#how does he even think about these things!!!!

[sttoru]

outlaw!toji who initially kidnapped you for money, to rob you from your valuable belongings, eventually forms a strange attachment to you. he can’t help but feel a faint twinge of guilt for robbing a pretty and delicate little thing like you.

so, he decides to let you return to your beloved family in town. though he does not let you go completely.

every now and then when toji is passing by the town you reside in - avoiding sheriffs and other people whom could possibly recognise him from the wanted posters plastered on every wall - he looks for you.

of course, you freak out the first time he sneaked up on you. however slowly yet surely, you let your guard down. the outlaw didn’t harm you in any way after all.

“how ‘re ya doin’, princess?” toji would always greet you with that signature, cocky smirk of his, leaning against a nearby wall with his arms crossed over his chiseled chest or his hands on his worn gun belt.

sometimes you reply quickly, but on other occasions you indulge him and continue the conversation. it’s often at night that he visits you, so you have less of a chance to get caught together.

you don’t know when or how toji found out where your family’s house is. he simply started showing up at your balcony once in a while, just to catch up. after a couple times, you even let him in.

those nightly visits swiftly turned into something more intimate. it feels so wrong yet so right. a dangerous criminal who’s killed hundreds, who had even kidnapped you one day, being invited into your bed— how scandalous.

though you can’t help it. his callused yet warm hands that touch your skin, his burly body that presses you into the mattress just right, his slightly chapped lips that nip at your flesh and leave marks. . . you don’t regret a thing.

especially when you’re both catching your breath after an intense encounter. toji’s muscular body, filled with countless of scars, blankets yours easily. his arms cradle you to his bare chest afterwards and all you can do is relax against him.

“i think i really hit the jackpot with ya, aye? may not have robbed ya of yer stuff that day, but i got ma prize money one way or ‘nother,” the rugged outlaw grins as he lights up a cigar and holds it between his lips.

you can’t even tell him off for smoking in your room. toji’s fingers massage your scalp so good to the point you’re putty in his hands. the scent of tobacco is also comforting. it’s one you associate with him, because he always smells like it. it’s always a combination of tobacco, nature, horses and gunpowder.

toji knows that he has to leave before anyone comes checking in on you, but he can’t leave you when you look so adorable, clinging onto him like a lifeline.

every time he visits, it’s the same exciting story.

when toji is in a more sentimental mood, he takes you out on a ride. he settles you on the back of his horse, speeding off into the sunset, letting you enjoy the view outside of town.

the beautiful freedom that comes with the life of an outlaw. the freedom of seeing nature in all its glory. you get to experience it all.

at times, when you’re out and about, he takes his chance and teaches you how to handle a gun. toji knows you’ve been spoiled rotten by your parents growing up, so you probably haven’t touched a gun a day in your life. that’s where he comes in.

“oi, watch out. yer gonna blow my fuckin’ face off, girl,” toji grunts with a faint chuckle as he notices your clumsy hand gestures while holding his revolver. it’s endearing, truly. he doesn’t yet understand why it warms his heart to see you try and shoot at the targets he set up.

what the outlaw loves more than that, is when you’re both resting against a large oak tree, with his head on your lap. especially after he gets back from a long and successful heist in a far away town.

toji often lets his cowboy hat cover his face while he naps and uses your thighs as the perfect, plush pillow. the gentle breeze only adds to the perfect moment.

when you take his stetson and put it on your head instead in a innocent gesture, he lazily opens one eye and raises a brow in amusement.

“oh? that yer way of telling me y’ want a ride?” toji teases before pinching your cheek. he loves seeing that flustered expression on your face when you’re once again reminded of the cowboy hat rule he taught you the other day.

toji never misses the opportunity, however. he sits up and leans back against the tree trunk, patting his thick thighs which he spreads lightly.

“hop on f’ me then, pretty. show me how good of a cowgirl y’ are, yeah?”

well, briefly said, it’s never a dull moment with outlaw!toji.

[wonryllis]

ENHYPEN HYUNG LINE DOING MEN THINGS.

𝓅𝗋𝖾𝖼𝗂𝗌 ㅤ𝑜𝑓──────just enhypen hyung line doing dirty/nasty guy stuff. gn!r, 397. d𝒾(e)rectory? ⚠︎.PG18 !!

𝗟𝗘𝗘 𝗛𝗘𝗘𝗦𝗘𝗨𝗡𝗚 every time heeseung has his dick in his hand, his phone's on the other. a whole stash of pics ready to send you― of his pretty cock, as you always say while sucking him off. it's his favorite thing, the way you seem so drunk over his cock, it boosts his ego. always trying to manspread in a way that makes it all visible, from his tip to the length; whether hard or about-to-be hard. more often than not precum leaking through his boxers just at the thought that you love to see him that way.

𝗣𝗔𝗥𝗞 𝗝𝗢𝗡𝗚𝗦𝗘𝗢𝗡𝗚 he might not (or maybe does) look like it, but jay has a bunchhh of toys. secret. and he has a video of using― fucking each one of it; pretending it's you. oftentimes using them when he's sexting you, telling you about how he'd love to have you in place of that toy. and on some rare occasions bringing them out during your skype calls, just thrusting it on his dick while talking to you about how your day went. beyond turned on at your unaware rambles, of the fact that he's doing such unholy things right infront of you (albeit behind the camera but purposely just tad bit loud enough)

𝗦𝗜𝗠 𝗝𝗔𝗘𝗬𝗨𝗡 who is jake if not a 24/7 horny guy with a sex drive so high it gets him exhausted. it is only so natural for him to have folders and folders in his laptop entirely full of videos of him jerking off. videos that he sends you every single day. not really expecting anything in return just wanting you to see all the mess he makes when he jerks off his cock and all the cum that spurts out just from his thoughts about fucking you― sometimes even just pics of you alseep are enough.

𝗣𝗔𝗥𝗞 𝗦𝗨𝗡𝗚𝗛𝗢𝗢𝗡 though he is pretty good at hiding it, sunghoon gets hard fairly easy. bulge popping out through his pants anytime he gets a glimpse of you or better yet even thinks of you. his cock basically runs on you fuel. guiding your hand to touch it or lifting up his shirt and pushing his crotch out to show the outline. sometimes even clicking pics of his hard bulge to send it to you as soon as he notices it. like a reminder of how much his cock wants you, anytime and all the time.

taglist . . open ! @s00buwu @lilyuwon @pockyyasii @nctislifue @shawnyle @enhastolemyheart @aaa-sia @criminalyun @oddracha @satan-223 @seochangbinnnnnnnnnnn @jayjw16enxp @laylasbunbunny @riribelle

[euthymiya]

Sukuna who never was close to his twin brother and never cared about the pipsqueak runt of a kid who’s his nephew.

He doesn’t care and doesn’t want to be associated with that bullshit. His brother doesn’t take the hint ever and invites him to everything. “My sons’s birthday party” this and “my son’s kindergarten graduation” that. What sort of graduation is meant for a kindergartener anyway? That’s a load of nonsense. But Jin is as annoying as ever with insisting on keeping contact and trying to get Sukuna involved and he hates it until by some tragedy out of nowhere, his brother and sister and law are dead. Yuuji’s left an orphan and no one can care for that kid because there’s no one left.

No one except Sukuna.

They ask him, too. The social workers. They turn to him and say some pitiful script about being “the only family left to take custody of him.” He knows pretty well what’s going to happen to the pipsqueak if he doesn’t agree. The foster care system and the possible horrors such a bright (even if annoying) kid could face makes him question saying no for a second. He’s surprisingly conflicted.

And it’s out of sheer impulsiveness alone does he end up as a single, grumpy, begrudging uncle who’s got custody of a child he never really cared to know in the first place.

And then he meets you.

Sweet, bubbly, warm, and so weirdly happy. Dictionary definition of what an elementary school teacher should be. Yuuji’s absolute favorite person on the planet as he waves hello at you enthusiastically every time that Sukuna drops him off and goodbye every time that Sukuna picks him up.

“I heard his new guardian would be his uncle. It’s nice to meet you,” you murmur to him the first day he picks up Yuuji after school, a look of pure melancholy on your face as you stare at him with an unearthly amount of compassion and sympathy. “Yuuji’s parents were wonderful people. I’m really sorry for your loss.”

“Wasn’t that close with either of them,” he grunts out. You look over at where Yuuji’s gleefully playing on the slide of the playground. Too young and innocent to realize that’s been ripped away from him. Too naive to understand what it means to grieve. Too hopeful about the world around him to realize just how cruel it can really be.

“Oh,” you murmur, nodding slowly.

He thinks that your unnaturally kind demeanor will finally be broken for a split second of judgement. What sort of heartless bastard doesn’t feel an ounce of grief for his own brother’s death? Instead, however, you seem to look at him with some weird sense of wonder.

“You’re a good uncle for stepping up regardless,” you say softly, “it’s more than what most would do in your shoes.”

“Yeah, whatever,” he clicks his teeth, unbearably uncomfortable with how weirdly sentimental this all is. “He’s just a five year old. How much trouble could he be?”

You raise a brow in amusement, eyeing him like he’s got one hell of a surprise waiting for him. He doesn’t like the vague way you hum, “Yeah. How could such a little human cause trouble, right?”

“I’ve got it under control,” he grumbles, a little annoyed that you seem to think that out of all things, a simple child would be enough to cause Sukuna any issues.

“Let me know if you need anything,” you smile.

Yuuji calls to you from the distance, squealing look what I can do! before he does a rather clumsy spin. Sukuna raises an unimpressed brow. You clap and praise him with an exaggerated gasp of approval.

It’s oddly endearing, he thinks to himself—you, not the kid. The kid’s barely tolerable.

“C’mon, you brat,” Sukuna calls. And then he looks at you and gruffly adds, “And I don’t need help.”

“Okay,” you grin brightly. It almost feels like you’re saying that a little sarcastically. “I’m sure you’ve got this parent thing down.”

Before he can even correct you that he’s an uncle, not parent, Yuuji comes running over on clumsy, short little legs and grabs onto Sukuna’s hand.

“C’mon, Uncle ‘Kuna!”

Sukuna doesn’t miss the way your eyes soften. Weirdly enough, he feels this odd sort of squeeze in his chest that doesn’t make any sense. Maybe he’s just getting old—that has to be it.

[fluffylino]

serpent hybrid hyunjin 🌱🐍🌱

hyunjin never acted like this. you had never seen him behave so much like a serpent. was he experiencing an unusual kind of heat? did snakes do that...well u just gotta find out

i love this concept so much ill scream-

reblogging > liking

-contains mature themes (two dicks and a split tongue ahhh)

snake hybrids weren't exactly judged well in society. stereotypical beliefs calling them mean slithery liars who manipulate people.

they were just misjudged. misunderstood hybrids who needed affection too. maybe the energy exhuded made them look tough and deadly but deep down they were sweeter than even bunny hybrids.

thats why your boyfriend, hyunjin is always by your side.

theres nothing quite different about snake hybrids. except for the patches of scales on different parts of their body.

however some had no scales, instead just forked tongues. hyunjin was no exception. patient and mind numbingly soft at all times. snuggling into you every now and then.

thats why when you step into the house,you aren't expecting the strong whiff of a certain peculiar smell. its musky and fills the whole apartment.

you don't even know what you're smelling until you're embraced by him. his body warm, reeking of musk. intoxicating your senses.

"hyun-" you let out hurriedly, dropping your bag on the ground in shock. his face buried in your neck. hands running all over your body.

practically pushing you against the door, slipping his left hand between your legs while his right hand grabbed your backside. gasping at the way you seem to float off the ground. he's picking you up quicker than you can even process.

"what's going on? baby?" you say, trying to wriggle out of his firm hold. he's stronger than before and he continues holding you off the ground.

hyunjin hisses.

he fucking hisses.

and your eyes widen. thats only the second time he's ever hissed at you. once during an argument and right now. did that mean he was angry?

"heat." is all he says, huffing as he slams the bedroom door open. throwing you on the bed. not caring at the funny way, you bounced on the soft mattress.

"what do you mean? I thought snakes..don't get heats..."

you questioned. watching as he paced around the room, trying to control himself.

taking off his hoodie. arms out on display. shining with a thin layer of sweat. his hair soaked.

"fuck i don't know...i was washing our clothes and i got the smell of your shirt..."

he mumbles, and your eyes go down to where theres a prominent bulge in his pants. a wet patch staining the material.

"and its like my senses went wild. all I was thinking of was you. fucking you over and over again..." hyunjin slurs, his forked tongue peeking out.

"jinnie...your tongue"

you whisper. intrigued at how his tongue slipped past his lips every few seconds. he had never done that before.

"i can't control it-" he covers his mouth, gazing at you with needy eyes.

were his eyes always so sharp, you wondered.

"its okay baby, breathe" you reassure, opening your arms for him to come to you. and he does. resting his head on your shoulder, his weight pressing you down into the bed.

leaning into kiss him innocently when all of a sudden, his hands are on either side of your face, pulling you in for a needy kiss.

brain shutting off at the feeling of his forked tongue licking into your mouth. forcing you to be submissive because you knew you wouldn't win this battle.

.

🌱

.

"j-jinnie" squirming under him.

his hands pinning your lower half down. head buried between your legs. your toes curling everytime he maneuvered his tongue to simultaneously flick at your sensitive clit and slip between your swollen lips.

"shhh"

u don't know if he's shushing you or hissing at you.

because the next thing you feel is his fork like tongue pushing all over your folds. fingers digging into your hips with strength that had your cunt throbbing.

whining at the loss as he lifts his head up. teasingly using the tips of his wet muscle to prod at your bundle of nerves. face contorting in pleasure at your taste. breath heavy on your warmth.

"breed." he blurts out, surprising himself. your mouth opening in shock when his nails dig into your waist.

his nails had grown longer, into claws and the once hardly noticeable scales on his forearms became visible. gradient shade of black and grey.

"hyun! h-hyunjin, baby b-bab-"

writhing higher into the mattress as he pushed your legs further apart.

nestling his split tongue over your swollen pussy. teasingly managing to place your clit in the Y of his wet muscle.

had his tongue grown longer because you could feel him so deep...

.

.

"h-hyun?" you whisper, gripping his arm to relax your body for him. scales textured and rough under your calloused palm.

"m'right here, baby" hyunjin cooes. placing a hand flat on your lower stomach. eyes fixed on where he was prepping you.

with both his dicks. rubbing the tip over your folds while the other pressed into your entrance. leaking more and more slick that mixed with your own arousal.

"almost in, my love" nudging the first one in with extreme care. your fingers grasping at him. his jaw hanging open as he pushed in, groaning when he slid halfway in.

spreading your thighs so he could start to push his second dick in. the sensation and stretch making you cry in a mix of pain and pleasure.

snake hybrids had two features that only a person who they were close to, would find out about. a forked long tongue means their dicks are the same as well.

hyunjin was not particularly big. actually he was slightly above average considering snake hybrids had longer lengths and lesser girths.

hyunjin had thicker girths and the length of both his dicks were just perfect. neither too big nor too small.

but right now, he felt bigger.

he felt longer. he felt hot.

thats why when he pushes both of them past your entrance, you let out a muffled scream. eyes rolling back at the fullness. quite literally stuffed like this, for the first time.

"f-fuck gonna take me all in"

lowering himself to look down at you. his arms on either side of your head. placing his larger hands on your face. lips brushing against your open mouth.

"thats my precious girl~" and your pussy spasms around him.

getting him soaked because the way the word 'precious' rolled off his tongue, could make you cum on the spot. rolling his s's and a few other alphabets in a serpent like way. something he'd usually never do.

a firm thrust that has your hands flying up to hold onto him. clawing at his back while he buried himself deeper into your cunt. stretching you out with every rough movement.

the scales on his back were larger and travelled down his spine. groaning as you scratched down his back, hard enough to leave red imprints.

"gonna take my cum like a good mate, yes~" hyunjin hisses, watching you so closely. letting his tongue run over your front teeth, all the way down to your bottom lip.

you nod at his statement. wrapping your legs around his waist. pulling him closer. not caring if his patterns of uneven scales scratched you here and there.

plush lips kissing you with such intensity. his nose pressing into your cheek. pushing you deeper into the pillow. trailing a hand down to where your chest touched his. grabbing a handful of flesh and squeezing hard enough to make you arch your back.

taking the opportunity to thrust in deeper. your bottom half nearly lifted off the bed with his strength.

pads of his fingers pinching and pulling at your sensitive nubs. hooking your leg higher so he could change the angle. filling you up with warmth. it makes your eyes struggle to stay open.

this was nowhere near over...

.

.

.

.

.

.

.

hiss hiss need more snake hyunjin ideas FUVKKKKK

[1-800-luvmail]

hopeless romantic! jason todd who thinks cheesy pick up lines are stupid, and that surely, the shakespearian shit is gonna work on hinge

hopeless romantic! jason todd who doesn't get why everyone he tries to match with doesnt fw his poetic bars (hes TRYING)

hopeless romantic! jason todd who finally, FINALLY gets a match. he has to put his phone down for a million years just to process everything and then glances back down at his screen to make sure it's still there.

how is someone is genuinely that stunning?

hopeless romantic! jason todd who feels like he's fumbling every time his messages you. if he had less pride, he'd probably ask dick for advice, but no, fuck that, he can do things on his own. it'd be humiliating to beg for romantic advice from him.

at least you seem amused by jason's antics. even if he does seem mildly inept with flirting. dork.

hopeless romantic! jason todd who makes sure to ask about your favourite flowers to get you a bouquet of them for your first date and meet up

hopeless romantic! jason todd who drops said flowers when he finally sees you in person and loses all his words and cognitive function for a moment when you say hi and greet him with a friendly hug. yeah he's not surviving the date.

completely and utterly hopeless! jason todd when the date goes incredible. he walks you home because... obviously? it's gotham and it's dark.

you leave him with a kiss on his cheek and the promise of seeing him sometime again, and he just knows he's a goner.

[usuallydyinginside]

"No One Mourns the Wicked" is about Glinda, not Elphaba

Okay, but hear me out. Wicked songs are so good at saying one thing and meaning something entirely different once you have more context. For instance, "I'm Not That Girl" is Elphaba singing about Glinda initially, then in Act 2 flips to Glinda singing about Elphaba. Because it turns out, Elphaba IS that girl and Glinda is not. When we meet the Wizard, he sings about how he always wanted to be a father. When you get to Act 2, you get the sad little reprise in the background music as he realizes that WHOOPS, he was one and he destroyed his only kid. "Defying Gravity" starts with "I hope you're happy" in the sarcastic sense and ends with them both using the same phrase to genuinely wish one another well.

"Thank Goodness" is set up as a cheerful engagement song where Glinda genuinely means "thank goodness for how great my life is" and ends in a place where she's insisting that she IS happy even as she realizes her engagement is a sham, her best friend is gone, and she's left with the Wizard and Madame M, who she doesn't even like.

You get the picture.

Basically, the whole musical is about subverting what you expect, starting with the base premise of "what if the Wicked Witch was the hero of the story" and digging in from there.

Honestly, I'd never paid much attention to the first song. It's a good opener, sets things up well, but it has some big competition with later songs. However, in the movie the staging and camera choices made me really notice it for the first time. Because you know what? Someone DID pay attention to that song, and you can really really tell.

For those who need a refresher, the lyrics to the chorus Glinda sings are: And Goodness knows The Wicked's lives are lonely Goodness knows The Wicked die alone It just shows when you're Wicked You're left only On your own I was always so busy noticing Glinda's grief over thinking Elphaba was genuinely dead that I failed to notice Glinda's grief over her OWN fate. The movie did such a good job with this because every time we get to the pink lines about being alone, Glinda IS alone. She is standing apart from the crowd who adores her. Standing above them. Standing at the center of a bunch of people yet still, isolated.

Because in the end, we know that Elphaba DIDN'T die alone. We know she wasn't on her own. We know her life WASN'T lonely ultimately. She had her flying monkey and animal friends. She had Fiyero.

And who does Glinda have?

Everyone, but realistically, no one. She is an ideal, not a person to most of Oz, just as much as Elphaba has become the token scapegoat. Where Elphaba is the "Wicked Witch," Glinda is "Glinda the Good Witch" - she is literally supposed to be the embodiment of goodness.

And what does Glinda have at the end of this whole thing (as of this song at least)? A disastrous end to her engagement, the death of her best friend, a sorceress who has hated her, demeaned her, and dismissed her from the start, and a con man who is also just a symbol more than a person.

I think it really hit me when Glinda throws the fire on the giant effigy of Elphaba. Ariana's acting was SO good there, because I'd expected us to see that private moment of horror or regret. What I didn't expect was the sort of determined and almost angry glare at the effigy.

But it makes sense. At this point, Glinda has realized that she lost everything and everyone she actually cared about.

As she so aptly puts it in "Thank Goodness"...

Though it is, I admit The tiniest bit Unlike I anticipated. But I couldn't be happier, Simply couldn't be happier, Well, not "simply" 'Cause getting your dreams It's strange, but it seems A little, well, complicated.

There's a kind of a sort of cost. There's a couple of things get lost. There are bridges you cross You didn't know you crossed Until you've crossed!

And if that joy, that thrill Doesn't thrill like you think it will Still-- With this perfect finale, The cheers and the ballyhoo! Who wouldn't be happier? So I couldn't be happier, Because happy is what happens When all your dreams come true.

Well, isn't it?

Happy is what happens when you're dreams come true.

It's not Elphaba's fault that Glinda has ended up this way. Glinda chose it every step of the way. Yet, if Glinda had never met Elphaba, (if she'd never known her, you could say), she might have stayed shallow and vain. She might never have been challenged to look deeper and realize how empty it all felt.

So as Glinda sings "No One Mourns the Wicked," she realizes that even if the Munchkins are singing about the "Wicked Witch," she's not.

She's singing about herself.

The one who traded her morals, friendship, and love for a taste of the admiration and power over those who don't really know her. The one who was so worried about being likable that she herself doesn't like who she's become.

Even after she makes things better for Oz and herself by sending the wizard away and getting rid of Madame M, it just leaves Glinda by herself as the leader and source of goodness in Oz. It leaves her on a pedestal she can never step off of.

It leaves her lonely.

Entirely alone.

[not-so-mundane-after-all]

I know plenty of people have already made a version of the "Jinx is alive" theory post but I've also seen so many of you mourn her death that I decided to gather all the evidence and make another post, turning this theory into a fact.

Because Jinx is alive. It's not a speculation. It's literally there.

The first thing I'm going to mention are the context clues Jinx gives herself. First, the last thing the ghost of Silco tells her. I think the cycle only ends when you find the will to walk away. Then, the realization she comes to when Vi hugs her in the cell. You're never gonna give up on me, are you? What she tells Vi after she leaves her in that cell. You don't need to worry about me anymore. [...] And yes, her initial plan is to kill herself, because she thinks the only way for Vi to move on is for her to be gone. And Ekko gets there just in time to stop her but it looks like he doesn't convince her to abandon her plan, just change it.

And later, when she joins Vi in the final fight. What does she tell her? Still don't get it, huh, sis? I'm always with you. Even when we're worlds apart.

Everything that happens after is constructed specifically to let us and Vi believe that Jinx died. Until we get to this scene:

Caitlyn is studying the Hexgates designs.

She's looking through the pages depicting the place where the final fight happened, specifically focusing on the air vent shafts, while toying with a monkey bomb head - the same monkey bomb that Jinx used in her supposed last monents.

She looks down at the monkey...

Watch the eyes. The realization hits her...

And she smirks, knowing. Jinx used one of the air vents to escape before the explosion.

I've studied the explosion frame by frame. First, a small yellow explosion goes off - Jinx sets off the monkey bomb.

As it becomes bigger, she shoots out of there

this is still the beginning of the blast when we can still see her, and the big boom that destroys everything starts 10 frames later

Last context clue is a reference to the very first episode, which is clearly depicted in this gifset here, so instead of explaining, I'll just send you there to check for yourselves.

One thing that is speculation here is, how exactly did Caitlyn come into possession of the monkey bomb head? I doubt she found it there because it would have been turned to dust. And I'm thinking, Jinx took it with her and left it for Cait to find as a clue. She didn't want Vi to know but maybe she wanted Cait to figure it out. I imagine her sneaking into her house and maybe leaving it somewhere for Cait to find, like her desk or something. It gives Cait an idea, a gut feeling she needs to check, and that allows her to figure it out. Just like we are supposed to figure it out on our own.

Bottom line, Jinx is alive. She escaped the explosion through the air vents, then boarded the airship and left the city, convinced that the only way to give her sister a happy ending is to take herself out of the equation. The glitching closing shot saying The End in Jinx's colorful handwriting is a sign that she is telling us that this is where this story ends, like she's saying "don't look for me. It's over." That's also probably why we aren't shown what Caitlyn does with the information she now possesses.

I hope this helps take away from the grief 💙

[the-knight-of-the-stars]

Are we gonna talk about how that finale entirely erased any conversation about class divisions or are we too focused on ships?

Are we gonna talk about how Caitlyn for a good chunk of the season willingly enforces violence and opression against the lowest class, no doubt directly causing more deaths and suffering, and she is forgiven by the narrative without any meaningful reflecting?

Her great moment getting together with Vi is right after she JUST had a conversation with Jinx where we see she STILL doesn't recognize any class bias she clearly has, insted making it about HER.

Her and the other enforcers are treated like noble heroes in the final battle, all the blame put on Ambesa. Vi's happy ending is getting into a relationship with the exact type of person who perpetuated all the suffering she endured as a child.

Are we gonna talk about how Jayce never leaves his privilege pedestal, never actually reflects on how he was also enforcing violence to the people of the undercity and living on his bliss of progress at THEIR expense?

Jayce, who got help on every step of the way to get to where he is, who wasn't disabled, who never lived the kind of poverty or class obstacles Viktor did, who never recognized the harm he enabled and was complicit to, HE was the one to tell Viktor "People build their own destiny." and "There is beauty in imperfection" ?????

Not to mention the whole bit where he implies Viktor did all that because he wanted to "eradicate what he thought was weakness"??? Didn't we stablished Viktor wanted to HELP THE PEOPLE FROM THE UNDERCITY TO HAVE BETTER LIFE CONDITIONS?? don't try to gaslight me.

I know this is just a TV show, but I need to remind everyone that what perpetuates opressive, discriminatory and violent systems as long and as deeply as they do is indiference. Is turning your head and enabling others to stay ignorant.

Edit: You guys are misunderstanding me. And I admit it is probably my fault, I wrote this high with emotion I wasn't as eloquent.

Jayce's exact choice of words or his time living in the alternate world is nowhere near my point.

My point is, that the narrative is establishing that the privileged character, is the one that has to show (and is quite literally, textually, always the one to show) the underprivileged character that "he was looking at life the wrong way." Forgetting that Viktor's journey of feeling powerless was greatly influenced by the fact he was poor and from the undercity.

That's what I meant by it erasing the part of the plot about class systems. In the end, the story only requires Jayce to understand Viktor's struggle on a superficial level, but the text never recognizes that it as the product of a deeply rooted SYSTEMIC ISSUE. One Jayce and even Viktor on some level, benefited from and perpetuated.

Understanding Viktor still doesn't give him any moral ground, and nobody ever challenges him on that because the story isn't interested in that anymore.

And the same with Caitlyn. She knows what she did what's wrong, fine, she feels bad. Like I said, she still has a class bias, and no character challenges her on it again because the story derails to magic and fighting and whatnot.

The plot just forgets (or ignores) that layer of the story despite it being so prominent up until now.

And ignoring the class discussion does a disservice to every single character because they were initially built on it. You can see it in how they lose the essence they had on s1.

I know y'all love the characters and want to empathize with all their motivations, okay? But the fundamental issue is that characters also represent things, and more so in a story as political as this one. We also have the right to point out that the show told us they represented something and then abandoned that narrative.

What do I think they could have done differently? If I tell you scene by scene we could be here for an entire year. The gist of it is: I think they should have stuck to the character themes they already had established.

Vi as someone fiercely loyal to the undercity beyond her relationship with Powder/Jinx, and being "cursed" by the role of the older sister. Jayce as someone with good intentions but who is ultimately limited by his blind idealism. Mel as a cunning politician who thinks she is on the right path because she isn't violent like her mother, not realizing she is still perpetuating it. Caitlyn as someone kind and compassionate who realizes the institutions she believed in are fundamentally flawed, and because of the way they are built will never be on the side of kindness. Etc, etc.

None of that gets any meaningful resolution.

I am glad if you liked it, or got something from it, you are entitled to your opinion.

I wanted to say this because I was angry, and still am. Because there was so much incredible potential, and honestly, to me, it feels like the writers chickened out on actually saying something in the end.

That's all I have to say about that.

[neon-sunsets]

okay. let’s talk about jayce’s monologue, since people are calling him ableist.

for context, not that it matters: I have a significant mobility disability and a progressive chronic illness which, even when managed, can kill me. I’m not in exactly the same boat as viktor since my disease isn’t terminal, but I’ve had very similar experiences to him. this shapes my perception of him and of this storyline.

this is the monologue:

You’ve always wanted to cure what you thought were weaknesses. Your leg. Your disease. But you were never broken, Viktor. There’s beauty in imperfections. They made you what you are. An inseparable piece of everything I admired about you.

first, it should be noted that “what you thought were weaknesses” is not the same thing as “things that are good.” jayce is not saying that viktor’s disease is or was a good thing. what he is saying is that he admired (loved) everything that viktor was, which included the things viktor thought made him a burden or a problem. remember also that jayce almost doomed the world because he couldn’t let viktor die; he would never imply that viktor dying was a good thing.

the next question, then, is whether viktor sees himself as a burden or not. I think it’s implied that he does — it’s certainly not unrealistic to think that viktor might have come to view himself, or at least his disease, as a burden and a flaw. disabled people often view ourselves that way either because of internalized ableism or because society constantly tells us that we’re burdens and that our bodies are abnormal and wrong. viktor displays behaviors that indicate internalized ableism, including hiding the fact that he’s coughing up blood from jayce the first few times it happens and generally refusing to be in the public eye in a way that is self-effacing and not just him being private. yes, he says in act 1 of season 1 that he believes in himself, but he does also call himself a cripple in a dismissive way in that same scene; also, he doesn’t have the disease at that point. arguably the entire scene where he runs despite clearly being in pain is an example of his internalized ableism, but that’s another post.

more evidence for viktor’s perception of himself being negative is that he clearly has a sense that he doesn’t deserve to be loved (specifically by jayce, but maybe also in general). we see this when he asks jayce why he’s still persisting in saving him. we see this with his generally self-effacing behavior. we see this with the fact that in all of season 1, the only person he allows to touch him is jayce, and that the only person he actively touches in the entire show is jayce. viktor is reserved and not good with his emotions, which is a huge part of his arc this season. all of these behaviors point to him having a negative self-perception.

I think it’s important to really consider how jayce perceives viktor and how viktor perceives himself. I don’t think this season handled everything perfectly, but I think they handled this very well. viktor has been written with a fullness and complexity that most disabled characters don’t ever get. him being morally grey doesn’t mean he’s “problematic” or “bad representation.” obviously I’m only one disabled person, but I really love jayce and viktor and I think their story is beautifully written.

[yanderedrabbles]

Softcore Yandere Boyfriend

Yandere! Boyfriend who knows exactly how messed up his thinking is and is trying very, very hard to not give into it. Yes, you would look so good tied up on his bed where you can never ever leave him but it's not a very ethical thing to do, y'know?

Yandere! Boyfriend who's built like an absolute tank of a man. Who has to be extra careful with his strength. He could pick you up and take you anywhere he wanted, but then he'd set a precedent and wouldn't be able to stop hauling you back into his bed.

Yandere! Boyfriend who needs constant reassurance. Who'll sit with his face propped between your legs and ask if you love him, again and again until he's satisfied.

You find it silly that this huge jock of a guy needs to be coddled so much. But Yandere! Boyfriend craves it. He needs reassurance or he might give in to all the toxic urges buried inside him.

Yandere! Boyfriend who spends every second in the gym thinking about your male classmates and all the random cashiers and waiters and drivers who get to lay their eyes on you, who probably go home and think filthy things about you. Yandere! Boyfriend who spends his time in the boxing ring imagining he's pounding all those guys to fucking tripe.

Yandere! Boyfriend who tries to keep his obsessive side happy, just so it doesn't become too demanding. Who allows himself little treats whenever he's had a hard day. Your used panties, a tracker on your car, a bugged teddy bear. Just so he doesn't go stir crazy with obsession.

Yandere! Boyfriend who'll never admit that he stalked you for weeks before introducing himself.

Yandere! Boyfriend who leaves lovebites all over your neck and thighs, even when you complain about how embarrassing it is to go out in public like that. He's marking his territory and he knows it, but he can't stop.

Yandere! Boyfriend who applies to all the schools you apply to, who takes all the same classes you do.

Yandere! Boyfriend who loves you so much that it frightens even him. Who'll kill you and then himself if you ever try to leave him.

Yandere! Boyfriend who really is the best boyfriend, who drives you to class everyday, who cooks for you, who pitches in and does your laundry. Just ignore that he locks the doors every time you get into his car, that he might sometimes crush a sleeping pill in your dinner just so he can spend more time with you, that he'll inspect all your clothes for traces of other men.

Yandere! Boyfriend who loves you very, very much. Who is trying and failing to be normal about it.

[vanillamatt]

vanillamatt .. talkingstage!chris & reader

matt trying to convince chris to get out of the talking stage - based on their recent ‘suspect’ tiktok

you’ve been in the “talking stage” with chris for what feels like forever. casual texts, hanging out here and there, but nothing more serious. sometimes you catch him looking at you a little too long, or he gets all soft when you laugh, but when it comes to making things official, he never quite takes that step. it’s like he’s stuck in neutral, and you’re starting to wonder if you’re the only one actually waiting for more.

matt notices, of course. he always does. one night, after chris had been texting you for what felt like hours, matt had had enough. he plops down next to chris on the couch, arms crossed, eyeing his brother with a look that says he knows exactly what’s going on.

“you still doing this, huh?” matt says, his voice light but there’s an edge to it.

“doing what?” chris replies, not even looking up from his phone as his thumb swipes over the screen.

“playing it safe. with y/n.” matt leans forward, poking chris in the side. “dude this whole ‘talking stage’ is getting old.”

chris shifts uncomfortably, setting his phone down like he wasn’t just glued to it. “i don’t know what you’re talking about.”

“come on,” matt says, rolling his eyes. “you like her. i see how you act when her name pops up on your phone. you’re basically glued to your texts with her, and whenever shes around, you act all weird, like you’re trying to hide it, but it’s obvious, man.”

chris looks at him, slightly defensive but also a little lost. “it’s just… i don’t know. i don’t wanna rush things, you know?”

matt shakes his head, leaning back. “you’ve been not rushing for months now. she’s probably waiting for you to do something, but you’re just sitting there like a bitch, acting like everything’s fine. if you don’t make a move, you’re gonna lose your shot.”

chris looks conflicted, glancing at his phone again. he’s silent for a moment, clearly thinking about what matt said, but there’s still that hesitation in his eyes. matt sighs.

“you’ve got to stop being scared, man. if you keep playing it safe, you’re never gonna get anywhere. either you take the risk and find out, or you keep pretending like you’re not into her.”

there’s a long pause, the tension between them thick, before chris finally groans, running a hand through his hair. “you really think i should just… text her? tell her how i feel?”

matt smirks, leaning back against the couch. “hell yeah. if you don’t, i’m gonna do it for you.”

“alright, alright,” chris mutters, picking up his phone. “but you better not say anything to her.”

“promise,” matt says, grinning. “just make sure you don’t screw it up.”

chris lets out a small laugh and starts typing, his fingers moving slow at first, then faster, as if he’s convincing himself more than anyone else. matt watches, arms folded, a look of satisfaction on his face.

it’s about time.

a/n - i feel this is something that would happen

[felassan]

David Gaider on Fenris, under a cut for length:

"Fenris. Now, DA2 is a story all on its own but I'm not going to go there other than to sum it up as "we had just over a year and a half to make this". It's why I only wrote one follower, Fenris, and although it'll make his fans mad: I probably shouldn't have. Let me explain. The way we'd approach making the followers is brainstorming a list of concepts covering first the array of gameplay classes (and sub-classes) and then making sure they each have some skin in the game when it came to the story's conflicts - ideally having characters on both sides of the major ones. Why? You can't make a player care about the world, but you can make them care about characters who care about the world. It's the easiest way to provide hooks into a conflict, outside of it knocking on the player's door. Heck, it's probably better than that. Players will burn the world for approval. After that, we'd decide things like romances/sexuality. Then the writers would pick who they'd write. I always let my writers pick first. I figured they do their best work when it's something they're inspired to write... and they got so few chances at ownership, I wanted to give it whenever I could It's why I (reluctantly) let Patrick wrest Cole from my grasp in DAI, a character I'd created in Asunder. It's also why I let Jennifer take Anders in DA2, who I'd started in Awakening. In this instance, it meant I was left with the angry elven warrior character who nobody else appeared to want."

"It should have been my first clue that something was up. The second was how the artists had zero clue what to do with him. The art concepts were all over the place - from mages to crows to... well, even weirder. No matter how hard I tried to explain the idea, the artists simply didn't seem to get it Does this mean he was a bad character? Not exactly. Just an idea that probably deserved some re-examining. You can tell when an idea has a certain spark, and part of that is being easy to communicate. Sadly, there wasn't time for any re-examining even if it'd occurred to me. And it didn't, not yet. If it had, if I had time, maybe I'd have re-booted him as a templar. Someone pro-templar rather than anti-mage, who could give a personal hook into Meredith and give the templars some badly-needed humanity. But this falls into the shoulda-woulda-coulda category. I had a follower to write. Quickly. I struggled, at first. It was hard to get away from "Fenris hates everything, all the time". It felt very one-note, and I didn't know where to take him. My third clue, I guess. I also wasn't sure if I was the right person to write a former slave. I did know that couldn't be the center of his story. I did know trauma, however. How it can eat you up. How the hate and resentment is like drinking poison and hoping the other person dies. How it can infect your relationships. Fenris's trauma isn't my trauma, obviously, but here I dipped into a more personal part of myself than I'd ever done before."

"It gave me the center of his story I was missing, but wow was it uncomfortable. In a good way, maybe. I likely wouldn't have, if I hadn't been so desperate. In a way, I think DA2 had some of our best writing *because* of the timeline. It was raw, with little time to sand down the interesting parts. I wouldn't have done the "Fenris doesn't talk to you for three years" thing if I'd known we were going to cut all the reactivity initially planned for the time jumps. When that call was made, I campaigned to cut the jumps to a year, but there was no time for the revisions it'd need. So, um. Awkward. I used to get asked where the name came from, and I... don't remember? Obviously it's derived from Fenrir, but I don't recall why we picked that. Someone pointed at Fenris the Feared from Joe Abercrombie's books... and I did read them, so maybe the name lodged in my head? Wouldn't be the first time. Casting Fenris turned out to be easy. He was the first time I requested a specific VA and got him. (The other times were Merrill and then Solas, my two "I want these specific Welsh actors, please".) Why? OK, if you must know, I'd played a bit of Final Fantasy XII. I heard Balthier. "Yes, that." 😅 And Gideon Emery was a delight, as it turned out. Consummate professional, and that lovely gravel in his voice... good god. Bite the knuckles. There was a struggle to find the voice at the outset where I did my best not to say "just pls do Balthier" but he found Fenris on his own and it was amazing. Overall, Fenris turned out better than he had any right to, considering the rocky start. He had a lot of soul, a vulnerability forged by pain that struck a chord with a lot of players, and I'm glad. Do I regret anything? Probably having him live in a corpse-filled mansion that would never update. That's a hindsight thing, though, as again the cut to reactivity over the time jumps came late. Outside of that, maybe letting the player give him back to Danarius? Poor shock value and a waste of resources because almost nobody took the option. Good evil options are ones that are tempting to take. And the lyrium tattoos. Interesting concept, but they're probably why you'll never see Fenris in a future DA. He requires a custom body, and the tattoos make that expensive. It's why I put Fenris in my 4th DA novel - the cancelled one. Don't fret, though. He died in it, so this way he lives on. 😉"

[source thread]

User: "Wait wait how does he die in [the cancelled novel]??" David Gaider: "Gloriously, after taking up a cause he didn't believe in at first but then made his own, one that allowed him to rediscover what it meant to be elven." [source] David Gaider: "I’m not sorry about the novel cancellation. I’m the one who cancelled it. I am kinda sad we couldn’t make it work, though. Considering it was after I left the DA team, it would have been my final DA hurrah." [source] David Gaider: "From my perspective, it was kind of "well if you're never going to use him again, let me at least give him a proper send off" and the story required a glorious death... but I get that's not the story his biggest fans would want (which is Hawke + Fenris 4ever), so it's just as well." [source]

User: "You all did some incredible work with such a tight deadline" David Gaider: "I'm of the opinion that even if we'd had only another six months to bake, DA2 would be remembered as a classic and not either a flawed gem or underbaked sequel, depending on who you ask." [source]

[savanir]

I found your missing cat

It had taken a lot of work but about a month ago Danny finally got deep enough into A.R.G.U.S to be allowed into its Black Room. and my, what a treasure trove it is.

In the following weeks Danny has spent a lot of time finding all the lost Infinite Realms artifacts he was supposed to locate and return, as was part of his kingly duties. The Observants had been constantly on his ass about this but now that the results of his efforts are actually visible they have finally shut up.

Today though something new has gotten brought in and he’s eager to take a proper look, he could feel the Tyrant king’s influence from a distance emanating from it after all.

While on his way he noticed one of his colleagues, Miss Barbara Minerva if he remembers correctly, talking to who looks to be Wonder Woman. Danny hasn’t had the chance to do so himself yet, he’d love to introduce himself properly but he’s also a little worried about all the knowledge he has on Amazons from Lady Pandora (which he very much shouldn’t have) coming out the moment he tries to have a proper conversation.

Still he hopes nothing bad comes from those two ladies being on friendly terms. Miss Barbara's vibes are all over the place, and most often nowhere good, but who knows, maybe her being around Wonder Woman more will fix that.

He gets to his little section in the compound with the big examination table all decked out and ready for whatever. Today he gets to look at one of Pariah's lost blades, the godslayer sword.

Danny is working on getting all the murderous enhancements off of it and depowering it into something nowhere near so dangerous and deadly when something perks up within the weapon. 

Sensing a kindred protection spirit it leaps up from the blade and into Danny, happily nestling around Danny's core and starts purring up a storm. 

Danny however is violently startled out of his work. It's hard not to notice the sudden claws he feels both on his hands and feet. The spotted fur that covers seemingly his whole body now, his shifted ears, eyes and nose. And the fact he's now sporting a tail of all things. 

The Cheetah may be pleased with this new development but Danny is certainly not. 

Footsteps thunder his way, followed by a shout, "what is wrong!? I heard sounds of distress and- oh!"

"Uuuhhmmm..." What does he say!? How is he supposed to explain all this to Wonder Woman!?

She marches forward and firmly grabs his clawed hands in her own, not worried in the slightest about his now razor sharp nails, "worry not, we shall break this beastly curse that has befallen you, you have my word" 

She gives him what he thinks must be a reassuring smile, "I am Diana of Themyscira and-"

Danny isn't really listening after that, she's probably just giving him more reassurances. It's nice but she's also pretty intense. And Danny is still freaking out a little. 

"- so no need to fret"

Danny blinks,"Uh thanks, I- I'm Danny Fenton" 

"It is most pleasant to meet you Danny Fenton, even if the circumstances are quite unfortunate"

"Yeah uhm, just Danny is fine"

"Very well you may call me Diana" She nods and lets go of his hands.

Diana then wishes to see the artifact that cursed him so, aka the blade (which didn’t curse him), Danny thankfully already fully depowered the damn thing safe for some minor traces of whatever Pariah saw fit to stuff in it. 

By now Steve as well as Barbara have come to take a look themselves and though they appear startled at his new catlike appearance they are mostly just worried once Diana tells them he's cursed. 

Which he's not, this isn't a curse at all. The big cat spirit still tightly curled around his core is clearly a blessing of some sort, that'll make dealing with it all so much more complicated...

But at least Danny got to meet wonder woman right? That's cool.

[exhausted-archivist]

This is the banter about his going rates that I referenced in another post, and I see the comments and tags. I cannot tell you how much this isn’t him being a nepo baby or the “how much could it cost” meme.

Shoving the rest under the cut because I get the joke here but I need to yell about this man.

tldr: This isn’t dialogue about Lucanis being out of touch, and not knowing what money is worth. He knows, he’s a union man. This dialogue is about Lucanis learning about Harding’s values and priorities. He was worried he was low balling Harding. The tone in this dialogue throws him because what Harding says could easily be taken as “six thousand is only this much and I deserve more compensation.” Hence why he offered to negotiate with her and also why he clarified that the comparison was good.

Now for me yelling about this man:

Lucanis is a union man. Lucanis thinks everyone should be paid fairly, equally, and the market rate. He tells Neve to unionize with the other detectives to make sure she is being compensated fairly (to make sure they all are tbh) and that no one is underpricing themselves. If they are, they’re a scab.

He tells Bellara the Veil Jumpers are providing a service and risking their lives - they should be fairly and properly compensated. They should not only unionize but charge for their services.

Now there is something to say about capitalism and such, but Lucanis is vouching for this stuff because at the end of the day money is important in Thedas. With money you can buy the supplies you need. With money you can make more impactful change, bribe people with lesser morals, provide for people who need it. Cover funerary costs, compensate the families of those who died who maybe the person working for/with you was the only money earner. With money, you can choose to help on jobs that don’t pay at all because you have the comfort of knowing you have other work to cover things.

Lucanis isn’t asking Harding if that’s good because he doesn’t understand the value of what he’s offering. He’s asking Harding if it’s good to understand what her value of it is. Money is after all just a social contract of a universally agreed to system to value the more abstract concepts of value (and even then it fails at times). For all he knows she could have been presenting those examples to show he is lowballing her.

This man is offering to negotiate with her, but her words and tone throw him so he’s not sure if she is happy with the offer or offended.

Lucanis isn’t a nepo baby who thinks 10 dollars for a banana isn’t a lot. Illiaro is the nepo baby. Lucanis was born into wealth but he knows the value of it and works hard to not only earn it but also maintain it. This man has standards, he wants the best because he can afford it so he will not accept anything less than his expensive, luxury Orlesian peaches.

Lucanis doesn’t value goats or a barn the same way Harding does. For her there is personal attachment and sentimentality (see where money fails to properly put a value on something). He knows their monetary worth of those things but he would not be pleased or excited to be paid in a herd of goats (unless perhaps if they were Ayesleigh gulabi goat). But Harding does value those things. Those things have more meaning to her than their value in gold, that’s home. That’s stability. That’s purpose and security. Giving books to the whole village? That’s enriching lives, that teaching people to read. That is uplifting people.

If you asked Lucanis to list off what 6k gold could get him? You’d see his values are different, it would be coffee, luxury food ingredients, wyvern memorabilia, daggers.

Anyways, this isn’t my blorbo but he’s the blorbo of friends I have and man is up there with Cullen, Davrin, and others. Just rotating in my brain space because people I care about like him.

Also this makes me wonder how much the Inquisition was paying Harding and if Lucanis is going to provide her with one of his lawyers like he did for Neve and Bellara.

I've seen Lucanis' family villa so I knew he was rich, but this banter made me realize that he's a rich boy who has no idea what money is worth lmao.

[inthedarknessofnight]

Thinking about struggling musician Eddie who makes a living singing and playing guitar in a Metallica tribute band.

Thinking about bartender Steve who thinks tribute bands are the cringiest, most insufferable things to ever exist.

Thinking about Robin, his coworker, who made a bet on the very first day of their new job that Steve would eventually hook up with someone from a tribute band.

And the thing is, he almost makes it. Three years and he’s got a completely clean track record. Well, at least until the night some random Metallica cover band’s frontman has Steve questioning his sanity from the moment he sets foot on stage. Because Steve is mesmerized. By the way his lithe figure moves under the bright stage lights. By the way his fingers slide deftly along the neck of his guitar. By the way his voice permeates the room, filling the air to the point where Steve thinks he must be breathing the music into his lungs. And then, the motherfucker has the audacity to take off shirt his mid-performance, putting on display a well-curated collection of tattoos. Steve feels like an ancient deity has descended from the heavens and decided to play fucking Metallica, on a fucking Tuesday, in the shittiest fucking bar in all of Inianapolis. Well and truly distracted by the action on stage, Steve doesn’t register the glass slipping slowly out of his grasp, until the damn thing has hit the floor and broken into a thousand pieces. When he turns to examine the mess, Robin is already there, broom in hand.

“You might wanna think about closing that mouth, dingus. I don’t think you drooling all over this pristine countertop is good for business,” she says with barely contained laughter, quickly sweeping the shards into the dustpan.

“Yeah, yeah, laugh it up,” he retorts, rolling his eyes, suddenly very aware of just how much he was staring. Instinctively, Steve shakes his hand to drive away the haze, grabs a new glass, and tries his best to focus on the task at hand.

It isn’t until the final number of the evening that Steve’s resolve truly crumbles. He’s all but managed to tune out the goings-on around him, which is why he nearly has a heart attack when he suddenly finds himself face to face with the beam coming straight from the main spotlight.

“Can we- Yes. Perfect. There he is,” says a low voice coming from the very center of the stage, followed by a cacophony of loud cheers.

And… Oh no.

“What the-,” he mutters, a hand flying up to shield his eyes from the blinding light. That’s when he sees him.

“Hey, pretty boy behind the bar. Get me some whiskey up here on this stage, will you?”

And Steve is so so so incredibly fucked.

He stares dumbly for a few seconds. Having seemingly lost any and all ability to think independently, Steve brain shifts into autopilot, causing him to grab the full bottle of Jack sitting on the shelf behind him, stroll towards the stage as if possessed, accompanied by the sound of cheering, which only grows louder with every step he takes. He climbs the steps leading onto the stage. As soon as he reaches the top, he finds himself face to face with…

He’s so close. For a brief moment, Steve wonders if he knew prior to this moment that a person can be this beautiful. They’re chest to chest. The guy is ducking his head to whisper something to Steve, his breath hitting the sensitive spot just below the ear as he does so.

“Thanks, sweetheart,” he says, his like voice smoke, and milk, and honey, and all things Steve wants to breathe in, and drink, and savor. He plucks the bottle from Steve’s hand, ringed fingers grazing his.

He winks at Steve as he takes a few steps backwards, a devilish smile playing on his lips. Then, without breaking eye contact, he tips his head back, opens his mouth, and begins pouring the amber liquid until it spills over he edges, running down his neck and the length of his torso. After what feels like hours to Steve, the guy finally swallows the remnants of the drinking in his mouth, immediately leveling Steve with a dark gaze.

“Now you.”

Positively transfixed, Steve realizes a little too late that he has, in fact, missed his window to flee, and is headed head-first for whatever public humiliation the guy has in store for him. A strong, sure hand grips the back of his neck, long fingers tangling into the hair at the nape, tugging ever so slightly.

“Open.”

It’s not gentle. It’s a thing of lust. A command. Steve feels it in his bones. And he can’t look away. His body is not his own when he gives into the pull of the musician’s hand, his jaw going lax, mouth automatically falling open. The guy brings the bottle up to Steve’s mouth, pouring in a generous amount. Before Steve even gets the chance to swallow the liquid already burning its way down his throat, the bottle is being shoved rougly into his hand, the guy bringing his other hand up once again, only to press the palm under Steve’s chin, forcing his mouth closed. Forcing him to swallow. Steve nearly chokes.

“Good boy,” he says with a wicked grin, before pushing a spluttering, coughing Steve back in the direction of the stairs, causing him to nearly topple off the stage. The guy laughs maniacally into his microphone and the crowd goes wild, the drummer already counting them into the final song.

Still bewildered and absolutely dumbfounded by whatever just happened to him on that stage, Steve chances one last glance in the singer’s direction as he descends the stairs.

This time, however, he isn’t met with a sultry, dark look, or one of the guy’s infamous mischievous grins. Instead, he finds a pair of soft brown eyes staring back at him, and plush pink lips curved into the dopiest, most endearing smile Steve has ever seen.

…

By the end of the night, Steve has found the love of his life and Robin is collecting money from nearly every employee at the bar, sporting a smug, I-told-you-so expression on her face.

[coquettepascal]

felicitas and her general

summary: general acacius has caught your attention after being the first mortal to worship you in decades. you only face one challenge: don't get too attached.

warnings: rated g, contains spoilers for gladiator ii, follows the timeline of the movie somewhat, reader is the goddess felicitas (who is the goddess of good luck,) this fic is basically just an add on to the movie.

tags: goddess!reader x general acacius, emotional infidelity, lots of roman mythology stuff, writer is basing all her knowledge out of what she remembers from PJO and HoO, worship, complicated feelings, marcus does not cheat on lucilla physically, yearning, pining, grieving, guilt, major character death(s), stalking (kind of), a lot of obsession/dedication, angst, hurt no comfort but also hurt with comfort.

a/n: i watched gladiator ii and then was too emotionally devastated to finish this fic the way i planned. i really hope you all like this!! also, this fic is also dedicated to my dear friend @pascalssbabyy because she is my biggest cheerleader and i love her <33

wc: 7.2k (not beta read)

It was he who woke you.

A quiet sacrifice in the evening that felt like the freshest breath of air you could have, more intense than what you could have atop any mountain, near any spring. The scent of burning meat and smokey vegetables grasped at your lungs, and you almost choked on it. How long had it been since someone had offered you something so kind? Real food, not just scraps of something they didn’t wish for. 

You’d never complain about how difficult it is to be a minor Goddess, you know that you could be a mortal, but most don’t think of how Gods can fade. It’s a physical process, one where you’d notice how your fingertips passed through things like chalices and bowls, how a spoon slid through your hand once. The clatter of gold on the table was embarrassing, even though you were alone. Nothing about being forgotten, or fading, physically hurt. It was only mentally taxing, knowing that you weren’t as important as you once were, that mortals found you insignificant.

Generals used to come and offer things frequently sometime ago, but you couldn’t even begin to understand how long ago that was. When you’re immortal, or supposed to be, mortal lives seem fleeting. You had taken them for granted, and regret it now, for all you have now are the empty clouds above your temple. 

The last offering you can gather was from a young boy, who wanted to win a board game against his sister the next day. He had given you half a bun with strips of meat. Sure, it was thoughtful, but this was something rich. 

You finish inhaling the offering, and then hear the offerer's voice. But it’s muffled, and you want to see who it is anyways, so you swipe through the clouds and create a window to see. Then you can hear him clearly.

Someone who is clearly a general kneels at your altar, which is chipped and dirty. The ashes of the food are in front of him, smoking still, and you can taste the wealth in his meal. It can’t distract you from him though, he is striking.

Broad shoulders support a heavy, curly, grey, head of hair, which is bowed in honor of you. His body is widely built, sturdy for battle, and his voice is just as powerful. You’re so focused on hearing his voice you only catch the tail end of his request.

“... Allow me to come home safely, if not for Rome, then for my wife.”

Your heart squeezes, and you swear you can feel the ichor gushing through your veins. Scarcely when a General came to give you an offering all those years ago would he mention a wife, only ever wishing for luck in the upcoming battle or war. But here, now, you’ve been given a respectful request and offering. It isn’t a thought in your mind to not favor him now, your eyes closing and your mouth murmuring a blessing to him. It feels intoxicating to use some of your power again, especially on someone who asked for it. It also feels intoxicating to watch this General leave.

He looks around before he goes, seeming to note how degraded your small temple has become. The statue of you that lies ahead of your altar is yellowing, and ironically, multiple fingers have broken off. The General seems displeased by this, sighing as he exits the temple.

His gait is heavy, sandaled steps weighted as he walks down them and into the torch-lit night. You find yourself looking for him even after he’s disappeared from your sight, the warmth of gratefulness hugging around you. Part of you knows better than to play around with the thought, but still you wish to know more about him.

—

It worsens when he comes back. A few times a week he returns, offering rich foods. It’s been a month now, and you are coming back to life.

Fading didn’t feel like anything, but coming back feels like so much more. The first few offerings had your body feeling alight again, like the ichor in you was flowing again, but within the last two weeks you’ve gotten your fingertips back. They were tingling for a day and then the next you were able to properly grasp things again, nothing was slipping through you.

In that time you had also learned his name. A guard had come looking for him one night, and stood behind him whilst he prayed. You had found yourself smiling when he didn’t interrupt himself, instead acting aggravated once he had finished. The guard had apologized for interrupting and let him know that “Your wife wishes to speak to you, General Acacius.”

Acacius. 

You still don’t know his first name, but it is enough. You can think of it when you feel lonely, when you are bored. Something to associate with the offerings, with the blessings. The fact he has been so consistent hints at a desperation, which would usually repel you from blessing him, but he is the only one who seems to recognize you. His efforts are not going to go unseen by you, not when you have so little to do.

You can feel yourself conceding to your need to know him more, but just as you begin to fight yourself again, he shows up.

Tonight he’s dressed a little nicer. Usually he arrives in a plain tunic but this one has golden trim on it, and his hair is a little more tousled. He stumbles into your altar holding something in a cloth, but he’s walking like he’s… drunk? 

Acacius meanders to your altar, grabbing a torch along the way, and then empties the contents of the cloth. It produces a small dessert bun, a Libum, or honey cheesecake, and your mouth waters. So much of the food that is given to you is savory meats, masculine foods that are heavy on the senses, but this is sweet and delicate. You can, of course, eat whatever you’d like. You’re a Goddess, and though you aren’t major, you are still very fortunate.

But this feels thoughtful.

The General drops to his knees after lighting the bun ablaze, swaying slightly, and now you know he must be drunk.

“Goddess Felicitas,” he begins as normal, “I am sorry I am later than usual. Though I don’t know if Goddesses sleep. I was… caught up in other affairs, but I made it in time.”

He is less eloquent than usual and seems particularly focused on how it is nearly past midnight.

“I brought you this though,” he gestures to the half burnt bun. “I wanted to bring you something different than meat and… things. I thought a dessert would be fitting for that task.”

Acacius pauses now. His thoughts are probably muddled from whatever he drank, and you find yourself smiling. Foolery has never been so endearing to you.

“You have been listening to me, I suppose. My requests for luck in battle have been answered, as well as my safety being ensured. Your blessings have brought my wife peace of mind, something I could not previously afford to her.”

He looks so small in your temple tonight. Normally he is not so vulnerable, but his shoulders sag as he mentions his wife. Some sort of shame runs over him at the idea that he could not ease his wife’s worries, but it makes you feel better that you could help. 

“Goddess Felicitas, I come here tonight bearing no requests, just gratitude. Your blessings have soothed wounds I could not see, and I feel like a young soldier again. You invigor me.” 

Then, he leaves. 

You watch helplessly as he stumbles back down the steps and away from your temple, and more than ever you wish to chase him. The love he has for his wife is clear, and you hold no jealousy of that, but you wish it were you. Something in you is deeply attached to this General now. He has awoken you so much more than rekindling your power as a goddess, more than releasing you from the grief that comes with fading. Yes, Acacius has made your heart beat again, your mind curious again, and you feel seen. Being worshipped is not the same as being loved, if that were true you’d have had many children by now, 

But after so long being forgotten, this feels like what you remember being loved as.

—

You try not to interact with the other Gods for the most part. They tend to meddle in things they don’t need to, and are sensitive. You are not exempt from this stereotype, but that’s only more reason for the distance. 

But today, you venture to meet another deity.

Morpheus is not hard to find. He is pretty stationery where he is, usually lounging on a rock or bench near his temple, or above it in the clouds. He is a bit…dramatic, from what you remember, but wise. 

Today he is stretched out on a cloud above his temple, eyes shut. His pale skin stretches taut on his bones as his lean frame breathes deeply. But, he is not asleep. 

“Morpheus,” you speak. 

His body rolls toward your direction, eyes still shut, but a small smile on his face.

“O young goddess Felicitas, what brings you to me?” He questions.

It’s hard not to feel embarrassed. You’ve spoken to Morpheus on very rare occasions, but he’s always been somewhat helpful, though nosy. Dreams tell a lot about people, and when he’s the one giving them to people, it’s hard to hide anything at all.

You don’t want him to know of your true affection for General Acacius, just that he is… worthy of a visit. 

And so you begin to describe it to Morpheus, your need to visit Acacius. He doesn’t open his eyes at all, but he raises his eyebrows a lot and seems bemused at your situation. You’re only halfway through your rambling before he raises a gangly limb and waves at your words.

“Felicitas, you think you are the only Goddess wishing to visit her admirer? You need no explanation,” he says jovially. 

Morpheus reaches into the air and pulls 6 black berries into existence, then drops them into your open palm.

“When you know he is asleep, bite down on one of these and think of him,” he describes to you.

The berries smell like nothing, but a powdery residue is left on your skin as you roll them in your palm. It doesn’t repel you at all.

Tonight, you will visit him and express the same gratitude he did to you. 

—

Marcus lays next to his wife, Lucilla, with her hand in his. She fell asleep sometime ago, leaving him to lie awake by himself.

He didn’t make it to her temple tonight and the guilt is festering in his body. Marcus knows that she is a Goddess, that he probably isn’t a thought in her mind. He knows that he is just another whiney mortal, giving her food that isn’t nearly as good as whatever Gods eat. His insignificance grows as he feeds into his guilt. 

Stress has permeated his life for much of it, from his time as a young soldier up until now, as a General. Battles, politics, and his family, have created a breeding ground for him to be wracked with anxieties, but he stays strong. Thanks to his time in Felicitas temple, it’s been better.

Which is why failing to make it to her temple tonight is making him feel so bad.

He grabs at the linen sheets of his bed, stressing and trying to reassure himself until he falls asleep finally.

—

Being in a dream is weird. It feels much the same as it does when you disguise yourself as a mortal, the out of body experience is semi-familiar, but it’s weird because someone else is there.

You’ve been watching the General enjoy the lake in front of him for a few minutes now. He hasn’t slipped into it, but just walks along the waterline. It seems like he is looking for something. Surely his dreams usually contain more action, or perhaps are memories, so you assume it may be strangely understimulating for him.

The appearance you’ve chosen is one of modesty, but elegance. A seafoam green peplos hangs off your frame delicately, with golden clasps at the wrists and waist. You did your hair so it would be tucked out of your face. There is no guarantee that Acacius will recognize you like this, but you look much like your statue that’s within your temple.

Swallowing your nerves, you shimmer yourself into visibility. The grassy field is odd beneath your feet, and you walk toward him with uncertainty in each step. You’ve never met with a mortal before, and you haven’t stepped on anything earthy in a long while. His broad stature only becomes more daunting as you get closer, especially since he seems so focused.

You will have to speak first. You’re much too quiet in this environment, and you must act fast lest he wake before you get his attention.

“General Acacius,” you speak firmly, though your hands shake. 

This is so unfamiliar to you. You’ve barely even seen his face, as he’s usually bowed at your altar. It is the first time you’ll see him at an equal level, the first time you’ll have brought yourself to him rather than him to you. 

He turns quickly, an instinctual aggressiveness toward the unknown. You stand about 10 feet from him, eyes widening.

Acacius is striking. His nose is what you focus on first, strong in shape and line, but behind it are his eyes which look to you with wide acknowledgement. His hair curls around his head in greying ringlets, like a permanent laurel crowning him. The wide expanse of his back was once impressive, but now you can see the solid wall which he becomes when facing you. Nothing could push him over it seems, a man built to stand.

Your heart squeezes the way it did the first time he gave you a request, a tender rush tingling your whole body. No words come out of either of your mouths, and the General drops to one knee instantly. 

He recognizes you.

“Goddess Felicitas,” he rushes out in a breath. His chest is heaving as he bows his head and no, no this isn’t how you want this.

Your feet are moving before you can focus on your anxiety, bringing you so close to him that you can kneel too. Maybe a goddess should not kneel before a mortal general, but you are just on your knees rather than putting yourself below him. Your peplos billows a little as air rushes through it when you hit the grass.

He is above you like this, and you tilt your head to see his face again. His strong brow is furrowed, eyes squeezed shut like he is afraid of you. 

“Acacius,” you say softly, “I am not here for… for ill reason. Please relax yourself.”

You lean back as he relaxes, head tipping upwards as he kneels in front of you as well. Now you can meet his eyes, see the crinkles that are beside them, and really take him in.

An energy of anxiety is shared wordlessly, with him stiff from the sight of a literal goddess, and you with the fear of… something. 

The identity of your anxieties isn’t something that you can figure out. Maybe it’s too much to see such a handsome mortal, or maybe it’s that you’re going to thank him for his offerings so personally. Maybe it’s humiliation from this act. What would other Gods think of this? Is it not degrading to become so attached to a mortal? Are you no better than Zeus or Hermes, the gods who interact too intimately with mortals? 

The sound of his labored breathing alerts you, calls your attention back to the present moment. 

“I wanted to thank you,” you admit meekly, “for your offerings. You have been very generous and… devoted.”

His eyes are shifty, and you can see the terror in him still. You don’t want him to fear you, but you can understand why. Visits from Gods or other deities can mean trouble, but you aren’t significant like that.

“General Acacius you are the first mortal who has acknowledged me in a long time,” you offer a vulnerability, perhaps trying to soothe him.

It feels so backwards for you to be kneeling in front of him, speaking. He has done so in front of your altar for many weeks now, but now the spots are switched, yet you are still in power. You avert your gaze as you speak up, wanting to request something of him.

“You’ve been so generous to me, General, I was hoping to know more about you.”

And now, rather than scared, he seems suspicious. 

“To know me?” He clarifies. 

You nod.

“I only know your last name. I think I could offer more luck and splendor if we were more… personal.” 

Gods that felt awful to say. You’re no better than the whorish brutes on their thrones, offering petty glories for intimacy. Everything feels flirtatious but that’s not what you’re looking for. Acacius has a wife he clearly loves, you would never want to interrupt that. 

He seems to hesitate, but he knows he cannot refuse you. So far your blessings have brought ease to his life, he wouldn’t want to lose that.

“Then… yes, I suppose I can offer myself if it would please you.” He responds stoically. 

And it does please you, to know his name. Marcus Acacius, the one who woke you, the one who has saved you from being a fragmented memory within the temples. 

Marcus Acacius, who you are too fond of.

—

You visit him 3 more times. In an attempt to space out the usage of the berries Morpheus gave you, you only visit him once a week. The bleak tasting berries are sour on your tongue, a rotten sour which lingers once you wake up, but it’s worth it.

The two of you have grown closer, with Marcus opening up more. He tells you about the stresses in his life, how much anxiety is buried in him. But, he’s confident for the sake of his wife. You’ve learned that her name is Lucilla, and much more about her. Marcus talks about her a lot, in passing or retelling something she told him. In the small amount of time you’ve gotten to know him, you’ve gotten to know her as well.

It burns you with a strange warmth, a desire and envy which makes your stomach growl. You are hungry for him to admire you in the same way, to speak of you, but doesn’t he already? Shame grips your throat when you think of it. You are a Goddess who he sacrifices to, who he wishes to have blessings from. What more do you need? A mortal couldn't offer you what another deity could. 

After the fourth meeting, you found yourself lonely. Lazing back in the clouds above your temple, you woke with a deep hunger. Marcus is beautiful, an admirable man, and he loves passionately. You are already being such a glutton for even speaking with him, meeting with him repeatedly, so why must you yearn for him too? 

Worship isn’t enough, you want what you will never let yourself to have.

Nothing hints that he might feel similarly. His starry gaze which lands on you is not due to your beauty, your personality, or anything more. You have blessed him, and that is why his eyes glitter. Goddess status has never made you feel so low and isolated. Still, you are happy to help him achieve what he wishes, even as it cripples your heart.

Tonight you plan on visiting him. That fourth visit was a week and a half ago, he may be wondering where you are. He still comes to your altar each night, but the prayers are less personal. Marcus saves his stories and ramblings for when the two of you are in the field, or near the lake, when the two of you are really alone.

—

You bite into the berry at around midnight. Its tangy yet death-tasting juice floods your mouth, clinging to the crevices between your teeth and staining your gums. Closing your eyes, you think of Marcus, and his curls, and his eyes, and his nose, and his strong hands.

And then you are there, and he is waiting. 

It seems like his subconsciousness has picked to be at the lake today, and he’s sat in the sand at the edge of the water. You walk over to him, but notice how… down he appears to be.

“She is not happy with me,” Marcus confesses before you even sit down.

You stand a few feet back from him, looking at how his curls fall around his bowed head.

“Lucilla?” You ask softly.

He nods.

A wicked feeling begins to steep in your heart. She is upset with him, he is in need of you for something more than a blessing. 

And so you listen. 

It’s one of the longer meetings the two of you have had. Marcus doesn’t cry, but he seems truly upset. He’s been called to go off somewhere far again, to fight and kill. Reassurances that you will protect him as best you can only soothe him so much. 

He doesn't care if he dies, he cares that his beloved is distraught over this. 

The more the two of you talk, the closer you get. There are marks on the sand from where you originally sat, but now you kneel in front of him, with creased brows and worried eyes. This isn’t something you can fix, you aren’t familiar with love and its intricacies. 

His knees were tucked closer to his chest before, but they’ve loosened now and his fists rest atop them, clenching. Frustration sits on his face like a mask, one you wish to take off him.

Touching is not… something either of you partake in. Sometimes your shoulders will brush when you sit together, but nothing more has ever been initiated. 

That is why it doesn’t surprise you when he flinches as your hand reaches out to rest on top of his right clenched fist. 

“Marcus,” you say softly, wanting to offer comfort, but he cuts you off.

“Don’t,” he replies swiftly.

At first it hurts, watching as he waves off your hand from his own, but then you look at his face rather than where your hands were joined. The frustrated look on his face is gone, replaced with something worse, something guilty. His eyes aren’t glittering at you like usual, nor are they hardened with anger.

They’re soft pools of conflict that mirror your own.

It doesn’t soothe your burn, satiate your envy. You can see in his eyes that maybe you aren’t alone in these feelings of admiration, of want, but maybe this is not what you want.

Maybe you want a different universe, one where he doesn’t have to be a mortal and you, a Goddess. So you wouldn’t have to worry about him dying, and have this friendship survive off death flavored berries. Maybe you want a universe where he isn’t married, where he could be yours and you wouldn’t feel like a spectator to his heart.

Maybe you want that, but you won’t get it.

Instead the flames of jealousy die in your chest and are replaced with tumors of guilt. Your whole body feels bloated, embarrassed, and ugly. 

The pair of you stare at each other, a stupid realization between the both of you as you realize that your secrets have been spilled, even though it’s the same one.

His eyes don’t move from yours, so you move from his.

The sandy edge of the lake does not look so bright now, even though there are no clouds in Marcus’s dream. 

“When do you leave?” You ask softly. 

You will not follow him into whatever battle he’ll win. Don’t embarrass yourself, Goddess.

He tells you two weeks. You say you’ll see him before then.

Then you wake on a cloud again, with a cavity of guilt in your chest.

—

Marcus wakes alone. 

Lucilla had not wanted to sleep with him that night, choosing to stay elsewhere. She didn’t tell him where, she left in a quiet flurry of tears and anguish.

It’s easier for him to feel guilt over his Goddess than it is to hurt his beloved, even if it is the same.

In a moment of frustration he grasps at the sheets, turning over and biting at his pillow. The bed is so cold, and the room smells like stale air even though the window is open, the night breezy. 

He knows she is beautiful because she is a Goddess. All Goddesses are beautiful, ethereal beings that mortals cannot even comprehend at times. Marcus knows he is lucky to even perceive her, for her to have chosen to visit him.

Yet through all her blessings, he feels cursed.

A plague of emotional infidelity is crawling through his body, sticking to his bones and making him stiff. Everything he does has felt flat for so long, from pretending he is grateful to the Emperors, to now pretending nothing is wrong in his marriage. He’s scared, and exhausted.

Marcus rubs a hand over his face after rolling over and sitting up in bed, groaning into his palm. 

At first he tried to blame her for it. What would a Goddess want from a successful General other than a demigod hero son? What could truly be so special about him? He assumed she was manipulating him, using some sort of power to morph his heart, but now he knows it is not true.

If she had wanted to, she would have had him by now, and he knows this. If she had wanted to, her hand would have stayed where it was tonight, and pushed him further. It isn’t unlike the Gods to force themselves on a mortal, but she didn’t.

Instead, his hand feels hot where hers rested, and his mind is spinning. 

Marcus doesn’t fall asleep again, afraid that he’ll see her. 

—

You wait for a full two weeks before you visit him again. He had been coming to your temple less, and you had assumed he was busy with preparations for the coming battle. 

The stubbornness you felt that night has not left you. At first you did not leave your temple in fear that you would grow attached, now you remain there because you have grown attached. 

“Enough is enough,” you had thought to yourself. 

But it is hard not to miss him, and his soothing prayers. The way his offerings tasted of smoke and sweet, and how he’d always burn such a large portion. Marcus never gave you scraps, he seemed to refuse to. 

However, you can only distance yourself so far. 

It is quiet when you approach him. He is sitting in the field this time, the lake a distant glitter in your eyes. He does not face you, but his head isn’t bowed like before.

“Marcus,” you greet, your voice muted.

He raises his head, turning over his shoulder and nodding, as if to direct you to come closer, and so you do.

Tonight’s visit isn’t vulnerable, or even pleasant. Marcus seems so distant as he dryly tells you about how he’s preparing, and his wishes to return safely. His eyes barely meet your own as he talks, and he continuously twists the ring on his finger.

It grows tiring, watching him ramble about politics you could care less about, listening to him say things that have nothing to do with him. He’s so far from the friend you thought you had made. When the air between you goes quiet, you don’t fill it for a while. You listen to the sound of the wind in the grass as his eyes still will not meet yours. It’s breaking you apart.

This is the last night you’re able to visit him, unless you visit Morpheus again. You will not waste it like this.

“What is ailing you, General?” You ask, deciding to prod more than you usually do.

To your surprise, he scoffs in light laughter.

“You,” he responds quietly.

His words don’t hurt, at least not yet. You have the option to walk away now, wake yourself and leave him with his final blessings, but of course you don’t.

“Me?” You ask, “what have I done?”

Marcus rolls his shoulders back, lifting his head to look into the everblue sky above the both of you.

“You have made my life difficult, Goddess.”

Difficult? You have made his life difficult?

You have half a mind to tear him to pieces, curse him with something awful like snakes for toes, or spoons for teeth. After all that you’ve done for him, all the safety you’ve provided, he is telling you that you make things difficult? How dare he? Be outraged, Goddess, for he disrespects the holy luck which you bestowed to him.

That’s what you should think, that’s how most of you should feel.

But instead you feel small, and hurt. Yes, he is disrespecting all that you’ve given, but also you feel like a failure. Your physical existence is because of him, because he did not let you fade. All you wanted to do was make his life easier, help him to have an eased mind and a safer life.

But instead, he’s telling you you’re difficult.

It feels like your body is shrinking in the white peplos you’ve worn, the sheer fabrics swallowing you. Shame is flooding in the form of tears behind your eyes, wetting your orbs with an unexpected outburst of emotion.

“I am sorry,” you manage weakly.

Marcus does not look at you while you cry, and you want to believe it is because he cares too much to watch, but you cannot verify that.

The wind picks up again, but it does nothing to hide the soft cries you can’t hold back. Once you were a fading Goddess, now you are just a failing one.

There is no luck involved with love.

Eventually he speaks again, with his head turned away from you.

“I am sorry too,” he says. There’s a finality in his tone that makes you ache.

So much is said in such little words. He is sorry to you, for you, and with you. A sorrow is shared between the two of you, knowing that your hearts ache for one another as they are worlds apart yet on earth together. 

This last berry was only supposed to mark the end of your visits, not the end of everything. It feels like this is all there is for the two of you, since it’s too complicated to continue on like this.

That’s why he doesn’t move away when you move closer and rest your head on his shoulder as tears leak down your cheeks, or at least that’s what you’ll believe. 

—

Time moves weirdly when you’re immortal, but it all happens so quickly.

Marcus stopped coming to offer things for you, and so you were blessing him less. Admittedly you had kept an eye on him, but not a keen one. It didn’t feel right, not when you and him weren’t… friends anymore.

But this feels too soon, too fast, too unfamiliar. Has your sadness caused you to be blind?

You watch as a man kneels in front of Marcus, panting and bloody with a sword beside him on the ground.

The only reason you are here was because you had felt the roar of a crowd all the way at your own temple, a wide distance away. It had drawn you in, and instead you had found this.

That roaring which you had heard crescendos to a new height around you as you shimmer into existence, cloaking yourself to the mortal eyes in the stands of the coliseum, but existing enough to touch him.

Arrows stick out of his front, more crushed beneath his back, as he is slumped on the white, gravel, ground. His hair is curled with tacky blood streaking through it, and he is so, so, still.

You drag your hand across his forehead, feeling the remaining heat, and in the echo of the crowd you begin to sob. 

Everything around you is moving, changing, fighting, and screaming, but you sit invisible in the center of the coliseum, running your hands over the now dead General Acacius. There is nothing you can do to bring him back, to ease Lucilla, to save him and apologize. He is dead beneath your fingers, with arrows lodged deep in his irreparable, mortal, flesh. 

You were supposed to keep him safe.

Hot tears run down your cheeks as you keep grasping at his armor, unable to move him or yourself. The last visit felt official, but this feels final. There is nothing more for you here, no friendship in a corpse.

Thoughts are running through your mind at the rate that your breath is puffing from your chest. The question of where he will end up in the afterlife is overwhelming you, and the chance for him to go to Elysium feels reasonable. It’s where he should be, where he deserves to go, especially after all he had done for Rome. You don’t even care why he’s here, or why he seems to have been brutally killed, but after the time you spent with him, Elysium seems right for him.

—

It’s where he should be. Elysium is where he should be.

And it’s where you find him.

His place there is somewhat similar to his and Lucilla’s home back in the mortal world, with lush greenery and airy drapes that flutter in various colours. It seems like he has left space for Lucilla here too, with space left in the chests for her things, and a permanently made half of the bed.

Elysium offers a true celebration of life for heroes, demigodly or not, and you’re sure Marcus has been enjoying that. Anything that he had been shackled to in his mortal life was gone now, and it seems that all he would have to miss is his wife. 

Most of your time is spent there, in his afterlife home. You peer from behind curtains when he comes back, hidden in drapes and keeping yourself small. 

He is already dead, but after the last time you abandoned him, you cannot bear to leave him alone again.

The vision of him, bloodied and murdered on the coliseum floor, flickers into your mind every time you see him lying in his bed. It’s an obsession to be near him, to be looking after him. Pluto might not even know you’re down here anymore, but what does it matter?

Marcus Acacius was the last living mortal to worship you. In the underworld, you are beginning to fade. Your fingers are slipping from you again, which is making it easier to lurk near him, but it is a painful process.

You want to speak to him. No longer do you yearn for his love, not after being in his home and seeing how dedicated his heart truly is to Lucilla, but you yearn to speak to him again. A panicked emotion runs through you at the thought of fading alone, of being entirely forgotten. 

It didn’t matter before he died, fading was just something bound to happen, but now it’s more. Is he forgetting you?

—

You’ve lost most of your arms by the time you work up the courage to speak up. Lucilla arrived sometime ago, joining Marcus in the afterlife. Watching them together brought some warmth to you, some kind of happiness that you couldn’t have for yourself, but seeing it for him was enough.

You sit on the terrace of their home, invisible to their eyes, and somewhat to your own. From the tips of your fingers to just below your elbows, you are a specter. Grey shadow fills where your limbs used to be, and they pass through all objects. You couldn’t tap his shoulder if you tried.

Oftentimes you sit, hidden, and ponder by yourself about more than Marcus. There were so many things you were adamant about when he was alive, and you regret it all now. Your determination to avoid your feelings, or at least not show them, and your need to not become attached… it bites at you now, a stinging, grieving, venom, that won’t leave. Your status as a Goddess blinded you to how tender that friendship could have been, and now you sit as a ghost spectator to his afterlife, obsessed with a mortal as a fading immortal. 

The tips of your fingers pass through the glass you try to grab as you think of this on the terrace. You’re glad that you’re such a minor deity, so at least you do not have to feel so humiliated about fading. A smile has just graced your face as you feel blessed for being so unimportant you can essentially stalk this mortal, when suddenly his voice cuts through the humid air of the space.

“Felicitas?” Marcus’ voice asks.

It’s so hesitant that you think you’re imagining it. You thought you had their home to yourself right now, thinking they had gone to do… whatever souls do in Elysium, but when you turn your face, he is there.

Marcus has not worn fancy clothing in a long while now, and right now is no different. He stands before you in a plain looking tunic, which just graces his knees. To see him at ease has been so nice, but he looks distressed at your sudden appearance.

You cannot find your voice as you awkwardly stand up, trying to think quickly. There is no good way to explain what you’re doing here, hidden away in him and his wife’s home. You could just vanish into thin air, but that feels wrong. He has seen you already, any attempts at pretending you aren’t here would be ridiculous.

His eyes scroll from your face down to your arms, and the smoking shadows that used to be there. Concern pinches onto his face with knitted brows and pressed together lips.

Something in you wants him to turn away, so you don’t have to think about why he is worried for you, even after all the trouble you caused, but he doesn’t.

His sandaled steps are heavy as he comes to you, reaching for your hands but finding the gesture fruitless as his own slip right through yours.

“Dulcissima,” he speaks weakly, shock woven in his words.

You had told him about fading a little while ago, when the two of you were in that field. Now it seems the severity of it has hit him.

What is hitting you is the name. Dulcissima, or sweetest. How long had it been since you had been referred to so fondly? All at once you are being remembered, recognized, and shown some affection. It feels like too much and tears are falling out of your control.

“I’m sorry,” you manage, “I was supposed to– to keep you safe.”

Marcus is shaking his head already, refusing your apology.

“No, no. You did keep me safe, you did. I pushed you away, I couldn’t control myself and I caused this,” he argues. 

It does not comfort you that you both blame yourselves. You wish to reach out to him and touch his face like you should have when he was warm and alive. You want to know if he is cold now, and it’s as if he hears you.

Marcus places a hand on your cheek, a softness in his eyes and hold that says that he missed you.

“I saw you,” he claims, “when I was on the ground. You were the last thing I saw.”

Somewhere between life and death for mortals, there are moments of godly clarity. Some see the light, others see their families and memories, but in that tiny glimpse of time, some see Gods. 

He was able to see you as you knelt over him, sobbing as you were cloaked to any mortal's naked eye.  You were the last thing he saw, and the last thing he truly regretted. 

All you can do is stiltedly nod at him, feeling like you were in trouble even though it seems he’s not upset.

For a moment, his eyes flick away, contemplative, but then he meets your gaze again.

“I told Lucilla of you, before I died. Not– not of my feelings which I struggled with, but that you were a close friend, a blessing in many ways.”

A blessing in many ways.

Another choked sob is wracked from your chest, your bottom lip curling out embarrassingly as your face contorts. He almost coos at you, the thumb on your cheek rubbing away your tears.

“Goddess, I have missed you,” he admits. 

Stupid nods are all you can offer, your voice imprisoned in your ever tightening throat which cries. When he was alive he was never this tender, too confused and insecure to ever touch you, but it seems he has been regretting things too.

“Felicitas,” he says quietly, “do you come here for ill reason?”

You shake your head this time, rather than nodding. You have no reason to be here, other than the fact that guilt has taken over your mind and heart since he died.

“Then relax, dulcissima. I have an offering for you.”

Marcus relaxes his stature, eyes still gazing over you. He looks at your fading palms and you watch him swallow nervously.

“I will worship you again, lending you offerings here, and all I ask in return is for our friendship again.”

It’s the opposite of how you met, almost completely, but it’s everything you need. You will not fade, he will not struggle in marriage, and you will have one another again. 

Again, you are nodding stupidly, but soon you’re embraced by him and nodding into his chest. His hands grasp at your back as he tells you how much he missed you in his final weeks, how he regrets losing you entirely, how he requires you as a friend. 

You are satiated in his arms as he comforts you, awakening you again there on the terrace. Unbeknownst to you, Marcus has let tears slip down too as he holds you close. 

“You will keep me safe here?” he asks jokingly.

It makes you smile, the idea of offering luck to a man who already died.

“Yes, General. I will keep you safe here, from all the horrifying glory and splendor,” you assure.

The two of you laugh, breaking the embrace but staying close. A passionate connection is still between the two of you, but in a different way now. Maybe when he was alive it was romantic because it is all you could think of, but through his death the two of you have come to understand it more. 

You require one another in a unique way, and leaning on one another does not have to be intimate the way he is with his wife. Marcus does need you, just as you need him, and now that you are both immortal in a way, you will never be separated again.

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