#honestly her best

[isagrimorie]

Star Trek Voyager 4x09 - Year of Hell

Tuvok: Live long and prosper, Captain. (Tuvok raises his hand in Vulcan salute. Janeway strokes his face.) Janeway: Same to you, old friend.

[chloesimaginationthings]

Abby finally meets FNAF game Michael Afton

[swordmaid]

brienne the blue 🌙🌞

[theveryworstthing]

this generation's Biggest Owl.

[27-squirrels-in-a-trenchcoat]

I was looking through some of my old fanart and OH MY GOD I FORGOT ABOUT THIS

This is easily my favorite drawing I’ve ever done of Cass

[ruleofheart]

desperately needing best friend! ellie who is just so much better at handling horror than you are.

it starts with ellie slyly handing you a ticket to an upcoming horror fest; fright frenzy. you’re not one for actual horror attractions– it almost takes too much to get you to sit through an entire movie. so, as you the eye the ticket with worry, ellie interjects.

“we’re going,” she declares, leaving no room for argument. “dina and jesse, too. next friday.”

“next friday?! it’s only september!”

it’s how you end up in line for a haunted house, your eyes lost in a daze as you try to put on a calm front.

see, ellie is someone who can appreciate a good scare. she’s grown to think that most jumpscares are pretty cheap, save for the creative ones that actually get her to say, “that was sick.”

she’s someone who doesn’t even flinch at elaborate costumes, usually complimenting the actors and asking for a selfie with the zombie with amazing sfx makeup.

she’s someone, and probably the only one, who sees through your little front. with dina and jesse too caught up in their own conversation (behaving like those abysmal couples in line), she nudges your shoulder, pulling you out of your internal hype session.

“hey. you can hold my hand, if you want.” it’s soft, but with a hint of a knowing smile.

and once you get inside; oh, you take her offer and run with it. you end up pressed into her side, her arm wrapped around you. your eyes tucked away in the crevice of her shoulder as she dips down to talk you through it (sheesh!). her voice is low, and it would probably drive you crazy if it weren’t for the guttural screams and sound effects erupting at every corner.

since ellie is handling herself just fine, she whispers to you as she sees the jumpscares ahead of time.

“clown coming up. god, he looks so corny.”

“hey, hey; you’re doing so good, it’s almost over.”

and when the lights flash a little too much, her hands come up to cover your eyes, her sweet words filtering into your ear. ugh, you could almost die.

and it’s the way that she bites back a smile when she drives you home. the way you try to subtly tell her, i don’t wanna sleep alone tonight. the way she nonchalantly offers for you to stay over at hers, promising to keep a comedy movie on until you fall asleep.

you end up sleeping in ellie’s bed, your whole body trying to wrap around and snuggle into her arm as she looks down at you, her heart skipping curiously.

[poorly-drawn-mdzs]

MDZS x Brazil (1985)

(Yes. Real movie dialogue)

[artist-rat]

Guys do not ask how this group is still together.. I'm too afraid to ask (the answer is magic of friendship and ✨Delusion✨)

[egophiliac]

like mother, like son, but less wholesome this time?

(I couldn't decide whether or not to put them together, so have them in all the different ways!)

[khruschevshoe]

You know, it's rather interesting to me that Taylor Swift's parasocial relationship with her fans is honestly more akin to a YouTuber than a writer's. When I scroll through her tag on tumblr/Twitter, it's far more regarding the connection to her personal life/relationship developments than the actual metaphors/fictional story she might be telling. Everything comes back to how her songs reflect back on her relationships with Joe/Matty/Travis/Jake/insert ex-boyfriend here. And what fascinates me about it is that even though she complains about it, she leans into that very perception because it strengthens the parasocial bond.

The marketing for TTPD so clearly being about Joe Alwyn and the songs to Matty Healy. The marketing/video for Red TV so CLEARLY being about Jake Gyllenhaal, with so many of the new lines in All Too Well specifically being digs at him (I'll get older but your lovers stay my age, casting an actor that looks like him for the video, specific lines in I Bet You Think About Me). The fact that songs like Getaway Car and Bejeweled and Gorgeous and London Boy and Lavender Haze being picked apart at time of release and long after for signs of relationships crumbling. The way she uses surprise songs in relation to her relationship development with Joe/Matty/Travis. The damn TTPD "stages of grief" playlists where she deliberately undid/changed the meanings of old songs just to keep her audience speculating on her love life.

It's not sexist to point out that her wielding her love life is a marketing tool and that the strongest connection to her audience isn't the strength of her writing/the composition of her music- it's her deliberate crafting of a connection between her music and her personal life, leaving the audience invested in her music as an extension of Taylor the Person/Girlfriend rather than Taylor the Artist.

[neymiiie]

I just want to see him again.

[juha-art]

small bodies big hearts can't lose (can die)

featuring @quiddie as dr. steel (more like dr. steal. stealing our heart)

[sofiaruelle]

Baby, do you like this beat? I made it so you’ll dance with me~🎶

Redbubble

[reasonsforhope]

This is now a Kamala Harris for President blog btw

Obviously I'll keep posting good news as usual! And I'm going to pull up as much good news and reasons for hope about Kamala Harris's campaign as I can.

[cubbihue]

Question ...if fairies rely on desire to feed,would Dev be a GOOD food source or a terrible food source? Does desire come from wishing or wanting more, essentially. Because dev like.. Has all he can want except his dad's approval ,so how does that work?

Fairies' food comes from the innate emotion a person has while Wishes are just the only way Fairies can pull the emotions (food) out!!!

The more the desire is out of reach, the more delicious it is, and the longer the fairy can go without needing another meal. It's simply easier to harvest from children because they have big emotions, and weak minds and impulses. A child can say "I wish" more openly than an adult does, making it easier for Fairies to cultivate.

Dev's one of the best food sources there is. In fact, he's able to feed a family of 5 for at least 8 months! However, he's also one of the worse sources to collect from because his desire is noncollectable by magic.

Which means you'll need an expert high-class, high-ranking Fairy Godparent who can siphon out his Desires into smaller parts via multiple smaller wishes!

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[dooffirmations]

They are laughing at the people who thought her dress was blue