#honestly hate her

[swagging-back-to]

they way i cut my sister out of my life faster after she got pregnant with a 50yo sex trafficker's baby than i did after she strung me along for a year and then backed out of the apartment i got for us right after we were approved.

[b1ttersweet-dreams]

[ I WILL BE IN LOVE FOREVER CAUSE IM GONNA DIE TONIGHT ]

close up + alt ver under the cut

look guys v2 is okay yay

[evelynpr]

Congratulations My Hero Academia for providing, possibly, the biggest and longest legit straightbaiting yet in shonen history.

Bonus points that their final chapter was released on yaoi day.

[weekend-conspiracy-theorist]

given cass's canonical love of reality tv, I am absolutely certain that every year babs has to go into cbs's recruitment email and delete her survivor audition video

[courtmartialme]

how foolish can one man be?

[medicalunprofessional]

sorry guys they finally showed me peak fiction . Its called “phantom of the paradise”

[khruschevshoe]

You know, it's rather interesting to me that Taylor Swift's parasocial relationship with her fans is honestly more akin to a YouTuber than a writer's. When I scroll through her tag on tumblr/Twitter, it's far more regarding the connection to her personal life/relationship developments than the actual metaphors/fictional story she might be telling. Everything comes back to how her songs reflect back on her relationships with Joe/Matty/Travis/Jake/insert ex-boyfriend here. And what fascinates me about it is that even though she complains about it, she leans into that very perception because it strengthens the parasocial bond.

The marketing for TTPD so clearly being about Joe Alwyn and the songs to Matty Healy. The marketing/video for Red TV so CLEARLY being about Jake Gyllenhaal, with so many of the new lines in All Too Well specifically being digs at him (I'll get older but your lovers stay my age, casting an actor that looks like him for the video, specific lines in I Bet You Think About Me). The fact that songs like Getaway Car and Bejeweled and Gorgeous and London Boy and Lavender Haze being picked apart at time of release and long after for signs of relationships crumbling. The way she uses surprise songs in relation to her relationship development with Joe/Matty/Travis. The damn TTPD "stages of grief" playlists where she deliberately undid/changed the meanings of old songs just to keep her audience speculating on her love life.

It's not sexist to point out that her wielding her love life is a marketing tool and that the strongest connection to her audience isn't the strength of her writing/the composition of her music- it's her deliberate crafting of a connection between her music and her personal life, leaving the audience invested in her music as an extension of Taylor the Person/Girlfriend rather than Taylor the Artist.

[demigods-posts]

headcanon that percy is historically hard to beat at monopoly. and it's intially the most mind-boggling thing ever watching him turn the tide of a game. because he's definitely losing at the beginning. but percy is not only an amazing strategist. he has a deep understanding of money and knows how and when to bet on the board. he knows when to test his luck. and he's amazing at getting into people's head.

[0fps]

JANE DOE ❖ undercover r&b

The big bad daddy who cussed you out every day is gone and yet you still miss him. What are you, a bunch of daddy's boys?

[emilyjunk]

"Kevin isn't that bad it's not like he beats her, why does she need to kill him or fake her death, just get divorced" you are the point of the show, you are missing the crucial reveal. Allison sees Kevin in every single scene as she does their last scene together, but we as the audience aren't privy to that and we only see sitcom Kevin which is Kevin's self perception. He is not suddenly becoming scary and threatening to her. He was like that the whole time. We only see Allison's feelings about Kevin and the aftermath of her interactions with Kevin -- this is the ONLY time we see Kevin from her POV except for the brief initial breaking of the sitcom cam. Every other time we see Kevin on screen it's from Kevin's POV. Even after she cuts her hand we only see the bandage in her singular pov when she is away from kevin, but when it shifts back to sitcom Kevin it's gone.... We do not see the reality of her interactions with Kevin, that's the point of the show!!! Because when Kevin is on screen, it's Kevin's world! We only see Kevin from anyone else's lens in ONE scene at the end, which is when Allison decides to leave, so yes the sitcom cam "softens his abuse" but it also just fully acts as an unreliable narration because we never literally see Kevin from anyone else's POV until the series finale so every time Kevin is on screen it isn't even an accurate portrayal of what's happening, it's Kevin's perception of what's happening. Allison has viewed him like that the entire show, we as the audience just did not get to witness that POV until the end

[poorly-drawn-mdzs]

Started a new book series, and has been a journey...an Odyssey, if you will.

[secretagentsagainstwhatever]

Nine would have never “Rose Tyler I….” he’d of said i love you and he’d of said it with chest

[echo-stimmingrose]

The thing about Percabeth is, they are not enemies to lovers.

They are two twelve year olds who are annoyed by each other, to trusted allies, to friends who argue, to best friends, to oblivious pining idiots, to lovers.

[dollarstorefern]

*cough* if you hate amber volakis i hate you *cough* (just kidding!) (i’m not.)

[gatoburr0]

[jewelulu]

Here comes Jewel for the twst stitch event!! Shhh I know I broke the rules for this a bit but she’s matching with Grim in sprit! (she’s loyal to her clothing color palette)

Honestly this took longer than I expected, it was supposed to be finish like three days ago

But where there’s water there is chaos bound to happen:

Also nice little Jewel fun fact… she indeed cannot swim!

I actually got lazy by the time I drew this one out

Taglist: @skriblee-ksk