#history is now
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feminist-dinosaur27 · 1 day ago
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WHAT DID I FUCKING TELL YOU
literally sobbing because my mum is wishing on new the smiths, my dad is wishing on new R.E.M, my local alternative radio presenter is wishing on new Fiona Apple, im wishing on new mcr, and we all know it’s never happening
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mewbius-supreme · 1 year ago
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Disney: absolutely no gay!
Tom the executive producer of Loki to everyone: we're doing the gay. Idc because Loki and Mobius obviously have feelings for each other. I. FEEL. IT.
Tom to Owen:
Owen: say no more
Tom to Natalie: LOKIUS REAL
Natalie Holt: proceed to include Mobius as drum + guitar in the finale Loki theme. *Cue drums and guitar while "let time pass" echoes. Repeat mobius' melancholy melody and slowly build up to a darker Loki theme and also there's this new heroic tune that represents Loki's heart getting kintsuki by mobius' gold and their melody supports each others throughout the theme
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poetic-gay-wrist · 11 months ago
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Loki s2 ep6 + happiness
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cleabellanov · 10 months ago
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To be loved is to be changed = To have glory in purpose is to wear its burden
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historyandarthijinks · 1 year ago
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Modern Day Shorts #18
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This is the lovely Theresa Kachindamoto, Inkosi of the Dedza District in the country of Malawi. In current day times, and like she has always been, Kachindamoto is a woman on a mission. She's a women's and children's rights activist who advocates for the education of children, abolishment of child marriage, and equality of young women in several African nations.
She is the first female African chief. She was simply informed one day as a college student that she was made senior chief of the Dedza District. Returning home she witnessed first hand the chaos of child marriage and intense poverty plaguing Malawi. Malawi itself has one of the highest child marriage rates in the world.
Kachindamoto took her new role incredibly seriously, and got to work immediately. She's annulled thousands of child marriages in the past years, through commands, lawmaking, and cultural authority.
Education of children, especially young girls is very important to Kachindamoto. The woman has created parent ran networks that help keep children in schools as well, and her work doesn't stop in her home district. She is a strong activist. Despite receiving death threats and resistance, Kachindamoto refuses to back down.
She plans to be chief until her death, and fight until that happens.
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elizamoomoo · 1 month ago
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He was ahead of his time
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crowkip · 2 months ago
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yeehaw, baby!
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hamletthedane · 9 months ago
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I was meeting a client at a famous museum’s lounge for lunch (fancy, I know) and had an hour to kill afterwards so I joined the first random docent tour I could find. The woman who took us around was a great-grandmother from the Bronx “back when that was nothing to brag about” and she was doing a talk on alternative mediums within art.
What I thought that meant: telling us about unique sculpture materials and paint mixtures.
What that actually meant: an 84yo woman gingerly holding a beautifully beaded and embroidered dress (apparently from Ukraine and at least 200 years old) and, with tears in her eyes, showing how each individual thread was spun by hand and weaved into place on a cottage floor loom, with bright blue silk embroidery thread and hand-blown beads intricately piercing the work of other labor for days upon days, as the labor of a dozen talented people came together to make something so beautiful for a village girl’s wedding day.
What it also meant: in 1948, a young girl lived in a cramped tenement-like third floor apartment in Manhattan, with a father who had just joined them after not having been allowed to escape through Poland with his pregnant wife nine years earlier. She sits in her father’s lap and watches with wide, quiet eyes as her mother’s deft hands fly across fabric with bright blue silk thread (echoing hands from over a century years earlier). Thread that her mother had salvaged from white embroidery scraps at the tailor’s shop where she worked and spent the last few days carefully dying in the kitchen sink and drying on the roof.
The dress is in the traditional Hungarian fashion and is folded across her mother’s lap: her mother doesn’t had a pattern, but she doesn’t need one to make her daughter’s dress for the fifth grade dance. The dress would end up differing significantly from the pure white, petticoated first communion dresses worn by her daughter’s majority-Catholic classmates, but the young girl would love it all the more for its uniqueness and bright blue thread.
And now, that same young girl (and maybe also the villager from 19th century Ukraine) stands in front of us, trying not to clutch the old fabric too hard as her voice shakes with the emotion of all the love and humanity that is poured into the labor of art. The village girl and the girl in the Bronx were very different people: different centuries, different religions, different ages, and different continents. But the love in the stitches and beads on their dresses was the same. And she tells us that when we look at the labor of art, we don’t just see the work to create that piece - we see the labor of our own creations and the creations of others for us, and the value in something so seemingly frivolous.
But, maybe more importantly, she says that we only admire this piece in a museum because it happened to survive the love of the wearer and those who owned it afterwards, but there have been quite literally billions of small, quiet works of art in billions of small, quiet homes all over the world, for millennia. That your grandmother’s quilt is used as a picnic blanket just as Van Gogh’s works hung in his poor friends’ hallways. That your father’s hand-painted model plane sets are displayed in your parents’ livingroom as Grecian vases are displayed in museums. That your older sister’s engineering drawings in a steady, fine-lined hand are akin to Da Vinci’s scribbles of flying machines.
I don’t think there’s any dramatic conclusions to be drawn from these thoughts - they’ve been echoed by thousands of other people across the centuries. However, if you ever feel bad for spending all of your time sewing, knitting, drawing, building lego sets, or whatever else - especially if you feel like you have to somehow monetize or show off your work online to justify your labor - please know that there’s an 84yo museum docent in the Bronx who would cry simply at the thought of you spending so much effort to quietly create something that’s beautiful to you.
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ionomycin · 14 days ago
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your last light
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unbonmot · 1 year ago
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History times when history is now
every so often im struck by the memory of one of my college professors getting very angry with our class (art history of pompeii 250) because when she excitedly detailed the ingenious roman invention of heated floors in bathhouses via hearths in small crawlspaces, we asked who was tending the fires. she said "oh, slaves i suppose. but that isnt the point". and we said that it actually very much was the point. she had just told us that in roman society there were dozens of people, maybe hundreds, who spent every day of their enslaved lives crawling in cramped, hot, smoky tunnels to light fires to warm pools of water (which they were not allowed to swim in). how could that not be the point?
she wanted us to focus on the art, on the innovation of heated plumbing, on the tiles and decorations of the bathhouses, and all we wanted to do was learn more about the people under the floors. and she didn't know anything more about that. in fact, she said she thought we were focusing too much on superfluous details.
it feels almost hokey to put too fine a point on the idea im getting at here but i will anyway: There are a lot of people who are still under the floors. all these beautiful, convenient, brilliant innovations of modern society (think fast fashion, chatgpt, uber, doordash) are still powered by people working in inhumane, untenable conditions.
the people who run these systems want you to focus on the good - who doesnt love warm water? - but if anything is going to improve or change in our lifetimes, you need to examine these things with an attentive, critical, and empathetic eye. and for fucks sake stop ordering from amazon
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starii-void · 5 months ago
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going to chb must be crazy like imagine sharing a camp with
-one of the strongest demigods ever who's saved the world like at least 3 times, fought multiple gods & titans and WON (and is a tartarus survivor)
-the literal main architect of OLYMPUS who's also saved the world multiple times (also tartarus survivor)
-THE lord of the wild who's also close friends with the first two (and has helped save the world multiple times)
-an emo kid from the 1930s who again helped save the world and is also a tartarus survivor (TWICE)
-a son of apollo who survived tartarus with nothing but cargo shorts and sheer will (pun intended)
-the main designer and builder for the argo II, also the first hephaestus kid to have fire powers since hundreds of years ago (did i mention killed gaea? no? yeah he did that too)
-a girl who somehow charmspeak-ed gaea into falling back asleep (also side note daughter of super famous actor because why not)
-pretty much everybody is a two-time war veteran
-THE GOD APOLLO who just sometimes comes down to visit in the form of a teenage boy
-did i mention dionysus, god of wine madness and theatre
-also chiron, trainer of pretty much every greek hero ever
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egophiliac · 2 months ago
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doylist explanation for why Gidel is only in Fellow's non-idle lesson animations: probably something about space constraints and making sure two sprites in one seat aren't covering anyone else when they're not in focus
watsonian explanation for why Gidel is only in Fellow's non-idle lesson animations: he snuck in and is hiding from the teachers, don't give him away 🤫
(I've reached my limit of unsuccessful attempts at pulling them before I need to save keys for Halloween, so I've been living vicariously through youtube videos...but the fact that Gidel just pops up from under the desk to wave his arms around happily is really testing my resolve. D: I'm gonna die when they finally get to do alchemy...)
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anti-terf-posts · 5 months ago
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I'm currently watching a YouTube video (link) by Matt Bernstein, a gay man. In the video, they have a guest speaker named Devon Price. The video goes over how "annoying" queers (TikTok enbies, James Charles dupes, autistic queers, neopronouns users, kinksters, etc) are not the reason why queer people don't have the same rights as non-queer people.
at around 4:40, Devon mentions a type of queer protest I've *never* heard of until now. It was called "The Annual Reminder", and it was run by cis white gay men. Essentially it was a reminder to non-queers that gay (gay not queer) men looked like everyone else. they would dress in formal suits and hold signs that reminded the non-queers that they look just like everyone else. and the outcome of these protests? nothing. these protests did NOTHING to help queer rights. It wasn't until stonewall and pride that people started waking up, and I am in shock. Literally how have I never heard about this until now. I feel like it's such an important part of queer history that just gets swept under the rug, and I have a feeling I know why.
The gays that try to erase the loud, flamboyant queers, are the same ones who want to hide the fact that conforming to what the non-queers want us to act like doesn't actually do anything. They want you to believe that hiding your queerness is the way to get our rights, and that THEY'RE the ones we have to thank for what rights we have, when that's just not true. Black trans women, "annoying" twinks, sex workers, people who use controversial labels, QUEERS are the reason why we aren't treated as badly as we were 50 years ago. Instead of bowing down to Blaire White or Arielle Scarcella, thank Sock who listens to My Chemical Romance and uses star/starself pronouns for being openly freaky and queer, because stars the one who is *really* doing good for the community.
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georgewashingtouch · 1 year ago
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I work for local government, can confirm, internal orders are to not use red or yellow colors when displaying medium or high levels of pollutants so as to not scare the populace. Multiple managers in multiple departments have said this out loud and put it in writing.
the reason there are no actual phone alerts for the air quality in Canada and parts of the US right now is because the government doesn't want to freak people out. This is what I've taken to calling New Normal Syndrome — when people don't want to acknowledge that the worst air quality on record, or an ongoing global pandemic is cause for alarm and appropriate protective measures.
New Normal Syndrome has also affected the folks pretending it's "Normal" (or not a form of child abuse??) to take their kids out in a level 11 air quality warning without any respiratory protection before kids can comprehend the damage that will do to their lungs.
People with New Normal Syndrome can wear blinders as much as they want, they can cling to "Normal" with their fingertips, but it's not going to make it true. We're living in a global pandemic, in a climate crisis, and this is not sustainable.
We don't need to adjust to "the New Normal," we need to take appropriate steps to fix it and mitigate the damage that it's causing, at least within our own families and communities to start.
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cooking-with-hailstones · 2 years ago
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Listen if the study of ancient humans doesn’t make you at least a little bit emotional idk what to say.
I started crying today at the museum because they had reconstructed the shoes of Otzi the iceman.
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Either he or someone he knew who cared about him made these shoes out of grass and bear skin and twine and he was wearing them when he died over five thousand years ago.
And a Czech researcher and his students did reconstructions of these shoes and wore them to the same place where he died to test them out and they were like yep! These shoes are really cozy and comfy and didn’t give us blisters while hiking!
Is that not just the coolest shit ever????
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asquinate · 7 months ago
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