#history movie

[ballad-of-birdy-lamb]

The day producers make the actresses in period pieces fit the beauty standard of the piece is the day I die happy

[l-ultimo-squalo]

The St. Valentine's Day Massacre (1967) dir. Roger Corman

[tinagodiva]

Fall in New England 🍁

[inkskinned]

this is just my opinion but i think any good media needs obsession behind it. it needs passion, the kind of passion that's no longer "gentle scented candle" and is now "oh shit the house caught on fire". it needs a creator that's biting the floorboards and gnawing the story off their skin. creators are supposed to be wild animals. they are supposed to want to tell a story with the ferocity of eating a good stone fruit while standing over the sink. the same protective, strange instinct as being 7 and making mud potions in pink teacups: you gotta get weird with it.

good media needs unhinged, googling-at-midnight kind of energy. it needs "what kind of seams are invented on this planet" energy and "im just gonna trust the audience to roll with me about this" energy. it needs one person (at least) screaming into the void with so much drive and energy that it forces the story to be real.

sometimes people are baffled when fanfic has some stunning jaw-dropping tattoo-it-on-you lines. and i'm like - well, i don't go here, but that makes sense to me. of fucking course people who have this amount of passion are going to create something good. they moved from a place of genuine love and enjoyment.

so yeah, duh! saturday cartoons have banger lines. random street art is sometimes the most precious heart-wrenching shit you've ever seen. someone singing on tiktok ends up creating your next favorite song. youtubers are giving us 5 hours of carefully researched content. all of this is the impossible equation to latestage capitalism. like, you can't force something to be good. AI cannot make it good. no amount of focus-group testing or market research. what makes a story worth listening to is that someone cares so much about telling it - through dance, art, music, whatever it takes - that they are just a little unhinged about it.

one time my friend told me he stayed up all night researching how many ways there are to peel an orange. he wrote me a poem that made me cry on public transportation. the love came through it like pith, you know? the words all came apart in my hands. it tasted like breakfast.

[whimsifae]

[wh0-is-lily]

Shelley Duvall, 1970s

[chloesimaginationthings]

My FNAF theory is Monty was a mediocre melody

[anxiouslittlecarrot]

I want everybody who’s calling Ken a Trophy Husband to know that he’s actually a Trophy Boyfriend, because when Ruth Handler invented Ken in the 1960s, she was adamant that he would never marry her and instead be her “handsome steady”, so that Barbie remained a figure of independence for the little girls and was never put in the position of housewife.

Her house is hers. She bought it and furnished it with money she made in her own job. In STEM, in politics, in healthcare, in fashion, in academy, in customer service. Her credit card is in her name (women in the US couldn’t have their own regardless of marital status until 1974). And it’s all pink and fashionable because femininity and badassness aren’t mutually exclusive. No matter who you are, you can be anything.

That’s why Barbie’s slogan is “you can be anything”. Teaching these ideals to little girls is why Barbie was created. Empowering women and empowering femininity is the original meaning of the Barbie doll. It’s not that you have to be all this to be a woman, but if you are all or some of this, you too are awesome.

And somehow pop culture deliberately changed that narrative. Sexualised, bimbofied, and villainised her, when she actually isn’t responsible for the impossible beauty standards — people are, she’s just a stylised, not-to-scale toy like most others.

Men are frothing because he’s just Ken and I guess they were expecting her to be just Barbie, but that’s exactly what Ken is. Canonically. A badass woman’s himbo boyfriend.

This movie has the potential to radically change the way we collectively see Barbie into what Ruth Handler originally intended, I’m so very excited

[robsheridan]

[Update: Apocalypse in Pink part 2 is out now]

Before Barbenheimer, there was “Apocalypse in Pink,” the August 1983 theme of fashion/culture magazine SPECTAGORIA. The issue’s controversial imagery of Barbie-esque models attempting to stay gorgeous and glamorous amidst nuclear annihilation sought to, in the words of editor/photographer Sera Clairmont, “revel in the morbid absurdity of the new American condition,” an “anxiety vibrating underneath all our plastic smiles.”

“It’s The Hot Pink Cold War,” Clairmont wrote in her introduction. “It’s ‘Material Girl’ on the radio and ‘WarGames’ at the drive-in. It’s ‘Girls Just Wanna Have Fun’ interrupted by the emergency broadcast signal. We’re told to look sexy, dress fashionable, make money, and spend money, but be sure we’re just the right amount of terrified about the bomb. Get that Malibu dream home, keep working on that perfect body, sip cocktails by the pool in your little pink bikini and watching the stocks go up — but STAY VIGILANT! and for God’s sake vote Republican, because that dream home could melt into a pink plastic inferno at any given moment. Just don’t stop smiling as the blast liquefies your skin into bubbling ooze like a Barbie doll in a microwave - it’s bad for the economy.”

***Continued in PART 2***

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NOTE: This is a work of fiction created by me. This alternate reality horror story is part of my NightmAIres narrative art series (visit that link for a lot more). NightmAIres are windows into other worlds and interconnected alternate histories, conceived/written by me and visualized with synthography and Photoshop.

If you enjoy my work, consider supporting me on Patreon for frequent exclusive hi-res wallpaper packs, behind-the-scenes features, downloads, events, contests, and an awesome fan community. Direct fan support is what keeps me going as an independent creator, and it means the world to me.

[liberty1776]

Found this wonderful old mini series, Once an Eagel, free on You Tube. Sam Eliott portrays an American Soldier who serves in World War One then remains in the Army to insure American solders will be prepared to fight the next war. Great tribute to veterans.

[prokopetz]

Okay, so we all know the real reason for the vampires-versus-werewolves thing in popular culture is because back in the 1930s, the same studio owned the movie rights to Dracula, Frankenstein and the Wolfman, and they decided to moosh them all together into what is arguably the first Big Stupid Cinematic Universe, but what's slightly less well known is that H G Wells' The Invisible Man was also part of that package. I want to see what the goofy we-swear-it's-personal-horror tabletop RPG based on that facet of the mythos looks like, weirdly artificial taxonomies of playable splats and all – everybody's invisible, but there are like five completely different possible reasons for that, plus a sixth, evil reason for being invisible which you're not allowed to play as because they secretly rule the world.

[freshmoviequotes]

The Holdovers (2023)

[httpdramas]

I'm Still Here (2024)

[tinagodiva]

Norway 🇳🇴

[douglasbradburyverne]

Cleavon Little and Gene Wilder in "Blazing Saddles" (released 50 years ago today in 1974)

[hailruth]

a siddur belonging to marilyn monroe, complete with her annotations in pencil. many remember her as a sex symbol who lived a difficult life, but few know of her conversion & devotion to judaism. "everybody's always out to get them, no matter what they do," said monroe. "like me."