#hopps thinks it’s romantic

[herebecritters]

Lava flooow oh oh

Hopps belongs to @ickyguts

[perfectlovevn]

hi idk how familiar you are with stardew valley gameplay (i am autistic about it and have put in 500+ hours) so feel free to answer these to the best of your ability

what's milo's overall pace like, and how much does he care about progression within the first two years of a run? any crops he particularly likes using? does he prefer cultivating crops or raising animals, or does he like them equally? how good is he at each of the main 5 skills (farming, foraging, fishing, mining, combat)? any villagers he particularly likes? how much does he care about the dating and marriage aspect, and if he does, favorite bachelor/ette? what's he think of krobus? i'm guessing he's the kind of guy to go community center route on every run, but what's he think of joja? what about pierre? the junimos? anything else noteworthy on how he plays the game?

these questions are mostly directed at pre milo but feel free to answer for violence/manipulation if applicable

Hello! I haven’t played Stardew valley in a while (I have however been into Rune Factory and Potion Permit), but I will try to answer your questions.

Milo I think plays Stardew mostly to relax, so he doesn’t stress too much about progression. I think he likes crops that have trellises like grapes, hopps and green beans because he likes the way they look. Otherwise, I think he will plant mostly anything.

He likes raising animals more. I imagine has a bunch of rabbits and names each one of them. He gets sad when he has to sell them. Probably makes little plushies out of them as well when he knits/sews.

I think he’s the best at farming and foraging. Then mining and fishing. He doesn’t like combat too much because he doesn’t like the sound the insect monsters make. If he has to go down there, he tries to go as fast as possible.

I think he likes Evelyn. He likes that she makes him cookies and is kind. I think he would also like George but it might take a bit to warm up to him.

As a romantic, I think he would like the dating aspect. For bachelors, I think he’d like Shane and Sebastian. Shane mostly because he’d probably feel bad about him getting drunk and he likes that he can get blue chickens. Sebastian, he would probably think is very cool and he likes the little frog event that happens. For bachelorettes, I think Emily and Abigail. Emily is probably pretty obvious since she likes making clothes and Milo likes hand crafts, so it kind of just fits. Similar to Sebastian, he’d probably think Abigail is very cool and wishes he could use a sword like her.

He thinks krobus is pretty cute. Would maybe try to make a plush or sew him on something. Definitely community center. Feels kind of wary of jojo mart. Seems okay with Pierre, though is kind of concerned when he doesn’t want to show his wife his stash. Loves junimos. Thinks they’re adorable. I think also he would spend a lot of time decorating his house. It will be filled with a lot of plushies that’s for sure.

Violence and Manipulation probably don’t play as much, but I don’t think their taste would change all that much from Pre Milo.

Phew that was a lot. I had to do some research since it really has been a while since I played stardew.

[sylvia-und-sybille]

Women in menswear :D

(the shirt, at least):

Sybille from (Sylvia und Sybille)

(2023–2024 Dresden State Theatre, modern version of Christa Winsloe's unpublished play of 1931 or so, rewritten by Daniela Löffner.)

Photo: Sebastian Hoppe (Sybille with her beloved girlfriend Sylvia)

(I've been thinking about this from time to time for several weeks, but have decided to check for whom the shirt is made only now.)

Synopsis (read all below and if you like it, please, join shipping with me): modified reality of almost 14 year-old girl* the writer (16 instead) and a friend's Mum.) Fast-paced love story which started as a bond during first meeting. (But Mum's son is in love with the girl (who thinks about him as a friend only) and jealous.) I love it sooo much. If add happy end, then (♡‿♡) Also: real version of this is in Mädchen in Uniform (1931) book Das Mädchen Manuela; because Sylvia is the same Manuela the writer Christa.

*The girl had an older brother (who had a girlfriend) and their Mum died not long ago, but alcoholic father is no help, and the girl blamed him for Mum's death. (In reality, Christa didn't blame father, but his shouting and selfishness led to Katharina Winsloe's death; apart from she needed to do a lot at home after moving in a new house.)

Sybille had a husband who died recently, so it makes her bisexual (hopefully, she had romantic feelings for him, or the marriage was forced by society and it's one big no, and then she isn't bi), but Sylvia is lesbian (in the detailed description of the play, it's said that unlike other teenagers, the greeving girl hadn't had romantic feelings for anybody before Sybille.)

○○○○○

PROOF OF THE SHIRT

(if not to try to understand where the buttons are sewn): either: A. if imagine a shirt as two parts, the top one or a"flap" is left in case of men's shirts | buttoned jackets etc., or B. free space in-between of buttons can be used as a hand warmer, and in case with men's clothes with buttons, right hand can "go in." (I used B too many times to count.) . . .

. . . or . . . (a random picture via Google images)

[allthemusic]

Week ending: 22nd October

And we inch ever closer to "real time". And with a three-song week, no less! It's been a little while, hasn't it?

Sea of Love - Marty Wilde (peaked at Number 3)

Like most of Marty's hits, this was not originally his, but rather an American hit, the only hit for its original artist, one Phil Phillips. He was working as a bellboy when he wrote it, and reportedly only was ever paid $6,800 for recording it. He didn't manage any other hits, and his original didn't chart at all in the UK - it's enough to make you feel kind of sorry for him!

The song itself's a dreamy little number. We jump from the opening, with its whimsical whole-note harp glissando, which sounds like nothing more than the sound effect that cartoons use when they want to signify that the subsequent events were all just a dream, and from there we slip into a rolling 6/8, with a guitar playing these arpeggios that just drift into each other, as we get lyrics exhorting Marty's love to come with me / To the sea, the sea of love. In fact, this is basically all you get, apart from a few vague references to when Marty and his love met. Otherwise, we're just drifting off to the sea of love - which isn't actually a super intuitive metaphor, but it all kind of works, anyway, in a vaguely surreal romantic way.

There's a melancholy sort of delicacy to the song - the harmonies are kind of bluesy, and Marty sings like he's holding back, almost tentatively, dipping down to those final last notes in a strangely cautious way. And this does seem to have been ported across from the original, though Phil isn't quite as quiet or gentle about it. He's got a very precise sort of enunciation, though, that I do wonder if Marty was trying to emulate? If so, he hasn't quite succeeded, but it still works, as a way of singing the song - honestly, having listened to both, I think I possbily prefer Marty's take on it?

Travellin' Light - Cliff Richard and the Shadows (1)

And like clockwork, Cliff's back on top of the charts - you really can't go too far through the British charts without bumping into him at the moment, it seems. Notably, this is the first record he made where his backing band were credited as the Shadows, and not the Drifters - the name changed to avoid confusion with the American band of the same name.

Style-wise, this song feels a bit like his previous chart-topper, Living Doll, minus everything that made that song creepy. It's a softer, more sentimental, less biting brand of rock and roll compared to some of Cliff's earlier stuff, and it does kind of make me wonder what the point of having the Shadows at all is, because Cliff really isn't making use of them, here. We've got a bit of strummy guitar backing, the odd little steel guitar flourish and some sort of clinking percussion in the background, but really, it's Cliff's show, here, as he croons his way through a laid-back, unhurried folksy ballad, all about how relaxed and unburdened Cliff feels as he hurries to see his baby.

It's romantic, and not just in the usual, amorous sense of the word - no, in a broader sense, there's a real romance to Cliff's depiction of the travelling life, as he describes how he's got no bags and baggage to slow me down, or how he's got no comb and no toothbrush, I've got nothing to haul. Add the country touches, and little folksy turns of speech as he sings about being a hoot and a holler away from paradise, plus the rather American-looking travellin', with its casual little apostrophe, and you've got a song that's distinctly reminiscent of American folk songs like King of the Road, which only came out later, but which draws from a whole tradition of American "hobo songs", all glorifying and romanticising a life spent "on the road", riding the rails or tramping around America without much tying you down.

It's an odd genre for Cliff, a British artist, to be trying to slot into, but he does a reasonably charming job of it, and even if you can't 100% picture Cliff hopping a freight train to get home to his gal, the general idea of somebody being excited to see their special someone is a pretty universal one. Sure, for somebody who's apparently rushing home so fast my feet ain't touchin' the ground, Cliff sounds rather unhurried. But if you look past there, there really is something endearingly earnest about it all, especially in lines about how Cliff's carrying just a pocket full of dreams, a heart full of love / And they weigh nothing at all. D'awww. Cheesy, but kind of sweet.

Broken Hearted Melody - Sarah Vaughan (7)

And to round it all out, we've got Sarah Vaughan, a jazz singer, with a song that I definitely feel like I've heard somewhere? The start, at least, feels familiar to me, with its jazzy mix of strings and backing singers. Or perhaps it's just a chord progression that's familiar - there's something a little bit showy and slinky about it all, like if a Bond theme and a Broadway chorus line had some weird bastard offspring. I like it a lot, it sets a fun tone, even before Sarah's started singing.

And then she does, and my goodness, does Sarah Vaughan have a lovely voice! I could listen to this song on repeat and focus purely on all the little vocal decisions Sarah's making, because they're fascinating. One minute, she's floating over the whole thing, her voice soaring upwards on the very first line, then dipping down deeper for the verses, and jumping around in-between, going a little throaty for some lines, then taking fligh intio these little whimsical ooooh bits at the end. It's the sort of thing that sounds completely effortless, but you just know if you tried to sing like that, it would sound like a train wreck.

I like the lyrics here, too - they're kind of bittersweet, all about the titular broken-hearted melody, which I can only assume is a song that Sarah and her love used to listen to. Once you were our song of love, she sings, but now you just keep taunting me / With the memory of his tender love. On the surface, these are really sad lyrics, a story about a lover who's abandoned Sarah and spoiled a song for her that she once loved. But there's a joy and an excitement to the music and the delivery, too, almost like Sarah's getting caught up remembering the things that were good about the relationship, lost in fond memories, despite herself. And we do thus end the song in a slightly more optimistic place, asking the song itself to sing to him until he hears / For when he returns, no more will he be / A broken-hearted melody. It's a slim hope, but it's a hope - perhaps Sarah's love, wherever he may be, will hear the song and be reminded, just like she was, of all the things they had together.

I'll say it now, this song feels like it should be a standard with, like, a million cover versions - and yet, there really doesn't seem to be much. A crying shame, because it really is lovely.

I liked all three of these songs - they all had a sort of dreamy, delicate, romantic vibe to them, nothing too harsh or abrasive. It feels perfect for a rather dreary autumn evening - a warm, cozy hug before bed. And one of the songs, in particular, struck a chord with me. I haven't listened to anything else by Sarah Vaughan, but I think I might have to? If nothing else, she's a real breath of fresh air after all the British rock and rollers - a female voice, and a particularly pretty one at that.

Favourite song of the bunch: Broken Hearted Melody

[lightboundhellhound]

i also have a fictional enemy! its kokoro from bang dreams! i already have an s/i since i selfship with someone else from that game romantically, and its very calming to draw me beating kokoro up sometimes!

this is the best news ive heard all day 🙏🏻

i don’t think i said in the post but mine is judy hopps and her stupid cop face 😡

[abstraktcat]

I really love your romantic reading!

May I have a reading of my first kiss with my futurespouse?

R

Thankyou!

Five of Wands!

This first struck me as "oh this is the aftermath some sort of conflict that forces two people to connect... I think" So I pulled two more cards and got The Tower Reversed and Three of Wands. Turns out that is exactly what this might be. It may even be a major life change that bring you close together. Tbh, I relaaated to this. My SO where going through a lot when we met and leaning on each other for support is what helped us connect and get really close to one another.

The important thing is to focus on the Three of Wands. Thhis may be a major conflict, but in the end you'll feel secure, even on top of the world, and starting a brand new journey together!

Hoppe this helps!

[apieters]

I won’t judge any movie until I see it, but I must say I have been dissatisfied with Disney lately, and this literary analysis is spot-on.

People need a higher power. Every recovering addict knows that you have to be motivated by something greater than themselves—as a theologian in training, I would say the proper object of such affection is God Himself, but many people have risen to admirable heights for the sake of family, for romantic love, for love of community, for patriotism, for dedication to artistic excellence, for curiosity, for creativity, for justice, or the love of adventure. There are many admirable things to make the object of one’s efforts, but the fact that people need something outside of themselves to become the best version of themselves, to be truly heroic, is something universally acknowledged by all the greatest religious figures and philosophers all over the world.

In the modern day, we idolize the self, in the most technical sense of the term—we make the self our ultimate end, our highest good. But what we have forgotten is that the higher power, whatever it is, demands sacrifice. We are limited, finite beings. We cannot be everywhere and do everything we want. We must say “no” to some things in order to say “yes” to what is of highest importance. The question is not if we will have to sacrifice, it is what we will have to sacrifice and for what we must sacrifice. And those who idolize themselves—those who set “discovering oneself,” “self-actualization,” or “living my best life” above all things—will end up sacrificing something for that god. Very often, that is practical concern for the needs and wants of others.

This is why we have the loneliness epidemic. Because we have set ourselves up as a god, and we sacrifice taking care of others so we can use our energy and time and treasure to meet our own needs—to “make our own wishes come true.”

But what if we stopped trying to make our wishes come true, and tried to make the wish of someone else come true? Think of the stories above—the moment the characters like Belle, Aladdin, Simba, Judy Hopps and others stopped focusing on themselves, they became forces of life-giving vitality to others, and their love was reciprocated—Nick trusted and helped Judy, Simba became the kind of lion who could rule as a good king, Cinderella’s nice friends saved her from her stepmother, the Beast learned to be human again, Tiana found the love that made her restaurant the lively place it was. It was others-centered love that makes our favorite Disney heroes heroic, and it will make us heroic if we choose to be.

If you haven’t seen Wish yet and you love Disney, do not go see it. I am telling you now. It is ripping out the hearts of the Disney movies you love and then waving their corpses around as if celebrating those hearts.

I’ll explain why, again: the message of Wish? Awful. Anti-Disney.

But they've been doing this for a long time. Saying one thing with their movies, and saying another with their PR and Disney Parks Soundtracks.

I'll explain.

Main Idea of Disney's Wish (and the You Are the Magic theme park song and merch): "The power to make your wishes come true is in you."

≠

Most Disney Movies' Idea on How to Have Wishes: "Do what's right, (trust a higher power) and something even more wonderful than what you wished will happen."

Don't try to argue with me about this. You have to look underneath the slogans and the sweater designs and the song titles to what the stories actually support to acknowledge this.

Because you can’t say “do what’s right” has power unless you answer the question “who gets to decide ‘what’s right?’” (Which, coincidentally, is a question Wish brings up and then doesn’t answer.)

Audiences of Disney used to accept that wishing on a star was much like prayer; there’s something you long for, and it’s out of your hands, but you wish for it and you do what you know is right in the meantime. And you’re not crushed, you’re not downhearted, because somewhere in your mind you trust that the combo of those two things—wishing on a higher power and diligence to do what’s good—will be what makes your wish come true.

Trust in a higher power—COMBINED WITH:

—diligence to do what’s good.

The Blue Fairy (higher power) gave Geppetto his wish specifically because he had demonstrated commitment to do good, whether he got what he wanted or not. The Fairy Godmother (higher power) gave Cinderella her wish specifically because she kept on being kind and good to low creatures like mice and wicked stepsisters, whether she got what she wanted or not.

Do you know why that combo (higher power + diligence to do good) is impactful? Timeless? Important?

Because it’s selfless. You want something, but you’re not going to sacrifice doing the right thing to get it. You’re not going to focus so hard on making what you want a reality, on your own, that you miss out on things that could be more important than what you want. And, you’re not so self-focused as to believe that if you don’t do it, it won’t get done.

Jeez, that’s the whole point of The Princess and the Frog!

Tiana wishes to have her own restaurant, and she believes that only her own hard work will grant that wish. She misunderstands her dad’s advice before he dies. She isn’t willing to trust a higher power combined with her own diligence to do good—she only trusts her own ability.

It’s not until she realizes that Ray, the character of faith, was right all along that she learns—what she wished for was too self-focused. It wasn’t complete without love. Something bigger than herself. And getting that was never going to happen just based on her own hard work.

But you know what? It was never going to happen just by a “higher-power” flavored shortcut, either. Because Facilier offers her her wish if she’ll just trust him, no hard work needed. But what does she say?

Trust in a higher power + diligence to do what’s right = selflessness, and getting more than you could have ever wished for. And if your wish is selfish, doing those two things will change your wish into something selfless.

More examples? Get ‘em while they’re hot, in case Wish made you forget, just like the current #NotMyDisney executives have forgotten, what real Disney wishes are for.

Belle wishes to have adventures in the great wide somewhere--but when she's imprisoned and that chance is taken from her it's not reversed because she worked hard to make her wish come true. It's granted because she gave up her wish for her father: she just did the right thing, regardless of her wish. And in the end, she does get what she wished for, which is adventure in an enchanted castle...and much more, because she gets true love, a throne, and a castle full of friends.

How about the One Who Started It All? The one Wish is failing to pay genuine tribute to?

Snow White wishes for someone to love her, and he does--but when they're separated, she does not exercise power to make The Prince come back to her. Instead, she loves who she can where she’s at—the Dwarfs. In the meantime, she has faith that he will keep his promise, and that pure trust in a higher power outside of her control is a big contributing factor to why the Dwarfs come to love her, and learn from her...and in the end, even more than she could've wished happens. He does take her to his castle, but she also has seven new friends who also love her, and the Queen is dead. And she didn’t need to use “the power in her” to work harder and get it done. She just needed to not focus so much on herself at all.

How about a male main character? One who’s wish starts out selfish, but after learning to wish on a higher power and be diligent to do the right thing, gets more than he could wish for?

Aladdin wishes to be somebody different (somebody he believes Jasmine could love, somebody who lives in a palace and is respected and ���never has any troubles at all.”)—but doing everything in his own power for that wish proves that it was selfish all along; so he switches to doing the right thing, regardless of if his wish comes true, and he gets even more than he could’ve wished. He gets real love with Jasmine, he gets his friend Genie, and he gets to be free from feeling “trapped” because he doesn’t have to hide who he is anymore.

Or Simba?

Simba wishes to get to do whatever he wants as King—but when Mufasa dies and he’s convinced it’s his fault, it isn’t for that wish that he goes back to Pride Rock to confront his past and his Uncle. It’s because he had an encounter with a higher power—his father—that helped him to realize his wish was selfish all along. He gives up the selfish wish, and he goes back to take his place as king, not so he can do whatever he wants, but so that he can take self-sacrificial responsibility that comes with ruling. And because he just does the right thing, finally, he gets more than what he wished for.

How about something more recent? Zootopia.

Judy wishes to make the world a better place by proving she can be what she wants to be and catching bad guys—but when she tries to make her wish happen on her own, in her own abilities, she fails and is forced to realize that she should’ve been looking for help by understanding “bad guys,” like Nick. It’s only after she humbled herself, admits she’s wrong, and changes her wish from “proving I can be what I want and catching bad guys” to “proving that understanding each other makes the world a better place” (much less self-focused) that her wish comes true—and so much more. She does make the world a better place, and she does get to catch bad guys, but she also gets to befriend one who was a good guy all along, and become all-around more effective at her dream job.

This is how Disney always has been. Because it’s at the heart of good storytelling, and even life (not to get too dramatic.)

The power is not in you. Because it’s not about you. Self-sacrifice, faith, and doing the next right thing regardless of if you get your heart’s fondest desire is what makes more than just your wishes come true. And there has to be belief in a higher power to make that message powerful.

But Wish?

Not only is it bad at showing instead of telling. Not only is it lazy and soulless.

But it’s characters rip the Star out of the sky and say “don’t wish on this. Wish on yourself, to get what you wish for. You don’t need a higher power. You don’t even need to sacrifice to do what’s good—whatever you do is good, because you are the one doing it.”

That is wrong. That is not true, and it is not powerful. There’s no sacrifice in focusing on or placing your trust totally in yourself, and it undoes every good thing Disney has done up until now.

And it undoes it on the 100th anniversary, and it flaunts Easter eggs of the very things it’s undoing.

[zootopiathingz]

Throwback to when the Zootopia teaser trailer dropped in 2015 and when I watched it the first time I immediately started shipping Judy and Nick without knowing a single thing about them

[disneytva]

Zootopia+ Details Unveiled at D23 Expo During The Disney Bundle Pavilion Panel

-The show is NOT a sequel series is actually a midquel series as the shorts focus on different characters during the timeline of the film.

- Each Episode is 8-10 minutes long, each episode interconnects with the timeline of the original film. Nick and Judy will appear in the shorts.

- Hopp on Board: Will follow Judy's little sister "Molly" as she escapes and aboards the train that Judy takes to Zootopia at the beggining of the film aka the "Try Everything" sequence as Judy's parents try to save Molly. "Hopp on Board" will follow a action-movie theme as the rest of the shorts will follow different movie genres.

-"Godfather of the Bride" will follow Mr Big on a Sopranos style parody following Fru Fru's wedding from the film as his backstory gets explained.

- -Duke Weaselton's episode will be a musical episode. 

 -"Dinner Rush" is a rom-com with Flash and Priscilla as they go on a romantic sloth date

- So You Think You Can Prance" follows the story of Chief Bogo and Officer Clawhauser on a game show to get the tickets of Gazelle's Concert from the credits sequence of the film.

[sapphoooe]

There for you (Jade West x R)

Gif Credit to original maker/editor

Jade West x Reader

Summary: (request) Hii may I plss ask for R cheerin up jade in S3 EP3 they end up together (no rebound or cheating) n then they declare their love. Maybe r seing J walk away n they hang up? Thank unso much, have a good time 🖤🖤🖤

Warnings/Info: all characters are at least 18, fluff?, minimal angst (not rlly angst tbh), Victorious spoiler s3ep3, Break up, swear word.

A/N: Wassupp, I'm still working on all the other requests so stay tuned ;) Still busy with school, so I dunno when I'll post nxt. Also hoppe y'all like it.

Refine search/filter: Text

Y/N = your name

Y/L/N = your last name

--------------------------

"See?! We fight so much, even our friends don't want us around!" beck shouted.

And here they were. Arguing. Again.

Words and shouts were thrown back and forth, as they both argued in front of their friends.

So now here she was, standing outside Tori's door and realizing that this time it's actually over for real.

--

Jade started to walk away. They took Becks car instead of hers and now she had to walk home.

She knew that this was going to happen soon. It was unavoidable. They didn't love each other anymore, at least not romantically. All the arguing and the looks towards other people, both of them knew it, but they tried to see if their relationship would still work, but it wouldn't, it just couldn't.

And while it was sad, it was also a chance for her and Beck to be happy with other people (and without all the jealousy and insecurities).

Outside of Tori's long driveway, she stopped walking, seeing that your car was about to pull into the driveway.

But upon seeing her, you stopped your car, confused why she was out here walking away and not inside with your friends.

"Hey Jay! Where are you going?" you asked her after you rolled down your car window.

"None of your business! And stop calling me Jay!" she was still pissed after all the arguing.

You killed the engine and ran after her, leaving your car between Tori's driveway and the street, with your blinkers on.

"Hey wait, c'mon whats wrong? You usually never get pissed when I call you that?" gently taking a hold on her wrist.

She took her hand back and looked at you. Both of you now standing in the middle of a deserted sidewalk, a few feet/meters away from your car.

"Stop pretending to care, I've had enough of you guys! "

"You and me both know that I care, so please tell me what's wrong" you let out a soft sigh.

"Maybe I can help?"

"Beck and I broke up for real, happy now? Now tell me how you are supposed to help with that, when you and the rest don't even want to hang out with me?!"

Confusion was now written all over your face.

You were kind of shook that they both actually broke up for real (instead of their on/off relationship). As much as your hope grew that you'll maybe finally have a chance with Jade, you needed to focus on being there for her instead.

"Woah woah, hey I'm sorry about that I guess, but what are you talking about? You're literally my favorite person to hang out with."

"You guess you are sorry?" she lifted up her eyebrow.

"eehh" you tilt your hand back and forth "..you've always deserved better, but back to my point, why would you say that?"

"Beck said that nobody wants to hang out with us, because of all the arguing and here you are apparently, not wanting me around" as she hugged herself and looked away.

Jade kind of has feelings a soft spot for you, so thinking that you didn't wanna hang out with her anymore, kinda hurt her, she kind of expected it from everyone else, but not from you, but apparently she thought wrong.

"Hey, Jay look at me, I'm honestly hurt that you would ever think, that I don't want anything to do with you, because c'mon let's be honest, you're the reason why I was going there anyway."

"I didn't know that they didn't invite or want you there. That's why I was late in the first place."

"I didn't want to go but then I was like, ..'but hey I get to hang out with Jade..', so now here I am, confused of why you were walking away and looking pissed."

"Obsessed much you cheeseball? But thank you I guess for being there for me" a small soft smile taking over her face.

"Oh I'm sorry I didn't know you were lactose intolerant" hugging her as you grinned.

"Shut up y/l/n" she said, hiding her face into your neck.

"I'm still going to tease you though, the fact that you only went to come over because of me" she smirked and let go of your hug.

"Yeah yeah, shut up West" you tell her, as you playfully roll your eyes.

"C'mon, let's go"

"I'm not going back in there y/l/n" she crossed her arms.

You took her hand into yours and walked back towards your car.

"Pff, who said anything about going back in there, nope we are gonna get some food, preferably Pizza of course, and watch some horror movies at my place, so c'mon slowpoke".

"Who said that I want hang out with you y/l/n? " she smirked.

Stopping and turning towards her, you mockingly put your hand over your heart.

"Ouch, after all the food I shared with you?" you said dramatically.

She genuinely laughed at that.

"Ahh there is the pretty smile I missed".

"Shut up, let's go I want to watch the Scissoring" she said hiding the blush, that was taking over her cheeks. She took the lead, walking towards your car, with her hand still intertwined with yours.

"I know" you said softly when you both arrived at your car.

--------

Screams filled the room as the pretty girl was getting murdered. You were both sitting on your bed, the empty pizza boxes sitting on the floor and the Scissoring playing on your TV.

"I love this scene" Jade said happily.

You chuckle and affectionately shake your head at her.

"Of course you do".

Jade's head was now resting on your shoulder, both of you sitting snugly next to each other and leaning against the headboard.

"I know I'm bad with this feelings stuff, but... thank you for cheering me up and being there for me" you listened closely and waited patiently not wanting to interrupt her.

"to the others it may look like I don't care and that I don't have feelings, but it was kind of sad, to loose one of my closest friend like that" you rested your head against hers in reply, taking her hand and mindlessy playing with it.

"..but I saw it coming, the break up I mean, we both fell out of love, I just hope we'll stay best friends, like we used to. But I'm somewhat glad to finally be free"

"I'm glad that you got something good out of it and I'll always be here for you, so don't forget that.

You are deserve the best, Jade. Always remember that and never settle for less. A relationship is both about giving and receiving."

She looks at you, a blush rising onto her face. "Are you the best?".

"Wha?..What do you mean?"

'Is she saying what I think she's trying to say!? No way. Calm down y/n.'

"You said I deserve the best and I've liked you for a while now."

'Holy fuck, she likes you??? She actually likes you too?'

"Wha..but you just.. what about your break up?" you asked.

"That's like one of the biggest reasons we broke up, he started to fall for someone else and I started to fall for you...but if you don't feel-"

"I do, I like you too, a lot actually".

"I sure hope so or otherwise this would have been really awkward. "

You both smile at each other.

"Can I kiss you?"

Putting her arms around your neck, she murmurs a small "yes" before leaning into the kiss.

[vemuabhi]

Sanji Random HC’s

Hello everyone! this is the third piece for my Sanji week. (from 26th Feb to 4th march) I hope you like it! I'll make a small masterlist soon for this Sanji week of mine!

Qs 8, 10 & 12 taken from Here (Click)

What movie would he pick for a movie night?

He isn’t the Love Cook for nothing. Sanji would pick a romantic movie if he is given a choice. But he really makes sure his S/O should enjoy the movie with him, so he would try to watch a movie of their preferred genre. He would try to explore different types of movies his S/O likes. Of course, his S/O loves him, so they would also would try to watch his selected movies. They both would take turns and would cover most genres during this time. Maybe they both would discover a similar genre which they both fall in love with.

Something small that he enjoys?

Sanji loves it when their S/O takes the first move. He loves to give surprises and love letters. If his S/O, unexpectedly gives him a surprise or a Love letter, trust me, he would be smitten by them so much. He really loves hand written letters. For him they show the sincerity, love and time they gave for writing the letter. As well as surprises. It doesn’t have to be a grand party. Just a pre-planned date, or just a surprise dinner for him makes him happy. He loves it when S/O thinks of him. Other than these, he loves massages. Giving massages for his S/O is his routine when they want. He would be so happy to be the one receiving massages. He would love it even more when his S/O does it for him.

Whats his sleeping Position?

Sanji would be the bigger spoon for his S/O. He would hug them from back as they sleep. If his S/O needs space, he would just be happy while his S/O, sleeps beside him. Anything his S/O wishes, would be his order. But he prefers cuddling, because he feels more romantic and more secure. He would want his S/O, in his arms as he sleeps. If his S/O, decides to be the bigger spoon, he would be amazed. He loves being the smaller spoon too. He feels safe and happy like that. When S/O, just pats his back slowly or just runs fingers through his hair, he would be asleep with in an instant.

XOXOXOXOXO

I hoppe you liked it!

Please support me by giving a Like, Reblog and Comment.

Thankyou for reading.

[rose-lord-of-simps]

5 Times Mammon Interupted Levy. 1 Time She Didn’t.

Levy x reader! GN reader! Fem Levi! Hi! Uh- NSFW. Also cursing is included! I wanted to write something funny though and this popped in my brain! Enjoy!

Note: normally my stuff doesn’t have many NSFW themes and typically I prefer to keep it more romantic and fluffy but not this time. However this is not smut and is a comedy piece. Enjoy!

Dialogue is colored this time around! Levy Mammon Asmo italics is the person on the phone.

1. When Levy told Mammon to shut up.

“Yes!”

“Yes!”

“So close!”

“Almost- almost there!”

“Keep going!”

“Come on, come on!”

Mammon heard Levy through the walls. That’s how loud she was. Mammon didn’t like to be a cock block or anything, especially not to Levy who- wait when was the last time she got laid? Wait... did she ever-? No they’ve been alive for centuries she’s had to! Wait never mind back to the problem at hand.

Mammon normally didn’t care if Levy was loud or not. She usually had her headphones to block out the noise. However, a certain sister was using them without permission and broke them. Stupid Satan, Mammon definetly didn’t steal your headphones.

Without her headphones she was left unprotected to Levy’s loud gaming nights until she got a knew pair. As much as Mammon loves her sister, the noise is getting annoying.

So here Mammon was, bathing into Levy’s room to embarrass her for being so loud then-

“FUCK YEAH EAT SHIT LOSERS EAT MY DUST YOU TWELVE YEAR OLDS!”

“LEVY WHAT THE FUCK ARE YOU DOING!?”

“SHUT UP IM PLAYING MINECRAFT! Mammon? GET OUT OF MY ROOM! GO! LEAVE!”

“OKAY OKAY BYE!”

Of course the only logical thing when you find your sister in the middle of a game is to leave as she throws various empty soda cans at you.

2. When Levy was on a phone call.

Mammon didn’t mean to eavesdrop. Again. Honest!

But when she hears her shut in sister say the words “I love you” and then another VOICE respond “I love you too” she’s gotta know what’s going on.

“I miss you so much darling, I can’t until I can see you again.”

“I miss you too my star, so much.”

Levy missed someone? Since when!?

“Remember last summer when all we did was go on picnics and have tea? You always found the perfect spot for us to sit.”

“Under the willow trees. Anything for you my star.”

When did Levy leave her room- Wait last summer!? Does Lucy know?

“And next time we see eachother I promise there will be absolutely no interruptions what so ev-“

Mammon just couldn’t take not knowing any longer. She had to know who-

Oh.

Oh she should have expected this.

“MAMMON GET OUT IM ON A PHONE CALL WITH RURI~CHAN!”

It was a game. It was a texting game. Of course it was.

3. When there was almost a first K word.

It was an average day.

Well I mean, they sisters’ new average.

It’s been a few months since the start of the exchange program and you finally managed to worm your way into Levy’s circle of trust.

You two were just in her bedroom binging a new sports anime called “that time sports all changed my life and I had a giant crush on half my team but the one who I ended up loving was my rival the whole time.” Or something.

It was nice. The anime had you two clinging to eachother in excitement.

The emotions each character displayed had the both of you tearing up at points.

Levy was so distracted, it wasn’t u til after the season finale she realized just how close you two were.

Oh boy.

Here we go.

Levy’s brain has been fried, once again, by how cute you are.

She started to move but when you held your grip on her she couldn’t bare to move away from you.

She looked you in your eyes that she always thought were just the perfect color. Not too light or too dark but always the eyes she adores.

She didn’t notice herself lean in. She didn’t notice pulling you closer.

Her hands were cold against your skin, they always were, they always left a chill on you.

One that made you lean into her more and somehow managed to light your soul aflame with want for her.

Levy’s face was closer to you than she’d ever had the courage to keep it before.

And then a pounding on the door.

“MC are you in there! I need your help with something!”

And there the mood went.

Levy realized how close she was to you and backed away immediately, leaving you truly cold.

4. When Levy was having a conversation with Asmo.

“Asmo! This time I have a power point presentation about why you should-... what is going on here?”

Mammon had walked in on a blushing Levy and an elated Asmo.

“Am I... inturupting something?”

“Yes!”

“Not at all!”

“Asmoooo! No we can’t tell her we absolutely can not.”

“But Levy Mammon knows how to do this too and honestly with the me there is no way you could go wrong but a little extra help isn’t a bad thing. Mammon is good at this too!”

“Good at what?”

“Nothing.”

“Sex.”

“ASMO!”

“Oh no Asmo’s right I can help what’s up?”

“No it’s nothing go away you stupid older sister!”

“Levy and MC are getting kinda serious so Levy wanted to talk about how to be more confident initiating intimacy so she came to her dear expert little sister!”

“Awww Levy I’m hurt you didn’t come to me for advice first!”

“SHUT UP I HATE YOU BOTH!

5. When Levy was kinda in the middle of something here.

Levy doesn’t know how she managed this.

She doesn’t even think it’s real.

Here was this gorgeous human kissing her of all demons when there are plenty of others who are a much better choice. Here you were, crawling on top of her and asking her if she wants to go further.

Here you were, asking her if she wanted more.

Clothes were forgotten on the floor.

Hands were desperately feeling for the other’s touch.

This was something new.

And no amount of anxiety or over thinking could of made her pull away.

She adores you with everything she is.

Her confidence was just starting to come to her when-

“Hey Levy did you ever- WOAH WHAT THE FUCK ARE YOU DOING TO MY HUMAN”

Thankfully pants were still on.

However Mammon’s head was about to be off.

+1. When Mammon finally learned.

Since then nothing but snuggles and cuddles has happened between you and Levy.

And to be honest?

You were fed up.

Every time you two would even so much as kiss something would interrupt you.

Levy was going insane.

Everytime she got comfortable and let her guard down, something spooked her.

And you could tell.

But not today.

No to-fucking-day Mammon!

Levy had been out for hours to get a new game she had been wanting forever that was only available in one store.

You stayed home this time, feigning sick. You were fine, obviously, and just told her you are too much.

You got her room ready.

Anime to binge - check.

Fluffy blankets - check.

Nerdy playlist because you’re both in love with anime dorks - check.

No interruptions - working on it.

This is the part where you bursted into Mammon’s room. Blackmail in hand.

Here we go.

“Mammon! I am going to have a nice evening with my girlfriend, Levy, ALONE. And if you so much as think about trying to get to either of us, I will personally hand this folder of evidence to Lucy.”

“Woah human, what evidence and for what crime? You got no proof I did anything.”

“Oh really? Tell me, what was the one prank Lucy never caught you on?”

“The cups in her office. Why?”

“So you admit you were the one who put all those cups in her office and made her lose hours of work time, ultimately making her sleep less and be extra cranky the next day?”

“Yes and it was hilarious! I wish I could’ve seen her face!”

You pull the recording pen out of your pocket. Yes. Yes you did just pull a Judy Hopps.

Mammon’s face looked pail as a ghost.

“Now you’re going to stay out of my room and out of Levy’s room and I will see you tomorrow at breakfast, or this pen will be hand delivered to Lucy.”

“O-Oi you don’t have to go that far! You could of just told me ta leave you alone!”

“Good.” And with that you left.

————

Mammon was bored. Very bored. There had been multiple times she almost got up to go look for you but then she remembered the pen.

And she sat her ass back down.

[irrfahrer]

Your Muse on the Dancefloor!

Rules: Describe your Muses style of dancing= On Their Own, With a Partner and in a Group! Write a brief description of the Style and Your Muses Thoughts! Use Gifs, Videos or pictures as references!  Repost, Don´t Reblog!   Original @treasurechestrpmemes !

Tagged By: The Force   Tagging: @lessthantwelve  @onehell-of-apilot @skysnipsw @verelis @themidnightqxeen @beskar-himbo @lighthouseborn @arachnoheaux @kylo-wrecked @ofthestcrs @honorhunt  @lady-proudmoore @khenobi @savior-of-humanity @bracca-scrapper @gildedcommander @fallesto @sithisms @poewingsdameron @cardinal-carvings   @jeedang @smertzimy @kyberllcore @berrakhira   @cfmartyrs  @vicicus @luminousxbeings  @thaneirstaer @admrl @notsith  @verelis @gwiazdowe @lvkexskywvlker @drabbles-n-doodles  @preempire @ad-maius-bonum @therabidcur @outcaststar @ariadne-inthesky @space-hecate @archaeotech @sxbaist @lightfaithed @unascend @trueheartofarebel  @protectxthem   @sithisms @peacefaithed @envychosen @masterofthelivingforce @ofthestcrs  @startrailed @thelightsabcr @empatiaa   @wartornpilot @rcfekjwtaardby @protectxthem  @sithdestined   @honorhunt  @safrona-shadowsun  @stubborn-amphibian @rabldcur  @ncxile  @skywlkrr @vsoatahn @jedixamidala @chromium-siren @aetcrnus  @savesgalaxy @fatewills...and everyone else who wants to do the prompt!        

By Themself: Since Ziv a suprisingly strong person considering her cute, fluffy looks and the fact that its often overlooked that she has a  properly trained musculatur, she usually goes for oriental bellydancing when she is indulging in music. After all, the Tynnan has focused her lightsaber training mostly in Form two-Makashi- so the fluid movements, precise steps, turns and spins without big wide movements is something that is also found in belly dancing and therefor easily for her to preform due to years of training. On a similar note: Yes if one would bind bells to Zivs ankles,she would be able to dance or preform Makashi without letting them ring- She has the natural toebeans of a killer and it has its perks to be a sneaky carnivore with a perfect mindshield and martial arts training on the dancefloor or when it comes to tail people. 

With a Partner: In general Ziv does not like to dance with a partner since it usually includes the problem of a very stark heightdifference. That does not mean that she does not enjoy dancing with a partner, but when she is barely reaching to a partners chest it is often a little awkward to find a rhytmn to share. If she is in a funny mood and tries to drag a partner out of their shell she will lead them to a dancefloor, drop a few horrible stupid jokes and hopp or swirl around a little holding their hands to make them laugh. Then she would let go of their hands and dance on her own around them. If a partner insists on dancing closer with her Ziv will carefully step on their feet with her hindpaws, lean against their upper body, hold their hands and sway around with them a little to music. Then she would just drop a horrible stupid joke to spoil the romantic mood.

In a Group: The only time Ziv had danced in a group was with her clan when they had trained a Kata in preperation to wielding a Lightsaber. Occaisonally the Tynnan takes the movements she had preformed that time into the Kata when she is preforming Alchaka, yet it does not feel the same when she is doing that only on her own. It would bring her to the brink of exhaustion as planned, and she is able to push on after that as she had been able when she had been preforming with her youngling Clan, encouraged by eachother to go past their limits . However, Ziv thinks that if one is able to easily make a salto in the air out of the still stand, then one should actually swagger about it a little. Just a little. As a Treat, even when its only happening during personal Alchaka-meditation when noone else is around.

[itsonlystrange]

Answering this here, thanks for the question @chief-jim-hopp !

So, a few things here.

1: Mike has most certainly not be head over heals for El. When he first met her, he admitted that she was a weapon. He admitted that she was just a device to find Will. He even went as far as to wanting to turn her in, UNTIL he found out she knew were Will was. If El had never known where Will was, she would have been kicked out. They made that very clear.

2: The reason El developed this attachement to Mike is because at the time he was the only person who was even a little bit nice to her. Think about it this way: El was ab*sed for 12 years of her life. TWELVE. Everyone in her life was horrible and treated her horribly, so when Mike became the first person to ever be even remotely nice to her, she grew attached. Not because she was “in love” with him. We’ve seen through and through that El attaches herself to anyone who is kind to her and treats her decently, because she has abandonment issues! She attached herself to Hopper, Max, and Mike, all because they gave her food and a bed essentially. They made her feel comfortable. The reason El wasn’t upset about breaking up with Mike is because she had someone to fall back on. She had Max. She had another source of comfort. She didn’t care if she lost Mike because she already had a replacement. In season one, El was convinced that Mike, Dustin, and Lucas were the good guys. Mike especially. But as seasons go on, she meets more people and sees the world. She knows that there are more Mike’s out there. That’s why she wasnt worried when they broke up. Because she knows there is other people, she knows that there is “more to life than stupid boys”. She is aware that there are plenty of fish in the sea. She only needed Mike when she had no one else. To her, it was either Mike or the bad men. There wasn’t an in between. But her view has widened now. She is fully aware that it would probably take her less than 6 months to find another Mike. What do they like about eachother exactly? All el likes about Mike is that he was the first person to care about her. You know how baby animals attatch themselves to the first person they see? That’s EXACTLY like El and Mike! What does Mike like about El exactly? What interests do they share? The only memories they had are traumatic. They only got together because they were in the middle of a crisis, but once things slowed down and their life wasn’t just an adventure anymore, they broke up. They got bored. Because El didn’t need someone to protect her anymore because the gate had been closed and everything went back to normal. Then, they get back together ONLY because el NEEDED MIKE AGAIN! She needed someone to fall back on again so she went back to him! Not because she loved him! She was going through turmoil and needed someone to let her emotions out on, to hold her. And then the second she moves away, look at her face! She’s smiling! She’s not sad! She knows there are more Mike’s and that there will be more Mike’s in where ever they move to.

3: the Duffers have not been building their relationship from the start in a good way. And they know that. In season 3 they made it VERY clear that Mileven was unhealthy for the both of them and that they wouldn’t be end game. Just because people don’t interpret it that way doesn’t mean that it isn’t. The duffers have done everything in their power to show that Mileven isn’t good for either Mike or El. They share no interests and have no good memories together. El doesn’t even know what love is, and despite having dated Mike for 6 months, she STILL REFERED TO MIKE AS HER FRIEND! Like, she still thinks Mike is her friend because she doesn’t know the difference! She just assumes that girlfriends and boyfriends kiss all the time as that’s what the people on television do. She’s never seen a healthy relationship before. Lumax is wobbly, Steve and Nancy obviously didn’t work out, and I don’t even think she remembered who Jonathon was, and I don’t think she’s ever seen full-fledged Jancy either. So all the romantic relationships in her life have been wobbly and sometimes utterly toxic. She has nothing good to go off of. El and Mike were not destined to be together. And Mike knows that. It’s not like they’re gonna “turn around and make him gay.” Because they’ve been building up Mike being attracted to Will/ being gay for YEARS.

Thanks for the question! Sorry if I came up harsh. You can scroll down and look at my other posts to see how I dive deeper into this.

[pocmuzings]

in relation to the lesbian fc question i personally think that if your fc is a lesbian, you should play them as a lessbian or wlw muse. i'm a lesbian, and it's really disheartening to enter rps that i think will be wlw inclusive because of lesbian fcs, only to find that my lesbian muses never get meaningful romantic plots because the muses with lesbian or wlw fcs are straight

i agree and i do know there’s been MANY discussions about how lesbian muses are sparse and then often used to advance other characters and ships ! so i understand this point of view too and thank u so much for sharing it ! i really appreciate it and i’m sorry at how disheartening it all just feel . i can admit i almost wouldn’t know what to do if i saw someone play a kristen stewart fc as Straight jKAJDJS but that’s just my own Thought and i do want to encourage that fcs should be able to be played with range !!! but it’d be nice to see more lesbian muses and characters in general and i think it can definitely be seen as a disservice to erase that part of a fc for ur character , when u can note there aren’t many lesbian characters and muses in the rpc as it is ! ( idk if this makes any sense i Flip Flop Jelly Hoppped everywhere on my thought process jJSJDJS )