#how are we tagging this cause that's a lot

[wandascosmic]

just maybe (9)

wanda maximoff x fem!reader

part nine of 'you belong with me' series

summary: basically a wanda series inspired by jim and pam from the office

word count: 3193

tags: swearing, playful mention of sex, an office fire drill, best friends to lovers, idiots already in love to lovers, reader having an insane amount of self-control as always, jealousy jealousy from our favorite sokovian

taglist: @reginassweetheart @rroyale-109 @marvel-posts

part 1 part 2 part 3 part 4 part 5 part 6 part 7 part 8

“Shield Industries, this is Wanda,” Wanda introduces as she answers the receptionist's phone. Upon hearing the voice, Wanda furrows her brows. “Sure, can I ask who’s calling?” The person responds with their name. “Just a second.” Wanda turns to hit a button on the phone. 

Suddenly, your phone begins to ring. “Y/N L/N,” you state, picking up the call. You laugh, hearing that it was your current almost girlfriend. “What, how did you get this number?” You mock with a grin. “Stalker,” you shake your head. 

Wanda’s not sure how she feels as she watches the happy expression on your face from her desk. You seem content with Valkyrie, but something about her just made Wanda feel uneasy. She’s come to the conclusion that she’s probably just protective of you, since you’ve always been her best friend, and since knowing you she had never really seen you in any serious relationships. She simply cared for you, a lot. 

“So we’re still on for lunch?” you ask Valkyrie. “Are you meeting me here? Okay. Great. See you later. Bye,” you finish with a smile, hanging up. 

You were about to get back to work when Wanda calls out to you from across the room. “Hey,” she says, causing you to turn your head towards her, and gives you a small smile. “You can just give her your extension.” 

“Sure,” you nod, before returning to the papers on your desk. 

Wanda frowns. 

***

There was a deafening loud sound reverberating through the entire office. The smoke detector, of course. 

You sigh. You just wanted to get through the day uninterrupted, not including the lunch you had planned with Valkyrie. And, of course, spending as much time as you could with Wanda. Just one normal day, please.

And right on time, Sam begins to shout. “Okay, people, this is not at test! Everybody make your way to the exits!” He calls out. 

“Do not panic!” Tony yells alongside him. “Everyone, just get up from your desks, arms at your side!” 

“This is not a drill, move quickly, everyone, this is a paper company, come on!” Sam screams at the top of his lungs, rather dramatically. If you weren’t at a risk for being set on fire, you would’ve had a witty sarcastic remark ready on the tip of your tongue for him. “This whole place is a tinder box, it’s ready to blow!” 

You’re making your way out the exits, when suddenly Wanda immediately runs towards you and meets the rhythm of your stride, holding your hand. 

You give her a confused look. “Nat says we should have safety partners,” she responds with a shrug. 

“I didn’t hear that–” you begin to say.

“Clear out, stat!” Sam interrupts, sprinting past the two of you and clearly out of breath after screaming out fire safety laws for the past 10 minutes. 

Forgetting your previous statement, you turn to the brunette beside you once you’ve both made it safely to the parking lot outside. “Please tell me we can prank Sam after this,” you tell Wanda, bringing out a huge grin on her face.

“Oh, for sure,” she responds immediately. “In fact, I’m drafting up about 5 plans right now in my mind.” 

You laugh. “Of course you are, Maximoff.” Wanda squeezes your hand in return. 

***

“Okay, you know what?” you call out to the people around you. It had been ten minutes, and you were thoroughly bored of standing around. “I think Wanda and I are gonna set an agenda around here.” 

Wanda nods with a grin. 

Clapping your hands together lightly, you call towards the rest of the office staff. “Can everybody gather up, please? Important announcement.” You say. “I think this is a perfect opportunity for all of us to participate in some really intense,” you pause, “psychologically revealing conversations.” 

You give Wanda a look to finish the rest of your announcement. “So,” she turns to face the crowd. “We’re gonna be playing Desert Island…” 

“”Who Would You Do?” you continue, making Wanda snicker. 

“And, “Would You Rather?”” Wanda finishes. 

“Would You Rather,” you agree. 

You’re about to start the first game, when suddenly, the fire trucks pull in and the firefighters run through the office crowd to get into the building. 

“What’s up, guys, long time no see,” you greet slightly, making Wanda smack you playfully on the arm. “What?” you laugh. 

She rolls her eyes in response. “You’re a dork.” 

You stick your tongue out at her in return, and turn back to the crowd once all the firefighters have made their way through. 

“Okay, so, first, three books on a desert island,” you look around, trying to pick the first person to go. “Nat,” you point. 

Nat squints her eyes suspiciously at the interaction in front of her first, before answering. “The Hunger Games, and a Russian dictionary, to make sure I’m not out of practice.” 

“Okay, you have one more book though,” you say. 

“Rather not,” Nat responds. 

“Okay,” you say with a shrug, and turning towards your best friend. “Wanda, next person?” 

Wanda nods, looking around to pick the right person. “Peter!” she says. 

“Oh,” Peter responds shyly, rubbing the back of his neck. “Um, Death by Black Hole, Nonlinear Dynamics and Chaos, and one of the scientific journals I read a while ago but I can’t remember the name.” 

“Alright, that’s pretty cool,” you say. 

“No, it’s not,” Sam retorts immediately. “If he burned them, he would only be warm for like seven seconds. Question, is there firewood on the island?” 

“I guess,” you shrug. 

Sam scoffs. “Then I would bring an axe. No books.”

“That’s actually pretty practical, Mr. Sam,” Peter squeaks out. 

“Peter, you don’t need to agree with the guy,” you reassure. “I never do.” 

Peter nods, shifting his weight on his feet instead. 

You look at Sam once more. “You can’t bring an axe, Sam. Just books.” 

Sam narrows his eyes at you. “Fine, then. Physician’s Desk Reference.”

“Nice. Smart.” 

But unfortunately, Sam continues. “But hollowed out. Inside, waterproof matches, iodine tablets.” Wanda turns to you with an expression that tells you she’s trying not to laugh. You roll your eyes playfully in response. “Beet seeds, protein bars, NASA blanket, and, in case I get bored, Harry Potter and the Sorcerer’s Stone. No, Harry Potter and the Prisoner of Azkaban.” Wanda finally can’t help herself and lets out a small snicker. “Question, did my shoes come off in the plane crash?”

***

Unfortunately, the books don’t last very long since it appears that people don’t read too much in the Shield Industries office. However, you’re definitely remembering Wanda’s answer for her next birthday. 

“Okay, DVDs, five movies, what would you bring?” you ask the crowd. 

Bruce immediately raises his hand. 

“Yes, Bruce?” 

Bruce starts naming all of his guilty pleasure movies, and you and Wanda look at each other while struggling not to laugh. 

“Wow,” you whisper quietly to her as Bruce continues naming his choices. 

“Well, I kind of like–” Wanda whispers one of the movies to you through her quiet giggles. 

“Wanda, you’re misinterpreting this,” you tease gently. “These are desert island movies, you know? Not guilty pleasure movies. These are the movies you’re gonna be watching for the rest of your life! Forever!” 

“I take it back,” Wanda grins, facing you. 

“Unforgivable,” you shake your head. 

“I take it back!” Wanda wraps her arms around yours. 

***

“Wanda,” you turn to the brunette so she’s facing your front. “Your turn, five movies, go ahead.” 

Wanda groans, looking at you with a hopeful expression on her face. “Does it have to be movies? What about sitcoms?” she asks excitedly. 

You hum thoughtfully. “What do you guys think?” you turn to the rest of the staff.

“To be fair, I don’t think Maximoff has seen a single movie in her life, so for her, it should be allowed,” Nat says. 

“Hey!” Wanda says, slightly offended. “I’ll have you know, when I first came here, Y/N took me to see a bunch of your classic American movies.” 

“Oh, did she now?” Nat responds back sarcastically. 

“Okay, come on, guys,” you say past the slight blush in your cheeks. “No need to be hostile. Wanda, go ahead and name your top sitcoms you’d bring to the island.” 

Wanda immediately forgets about the interaction with Nat and starts naming her favorite shows. “Okay. The Dick Van Dyke Show, of course, I Love Lucy, Malcolm in the Middle, Bewitched, Family Ties…Wait, can I bring one more? I love–” 

“Sorry, Maximoff,” you cut off with a grin, causing her to frown. “Five per person, max.” 

“But-” she tries.

You shake your head. “Play by the rules, Wanda. Play by the rules.”

“I’m gonna get you back,” she says, narrowing her eyes and crossing her arms tightly. 

“Don’t doubt it,” you respond cheekily. “But, I’ll get you a donut later to make up for it. How about that?” 

Wanda nods, satisfied with your answer and moves to stand next to you once more. 

***

“All right, moving on to the main event, Who Would You Do?” you announce.

“Present company excluded?” Bucky asks. 

“Um, no,” you shake your head. “Not necessarily.” 

Suddenly, a chorus of “Wanda” is heard from the entire crowd, and you look at the recipient seeing how uncomfortable she looks. 

“Okay, um, how about I finish explaining the rules first? Let me explain first–” you try to ease Wanda’s embarrassment, but suddenly, you’re interrupted by something you could have never anticipated. 

Well, who could ever anticipate Sam’s…colorful personality. 

“Everybody Hurts” by REM has begun to blast from Sam’s car, and you look to see him slouching completely lifeless in his driver’s seat.

You try your best to continue past the music. “Yeah, so we’ll get right to— you know what? I’ll be right back. Steve, can you take over for me? Thanks.” 

You run off in the direction of Sam’s car, ready to confront him with Wanda trailing beside you. 

“Sam?” You ask through the open window. Sam simply turns up the music in response. “Sam! Come on, Sam, use words.” 

Sam turns off the music aggressively. “Why didn’t I go to business school?” he asks angrily. 

You furrow your brows in confusion. “Who goes to business school?” you ask, looking over at Wanda who shrugs at you in response. 

“The intern,” Sam says venomously. 

“Peter? He does?” 

“Yeah,” Sam responds scornfully. “It’s all him and Tony talk about now. Tony saw a stupid yellow business school book in his car, swiped him from your game, and now Tony’s completely obsessed with him.” 

Wanda looks at you before speaking, “you know, I bet Peter thinks to himself, “I wish I were a volunteer sheriff on the weekend.”” 

You bite your lip to hold back your laugh. 

“He doesn’t even know that I do that,” Sam rolls his eyes. 

“You should tell him,” Wanda says. 

“Oh, yeah, Wanda. Right. That’s gonna help things, just talk it out,” he scoffs. “I hope the war goes on forever and Peter gets drafted.” 

“Sam,” Wanda states gently.

“What?” you mouth to her through a smile.

She shakes her head at you with an equally amused grin. 

Sam puts his head into his hands. “Fine, I’m sorry I said that. I didn’t— just part of me meant it, okay? Besides, he’d end up being a hero, anyway.” 

You duck your head slightly to hold in the laugh that’s dying to come out. Wanda starts to smile too, looking away slightly to prevent being obvious. 

“You know what you should do,” you say past your grin, an equally amused expression on Wanda’s face. “You should quit.” You cover your mouth with the top of your fist slightly to hide your smile. “And then,” you turn to face Wanda, “that would stick it to both of them.” 

Wanda bites her lip tightly, trying her best to prevent from bursting out into laughter alongside you.

“No, Y/N, I’m not gonna quit,” Sam says completely monotone. “Then Peter wins.” 

“Yeah, you’re right,” you agree, facing Wanda who’s eyes are sparkling with amusement.

Sam puts his hand on top of both yours and Wanda’s, giving you both a grateful expression. “Thanks, you guys. I just need some alone time.” 

“Okay,” Wanda says softly, slowly backing away from the car. 

“Everybody Hurts” starts blasting again from the speakers, and Sam rolls up the window, slouching once more. 

You and Wanda slowly walk back to the group together, laughing loudly together as you finally release the pent-up hysterics you had both been trying to hold back. 

“God, he makes it so easy,” you exclaim. 

“I know,” Wanda grins. “But, we’re definitely still pranking him! I’m so looking forward to it, I have so many ideas I need to share with you. But, you know, after he gets over his breakup with Tony,” she starts giggling again. 

“I can’t wait, Maximoff,” you start snickering loudly alongside her once more.

But suddenly, your moment is cut short, as the source of your unhappiness makes its way in front of you two, and you both stop laughing slightly. 

“Hey, guys, what’s going on?” Vision asks, immediately slinging his heavy arm around Wanda’s shoulders.

“Nothing much,” you respond, shrugging as you put your hands in your pockets, feeling a bit out of place. 

“Hi, Vis,” Wanda says with a smile. 

“Can I hang with you guys for a bit?” Vision asks you both. “The warehouse guys can really be jackasses sometimes, you know?” 

You included, you think to yourself. 

But if he makes Wanda happy, then you’re happy.

***

Much to your secret dismay, you and Wanda have joined the group once more, along with her fiancé. 

“Come on, guys, you know the rules of the game, it’s called “Who Would You Do?”” Steve says in a bit of a frustrated tone. 

“Oh!” Tony claps his hands together. “Awesome, I play this game with my friends all the time. Where are we?” 

“Um–” Steve says. 

“Vision!” Tony points to the new company. “Who would you do?” 

“Oh, I got it!” Vision responds, and Wanda smiles lightly to herself. “What’s the name of that girl who’s always wearing black and has a huge bitch face? The red head?” 

Wanda’s face falls.

“My name’s Natasha,” Nat responds curtly, crossing her arms. 

Vision leans down to face Nat. “Hey, Natasha! I’m Vision, nice to meet you.” 

“You’re a dick,” Nat says simply, immediately leaving and making her way to her car.

Wanda looks down at her feet, feeling uncomfortable. 

“Hey?” you whisper to Wanda. 

Wanda hums in response. 

“Look at Sam,” you tell her, pointing to the figure in the red car, now going back and forth between banging his forehead onto his steering wheel, occasionally letting out honks, and banging his head agains the roof of his car. 

Wanda lets out a laugh, bringing her hand to her mouth in shock. She turns to look at you. “He’s gonna inflict brain damage or something.”

“Well, then he’ll have opened up a whole new world of pranks for us,” you shrug. 

Wanda grins, her spirits lifted from before. 

“Y/N!” Tony calls out. “You’re next. Who would you do?” 

“Um,” you pause. “Steve, hands down. You know, he’s got that cuddly thing going on, and because he’s prehistoric we could just watch bowling after.” 

The group laughs at your joke, Wanda included. 

***

The people playing the games had slightly splintered since Sam had run out of his car in an effort to find Tony’s phone, inside the burning office building, and in his words, simply to make him happy. A couple people got bored, and a few others decided to wait by the door of the building just to make sure Sam got out safely. 

Wanda was surrounded by a few of the female staff, who had decided to continue the game. 

“Definitely Y/N,” a bunch of them said simultaneously. “She’s really cute, and funny.” 

Wanda crossed her arms tightly across her body. 

“What about you, Wanda?” Jean asked. 

“Um,” Wanda looks around. “Probably Steve, too. For the same reasons as Y/N. He seems really nice.”

You’re on a phone call with Valkyrie, walking around the parking lot aimlessly. “Hey, where are you? Oh, good. Yeah, we’re just here, we’re playing Desert Island, five movies.” 

***

Sam had finally reconciled with Tony, after finding out the culprit of the fire, was unfortunately Peter’s cheese quesadilla. The boy looked horrified, and you tried to give him a reassuring look in an unfortunate situation. 

Suddenly, you were met with the sight of a silver car pulling into the parking lot, seeing it was Valkyrie through the windows. 

You walked up with a smile as she parked, rolling down the window to strike up a conversation. 

“Hey,” you greeted, smiling as you leant down to talk to her, her immediately grabbing your arm flirtatiously. “How are you?” 

“I’m good,” she answered, planting a kiss on your cheek. “It’s good to see you.” 

“It’s good to see you too,” you responded, smiling. 

“I’m hungry,” she says, referring to your lunch plans. 

“You know, I am too,” you agree. 

“Oh!” Valkyrie realizes, stepping out of the car. “I have been thinking, the whole way over, and I have my answers,” she shuts the door to the car. 

“What answers?” you ask. 

“For the desert island,” she says, leaning back against the car door. 

“Oh, right!” you say excitedly. “Come on.” You grab her hand and lead her over to the rest of the staff. 

“Ladies and gentlemen, gather ‘round, we have one more participant,” you announce. “Be polite,” you say, before turning to Valkyrie. “Desert island, five movies, go.” 

“Okay,” Valkyrie smirks. “First, Legally Blonde.” 

And suddenly, you’re met with the sound of Wanda’s laughter, as that was the guilty pleasure movie Wanda had told Y/N she liked when Bruce had announced it, only for you to tease her in response. 

Unfortunately, after Valkyrie has announced her movies, the crowd had mostly dissipated, and you turn to her apologetically. “Sorry, there was a bigger crowd last time, but you know, great movies,” you say, scratching the back of your neck slightly. 

“Don’t worry,” Valkyrie says, grabbing your arm and running her hand up and down your sleeve. “Wanna just go to lunch?” 

“Sure,” you agree. “Where are we going?” 

“I’m in the mood for Thai, does that work?” Valkyrie responds, getting into the driver’s seat. 

“Yeah, for sure,” you say, closing the door for her before making your way to the passenger’s seat. 

And Wanda narrows her eyes, ‘cause she knows you absolutely hate Thai food. 

Scoffing, she turns back to Vision, and grabs him by the collar before firmly connecting their lips.

You frown at the sight in front of you, and turn your head away.

“You okay?” Valkyrie asks, noticing your expression as you close the car door at your side. 

“Hm?” you respond. “Oh, oh, yeah, I’m fine. Don’t worry.” You reassure, giving her a small smile past the ache in your heart. 

“Okay,” Valkyrie agrees, giving you a small kiss on your cheek before driving off. 

[songs-of-future-past]

(Just reblogging straight cause I'm lazy)

Castle. I got it from the comedy-drama series (which also happens to feature Nathan Fillion, voice of Cayde-6). Where Nocturne got that name we don't know.

The Impasse, Cosmodrome

10 years prior to present game (start of D1)

Prismatic (SoF/Dive/Needle/Coldsnap), usually with the Last Word, Lubrae's Ruin, and Ascendancy

Confusion, then a mix of anger and depression over losing the memory of who he was

Nope

They've overheard fragments from Corsairs and even pieced things together from rumours in the Last City, but that's it. Mostly he has his dog tags from his time in the military prior to the Collapse

Loner, but will join fireteams when necessary

Dredgen, mostly due to disillusionment with everything going on and not really believing the Vanguard had everyone's best interests at heart (especially in regards to the "forget your past" thing)

It's literally just a force. It's tied to the intangible rather than the tangible, and it looks bad because bad people get ahold of it (not because it's inherently evil)

It's complicated. On one hand, he's alive again. On the other... He's alive again. Because of the Traveller. Also, his appearance has been so fundamentally changed by the Traveller that he struggles recognising his reflection, so he's extremely resentful.

Again, it's complicated, although that's because Nocturne is stubborn and easily irritated when he's tired. Most of the bitterness and disdain he points towards Castle is out of resentment for the Traveller.

Voluntold. He was kinda pressed into it, and to be honest he didn't exactly have anywhere else to go at the time.

Oof... There's a lot of possibilities, but JUST to make Nocturne suffer I'm gonna go with a close friend of his who was called Ciel, who was killed by someone called Dredgen Hereward during the Red War (I kinda want to write a fic where Nocturne actually teams up with Shin to deal with him, but that's another story altogether?

The Dawning, because collecting ingredients is the closest thing to "time off" he gets. Or takes, for that matter.

Haha what's off duty He goes off to help Banshee when he can, but if he doesn't need help he'll probably be reading.

Sometimes? Not often though. Most of the time he interacts with civilians they come up to him

It varies

Repair kit, a bracelet from Ellis (you didn't think he'd leave it forgotten in his vault, did you?), and a backup radio in case the Comms he built into his helmet get jammed.

Plenty, though the main thing is how much he's figured out about his past.

While he claims he doesn't care about anyone, Nocturne is very much a "guard dog" to people he likes (arguably he can be a bit of an attack dog too if he feels the need to be one). This has led to MULTIPLE plans to delete the Spider from the face of existence, and the only thing stopping him from carrying any of them out is A) he's still considered useful and B) Drifter, Crow, and Eido begging him not to because of point A

20 Questions prompt list for Guardians! Download, yoink and repost away, add images of you like, tag me if you want cause I love hearing about everyone's guardians! ❤️

[aziraphales-library]

Hi mods!!! Thank you so much for the work you do 💛

I was thinking if there's fics you all wanted to add to the #mods favorites tag??

Here, have a cake for me to express my gratitude 🍰 some of my absolute favorites I found in this blog! 💛💛

Hello and thank you! <3 This ask prompted me to go through the tabs on my phone to bookmark and close the fics I've read. So, to add to the #mod faves tag, here are my favourites of the ones I've read recently...

Critical Upgrade (Or, How I Learned to Stop Worrying and Love the Tech) by Kirathaune (T)

Modern Office AU: Aziraphale likes his vintage computer equipment, but it's causing problems with his colleagues. Gabriel mandates an upgrade, and Crowley from IT is assigned to make it all work.

Our homeward steps were just as light by On1OccasionFork (T)

She flipped to the paperwork for the new gentleman, a Mr. A. Z. Fell. He was a retired literature professor, it seemed. He was slated to be in the room next to — oh, this could be a problem — Anthony.

Creative Writing for Creative Children and Panicked Nannies by munchmulch (T)

Unsurprisingly, it only takes a few moments for pounding feet to be heard from the hall before a harried looking man skids to the entrance of the room, halting with a jerk before actually stepping in. “Adam! You can’t just run off like that! I told you that they’re not going to want a bloo—“ he cuts himself off with a strangled sound, “blasted adult sitting in on a club!” --- Aziraphale is as prepared for the new school year as he can be-- what he's not prepared for is an awkward man in sunglasses who's about to pull Aziraphale into not only his own life, but the lives of Aziraphale's students.

Take Me to Heaven by TawnyOwl95 (M)

Aziraphale does not have a priest kink. His brother, Father Gabriel, is a priest, for goodness sake. It's just that Father Anthony isn't really like any priest Aziraphale has met before and he's thoroughly upsetting the carefully constructed habits Aziraphale has made to keep himself safe. When Father Anthony replaces Aziraphale as the conductor of St. Beryl's Church choir, they are forced to work together to get the choir up to snuff before Bishop Frances' visit. Aziraphale's attraction grows and it becomes harder to repress who he is and what he wants from life. A life he's starting to feel like he's wasted by trying so hard to conform.

The Garden of Temptation by tishae (E)

Anthony J Crowley is a gardener in the small village of Tadfield, making barely enough to get by. He rents a room, doesn't eat or drink much, but he's getting to live his 'passion', whatever that means. Aziraphale Godfrey, a professional antiques dealer, is engaged and he has no reason to be unhappy. He has a wonderful apartment, is taken care of, and only sometimes is he made to feel small and inadequate. When Crowley comes into an inheritance that includes a number of items that he's pretty sure are junk, he is way out of his depth, and readily calls up a professional to help him work through it. Turns out they both have a lot to unpack. or I wanted to write about sad Aziraphale becoming happy Aziraphale, so here we are.

The Parent Trap by illustrious_slimeman, nonbinarysharks (T)

Adam and Warlock are identical twins, separated as infants and each raised by one of their adoptive fathers. When a chance meeting at a summer camp brings them together again, they hatch a plan to get their helpless parents back together. In the process, they learn more about themselves, each other, and their parents' history than they ever imagined. --- This is based off of Melonsharks' Parent Trap AU and is a fairly faithful adaptation of the 1998 Lindsay Lohan version of the film but with a few changes here and there, a whole lot of new scenes, and accompanying illustrations courtesy of Shark! The fic is pretty much fully written at this point and will be updating every Saturday

- Mod D

[jweekgoji]

I keep laughing when I think about the scene where Motorcycle!Reader is so small that they don't have their own charging chamber and have to live in someone else's charging chamber because after all they are so small that they don't take up much space.

TFO!Chars/Motorcycle!Reader [hcs]

tw: none, i guess. word count: ~1600 additional tags: gender neutral reader, cybertronian reader, motorcycle!reader. characters included: B-127, Optimus Prime, Elita-One, Megatron, Sentinel Prime.

That is both a curse and a blessing in my opinion, but well, it depends on whom the tiny reader is stuck with 😋

I mean, >B-127 didn't even have his own place to sleep. All the yellow bot had, was a conveyor belt, which I doubt it was really comfortable, haha. Well then, after just ending Sentinel's regime, the ex-cogless group at least have some places to stay.

When Bee found out you'd be living with him for a while, he was overjoyed! First he made many, many new friends, gained the ability to transform, started working for the government, and now...he has a roommate? A real roommate? The one who can open their mouth when 🐝 talks to them? The day couldn't be any better! (Not that Bee wasn't happy with Steve's company...).

To be fair, Bee himself isn't exactly a bad neighbor either. It all very much depends on what kind of personality you have. If you really get along well with him, despite his extremely emotional state, which sometimes seems to never end, then good luck!

Sharing a chamber with him is going to be an absolute challenge. We remember that he talks in his sleep, don't we? And if Shockwave was so sick of Bumblebee in that short time, imagine how you have to recharge, but now all you can hear, instead of the silence you crave, is constant mumbling into your audio receptors.

Sometimes he's just mumbling about what a cool day he had with Optimus or what an intense training session Elita gave him.

Sometimes you notice how his servos only pull you harder against him. For a moment, you'd probably sigh wearily or try to make some space between you until he starts whispering softly about how happy Bee is to have you in his life. He genuinely, really genuinely loves you. After cycles of being alone, he really misses your company. Will you decide to move him away from you nevertheless?

The next morning, surprisingly, he has no memory of what he told you at all.

> Optimus apologizes to you so much when he finds out that now, unfortunately or thankfully (?), they don't have any time or resources at all to build new quarters. The new Prime has so many new responsibilities that he doesn't even know where to start! He has to clean up and fix Sentinel's mistakes, not to mention his divorce with D-16 Megatron, which has caused him a lot of trouble. But that's okay, our favorite Prime has a solution for that!

And as a good, true leader...yes, yes, you will be the one sharing the room. Lucky, huh? Oh, lucky you.

Optimus is actually one of the best candidates to share a chamber. I find that most of the time, he doesn't have much time to go to his room and fall asleep. You often fall asleep alone, only to wake up later...alone. Was he with you? Did he come in at all? In response to this, you sometimes notice him passed out at his desk. You should definitely tell Elita about this to scold him about such a bad habit.

Actually, he'd be happy to share the charging chamber with you. The thing is, he's extremely shy.

When you fall asleep with him, there's just not enough room! Yeah, you're a pretty small bot, he's just so huge. It takes the two of you a long time to finally find the only comfortable solution.

With you on top of Optimus, you can put your helm on his chassis. The soft shimmer of the Matrix of Leadership doesn't bother you at all; if anything, it calms your nerves. All night long, your leader may never move from his position. He's so afraid he might accidentally hit you if he rolls over or decides to stand up...poor Prime, even Megatron didn't set such dangerous traps for him!

The first few nights, Optimus doesn't sleep much. He's nervous; he thinks up to the late night, but in the end, he can't resist you, and you two can get your well-deserved rest.

I think after Prime, the best candidate for your roommate would be >Elita. I like to think she always sleeps in “mom's pose” (if you know what I mean).

She can lie on her back with her servos on her chassis and not move a muscle all night. Other than that, she's a completely silent sleeper. Sometimes, you can stay up late at night; your shared room is unlit, and you don't want to turn on the lights so as not to disturb her. If she finds out you've been out the whole night instead of recharging, she'll kill you!

You swear you didn't even make the slightest creak, and just then, you see those bright blue optics staring at you in the darkness. Without even seeing her face, you know you're in trouble...She has very sharp hearing, unfortunately for you.

Elita isn't the tallest bot; sure, she's still taller than you, but her frame is pretty slim, unlike the others'. She is not the type to cuddle, even if you are extremely close to her. The most you can expect is her servo around your waist or shoulders.

You can tease her about it, but she'll try to deny everything, saying “just don't want you to fall and hit the floor 🙄” of course we all believe you, Elita!

I can see D-16 being a similar type to Optimus, but Megatron is a different story. I have no idea where our young Decepticon leader went with his guards, but at least they have a few cycles to spend building a base, especially one with all the comforts.

Megatron himself is not a fan of sharing, and when he realizes the problem, he doesn't even ask you if you want him to or not. You will share the chamber with him, period. Should you be worried or happy...?

Megatron, especially if we're talking about a young and inexperienced leader who was only recently forced to leave Iacon, is in need of support. He won't show it in front of anyone, not even you. But you know him enough to know what is troubling him.

He is so isolated, betrayed and saddened, he is afraid to open up to anyone else. And yet, he genuinely wishes someone could just hold him.

Megatron rarely sleeps. 24 hours a day, all he has on his mind is what he should do next. It used to be so easy; the mere thought of it makes him grit his teeth. When there was Sentinel, all that was required was to just follow the protocols. Now, with hundreds of high guard members expecting him to do something, he's lost.

At some point, Starscream or Soundwave will remind him of the importance of rest, and without any enthusiasm, he'll join you.

Now, the two of you are extremely awkward.

Of course, you can't tell much from his looks. Is he asleep? Or still lying there with his optics closed? This awkward silence makes you afraid to move. But the truth is, Megatron himself doesn't know what to do. You're so small compared to him; by some miracle, the two of you can fit, but it's so extremely uncomfortable.

Eventually, he can't stand it and just lifts you up to lay you on top of him. Luckily for him, you have no intention of moving away from him. Perhaps you're afraid; maybe you're okay with this change in positions. Either option is fine with him.

He repeats in his head that this is only temporary...when resources become available, you will get your own separate quarters, and you will be able to sleep separately. And yet, he doesn't want that. Your presence around him, for whatever reason, makes him forget his worries for a while, and he can finally rest.

You may disagree with me, but >Sentinel, no matter how sexy man people try to show him to be, would be just a terrible roommate! If he can even be called a roommate? Sometimes, he forgets that you're resting here too, and even if you remind him of that, he'll pretend to “listen” to you, only to forget after a while.

In fact, he could easily order a separate room for you; he's got plenty of them in his tower, but he's like.... no. He wants you around just because he can. There's no other reason.

I think he's more or less tolerable at first? He likes to keep something small next to him; imagine it like the cybertronian equivalent of plush toys, but only that toy is you. And it seems he may see you as such.

Every night, he can grab you at any time he wants and hold you against him. One time he just held you by his side; another time he decided to put his servo around you; tonight he wanted you on his chassis! The worst part is that his berth is quite spacious. And you can lie on the very far side, only for him to snatch you whenever he wants. Not very funny.

Recharging with him is pretty uncomfortable because those damn wings keep hitting you in the face every night. He's a pretty big bot on his own, and his wings are another big nuisance. Of course, he's not that terrible. Still, his room is very large, and you're probably very cozy, but Sentinel...sigh.

It's funny, but I like to think of him mumbling in his sleep too. Only this time all you can hear from him is about how often he praises himself. Wow.

[xxnashiraxx]

✨Ali's Birthday Bash!✨

Part 2 | Part 3 | Part 4

Hi everyone!!! Welcome to my birthday bash!! I have exactly one week till my 26th bday!! (It's special cause I'm only 26 on the 26th once!! 😁) I decided a month or so ago that I would like to spend it giving back to the people who have made me feel loved and accepted here on this silly little app and in this wonderful community! 💕 I am oh so grateful, and so beyond awestruck by the friends I've made here and the opportunities to bond with people I never would have met or had otherwise, that I had to do something to show my appreciation. 💗 I won't wax poetic too hard in this opening section, except in the little tidbits below, but my goal is to get 2 of these out a day, probably at different times each day (cause my schedule is a little erratic haha 💗) and I'm going to try so hard to get to everyone- I have some backlog, and I hope I can finish all of these before next week is up! But please bear with me! 💕 This may extend past my bday cause I work fulltime and I have to travel for the holidays, but I have a big list and a lot of people to show love to, so! 💗 Without further ado!!

divider here!

Ysera (for @khywren)

This was the first portrait (right? portrait? ahh idk) I completed!! I have some gripes with it, and I spent so much time trying to go back and forth trying to get things and proportions and perspectives right, but I think she's ready!! I'm not going to be a perfectionist any longer (a bald-faced lie) but I can't keep staring at it!! Now on to what really matters! @khywren you have been such an amazing friend and wonderful presence in my life ever since I met you!! You were one of the very first people to read my fic and comment on it, and you care so much about my writing and show it and it just means so much to me (": Before you and a few other people began to read it, I didn't think I would continue anymore, but you helped me come out of that funk and feel better about the good and the bad! 💕I love Ysera so much, I cherish her and her nature and personality and wish I could hug her on the daily 💗 Your writing is so beautiful and evocative, and it's truly a gift to this fandom- I am so happy to call you my friend and so glad that I get to read your work! I hope I did your gal justice!! 💕 You have my heart forever 🥺💕

Tav (for @bby-bel-art)

BELLL!!! 💜💜 You are such an amazing person!!! I am so so so grateful we met! You are an incredibly talented artist with such a big heart and I treasure you so much! I cannot tell you how insanely overwhelmed with love I feel every time you send me a little art of Ofelia, or make a playlist for my fic, or tell me an idea and I just 🥺💕I feel so unworthy and awed that you like it and think about it and it's crazy- I truly don't know what I did to deserve you, but I am forever honored! You have the best music taste and I admire you so much- thank you for everything, and thank you for being my friend!!! 😁💜 I hope you like this little art of Tav- I am new to scales, so they may not look exactly like they do in the game, or much of the features 💀 But I hope you like it! 💜

Look out for more of these in the coming week! I will tag them all as #ali's birthday bash so hopefully they're a bit easier to find! I love you all so much!!!

[elainsgirl]

no cause im tired of everything.

I'm sick of people talking about gwyn like shes the most important character ever. like yall don't actually care about her. they only like her cause shes involved with a batboy which is ridiculous. ("pro gwyneth" like be so fr... we barely know anything about her??? Like I like gwyn but stop making stuff up about her and saying shes saving the world.) that girl didn't show any romantic feelings towards him, so stop forcing it. (not to mention they never talk about emerie... interesting)

why is azriel getting shipped with everyone?? "gwyn is azriel's mate!" "no, its eris" "no, its bryce" "no, its mor" "no, its rhys dead sister" I LAUGH SO HARD AT THESE CAUSE WHERE ARE YOU GETTING THIS FROM???? I bet if azriel breathes next to anyone, they will automatically assume its his mate! leave the guy alone, my gosh.

"his shadows hate elain" just shut up. like fr.

"elain can go to the spring court and be with tamlin while az gets with gwyn and lucien gets with vassa" BAHAHAHAHAH. bro i cant even say anything to this because its ridiculous.

"if az finds his real mate, he will leave elain in a hurry" BRO. why do you guys think this man world revolves around wanting a mate so badly???? yall think so low of him its weird. if he wanted a mate oh so badly... he wouldnt go for elain! get that in your dumb heads!

now with the bonus chapter (elain and az part) im iffy about it. its good at the start but rhys and az argument gave me the ick but I understand what he meant either way. I can see why people didnt like azriel here. but to call him entitled is just WILD! he wasnt wrong questioning the cauldron. like why is he having all these mate behaviors towards elain when she has a mate??? I'd question the cauldron, too. feyre was so real when she said "why not make them mates" because they lowk fit no matter what anyone says.

now this was really irks me. "3 brothers and 3 sisters is so cliche" cliche??? bestie- do you see what we are reading??? the answer to the riddle was "love" out of all things. shut up with that dumb excuse. we have never seen 3 brothers and 3 sisters yet- well I havent. im pretty sure most of you havent either. if you read the BOOKS, you will understand that sjm uses the word 3 a lot. this is just common sense, people love to twist stuff.

Now dont get me wrong, I'll go for elucien or elriel. I dont care. but these gwynriels made me dislike az and gwyn together. like I used to go along with it but now they force it so badly "READ THE BONUS CHAPTER" "DID YOU READ THE BONUS CHAPTER" "maKe suRe yOu rEad iT cArEfuLly" "he chuckled with her" "they glance at eachother" "az and gwyn are going to save the world together" "i hope nesta, emerie, gwyn and az leave and make their own court" < (I fr saw someone say something like this) sister... I literally cringe! just please stop.

btw elriels gwyn isnt evil. stop saying that.

im so sorry for this rant. it just had to be said.

lmfao the need to vent is so real. This fandom TESTS your patience at times.

I think one of my biggest annoyances with Gwynriel is the fact that Gwyn doesn’t even like Azriel that way. Instead of focusing on how far she’s come, her accomplishments etc everything seems to go back to Azriel. If you ever truly look At gwynriel theories and headcanons the focus is always on Az and Gwyn doesn’t have much of a story by herself, she doesn’t lead a story. She is a follower/tag along. I will always say this again and again: If she was that important to the point of having anything to do with the prisons, trove, TT/Gwydion she would have been introduced earlier on in the series. It’s that simple. She has nothing to do w the prison, Koshei or even the daggers/made objects. Everything about gwynriel is forced - from Gwyn and Az having feelings for each other to their plot. Barely anything of that ship makes sense when you truly start to unravel it.

Az is getting shipped with everyone except who he truly wants and thats just comical. I guarantee you, If Az interacted with any other woman - gwynriel shippers would split so fast and some will start shipping him with the new woman.

“His shadows hate elain” … why were they ready to strike Nesta all because she insulted elain? They also speak so can’t they literally just tell Az “hey man, we dont like elain”. Then part of this claim comes from the fact Elain made his shadows skitter which is something Az does himself.

I so want Elain to go to Spring and mention how she finds it stiffling/claustrophobic. Elain going to spring to live there is ignoring everything about her character and only focusing on the fact she likes flowers and by their own logic, Nesta should go to Day and Feyre to a more artistic court.

If Az soley wanted a mate and was so desperate for one - why on earth is he pining for someone WITH A MATE. It literally defeats the purpose of him getting a mate. Also its such a stilt to his character for him to want a mate and then get one. It doesn’t allow character growth and makes the idea of “mates” seem as a prize instead of this romantic connection. If he wanted a mate so badly, this man would be going after women with no mates. Not one that has a mate. The logic behind this arguement is so stupid,

Azriel’s bonus to me parallels Feyre’s whole scene where she questioned the cauldron because of Azriel. It was Sjms way of bringing it back and reminding us of it. Telling us “look! Another character is doubting elucien’s bond! Why is Az questioning the cauldron” etc. The only part of Azriel’s bonus where I got the ick aside from his and gwyns’ awkward conversation- is when he said Lucien doesn’t deserve Elain. I get where that statement was coming from but he isn’t someone to decide who deserves who. This is what doesn’t make sense: antis call Az entitled for simply WONDERING why Elain was given to Lucien, he hs made no move to break elucien up. He hs not forced anything onto Elain. He doesn’t dictate or control her interactions with Lucien, the fact he hadn’t planned a future for them either all show he is far from acting entitled. But eluciens needed a way to make Az seem bad and lucien better hence why latched onto this argument when it doesn’t make sense given what we know about Azriels character, his thoughts, actions and what he said in the bonus.

“3 sisters and 3 brothers is cliche” whilst reading a romantasy series ( a genre filled with repetitive cliches) by an author who claims to be the queen of cliches. Every single fated mates ending up together? Cliche. Omg the trainer and his trainee fell in love? How unique. Its not like that is also a popular trope. I cannot give you any book/s in which 3 sisters end w 3 brothers, I however can pull out multiple books with the fated mates/warriors/trainerxtrainee tropes.

Too bad. Mass loves the IC - There is no reason why Nesta/valkryies and Az would go to another court. Wait - but the night court is Azriels home. Its where he belongs, unlike Elain who has to leave…but now they want Az to leave too? One thing you can trust antis to do is be consistent with their inconsistencies. Honestly, I was open to the idea of gwynriel but genuinely none of their theories or HCs make sense. In a general sense gwynriel is a good ship sure but you can generally ship any two characters together from the series. It doesn’t mean it’s happening & they’ll be endgame.

Gwyn definitely isn’t evil. However I do think she has the potential to become morally grey which im all here for.

[tozettastone]

I think one of the interesting things about the current culture of AO3 tagging is that in fandom spaces on social media you will see a lot of mainstream fandom people insisting until they're blue in the face that writers must tag every drop of blood and challenging circumstance in their fanfiction to prevent some unspecified harm to readers. Warning is, of course, only the secondary function of tagging — indexing is primary — but that's the one that this post is about.

However, when I tag things, what actually happens is that people who don't want to read the thing I've tagged find my fics and complain that they're tagged with the thing I've tagged.

I have experienced this with people complaining that the "graphic depictions of violence" tag wasn't strong enough a warning, that the "minor character death" tag was a lie because the dead character was major in people's hearts, that the "graphic depictions of violence" tag didn't prepare them for violence against animals, that the "haunting" tag could not possibly have prepared anyone for the possibility of ghostly possession... Each time, I am, of course, "causing harm."

The latest culprit for me is the tag "this fic contains zero actual sex," which I added for clarity to an M-rated fic which I thought might otherwise be easily presumed to include sex.

Cue the complaint: Why would it not include sex? Why would I do that? Maybe it's off screen? No sex makes it so hard to define the relationship?

They tell me that it would make them calmer if I had sex in this story tagged "this fic contains zero actual sex."

The important point here is that, miraculously, when I tag the absolute bare minimum, I don't receive this kind of comment. I just don't.

So my conclusion can only be that, no matter how insistent readers are that tagging is a useful tool to curate their experiences, what actually happens is that readers view tags as an opportunity for debate.

This is interesting to me because it suggests that not only do tags NOT prevent the kind of harm people argue they prevent, but that people actually seek out fics they know are inappropriate for them to read as a matter of intentional self harm. They use tags to do that. Why? We don't know. You just have to block and mute your readers and hope they don't try to contact you anywhere else.

Anyway you still have to tag things to index them (primary purpose). But I think they're not functioning great as warnings, so you should ignore all those posts that go on about that.

[hourcat]

phoebe hourcat's favorite piarles fics of 2024 <3

hiiiii everyone! i was inspired by @delicate44's fic rec post in the piarles tag earlier and realized that i should do my part and shout about the fics i LOVED this year!!!

it was a pretty good year for piarles canon, but it wasn't a bad fic year by any means, either 😉 i did my very best to spread my recs evenly and as unbiased-ly as possible...but you know how it be sometimes.

so without further adieu, i present: my favorite fics from this year, in no particular order, that deserve All The Awards. 💖

"We could go," Pierre says. "To Lourdes, I mean."

here in procession by fromnowhere

Charles is even more beautiful than he was in the photo. He’s wearing a black coat - conservative, but nice. Designer if not a few seasons old, and he’s not wearing a hat or a scarf, but he does have on gloves when he extends a hand out to Pierre. Which Pierre takes, trying not to falter under the sheer beauty of him. “Hello,” Charles smiles, eyes crinkling up. “It’s so nice to meet you.” And without hesitation, he leans in and kisses Pierre on the cheek - once on the left and then on the right. It’s been so long since Pierre was greeted this way, it shocks him for just a moment. He’s beautiful and he smells like cologne and something fresh and he’s still not let go of Pierre’s hand - the cool leather underneath Pierre’s hand seems so…foreign. So flipped.

cause baby, I'd be satisfied forever by tiredtiredsharl (nsfw)

“You know,” Frédéric’s hands are crossed in front of him, fingertips tightening after every pause, “there is only one thing that brings stability to a Kingdom without it being a marriage.” Charles draws in a sharp breath—he knows, nodding almost imperceptibly once Frédéric falls into a hesitant silence. A courtship.

hearts in the byline by ilpredestinato

The one where Charles’ drink gets spiked with the omegaverse version of a fuck-or-die drug. (Pierre helps.)

you filling my cup (the sun coming up) by ohmygasly (nsfw, chussy)

Charles Leclerc, a brilliant young chef from the fine-dining world, is forced to return home to run his local family restaurant - Monaco's "Le Cheval Cabré" - after a heartbreaking death in the family. A world away from Michelin Stars and the realm of fine dining, Charles must confront the anguish of his past and find a place in the life he once thought he'd given up for good. All the while, Pierre, a ghost from his childhood and the only true friend he's ever had, remains firmly by his side and he doesn't seem to be going away anytime soon.

Le Cheval Cabré by m00nlightE

Pierre might be many things, but he’s not someone that takes his chances lightly.

taking your time by Anonymous (nsfw)

“I could hurt you,” Pierre says reproachfully to what he can see of Charles' blushing face. Most of it is buried sideways into his pillow. “Y’wdnnt,” Charles garbles into the fabric. “Pardon?” Charles’ whole body twitches then he finally lifts his head — green-gold eyes locking onto Pierre’s. “You would not,” Charles repeats, taking care to enunciate each word. “Oh?” Pierre asks, snide, because how dare Charles gamble so casually with his own health? “Taken a lot of Alpha cocks up the ass then, have you? A regular pro at it?”

Indomitable by Anonymous (nsfw, chussy)

Charles Leclerc was maybe one of the biggest pop stars in the world until he burned it all down. One year of sobriety means that the label wants their album - an album he can't write - and the answer might just reside inside his not quite ex-boyfriend that is a fantastic song writer and producer.

first bloom by tiredtiredsharl (nsfw)

charles wakes up in the middle of the night. he gets an idea, then gets twisted in knots about it. good thing pierre is always willing to try anything charles suggests.

wake up slow (we don't need to go outside) by Anonymous (nsfw, chussy)

“Five minutes. After five minutes.” Charles drags his tongue flat up the length of Pierre’s weeping cunt. “Or ten.” He tenses his tongue into a point. Dips inside. “Then we will sleep.”

sleep aid by Anonymous (nsfw, pierrussy)

Charles doesn’t plan to sleep with Pierre over the summer break, but it happens nonetheless.

worth it just to know by fiveandnocents (nsfw)

or… what if the world was suddenly plunged into omegaverse and everyone started presenting at once.

sudden changes by ginnydear (nsfw)

a letter, a proposition, a phone call.

you know i'm down seven days of the week by pipwrites (nsfw)

Pierre has dedicated his life to this singular thing and The Society is about to write his name next to the few other scientists who were patient like him - who were dedicated like him. The names of the people that inspired him, the stories of men who had been sailing or mountaineering. Who lived in tiny cabins like he did. Pierre will be one of them. “Come on, Leo.” He calls to Leo, trying to keep it from bursting out of his chest - the feeling of accomplishment - as he takes off in a jog for the treeline. “Let us make history.” Or, Charles falls and Pierre finds him.

if you'll be my star by tiredtiredsharl

Pierre loses a bet and has to shave, and it's odd, but Charles could live with that. Who seem to not be able to is their daughter, who doesn't recognise her favourite papa without a beard.

daddy's best friend by duquesademiel

Charles’ heat has been regular since the day he first presented. He has it systematically tracked and, other than Pierre, he would consider it the most dependable thing in his life. Sauber knows his cycle because Charles saw no point in hiding it from them and he knows that it is very likely that it has been shared with the FIA as well because races are scheduled neatly around the weekends that he is required to lock himself in his room and fuck himself on a fake knot until he passes out from exhaustion or dehydration or both. It is, ultimately, something that doesn’t affect his racing career at all. And then, well, Max Verstappen has his first heat.

consequences of assumption by fiveandnocents (nsfw)

THANK YOU EVERYONE FOR BEING GENIUSES THIS YEAR!!!! it has been a joy to read such incredible content xoxoxox

[starrieangel]

🩷 Curly helps reader regress 🌻

Request by Anon: “How about Curly with a reader who wants to regress but struggles to due to responsibilities and stress, And Curly just, gently coaxing reader into relaxing and taking a break from all of that”

Features: CG! Curly x Little! Reader

Tags: Fluff, Female Reader, Age Regression, omg this is way longer than expected, my Curly bias is showing

Notes: I used Daddy, Papa/Papa Bear, Teddy/Teddy Bear as cg names for Curly (cause he's my f/o and that's what I would call him alskxndkslsnxhkz thanks for requesting this, it’s very self indulgent..!!!)

rbs appreciated !! ☆ ~

Curly begins to notice that you aren't regressing as often as you used to. You've been extra busy with work or school, just general life stuff, and it seems to be taking up a lot of your mental energy

Normally he could get at least a giggle out of you each night, getting you to either regress or just relax into a calmer state by tickling you or playing with your plushies or offering to read you a bedtime story- just anything that he knows you'll enjoy

But lately when you go to bed, you don't seem to smile as much. It's like your responsibilities are weighing you down, sucking all the joy from you :(

Teddy Curly cannot have his little princess be so gloomy..! It kills him to see you so clearly stressed, but he's not really sure what to do at first..

Until one day, you come home from work/school, and Curly insists you let him take care of you.

“I know you haven't been feeling well, Princess, so I was hoping maybe today could be a.. little day? I've seen how stressed you are and, I just really want to help you feel better.”

“I don't know, Curly, I haven't really been in the best mood lately...”

“That's what I'm talking about, just... let me help you, okay? And, if I'm being honest, I really miss my little girl, too.” He says the last part sheepishly, looking down at his shoes as he says it.

You think about it for a minute before reluctantly agreeing. He sighs a breath of relief before his lips crack into a shy smile. 

“See, there's my good girl..” He wraps you in a hug, running his fingers thru your hair. “Now tell Daddy what's wrong. Please, bunny?”

You're already starting to melt a bit, feeling his strong arms around you, and hearing his handsome voice saying your special title for him.

You tell him what's been happening at work/school that has you so upset, he's resting his chin on your head as he adds “uh-huh, I hear you” or “I know, baby, that sounds hard” you can feel tears prick your eyes a bit as you near the end of your story, your speech sounding more and more like your little voice. 

He cups your face in his hands, rubbing his calloused thumb against your cheek. “Thank you for telling me that, baby. It's all going to be okay now, though. Papa's got you.” He wipes away a stray tear from your cheek.

“C-can we start that little day now?” You say, the weight of grown up life was beginning to be too much.

He chuckles a bit, thinking of how cute you are looking up at him with big wet eyes. “Of course, baby.” And without warning he picks you up so that you're resting on his hip, arms around his neck. You start to feel even more little- He’s so strong that he can easily pick you up like you're a baby /)(\

“How does a nice warm bath sound, darling?” He says in his soft voice. He presses a kiss to your cheek, really rubbing it in so that his facial hair scratches against you. You giggle from his stubble tickling your cheek- he always knows how to make you smile ♡

You nod your head, and he goes to draw you a bath ~

I think I will do a part two for this since it's kinda long!! Part 2 will have Curly giving regressed reader a bubble bath and putting them to bed 😊 Thank you for reading! and leaving requests :) sorry if I don't get to all of them, I try to only write for fun and not force anything, but I love hearing other's ideas! 

Please leave a comment letting me know what you think! I love talking to other people abt fanfic aaaa ♡ Thanks again! 

🩷🌻🧸

Guys why is this so long. Why am I so cuckoo for coco puffs over a character from a horror game. This is deranged

[polkadotjohnson]

Hi. Could you please send me the link for sorry and yearning? I saw them with an hastag under some gifs of David kissing, you posted on your blog here .

Do you know from where this could be? Can i have a link for it to watch it , too,please? Thank you so much.

I was a liiitle bit confused about that but now that I think about it... sometimes we just use tags to say stuff we didn't want to say on the post? lol I do that a lot, there's no such thing as a movie called "sorry" or "yearning" (at least not with David) talking on tags is just a Tumblr Thing™

Also not every picture is from a video, these are from an old post on David's ancient webpage. I can't get the link to work for some reason, will try again later because I think the page is up currently but when I link it it only shows broken images, so what gives? But here's the post.

this is how we levitate

May 31, 2012 by Eve

evelyn leigh has begun quite the tradition. levitating. or causing me to levitate when we find ourselves in strange and unusual places – like las vegas.

So it's just something they did in hotels for fun :)

[glisten-inthedark]

Hi first of all, I'd definitely advise you to do saga by saga because when I tell you this hellsite put up on hell of a fight to let this appear on the tags I'm not kidding.

About Just A Man - I'm curious about why you believe that and I can't wait to read your thoughts, but it does makes sense considering how the song is structured so I can't wait to read your thoughts.

About the parallel, yep! To be honest, I feel that Odysseus was also being somewhat spiteful here - which he has the right to be - but still lmao. But in Get In The Water he was being incredibly genuine, he was offering Poseidon a true connection (did this give me an idea? Mayhaps) but my point is, he was doing so and as we discussed it before, was even close to reaching an resolution. But I guess in the end his own genuine emotion may have been what caused the drift because it's not something Poseidon knows or wants to deal with but alas, I won't ramble lmao.

About the island - while I agree I also can't help but wonder if he wouldn't have done something different before Polites' dead. While I don't necessarily find what he did dumb, I always wondered if that was something he did that way because of Polites' death or if he'll always go about it that way regardless of what happened before, you know?

That was the one thing that I kept going back to but when I think about it more - he does acknowledge that Aeolus' offer sounded too easy so with that I conclude that I don't know anymore lmao (and why is this my current feeling about Different Beast and Scylla?)

Keep Your Friends Closer - yeah, I agree completely. I think she was telling him how to beat the game and he just misinterpreted because of what happened before and I also don't think that Eurylochus would've opened the bag if Odysseus had trusted him.

Yeah the thing about Ruthlessness frustrates me a lot I'm not even going to lie.

And about the heart(beat) yeah is definitely telling, that's for sure. I didn't even think about it in the context of GITW because I obviously didn't get there but you're definitely onto something.

Anyways, thanks so much the additions and I hope you didn't get tagged 500 times when I was wagging my war against the Tumblr gods lmao.

Epic Analysis - Act I

So I made a joke a while back about analyzing the themes of the musical and that'd be ten pages long and it turns out I'm not that far off considering just act I has ~checks mark ~ 8 pages and over 4K words lmao.

I want to preface this by saying I'm pointing out things that I have noticed while listening to it - I'm no way claiming to be right about anything, and there things I may have missed or may have misundertood.I don't have a degree in music nor am I a professional writer/songwriter, so you can interpret the points bellow however you wish.

And to follow along with.

Red - Song titles

Orange - repeated sentences that appear later on.

Blue - motifs

I hope you all enjoy and please do me a favor and like and reblog this with your thoughts because I lost a good amount of brain cells doing this.

Also, please share your thoughts and theories, too <3

And if you kindly could like and reblog so this can reach new people I'd be greatly appreciated.

The Horse And The Infant

We get our first introduction to Odysseus' electric guitar with his motif.

We also learn a bit about Odysseus himself - he can operate well under pressure, he is a good captain who knows the strength of his men and he also says: "Neo, avenge your father (Achilles) kill the brothers of Hector"

We hear a heartbeat when he's thinking about Penelope and Telemachus. (This will be important later on, trust lmao).

Zeus appears and we can hear his synth base.

We hear the music box that will later be heard again.

Odysseus begs Zeus to not make him kill the infant.

"Please, don't make me do this"

"The blood on your hands is something you won't lose, all you can choose is whose".

Just A Man

We get our first introduction to Odysseus' acoustic guitar.

But when does a comet become a meteor?

When does a candlе become a blaze?

When does a man become a monster?

When does a ripple become a tidal wave?

When does the reason become the blame?

When does a man become a monster?

Is important to note that the acoustic guitar disappears completely as soon as Odysseus decides that he has to kill the infant to ensure the lives of all of those he loves. It's also important to note that despite providing Zeus with alternatives, he still does what it takes as he said he would not long ago.

Here we also learn of Odysseus' hunger - And his is vastly different from pretty much any other character - because his hunger is about seeing his wife and his child - is not literal, but rather metaphorical.

And another interesting fact - we hear a choir singing back Odysseus' words back to him and that won't be the first time that it happens.

There's a possibility that's the crew doing so - but if he's in the wall and they're bellow, how exactly do they know what's happening there? And how can they hear what's he's saying?

I point this out because Jay himself has claimed that only gods can summon their own choir, so - what exactly is happening here?

Full Speed Ahead

We are introduced to other character and one foe that arguably poses more threat than the gods - hunger.

And Odysseus has enough hindsight - at that moment - to know that there was something was off because he could see fire but no smoke, which is an interesting thing in and on itself considering that we often say that "where there's fire, there's smoke".

He also stops Eyrulochus from barging in the island and states that he should go ahead with Polites, because they could find a way of no one ending up dead.

But when Eyrulochus states that they don't know what's ahead, Odysseus says that if they don't return six hundred men can make the whole place burn. (This is interesting, and quite telling if I say so myself).

Full Speed Ahead serves to drive the plot forward, but also gives us insight into Odysseus' mindset prior to Polites' death.We close the song with Ody's eletric guitar again.

Open Arms

We are presented with Polites' philosophy about kindness and greeting the word with open arms.

"You can relax my friend"

"Greet the world with open arms"

We can hear a (heart)beat - not to be confused with the heartbeat we hear in the name of Penelope - as soon as the minions ented the sound space with "welcome" and the beat remains there until we hear Polite's say: "See".

I said not to be confused with Penelope's because this beat does sound like a heartbeat - it picks up the pace and slows down but is not present in every song nor is it present in every section of the songs it shows up in - which leads me to believe it might mean something (unless it's a random beat, but I'm being honest I have a hard time believing that).

So our first theoretical introduction to this sound happens when they are near perceived danger - but we all know what the danger motif sounds like at this point (which I won't tackle because is everywhere and it doesn't feel necessary as off now).But the beat disappears as soon as the situation is resolved and it does not appear again.

And again, Odysseus is warning the winions that if they don't make it back safely, his men will burn the island down. And here, Odysseus presents Polites with the idea that Open Arms with no discernment can sometimes lead them down a path they do not wish to go - "that's what you get with open arms".

But when they manage to "succeed" living by what Polites' said, Odysseus begins to ponder which is why Athena shows up.

Warrior of The Mind

We are introduced to Athena as a character and we hear her motif for the first time.

We hear the heart(beat) again as soon as Odysseus asks Athena to show herself. So here it seems to be present again near perceived danger, or at the very leas near the unknown.

And we hear his electric guitar motif right before she asks what his name is.

Polyphemus

Again, we hear the electric guitar and his motif but on a different scale than what we usually get (I'm pretty sure)

And not for the first time, we have Odysseus having enough awareness to notice that something is off, because everything is too perfect.We hear the heart(beat) again once Polyphemus asks "who are you?"

Here is the first time where said beat can be perceived at different metric sections than they'd normally be for a normal beat, here they are present in certain words.

At first, we hear it constantly until Odysseus says they come in peace, and they stop and come back in the word "sheep". It appears between that and favorite, and appears again in "favorite", again in "right" and "deep", and then in "know" and then the beat is gone.

But is important to note that in this first section, we only hear one beat per minute.

It stays gone for a good portion of the song and it shows up again as soon as he stops saying: "A gift for you and a gift from me" and it sounds a little bit more stuttery in this part but is gone again before Odysseus says his name is "nobody".

And we hear the electric guitar again in this section. And then the beat again - this time two beats per minute.

This is the first instance in which we hear the beat associated with actual danger, but not only danger but also presented in a context of someone claiming they come in peace right after they kill a sheep that was there just minding its own business and then in a context where one of the parts is being manipulated but has also made up their mind about things will end.

As for the song itself, there are some things I find interesting in it because I don't think we talk enough about how the themes are connected, or about this particular theme that I'll touch on again.

But Polyphemus asks Odysseus what gives him the right to deal that kind of pain - i.e: the pain of losing his friend sheep, and asks him if he doesn't know that pain he sows is pain that he'll reap and proceeds to warn him that he'll learn that is not so fun to take."A trade you see, take from you like you took from me".

Everyone talks about how this line is foreshadowing to him taking Odysseus favorite person from him - and it is! But it also shows us something else: Consequence (which isn't the first we see off and won't be the last). Odysseus himself will later say he didn't lose any of his men in the war - because up to that point - he was a brilliant commander that thought up an idea to bring a horse into a city so that they could win, but before Astyanax - which is a point I'll make later on -, Odysseus was never presented with the consequences of his own actions.

This isn't an argument about who was right or who was wrong - but objectively, about the principle that every action has an reaction, and that's when Odysseus will learn this the hard way. So the song and the character are telling him (and us by extension) that Odysseus entered the cave, killed the sheep and that actions will have consequences. He obviously didn't know that he was killing something important to someone, especially someone that could kill him - but that's the thing, whether he knew or not doesn't matter to Polyphemus. He still felt the pain of losing the sheep, and because he felt that pain, he had to make Odysseus feel the same.

There was an action, that action caused someone pain, and so because of it, that pain must be felt in the same way to be understood.

And then again we see Ody's mind at work - with him tricking Polyphemus with the lotus wine -. Odysseus is trying to fix the situation with a gift - as a way of saying, I may have taken something from you, but here I am giving you something back -.

"A trade you see, a gift for you and a gift from me"

I also find it interesting that Odysseus talks about the power that's in his hand when referring to the wine. I understand that apparently it was Dionysus' wine, but if we think about another possible meaning, it could also refer to Polyphemus own thirst (and his father's, by extension) which is the thirst for power, not on the traditional sense but rather on the sense that he felt his power over the island and the sheep was taken away, so in order to gain it back, he must kill the people that took it from him.

Survive

We hear Zeus' reprisal of The Horse and The Infant but I'm pretty sure the tempo is a little bit faster than what it is in the previous use of it.It could be because the same way Zeus ordered Odysseus to kill Astyanax, he's ordering his men to kill Polyphemus who also happens to be a child Cyclops - but I think there's more to it than that.

We hear the guitar again.

Odysseus explicitly states he's ready to kill. "Is just one life to take".

"When we kill him then our journey is over"

We don't hear the heart(beat) here at all.

And then Polyphemus takes over the song and the motif as well, and kills Polites.

And then he says "You've hurt me enough".

"Six hundred lives I'll take, six hundred lives I'll break, and when I kill you then my pain is over" (Sidenote, I was looking at Spotify and the lyrics there were "then my deed is over" and it make me question everything because I always heard it as pain and everywhere else has as pain so yeah, Spotify sucks).

Going back to the point, I always found it interesting that Polyphemus would say that when he kills the men his pain will be over. Because it made me wonder - does he mean his literal pain or the psychological one? Is not like he didn't care about the sheep - he did - quite a lot. So is it possible that he's not referring to just the physical pain but a different one too? Because here he sounds more vulnerable than he did in the previous song when he says "enough, you've hurt me enough". He doesn't even sound angry, but rather quite vulnerable.

So if my interpration is correct - this is also the first time that Odysseus sees the emotional pain he caused on one of his foes, but is also the first time we have another character stating that for said pain to be over, the thing that caused it has to be dead.

Remember Them

This is Odysseus "coming to terms with his losses" (I'll touch on why this is on quotes later). But we again get his eletric guitar and Odysseus resilience being brought to the forefront.

He goes back to his military mindsight quite fast considering what just happened, and he delivers his orders very fast at that moment.

And after a whole song without the (heart)beat - it appears again when the other cyclops appear in the soundspace and ask "Who hurt you" and it disappears as soon as Athena appears.

So here the beat appears again in perceived danger - but also when someone is actually hurt.

And this is when Polyphemus is presented with the consequence of his own actions as well. He killed some of Odysseus pain out of retribution because Odysseus killed his sheep - so now Odysseus stabs him in the eye so that they can get out of the cave -.

And now, instead of killing the Cyclops, he decides to let him live, which will have consequences. As I said before, one song ago Odysseus was ready to kill him, but he had no qualms about doing so either; however, as soon as Polites dies Odysseus' whole mindset changes.

He decides to spare him like his friend would have wanted, but he also gives his own name away due to what I can only surmise to be resentment. Is almost like he's saying: "This is the man, that unlike you, has mercy".

Also, this is what Odysseus says:

"Remember me. I'm the reigning king of Ithaca"

"I am neither man nor mythical"

"I am your darkest moment"

"I am the infamous Odysseus"

And again we hear a choir in the background as he says all of this. Could the choir be the crew? Maybe - but if that's the case, why would they enter when this is singularly about Odysseus himself?

My Goodbye

We get Athena's motif again.

This song does a great job of recontextualizing Warrior of The Mind.

We hear Odysseus' guitar again - and I believe we get both of them although I'm not entirely sure if I'm being honest. I touched on this before, but I find it interesting that Athena tells Odysseus that he needs to put his emotions aside while actively being emotional herself. She's the one that's berating him, calling him a waste of effort, she's the one that sings a whole break-up song about it while Odysseus just wants her to be gone.

The lyrics and the musicality show us that Athena does care about him - we can feel that especially after Odysseus tells her that she's alone because of the notes on the piano, is almost like his words have a physical effect on her -.

Storm

The trumpets!

And we have Aeolus' motif.

Luck Runs Out

"How much longer 'till your luck runs out? How much longer 'till the show goes south?"

You rely on wit and people die on it"

Here we have Odysseus blindly deciding to ask a god for help. When we consider the fact that he just lost his best friend because he decided to barge in some place he shouldn't have, his choice to just climb to the top and ask for help makes even less sense, unless, you consider the fact that he took Polites' advice about "just asking for help" to heart.

Then Odysseus states that he still believes in goodness and that people can be kind - and we'll later learn that remains to be true even after everything - but he doesn't seem to grasp, yet, that blind goodness/kindness can have consequences - is no wonder we always say that no good deed goes unpunished.

Now, remember when I said that before Odysseus could both grasp when something was off because of the lack of smoke or because something was too good to be true? Why does that change? And it does, because he should've known how gods are - hell, he just had a huge blowout with one a few songs ago -, so why does he lose this hindsight all of a sudden?

Eurylochus' concerns are very valid - he has a point about Odysseus' relying too much on his wit to get people out of situations. He shouldn't have questioned him in front of the entire crew, but that doesn't mean he doesn't have a point.

Here, we also get a glimpse of Odysseus' current state - he says that he took six hundred men to war and that none of them died there -, which is true, but why isn't he addressing those who died after?And get the (heart)beat all over this song too.

Keep Your Friends Close

We have the (heart)beat again.

Is interesting that Aeolus' remark about keeping friends close and enemies closer led Odysseus to be distrustful of his crew, and yet, the god didn't say not to trust the crew, she just said: "Keep your friends close".

But because of what just happened one song ago, Odysseus doesn't feel like he can trust the bag to anyone else, which means he doesn't switch shifts with anyone and ends up falling asleep.

"So much has changed, but I'm the same".

Storm motif.

Full Speed Ahead motif.

Poseidon shows up.

Ruthlessness

Oh, this song!

First of all, the lyrics do a great job of presenting us with Poseidon philosophy and character

"Guess the pack of wolves is swimming with the shark now" This line here, oh is beautiful. Because Poseidon acknowledges that Odysseus and his men are dangerous (the pack of wolves) and that they can be brutal in their own right - he's not taking away their merit like many would in this circumstance -, but he's saying they're swimming with the shark (him). Meaning: They are under his domain now, under his control, and he now has the upper hand because he's not only distant from them but also has more power. (Credit to Mortius for the amazing analysis of this line)

"Ruthlessness is mercy upon ourselves"

I touched on this before, but I needed to highlight how I have seen far too many people completely miss the point of this song - not only on YouTube but also here, for some reason -. People argue that Poseidon asked for an apology which Odysseus didn't give and that's why he killed most of his fleet.

No.

The entire song is an exposition of Poseidon's philosophy - it's a way of showing us that he doesn't believe in mercy or kindness, that he believes that in order to survive one must be ruthless at all times. He's literally saying: "If you had been ruthless and killed my child, I wouldn't be here right now because I wouldn't know who did it".Or even then - I don't think he'd have sought Odysseus out. The reason he does is precisely because Ody decided to be merciful instead.

So is not like he's looking for a genuine apology - there was nothing Ody could've said that would've made Poseidon spare him -, he's just toying with Odysseus at that point.

Odysseus' apology (which he gave, in the ancient Greek way) wouldn't amount to anything.

We hear the (heart)beat again as soon as Poseidon tells Odysseus is time to say goodbye but it gets faster as soon as Odysseus enters the sound space and it stops completely on the word "scape".

"Captain, captain, captain"

When does a ripple become a tidal wave?

"When does a man become a monster?

"I am your darkest moment"

"The monster that always draws near"

We actually get Odysseus' acoustic guitar here too. Now, I'm still debating why Jay decided to reprise Just A Man here, especially with the ripple and the tidal wave (obviously, because they are at sea and all that, but I believe there's more to it than that).

If we follow the idea of consequence, it could suggest that this is the ripple effect of Odysseus choosing to spare the Cyclops, but it could also imply more about the Vengence Saga.

And as I said before, is interesting that Poseidon states that he's a monster and I wonder - did he mean it literally or figuratively? And I also wonder, how does Jay mean it? Because the whole concept of the man and the monster - besides reminding me of The Strange Case of Dr. Jekyll and Mr. Hyde and how in said book the allegory presents the duality of human nature, and how the balance between darkness and light is what makes one truly human - makes me believe that we might have an allegory at play here.

If - and that's a huge if - Jay is going for a similar allegory with Odysseus' arc it makes sense that he'd choose two disparate symbols of it (the man and the monster).So share your thoughts on this topic because I'd like to know.

Puppeteer

Full Speed Ahead motif.

There's a debate about whether or not Ody knew Eyrulochus was the one who opened the bag but we can talk about this later.

Circe's motif.

Here - we are once again presented with the theme of hunger - for food and for a woman/ for sex (let's be real) - and the "a woman" line always takes me out. We also get some context into Circe's character - a woman turning men into pigs once she feeds them -.

At first, we aren't clued in on the reason why she's doing. All she says is "think of your past, and your mistakes. They'll be the last mistakes you make".

And we again are presented with someone who has power and seeks to maintain it. This is our first introduction to her - she simply states that she has all the power and that she's not playing with people, but rather manipulating them like a puppeteer does.

She has the strings and she controls the outcome because she can twist and bend people to her will. The closest we get to something deeper is with the line "the world does not tend to forgive".

Wouldn't You Like

Hermes! I love him but there's not to say about this song, except that Hermes tells Odysseus that Circe can make him fall in love with her - so the fact that she tries and fails tells us exactly how much he loves Penelope.

Done For

Odysseus' guitar and motif.

The heart(beat) is very present here.

Here we are presented with more information about Circe's motivation. She states that she has people she needs to protect, nymphs she can't neglect. So in order to maintain control and power over the situation, Circe preemptively strikes before any harm can be done to her or the people she cares about.

Odysseus here tries to trick Circe but she doesn't fall for it. And the thing, Circe and Odysseus' reason isn't different at all - both want to protect the people they care for, but they're going at it in different ways.

She does tell him that the last time they allowed people to live, they faced a heavy loss. We don't know exactly what happened, but once can only assume that it wasn't pretty, so Circe learned from it and decided to use of her art of persuasion to get what she wanted.

There Are Other Ways

Here, Odysseus starts to repeat back what Circe said in her own song, almost as if he's slowly following her lead, until he thinks about Penelope and we hear her motif and her viola.

Here Odysseus vulnerability and the proof of his love for his wife is what convinces Circe to help them. She must've come across countless men before and I think is safe to assume none of them denied her before.

And that's the thing about Circe - when presented with a good reason to help, once she realizes that Odysseus just wants to go home, that he loves his wife so much that even after twelve years (lol) he remains faithful to her, and is desperate to see her, and that's a good enough reason to help him.

Circe already knows who she is, already knows what she's capable of and what she's fighting for.

Odysseus is on the way to figuring that out.

The Underworld

Full Speed Ahead motif.

"All I hear are screams"

The bells we hear are ringing the same notes that we hear in The Horse And The Infant as soon as Odysseus finds Astyanax.

"Captain, captain, captain"

"This life is amazing when you greet with open arms, whatever we face we'll be fine if we lead from the heart... Greet the world with open arms".

"Waiting" with Odysseus' motif on a different scale on the piano.This is the first time Odysseus truly addresses what has happened and what he's gone through.

Here he is, looking for the prophet to help him get home, and yet he's being haunted by the voices of those he lost and their last thoughts before they died. Yes - he's hearing their literal screams as they pass the river Styx, but is more than that. For the first time, he can actually see the consequences of his own choices and his actions.

No Longer You

Tiresias' motif.

"There is a world where I help you get home, but that's not a world I know" - This line here is brilliant, because not only addresses the fact that in the original poem Tiresias does tell Odysseus what to do and what to avoid, but it also further solidifies that this is very different from the original epic.

I see a song of past romance (Siren's song)

I see the sacrifice of men (Scylla's throat)

I see portrayals of betrayal (Mutiny)

And a brother's final stand (Lightning bolt)

I see you on the brink of death

I see you draw your final breath

I see a man who gets to make it home alive but it's no longer you

No Longer You is a great way of setting the stage for the next act, by providing Odysseus with a vague warning about a man who is hunting and a man with a trail of bodies behind it, it allows his mind to wonder and the ponder who that man can be. The interesting thing is - Tiresias is telling that the man that makes it back home is no longer him - as in no longer Odysseus, as in no longer the current Odysseus -.

At that moment Odysseus already has a trail of bodies behind him. Whether or not the deaths in the cave were his fault isn't the argument here, but rather that they happened and happened under his command. But here Odysseus is presented with a future and a past he can't change or can't control.

Monster

Odysseus' guitar motif that gets pulled away.As discussed by my amazing mutual @rin-solo in her Monster essay, Odysseus is non-judgmental by nature.

Monster is Odysseus debating if mercy is not the thing that has been killing his men all along, if him caving to guilt is the reason they're not making it home. He's not justifying the actions of his foes, he's not saying they're morally right in doing what they're doing.

Is the Cyclops struck with guilt when he kills? Is he up in the middle of the night? Or does he end my men to avenge his friend And then sleep knowing he has done him right?

When the witch turns men to pigs to protect her nymphs Is she going insane? Or did she learn to be colder when she got older and now she saves them the pain?

He's simply questioning if these people are allowing themselves to be stopped by guilt or by mercy, he acknowledges their perspective, he acknowledges that them doing the things they way they're doing them is what keeps them alive.

"Ruthleness is mercy upon ourselves"

Here Odysseus addresses those he lost again, and is the first moment where it feels like he's really allowing the grief and the hurt to set in.

I said it before and I'll say it again, Monster doesn't seem to about Odysseus choosing to become a monster because he wants to, but rather because he feels is the only thing he can do under the circumstances. With the context we get from songs that will come, Monster seems to become more and more about Odysseus not wanting to feel guilt about the choices he knows he'll have to make to make it back home.

He wants to throw the guilt he feels away:

"Does a soldier use a wooden horse to kill sleeping Trojans cause he's vile? Or those he throw his remorse away and saves more lives with guile?"

Monster also seems to be Odysseus' way of starting to understand his own morals, of coming to terms with them, of accepting things about himself that he didn't seem willing to do up until this point.And once again, we hear a choir in the background singing the words back to Odysseus.

[pothame]

The person I want to get to know most....is you.

ThamePo (Heart That Skips a Beat) Coming December 13

[enrapture]

[xxnashiraxx]

✨Ali's Birthday Bash! #2✨

Part 1 | Part 3 | Part 4

Part 2!!!!!!!!! 💕 I am terrified of running out of these before I'm caught up, so I'm currently grinding away- I've been seeing all the things you all have tagged me in or sent into my ask box and I'm not ignoring, I love you all so much, I'm just grinding!

💗 Now, on to the main event: two more portraits!

divider here!

Mavka (for @pinkberrytea)

Berry!!! 💕I know that I just pretty much professed my undying love to you on your bday, but buckle up cause I'm gonna do it again! (I was never one for those birthday/christmas combo gifts- BELIEVE ME) I am so so happy that I met you! I know that I say that a lot, but you are such an amazing person with such a kind heart, and you deserve every kindness! You've been such an amazing, supportive person, and I wonder each day what I did to deserve it 🥺 Thank you for being one of my best friends and such a source of light and positivity- this fandom and WORLD is a better place with you in it 💕

I hope I did consort Mav justice! She was a struggle, but I'd like to say a fun one! The hair was a constant battle, and I believe it has come out okay! My favorite part is always the make-up! I hope you like! 🩸

Sabine (for @caffeinatedmunchkin)

Do I only know how to draw the right side of faces? Is my hair linework slightly vague and confusing? Yes! But- a year or so ago I could barely do hair justice, so I'm gonna stick to my fun little blobs! 😁ROSE MY BELOVED 🌹 I hope you like her! Sabine hit me like a truck with her pretty face and wonderful backstory, and I love her so much!! I hope she kinda looks like your Sabine! I had a hard time haha 💚 You are INCREDIBLE- I will not hear a single word against that. I just want to shine a light on you, if I'm able, and highlight the boundless love and joy you've brought not only me, but I know so many other authors. You yourself are a force all your own- your writing is beautiful, and though I have yet to play Dragon Age, the way you write sucks me in- I'm sorry I haven't been able to say it much beyond the bits I've read, but your talent is lovely, and your personality priceless 💚ABBA BESTIES FOREVER 💚You deserve a thousand portraits, and I am so grateful you found me in this maze we call the internet! I am so thankful for you!

There will be more! Pray for me to get through them all (cause you could be next! Yes that's a threat!) Love you guys!!

[freakinator]

thinking about kab and the thing about her i think is she knows just enough to keep herself safe Generally but not enough to really predict what would happen should something more... complicated??? unforeseen??? idk whats the right word to use but something not covered by someones reputation and/or vids happen, believe it or not this also affects her view of clownpierce (we'll get to that)

for example, mapicc has a reputation for being an violent, angry, & impulsive guy and nothing else which makes sense but is incredibly surface level and something that only really works if you dont have a lot of experience working with him

another is reddoons, his betrayal after the base incident while shocking is not unforeseen but his reputation as being a guy whos seen as being a reasonable person whos fairly loyal to his team made it seem like something he wouldnt do even tho it absolutely is

regarding how it affects her view of clown, since he isnt perfectly aligned with his reputation she instead pivots in the complete opposite direction and forgiving basically every crime he does even tho hes something much more mild and complicated than either his reputation or her view of him will ever be (think madonna-whore complex which is especially obvious when it comes to kabs vs woogies view of him)

another side effect of this Just Enough amount of knowledge aside from being blinded by her own expectations is that it frustrates ppl who think shes oversimplificating things (like me and seemingly several other tumblr users as well) especially when she claims that shes objectively correct and the smartest in the room at any given moment

how this roughness in her analysis affects her in the server still has yet to be fully seen but we do still have at least a couple months until the end but 'til then shes just gonna keep stumbling as more and more complicated situations pop up as is typical in lifesteal to happen and eventually shes gonna have to learn to adapt or else she'll be suffering the consequences one way or another

[wickmitz]

I decided to start talking about Wick and Rocky's relationship because I like their dynamics too, I like seeing Wick scared of Rocky and Rocky being aggressive with him, which is unusual because Rocky is rarely aggressive with anyone, but of course Wick is an exception to rule

Also my mini opinion about their possible relationship, I think that if Rocky didn't have to fight for his place, then he and Wick could become friends, or at least tolerate each other a little, I also see some superficial similarities, their gentlemanly and romantic natures, and their common love for explosions (remembering the quarrymen chapter), but this is my assumption, I think that I don't understand the characters' personalities well, so I can be wrong in this assumption, something like that. So, what do you think about their relationship?

for starters, i cannot thank you enough for this ask! as i’ve said previously, i have many thoughts on these two, so it’s nice to finally be able to share some of them. although given the extent to which i think about them, i apologize in advance if this is sloppy and sort of everywhere … while i’ll try to structure things the best i can, i cannot promise i’ll succeed! but hopefully this is an enjoyable reply nonetheless.

one of my favorite things about rocky and wick’s relationship is absolutely how aggressive rocky is towards the aristocrat ; he is prone to glares and cruel jokes and borderline hissing whenever the man is within his line of sight, or can be brought to a wailing-fit over the mere mention of his name from miss m’s mouth. there is a childishness to it, but a very prominent threat as well in spite of rocky’s usual incompetence. so he goes out of his way to posture around wick, readily lying and adorning himself with the gangster drapes he so badly wants to wear, in the hopes that it intimidates … will even badmouth wick’s family and make fun of his name and rock related obsession to mitzi, and so on so forth! yet all of this is very reminiscent of schoolyard bullying rather than anything too severe, though we as the audience understand rather quickly that rocky would bash wick’s head in with a tire iron if he could. ( translation : if it wouldn’t earn the tears or hate of a certain beloved mitzi may ) and it’s all very intense despite the absence of actual violence! and i understand why many fans see this as unusual for rocky and believe that it’s only wick who makes him act so aggressively, but i’d argue it isn’t really wick at all that prompts such scary reactions from him … and that rocky is a deeply angry character who’s a.) been boiling quietly for a long, long time and b.) has turned wick into a punching bag of sorts for this inner world of resentment and hurt. basically, when he’s judging the well-to-do or poking fun, his eyes don’t look at wick and actually acknowledge him as sedgewick sable ; instead this is a being, something vague and metaphorical, who threatens to upseat rocky’s permanence in the lackadaisy and steal away his savior, and he’s had a hand in the violinist’s misfortune for a long time.

obviously, rocky doesn’t think wick robbed him of his family twice over and made him homeless, but he is channeling the fear and anguish of those events into his loathing for wick, if that makes sense? it’s easier that way -- to finally have an outlet for everything bleeding inside of you, to be able to bite and claw at something without feeling conflicted or having to take personal accountability for your own mistakes … which is something that i think rocky does struggle with to a degree. he is sort of a finger pointer! his pain has to be worth something, it has to be for someone else ; spending years homeless and losing his last bit of family was for freckle, and the scrambling of his literal brain was for mitzi, and that means he can’t ever be angry with them! well, except that he is, somewhat, but he buries it deep down instead of feeling it. with freckle there is a sense of strain between them -- an air of ‘you owe me’ from rocky to freckle as he uses freckle to appease miss m, and he constantly pokes fun at his cousin too. it’s lighter than his jabs at wick, but there’s a constant pestering, a reminder of how good freckle has it : how he’s got the mom and the house and the job and the girl most notably. i don’t think rocky is intending to come across as mean, and to his credit he hardly does! but it’s rather clear to me that some part of him, some hidden and deeply hurt part, is rather indignant about taking the fall for freckle all those years ago. which he can’t understand, because how could he? he made that choice, he decided to take accountability for something he didn’t do because he loves freckle and knows it’d be so easy to believe this family tragedy was roark’s fault ; the devilish child he was, all troublesome and too broken to properly fit anywhere. so there is a disconnect born here, where rocky can’t comprehend that he’d be angry at freckle, so instead these not so great feelings are placed elsewhere and silently boil over time. and with mitzi … i don’t think he’s angry at her per se, but there is a frustrated and desperate chorus of : why him and why not me, when i’m the one out here dying for you? which is certainly unpleasant. of course, rather than allowing those feelings to be more aimed at miss m, whom he feels unloved by, he ( again! ) represses these emotions and allows them to fester into his greatest fears and fantastical complexes. i think there is a lot of other miscellaneous anger he could have towards others too … perhaps some part of him is sore upon seeing ivy’s normal lifestyle, watching her go to university and knowing that’s been taken from him. or an ache felt when hearing stories from zib and the band and how they used to travel successfully, living as nomads, and rocky is all too reminded of his similar lifestyle and how he couldn’t make it work as effortlessly. people with immense trauma are more prone to irrational anger and jealousy, to viewing everything around them as unfair and believing it’s even more unjust that so many people get to live comfortably while they’ve suffered. a situation that gets more messy when you’re someone like rocky, a man who’s willingly made choices that have harmed himself and wants to continue on with his smiling, bumbling fool of an act. he does not want to be angry, does not want to see it within himself, i think, which leads to an accidental increase of it.

all of this is to reiterate that wick is a scapegoat for rocky and nothing more. it’s why he’s rather hypocritical whenever it concerns the man. for example, it was stated by tracy that he looks down upon wick for his excessive presence at the bar, yet he appears to enjoy hanging out with zib -- who drinks just as often! he makes fun of how all wick ever talks about is rocks, when he himself is prone to poetry rambles that people find irritating or boring, and etc etc. this is also just a human nature thing, to critique someone you heavily dislike and even going as far as to belittle things you love or do in your own day to day because you just hate them that bad! but given rocky’s willingness to befriend anyone, it more so reeks of a dehumanization element. wick is every obstacle in his way, every divine force that threatens to send him packing again, so he is equal parts unnerved by wick’s presence and angry about it. it is mostly a fear response we are seeing, an emotion that’s morphed into long held resentment and anger. so his actions are extremely defensive, with him trying to push wick far away and keep him and mitzi separate, like some sort of animal attempting to ward off a threat that’s come too close to their home. despite the loaded animosity there, this hate has hardly reached its peak … but it shall only grow more intense as things continue onward i’m afraid, since as it stands ( in the comic at least ) rocky is at an all time low … and is ten times more desperate. i’d honestly say wick has become so warped in his mind’s eye that he can only strive towards ‘winning’ over the other man, because that’s all he can see anymore. i think mitzi implying that wick willingly helped her out, the intense head injury, and rocky’s fragile emotional state is exactly what pushes him towards premeditated murder in look-see. i don’t know how people perceive that arc, but to me it’s very clear that rocky actively sought to see the deaths of wes and fish that night. going as far as to lament that he’d be, “very disappointed if ( he ) dreamed them,” and purposefully luring the marigold duo away to have freckle pick them off. while you could argue that this was a smart move, in a gangster sort of sense, there’s still no denying that rocky is oddly chipper about the whole thing and is now seeking death out ; whereas before his methods of vengeance were just, well, ruining people’s livelihood but ultimately leaving them alive. this isn’t to discredit the fact that rocky is going through something! he is in a very muddled and dark place, mentally and physically, but even tracy has said that the head injury hasn’t changed rocky’s personality -- it’s only brought things to the surface.

source : q&a with tracy .

which, yeah! makes sense! head trauma can cause a person to become a wreck emotionally ( think mood swings, irritability, etc ) but it doesn’t completely morph someone either. personality changes may occur, but it’s not like you’re being rewritten entirely, you know? and given tracy’s old statement, it’s clear that ‘personality changes’ aren’t a side effect he’s suffering from. something that adds to my beginning statement, which is that rocky is a deeply angry and troubled person, more so than fans give him any credit for.

however, to touch upon your mini opinion about these two, i actually wholeheartedly agree that rocky and wick could become friends if circumstances were different. they do in fact have many superficial similarities, but one of the more prominent things they deeply share is never really belonging in the groups they frequent. this is more overt with rocky’s character, yet wick faces it too in subtle ways. the well-to-do crowd, seen through the investors, find the gentleman to be lacking in about every place imaginable ; to them he is an obsessive freak who cares too deeply for meager rocks, something they constantly mock him for, while he’s also being noticeably set apart from the rest of them … he seems younger than the investors, more excitable, passionate, and a little less experienced, and doesn’t seem to care for money or reputation as much as them either. there is a constant rubbing between him and them, where what he enjoys is seen as wrong, such as his love for the lackadaisy and his choice in paramor, a grieving widow with extremely dangerous ties. we also know that wick doesn’t have many friends at all, with the only two he has being lacy and church ( church is listed as such on his character profile, in a sort of tongue-in-cheek way ), both of whom work for or with him. they are obliged to hang around, and while they care in varying ways, they are prone to judging him just as much. honestly, it’s not shocking that wick seeks refuge at his chosen speakeasy! but even there he is rather distant from everyone else. he doesn’t speak to zib ever in the comics, nor seems all too close with viktor, ivy, or horatio … it is merely mitzi he is close to, even if he knows of the other people who work there. and, once again, wick very obviously doesn’t fit in. he is not gangster material, could never be an atlas may replacement, much less someone who could get his paws dirty in such an active way. so he has his feet in two different worlds and doesn’t know how to fit into either of them, or which one he actually wants to fit into more. i think in many ways rocky could relate -- these are two very lonely people who wish to belong somewhere and be accepted by some group or another but go about it in all the wrong ways. wick, who is too hesitant to fully commit to what he wants and is worse off for it, and then rocky, who obsessively throws himself against what he wants until he breaks every bone in his body. they also have explosives to bond over, lol, and other miscellaneous things like their taste in women i suppose … but this potential bond adds to the tragedy of lackadaisy, where we see two people who on every level should get along but we’re burdened with the knowledge that it’s an impossibility anyway, because there’s no removing the circumstance of which they’re in.

though i like to believe that despite wick’s fear of rocky, he maintains a kindness towards him regardless. i think his worries about rocky are rather surface level … he doesn’t know the boy at all, really, and thus can’t make heads or tails of him, hence him believing the lie in balderdash. so when i’m feeling particularly self indulgent, i like imagining a world where they’re forced together and sort of ‘stuck’ together ; to which rocky finally breaks and exposes his wounds to wick, in every sense of the word, and wick finally gets him. the aggression, the possessiveness of mitzi … it is all fear and desperation and a profound sadness, things he’d sympathize with. if rocky was able to explain that he loathes wick because if he saves the lackadaisy then mitzi won’t need him anymore and that it’s not fair that wick gets to so easily fix things when rocky would give his soul for his home, for her, and how wick could render every sacrifice he’s already made for naught by smoothing things over with some greenbacks and he can’t lose this, he just can’t --! … which, well, wick is too kind of a man to be able to do anything except feel awful, even though it’s not his fault at all. here we have two people who could coexist! and they should, since rocky logically can’t do every speakeasy job ( band member, rumrunner, mitzi’s shadow, also the guy who gets the money for the hooch ) by himself, just like how wick can’t save the lackadaisy with only his cash and limited booze stash. it’d be a joint cooperation, a collaboration between them, both equally important in the grand scheme of crime’s every turning wheel … but rocky’s rage and fear won’t let him see that, and likely never will. still, in scenarios where everything ends up alright for the lackadaisy and the people involved in it ( which is not how canon will go, by the way ), i fancy wick and rocky getting better within their relationship. rocky will always be prickly and quick to upset around the other man sadly, but perhaps he could see wick in a softer kind of light. or at least understand vaguely enough that he isn’t out to get rocky, so to speak. and then maybe wick learns that pancakes soothe rocky’s ire and poorly makes them anytime he wishes to talk to the man, and other fun things like that! but you should have more confidence in your character analysis skills, because you were spot on ( at least in my eyes ) about them potentially getting along if things were different. it’s certainly a fun aspect to play around with, and is important to note when discussing their relationship so you can fully understand just how warped rocky’s perspective on things are. and how unstable and traumatized he is too, of course </3 sidenote, but i also hope that throughout everything i’ve said here, or anything i’ve said before on my blog, that my love for rocky and my own sympathy for him comes across well enough. while he’s deeply flawed and i have no qualms discussing said flaws in depth, i also don’t think of him as some insane freak who’s evil at his core or anything like that. honestly, i adore analyzing him so much as a character because of how far down his issues go! he’s very well written, i’ll say, as is wick and many of the other characters, but i digress.

once more, thank you for the ask! i’ll end this here because i fear if i don’t i’ll start going in circles, since their relationship is so vast and very important for rocky in a character sense. hopefully i shed some more light on it though! i love these two to bits and pieces and i wouldn’t be half as invested in lackadaisy if their dynamic wasn’t so monumental -- at least to me.