#how it feels to not know whos fronting

[tempo-takoyaki]

Listen, I love the "XL helps HC to see how beautiful he is" scenario as much as the next person... But I also see it like this.

[tanglepelt]

Dc x dp idea 71

Danny’s accident happens early. Little 6 year old child was left alone in the lab. Instead of popping out on the human side he ends up in the ghost zone.

Only temporarily. A natural portal opens. Dropping 6 year old Danny on top of John Constantine.

[bunnieswithknives]

What if I made FOP ocs what then. Meet Wolf, the most well meaning Anti-Fairy you will ever meet and Flowers, its violently playful fairy counterpart who had to be banished from Fairyworld for repeatedly almost killing people :3

[xxplastic-cubexx]

it doesnt need to be said but its genuinely so funny how at-the-hip charles and erik are in krakoa like they really had the green light- the OBLIGATION- to be as obnoxiously close to each other as possible and abused that right to the fullest extent

[kylejsugarman]

season 4 jesse pinkman makes me wish i had always been dead. we know he has suffered tremendously and has acted out because of it in a variety of usually emotionally explosive ways, so seeing season 4 jesse literally shut down because he can't cope is so jarring and excruciating. nothing brings him any pleasure. everything is just a way to distract himself, to silence his thoughts. he self harms by detaching, he tries to die by living with no concern for his wellbeing. seeing him fucking sitting there in the middle of his now wrecked childhood home (the purchase of which was a little triumphant story beat for him, something significant), surrounded by strangers and loose cash that he doesnt care about having or spending, body pressed up to a thrumming subwoofer so the deafening music and violent vibrations can physically prevent him from forming a coherent thought or feel Anything. it's "show don't tell" at its absolute best: we dont need an outburst, a diatribe, a breakdown to know that jesse is massively traumatized and depressed. no one needs to point out that he shaved his head or ask why he did it. we Know. all too well

[sea-jello]

hong kong miku,,,

[ririsasy]

Varadha touching his nose ring while looking at Deva, remembering the time when Deva himself that put it there for him with his own blood in his hand, remembering the fact that it was Deva who protected and kept his "little honor" intact.

[mayomkun]

Rewatching dead boy detectives and I love the music box that starts playing when Charles started hitting the night nurse. Like, the haunting melody went so well with the shock of what we learned about Charles' past and his sudden outburst (spiralling out of control, the feeling of the world beating down on you over and over and even when you try your best, be your best self, it isn't enough and there isn't anything you can do). And then morphed to something more upbeat/thrilling when she fell into the sea, followed by complete silence with Charles' breakdown. Oughhhhhhhhh

[bonkalore]

So the scepter here is what makes you Primus, who is in charge of all of the magic world basically... and is also the key to opening the coffer to the rest of the Dread magic that Jayce has been trying to get this entire time. He thought it was something he could start "a new Golden Age of Magic" with, but eventually realized it would only do more harm than good and now is out of plans as he's being torn apart from the Dread.

In the AU towards the end of the story, he and Lucy got the scepter together but he's the one that technically got it, even tho he gave it to Lucy so she could become Primus and avoid further temptation.

So during Lucy's coronation, the scepter ends up shooting across the room into his hands in the audience bc he's the actual owner. This isn't just his nerves about becoming Primus instead and is FAR, far worst unfortunately... Apocalyptically bad even! 8')

Was everything he had wanted before and now it's a literal nightmare.

(Also "Everything You Ever" from Dr. Horrible's Sing-ALong Blog is very fitting for this part whoops.)

[funkily]

i think traffic scott has crazy issues with his sense of self . i cant defend this at the moment but i feel it in my heart and also depending on how u look at his character i think there is canon backing

[hamsteroveriord]

Cold front x Pjsk Au

[unopenablebox]

i admit that i find it a little bit frustrating how Wildly Astonished other antizionist jews act when i tell them my israeli jewish family have lived in the region since [some unknown length of time before 1800 when there start being records about it]

[nomlioart]

i was supposed to do it earlier but i was really lazy lol, but here you go

my pepstavo hcs in a nutshell

a lil more in the tags 👁️ 

[ninyard]

do you think andrew and aaron talked about his testimony before the trial, like about what andrew was going to say, or did aaron find out the full extent of what happened at the same time the jury did?

hmm. good question. i don’t know! easy answer: no, not at all. i think aaron is completely clueless going into it and every word that comes out of andrew’s mouth on that stand hit him like a fucking truck. i think he holds his head in his hands because he can’t listen to it, it hurts too much, he can’t see andrew like this. andrew doesn’t want him to see him like this. so clinical. so straight forward and honest about his abuse. describing what drake did to him, for so long, and nobody knew about it? nobody had any idea what andrew was going through? yeah i think it really upsets aaron when andrew takes the stand, because he had no preparation whatsoever for what he was going to say. he’s expecting andrew to talk about that night, and then andrew is talking about being 13 or 14 and it’s just. it’s awful.

the other answers:

1. it comes up in their therapy sessions. a week or two before the trial andrew mentions that he’s probably going to get called as a witness and privately he’s already spoken to bee, but in their joint sessions aaron brings it up first. he mentions something about how he’s worried about andrew having to speak about that night on the stand, and how he doesnt know how he’ll be able to sit in that room and hear about what drake did to him for the first time there, in front of the judge, a jury. andrew tells him not to worry, to just cover his ears and not listen. but it ends up in possibly a very loose conversation, andrew telling him what he’s likely going to have to talk about, purely so aaron isn’t sideswiped on the stand.

2. maybe they talked privately about it. they’re both restless and freaking out for the week before the trial and maybe they just catch each other at the wrong/right time and they ask each other what’s going on. aaron tells him everything, blurting the things out that he can’t talk to anyone about, his fears his worries, how he can’t sleep the closer it gets. but one thing he mentions is andrew. and andrew tries to get him to be quiet about it, but aaron keeps going, and he talks about how he doesn’t know what he’s going to do, with andrew up on the stand talking about his abuse, the things he had no idea about. andrew asks him why he’s worried. and aaron looks at him but he can’t look him in the eyes and he’s just like. i don’t know how i’m going to look at you knowing the truth about what you’ve been through. and i can’t hear that for the first time in front of all those people. so maybe andrew alleviates his stress by opening up, by telling him the roundabout truth about what he’s going to have to talk about.

3. aaron’s lawyers tell him. whether andrew would be in the room or not, idk, but they’re talking through their points and they brief aaron on what andrew is likely to be asked. maybe they show aaron andrew’s statements. maybe aaron has to read in andrew own words who drake was to him, and then he has to go out and sit in that courtroom and watch his brother take the stand feeling different about him. knowing too much, but at least knowing what to expect when the prosecutor starts asking questions.

[introloves]

CONCEPT FOR SOMETHING ILL TAKE 20 YEARS TO WRITE BUT IM PUTTING IT OUT INTO THE INTERNET IN HOPES IT GIVES ME MOTIVIATION: volley bunny

[seaofreverie]

Sparkstember Day 19: Lil' Beethoven (Ride 'Em Cowboy)

First of all, let this very important fact be known: the love I have for all three albums in the Lil' Beethoven trilogy cannot be overstated. I think I can safely call them my favourite pieces of art ever made. You know, when you look forward to something and it not only lives up to all your expectations but it's also just SO SO much more? Something about this neoclassical / dada / deconstruction of pop music / whatever-you-should-even-call-it approach is absolutely PERFECTLY suited for my tastes, and I didn't even know I was looking for something EXACTLY like this until I found it.

I think the circumstances of my first hearing of this album are pretty funny and something I got pretty lucky with actually (I often think about this with Sparks in general, as much as I wish I've known about them sooner I also do feel like they appeared in my life when I needed that the most. But anyway.) I was very eagerly looking forward to hearing it and finally seeing for myself what the genius of this album is all about. But I insisted that I can only do it through a physical format because yesss, let's make it even more *special*! The moment I've been waiting for! So yeah let's gooo, I need to wait until my CD arrives in the mail (that was one of the longest weeks of my life). And then I started to wonder, well, maybe I actually won't like it that much. To hype myself up to this extent and then be severly dissapointed - would have sucked!

Well, I was NOT dissapointed. Instead I was perplexed, confused, but also very intrigued and quite, ok not just quite, *completely* amazed already. That was the initial reaction and I think it's a rare but very beautiful moment when this happens - no need to *fully* grasp it right away, but enough to be all like "oh that was SOMETHING. I need more." As I said after that first listen (and I actually have my whole LIVE reaction to hearing LB written down lmao, that's how much of a big deal this was for me), I felt like it actually has to grow on me a bit still, gradually but surely with each next listen, rather than the 1st listen being THE prime listening experience. And that was very true! But it wasn't even gradual, it was very fast, seriously. And something very important that stood out to me right away too were the melodies - something about them, and that continues into HYL and ECOTD too. It's this classic feeling of: this always existed, or at least it feels like I've known it for years already. And as I listen more and become more familiar with them the magic still grows.

It's of course no coincidence to me that an album that relies so much on extreme levels of repetition is so addicting, even hypnotising. And once upon a time I thought that I couldn't like something that's too repetitive and therefore could be considered monotonous or "predictable". But nothing is predictable about LB actually. (Besides... ok, I'll get to that one bit later). But yeah, it's good for the brain. And it's been said before by others but this music definitely has this certain neurodivergent appeal thanks to all this, and, well, I love that aspect of it so much and I definitely relate to it on some level that goes even deeper than just song topics and instrumentation choices. It's in the structure and the fundaments of it all too.

I legally can't finish this without a dedicated paragraph to the 2004 Live In Stockholm performance because HOLY SHIT. Feeling so lucky again that all three of these albums got this treatment and we have recordings of these half-concert-half-performance-art pieces that we can now marvel at. I will say that like, a pretty big part of the sum of the appeal that LB has as an album is stored in this show and its visual and narrative elaboration on its themes. And also it's just so fun to watch! Sometimes I thought about how this might be an even better introduction to LB / this era of Sparks / Sparks in general than the actual album but well, never had a chance to test that and you know. Maybe shouldn't recommend Sparks with one of the most leftfield things there is to be found from them. Either way, very good, very important, felt like experiencing the power of LB for the first time all over again.

So now, please hear my exact reasonings for why I so deeply love (almost) every single one of these songs......

The Rhythm Thief

NO song made such a big impression on me the first time I heard it as this. I might have gotten more used to it after all this time but man, The Rhythm Thief, you will always be the realest one to me. This is what made me look forward to the whole album so much and convinced me that it would be like nothing else I've heard before. And that turned out to be so very beautifully true!

How Do I Get To Carnegie Hall?

I could listen to this one a hundred times in a row over and over and not get sick of it one bit. That's it, idk what else to add, beautiful and ethereal in every way

What Are All These Bands So Angry About?

Mostly I just want to direct everyone's attention to the bridge section, at the 2:26-2:52 time mark, which as far as I can say is the most heavenly piece of music ever made. Feeling like that Winnie The Pooh soul leaving his body gif each time I hear this

I Married Myself

Aromantic anthem, to me. Not that much to say actually but it's just, a very sweet and pretty song even when it might be taken as just this sort of ironic piece, I think it's this situation where a song can be taken more or less literally and it doesn't lose anything, rather the sincerity takes on a new sort of meaning? Because yes, maybe this hyperbolic situation (marrying yourself) COULD be the solution to the heartbreak of failed relationships. Ever thought about that??? Ok, stopping right here and leaving my I Married Myself analysis for another day

Ride 'Em Cowboy

My mind is blank on this one suddenly. But it's so good believe me. I love it a lot. It just has this LB spirit that makes it very addicting to listen to

My Baby's Taking Me Home

This was sort of the first Sparks song I've ever heard, or maybe that I quote-unquote purposefully listened to, and I think that's pretty important considering that it was the moment that ultimately lead to... all this. This song has always been incredibly beautiful and powerful to me, but lately it just makes me emotional to an extent that makes it hard to listen to most of the time. I WOULD sell all my material possessions for even one chance to experience this song live by the way

Your Call Is Very Important To Us. Please Hold

Earns soooo much as a live version, but even without that I think it's genius in the same way as The Rhythm Thief, and maybe the most disquieting piece here overall... If we ignore the next one maybe

Ugly Guys With Beautiful Girls

Sitting there hearing the intro of this song all like "huh, this is so chill and calm... too calm..." and then being hit with, well, everything that's going on in this song afterwards was truly THE MOMENT back in the day (and re: the predictability thing. idk though, it's not like, really an issue). Later on I decided that this sort of narrative nature of the song makes it have less replayability value than the rest (???) but I abandoned that opinion soon enough, thank god. I love it how long it took me to realize that this song and the ending of MBTMH are the only times when drums appear on this entire album (I mean no, I'm not very proud of that fact actually, as the self-proclaimed biggest LB fan in my area. And The Rhythm Thief literally saying "say goodbye to the beat"... come on man). So yes, sometimes less is more! I adore this song now it's such a treat I would gladly terrorize my neighbours with it

Suburban Homeboy

Ok, I'm sorry Suburban Homeboy fans but this is the only song here that I'm not a HUGE fan of. I still think it's brilliant and an incredibly fitting ending for the whole thing - the mood whiplash is amazing as this is the only "vaguely happy sounding" song on here, per my words from months back. And what's better than yelling WE ARE THE SUBURBAN HOMEBOYS! (I'm actually awaiting today's Sparks karaoke rating reveal very impatiently lol the reveal happened before I posted this and I'm very happy about it)

One more actually, a quick word on Wunderbar because it gave us two things that we might have not been able to do without: 1) this whole album actually (the fact that LB exists because of Wunderbar giving the Maels the idea to continue meddling with this style. Up there as one of my fav pieces of Sparks trivia) 2) anddddd the 21×21 performance of it of course