#honestly i'm a grown adult that loves this movie

[hopeymchope]

No hardcore fandom has ever died so quickly and so completely as Veronica Mars. This is the story of its murder.

They should study Veronica Mars in Hollywood. I'm serious. It's an incredible story of how to go from "loud, passionate fanbase with its own fandom name that campaigns and advocates constantly for it" to "absolutely zero fucking interest" damn near OVERNIGHT with just ONE epically terri-bad decision.

If you weren't there, you don't understand: From 2007 to 2014, the fandom — the "Marshmallows," as they called themselves — were everywhere in the Internet's geek spaces, my friends. They routinely beat the drum about the series' three seasons and its excellence, lamented its cancellation, pushed others to give the show a try, and always - ALWAYS - proudly and loudly called for the series to be revived.

FULL DISCLOSURE/CONFESSION: I've not even watched that much Veronica Mars, frankly... ? Yeah, I'm sorry! it does seem pretty good from like the four-or-five hours I've experienced firsthand. I just never took the time to sit down with it. Regardless, I find fandoms and their dynamics — both how they operate internally and how they display to others externally — deeply fascinating. And I honestly find them easier to study from the outside than the inside. Like, if I'm IN a fandom, I'm more likely to stay in my corner and ignore places that seem negative. But being on the outside lets me just... absorb what's out there, looking into every forum without judgment. It's like studying pop-culture sociology or something? And it helps that I'm very close to some serious(-ly burnt) Marshmallows. It makes it so much easier to find and absorb the gamut of the fandom.

Besides: There is NO fandom story I've ever seen that's anything like what happened to Veronica Mars and the Marshmallows.

(Time to insert a brief explainer for the uninitiated: Veronica Mars was a TV series that aired from 2004-2007 on the now-deceased UPN network wherein Kristen Bell played the titular character, a high school girl whose single dad was a private detective in the fictional community of Neptune, California. She grew up working "unofficially" as his assistant, which meant that she herself was effectively a teenage private detective.

The three core elements of the series were: 1) Veronica investigating each week's big mystery with plenty of quips and snark, 2) Watching Veronica's various relationships develop and shift, with most of the focus given to a) her relationship to her father and b) Her romantic pursuits (which began as the Veronica/Duncan/Logan triangle before eventually becoming focused on the slow-burn, off-on Veronica/Logan love story), and 3) The gradual development of that season's "mytharc" — the overarching BIG MYSTERY that doesn't get resolved or wrapped until the season finale. So it went over the course of two seasons that took place in high school and the third, shorter season that was at the start of Veronica's collegiate career.)

Just how big and how passionate were the Marshmallows? WELL! When series creator Rob Thomas (not the Matchbox 20 guy) and star Kristen Bell announced the Kickstarter campaign for the Veronica Mars movie in March 2013, it achieved its heretofore-unprecedented goal of TWO MILLION GODDAMN DOLLARS within less than 12 hours. At that time, it was the biggest Kickstarter goal to ever succeed — and certainly the fastest to reach that kind of height. Fans fell OVER themselves to pay out for it. Hell, my own significant other was DEEP in the tank for VM at the time and invested enough to get multiple t-shirts as backer rewards as well as a disk copy of the movie when it eventually came home.

And AFTER the movie hit in 2014? It was thankfully beloved and embraced! The once-teenage characters were adults who were actually out living on their own and working for a living, but the fandom had grown up with them, so it wasn't like they were begging for them to stay young students. They embraced Adult Veronica and her new adventure. The fandom rejoiced loudly and continued to be all over the geek side of the Internet... where they, of course, still wanted more. Sure, there were new novels in the aftermath (which were written by the creator of the series), but most of the Marshmallows were calling for more movies or a streaming revival.

And then, at long last... season four was actually announced. And there was much (premature) rejoicing yet again.

Yes, Veronica Mars returned for a fourth season on Hulu in 2019. It was just eight episodes, and it was heavily centered on one season-long mystery instead of sprinkling that amongst a bunch of smaller ones, but it would still feature the same ol' Veronica. They promised a new, more "adult" mystery/investigation plus a strong focus on Veronica and Logan's love story.

New Hulu purchased the rights to the first three seasons and hyped up its presence on the platform while marketing the return for the new run. The marketing team played up the most popular quips from the show's history plus put out TONS of stuff centered on the Logan/Veronica ship to pump up the fans.

The season was dropped all at once using the classic Netflix "binge" model in July 2019. And then... afterwards?

There was a brief explosion of LOUD RAGE from the Marshmallows at what series creator Rob Thomas had to done to burn and spite the fandom and ruin his own goodwill.

SPOILERS FOR SEASON 4: See, at the end of the movie, Veronica and Logan finally entered into a long-term relationship. In season four, they've been dating for years, and Logan proposes marriage. But of course there has to be drama/obstacles: In this case, Veronica isn't sure she's ready to marry... or capable of being in a marriage. Ah, but of course she eventually realizes how much Logan means to her. The two are married, and, in the season finale... Logan is killed by a car bomb in the penultimate scene. The final scene is a flashfoward to a year later, where Veronica leaves Neptune alone.

For most fandoms, that'd be a memorable point of pain. A big ol' speed bump that ultimately throws some people off the bus, leaving only the die-hards. But the fact that fans had been invested in this relationship for literally 15 years and that Hulu (and creator Rob Thomas) had heavily marketed the new season as being a big romantic event for the ship... it was too much. Unlike the aftermath of the Star Wars sequels, there was no lingering group of die-hard fans who were open to whatever was next — at least no significant one. I did some Googling and could only find TWO people who still wanted another season.

Funnily enough? Critics LOVED this. Hell, Vanity Fair infamously penned an editorial about how Veronica Mars had "finally grown up" with this finale. I suppose all the other murders and deaths and drug overdoses and r*pe weren't "mature" enough before now for... some... reason. (The same editorial also featured the author openly hating on Veronica ever being in a relationship because it causes "arrested development" and declaring that the movie -- which was acclaimed by both critics AND fans alike, I remind you -- was a lame dud. So. The writer must be a reeeaaaal fun person.)

But a series doesn't live based on critical acclaim, as it turns out. The fandom was murdered overnight. "Marshmallows" stopped appearing in geek spaces online entirely. No one expressed interest in seeing the next season or the next movie. The constant flow of fan AMVs on YouTube and fanfics on AO3 dried up to nothing or damn nearly so.

Since 2019 ? Nothing. Chirping crickets. An intensely dedicated fandom of 12 years was just... vaporized.

I've never seen anything like it before OR since.

That's why it's so fucking fascinating.

So what went wrong?

Creator Rob Thomas was adamant about two things: ONE, the series was intended to be a noir show, which meant there couldn't be any happiness for its protagonist. And TWO, the death of Logan was necessary to evolve and grow the series.

Thomas thought that having Veronica in a relationship would be holding her back, and that a marriage would absolutely kill the series and leave her stagnant. It never even occurred to him that marriage isn't the end of a character's life and growth. It never occurred to him that plenty of drama can be had AFTER someone is married, or that development/growth could be that the characters mature enough to be capable of maintaining a committed relationship. Thomas' view of his own universe was so myopic that he couldn't conceive of any possible way that Veronica could still be a private detective involved in life-threatening investigations AND be married at the same time. Futhermore, he felt that fans just wanted Veronica to become a pregnant housewife, which is about as far from what Marshmallows were after as you can get without straight-up killing Veronica and/or Logan. He managed to do the only thing wronger than what he wrongly thought was their insistence.

On top of the above, Rob Thomas only viewed "noir" as a vehicle for total fatalism... despite the fact that many of the most famous noir stories are cynical and full of moral ambiguity, but they still feature a positive outcome. The Big Sleep still has the protagonist get the girl. The Set-Up arguably ends with the happiest possible ending in spite of the beating the hero receives.

Perhaps most importantly? Despite Thomas own insistence that Veronica Mars was always "noir," the majority of both TV critics and fans did not think that designation ever truly applied. I suspect that's the reason why Thomas decided to go as dark and fatalistic as possible: He wanted to be noir, and he was being told that he wasn't. So he went so far into noir that he killed his own most popular property.

He was adamant that it was the only way for the series to grow. But as it turns out, it was instead the only way for the series to permanently end. Without that season four finale, a passionate group of fans would still be begging for more. With it? It's over. Nobody fucking cares now.

That's kind of amazing.

[teaboot]

Hi! (just a personal ask. Sorry if it's not okay to ask for advice out of nowhere but I wanted to see an outer perspective and didn't wanna ask my friends. No pressure to answer of course but I would love to hear your thoughts!)

Is it normal for me to feel overwhelmed about something I want? I am just starting med school and it's a lot but I am fighting. And in my culture, parents buy their daughters their like things?? (like towels and bed sheets and a fridge. Anything they can buy except the apartment basically) for marriage from a young age. But my mom just started recently. And when she first bought me something. The idea of getting married & being a doctor (both things I want) felt like too much I teared up. My mom said I was being spoilers I guess?? Like I was ruining a good moment? Of course it is not that serious since I wasn't outright crying, and I just laughed afterwards as I felt silly lol ,but It got me thinking if I was being that dramatic.

This honestly felt like the moment in the movie where the mom hugs her daughter and says something like "oh how much you've grown" . Her retort felt like it was out of the script.

If you find time to answer, please be extremely blunt. Because I know for a fact I have a tendency to exaggerate things.

You are not overreacting. You are not exagerrating things. And I'm going to tell you this, because I experience this, the tendency to downplay your own feelings and recollections of events very often comes from having other people do it to you first. People tell you your feelings are wrong, or stupid, or irrational, and you learn to listen to them instead of yourself.

It makes complete sense that coming up on a major cultural milestone would make you feel excited, or scared, or overwhelmed. It sounds like you came upon the first step of a very big change and the reality of it all hit you at once, which sounds completely normal and expected!

Fuck, *I* used to get that about moving houses, and YOU'RE expecting shit like marriage? Holy fuck! I'd be a complete mess! The fact that you're level-headed enough to ask questions and process your feelings and talk things through is impressive, because I think I'd be losing my mind.

Personal story, but when I turned 17, my mom asked me if I wanted to go to a restaurant to celebrate. When I told her that it sounded nice, but I'd rather have dinner at home with the family, she told me I was a selfish narcissist, and that I was so busy thinking of myself that I didn't consider that other people might have been excited to go out.

At the time, I thought she'd been harsh but ultimately correct.

Now, I see that she had decided what kind of perfect evening she had wanted, and had expected me to play the part in the movie she had written herself. It had never been about what I wanted at all- it had been about her personal desires and expectations.

And it's normal to feel frustrated about things that don't go the way we want or expect, but lashing out at others is not an appropriate way to handle those emotions.

The way we feel cannot be controlled like a machine. The way we feel is usually not a problem. The problem is what we do, and the choices we make based on those feelings.

Children throw tantrums and sat mean things because they haven't learned better yet. They don't have the practice or experience. Adults like your mother and mine should have that on lock, but often don't, especially if culture or tradition or social expectations tell them their actions are justified.

If I had to take take guess, I'd say it sounds like your mom gave you this gift with an idea in mind of how she wanted you to react. She probably wanted you to be grateful and praising and sweet, so she could fulfill the role she envisioned for herself, and when you deviated from that picture, she was disappointed. From that perspective, it would seem that she felt slighted, and that she was owed your gratitude, and you were at fault for withholding it.

This perspective makes sense, in an emotionally immature sort of way, but would completely overlook your feelings, which are just as important.

Your exact situation is not one I've been in before, but if I'm correct in my assumptions (which I may not be) then I'd suggest keeping an eye out for other instances of your perspective and feelings being minimized.

Are you often told you are behaving irrationally? That you're over-emotional? That you're self-centered or greedy or entitled? Are you told that you don't remember things or do things as you're told? That you see problems where there aren't any? That you male trouble where there is none? That certain conversations aren't worth having, or that "you're always like this"?

It sounds like you know that something is off. I'd encourage you to keep asking questions and follow your instincts. At the end of the day, your life is your own, no matter where it came from.

[weebsinstash]

As much as I want to have children by this man, let's take a moment to sip our platonic yandere Miguel juice

-i can't decide which sex he'd be more partial to in a 'child'/you since in the movie there was Gabriella but in the comics he eventually has a son who becomes the next Spiderman but--

-as a girl i just naturally think of a lot of those sorts of gender specific ideas 👉👈 he's this big scary hulking intimidating threat and his "daughter" is the one melting his cold exterior

-doesnt matter if you're a grown ass woman, Miguel sees you struggling to braid your hair and suddenly here he is, full dad mode, doing it for you,and depending on how close you two are, maybe he disguises it with "ugh, stop spending so much time messing around with that. If I do it for you will you get back to work? 🙄", but really it's just your new self proclaimed dad/tio wanting to help braid your hair and help you feel pretty and, oh, how he can fondly remember the last time he helped braid "his daughter's" hair...

-of course this evolves to him just loving to do things with your hair. Braid it, wear it natural, style it, use products on it, hes got you. you were just trying to put your hair in a lazy updo like a ponytail or bun and this man doesn't let you leave until he's got you completely combed out, hair braided with ribbons, and of course this entire time youre awkwardly sitting there in a chair in his absolute cave of a workstation with this gargantuan 6'9 man there, "so how was your day? Staying out of trouble?"

-really I mean. Is stealing other people's kids NOT technically in character for him. You're unfortunate enough to trauma bond with this man and you're never getting rid of him

-you hear Miles Morales call him tio (as in the tio meaning dude) and you jokingly teasingly start calling him tio, which Miguel secretly pretends is the version that means uncle. You're just constantly joking around or looking up at him with these big pouty eyes, "but tio 🥺 can't I PLEASE--" and its like. Lmao people know that if they need to ask Miguel for a favor, that it increases their chances to have you ask in their stead

- I mean, as a female adult abused as a child by my own father, raised by a single mom myself, like...

Reader flinches away when Peter B goes to give you a supportive pat on the back or comes in for a high five after a mission and you force yourself to laugh because you're feeling more than just a little awkward and in the spotlight. "Oh, sorry, that was dumb!" And they eventually get you to kind of anxiously word vomit "my dad used to just kind of, rough me up sometimes when I did something wrong! It-it could've been a lot worse honestly, but, it-it just makes me kinda jumpy around guys sometimes! It's not a big deal, or personal or anything. I'm sorry if I made you feel bad 🥺"

Peter B, Jessica, and Miguel all there as older parental figures and also literal parents, immediately exchange looks and agree like "oh hell naw, don't like that" and you get silently adopted by all three of em right then and there

-if it's a physically abusive father and you're still the victim of abuse, I imagine your dad had some suspicious figures suddenly show up in the middle of the night to terrify and threaten the shit out of him and suddenly you aren't getting as manhandled anymore

-can you imagine, like, you show up to Spider Society one day with a black eye "oh, this? It's, it's nothing. My dad is just, he's about to make police captain and he's really stressed about it is all" cue all your friends mentally high fiving around the table because your abusive piece of shit dad is going to die and you don't even know. When it happens they'll all be "oh no, sweetie, I'm SOOOO sorry :(" meanwhile they're thrilled bc now you don't have any parents and they can weasel in there as your new family, schedule your birthday parties, monopolizing more of your time, things like that

-goddd I just imagine it could become some kind of weird fucked up enmeshed scenario where the structure it's providing for your life is actually good for you meanwhile Miguel is like, retroactively kind of soothing some of his trauma both from his own childhood and what happened with the second universe he broke that it's just like. You're a grown ass adult and this man is tucking you in goodnight and saying "te amo, mija" at the doorway and you bet his ass is going to stand there and not let you sleep until you say it back. He knows you're just absolutely seething at him and he'll still refuse to leave without a grumbling "te amo, papá 🙄"

-He eventually just has you doing so much shit and depending on him so much that it starts to become second nature to you. one day you're in the Society doing one of the odd jobs you're allowed to help with and suddenly you're thinking, "Ugh I actually don't know what to do next, I wish Papá was here to-- WAIT SHIT NO I MEAN MIGUEL--"

-lmaooooo as a non Spanish speaker I keep thinking of how awwwwwful it would be if he actually forces you to learn Spanish. Not inherently because there's anything wrong with Spanish, but, I'm not always smart, and I can just SEE him quizzing your ass, forcing you to have entire conversations in Spanish, always clicking his tongue or chuckling at you when you make a mistake and he just thinks you're so cute struggling to learn 🥰 man hears you're trying to take extra lessons from Miles and he instantly drops everything he's doing to go track the little scamp down. Insert meme "I can forgive being an anomaly but I draw the line at teaching Reader bad Spanish"

-siiiiiiigh eventually the day comes when you're in big danger and you need his help, maybe you disobeyed him and was hanging out with some other Spiders in another dimension when there was a sudden villain attack, and he comes to your rescue as a villain does something dramatic like has a gun to your head or a knife to your neck and the second you see him you're just overwhelmed wirh a sense of relief, calling out for him, calling him dad/tio/papá whatever, and he's just like 😭❤️ pumping his fist internally, like YES you are so grounded when you get back home but also 🥰 you finally called him dad without him having to twist your arm 🥰 nevermind if the "villain" who kidnapped you was actually a Spider who owed him a favor, and this whole thing was to teach you a lesson about listening to your Papá, that's not important ❤️

-Miguel who forces you to learn Spanish vs Miguel who forces you to be Catholic. I can excuse kidnapping and forced adoption but I draw the line at making me practice religion 💀 no but seriously, he probably does have certain morals and values he instills/forces upon you if he thinks you need them, and he'll probably be one of those fathers, "are you leaving the house dressed like that? Go change" and orders you not to hang out with certain people he doesn't approve of or thinks have bad character (like hobie lmao)

-bruh you two will be on a super serious important mission and this man will be like "it's dark, hold my hand so we dont get separated"

Eventually it comes to a point where you're, not perfectly behaved but, just about. If someone finds Miguel, it means you're not very far away, or vice versa. Members of the Society quickly learn not to make any advances on you or make any "adult" comments unless they want to get suspiciously hurt during a personal training session by the big boss himself. You think you're safe just cause Miguel isn't around? Nah, cause then you have Peter B and Jess keeping an eye on you, and, not that YOU'RE aware of the extent, but, if Miguel ever gets worried, he can just ask Lyla what you've been getting up to, since your modified little daypass has her installed into it and she can track your every move ❤️ helicopter parent? Oh honey, you have NO idea...

[bomber-grl]

BOMBER THEY I COME BARING A REQUEST!! PLX BARE WITH ME THO I SUCK AT CORRECTLY FORMATTING THESE🙏🏻 Hiro hamada x gn! Reader hcs/comfort were the readers older brother just sucks n they hate him? Like he gets mad easily, really loud when mad,plays victim n undermines readers issues/achievements bcs their younger? (If the brother could also be a grown adult kinda like tadashi you'll have my soul 🙇🏻🙇🏻)

IM SO SORRY IF THIS IS AGAINST THE RULE WERE IT SAYS IT CANT BE SO DETAILED I'M SORRY!!!I tried my best to keep it as simple as possible (especially considering this is based on my own brother 😞😞) if it is against the rules im so sorry and feel free to ignore it !! TY for ur time n don't forget to drink water !!🙇🏻🙇🏻

Hiro Hamada x Reader with a terrible brother

Pairing(s): Hiro Hamada x Gn!Reader

A/N: Sorry if the title is too blunt, but that’s my take away from your ask and I’m rlly sorry u have a brother like that 😞💔

When Hiro first hears about your older brother and what he’s done it’s most likely a watered down version

Maybe you two were hanging out and you began to rant about how he’s trash and that’s all Hiro knew

But then he finds out how bad the reality is- it’s when you sneak into his room through his window using some gadgets

It’s in the middle of the night and you explain briefly what had occurred

An argument as usual had ensued and your brother was overly loud and brought up how you overact with your issues

This really surprises Hiro but he tries his best to comfort you

Especially since this time your delved deeper into what was going on and what your relationship with your brother truly is

Depending on how you are- he’d sneak down and get snacks, water, play games or watch a movie

Either way, the night ends with you two snuggled under the covers

Hiros usually flustered nature disappears at the sight of you being upset and genuinely hurt over a recurring situation

The night is quiet and the discussion sticks to a few words

However, the next morning you two wake up and head downstairs

obviously Cass is like 🤨

But she’s nicer obviously and decides to give you both some breakfast

I could also see her sending something wrong and so she lets it go but there will most definitely be a discussion later

Then you’re off to wherever you are

It’s the weekend and Hiro knows you’d want to take your mind off your brother

This was the first day of many that Hiro would do to try and cheer you up

Overall, he’s pretty protective and heavily dislikes your brother

Which is an understatement considering you hate him

And honestly? At first Hiro was shocked

He’s the same age that tadashi would’ve been and he could never imagine tadashi being anything but his wonderful self

The thought alone messes with Hiro and he truly begins to empathize with you

Knowing that your achievements are undermined just because you’re younger is insane to him

Tadashi was the complete opposite and would always push for Hiro to improve

He’s the reason Hiro even bothered going to his “nerd school”

He really wishes you could’ve experienced what it was like to have tadashi as an older brother but we’re in the now so he decides to just be there

Whether it’s letting you stay over or bringing you stuff

He tried his best

As well as Cass, eventually the two of you have to explain and she’s more than ok wiht you staying over

Of course with ground rules but they’re easy to follow

Even as his hero persona he’s more than protective and sure he has to help people regardless of

But if he ever runs into your brother, best believe he’s having Baymax fly like 1000 feet into the air and be like “oh sorry it was necessary “

And just be a bitch in total but it’s justified

Might be an over exaggeration but let’s be real

Hiro gets real protective over those he loves and you’re no exception

[that-was-anticlimactic]

i will never understand how or why the httyd movies did the books such an injustice.

the movies aren't even an adaptation - they stole the name of the series, the name of some of the characters and places, and the general idea that there are dragons. honestly, i would be fine with the movies and maybe even like them if they didn't capitalize off of cressida cowell's incredible books that never get any credit.

the books are an amazing story about the cycle of violence and how vengeance and revenge is dangerous. hiccup says that the past is a ghost story, one we need to learn from to better ourselves. the books are about how everyone deserves freedom, how every creature, every being on the earth deserves to be free. we see that in the slavemark, with the dragons.

and like... hiccup is so different. they did him a severe injustice. he's scrawny and intelligent and learned to talk to dragons simply by observing them! he chooses kindness first above all else; instead of yelling at toothless to train him, he is kind. and in the end, that kindness is why toothless chose to save him. bc even toothless himself says that dragons are inherently selfish creatures who care only for their survival. hiccup is brave - his beliefs differ drastically from both the vikings and the world.

hiccup is a child who chose to do the right thing even at the expense of himself. he agreed to free the slaves on nobert's ship, and in return, they gave him the slavemark which is easy to give but cannot be removed. he was like twelve. and having the slavemark means he cannot be with his tribe or his family, it means he isn't considered a human being anymore. and he keeps it a secret for awhile until it's revealed and when it is everyone turns their backs on hiccup. his family, his tribe, his mentor, people he TRUSTED. everyone except fishlegs, and, once she got over the shock, camicazi. he was thirteen. and even when he lost his memories and was really injured, he persisted. he was told to go to tomorrow and to save the dragons and he did bc in his heart he knew it was right even though he didn't know who he was or how he got there.

and fishlegs,,, oh my god FISHLEGS!!! the did him SO DIRTY!!! fishlegs is hiccup's best friend, one of the main motivators for hiccup. he steals norbert's potato for the sake of fishlegs, he gives fishlegs his dragon and goes to retrieve another, he takes the blame for fishlegs. and fishlegs does the same for him. he takes the slavemark with pride. he refuses to turn. he gives hiccup his lobster claw necklace which is his most prized possession. he is brave for hiccup, he believes hiccup is alive. he fights for hiccup harder than anyone else ever has. he does not turn. his is loyal, has allergies, has asthma, has a squint and a limp, has glasses bc he's blind without them... and he's still a hero despite being a runt, despite everyone even the adults telling him he's hopeless, telling hiccup to leave him behind.

and they cut camicazi! i'm sorry, but astr*d is nothing compared to camicazi. camicazi is a tiny, feral child who can easily best hiccup, fishlegs, and pretty much anyone in a sword fight. she can bring a grown man to tears with her rudery and smack talk. she is recklessly brave and craves adventure and follows hiccup blindly bc she trusts him that much. she isn't in love with hiccup - in fact she doesn't care about romance and love. she gives up everything to help hiccup bc she has a strong sense of justice. she is the motivator, the cheerleader, she finds a positive in everything. she never gives up. literally never gives up. and that's one of the most inspiring things about her: she always has hope.

and toothless! god!!! toothless is *thought to be* a common or garden dragon. he is horrifically tiny, he is literally toothless, and is the biggest brat in the world. he will cause problems on purpose. he has a stutter, he's the most selfless selfish dragon around. he and hiccup can talk to each other. he masks his fear with singing and being annoying. his growth is remarkable. he starts off refusing to obey hiccup, doing the opposite of what he says, making life harder for literally everyone around him, and he's still somewhat like that. but he's also braver, more caring, more willing to make sacrifices for the sake of others. he's clever, which he needs to be to make up for his size and aggression. he protects hiccup with everything he has, therefore, he protects what hiccup cares about just as hard. he was the only dragon that didn't abandon the vikings in the first book bc he cared about hiccup.

and snotlout,,, god,,, i will never forgive the movies for butchering snotlout. hiccup's cousin, the bully character, the one who is horrifically jealous that hiccup's dad was born before his. the one who desperately wants to prove himself, to be worthy, to make people proud. and you hate him, you despise him. he betrays everyone many times bc of the nothing promised to him by alvin and his mom. he loses himself, turns his back on himself, all bc he wants to prove himself. all bc he wants to be better than hiccup. and hiccup still forgives him and gives him chances, sometimes out of pity, but also bc snotlout is his cousin. he can't just turn his back on him no matter how miserable snotlout made his life. and in the end, snotlout sacrifices himself for hiccup. he gives up his life for hiccup in one last attempt to set things right. his death and the events preceding it are one of my absolute favorite moments in the book. gives me chills. makes me cry.

that's the thing with the books - they're so realistic. there is no inherently happy ending where everything works out. the first book begins with "there were dragons when i was a boy", implying that they're gone now. the books show there are consequences to our actions. they enslaved the dragons, they fought against them during the dragon rebellion all bc alvin and his mom said to, and now they're gone bc a simple apology doesn't fix hundreds of years of enslavement. and the only way for the world to move forward was for the dragons to leave and heal on their own. and now they have to learn to live without them. and yeah i've heard the third movie ends like that but. it doesn't have the build up. it doesn't have "there were dragons when i was a boy". it doesn't have eleven books of development to back it up, to make it feel meaningful.

i know that the movies are really special to a lot of people. i know that, on their own, they're genuinely good movies. i can acknowledge that the soundtrack is amazing and the animation is beautiful. i just can't see past the way they butchered the world that i love, the world that i grew up with. i can't see past the way people yelled at me for saying i liked the books better, the way that people gave me weird looks when i showed them a picture of the original toothless, when i tell them that nightfuries aren't even a type of dragon. cressida cowell created hundreds of different dragons, and the movies couldn't even pick from that. i can't forgive the way that barely anyone knows there are books bc the movie barely gives credit to them. i cannot forgive the way they capitalized off the books and then shoved them aside. i know cressida thinks they're good movies and i know a lot of httyd book fans also like them. but i just... i cannot get over how much they changed and how they missed so much and ignored the books. also they got rid of camicazi so hiccup could have a love interest and that is unforgivable to me.

if you disagree, that is a-okay. we're all entitled to our own opinions. i just ask that you, perhaps, try the books out. give them a chance. bc they're amazing works of art and also just like. don't yell at people who don't like the movies? whether it's bc they prefer the books or just aren't into that kind of movie. and just remember that dreamworks didn't come up with the story; cressida cowell did.

[umeji-writes]

I would like to talk about the Music Festival arc - aka my favorite Mairuma arc until now. I love them all tbh, this is just very close to my heart for several reasons. [cw: non-suggestive discussion of s*x; if you are a s*x-repulsed asexual person you are very much welcome to interact, but this may not be the post for you, take care and proceed with caution ♡ edit: I'm uncensoring the words from here onwards thanks to a kind anon's suggestion] To make it short, I love that the main theme of this arc is pleasure, and the desire for it. Honestly, it's very horny - but not in a slimy or creepy way, which is sadly quite rare in my experience. The appreciation for pleasure coming from love (also platonic love) is there in several layers. First, the plot itself, as Lilith cries out her desire to find "a love that burns like fire". She is not satisfied by most pretenders, and especially this frame spoke to me:

Because... Well... It's so true. I am an adult, and I had my share of sexual partners. The expressions people make irl are not always aesthetically pleasing, but who cares! We are told to strive to be always attractive, but in those moments of intimacy it's really not important, not as much as being fully present and enjoying the moment! Then, can we talk about Kalego please?

I mean, Nishi here went all out and didn't even try to hide her fascination for ...discipline:

(and to be fully clear: I am NOT implying there is sexual tension between Kalego and his students, I am only referring to him!!!) When I saw the whip I couldn't believe my eyes. Of course in that context it's not used that way, but it's very much recognizable as an adult tool... But more on this later. Finally, I really like that the Misfits are growing up and finding out new things about themselves. They are characterized as high school students (even if we don't know how old they actually are), which is when humans tend to have their first experiences and explore their sexualities. They are building together this beautiful show full of emotions and desire, and honestly performing with other people is really an amazing feeling (I am a former musician and theater actor - let me tell you, every performance was fire). Look at their faces: from here...

...to here.

They are shocked, but happy! And definitely feeling ...feelings. And here is my main takeaway: I am really, really sad that sex is a taboo topic in our society, and when there's something about sex, it's mostly treated in a very bad way. This includes sex scenes in generic-audience movies, which I tend to dislike... I hate that sex is handled like a dirty and secret thing. I hate that sex is mostly treated as something that has to do with power imbalance and taking advantage of someone else, usually men that "want to do stuff TO" women (nonbinary individuals like myself not found) - and too often not in a hot and consensual way. I hate that social media are becoming more and more sex-hostile, because investors fear these topics, and use children as a shield to justify limiting contents for adults as well. I hate that sexual education is mainly reserved for talking about pregnancies and, if the students are lucky, prevention of STDs. Solo or reciprocal pleasure? Consent? Treating it as a normal part of life for many people (and not ALL, again, asexual people exist)??? Naaaah, why do that, when you can make people feel shame and embarassment and perpetuate trauma. Again, I am a grown-up now, and while this is legal and everything, I was conditioned to feel some level of shame nonetheless when talking about it irl (which I am working on). The whip I was writing about before (and the kneeling scene afterward)? It was a revolution in my brain. "So... That's a thing we can do...?"

(like that) I plan on doing some adult drawings in the future, but there's a part of me that resists the idea, because adult entertainment usually involves some level of dehumanization... But you know what? I want to take it back and make it about pleasure and enjoyment as it should be. Tbh, I could write a whole essay on the causes for all of the above and how they interact (patriarchy, capitalism, religions as power institutions, etc.), but this is not the place. So I'll just say that I am really, really grateful to Nishi for including this arc in a manga for a young audience, as those are important years to build a healthy relationship with pleasure and one's own body. And as Sullivan said...

I'm very much convinced that Nishi is doing a great job at sending messages for inclusion and social equality in M!IK, taking the role of educator herself. (Other reasons why I love the Music Festival arc are: Soi's story, Clara and Azz becoming closer, Iruma learning the piano, the appreciation of music itself, the immaculate art and more, but that's for another post!!!)

[okerum]

people who put all their energy into hating teresa annoy me a lot, tbh. of course, people can have their own opinions, but its when people go out of their way to rip on her at EVERY CHANCE they get without spending even a SECOND to try to understand her or put themselves in her shoes.

i highkey hate the way the movies portrayed her, but in them, she placed the wellbeing of the entire world above her own. she explicitly asked that her friends NOT be harmed-- and i think blaming HER for the harm that minho faced even more than janson or ava (the fully grown adults who hold the power) is silly and extremely misplaced. there wasn't really ANY good option in her shoes-- choose herself and her friends and let the world die around her, BECAUSE of her, or choose the world around her while letting her friends continue to suffer, also because of her. there is no winning for her. she wanted to help people-- she thought that if she made a deal with ava, she could help people while minimizing the harm to her friends. and once more to emphasize-- she is 16. she is a child, and i dont believe in the movies she even HAS 16 years of memories to help her make good decisions. she was told by WCKD that she could help people, and that is ultimately what she cared about the most. WCKD, and more specifically ava and janson, were the ones who lied to her, manipulated her, and misled her. and since the cure WAS possible in the movies, her actions were even more justified! it's so weird to me how people act like she was so heartless and like she purposely hurt people when we see time and time again that she cares DEEPLY for everyone. you'd have to watch the films with your eyes closed not to see it.

and in the books, (i only read half of tfc so bear with me if i'm missing info) she only betrayed thomas, she warned him beforehand, and she spent the entire rest of the series trying to make up for it to the point where she sacrificed herself to save him. thomas was her EVERYTHING. she betrayed him because she thought he'd die otherwise. she would do ANYTHING to avoid that-- she'd decieve him, she'd hit him, she'd sacrifice herself for him. not to mention, since her memories weren't swiped, she was still entirely under WICKED's thumb-- the YEARS, the DECADE they spent grooming her and manipulating her into trusting them, doing their bidding, the lies they told her, are still affecting her. she's still 16. she's still a child. once again, to blame her for her actions that she was specifically groomed into by WICKED, instead of WICKED itself, is extremely misguided and a little gross to me, honestly.

in the movies, teresa wanted to help as many people as she could even at the cost of her friends. in the books, teresa wanted nothing more than to keep her lover as safe as possible, even at the cost of his trust and any possibility of love between them. she's simulataneously selfish and selfless, kind and cruel. she's all too willing to give up her own wants in order to reach her ultimate end goal, all too willing to put people in harm's way to prevent any further pain. once you look at her for just a few seconds, if you try even an ounce to see her character for what it is, you'll see a child who was put in a position where she had to make a decision no child should ever have to make. no child should have to choose between their friends or the world. no child should have to choose between their lover and themself. and no child should be blamed for their actions that are a result of grooming enacted by a number of fully grown adults who understand fully what they're doing.

if you don't like her, again, that's okay!! she made bad decisions and she hurt people in the process. but before u start talking down on her, before u proclaim your hate at any chance you get, think for a second about how she could've ended up there. and dont insult people for liking her. because on tiktok, at least, people are really bad about that Dx

[spider-jaysart]

Character ask: Damian Wayne (duh!)

@venetiangoldroz

Lolll

1. How I feel about this character:

Small boy!! Very intelligent, has a good heart that he usually tries not to show off too often but it is always there with him, sweet animal lover, and is a cool, crazy, weird kid that I love so much lmao

2. All the people I ship romantically with this character:

Jon Kent

3. My non romantic otp for this character:

Jon Kent

4. My unpopular opinion for this character:

Some fans don't like that Damian is a fan of Dinah Lance as a singer, but I personally like it lol. I don't like how silly he was made to be about it though, like singing one of the songs out loud in public for example, because he would never actually do that all lmaooo, he would keep that to ONLY himself lol. Also, I'm hearing now that it was actually a crush he was having on her, which I hate. Like, yes, he's an adult in that specific comic, but I'm tired of DC making him fall for almost every female and older woman that he interacts with, like just let him be normal about them already!!! I just like him being a fan of her music and that's it

5. One thing I wish would happen/had happen with this character in canon:

Not just one thing, cause I'mma list them all here

Start getting the respect he deserves after so much😤, cause like he literally changed himself and went through so much development for years now, but it's still not enough for DC writers or even some fans!! Like, just what do you want from him anymore????? He's been trying so much for too long now!!

For writers to stop treating him like he's nothing but evil, because he's not!! He's just a kid who grew up with a kind of life that's VERY different from everyone else's and was just taught ever since from a really young age to see things in other ways because of that. He does have a heart, it's the reason why he's made so much effort to become the person and hero he is today now and has left the whole League life behind. And about him being a tough person, that's just literally his dang personality, it's not something that adds to him being "evil" at all either

For DC to also just let him choose and make his own path as a hero when he grows up. He shouldn't become the next Batman by force or go through with becoming head of the Loa either, one of the big parts about his character is about discovering who HE actually is and figuring out what he really wants for himself instead, so he deserves to make his own choices by his own will. He should also become a vetinarian when it comes to getting a career

Stop with the white washing and start consistently representing his Arab side more, just like how the artist Gleb Melnikov did very boldly and also wonderfully in Robin 2021 when drawing him

And another one for the writers is to also stop making him crush on older woman!!!! PLEASE!! Just cut it out already!!! This entire thing has been going on ever since he was just 10 years old and nothing about it has ever been "cute!" or whatever they think of it as! It's just freaking weird and I don't understand why DC writers keep doing that to him! He's just a kid, not a grown man, so treat him like it!!! And stop deaging woman who were also already much older just to be with him and stop setting him up with his own female family members too! That one's already happened twice now (Mar'i and Cassandra) and now I'm scared that the writers of the second Supersons movie are gonna push that into there too with Cassandra AGAIN and ruin the film that way, which I really HOPE that doesn't happen AT ALL!😖

Let him have an actual relationship with his Mother instead of keeping them distant so much! Damian deserves to have her in his life too, not just Bruce as his Father, and she also deserves to have him in hers as well. Despite how things may be, they really love eachother a lot and it's not fair that they don't get to be as close as they were before, which is also really heartbreaking to think about honestly

Damian should also get to have a relationship with Respawn too that can develop into a sibling one at some point if ever he ever does appear again in the future

Never let him act like a normal person, let him forever be his weird, strange self, because that's literally one of the biggest things that MAKES HIM DAMIAN and I love him for it lol. Batman and Robin 2023 tried to change this about him in it's protayal and I hated it, it felt like some imposter, which just frustrated me a lot and made some things boring too. This goes for other kinds of mischaracterizations that were done to him too, like Gotham War as the most recent example, which was a big time failure at doing it well in a different way. Writers need to learn how to get to know him better first before actually writing him in their stories, deciding how he will react and treat things that happen in said story and it's plot. Here's something else much better too, he needs to start getting writers who actually like/love, respect, and actually understand him!

I think that's all for now loll but Thank you for the ask, @venetiangoldroz !! Sorry about the little delay btw, but I enjoyed answering this!!!

[suzukiblu]

As someone who's super into Superboy, do you have any reccs for curious beginners about what to watch/read to check that out?

( GOD I'M SO SORRY HOW LONG I TOOK TO ANSWER THIS, I LEFT IT HALF-FINISHED IN MY DRAFTS BECAUSE I MEANT TO LOOK UP SOME FIC RECS LATER AND THEN TOTALLY FORGOT ABOUT IT, hahasob. Dangit, self! I don't know if this is even still a relevant question for you but screw it, forget both that concern and the recs-research, I am ANSWERING IT NOW. )

So as far as actual canon goes, in the comics I mostly read his original solo title from issue fifty to cancellation, which was about another fifty issues, and also all of Young Justice's original run and both the World Without Grownups and Sins of Youth events, as well as a few other YJ-related one-shots and specifically Young Justice: The Secret, which is I beeelieve only one issue and was the comic that first got me interested in YJ as a team to begin with. I went back and read some earlier issues later, but issue fifty of Superboy's first solo is actually a really good jumping-on point for him imo, it's the start of an arc about him being stranded on an island of beast-men with amnesia and repressed powers and it sets up a new status-quo for him after. There's also a later arc in the series about interdimensional travel through Hypertime where he meets a lot of other versions of himself, including the grown-adult version who's trying to invade half the multiverse, which I thought was especially good too. And like, just it was a real good run in general, I thought, I really dug it.

Also, he was originally introduced as a character after (or during?) the Death of Superman arc and featured reasonably heavily in the Reign of the Supermen event as one of the four replacements trying to become the new Superman, though I haven't personally read much of those. If I started anywhere as a newcomer, I'd probably start with either his original solo run or the original Young Justice. Or both! Both is good! Young Justice is especially choice, though, and also tells a full and pretty well-developed story over the run of the comic without anything in particular getting cut off prematurely. Like, I remember it wrapping up really well, especially for an ongoing American comic from the Big Two.

Other comics I know Kon's been prominent/important in but either haven't read or haven't read much of: Superboy and the Ravers, Titans/Young Justice: Graduation Day, Teen Titans (2003), another solo Superboy title set in Smallville, Young Justice (2019), Dark Crisis: Young Justice, and Superboy: Man of Tomorrow.

There's also the Young Justice cartoon, which has a VERY different take on his personality, though I still really liked what I saw of the character and have written fic about that version of him, and then there's the animated Reign of the Supermen movie, which I still haven't seen but looks real good and seems to be more comics-accurate, personality-wise. And like, I absolutely LOVE his design in it, haha. He's just a lil' brat, it's great! In live-action there's both Titans and later seasons of Smallville, but I wasn't very interested in either of those myself and don't know much about them.

There's . . . there's a lot out there, haha, the character is like a good thirty years old now. And honestly I kinda play fast and loose with some of the canon, this is VERY much the kind of fandom where I just go for what I think works best for the story I wanna tell. It's comics, okay, canon is BARELY EVEN GUIDELINES AT THIS POINT, hahaha.

[ahiddenpath]

Digimon Adventure 02: The Beginning

I just got home from seeing the Japanese audio/English sub. This is not a review, and I doubt I'll feel the same way about it in a few days, because I'm all up in my emotions and I haven't had a think on it. So here is nothing more or less than my visceral, 100% subjective reaction.

Extreme spoilers beneath the cut, spoilin spoilin all day long. Also cussing and blaspheming, apparently I like to keep it classy.

My head is a boiling vat of pudding.

As the film ended, someone screamed, "Toei why you gotta do us like that?!" Someone else yelled, "Jesus Christ I did not need that in my life." As we filed out, another gem: "They had a digital god in this one, and they still didn't unfuck Kizuna." (That last one, I think, while funny, was not relevant. This wasn't about the older kids, they had their turn and several more, lmao).

Some notes:

-Genuinely I was not prepared for a horror. Or child abuse. I love horror games! I watch them nearly daily! Did you know I have only once been more upset/disturbed by a horror video game than I was by this movie?

Did people take their kids to this? Like, that seems totally reasonable to me, taking your kid to digimon!!! Jesus cHRISt!!!!

-I thought my bar of, "I want to see the 02 kids grown up and interacting," was so, so low. I thought my bar could not be lower. But this was Lui's story, not theirs. And this is Toei's story, not mine, so I have to accept that... They wrote what they wanted to. But yeah, the bar I thought was low was not cleared.

-SOMEONE HELP ME, Himekawa is older than Lui. Himekawa's group, they were the first Chosen. Right??? Does the time line not shake out here??? Himekawa was probably about 10/11 when she was Chosen, and she's a full ass adult in Tri??? So, like, I guess the question is, how much older is her group than Lui at age 4? Are they at least 6 years older???? But- God what age would that make- God damn let me get the chart. Shit, I'm lost. Help??????

Shit I liked:

-Lui's second birthday scene

Not the original scene where Lui meets Ukkomon. This is the second birthday, his 8th birthday, where they sit in a dark room full of presents and treats. Ukkomon mentions Lui's parents and friends. They enter the room and proceed to not say a single ducking word while Ukkomon and Lui talk and talk and talk, and it is the creepiest and most atmospheric shit I have seen. Holy shit!!!!

Obviously, the audience already knows shit is fucked up with Ukkomon, but at this point, ooooooooooooooooo baby that tension is HIGH.

-Power in the hands of children

Ukkomon is, like, seconds old when he meets Lui. Lui is 4 and extremely disenfranchised, even for a 4-year-old. Lui wishes for what he doesn't have. Ukkomon devotes his whole self to those wishes.

What happens when a 4 year old meets a baby genie? When that much power is in the hands of the innocent?

You don't want to know, trust me. Lowkey wish I didn't know!!! Christ on a bike!

As much as we love digimon and the Chosen and all of that, it's always been messed up how much power they have, and how much responsibility. It's so much pressure, it's so high stakes! It was really cool to see Toei explore how sideways all of this could go, literally at any moment.

-A few character moments

Honestly that part where a girl is chatting up Ken and Wormmon is visibly pissed is, like, my favorite thing in this movie. Oh! Also I loved seeing the international Chosen, that was so great. The gut scream of WALLACE/WILLIS in the theater when he appeared!!!!!!

Bonus:

My husband said he liked how there was a command center in Imperialdramon's head. I think that was actually some kind of... plane??? Made by Ukkomon??? I have no idea. You know, the place where Ken and Daisuke are accused of flirting.

Stuff I didn't like

-It was half flash back

I'm being a little harsh here, because stuff other than flashbacks happened in the first 46 minutes, but... I checked my phone after the final flashback (not counting Lui jumping into Ukkomon in the end). I was 46 minutes into a roughly 90 minute film. I'm not against flashbacks in principle, and I tend to like new characters, but... This just wasn't what I hoped for in a movie about the 02 kids. I accept that this is 100% subjective.

-It was too damned fucked up for my tastes

Jeeeeeeeeeeeeeesus H Christ!!!!!

Okay, so first of all, I generally am of the opinion that a lot of recent media has substituted trauma for substance. It's easy to make an audience pity/relate to/feel protective of a character by showing them suffer.

Lui wetting himself was so disturbing for me- in children, that's often a sign of ongoing abuse. I could easily be reading into it, but that combined with the range of age of his bruises (and he had more fresh contusions, too, they start red and turn purple and brown and eventually a yellow green) hinted that this wasn't some one off occasion caused by a sudden spike of stress. That was Lui's life. And he really might have frozen to death that night, if not for Ukkomon.

In a way, if I'm right and not just reading into things, this scene was well done. But also, like... I just don't enjoy the substitution of trauma for gradually making us care about a character and understand what they've been through. It seems like some kind of heavy handed short cut, and it usually has the opposite effect on me- thrusting me out of the narrative and making me distrustful of it.

Or maybe I'm just distancing myself, because I genuinely get so upset.

And don't even get me started on the scene where Ukkomon dissolves. I was not ready for that shit. It was just too much for me, I'm sensitive, lmao!

-I'm not sure what I think of the Chosen reacting to Lui's story

I kind of felt like the Chosen were oddly hard on Lui? They weren't actually, in reality they encouraged him to find a resolution with Ukkomon and reminded him that relationships go two ways.

But, like. Could someone have, like... Idk I was really waiting for someone to cry or hug Lui or reassure him or something? Instead it was like, "Poor Ukkomon. He tried so hard and you relied on him too much!"

And my visceral reaction to that was, "UKKOMON KILLED AT LEAST ONE OF LUI'S PARENTS AND MADE THEM MEAT PUPPETS FOR YEARS, JESUS!!!! AND YOU WANT LUI TO GO SEE UKKOMON AGAIN?!?!?!?!?" Like, that whole thing was literally a nightmare??? But Ukkomon was an actual whole ass baby god, and then again, as my husband put it, "Ukkomon did what CPS wouldn't." Lui needed help, stat.

I'm gonna need some time to sort how I feel about this. I can say that, as I watched, I felt like the emotional tone was really off for the last half of the film. All I could think about was the horror, and any time someone criticized Lui, or even told him to go see Ukkomon, I was just like- MEAT. PUPPET!!!! MEAT!!! PUPPET!!!! (Did those kids that Ukkomon made Lui's friends also die?!?!?!). Literally, snow was falling and the Chosen were playing, and my head was like, MEAT. PUPPET!!!!

There's no walking back that emotion, at least not in a 40 some minute window. Not for me, personally. I'm probably going to have nightmares. If I knew going in that this was a horror, I'd be fine with that. But gdi I though I'd see my blorbos having good times mixed with a plot.

Instead, nightmares.

-Lui's final scene with his mother

Lui tells himself, "This time, when I go back in time... I won't rely on Ukkomon for everything" (paraphrasing). He sees his mother inside his memory of his 4th birthday. He says to her, roughly, "Lui loves you, please remember that."

And magically, the mom is kind to him that night.

Now, to be fair, even disastrous relationships can have good times. Maybe it would have been just that night that was better. But there was this feeling of, "Oh, if I just talked to my mother when I was 4 years old and horrifically abused, it would have been different."

That just isn't how that works. If I had to guess, the film is just supporting communication. But god, don't ever point back to the child victim like that. Too bad that 4 year old doesn't know how to communicate with his abusive caregiver! Things might have been different!!!!!

I'm sensitive to this kind of thing, so it's totally possible I'm fixating too much on this or blowing up the importance of this moment. But yeah, not a good emotional reaction to that.

In summary: this was not the film I wanted. In fact, it's a film that will stick on me like a burr, but like. In a bad way? But also it did have some killer ideas. Ukkomon has to be one of the most interesting things to hit Adventure in years. So much power in the hands of an innocent, so disastrous so very fast.

My brain is still pudding. Time for some nightmares. Good night, I hope the film didn't distress you if you saw it! And my sympathies if you took your children, the biggest of oofs (how could you have known??? You couldn't have).

[it-one-line-at-a-time]

ALSO hi sorry you're the only one that knows what im talking about when i rant about It

i think its really a thing that bevs fear is different. its not wearwolves or mummys its blood

and while that doesn't feel a lot different shes a girl right at the age of having a period for the first time

HAVING YOUR FIRST PERIOD IS FULCONG SCARY

coufh cpugh bev and carrie are literally both stephen king characters whos main arc is being scared of having a period?? he does this intentionally?? cough

they nod to this in the movie when the boys go into the store to get stuff to help ben and shes buying tampons and unsure of what to do. she hides the tampons to cause shes embarrassed

AND HER DAD i could go on for hourssssssss her dad literally says "are you not my little girl anymore?" LIKE whatttttttttt the fuck. and no one but her and the boys can see the blood. while yeah this is because the adults dont see it but do we know WHY the adults dont see it? ITS BECAUSE THIS ENTIRE STORY IS LITERALLY ABOUT KIDS WHO ARE AFRAID. AFRAID OF PEOPLE BRUSHING THEIR FEARS ASIDE AND AFRAID OF BECOMING SOMEONE WHO DOES THAT.

HER FEAR IS FUCKING GROWING UP AND THE MAIN VILLAIN AGAINST HER IS A CLOWN THAT ONLY KILLS PEOPLE WHO ARE NOT GROWN UP AND IM SUPPOSED TO BE NORMAL ABOUT THAT

i love bev she needs a hug and a warm blanket and raspberry leaf tea and a good movie and to be loved

Don't you dare be sorry! I'm having the time of my life answering these things, I swear to God.

I think Bev's fear of blood has sooo many layers. It's more explicitly stated in the book, just because it's easier in terms of description of internal monologues, but the film does definitely, as you say, give a few nods. There's obviously the scene in the shop where she is struggling to pick out tampons (honestly same, girl, I hate sanitary shopping more than I can say), which shows how new to this she is, and then she hides it behind her back from the boys, because she's scared and embarrassed to let it be known that she's growing up.

Of course she's also scared of her dad, and fucking fair enough?? The man is awful. During the scene in the book after she's met and dealt with Mrs. Kersh and Pennywise approaches her in the guise of her father and says some shit that genuinely made me nearly cry both times I read it, it's confirmed that she was scared shitless of her father, and what he might do to her. Touched upon in the movie when she first stands up to him - in a scene that had me in a stressed-out, terrified chokehold when I watched it for the first time - this fear is definitely only enhanced when she starts her period, which is why she froze in fear when he first came across the tampons. Because in her eyes, she's now being forced to grow up at the speed of light, and her dad hits her with the "Tell me you're still my little girl", so she's forced between wanting to grow up and out of his reach, and wanting to stay a kid so she doesn't have to face the hellhole of adulthood.

Long story short, she should NOT EVER have been put through that shit, nor should anyone. Like, even the idea of being afraid of growing up whilst simultaneously having to in order to escape your predatory-ass father is so fucking awful and I'd never even thought about it too hard before this, so I appreciate this ask for making me consider how fucking awful it must've been for her.

Anyway Bev is my gorgeous girl who I would rather die for than have her suffer yay <3

[just-orbiting-you]

maybe I'm out of pocked for saying this or maybe it sounds too harsh since i am ot7 and I do love all of them and no matter what I support the music and think they're all very good people who never cause harm intentionally, but I think these last few years tae has kind of changed as a person

ofc he has every right to become the adult he wants and there's nothing bad with it but I've noticed through his actions that he's grown up to be a little superficial, kind of mindless and that he romanticizes life too much and maybe doesn't think things through, maybe caught up to much with the celebrity lifestyle and privilege

not only with the whole wanting attention always especially during times when other members are in focus or also with the whole MCD drama or posting online endlessly even in this so called the most serious and discreet period of life for them

it feels like he doesn't take things seriously or he's not grounded enough

it looks like he even romanticizes the military where even if he choose one of the most intensive units, i feel like one of the reasons he did so is just because he wanted to try all the cool uniforms of that unit and try to "play the part" like it's some sort of a movie role where we've seen that in comparison with other members, taes unit is the one who's always exposed to the general public and strolling around town because they participate in events that need security/bodyguards. like even in this time he wanted to be in the public eye and been seen and act cool and be photograped

the fact that he always kind of sneakily posted and talked about things with jk which clearly jk doesn't really like that much because he never reciprocates and he has provided context for what tae says 2-3 times because he clearly doesn't want misunderstandings or fueling tkkrs, jk has always been careful about that

idk i hope it doesn't sound to crazy, it's just a bit of uncensored thoughts because his behavior has really put me in a lot of doubts

i have another anon post similar to this and i honestly fully agree. there's a level of grandiose in tae lately that i think leaves him looking less grounded, relatable and (even likable) lately that i don't think was always there. i've been calling him pretty flippant and irresponsible, like lacks a sense of awareness and this goes back to his behavior in boy voyage years ago. i haven't really been compelled by his personality in a while and i think you're right in that fame and attention really did emphasize that bad parts of him.

i feel like one of the reasons he did so is just because he wanted to try all the cool uniforms of that unit and try to "play the part" like it's some sort of a movie role

THIS 100%. who even knows if this is conscious in him, but he got so much attention for even choosing this line of work in the military. when he said "i have a plan for the military" i thought it meant go to special forces so he can bulk up. and that's kind of what happened. but i've seen more tae pictures i think then anyone else (and i try my best to block and disengage with military photos as best as i can). i don't think tae could bear leaving his idol lifestyle behind, seeing as he doesn't stop posting even STILL. and this special forces was the closest thing he could find.

tae and jk's dynamic will continue to be so funny because jungkook doesn't take his bullshit. i see jungkook as someone who really isn't phased by much so it might not get to him personally when tae calls him on short notice to go places or invites him to big events, but those times where he does call him out publicly are hilarious, showing jk's true thoughts on tae.

thanks for your ask!! really enlightening (and as someone who has been yapping to my irl army friend about tae's behavior for months, it's nice to see someone else with a similar sentiment).

[hazelhearts]

We'll Be Alright

Wanda Maximoff x Fem!Reader

summary: love takes time, especially when the person you love hurts you in the worst way possible

content/warnings: suicidal thoughts, depressive thoughts, miscommunication trope, wandavision, heartbreak

note/request: ahh my first wanda fic! it's been a long time coming. i put so much of myself into this one so I hope you guys love it as much as I do. warning, it hurts bad.

word count: 2.1k words

masterlist

Staying behind on missions had been a pretty normal thing for you over the past couple of weeks. You could listen to the dumb reasons Tony talked about for hours and hours every day, but the simpler thought is that he's an ass.

Usually Wanda would insist on staying back with you, but she didn't say a word this time. You assumed it was because of Vision. Things have gotten pretty tense between them the past couple of days, and sadly it wasn't the bad kind of tense.

Anyone with eyes could see that Wanda was gorgeous. But beyond that she was kind, compassionate, independent, and knew what she wanted. Not many people could say that these days. Especially not the clump of metal that's been trying to win her over.

Loving Wanda was honestly one of the worst things you could have ever done for yourself. She's been an emotional rock since Pietro, barely letting anyone in. You had only recently broken down some of the barriers, able to convince her to hang out with you. Most of the time it was just sitting silently in each others presence, but that was enough for you.

As the thoughts continued to run through your head, your phone suddenly rang. It took a couple of rings to really gain your attention, but the caller ID made you pick up so fast that it didn't really matter.

"Wanda?"

"Hey Y/N, um Tony wanted me to tell you to make sure that you washed the dishes. Something about how you kept skipping your assigned days?" The joy of talking to Wanda was always dulled by the mention of stick up his ass Stark. Sure you'd skipped a couple of days, but Thor loved doing them! He said that they didn't have to do it in Asgard and that it was one of his favorite mortal pastimes.

"Yeah, tell the asshole that they'll be done. But not because he wants me to, because I wanna eat dinner at some point tonight and the man doesn't touch a dirty dish." Wanda's laugh made the annoying remark worth it, the image of her smile making you grin like an idiot.

"Okay well that's all. See you later." She hung up before you could get out another word. Damn, so much for trying to be smooth Y/N.

----------

The team returned about two hours later, minimal injuries across the board. Wanda seemed to be the worse off. If you looked really closely, you could see a slight limp.

"Wanda-"

"C'mon, let's patch you up." If you weren't in front of the entire team, you'd crush that tin man into a cube and ship him to the nearest manufacturing facility.

Wanda and Vision walked into her room, practically staring into each other's souls. You were disgusted by the pda, that's all. Right?

"Stark, what's on the menu tonight?" Steve received a glare that was probably supposed to be intimidating but ended up making him look constipated.

"Whatever I put on the table. Now scram, or no one gets fed." You had never seen so many full-grown adults run out of a room at the same time.

You stopped in front of Wanda's room hoping the asshole of a robot was gone. For once, your wish was granted.

"Wands?" You lightly knocked on the door frame to keep from startling her. She nodded her head at you, as distant as ever.

"Wanna watch a movie? I picked out a few I thought you'd like." You knew there was too much hope in your voice but you couldn't help it. Since the titanium twat waffle showed up, you barely ever had a moment alone with Wanda.

"I'm sorry Y/N. Vision and I were actually going to do something tonight. Maybe some other time?" You forced the smile to stay on your face, refusing to show her any negative emotions.

"Oh yeah, sure. Another time." You walked out without another word, debating on asking Tony to deactivate the thorn in your side before you did it yourself.

----------

You began to feel immune to the passing of days as you and Wands drifted further and further apart. Every second she wasn't on a mission was spent with Vision. Your heart broke more every day, if that was even possible.

The rest of the team had started to notice your absence. Even when you were with them physically, you were somewhere else. They knew that asking Wanda to read your mind was out of the question. You had clarified that the first time the idea was spoken. Since then, they've all worried in silence. Even shithead Stark was starting to worry about you.

The team (minus you, Wanda, and Vision) got together and put it to a vote. Who would be the one to check on you? None of them really wanted to since emotions were not their strong suit, but it had to be done. The vote ended in a tie between Nat and Steve. Steve, being the only one brave enough to actually do it, knocked on your door a few minutes later.

"Y/N? It's Steve. Can I come in?" No response.

"Y/N, give me some sign that you're alive." Nothing, yet again.

"Alright, I'm coming in." Steve opened the door and there you were, staring out the window.

There were dark bags under your eyes, dried tears splattered across your face, and a haze over your eyes that Steve hadn't ever seen before. Your clothes looked like they hadn't been washed in weeks, as they probably hadn't. Your room was surprisingly clean, seeming as if no one had lived in it for quite a long time. It was true, since what you were doing wasn't really living.

"Y/N..." He knelt down next to the chair you were in, looking out the window. He knew you probably didn't want to talk, but you had to. No one had heard a single word come out of your mouth in months. Not even Wanda.

"Y/N/N, talk to me kid. I'm worried, Nat's worried, we're all worried. You haven't said a word in months, you barely eat, and you barely ever leave this room. I need you to talk to me." Your head turned towards Steve, absent look still present behind your eyes.

"Do you ever feel like the universe is plotting against you? Like, every time you find happiness, it comes in and squashes it?" Your voice was completely monotone apart from the scratch that showed just how unused it was.

"Kid, I should have been dead ages ago. I lost the woman I loved, the life I was living, and my best friend in what felt like a month to me. So yeah, I understand." Your head turned back to the window, but your eyes slowly focused more on the area around you.

"I'm just tired, Steve. I'm so damn tired. I'm tired of hurting, I'm tired of thinking, and honestly I think I'm even tired of living. Everything hurts." Steve's hand came up to rub your back, giving you the slightest bit of comfort.

"Well, let's wake you up. I know that there's no automatic remedy, but we can try can't we? How about you start with a nice shower, brushing your teeth, and changing out of these nasty clothes?" Your hand found Steve's on the armrest of the chair, giving it a light squeeze.

"Are you saying I stink Rogers?" You both let out a laugh, his much stronger than yours, but still a laugh. The first laugh you'd had in months. It felt good.

"God yes. You smell like a sewer. Now, go." Steve laughed as he left the room, and you got out of the chair.

----------

"Y/N/N! We missed you!" Thor practically ran to you and scooped you up into a hug, cutting off all of your oxygen.

"Can't- breathe. Thor, o-oxygen!"

"Shit! Sorry tiny." He finally let you go, your face slowly gaining back color. You smiled, really smiled.

"I might be tiny but that doesn't mean I can't beat the shit out of you blondie!" Everyone laughed, happy to have a bit of the old Y/N back, no matter how little.

"I made breakfast!" Tony came around in his signature Kiss the Cook apron, a huge plate on pancakes holding on for dear life.

"God, you read my mind." You and the rest of the team rushed to the table, excited as ever to scarf down every bit of food within reach.

One thing you did happen to notice was Wanda. She sat next to you, as far away from Vision as possible. You dismissed it, trying not to get your hopes up as it didn't work out well at all last time.

You practically inhaled the food, finishing three plates in record time. You even beat Thor's personal record, pissing him off more than ever.

You saw Wanda approach you out of the corner of your eye, keeping your head facing down towards the sink. You were sure that these dishes had never been as thoroughly scrubbed as they were right then.

"Y/N? Can we talk?" You risked looking up at her, seeing only sadness behind those beautiful emerald eyes you loved. The sight made you want to throw up.

"Yeah sure, we can go to my room." You put the final dish away, leading Wanda towards your room and shutting the door behind you.

"Okay, what's up?" Before you could even fully turn around, Wanda collapsed into your arms. You grabbed onto her as tightly as you could, holding her as close to you as you could manage.

"I missed you. God, I missed you so much. I read your thoughts, I know you asked me not to, but I had to! You were never around and I was worried! I saw everything, everything about me." You were definitely going to puke.

"Oh god Wanda. You were never supposed to see that." You averted your eyes, unable to look at the woman you loved. You couldn't face her rejection when you were just starting to pick yourself back up.

"Y/N, look at me, please." She put her finger under your chin, raising your head enough to look into her eyes.

"I love you, I should have said it sooner. I just- I thought you could never feel the same way. You were always so fun and amazing, I never thought you'd want me. So, I went to Vision, trying to get over you. But it didn't work! I can't stop thinking about you, and I think you can't stop thinking about me either." The words you always wanted to hear were finally spoken to you, and all you felt was dread.

"Wanda, of course I still think about you. I can't help it. But I'm not in the place for a relationship right now. I just started trying to get myself back together. I just started recovering from the first time you broke me. I can't put myself through that again yet. No matter how much I love you, I need to love me for a while." Wanda slowly nodded her head, averting her eyes this time.

"It's not a no, it's a give me time. I don't wanna make you wait, but I can't do it. I love you Wanda, so much, and knowing you feel the same way about me? I'm over the moon. But I need time, time to gather all these thoughts I'm having and pull myself together." You grabbed Wanda's hand, giving it a comforting squeeze.

"I understand. I'm happy you're taking care of yourself." She smiled at you. You could tell it was forced, but you appreciated the effort.

"Do you think we can be friends, y'know, until you're ready?" You smiled right back at Wanda, yours much more sincere than hers.

"I would want nothing more. But, I do have one request."

"What might that be?" Wanda smirked, making you even more confident in what you were about to do.

"This." You kissed her. You poured every bit of love and care you had for her into the kiss, expressing all the words you couldn't say with the movements of your tongue and lips. Wanda kissed back just as passionately, love nearly drowning you.

You both knew that it would take time. You needed to heal, and Wanda did too. You'd both been through a lot, emotionally and mentally. But, until you got your happy ending, you could have her by your side supporting you in the same way she used to. That would be enough, for now.

----------

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[checkoutmybookshelf]

Something Something Phangirl Meets Discworld

Back when I was an undergrad, I had procrastinated a couple of first-year core classes (required stuff that has jack shit to do with your major but is supposed to make you a "well-rounded student" for everyone who wasn't educated in the US) to the point where we were at the beginning of year four, we took a couple over the summer, but now we're staring down having to take Art Appreciation for an entire final term and I did not WANT to. So instead I took a two-week intensive "Wintermester" art appreciation course in a classroom whose carpets squished in Fairbanks, Alaska in December. The fact that it didn't become a horror movie is a miracle. BUT. YOU GUYS. This class introduced me to The Phantom of the Opera at the Royal Albert Hall, and thanks to how awesome that was, I finally went out and got the one Witches novel I hadn't bothered with at that point. Let's talk Maskerade.

Maskerade might be the Discworld book with which I've had the most dynamic relationship because I am currently what I would consider a "fallen" or "lapsed" theatre kid. However, when I picked up Maskerade for the first time, I was a "desperately trying to hold on to theatre with both hands and both feet despite ongoing and worsening health issues and a school theatre that has nearly succeeded in killing me three separate times but I don't want to let go" theatre kid. So on first read, I loved Agnes, I loved Nanny and Granny, Greebo is never not a standout, and I was fully over here like, "YES, THEATRE IS THE MIRACLE OF A THOUSAND THINGS FAILING TO GO WRONG!" I wasn't a huge fan of how Christine was characterized, and frankly I found the art/business dichotomy irksome.

I was barely 22 and an idiot. I have since grown some.

On subsequent reads in and beyond graduate school, I can see the love behind the pointed critiques, and I had run into the odd Christine or two, so I was far more willing to sympathize with Agnes--the single point of sensibility and practicality in a flamboyantly dramatical cats system that is often toxic. And while I liked the Nanny, Granny, and Enrico Basilica subplot on initial reads, now it is perhaps my entirely favorite part of the book. Adding the managed chaos that is the Witches to a theatre is amazing, and we get some really fantastic insights into how Nanny and Granny can leverage witchcraft beyond Lancre. It has a different flavor in Ankh Morpork, and what that ends up meaning for Walter Plinge is literally the difference between life and death.

The loving parodic use of theatrical tropes and traditions is honestly delightful throughout. I realize that saying, "Hey, so Sir Terry Pratchett was kind of amazing" on the internet is the oldest of old news, but honestly it bears repeating because Discworld is incredible.

Nanny Ogg's cookbook manages to be both hilarious and a scathing indictment of how poorly authors are paid--something that honestly just keeps gettting MORE relevant. I also love the low-key Producers-eqsue mixed with Shakespearean twinning aspects of having Nanny be the writer and Granny the accountant foiling off of Salzella and Bucket. Like, had their positions been reversed, the Ankh Morpork Opera House would have been flush with cash practically overnight and the cookbook would have ended up scammed. It's a really lovely, subtle little peice of foiling that 1000% was not required to make this book great, but I love that it's there.

So theatre kid phangirl me wasn't the biggest fan of this book, but grown-ass adult me with a little more life on her claims this as one of her top five all-time favorite Discworld books. I'm going to leave it here and realtively spoiler-free for those of you who might be on the fence about picking up the book. I highly recommend that you do, but I also recommend watching The Phantom of the Opera (either the Royal Albert Hall one or an actual stage production; don't START with the movie) before reading Maskerade, just to fully get the levels of allusion, parody, and homage.

[lediz-watches]

Mom Can't Cook: A DCOM Podcast

It's a podcast. You don't 'watch' a podcast. I appreciate that. I'm still going to rant about it because I just finished another listen-through and, much like the hosts themselves, simply must talk about how I have spent many hours of my life recently.

So if you have never heard of Mom Can't Cook, the short version is two grown-ass men watching and recapping Disney Channel Original Movies from the late 90s-mid 00s.

But what it really is, is this:

Friends, there will be a time in your life as a consumer of media in which you start consuming a media that you KNOW is going to be bad. Maybe you loved it when you were younger, maybe you couldn't be bothered reaching for the remote, maybe you're just that bored, maybe a friend or a family member or a child you're babysitting is making you sit through it, but the point is, you consume the media. And it's as bad as you thought it would be. It annoys you. You hate it. You want to throw things at it. But you keep sitting through it. You can't stop. You must continue to consume it until there is nothing more to consume. You are, you realise with dawning horror, a little bit in love with this thing. You have spent hundreds of hours and possibly actual money on a thing that you knew, objectively and academically, was absolutely terrible. And yet. And yet.

You enjoyed yourself.

And you must confess your sins.

That's what this podcast is about.

It's actually Luke Westaway and Andy Farrant, two British internet personalities ostensibly employed in games journalism, recapping Disney Channel Original Movies from the late 90s-mid-00s. During lockdown, they spent Friday nights watching these movies together (I suspect in lieu of going to the pub), and now they simply have to talk about them because DCOMs are the kind of insane fever dream you simply must talk about and they are slaves to the grind internet personalities who try to make content out of everything.

I love it for a number of reasons:

Luke and Andy are very fun to listen to in general. They are very good at playing off each other, building on each other's ideas, getting increasingly ridiculous and yet somehow never managing to reach the heights of a Disney Channel Original Movie from the late 90s-mid 00s. At least, they haven't yet (Ninji from Oxtra Mario Golf came close, but that was technically Mike's fault). I think they consider it a challenge.

Andy in particular has these beautiful turns of phrase that perfectly encapsulate the feeling of an adult watching the kind of insanity that seems perfectly reasonable to a kid watching a kids' movie but, twenty years later and as the wrong audience, can only be described as mildly traumatising.

Luke is wonderful at just... embodying the part of you that gets swept up in the madness, knows you're getting swept up in the madness, tries desperately to hold on to sanity, and then can only take solace in the fact that maybe it won't be so bad to go insane because hey, it's kind of fun here...

By the time the Disney Channel reached my country, I was too old (/too young) to be watching most of it, so while I may have seen ads for them, I never saw these movies. And now, I'm too infected with Cultural Studies to get through them without dissecting their context and what they're saying and why and ugh... Listening to the recaps allow me to experience them without actually having to watch them.

Regardless of how they actually feel about it, Mom Can't Cook always feels to me like a bit of a love letter to a guilty pleasure. The DCOMs are bad, and Luke and Andy will go into detail about how bad they are, but it had this thread of affection to it that I adore. Maybe it was lockdown, maybe it was just time spent with friends, who knows, but they got something very important out of these terrible movies, and they're passing that on to their listeners (Honestly we should be compensated for this trauma). But jokes aside, this podcast is actually representative of why I love fandom, and being online, despite what a terrible place I find it most of the time. It's representative of why I occasionally post to this blog. I love talking about the things I consume. Whether they're good or bad, they speak to something in me, and I want to talk back! So it's... indulgent and wonderful, and I love it. And I love this podcast for speaking to that part of me.

I intended to write short reviews on spotify, but I listen on my laptop and spotify doesn't have that functionality on PC for some reason. And by the time I was confident enough to rant like this I couldn't remember individual episodes well enough to go back and do it on my phone. So it will be a next-time thing.

But in the meantime, I must share the lines that now live rent-free in my head:

"With the unearned confidence of a Marnie". I desperately need this down the leg of some workout leggings, and yet for some reason it isn't even Tshirt merch. No one will understand why, but I need it on workout gear specifically.

"But why did they give up their hands?" I bought this shirt, and I'm going to buy it again because I bought two sizes too big for reasons that I swear made sense at the time. It makes me grin every time I look at it.

"But there was simply no time/budget." I think this is more about Luke's delivery whenever he says it, but I love it. As a person who works in projects and actually does need to live with the consequences of terrible compromises fairly often, it also speaks to my soul.

"And I hate him." Again, it's in the delivery. Mom's got a date with a vampire remains one of my favourite episodes at least partly because of this one (two? Three? I don't remember how often it got said) line.

"Because [insert noun here] is good, actually." Whether sarcastic or not. It's just a turn of phrase that now exists in my head.

I just... I don't know what the hosts intended, but what I hear is the incredible affection for this waste of their Friday nights. For stupid, terrible, insane entertainment that we watch and consume and struggle to comprehend and yet which entertains us. And I love that so much.

Because entertainment is so important, and so wonderful, even when it's objectively terrible or just plain nonsensical, because it - ack. I'm just getting way too philosophical about what entertainment is and how we respond to it, so I'm just gonna leave this one here.

Mom Can't Cook is a good podcast. I'm so happy it exists.

[whiskeyswifty]

Teenagers absolutely count as children lololol I am so with you, I’m really hoping for some grown woman music to go with this grown woman cover! This doesn’t need to be FOR them!!

me too!!! part of folklore's appeal to me (of which there is boundless appeal and it's perhaps her most perfect album by my own tastes but i've been going on about that for a long time so i won't bore you) is that it was a huge contrast to the lover stuff that literally sounded like songs for a kids movie soundtrack at times ladkfjsdkf. and i love the highs of lover! but it felt like goddamn woman you're 30!! why are you STILL doing this??? and so i'm hoping to see if this album picks up a bit where folklore left off, both in sound but also in concept and how folklore was an examination of the craft of crafting songs as stories. creating worlds. really putting thought and maturity into the lyrics to explore adult themes. me and my friend agree that it looks like it could be folklore's sexier younger sister that lives in the east village and makes bedroom pop.

but i was also DEAD wrong about midnights so i have no idea honestly and my expectations are zero cuz this could literally be anything.