#historical gifts

[veryphilosopheranchor]

The Impact of History Gifts on Our Lives

In a world dominated by the latest gadgets and trends, the significance of history gifts often takes a back seat in our lives. However, beneath the shiny surface of modernity lies a treasure trove of wisdom, culture, and stories waiting to be unraveled. This article explores the profound impact of history gifts on our lives, with a special focus on the growing trend of letter subscriptions for adults and the allure of historical gifts.

Unveiling the Past through Historical Gifts:

History gifts serve as portals to times long gone, providing us with a tangible connection to our roots. Whether it's an ancient artifact, a replica of a medieval manuscript, or a carefully crafted historical map, these gifts have the power to transport us to different eras, fostering a sense of appreciation for the rich tapestry of human history. Beyond mere material objects, historical gifts encapsulate the stories and struggles of our ancestors, acting as educational tools that transcend generations.

The Rise of Letter Subscriptions for Adults:

In an age dominated by digital communication, the art of letter writing has not been lost; it has evolved. Enter the realm of letter subscriptions for adults, a growing trend that combines the nostalgia of handwritten letters with the excitement of discovering historical narratives. Subscribers receive curated letters that delve into specific periods, events, or personalities, allowing them to embark on a journey through time without leaving the comfort of their homes.

These history letter subscriptions serve as a gateway to forgotten tales, presenting history in a personalized and engaging format. The anticipation of receiving a carefully crafted letter, complete with historical artifacts and anecdotes, adds a tactile and emotional dimension to the learning experience. It's a reminder that history is not confined to textbooks but is a living, breathing entity that continues to shape our present.

The Educational Value of Historical Gifts:

Beyond their aesthetic appeal, historical gifts carry immense educational value. Whether it's a replica of an ancient coin, a historically accurate costume, or a meticulously researched book, these gifts provide opportunities for hands-on learning. Tactile experiences enhance our understanding of historical concepts, making the past more tangible and relatable.

Moreover, historical gifts spark curiosity and encourage further exploration. A carefully chosen historical gift can ignite a passion for learning about specific time periods or cultures, fostering a lifelong interest in history. In a world where instant gratification often takes precedence, these gifts encourage a slower, more thoughtful approach to understanding the complexities of our shared past.

Preserving Cultural Heritage:

History gifts play a crucial role in preserving cultural heritage. By celebrating and sharing the artifacts and stories of diverse civilizations, these gifts contribute to the collective memory of humanity. In an era of globalization, where cultures risk homogenization, historical gifts act as guardians of uniqueness, promoting a sense of pride and identity.

Conclusion:

As we navigate the fast-paced currents of the present, history gifts stand as anchors, grounding us in the timeless wisdom of the past. From the allure of historical artifacts to the personalized narratives delivered through letter subscriptions for adults, these gifts weave a tapestry of connection between generations. By embracing and gifting the stories of our ancestors, we not only enrich our own lives but also contribute to the preservation and appreciation of our shared human heritage. History gifts, in their diverse forms, serve as reminders that our journey is part of a larger narrative—one that continues to unfold with each passing day.

[historybybmail]

History By Mail is a monthly subscription to replicas of historical letters,historical gifts, and documents. Our subscriptions make history tangible and exciting and are a great gifts. For more details visit: https://historybymail.com

[historymaill]

Historical gifts

History By Mail is a monthly subscription to replicas of historical letters, history gifts, and documents. Our subscriptions make history tangible and exciting and are a great gifts.

[canisalbus]

The Sheep plush has delighted me so much that I had to pause my work to quickly scribble a young Machete. please enjoy.

.

[maypersonne]

Shang Qinghua is such a romance webtoon ass protagonist watch him get married to the Duke of the North for protection and tax reasons make his fief run so much better make everyone's life better make his expertise indispensable make his husband fall madly in love with him then worry about how he's getting divorced in 2 years cause their contract marriage end there and his gorgeous gorgeous husband having now filled the conditions and inherited his title as Lord of the northern lands will find a much higher status and prettier spouse the second the contract is over

Like Mobei Jun could even fonction as a person without Shang Qinghua like the organization of the North wouldn't completely fizzle out in a week if he took his eyes off it

[xandezsims]

[Recolor: Celebrimbor Armor (Simblreen Gift #3)]

A suit of ancient elven armor, lost to time--until now. It's in near-perfect condition. But why would someone leave something so valuable behind? (+3 Fortitude, -1 Fortune)

Cass has a bad history with inanimate objects. He enraged a greater mimic once, so much that he was lucky to get away with just a curse. Now, it's like everything he touches is out to get him. Luckily, this box seems to have been safe. It's good he left the other one alone...

A fancy recolor of @plazasims Celebrimbor armor, for this lovely idiot, and anyone else who was lucky enough to find it.

Mesh required: Celebrimbor

Found in Jumpsuits and Costumes

40 swatches

Custom thumbnails

Masc frame only

Download: Patreon | SFS Backup: Dropbox

Tag us if you use them so we can reblog you. Happy Simblreen!

Rebloggers (thank you): @simblreenofficial @ts4medieval @alwaysfreecc @mmfinds @sssvitlanz

[isabelle-primrose]

The Princess Royal's fan, 1856

Painted by the Princess Royal as a birthday gift for Queen Victoria

[wyrmswears]

the fact that a year has passed in the time between s1 beginning and s2 beginning means that at some point, while the majority of the ninja were reunited at the monastery, it was the missing teammate's birthdays

how much do you think that hurt? an entire day that should be spent celebrating someone who isnt there

[mostlysignssomeportents]

Neal Stephenson’s “Polostan”

NEXT WEEKEND (Novem<p>placeholder </p>ber 8-10), I'll be in TUCSON, AZ: I'm the GUEST OF HONOR at the TUSCON SCIENCE FICTION CONVENTION.

Science fiction isn't collection of tropes, nor is it a literary style, nor is it a marketing category. It can encompass all of these, but what sf really is, is an outlook.

At the core of sf is an approach to technology (and, sometimes, science): sf treats technology as a kind of crux that the rest of the tale revolves around. The Bechdel test invites us to notice that in most fiction, stories revolve around men – that it's rare for two or more non-male characters to interact with one another, and if they do, that interaction is triggered by a man.

The sftnal version of this would go something like this: "a story gets increasingly stfnal to the extent that interactions among characters either directly relate to a technology, or are triggered by the consequences of such a relation, or fears, plans or aspirations for same."

(Note that this implies that science fiction is a spectrum: things can be more or less science fictional, and that gradient reflects the centrality of a technology to the narrative.)

No one's work demonstrates this better than Neal Stephenson. Stephenson's work covers a lot of settings and storytelling modes. His debut, The Big U, was a contemporary novel lampooning academic life. Then came Zodiac, another contemporary novel, but one where science – in this case, extremely toxic polychlorinated biphenyls – take center stage. Then came his cyberpunk classic, Snow Crash, which was unambiguously (and gloriously) science fiction.

A couple of books later, we got Cryptonomicon, a finance novel that treated money as a technology, and, notably, did so across both a near-future setting and the historic setting of WWII. In addition to being a cracking novel, Cryptonomicon is exciting in that it treats the technological endeavors of the past in exactly the same way as it does the imaginary technological endeavors of the future. Here's Stephenson fusing his contemporary sensibilities with his deep interests in history, and approaching historical fiction as an sf writer, doing the sftnal thing to gadgets and ideas that have been around for more than two generations.

Stephenson's next novel was Quicksilver, the first book of the massive "System of the World" trilogy, in which the extremely historical events of Newton and Leibniz's quest to discover "the calculus" are given a sweeping, world-spanning sftnal treatment. As "system of the world" suggests, Stephenson uses this sftnal trick to situate a scientific advancement in the context of a global, contingent, complex system that it both grows out of an defines. This is the pure water of science fiction, applied entirely to real seventeenth century events, and it's definitive proof that sf isn't a trope, a style or a category – but rather, it is a way of framing and understanding the world.

You can think of Stephenson's career up to this point as a series of experiments in applying the stfnal lens to events that are progressively less historical (and, with The Diamond Age, events that are atemporal inasmuch as the book is set in a futuristic revival of the Victorian Age). Experiments that range over contemporary settings, and then contemporary settings blended with historical settings, then a deep historical sf trilogy.

(It's rather exciting that these books came out right as William Gibson was entering his own "predicting the present" decade, where he exclusively published sf about the recent past, a prelude to a series of sf novels set in a future so far from our present that the characters literally have no record of which events led up to their own circumstances):

https://memex.craphound.com/2014/10/28/the-peripheral-william-gibson-vs-william-gibson/

Having proved how successful an historical sf novel could be, Stephenson then bopped around with a lot of stfnal historical ideas, from the "transmedia" 12th century setting of the Mongoliad to a madcap time-travel book (The Rise and Fall of DODO). Stephenson's work since then have been pretty straightforwardly sftnal, which means that he's a little overdue for a return to historical sf.

That's where Polostan comes in, the just-published inaugural volume of a new interwar series about the birth of atomic science:

https://www.harpercollins.com/products/polostan-neal-stephenson

Critics and even the publisher have called this a "spy novel" or a "historical novel" but it is neither of those. What Polostan is, is a science fiction novel, about spies in an historical setting. This isn't to say that Stephenson tramples on, or ignores spy tropes: this is absolutely a first-rate spy novel. Nor does Stephenson skimp on the lush, gorgeously realized and painstakingly researched detail you'd want from an historical novel (Stephenson has long enjoyed a fruitful collaboration with the brilliant researcher Lisa Gold, whom we can thank for much of the historical detail across his body of work).

But the overarching sensibility of this work is a world full of people who revolve around technology. You'd be hard-pressed to list more than a handful of actions taken by the characters that aren't driven by technology, and most of the dialog either concerns technology, or the actions that characters have taken in relation to technology. It's unmistakably and indelibly a science fiction novel.

It's great.

Polostan raises the curtain on the story of Dawn Rae Bjornberg, AKA Aurora Maximovna Artemyeva, whose upbringing is split between the American West in the early 20th century and the Leningrad of revolutionary Russia (her parents are an American anarchist and a Ukrainian Communist who meet when her father travels to America as a Communist agitator). Aurora's parents' marriage does not survive their sojourn to the USSR, and eventually Aurora and her father end up back in the States, after her father is tasked with radicalizing the veterans of the Bonus Army that occupied DC, demanding the military benefits they'd been promised:

https://en.wikipedia.org/wiki/Bonus_Army

After the efforts of Communist organizers in the Bonus Army were mercilessly crushed by George S Patton, Aurora ends up living in a Communist commune in Chicago, where she falls into a job selling comfortable shoes to the footsore women who visit the Century of Progress, as the 1933 World's Fair was known:

https://en.wikipedia.org/wiki/Century_of_Progress

At the Century of Progress, Aurora sits at the junction where many global currents are mixing: she is there when Mussolini's air armada lands on Lake Michigan to the cheers of thronged fascist sympathizers; and also when Neils Bohr lectures on the newly discovered – and still controversial – neutron. She is also exposed to her first boyfriend, a young physicist from New York, who greatly expands her interest in nuclear physics and also impregnates her.

This latter turn in her life sends Aurora back into the American west, where, after a complex series of misadventures and derring-do, she embarks on a career as a tommy gun-toting bank robber, part of an armed gang of her cowboy shirttail cousins.

All of this culminates in her return sojourn to the Soviet Union, where she first falls under suspicion of being an American spy, and then her recruitment as a Soviet spy.

Also: she plays a lot of polo. Like, on a horse.

This isn't just an unmistakably sftnal novel, it's also an unmistakably Stephensonian novel: embroidered, discursive, and brilliantly expositional:

https://maryrobinettekowal.com/journal/my-favorite-bit/my-favorite-bit-cory-doctorow-talks-about-the-bezzle/

It is funny, it is interesting, it is even daffy in places. It's sometimes absolutely horrifying. It skips around in time like a subatomic particle bouncing around in a theoretical physics model. It creates and resolves all manner of little subplots in most satisfying ways, but also ultimately exists just to tee up the main action, which will come in future volumes. It's a curtain raiser, and like any good opening number, it hooks you for what is to come.

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2024/11/04/bomb-light/#nukular

[anyroads]

Shameless holiday Etsy store plug!

It's that time of year again! Crafters, if you're looking for leather thimbles, I got you.

I've never been able to use metal thimbles and it was always a source of frustration because needles start to hurt your finger pretty quickly. A couple of years ago I learned how to make leather thimbles and it changed my sewing and embroidery game entirely. When I got a stack of leather offcuts, though, I ended up with way more material than I needed, so I started making extras and selling them. I started having fun with the kinds of leather I worked with and incorporating fun, colorful designs, and now I stock all sorts in my Etsy store:

I only use reclaimed leather scraps from other Etsy sellers who I've built personal relationships with, several of whom also use reclaimed leather before selling their own offcuts to me. Each thimble comes wrapped in tissue paper, packing slips are printed on recycled paper, and shipped in unbleached envelopes with labels made from recycled materials.

Whether these are your thing or not, I hope you'll keep independent artisans in mind when you're buying gifts this season! They work hard, are underpaid, and need your support more than corporations.

(Also, if you see an Etsy ad on google or in the ad space of a website, don't click on it! Search for the Etsy store's name through Etsy instead. When you make a purchase after clicking an advertising link, Etsy takes a percentage and keeps doing so every time you go back to that store. Etsy already takes 25%-33% of sellers' profits in fees, don't help them take more! Links like the above that are embedded in an individual person's post are fine, just look out for ads on the side or bottom of websites, blogs, and social media pages, as well as google ads.)

[artist-ellen]

The cover is nearly complete!!

Putting this physical book together is stressful.... it's why it has taken so long. But things are moving steadily! It won't take too much more to get this baby launched!! It’s frightening how close it is to launch!!! In related news kdp doesn’t let “low content” books have a scheduled launch day so… keep a look out for sporadic gremlin productivity hours. Let’s see if your copy arrives before mine can?

Thank you for your patience!

I am the artist! Do not post without permission & credit! Thank you! Come visit me over on: instagram.com/ellenartistic or tiktok: @ellenartistic

[starker-sorbet]

As the personal page to the great Knight Stark, general of His majesties army and hero of the realm, Peter had many tasks assigned to him. From grooming his masters horse and taking care of the knights weapons. All were tasks Peter took great deal of pleasure in performing for Sir Stark as the man was not just the realm's her but Peter's personal one too. Ever since the man saved his life when he was but a child and Peter swore he would do anything to serve the older man. Even helping to warm his bed.

@starkerfestivals Secret Starker Valentine Event for: @unapologeticallytheworst

[my-deer-friend]

Play along: Amrev codebreaker!

While browsing through some primary materials reading up about John Laurens’ mission to France as special minister to the court of Versailles, I came across a letter that he wrote to the president of the Continental Congress on 9 April 1781 that included a coded message using a numerical cipher. 

I took a shot at deciphering it – here’s the process I followed, and you can play along too!

1. The first step, of course, was to determine which specific encryption was being used. After a bit of digging, I came across the immensely useful United States diplomatic codes and ciphers, 1775-1938 by Ralph E Weber. He explains that the cipher in question was “prepared on separate encode and decode sheets, the latter contained 660 printed numbers, with usually 600 words, syllables, and letters of the alphabet scattered randomly throughout the sheet.” So, for example, the word “congress” is “143”, the syllable “el” is “593” and the letter “r” is “215”. This cipher was an updated and improved version of the one used by Benjamin Tallmadge, and Weber explains that Laurens was the first one to use it. Weber also handily provides the decode table in an appendix. 

2. The second step was to design an efficient way to decode the hundreds of numbers Laurens used in his letter, and the obvious answer was my good friend the spreadsheet. I transferred the table from the book to Google Sheets, which was mildly tedious but hugely time-saving later on.

3. Now the fun part! I typed out the numbers from Laurens’ letter, and then used a simple LOOKUP formula to match the number to the decoded text.

The cipher also includes two nuances - an underscore beneath the word means a plural, and an overscore denotes adding an “e” - so I marked these in the cells with pink and green highlights respectively.

4. The final step was correcting a few errors in my table, refining the decoding (some numbers have various iterations to save space, such as 103 which can be any one of “ec/eck/ek” depending on which syllable is needed), and extracting the final text. 

It all reads very smoothly, with the singular exception of “ght-f-t”, which is the way Laurens rendered the word “gift”. The obvious explanation for this mangle is that he mis-wrote 340 (ght) instead of 170 (gi).

That’s definitely 340, 304, 196 which decodes as “ght-f-t”.

While it seems like a strange error to make, bear in mind that the encoding sheet (the one Laurens was using to change plaintext into numbers) would have been listed in alphabetical order to make finding the numbers easier (while the person at the other end has the sheet in numerical order, to reverse the process just as easily). And when we sort alphabetically, we can see that 340 and 170 are right next to each other:

A simple slip to make for someone writing coded letters late at night in low candlelight.

If you want to play along:

Here’s the code/decode spreadsheet. 

And here is the transcribed text (underlines for plurals, asterisk for added “e”). I've given the solution under the cut!

I have employed the most unremitting efforts to obtain a prompt and favorable decision relative to the object of my mission_ 381, 304, 543, 437, 366, 377, 276, 75, 75, 226, 269, 385, 426, 377, 17, 465, 197, 481, 428, 593, 381, 355, 153, 278*, 428, 333, 70, 18, 405, 184, 226, 291, 197, 376, 524, 330, 446, 362, 449, 143 The Count de Vergennes communicated to me yesterday his most Christian Majesty's determination to guarantee 381, 59, 594, 18, 9, 205, 330, 497, 254, 401, 376, 503, 306, 503, 467, 428, 226, 236, 330, 278*, 245, 205, 506, 99, 376, 381, 381, 256, 184, 90, 340, 304, 196 ...and the value of the military effects which may be furnished from the Royal Arsenal, 418, 330, 497, 428, 197, 380, 377, 196, 376, 45, 278, 245, 205 I shall use my utmost endeavours to procure an immediate 467, 208, 491, 18, 278*, 9, 205, 45, 278, 42, 381, 230, 215, 355, 18, 237, 330, 497*, 215, 167, 290, 377, 376, 341, 278, 182, 302, 75, 376, 59, 594, and shall renew my solicitations for the 357, 34, 197, 18, 203, 291, 491, 481, 484, 34, 325, 89, 113, 392, 197, 269, 336, 458, 278*, 97, 18, 245, 205 may not be 126, 21, 215, 497, 376, 341, 296, 75, 477, 226, 103, 196, 481, 278*, 483, 215, 553, 75*, 18, 238, 377, 59, 374, 478, the providing this article I fear will be attended with great difficulties and delays as all the 476, 490, 481, 36, 228, 351, 392, 226, 197, 18, 237, are remote from the sea, and there are no 441, 420, 50, 563, 503, 197, 18, 377, 59, 278, suitable to our purposes. The cargo of the Marquis de la Fayette will I hope arrive safe under the convoy of the Alliance_ 481, 341, 78, 465, 75, 426, 408, 596, 115, 76, 376, 174, 196*, 291, 103, 197, 75, 75, 184, 226, 197, 281, 5, 171, 278*, 428, 593, 381, 355, 492, 194, 236, 376, 45, 574, 408, 504, 366, 381, 506, 197, 197, 193, 213, 75, 197, 199, 291, 377, 197 The Marquis de Castries has engaged to make immediate arrangements for the safe transportation of the pecuniary and the other succours destined for the United States_ 481, 350, 215, 167, 450, 196, 376, 34, 381, 75, 473, 376, 76*, 458, 278*, 72, 208, 449, 577, 114, 89, 405, 486, 497, 197, 113, 126, 34, 361, 376, 269, 278*, 277, 291, 104, 381, 113, 278*, 401, 230, 408, 550, 552, 342, 291

Have fun!

I have employed the most unremitting efforts to obtain a prompt and favorable decision relative to the object of my mission_ after many discussions, difficulties and delays with the details of which it is needless to trouble congress.

The Count de Vergennes communicated to me yesterday his most Christian Majesty's determination to guarantee a loan of ten millions to be opened in Holland in addition to the six millions granted as a gracious gift.

...and the value of the military effects which may be furnished from the Royal Arsenal are to be deducted from the six million.

I shall use my utmost endeavours to procure an immediate advance of the ten millions from the treasury of France to be replaced by the proposed loan,

and shall renew my solicitations for the supplies of the ordinance and military stores on credit that the present of six millions may not be absorbed by thousands objects and the purchase of necessary clothing

the providing this article I fear will be attended with great difficulties and delays as all the wool and manufactories of France are remote from the sea, and there are no

public magazines of cloth suitable to our purposes.

The cargo of the Marquis de la Fayette will I hope arrive safe under the convoy of the Alliance_ and by satisfying our immediate necessities prevent the delays above-mentioned from having any disagreeable consequences

The Marquis de Castries has engaged to make immediate arrangements for the safe transportation of the pecuniary and the other succours destined for the United States_ and has repeatedly assured me that the naval superiority which will be established on the American coast the ensuing campaign

[just-an-enby-lemon]

"I don't like TSOA/Circe because it doesn't fit the original mythos."

So read the mythos. You can still do that.

"Actually things happened like that *source PJO*"

No. They didn't. It's okay, you can love your retelling/adaptation anyway.

"I don't like A Thousand Ships because it doesn't tell the story the way I want it to be/see it. "

Great. Try to find a story that does. Is okay.

"Epic is the new Hamilton".

Historical revisionism is diferent from mythological retellings. But hey glad you found your new fav musical.

"Wait wait so RQG is like Hamilton?"

Nope. RQG does never sell itself as a biography is not historical revisionism is historical fiction. No one EVER looked at Oscar Wilde and assumed he was a magical bard that worked as a spy for dragons. Not a single person in the world got gnome rebel from Emília Earhart and if your take on Einstein was that he can telleport honestly why? The list just goes on. And historical revisionism is necessarialy political - all art is political but historical revisionism is made with an agenda (good or bad) that silly "what if Geoffrey Chauncer was a Lich living on London's underground" doesn't.

"I don't like Disney Hercules."

It's fine, you'll be there someday, you'll go the distance.

"So you're fine with retellings."

Yes. As long as you can separete it from the actual mythos and each other. And more importantly is seing aa separated from actual pagans abd their religious beliefs.

"Why is Lore Olympus in the garbage?"

Is really bad. Not only as a retelling is just bad as a story.

[makosxa]

just realized I never showed y'all these pins of mine

[temtamtom]

If I had a nickel for every time Veneziano stole the body of a Saint to bring back to Venice, I'd have two nickels.

Which isn't a lot but it's weird that it happened twice.