encourage people to seek help. However, you also have to come to terms with the idea that that person can get help(provided they have the resources too), not get it or even consider it and still treat you like a "shitty asshole". And that is ok. It is okay to want what is best for this person and empathize with them to a point, but also be like "you were a piece of shit and ass to me and I do not own you anything".

Now, it is a little different when you treating someone obviously, but that is whole different issue.

Signed -

Someone who has taken a brunch of Psych classes as a Psych Minor and is Applying to Clinical Psych Doctorate Program. Who also happens to have a serve Malignant Narcissistic Father (who also has ASPD and PPD) and suffered his abuse, as well as the abuse he put on the family for the first 22 years of my life. By the way, he was undiagnosed and did not consider therapy at all due to a variety of reasons(not because he could not do so). Yes he was a "Shitty Asshole", Yes I asked him to go to therapy and encouraged seeking help. Those two things can exist at the same time.

Also before any of you come at me, just know I had access to the DSM and observed my father for 2 years before coming to these conclusions as we taught the power of labels as psychologist or in general.

Thank you for coming to my TedTalk and I hope you all have an amazing day!

Being an asshole is not in the DSM. Not everyone you hate is mentally ill and not everyone who does bad things is mentally ill either.

The DSM is a highly flawed and politicized way to define mental health disabilities that I have a lot of personal gripes with, but even THEY don't have "Shitty Asshole Disease" as a mental illness.

[lady-griffin]

Jinx's Hallucinations + Ekko

Before Act III drops, I wanted to talk about an aspect of Timebomb that I'm quite fascinated by -

Ekko isn’t a trigger for Jinx’s hallucinations.

He has even stopped her hallucinations – not intentionally or anything, but more than once Ekko's presence seems to have a nullifying impact on Jinx.

Which is odd, right?

One would assume due to their history Ekko would be just as triggering to Jinx as anyone else, if not more so, and yet the opposite seems to be true.

In Jinx's first reunion with Vi, she quickly becomes overwhelmed and has an episode due to a whole combination of factors, but notably because her hallucinations of Mylo and Claggor start attacking her, largely because she's starting to breakdown and is getting overwhelmed (a self-perpetuating cycle).

Jinx can't even begin to calm herself down, in fact she yells at everyone to shut up, because she needs to think.

Then she hears Ekko’s hoverboard and suddenly the hallucinations are completely gone.

Jinx isn’t sure if what she heard was real or not.

Which is a great detail, since it indicates Jinx is aware that the voices she hears aren’t “real," meaning she knows other people can’t hear them too. So, it's rather telling (at least for me) that she asks Vi to confirm if she too heard the hoverboard sound.

It's also impressive Jinx was able to instantly recognize the sound of Ekko's hoverboard, despite her being in the midst of a mental breakdown and unable to think properly.

It’s almost like Jinx’s brain went into fight mode or something, because seemingly all the hallucinations stopped at once because there’s now a much bigger threat Jinx needs to be on guard for – Ekko is heading her way.

I really can't emphasize how much I love that.

While not traditionally romantic, in any sense, this shows the amount of respect Jinx has towards Ekko and the threat he poses to her. He’s someone she actually has to take seriously when fighting.

Which is a bit unique for Jinx.

Throughout S1 we saw Jinx being far more scared of her hallucinations then actual real, physical threats, but in this moment it’s like her brain recognized Ekko as being the far greater threat than her hallucinations.

Which he is - but that’s also true for many of the other things Jinx faces and isn’t scared of.

Jinx does “glitch out” while fighting Ekko and the Firelights in “When These Walls Come Tumbling Down,” - but it’s more of an asset than a problem, as she easily dodges the Gorilla Mask Firelight (at least I think it’s a gorilla).

Then when Ekko disappears, Jinx's psychoses come rushing back; obviously, this has less to do with Ekko himself and everything to do with him taking Vi, but nonetheless, it's still a slight repetition of the pattern that keeps happening between them.

In "The Boy Savior," during Jinx's bridge fight with Ekko, she once again specifically doesn't experience any hallucinations; even though she was just experiencing them not too long ago.

Mylo was this 'demon' on her back that while she could initially argue against, the more upset she became, the bigger his presence was.

She saw Caitlyn as this devil figure, laughing and mocking her and her psychoses even blocked Vi almost entirely from her sight; whether literally or symbolically, Jinx clearly wasn’t fully aware she was shooting at Vi, despite her obviously seeing Vi and then shooting in her direction.

Then Ekko bursts onto the scene and suddenly no more hallucinations. Which is just...

I honestly don’t know what this is. I really don’t.

To be clear, I absolutely love this whole thing despite not knowing what it is exactly, because honestly, I'm just fascinated by this dynamic, because for whatever reason, Jinx isn't triggered by Ekko nor does she hallucinate him.

In S2, Jinx’s hallucinations have significantly decreased, but in “Paint the Town Blue," she's suddenly bombarded with pretty much everyone’s voices because she’s beyond upset and panicking about Isha being taken by the enforcers.

She sees pretty much everyone - Silco, Vi, Mylo, Claggor, Sevika, and Isha.

Jinx seeing Vi, Sevika, and Isha shows us that she can/does hallucinate people who she knows are alive.

In addition, Isha being one of her hallucinations shows us that Jinx doesn’t need to have negative or even complicated feelings towards someone for them to become a part of her psychoses, as Jinx largely thinks/feels positively towards Isha.

Though it should be noted, the hallucination of Isha isn’t acting aggressive towards Jinx, not like the others are.

Finally, Ekko or Vander are the only two she doesn't hallucinate, but we know Jinx has hallucinated Vander in the past, making Ekko the odd one out when it comes to Jinx's hallucinations once again.

Which for the millionth is absolutely fascinating to me.

Because why?

Why doesn't Ekko trigger Jinx? Why isn't he one of her hallucinations? How come he's the only one we've seen having the ability to stop Jinx's hallucinations altogether (even if it's completely unintentional)?

For whatever reason, Jinx’s mind has seemingly categorized Ekko as being different than everyone else and while it’s obviously not this big thing the show brings your attention to, it’s also clearly there, albeit subtly.

And yeah...

I don’t really have much more to say, I just wanted to talk about this interesting aspect of Timebomb before we get to the last and final arc of Arcane.

[seraphinitegames]

Hi! Hope everything is well 😊

Just played the demo and it's sooo god! 😍 Replayed it several times already.

I've tried every type of playthrough for each wayhaven book. Like, literally every single one... for each stat, personality, type of relationship with each RO, who your BFF is....etc...

I'm just obsessed with how even small things changes the dialogue, I can't help it, it's like Pokemon, I gotta catch them all 🤣

And I already know i'll replay this one the most 😍 and it has absolutely nothing to do with the hot Villain, or the MC getting awesome super powers. Or the angst. Or the mental image of a MC going full on "Unlimited Power!" On the next Murphy, or Anwir, or Bobby, definitely not Bobby. Nope.

Not. At. All.

....

Anyways...

So I just have to ask (Even though i'm guessing we're going into spoiler territory) how is the Villain as a RO? Right now i'm getting the feeling that they (mostly) wants MC for this "power" they keep mentioning, but is there another reason?

Also just for fun, like in the other RO asks, where does the Villain land in the rankings? For most clingy, emotional, affectionate, etc. Then, of course the most important one, Jealousy. I know we can't really pursue the Villain if we're already romancing someone, but how do they feel about the "competition"? Are they not worried/bothered at all, or should we prepare to go full on supernatural prepper mode and look for underground bunkers for our RO? 😳

If it's the latter i'm guessing my MC is going to check if Sin is willing to side hustle as our RO's bodyguard...

Whether RO agrees to it or not.

(Yes Adam/Ava and Mason/Morgan i'm talking to you!) because I WILL protect you against your will. Deal with it or I swear i'll go full on lovey dovey mode on you, with daily, heart on your sleeve love confessions and love poems.

That I will read out in public.

Everywhere you go, you'll find roses waiting for you. There will be no escape from the sweet and sincere love MC holds for you.

Then I will force you to watch every single sappy romance movie on this planet!

EVERY. SINGLE. ONE.

So shut it and get in the bunker with Sin!

NOW. 😡

Oh, interesting questions for Li-Sar, hehe! :D

As I've said multiple times—and will keep saying, lol!—the villain is very much a villain. They're not like Falk or Sin where things get a bit morally one way or other kind of thing.

Li-Sar is a power-hungry villain.

But, saying that, if you choose to do the romance route fully, then they will love the MC. They will fall as deep as the vampires do.

BUT this is still a villain romance. Li-Sar is not a good person, lol!

The way it will play is like the vampires in that it is a love that is a soul-mate kind of thing, your MC feels for Li-Sar and can't help it (though there will be lots and lots of times to be able to pull out before fully committing to the romance, but once you're in it, you're in it—and I will put a warning in game about when it will be locked in).

As a romance option Li-Sar is intense, tempting, and overwhelming, but also surprisingly gentle and…needful.

-

As for when you can't romance Li-Sar (if you're already on a vampire romance route), Li-Sar doesn't do well with competition, and will make that very plainly clear!

-

Thank you so much for the asks and the message! <3

[girl-named-matty]

Little morning - Life after Hogwarts

synopsis ✧ Being a parent wasn't exactly easy and Sebastian found that out the hard way after the birth of his first son--who was now two-years-old and they were also expecting another. But regardless, he loved being a father. But the biggest problem with having a pregnant wife? A little toddler who just so happens to be a big mummy's boy that tries to wake her up at any chance he gets.

tags ✧ Fluff, tooth-rotting fluff, like so much fluff you guys. Talks of pregnancy and babies (ofc), toddlers (thats a warning in itself haha), marriage, just all the domestic cutesy stuff we all love. .

word count ✧ 1.6k

a/n ✧ Just some random cute idea I got and I have been ITCHING to write Seb and Matty as parents. You've probably seen my other posts about their kids when they are older but I really wanted to do some of the younger stuff as well because the baby fever is strong rn and I need a outlet LOL.🥺 Hope you enjoy! xoxo

Sebastian Sallow severely underestimated how difficult being a parent would be and just how much sleep he would lose by being one as well. Sure, he knew kids were difficult, and his wife had told him countless stories of the kids she had nannied or worked with who were difficult, but nothing could’ve prepared him for the real deal.

Little Eleazar was just past two years old by now, and yes, he was an abnormally well-behaved child; he still was a toddler, and well—toddlers did toddler things.

But despite the lack of sleep, the rough days, and the struggle of learning how to be a first-time parent, it was all worth it. They loved their little boy, and they loved him just the way he was.

And apparently it was “so worth” it enough that Matty was now pregnant with their second child. Or at least in Sebastian’s words, it was “so worth” having another. Matty had always wanted a couple of children, so she was up for having a second, but Sebastian was definitely the one who pushed the idea to have another.

Hence why she was now seven months pregnant and dealing with a toddler. But thankfully, Sebastian was a very hands-on and involved dad, and it made it all so much easier. He was an amazing husband and father. (She couldn’t lie and say that wasn’t the reason why she considered a second.)

It was nearing seven am when Sebastian, who was half asleep, heard the little pitter-patter of footsteps nearing the bedroom door. They had moved Ele into a different room a couple of months ago so he could get used to sleeping without Mum and Dad, especially once the new baby was around. But almost every morning, like clockwork, he managed to climb out of his crib and sneak off to Mum and Dad's room.

Sebastian, immediately knowing who it was, sat up and rubbed his eyes. The little footsteps stopped right at the door, which meant the door needed to be opened. Eleazar wasn’t quite tall enough to reach the door handle and turn it, so usually Sebastian would have to do it himself since he was the first one up.

He could practically hear his son pouting on the other side of the door, so he swung his legs over the side of the bed and stood up, trying to be as quiet as possible so as not to wake up Matty, who was still peacefully sleeping.

He walked over to the door before opening it, looking down at his son. “Well, good morning,” he said, his voice still gravelly.

Eleazar quickly put his hands up, babbling a little to let his dad know that he wanted to be picked up. Sebastian leaned down and grabbed the little boy up in his arms. “You’re two years old; you gotta start using your words, buddy.” He softly encouraged. But it seemed like Ele was too tired to speak anyway since he was rubbing his eyes the moment he was up in his father's arms.

Sebastian sat back down in bed, Eleazar placed in between him and Matty. “If you’re going to be here, you gotta go back to sleep.” He said, trailing his knuckle against his son's chubby cheeks. Of course, he was only saying this to try and get more sleep himself, but when did toddlers ever listen to anybody?

Instead, Eleazar turned around, seeing that his mother was in bed. “Mummy,” he babbled with a big smile, crawling over to where she was sleeping.

Sebastian’s heart almost jumped out of his chest as he had to quickly grab his son and pull him away from his mother in order for him not to wake her up. She definitely needed more sleep. “Wait, wait, no, we can’t go to Mummy right now, okay? Mummy is sleeping.” Sebastian tried to explain.

However, Eleazar did not like being told no. Especially when it came to his mummy. The corner of his lips curled down, forming a little frown, and by the way his little bottom lip quivered, Sebastian could quickly tell that he was going to start crying.

Panicking a little more, Sebastian quickly grabbed the little boy up in his arms. “Hey, hey, it's okay.” He soothed. “We just can’t wake up Mummy right now; she’s resting.”

He knew Eleazar couldn’t understand a lick of what he was saying, but he hoped the tone of his voice would help calm him down. “Mummy is very tired, and she has little brother or sister to deal with too, okay?” He continued. “I can assure you that definitely isn’t easy.” He half mumbled under his breath with a chuckle. But that was more for his own amusement than an explanation.

Ele didn’t cry, but he looked up at his father with his big blue eyes that he had inherited from his mother, a pout still on his face. “Mummy.” He repeated, this time more determined.

Sebastian sighed, shifting to where he was now lying down with the child in his arms. “Mummy is asleep. Which is what you should be doing right now too. You’re still so young to be waking up this early.”

“No.”

Sebastian sighed again. He hated the fact that usually one of the first five words for children was usually no. It was helpful when they could communicate what they wanted, but it also happened to become their favorite word very quickly. Saying no to everything mummy or daddy needed them to do.

“Yes.”

“Mm-hm.” Eleazar shook his head, clearly conveying that he was saying no.

“What am I going to do with you?” He chuckled, pinching his son's cheeks.

But luckily for the both of them, Matty shifted a little, signaling that she was indeed finally awake. Ele quickly looked behind him, seeing his mother begin to wake up. A big smile instantly appeared on his face, and he slipped out of his dad's arms and immediately crawled over to his mother. He was a big mummy’s boy and always wanted to be with her.

When Matty felt two little hands on her arms, she chuckled, opening her eyes. “Good morning, sweetheart,” she said sweetly, the sleep still obvious in her voice.

Eleazar immediately plopped his full body weight onto his mother, giving her a big hug. She laughed, giving him a hug back before sitting up. She looked over at Sebastian and then back down to her son. “Something tells me you’ve been giving your father a little bit of a hard time.” She said, poking her son's little tummy.

“I’ll say,” Sebastian muttered. “Little bugger tried to wake you up the moment he got into bed.”

Matty smiled. “He just loves his mummy,” she cooed, shifting little Ele so she could have him comfortably against her.

Raising a toddler and being pregnant definitely wasn’t easy, but to Matty, it was worth it in the long run. Not all mornings did she wake up as nicely as she did now, but these mornings definitely helped and made up for the bad days.

“Well, thank you for letting me sleep in a little longer.” She said to Sebastian before leaning in for a quick good morning kiss from him. Sebastian smiled into the kiss, enjoying the attention from his wife. Sometimes that was scarce between work and raising a baby, so he was always loving any attention he got from her.

Meanwhile, little Ele was looking at his mother's belly, still wondering what on earth was going on there. It started to frustrate him that he could no longer sit on his mummy’s lap, but he slightly understood the concept of having another new little sibling that was seemingly “in mummy’s tummy” and that it was a baby.

Matty looked down and chuckled. “Say hi to the baby, Ele.” She urged.

Eleazar didn’t say anything, but he did wave, thinking that his little brother or sister could see him do so. Matty giggled a little bit at her son's expression, and she leaned down to kiss him on the forehead. “In just a little bit you’ll have a new brother or sister, and it’s gonna be sooo fun,” she said.

“Sleepless nights and screaming babies are an interesting thing to consider fun.” Sebastian joked sarcastically.

“Remind me whose idea it was to have a second?” Matty said, raising her brow at her husband. She knew he was just joking, but she did like to poke fun at him because, after all, it was his idea to have another baby once Eleazar was a little older.

“It was mine, and I’ll totally own up to that.” He chuckled, pulling his wife close to him. “And I can’t wait to have another. Anything from you is a complete blessing, and I’m lucky to have you and our children.”

Matty smiled and leaned her head against his chest. She had married the right man, that’s for sure. And boy did she love him.

“I hope it’s a girl,” Sebastian mumbled into her neck.

“Don’t want another little boy?” She chuckled, looking at him with a raised brow.

Sebastian shrugged. “I’ll be happy either way. I just want a healthy baby. But since we have a boy already, I think it’d be nice to have a sweet little girl. Beautiful and intelligent, just like her mother.” He said, giving Matty a little squeeze.

“And here I thought you wanted a little mini-you.” Matty said.

“Oh trust me, I do.” Sebastian replied. “But who's to say that a little girl can’t be my mini-me? We can get into all sorts of trouble together.”

“Mhm, right. Not on my watch.” Matty joked with a laugh.

“Worth a shot.” Sebastian grinned.

I hope you all enjoyed this as much as I enjoyed writing it! Thank you so much for reading! 🥺❤️

[buckevantommy]

Buck could fill a small bakery with the amount he's baked in the past few weeks. He cleaned out the flour shelf at his local corner market, used a coop's worth of eggs, pushed his mixer to the limit, and had his oven working near constantly. Every neighbor on his floor and everyone he's passed in the lobby has had a loaf of some kind left on their doorstep or politely shoved into their hands. Everyone at the station is begging him not to overload them on anymore sugar - they'll take the carb-loaded meals he makes at work but avoid Buck the moment he enters the bay doors with a basket of saran-wrapped sweet bakes.

The worst part is that it's not even working anymore. It never really distracted him enough to not want to call Tommy, just put his hands and head to use for an hour or two at a time so that he couldn't text or call.

But now there's nothing left to bake with. And Eddie is looking at houses in El Paso. And everyone has family to go home to, except for Buck. And every reason he has for not being the one to reach out first goes out the window.

After a few rings, Tommy answers with a questioning: "-Buck?" and it's a gutpunch he doesn't need today but he's already feeling like shit so the pain just gets absorbed into the rest of it.

"H-hey, Tommy." It feels good to say his name under- well, not better circumstances than addressing his broken heart, but something with a bit of tentative hope at least.

And it's good to hear his voice. The voicemails and audio notes and videos from their time together have soothed him and tormented him at different times, but hearing Tommy respond sends a pang of longing through him.

"Um. I-I, uh."

"Are you okay?"

A bitter sound trips its way out of Buck's mouth. "No. No, I-I'm not okay."

"Are you hurt?"

The urgency in Tommy's voice thrills him; he still cares. But Buck doesn't want to misrepresent himself, doesn't want to trick Tommy into caring about what he's going through.

"Guess that depends."

"On what?"

"What kinda hurt you mean."

There's an inhale across the line. "What can I do?"

Tears prick at the corners of Buck's eyes. "I just- need someone to talk to." He doesn't say: even though we're not together anymore, can we still be friends? because even though he's missed Tommy being in his life, he doesn't know if he could be just friends.

"Okay." Buck hears some rustling in the background, footsteps, background noise receding. "I'm here. Talk to me."

Tommy wants to hear what Buck has to say, he always did. So Buck talks. He tells Tommy about Eddie moving away, and Tommy listens. And when it gets too much he tells Tommy about a new niece or nephew of his on the way, and Tommy offers his sincere congratulations. And then he tells Tommy about his baking coping mechanism and Tommy quiets.

So much so that Buck checks to see if the call dropped.

"I'm on my fifth engine," Tommy admit. "I keep taking them apart and putting them back together until they work better than before. But everytime I was done I had to start again, fix another broken thing, because I couldn't fix.."

Buck takes an unsteady breath. Us. "Me."

"No," Tommy says emphatically. "I couldn't fix me. Too broken to be good enough for you."

It's a heartwrenching confession, but Buck feels a smile beneath the tears sneaking down his face. "You don't think I'm broken? Nobody stays for me, Tommy. At some point I gotta realize I'm just not someone people wanna stick around for in the long run."

"Evan.."

Buck breezes over the sound of his name in Tommy's mouth, can't dwell on how good it feels because it won't last. "Guess neither of us are forever guys, huh." His heart, bruised and battered, bleeds a little more. The tears stream freely now. He sniffles, but manages to steady his voice as he says: "I loved you. That was real."

Tommy's breath hitches. "I was a coward."

Buck nods. Cries some more. They're both fucked up.

Tommy hesitates, but then: "I'm off-shift soon. We could.."

He leaves it hanging. There's so many ways Buck could finish that sentence, most of them unbearably hopeful. He doesn't want to stay in his empty apartment anymore. "Yours?" His voice is a little wet. "Maybe I could help you with that engine."

Tommy's breath of amusement is a balm to Buck's aching heart. "You know something about vintage cars I don't?" It's teasing, and gentle, and Buck has missed this.

"Maybe. Maybe trying to do it alone is the problem."

Another breath of laughter, followed by resignation in Tommy's voice. "Yeah. Maybe you're right."

Buck listens to him breathe for a moment: in, out, in..

"I'll meet you at mine."

Buck's poor heart beats a little stronger.

*

It was more than an hour later, of battling crosstown traffic and then letting himself into Tommy's house because Tommy had explicitly told him to use the spare key. They never gotten to the point of swapping keys. That probably should've been a step they didn't skip over. Buck's too-long legs had skipped too many for Tommy's comfort.

He pushes all thoughts of that aside. He's not perfect, he's too much, but Tommy agreed to see him. Tommy wants.. he's not sure.

Buck stands in the little living room, surveying Tommy's space while his mind spirals, heart yoyo-ing between hope and hopelessness. He doesn't know how much time passes when the front door opens and Tommy appears in the entryway.

He looks good. Tired, if the dark circles under his eyes are anything to go by, but good. His hair is a little longer all over, and it suits him. Buck wants to tell him as much but he can't seem to say anything.

Then Tommy says, "Hey," soft and concerned and fond, a sad smile at the corners of his eyes.

And Buck's tears threaten back into his own. "Hey." His voice is watery and brittle.

Tommy's there in three strides, gathering Buck into his arms, and Buck lets himself be wrapped in an embrace. Winds his arms around Tommy and presses into his solid warmth. Breathes him in as the tears come.

He feels safe. Seen. His heart cradled in care the way his body is cradled in Tommy's arms.

Buck takes a deep, steadying inhale of Tommy's scent and pulls back enough to look him in the face. His hands loose their grip at Tommy's shirt, smoothing to palm him through the cotton.

"About that engine.."

Tommy's smile is wide enough to crinkle his eyes in that way Buck loves, with joy etched in the creases.

"I wanna help you, if you'll let me. We could make it work. Together."

Tommy's eyes glisten. His smile breaks into a grin. "I'd like to try that."

buck probably called tommy every chance he got when they were together. driving home from work and stuck in traffic, it’s time to call tommy and tell him about his shift. late night in bed and he’s struggling to fall asleep without him, tommy’s soft voice will lull him to sleep from the other side of the phone. both on shift and the calls had been particularly slow, he will go and sit on the roof with tommy on loud speaker and they will just talk about anything and everything.

and when buck finds out that eddie is thinking about moving back to texas, tommy is the only person who he wants to talk to about it. so he finally gives in and calls. and of course, tommy will answer.

[mysssticc]

Say I’m yours

Warning: nsfw, smut, cat Sylus

“Say I’m yours”

Sylus's words barely registered in your brain, his movements overwhelming you as you struggled to focus. His hands held yours, pinning them above your head, his cat tail wrapping tightly around your thigh and his face buried against your neck, getting drunk in your scent, each touch of his making your body burn with desire.

"Say it, my lady," he ordered.

Your breath hitched as his thrust deepened, the sound of your moans and skin against skin filling the room.

"You- You're mine," you whispered, the words coming out in a breathless rush. He slowed his hips for a moment, seeing your struggle to get the words out.

"Again, louder," he commanded, his voice soft but insistent, sending a shiver down your spine.

"Sy-Sylus... you're mine," you said this time, your voice trembling but stronger than before.

"Keep saying it," he urged, his hips resuming hi rhythm, quickening as you wrapped your legs around him, your body moving along with his powerful thrusts.

"Mine," you whispered over and over again, your soft voice murmuring such possesive words bringing him closer to the edge.

Suddenly, his movements stopped completely as he pulled away from you, leaving you breathless and confused for a moment. Without a word, he repositioned you, laying you onto your stomach and placing a pillow under your hips.

He positioned himself on top of you, gently turning your face to his to give you a messy and desperate kiss as he pushes inside you again, his mouth capturing the moans that scape you as he starts pounding into you from behind.

His lips trailed across your skin, leaving marks that would last for days on your skin. His tail curled back around your thigh, grounding you in the moment.

You could feel the heat building in your lower stomach.

"Sylus..." you murmured, trying to let him know.

"I know, my lady," he said softly, he could feel you were close, his voice almost a growl as he kissed your shoulder. "Me too."

It was when he sneaked a hand between your legs and teased your clit that you finally reached your release, arching your back against his chest , your body trembling as the intensity of your climax reached its peak.

“F-fuck” you heard him groan behind you when he felt you clenching tightly around him, shaking slightly as his own climax reaches him, still moving with sloppy thrusts as he finishes inside you.

You feel Sylus’s relaxing as he collapses on top of you, careful not to crush you with his weight, his breath uneven as he pulled you closer, wrapping his arms around you. Your bodies still shuddering from the intensity of it all.

"Sylus..." you murmured, coming back to yourself.

He groaned softly, allowing you to turn in his embrace, resting his head on your chest as you held him close. You could see his tail moving around lazily, content and relaxed.

You reached for your phone, checking the time and remembering the reason you were here. As much as you’d love to stay there with him in your arms, you had a mission to complete.

"Sylus," you said softly, tapping his back to get his attention. "We need to get presentable. We have to meet up with snowy owl soon."

He groaned, nuzzling further into your chest, tightening his arms around you unwilling to let you go just yet.

"Are you still going on about that?" he grumbled.

You shifted in his embrace, letting out a small sound of protest when you felt him still inside of you.

"Are you really going to sell me to her?" he asked, finally letting you sit up, though his grip on you remained firm.

You cradled his face with your hands, and caressed his cheeks softly.

“How about this? As soon as we finish this mission we can cuddle for as long as you wish” you stared into his red eyes trying to show him how serious you were about this.

He stared at you for a moment, his expression not revealing anything that went through his head.

“Fine…” he finally spoke ”but I think cuddling isn’t the only thing I’d want to do, sweetie” his hands that were on your waist tightened slightly, trying to subtly tell you what his intentions were.

You blushed slightly, your pulse quickened with desired at the thought of what could happen between you two in just a few hours.

You smiled sheepishly, leaning closer to him and brushing your lips against his.

“That’s fine by me” you whispered, sealing your words with a hungry kiss.

[aithusarosekiller]

Honestly we need to make more GENUINE enemies to lovers Jegulus content

With so so much emphasis on the enemies to the point where it's practically enemies AND lovers

The type where they're so damn evil to each other that you question whether them getting together breaks some sort of moral code but at the same time you can't help but wait for them to angrily kiss.

They're calling each other the most horrific, offensive names and doing everything they can to get a rise out of each other. They're using one another to turn their friends against them. They're getting in physical fights (so much tension there it's sickening) and they're just straight up vile constantly.

They NEVER EVER shut up about how much they hate one another, they'll both search each other out in order to cause some form of damage to either property or the person. Whenever they need to let off some steam they pick a fight because it's become habit. It goes on for years.

When they eventually get together it's with so much resentment. They almost definitely accidentally confess or kiss in the middle of a fight and it only increases the anger on both sides. So now they're both aware that they're into each other but they refuse to step down and say they like each other because 'he's still so infuriating and his ego is too big already, I can't let him think he's hot and worth being around' so they pretend it never happened and keep 'hating' each other. Over the next few weeks they will be literally clinging so desperately to each other like they can't bear to be apart while whispering hatred to each other looking like they want to kill each other. And it isn't that there's a weird coercion thing with a power imbalance, they're both equal, they're just annoying little violent shits.

It only mostly dulls with time. They're 6 years into their relationship planning their wedding while cuddling up in bed and have to pause to insult each other's taste, looks, and personality, fight over literally nothing and bring up times from the past that they managed to get one up on the other, then smile sweetly and have a tiny little gentle kiss before going back to planning. Their petnames consist of 'fuckface' 'foureyes' 'ugly cow' and 'wankstain' and they're used intermittently with 'baby' 'lover' 'babydoll' 'my heart' and ANY other cringe ass name you can think of. Duality. Idk just James potter saying babydoll to the person he just accused of being a lying, money-hungry, ugly, disrespectful whore is so him.

Any normal reasonable stranger would be so worried about how unhealthy and toxic it is but they're just so used to hating each other that it's become a love language. A way to express themselves and reminisce together. They know they love each other but it's just fun to pretend they don't, there are boundaries since they got together but they never really talk about them bc they know what they are and not to cross them.

[selinakylesupremacy]

Favourite Batcat quotes in comics:

Bruce to Selina:

There exists such a thing as longing, for two hearts beating across time, space, and dimension, then perhaps she helped provide a beacon. A reason to return. Someone to come back to. - Bruce Wayne: The Road Home: Catwoman #1 (2010)

When we kiss the pain goes away - Batman #12 (2020)

Her smell. Chanel. Wet leather. And sweat. I want to get lost in that smell. - Detective Comics #800 (2005)

Nothing matters as long as we're together - Batman Chronicles #11 (2014)

In any world, I love her - Batman #132 (2023)

There has only been one woman who has really held my heart - Heart of Hush (2009)

All I can think about is Selina. Beautiful, fascinating Selina Kyle. - Batman: Black and White #6 (2016)

When I first met you on that boat, the diamond you stole, after I got it back. I bought it. I've had it for years. I knew, even at the beginning. I knew I'd need it. I... I needed it. Just like... I need you. - Batman #24 (2017)

I'd do anything for you. - Catwoman #51 (2023)

She's more important than the galaxies. - Batman #68 (2019)

She's the only one who...who understands what... she knows who I am. What I am. And she loves me anyway. - Batman #15 (2017)

I love you Cat. I always will. - Batman #85 (2019)

Something passed between us - a spark of electricity. The shock of recognition. It was as if I'd suddenly found a part of myself that I never knew was missing. - Batman Chronicles #11 (2014)

Without you, I'm lost - Batman/Catwoman #6 (2020)

When I do let myself dream, Selina...in that life. I'm with you. - Catwoman: Lonely City #3 (2022)

Even in the middle of death and madness she makes my heart skip - Batman #143 (2024)

My world is dust without you - Batman #78 (2019)

Selina to Bruce:

By now we both know we can't stop it. This. Might as well try to stop the planets orbiting the sun. It's more than love. It's gravity. - Catwoman #1 (2023)

You and me. The Bat and the Cat. In the dark making sparks - Batman #392 (1986)

When the world blows up around us we reach out for one another. - Catwoman #58 (2023)

The Bat and the Cat. We are forever. - Batman #85 (2019)

You are part of the night, just like me. We're not afraid of the dark - we come alive in it. - Catwoman #40 (1996)

I'd rather die with you than live without you. - JLA: The Nail (1998)

When I fall he catches me - Batman #37 (2017)

Just for today don't be Batman. Don't be the mask. It's okay to let it go, just for today. You can fall apart, I'll hold you together. - Injustice: Gods Among Us #17 (2013)

I hope somewhere deep down you know I will never let you fall - Detective Comics # 1077 (2023)

I liked the smell of him - leather and sweat - Batman #66 (2019)

I liked how he held me, like he could do anything, but he couldn't let go - Batman #66 (2019)

I love you too, Bruce. Just like a fairy tale, I could live with you in your castle forever. - Batman Returns Comic (1992)

His love is my great escape - Catwoman #58 (2023)

I love you, Bat. I love you so much - Batman #85 (2019)

[fallen--starlight]

hi tumblr user if-you-soul i need to preface this by saying i was actually discussing the god awful mischaracterization this fandom inflicts on HMS with my besties & opened tumblr to look for your reblog of that soul fanart saying "YOU fell for the character's facade that was meant to be dismantled by the viewer!" & got hit w this & it MADE MY DAY. i fucking love this album to death & im a soul fictionkin so these things drive me up a fucking wall

cccc is pretty straightforward while also being purposefully vague & left up to interpretation in many areas but soooo many people take interpretation to twisting the narrative until its no longer what it was & it makes me ask myself did we listen to same tracks here?? where are yall getting these things from???? this got rly fucking long so im adding a cut here voilá

when people talk abt the mischaracterization in the fandom its usually focused on heart & mind so im INSANELY glad to see someone talk abt the soul shit. cause what kinda crack are people on?? he never threatens to harm h&m except for at the end of TSE where he is... having a mental breakdown? have people forgotten what it's like to have a breakdown??? you say shit you dont mean bc you're splitting at the seams & falling apart. there is no point in the entire album where soul is portrayed as manipulative/entitled/evil/violent/abusive/erratic, which are descriptions a surprisingly large amt of ppl seem to subscribe to? HE'S A VICTIM !!!! & im so glad you said it! i too have been in a kind of middleman position to parties fighting with each other & its insanely detrimental to one's mental health & had me at an incredibly low point so yeah TSE feels deeply personal to me & soul's character in general (waves in soul kin again LMAO), drives me bonkers how ppl describe him.

mind WISHES he was unfeeling. heart calling him an automaton freak doesnt mean he doesnt feel! it means that he just PUSHES AWAY & REPRESSES EMOTION, or at least tries to. like one has to really emphasize that everything between the heart acoustic & the soul eclectic has mind clearly displaying rage & bitterness & all kinds of emotions. even the end of TME says "maybe my existence might be by design, a simple fact that he'll refuse to see" like bro says its a maybe & then immediately claims its a fact yall are falling for his facade so hardcore its not even funny atp. the way people treat heart is borderline gross, he is NOT an uwu baby innocent boy that doesnt know anything & ppl infantilize him so much idek why. heart represents emotion- ALL emotions. & you're right! emotions are so fucking draining & exhausting at times, especially if you're mentally ill! all this weird portrayal of evil mind & innocent heart is so ?? can i quote TSE with neither is wrong yet neither is right. all 3 of them are neither good nor evil. they're people. they're human. the album really emphasizes this a lot.

the juno incident & RoE in general is made to be a much bigger deal by the fandom that it really is. applies to more than one thing in cccc but RoE takes the cake tbh. & yeah! whole is an entirely fanon thing lololol like im pretty fucking sure even chonny jash has said this someway or another. what we call whole is literally just...chonny. i think ppl took dream's "when harmonia shines, atlas beholds her" & RAN. & honestly i like whole hcs but this brings me to another thing: i really feel like cccc fans come up with so many hcs & interpretations for the album that they forget what the canon is in favor of their fanon. there's so much shock gore & gore in general for lowkey no reason in here </3 its so much & for what. fanon is awesome like everyone should be free to do whatever but i do wish ppl would Remember Canon a bit more & separate their hcs from it more. along with the gore. where are yall getting all this insane amount of gore & violence from. i feel like any violence alluded to in the album is more metaphorical than it is physical bc emotions can be felt violently. internal violence. the album is abt the never ending cycle of mental illness getting better & then getting bad again & so forth as a natural part of life & accepting yourself in those moments.

tl;dr u r so correct & i couldnt agree more & you've voiced the way i've felt abt this fandom for ages we lost the fucking plot & kept running anyways lets pause & find it again thank you so much for sharing ur yapsesh with us

Mischaracterization in the CCCC fandom: a yapsesh (alternative title: Erm... What the Gore is Going On?)

Hi. Woaw. I'm actually making that post I talked about.

So. One thing I've noticed in the CCCC fandom is this weird fixation on gore, torture, violence, etc. Usually a level of graphic content that makes your average horror flick look... pretty tame!

Don't get me wrong, I enjoy horror! I even think a horror story based around psychological conflict similar to CCCC could work well!

But is it just me, or has this fandom COMPLETELY lost track of what the characters are like in the source material?

Like. Let's be real. Nowhere in the album does Soul do gruesome surgeries on Mind, nowhere does Mind go ripping people to shreds like Doomguy, et cetera. The closest thing we have to an implication of violence is what most of us call the "Juno incident"- as even "tines stabbed through eyes" is clearly a metaphor with the next line: "that the sides have condemned."

Im gonna talk ab the characters themselves under the cut

I feel the biggest victim of this mischaracterization is Soul. In the album he's... kind of a victim, really. He toughs out being dismissed and fought over and pushed aside and outright dehumanized for so, so long. Are we seriously just... going to characterize him based solely on his lowest point in TSE? Spring and a Storm and Mucka Blucka are also songs where he's present- along with his presence in Just Apathy that the fandom seems to outright deny to keep their characterization of him as some violent, abusive monster. (Which, again, is quite literally never alluded to! He's honestly kind of a victim, if anything!)

Ohhkay. Next topic. Mind. Oh boy I have thoughts on how people characterize Mind.

He's not emotionless. If you believe this, you've fallen for his stoic facade. All of his songs are just. So full of so much rage. Maybe even a little bit of grief and sadness and fear, masked by said rage. He isn't some emotionless robot- (Heart calls him an automaton as an insult, but that's another rant.) and honestly it feels like such a disservice to such an interesting character with so much unexplored depth to portray him as such.

Heart. Oh boy. Where do I start. Heart what did they do to you.

Heart is the emotional side, yes, but that isn't just some... smol innocent uwu baby who cries all the time. Emotions aren't small and cute and timid. They're INTENSE and PASSIONATE and EXHAUSTING. Strong emotions leave you so, so drained, good OR bad. This is so much more interesting than portraying him as some "uwu hai dere!!" type of character. Which is nowhere in the album.

Whole is hardly even a character. Soul worshipping and praying to whole is fanon.

This fandom's weird obsession with creating shock gore and one-upping each other in a violence competition has spiraled pretty far out of control, and it's honestly crazy. How do you go from an album about internal conflict to violence that would make even the cast of Resident Evil cringe? Brah.

Final notes uhhh. Soul is a victim who got pushed to his limit, not an evil heartless abuser. Mind is angry and unstable and hurt, not some emotionless robot. Heart is the entire emotional spectrum, not some innocent baby. Ok i . I think that's all. Have a good one

[whereispearlescentmoon]

My thoughts on Billy are this:

Pearl has no named pet in Last Life. She had a wolf army but only two survived with her to the final fight, she didn’t react very much when they died, and she never named any of them. She used them to great effect for killing, however, which is a lesson she would bring with her into DL. She did utilize them to help Ren kill Cleo, which… cycles and all that. “We want to kill Cleo and then we can reconnect the three Gs” lives in my head rent free. The only other pet she has is her two axolotls, which she does not name and both of which Joel kills.

I don’t know that Pearl has ever really connected to an animal the way she connected to Tilly because she hasn’t been alone since Double Life. Tilly was her lifeline because she was all Pearl had. She was her soulmate because no one else wanted her. She was the only living being who Pearl could rely on. And both times losing her were devastating to Pearl. The first time, it kicked off the Scarlet Pearl arc, and the second time it spurred on her rampage towards Impulse and Bdubs, and Cleo and Martyn. She had her wolf pack because when you can’t count on allies to fight beside you, to protect you and want you to live, you have to be able to count on something.

This is in contrast to every series since, where Pearl has largely kept her animals tucked away in her base and where her pets have been more important in the way they help her interact with other players than anything.

The first thing Pearl says to Froggy is, “I found you! Hello! This is gonna be my friend of the season, in animal form”, because she wanted to be prepared in case she was alone again. And then said “You are my love. If you die, I don’t know what I would do,” because again, she was thinking about what happened after Tilly’s first death. She was preparing to need animal companionship in lieu of players, but then she found BigB.

Froggy stayed at the bottom of that pit trap for the rest of the series if I remember correctly, and Pearl hardly ever moved her from that one corner of the tower even before that. Why? Because she had BigB to bounce off of, and because, frankly, cats just aren’t as useful as wolves in Minecraft. You don’t get a cat for protection, unless you’re really that scared of creepers. Pearl wanted a companion from Froggy, not a warrior. She didn’t want to risk losing something dear again, so when Froggy falls into the pit trap that kills Pearl, that she herself set, she leaves her at the bottom.

Mailbox and Matchbox were closer to the kind of companionship she had with some of the wolves in DL, but certainly not Tilly level. And again, she didn’t want to risk losing them, which is why they stayed tucked under her base near the skeleton farm. It’s why her main concern when the wither and the warden were out was to get three things underground: Matchbox, Mailbox, and Bdubs. She didn’t want to lose any of them.

However, the most important thing about her wolves in SL, to me, is how they affected her interactions with other players. For one, they were the catalyst for the “Pupper Alliance” with Cleo. Pearl doesn’t play the social game, so she often takes alliances in situations of when you can materially help each other, rather than out of friendliness. Needing bones to tame wolves gave her a material reason to ally with Cleo. It also meant that we got yet another Cleo and Pearl betrayal when Cleo killed some of Pearl’s wolves later on. The other is something Pearl actually said in her episode today. She knows how powerful a wolf army is, it’s a large part of how she won Doible Life. Which is why when it came down the wire, because she had no intentions of winning, she left Matchbox and Mailbox at home and sat down her wolves so they wouldn’t hurt Gem. That was Scar’s kill, his fight with Gem. It’s probably the most literal example of her wolves taking a backseat to her companionship with other players.

In Real Life, she was just doing it as a joke and because she wanted to pet a Minecraft wolf in VR (which I respect so hard) and thus I have no analysis lol.

As for this season, it seems like Pearl’s theme this whole season has been “trying to live up to what people think I am, even though I’m not that anymore”. It’s why it’s kind of funny that she keeps trying to do the cool Scarlet Pearl killer thing and failing miserably. And it’s why when she comes across the wolf in episode one, she goes out of her way to not only tame it, but name it something so close to Tilly (yes I know she was likely also playing into the Tilly Milly thing). But just like with Froggy and just like with Matchbox and Mailbox, her main priority is keeping them safe, not with using them to win. She doesn’t want to win, she’s here to have fun!

Losing Billy isn’t devastating to Pearl because, unlike in DL or LimL, she doesn’t really need the wolves for emotional support, and unlike in LL, DL, or SL, she had no intention of making a dog army because she has no intention of placing high. Pearl has literally said she wants to see a top four of people who haven’t made top four before (and Impulse lol), which as the only person who’s ever made top four in all of her seasons (4th, 1st, 4th, 2nd), is a pretty big tell. She was trying to keep him safe by not moving him, but like she said to Joel, everything dies in the Life Series.

I would also like to point out, Pearl has only ever named two of her pets entirely on her own, Matchbox and Milly. Martyn named Tilly because she had accidentally trampled some wheat (tilling, get it?) She named Froggy after the frogs that BigB had said were his family, because Froggy was hers. Mailbox, if I’m remembering, was a Bdubs idea. Matchbox was only named because Pearl kept accidentally calling Mailbox Matchbox so she decided to just name one of her other wolves. Milly was a joke that Pearl came up with. And Billy was Cleo’s suggestion. To quote Pearl when she found Froggy, “I don’t know what I’m gonna call you yet. We’ll find out. You know usually we kinda figure these things out when we go talk to somebody,”

[carlos-in-glasses]

How are you dealing with Tarlos being over? I’m seriously not good. It helps that Ronen said they are best friends off screen but knowing that we will never see them together again is really making me sad.

Hello! Thank you for this question. Firstly, a huge internet hug for you because I really feel your pain 💔❤️❤️❤️❤️ and this is a topic we're all grappling with I'm sure. In terms of Tarlos as characters, I'm trying not to look at it as them being totally 'over' because they and the other characters can live on through art and fanfic, just like they did during the hiatuses between seasons. We didn't need 'new' canon content to keep creating. We just...kept creating. Although this was perhaps fuelled by looking forward to the show’s return, I don't see why that has to be all that different now. There are fandoms that revolve around single books, single movies, and thrive on a lot less content than we have to work with. 

However, I appreciate that you might not be a reader of fic, and indeed even if you are…..The show itself and the physical portrayal of these characters is certainly ending far too soon, and honestly I fucking hate that. I feel sad in my body. I'd go as far to say I'm actually bitter about it, and bitterness is a horrible, horrible feeling! I keep thinking – if we hadn't had a season 3, we'd have missed out on so many amazing moments on screen, culminating in the proposal. If we hadn't had a season 4, we'd have missed out on the soulmates scene and the wedding! No season 5, no seeing TK being flung onto a dresser, no dancing at the party, none of the Enzo/Jonah/Carlos' investigation stuff that I'm LOVING. Which leaves me with this strong ache as I wonder what we are missing out on with no season 6, 7, 8... 

So, the silver lining is that the fandom will make the best out of a shit situation creatively, but it is a shit situation in reality. I think it's absolutely fine for us to mourn this loss and be there for each other, because those of us who profoundly love this show and Tarlos are all in it together and understand the magnitude. I am certainly in a weird state of grief not related to death but related to this different kind of loss, and there will always be part of me hurting over this thing I love so much. I only found the show after season 3 and it just doesn't feel like I've had enough time with it. I haven’t had enough fun!

I hope we do get to see Ronen and Rafa reunite again from time to time. They’ll be at the Paris convention in December, and maybe others along the way if their schedules allow. I was lucky enough to go to the one in June last year and Ronen, Rafa, Natacha and Sierra certainly did appear to be very close irl, so definitely do take heart in that – it’s a reason to believe we’ll get at least glimpses of them together going forward.

So yeah. I’m finding good things where I can in all this, but the headline is that I really am sad and struggling too, and I’m so sorry you are and I hope you’re able to fill your day with things that help you to feel a bit better. I hope everyone who reads this is able to do the same.

[yveshiver]

Rafe Cameron - Late.

Lana Del Rey - Pretty When You Cry

The weekend was awful and you wanted to talk to someone that saturday night. Not just someone, but him. Yet you know the rules that both of you have set: no texting, no calling, no meetings. No need to repeat the past mistakes, but you just know you can't keep yourself off him. Today you need him, to feel yourself falling into his strong arms and feel as if nothing else exists in the world. No wondering how you didn't crash to some random car on the road since your head was full of other matters. Your mind drove you to his new little place, the apartment he got on the Silence Road. The phone showed the time 01:13, a bit too late for the friendly visit, and yet again, you are nowhere to be friends, not anymore. You got out of the car, the nights were getting cold and you stood there thinkin it over and over again, "Am I ready to lose him one more time?". And then you made one step closer to the entrance door, one more and few more. Two knocks at the door and no reply, you knocked again. "Yeah, it was fucking stupid I should just leave before anyone notices" and you start to stride back to the car breathless.

-No way. - He showed at the door in shorts only, topless and barefoot. His buzzcut was getting a little long, the goosebumps from the cold showed on the muscles all over the body and you noticed a little tattoo of a boat on the rib.

-I am sorry, I should have not come here. - Your tears started to show. - And you were asleep and it's late and we agreed not to ever.. do this.. again.. I'm… - You were lost of breath, the panic was getting you, it felt as if the ground beneath your feet was dissapearing and you were ready to fall.

-Hey, princess, I'm here, hey.. - He stepped closer to you.

-You can't go out like this, you'll catch a cold, it's very…

-Hey, it's ok, don't worry about me catching a cold, hey… - He was so close, he got your face into his hands trying to find the reason for this sudden appearance.

-Rafe, I'm sorry. - You couldn't look into his eyes. - I'm so sorry for being here, I know that we… - Tears were streaming down the face.

-It's ok, hey, look at me. Please, baby, look at me, I need to know what happened, you are safe with me, ok? It's ok, c'mhere. - He held you in his arms as close as it was humanly possible. He placed your head onto his chest, his arms were cuddled to you. For the first time this day you felt safe, it was such a liberating feeling. You stood there with your eyes closed knowing you can finally relax in his arms.

-Nothing's gonna hurt you, baby, ok? You are safe here, you know that. It's ok. I do wish you told me the reason of the tears tho. - He got your face into his hands once again, you always loved when he did that.

-I feel so helpless, I know I can't bother you with my things.

-Hey, your things are my things, I got you. - He put your strands of hair behind your ears, his fingers brushed through you hair as you tilted you head to his hand. You looked straight into his eyes, the striking blueness of them always swept you away. The colour of the sea, the colour of the sky, the colour of everything that gave you hope and comfort. Now they shined brighter in the night. You wanted the moment to last forever, but you knew you only had this night. You got out of his arms, took the breath of fresh air. He noticed you getting away and looked so worried.

-Hey, why don't you come inside and tell me everyhing, huh? - You felt as if he didn't want you to go away.

-Rafe, do you think it's a good idea?

-Sure. - He tried to seem unbothered, putting his hands into the pockets of the shorts. - Why not, and it is really chilly outside. - He shugged the shoulders. You noticed the freckes on them, oh God how much you loved these freckles.

-Why not, I can't let you get cold because of me, right? He started walking to the door checking if you were following. All you knew is how much you wanted this night to last forever, how much you wanted to feel him close to you, to look into his eyes, to have his hands holding you. You might not have another day with him, but at least you have tonight, right?

[a-bad-case-of-the-stephs]

@duskdog

Hiiii! Been meaning to respond to this because you raised some really interesting ideas, sorry that it’s taken me a hot sec.

The crazy part is (like a lot of things about Steph) we get conflicting information about how Bruce sees Steph in relation to her father.

Steph consistently worries Batman is judging her by her fathers actions when she’s sanctioned at Spoiler. She identifies it as a potential reason the rest of the team doesn’t trust her.

This tracks with how Steph is shown to have a pattern of feeling responsible for the Cluemasters actions (which as I’ve mentioned before I see as an extension of her helplessness to protect herself and her mother from him during her childhood).

She identifies on multiple occasions that her choice to be the Spoiler is rooted in the misgivings of her father. Clear, easy example of this mindset is when she states because her dad is an asshole, she “has a lot to make up for” (Robin 80 Page Giant). She finds herself responsible in some part for his actions.

So it makes a lot of sense that Stephanie keeps asssuming other people are holding her to this same standard, judging her based off of her fathers criminal ways.

However, this assumption is not really substantiated.

I can’t think of a time Batman says or thinks anything which implies he gives a fuck who her dad is, besides when they first meet assuming she’s working with the Cluemaster instead of against him. (I’m not perfect however and I Might have missed one)

That is, until… Bruce Wayne: The Road Home Batgirl (🎉I love talking about BWTRHB!!!!! The worlds shittiest acronym!!!🎉)

After his little assessment and convo with Steph, Bruce tells Alfred that Stephanie and Wendy “need watching”, as their dads were both “criminals”.

This train of thought comes out of nowhere. As already stated, there’s very little evidence that Batman cared much that her dad was a criminal before this point.

Additionally, half his goddamn team has criminal fathers/mothers, ranging from mob bosses to goons to cult assassins to international terrorists. What is he even saying.

This is a total inconsistency. But I can see your view kinda accounts for that hypocrisy. If Bruce sees Cluemaster as a “lesser” threat and holds him in less esteem than the more formidable villain parents, it might explain why he seems to put this bonus emphasis on Stephs parentage. (Maybe he sees Stephs fathers criminal ways as more ‘mundane’ and therefore easier for her to slip into?)

I don’t think I’m totally sold on that idea, but it’s definitely interesting.

His statement feels just so out of nowhere (and again applies to half the people he works with) that I find it hard to believe this is a consistent concern of his.

Batman’s opinion on low level thugs varies (obviously by era and writer), but the versions of him I find most compelling are when he is shown to be sympathetic and willing to help people in shitty situations get out of them (even if they were doing crime beforehand). However it’s entirely possible (and probably equally substantiable) that he has unconscious and class based biases which might affect how he acts and treats certain characters.

I’m not nearly as intensely familiar with Jason’s character as I am Stephanie, so I’m low grade blanking on any good examples of how Bruce interacted w Jason’s background (besides his generally all consuming belief that Jason was on track to worse and worse crime and eventual death before Batman took him in).

Sorry this is pretty rambly, but I thought you brought up a Rly interesting point and i had some thoughts I wanted to add on

How Batman uses the idea of those "born for" vigilantism to justify working with Teen Vigilantes before and after the death of Jason Todd, and what it has to do with Stephanie Brown.

(DISCLAIMER: I'm not trying to condemn the concept of child/teen vigilantes in superhero comics, its a staple of the genre and dumb to condemn it like you would in the real world. I'm analyzing the times in which Bruce Wayne the character has questioned the concept himself, and the rationalizations he comes to about it)

By examining Bruce Waynes mindset immediately before, during, and after Jason Todd's deadly time as Robin, we can see how Batman rationalizes and justifies teenaged vigilantism.

When Dick Grayson as Robin is shot by the Joker, Batman essentially fires him from being Robin. Bruce entirely dismisses the concept of working with a "child" to fight crime. Batman seems to believe working with Dick as Robin is simply too dangerous.

Batman #408 (1940)

His Mindset at this point: Teenaged Vigilantism = Dangerous and Bad

But this, obviously, doesn't stick. It barely takes any time at all after this forBruce Wayne to take in Jason Todd and subsequently make him the second Robin.

Crime fighting with a 19 year old is too dangerous, but crime fighting with the 12 year old? Yeah, sure, why not!

There is an obvious contradiction, and a clear change in mindset.

In order to rationalize his choice to take in Jason Todd as Robin after firing Dick, Bruce Wayne must internally reendorse the concept of Teenaged Vigilantism. And he does so in a specific way:

Batman #410 (1940)

Mindset: If Jason Todd was not Robin, he would become a criminal and die

The dying part is specific as well. When confronted at first by Alfred, its more of an afterthought, something which would occur down the criminal "road" Jason was bound to end up on. But when he is later confronted by Dick, the idea that being Robin "saved" Jasons life takes center stage.

Batman #416 (1940)

It's no longer some distant crime related death Jason was on course for, it was an imminent death which Bruce was able to save him from.

Mindset: If Jason Todd was not Robin, his "self destructive energies" and lack of "self esteem" would have killed him.

This phrasing is SUPER interesting to me, because its not true in a very specific way.

1. Jason Todd wasn't really shown to have "Self destructive energies" before he became Robin. He was stealing to make a living, to stay alive. He never showcases a desire for "self destruction", unless you count his hitting Batman with a tire iron, and his interference in Ma Gunn’s heist. Which I don't.

2. It seems to imply Jason Todd might have died because of specifically "self destructive tendancies", which seems ascribes a small amount of passive potential suicidal ideation, which is also vastly unsubstantiated by anything we see from Jason before he becomes Robin. But you know who is a character who is deeply rooted in concepts of suicidal ideation? Batman. (I'm not going prove this point here, but this concept gets more firmly rooted in the upcoming years after this comic, Knightfall being a great example) Being Batman, Knightfall will establish, is pretty much all that keeps Bruce Wayne living. You could say that being Batman saved his life.

3. Bruce admits he took Jason on because he was lonely in this very same confrontation when Dick pushes him on this idea. This makes it abundantly clear why he needs this rationalization in the first place, his real reason for making Jason Robin appears to be somewhat selfish.

But what does this all mean? For one, it proves that Batman's primary explanation for why he took on Jason Todd is lowgrade BS. It also shows how Batman's rationalization has begun to veer into projection. He states that Jason was saved from his self destructiveness by becoming Robin, something that is certainly true for himself, but not really Jason.

We see this projection fully take root when Leslie Thompkins confronts Bruce. Not only is Jason Todd saved by becoming Robin, now he wasn't even chosen by Batman. It was, much like Bruce Wayne becoming Batman, inevitable. Something he was "born" to do.

Detective #574

Mindset: I didn't chose Jason, he was chosen, he is just like me, we were born for this

This is essential. This mindset will show up again and again as a core part of Bruce's ability to rationalize working with child vigilantes once Jason has died.

Lets look at how his mindset has been evolving from before he meets Jason to his time as Robin progressing. Batman has gone from:

Teenage/Child vigilante Bad --> Child Vigilante Good because Jason would have become a crimial --> Child Vigilante Good because Jason would have died, I saved his life --> Child Vigilante is Good because I saved his life and Jason was meant to be Robin just like I was meant to be Batman, this is what we were was born to do

This is insane rationalization. But it works. For a while.

Then, Jason begins acting out, and putting himself in danger. Whoops. uh oh! How can Jason be saved by becoming Robin, if he is endangered by it? The balm for Bruce's semi-suicidal ideation was crime fighting, so if Jason is self destructive as Robin, does that mean Jason isn't like Bruce after all? Does that mean he wasn't born to be Robin? Was Bruce right in the begining? Is Teen Vigilantism Bad? Well, lucklily, the rationalization Bruce has built doesnt need to change too much in order to accommodate these new facts.

Batman #426 (1940)

See, this issue has not reverted back to being child vigilantism, it's the fact that Jason isn't ready yet.

Batman #426 (1940) / Batman #427

Batman latches onto this idea, he identifies it as "the problem". Is he wrong? No, not really. It does seem like Jason needs come to terms with his parents deaths. But this is important because it is still a rationalization for mindset he started with, still part of the reason he can be in favor of Teenage Vigilantism.

Then Jason Todd dies, as Robin. That truly breaks the underlying concept for this rationalization, that being Robin saved Jason Todd. The entire justification has fully shattered, and Bruce Wayne has lost a son. And, so because of this, in the wake of Jason Todds death, we see a full 180 revert back to the idea Bruce held onto at the end of Dick Graysons time as Robin: Teenage Vigilante = Bad.

Batman #428/ The New Teen Titans #55 (1984) / Batman #439

He has fully rejected the very concept of working with anyone, including the now adult Nightwing. He is literally right back where we started, with even deeper convictions against working with someone else (especially a kid) ever again.

But we all know this doesn't stick. He takes on 13 year old Tim Drake as Robin not long at all afterwards. As the 90's progress Bruces goes on to work with a huge variety of other vigilantes and partners, both teenaged and adult.

So how does he possibly justify this?

I believe he retrofits his rationalization for taking on Jason as Robin.

He adheres to a primary idea. The idea that some people are, like him, simply built for Vigilantism. That they, much like he once believed Jason was, "born" for it.

Mindset: Child Vigilantle is not always Good, but it can be Good. When its the right kind of teenager. Some Teenaged Vigilantes are meant to be Vigilantes just like I was meant to be Batman.

In this way, Jason Todds tragic murder is not a failure of concept, it a category error. Batmans mistake was not working with a teenager, his mistake was working with the wrong kind of teenager. Jason Todd was not built for vigilantism. But others are. This means he's still totally in the clear to work with teenagers, Tim Drake as Robin, then Cassandra Cain as Batgirl, and then eventually Stephanie Brown as Spoiler. So long as Bruce is able to believe they are "born" for it, that they are like Batman himself, meant to do this, and incapable of living a normal life, there is no contradiction, his rationalization holds.

But where’s the proof?

This mindset can be clearly seen and prominently seen when Stephanie Brown is fired as Spoiler.

When Steph is fired as Spoiler because she has moved in Bruce's mind from the "acceptable Teen Vigilante" category into the "unacceptable Teen Vigilante category". And the reasons he gives for this decision are exactly in line with the rationalization I've lain out. She is consistently contrasted to other teen vigilante characters who are fit for duty because he does not see her as "like him/them".

Detective #790

Notice how he jumps right from "Jason and Stephanie were/are not fit to fight crime" to "they could/can have a normal life" right to "unlike me and you, Cassandra Cain, who are stuck fighting crime forever". Much like how he originally justified his decision to work with Jason Todd as Robin through the idea that Jason and Bruce were both destined for this life, he applies the exact same idea, but this time, about himself and Cassandra Cain as Batgirl. And in contrast to them, and in directly comparison to Jason Todd, Stephanie is not meant for crime fighting.

Batgirl #38 (2000)

And Stephanie Brown is contrasted with Cass again, when Bruce first explains why he fired Steph to Cass. This is a consistent pattern. She is not like Cass. This is why she shouldn’t be a vigilante.

When he explains that he is going to fire Steph as Spoiler to Tim, he says something very interesting which invokes the same idea. In the list of three reasons he throw out that Steph shouldn't be Spoiler, he mentions that she is going to "throw her life away". When taken in combination with the other panels discussed, its clear to me that he means this is the common way the saying is used. That she is wasting her life by being a vigilante, that she should, as he mentions earlier, be living a normal life. But why is he saying this to Tim? If one of the reasons Steph shouldn't be Spoiler is her ability to lead a normal life, why the fuck is Tim exempt? I think it comes from a genuine belief that Tim is "like him". Unable to live a normal, non-vigilante life, "born" for crime fighting. Much like Cass, who we already saw him directly compare himself to in this exact same way. Thats why he can directly reference to Tim Steph's ability to have a normal life as a reason she shouldn't be a vigilante, he doesn't believe Tim fits the same category at all!

Robin #106 (1993)

So why the fuck does Stephanie move categories? She was acceptable earlier? What changed?

I've already done an in-depth explanation for what the subconscious underlying reason Bruce fires Stephanie: she simply is no longer useful to as a balm for his loneliness. I highly recommend checking out the post here if you are interested in the breakdown of why and how.

But in addition to that, it’s clear to me that it also has a weird amount to do with Jason Todd.

Stephanie simply and clearly reminds Bruce of Jason Todd. He points out their similarities in personality, and it’s worth mentioning the similarities in their circumstances as well (mothers who struggle(d) with drug addiction, and fathers who were criminals).

As we saw in Detective #790, their personality similarities led to Batman associating Steph with Jason. This makes sense, this association would only grow as he got to know her over the time she is sanctioned as Spoiler.

I believe this association leads to him eventually placing her in the same category as Jason, as not "born" for vigilantism at all, and as capable of having a normal life.

But it also serves as a clear way to rectify his mistakes with Jason. It’s his way of “making up for” his role in Jason's death. It’s his second chance. Never mind that this second chance leads to his assessment of Stephanie having very little to do with Steph herself, and a whole fucking lot to do about Bruce’s guilt over Jason’s death.

This is especially brutal because it seems to come from a place of genuine care (and a selfish desire to assuage his guilt too), but Stephanie doesn't get the tender moment of explanation and grief and regret that Cassandra hears. She doesn't get to know this.

What she gets, is to be told point blank that she is fired because she just isn't good enough. She gets to hear that she lacks the "skills and talent" from the same man who originally came to her to train her because he finally saw and recognized her potential. She gets told she will never be good enough by the guy who told her that she could learn and improve under his instruction. She gets two sentences. She has to fight for any more.

I cannot emphasize enough the fact that she had to track Bruce down to get an explanation for why he was suddenly ghosting her. He didn't even have the decency to tell her himself. Stephanie had to track Bruce down just so she could find out that he gave up on her.

Stephanie gets a blunt lie about why she is fired. And Bruce Wayne gets to feel good about "correcting" a mistake that had nothing to do with Stephanie. Stephanie gets cut off from her friends. Bruce Wayne gets to reconcile with his team. Stephanie gets to feel worthless. Bruce Wayne gets to feel justified.

[oddlydrawnfriend]

Considering how 911 has forgiven every terrible parent of the main characters, not forgiving Eddie who has devoted his entire life to Christopher since he was born would be absolutely ridiculous. Like Buck's whole speech to Chris on why to forgive Eddie is him forgiving his own parents who drove him to self-harm to gain attention? Which is way worse than what Eddie did. We've been told time and time again how much Eddie's parents messed him up in canon, and now suddenly they are the more 'stable' choice to parent a kid?

Another point if we continue with Eddie losing Chris is it would reinforce the very harmful lie that Eddie thinks: he cannot have joy, forgiveness, and identity outside of his son.

The blowout with Kim only happens once Eddie tries to find closure with Shannon in a very messed up form on non-consensual therapy. Eddie recognized what he was doing wrong and tried putting a stop to it. He was not going to go to Kim again after telling her about Shannon. But once he finds some sort of closure, he is punished harshly by his son walking in and then walking out of his life, making his worst nightmare come true.

He finds forgiveness with the help of the priest and joy in a very very long time? The newest clip seems to punish him immediately with now Chris might not even come back.

CHRIS'S POV

Even from Chris's POV, it doesn't make sense that somehow both the Diaz grandparents suddenly gained emotional intelligence and maturity to raise Chris in a healthy environment to get over his trauma when they couldn't do that for more than 30 years?! Chris is avoiding, I doubt he is getting therapy there to deal with it. It was traumatic and he is valid for being mad but staying mad is hurting him. Eddie's whole arc and issue stem from the toxic masculinity that he needed to unlearn which makes him the king of repression. You know who caused a silly goofy man (Eddie at his core is very silly and is forced to be serious) to repress? His parents who are now somehow better options to deal with Chris's complicated emotions?

They think Chris loves the water, but they don't know the enormous work Eddie did to help Chris get over the tsunami. Chris breaks down during COVID because he misses Carla and his friends which dredges up his abandonment issues? They don't know that it was Buck who supported him through it and how Eddie adjusted his relationship with Ana to make him more comfortable. They don't know that Eddie quit the job he loved so Chris wouldn't be scared of losing him. They don't know how scared Chris was when Eddie got shot. We often focus on how Buck broke down and how Chris hugs him but Chris is breaking down with him together.

THE WILL (DISREGARDING ROMANCE)

Eddie's not stupid. He didn't put Buck instead of his parents in his will out of spite. Because really when it comes down to it, Buck was the best option for the will in canon. In the very beginning, we were told Tia Pepa and Abuela can't take care of Chris full time (thus, Carla). But Carla is paid for her job, she won't be on the will. Eddie has no other family in LA and we don't know how his situation is with his sisters. However, considering canon implies then to be younger (thus his parentification), Eddie would consider them too young (subjective) to raise his son. None of the 118 is as involved with Chris as Buck is. In fact, a big reason is the fact that is that Buck allows the Diaz boys a safe space which Eddie was not allowed to have growing up.

Buck has respected Chris's autonomy (admires it even- canon from s2), supports and listens to him without making him feel bad, expresses his emotions and finds ways to support him (like finding equine therapy, accessible skateboard) and respects his decision even if he doesn't like it (going to Texas). And I'm not saying because of Buddie or anything. Even if they remain platonic co-parents (co-parenting as described by Oliver Stark and Ryan Guzman), they serve as parallels to things Eddie wouldn't have gotten from his parents if he was in Chris's position.

Eddie was forced to manage his mother's emotions while his father was absent. Chris has a dead/absent mother but never has he had to manage Eddie's emotions. When Eddie has a mental breakdown, he calls Buck and is told to focus on his own healing (equine therapy). Time and time again, Eddie has said that his problems are not on Chris to help.

When Chris wakes up crying from a nightmare about the tsunami, Eddie gets him help and never criticizes him. What do you think happened when Eddie would wake up from his own nightmares after being discharged from the army? He was living with his parents, Shanon and baby Chris, there's no way his parents didn't know about it. We have proof in canon that Eddie never received any help and Shannon was at the end of her rope until she abandoned him. All his parents did was fight him for custody and applaud him for almost dying (aka silver star).

POSSIBLE FIX

One way to maybe fix this is by working with the theme of Eddie reclaiming his agency. If he goes to Texas to fight for his son, to have that communication, group therapy even, letting Chris know he is working on making himself better and that Chris needs to confront his issues and how running away and not feeling with grief is how the Kim situation happened in the first place.

Or, I understand that Gavin McHugh might want to take a break and return to the show except a few scenes. We can give him the Denny or May Grant treatment, where they are there but we don't see them anymore, just referenced. Like have a video call saying he wants to come back, show Eddie ecstatic and ready to hug someone at the airport, fade to black, and next time we can have Eddie on cloud nine but also scared of losing Chris again.

TLDR; It's unfair to punish Eddie when every main character's terrible parent has been forgiven and reinforces the idea that he isn't allowed to have joy, forgiveness and identity outside of Chris. Keeping Chris with his parents implies they are a better choice when they're the reason Eddie has these issues. There are better ways to handle the situation while minimizing Gavin's screen time.

[ennn]

Thinking back to episode 1, where Agatha/Agnes clearly remembers losing Nicky (e.g. the bedroom scene), but doesn't remember why she hates Rio - even though those two things are so intertwined. Why do you think that is?

Hi Anon, thank you for the ask, and for the interesting observation + question!

I can think of 2 possible (Watsonian) reasons why Agent Rio Vidal isn't connected to Detective Agnes' lost son within the spell — and both can be true at the same time:

Rio popping up was unexpected and the spell — already distorted and stretched as it was — simply didn't have time or the juice to adapt this new character into its current storyline and setting.

It's possible that if things dragged on the spell could have made Agent Vidal somehow responsible for spell!Nicky's demise: What a delicious plot development that'd be for our small-town murder mystery prestige crime genre show!

Agatha does't want to remember why she hates Rio, as evidenced by Rio's follow-up comment: "You're only lying to yourself."

We know that the spell is being influenced by Agatha and what she believes about herself ("Is this really how you see yourself?").

E.g. Detective Agnes reflects how Agatha sees herself as a skilled investigator but also her belief and interest in the darker sides of human nature. Agnes' sad social life also reflects Agatha's own loneliness ("a lady cop cannot be good at her job and have a healthy personal life at the same time").

But I think the spell is also influenced by what Agatha wants to believe. Agnes here, as abrasive as she is, is still part of the community. People turn to her as a trusted expert. She's not shunned or hated the same way Agatha is.

And while Agatha has accepted that Nicky's dead and gone, she's struggling with the need to assign blame or reason for it. She ends up blaming Rio and herself.

And I think on the subconscious level that the spell pulls from, Agatha simply doesn't want to blame Rio.

She still has love and all these feelings for Rio but instead of dealing with what happened with Nicky — with how sometimes death and loss just happens beyond one's control no matter how much we love or how deserved it is — she prefers to run, to lie to herself (she's such a good liar).

It's this same reason why in episode 4, despite all evidence and reason pointing out that Billy isn't Nicky, Agatha embraces Rio and tries to kiss her. Don't get me wrong, Rio's truthful campfire confession definitely played a part too, but I think Agatha's an awfully good liar.

[lovingbini]

beautiful coincidences

seok matthew x female!reader | meet cute | fluff, suggestive, slight making out a/n: i believe y'all know exactly what visual of matthew i'm talking about, right? right? *** you and matthew met at a clothing store when you reached for the same jacket. what happened was what one knows of interest at first sight. eyebrows raised, you waited for him to let go – well, he didn’t.

“alright, give me a reason why i should let you get it,” he said, a smile on his face.

“i can give you two, actually,” you dared. “first of all, i have something this weekend that demands this jacket. second, it will look better on me, respectfully.”

matthew gasped, but the smile never left his beautiful features. he took it as a green light to take a good look on your body, making your eyes slightly pop with such audacity.

“right, i admit you’re gorgeous and have a good styling. but it’s actually my birthday this saturday…” he pouted. “you wouldn’t ruin that by leaving with my favorite jacket, would you?”

you had to laugh.

“that’s funny, ‘cause the something i have this weekend is precisely my birthday party.”

“okay, no need to clown me!”

“i’m not! i’ve been planning this outfit for a while, but just got the money for it yesterday.”

matthew bites his lower lip, contemplating. you have a basket from the store with more clothes, which he acknowledges they match the jacket both of you are still holding.

“maybe we could celebrate together after our parties, what do you think? i could use an apology for making me so so sad.”

you smile once again, unable to resist the charms of the man in front of you.

“yeah, poor sad man, what’s your name again?”

“matthew, yours?”

“i’m y/n. now maybe you should give me your number and i’ll analyze your proposal ‘till saturday, is that alright?”

“perfect for me.” he grins.

***

the bar downtown had lounges on the third floor with a view of the city. you rented one of the spaces to spend the night with your loved ones with no worries. it worked so well that your friends were already planning the next events to be in that same room. the place had a glass wall that allowed you to watch the hallway to be aware of anything that was happening outside.

that’s when you saw him.

matthew was standing on the other side of the building – a cup in his hand, hair slicked back and a jacket that looked exactly like yours. he was talking to what seemed to be his funniest friend; his beautiful smile was out for the world to witness, for you to remember how you didn’t text him at all.

it wasn’t on purpose, really. you just got busy with the preparations and ended up leaving it for later – a later that didn’t come.

sensing he’s being watched, matthew looks around and finds you on the other end. tilting his head to the side, his smile changes. he cheers on you with his almost empty glass, you return the action and sign him to meet you in the hallway.

“well, look who wasn’t lying,” he teases while getting closer. “somehow, i don’t see you wearing that so very demanded jacket…”

you hold a smile.

“it was getting kinda hot in there, but i can put it back if you prefer.”

“oh, no, i wouldn’t tell you to do anything you don’t want to. but i can’t lie and say i don’t enjoy this view even more.” there he goes again, scanning you up and down.

“sorry i didn’t text you, things became pretty hectic the last couple days.”

“nah, it’s fine. guess we can seize the moment right now. keep that communication going with no rush this time.”

and you do. the hours pass while you talk about trivial stuff, making sure to be interested in every aspect of each others lives. matthew’s not only handsome and charismatic, he's also part of the production team from a company you know very well — you were invited to work with them for a promotion but the schedules didn't match after all. what did match, though, was the both of you.

the way you laughed in sync, the way you looked at each other with so much attention and curiosity, the way the slightest touches made you two waver. you wish you would've met sooner, but on the other hand, getting to know each other in a place full of people who cherished you and knew how to have fun— oh, that was perfect.

later, when matthew found a more private space to enjoy your presence, you found yourself pretty comfortable on his lap. his kisses were addicting, his hands pressed your curves in ways you could just imagine. first, he was very attentive of your reactions, second, you were the most obvious woman on earth. nevertheless, it was working, matthew’s smoking hot and eager to show his every move. through the few sane thoughts still roaming in your mind, you couldn’t stop the willingness of taking him back home with you.

“wait, i need to pee,” you say, suddenly.

“like in a kinky way, or something?”

“no, what the hell!”

you burst out laughing and hide your face in his neck. matthew pats you in the back, waiting for a real answer.

“i’m serious. i kind of grinded on you in a way that hurt a bit, so it reminded me i’m here kissing you for a long time now.”

“okay, so go relieve yourself and i’ll be right here, waiting to be grinded on for another long time.”

you kiss him again, biting his lower lip as a punishment, but of course he moaned.

“you’ll be a nightmare to handle, matthew.”

“glad to know we have plans together for the next couple days.”