#his response: that's great. how the hell does someone your age even know that movie

[childactress]

a list of media inspired by, about, or loosely adapted from the life of mara banks:

a number of mid-quality songs by mid-quality bands and the mid-quality ex-boyfriends/lovers of mara's. that subgenre of rock/alt/indie/knockoff fall out boy that tells one-sided stories about attractive but damaged^tm girls with daddy issues who outright ruined the guy's life. accuracy and scathingness vary from song to song. you've heard one or two on the radio before their shelf life was up.

a comedy stand-up routine from one of mara's Big Exes. he never identifies her by name, she's this actress i was with for a while. they're less insulting and more utterly damning by their truthful (sometimes exaggerated for the sake of a laugh) reports of her unstable, mara-typical behavior during their time together, and she becomes a recurring joke throughout. she snuck into a show once, sat and sipped at the far-off bar with a far-off look, and stayed for about ten minutes. when he later landed a deal with netflix to film and release a stand-up special, he didn't include the routine in the material; mara doesn't know if that makes her feel better or worse.

starstruck: the banks story. a lifetime movie released a handful of years after arthur and donna's deaths, capitalizing on the tragedy in the hasty way that lifetime movies do. cheap, gently exploitative, the bad type of campy. it made mara (and her sister) pretty angry at the time, but now on a good day she can watch it with a bottle of wine and laugh at the sheer inaccurate nerve. the character of mara isn't around very much and is laughably depicted as a docile sweetheart rather than the spitfire that even pre-end times mara was.

mr. and mrs. banks. a 2020s biopic that also features young mara only briefly, instead covering her parents' marriage and careers with a thematic focus on their tragic love story in tinseltown. it's not a bad piece of work at all, written by a highly-regarded husband and wife duo. a turning point in mara's life: she possessively pursues and wins the role of her own mother, blonde wigs and all. it's a deeply emotionally invasive experience, obviously. and weird as hell falling in fake love with her own dad('s on-camera imitator). she turns in a hell of a performance and comes out the other end with a better reputation and a renewed if slightly cautious interest in hiring her, having reminded hollywood that hey, this girl can act. her world turns inside out, a psychological reckoning. she shakes off some bad habits, picks up a couple others; she dyes her hair blonde during the press tour - a suggestion from a studio suit to emphasize her natural close resemblance to her mother and thus promote public interest in the film (the americans who still remember the complete banks family unit: that's her now? wow, she looks just like her mom.) sadly, fatefully, she lives a long time seeing her mother in every mirror she passes, which has exactly the effect on her psyche that you think. an actress who came back from the dead even deader. tragedy come full circle. meet the new mara banks. a much, much slower kind of car crash.

[jackiepackiee]

Hello, I hope you're having a splendid day!

If your requests are open may I ask for the flags x single parent reader romantic headcanons? I've seen the other one with the mad scientist and I just found it so amazing!

But of course, only if you are comfortable, I don't want to pressure you.

I shall say my good byes now as I have to leave.

Take care of yourself and rest.

Goodbye.

𝓣𝓱𝓮 𝓕𝓵𝓪𝓰𝓼 𝔁 𝓢𝓲𝓷𝓰𝓵𝓮 𝓟𝓪𝓻𝓮𝓷𝓽 𝓡𝓮𝓪𝓭𝓮𝓻

Warnings- parent struggles

Type - headcanons

Of course I added Chuuya.

Albatross -

Did someone say the fun dad?

He admires how responsible you are

Quite literally watches in awe at anything you do

Making a snack? Wow. Hushing your kid from crying? He’s shocked by your skill

Your kid likes cars? He will have an entire lot for them.

Trains? Look, now the port mafia has a and it’s trained named after your kid

Almost like a brother, sorry

He’s immature and has never been around kids

So so gentle however

He’s not dumb, just eccentric after all

You’ll definitely walk in on him covered in paint by your kid, laughing and letting it happen

Tea parties? Tea parties.

7/10, congrats, you have a second kid

Pianoman -

Thinks the absolute highest of you

Will never pry on what happened to the biological parent

But if they hurt you? He’s pulling piano strings

The kid is babied, no matter the age

He’s a leader, and a protecter

The port mafia doesn’t even know you have one

He likes a quiet personal life

No nanny’s, he will clear his schedule if needed

It’s his kid now, and he’s ready to try his best

Smart man, makes sure to let you get plenty of rest

Knows it must’ve been hard being alone

So he wants you to recover from however long you missed the rest you’ve needed

You kid wants a new toy? He will counterfeit money and buy hundreds

9/10, a great dad

Lippmann -

Why the hell is your kid suddenly speaking other languages?

It’s Lippmann. He’s too smart and will make sure to compliment you in French, or Spanish, or German

Your kid becomes so well mannered

“Look, daddy is on TV!”

It’s always fun to have a movie night and watch his newest film

Your kid is an actor now, yeah

Expect many private shows staring your lover and your child

His favorite? Princess/prince with him as the knight

Such an incredible comforter to both you and your child

You’re stressed? He’ll make sure you’re okay while also dealing with whatever’s freaking you out

10/10, just perfect

Iceman -

So goddamn gentle

Your heart will melt, watch out

He’s soft spoken and it must be magic at how well he can console your kids whines

You may know of his work, but only what he does

Not the victims, days, times, anything

But you kid? Doesn’t know a single thing

“My daddy is a superhero”

Yeah, depends on who you ask

He is technically killing bad guys (bad guys to the pm that is)

When you lay down your kid he’ll pull you to the kitchen and play a record

Slow dancing and lifting you up with immense ease

9/10, you may have death of a overheated heart

Doc -

…kinda awkward

He is good with kids, of course

All his years in med school? He had to have seen some children

He’s shy with you, but not shocked you have a kid

Will never judge you, not for a second

Makes sure your body has healed correctly

Back pains from pregnancy (if you are the mom)? You don’t know how but he will heal it

Your kid is like a walking dictionary, muttering words that would only make sense to a surgeon

For a doctor, it’s ironic how much he offers candy to them

“Be good and you’ll get a lollipop from daddy.”

7/10, your kid is always healthy, but he’s a bit childish too

Chuuya -

if you’re a teen parent he won’t care

Supports you and your child with his new pm check

Remember that one wan episode when he said that he would spoil a puppy if he had one?

That’s how he is with your kid and you

You want to take the kid to a new amusement park but the lines are too long for the kid to wait?

He will rent the entire thing, boy has connections

A lot of the sheep were young, so he is good with kids

Won’t be great as a role model, but an amazing protector

Nothing will ever hurt you or the child

If you want, he will definitely let you move in

Warning, the house will be filled with toys that the two of you won’t know what to do with

Overall 7/10 his heart is in the right place but he’s so young

[miraculous-trinity-leo]

Whacky Gotham, Goofy New York, and Chaotic Paris

(Part 1) (Part 2) (Part 3) (Part 4) (Part 5) (Part 6) (Part 7)

Chapter 3: Kindred Spirits Always Find A Way To Assemble

•—–—–†–—–—•

Time: 5:30am

location: Louvre

Ladybug, Abeille, Bunnyx, Trickster, and Chat Noir are fighting an akuma, not anything major, just Mr. Pigeon and his pigeons trying to melt the Louvre with deadly acidic bird dropings, so yeah, nothing major. Just another early bird gets the akuma kinda day...

"Looks like the early bird is trying to melt the Louvre, what say you M'lady, shall we make this swift and- *Loud sneeze* Let me now *sneeze* when I'm *sneeze* needed" - Chat Noir

"For to long our kind has been oppressed, they feed us miserable seeds, when we beg for bread, we shall show them no mercy, as our justice shall be swift!" picks up two pigeons, holds them by their legs and aims the rear cannons "Surrender your Miraculous and your justice shall be swift and painless!!" with an evil villain laugh at the end bla bla bla.

" Anyone else getting Pigeon (French) Revolution vibes? No? just me? Cause I swear he said seeds instead of cake."

"Not the time Bunnyx." - Abeille

"Oh it so Is The Time." - Bunnyx

"Off with Mr. Pigeon Antoinette's Akumatized object!" - Chat Noir from a distance.

"Viva La Revolution!!!" - Trickster

"Dear Kwami, how did it come to a frickin Pigeon Revolution?!" - Ladybug

As the last line is said, Mr. Pigeon fires the -ehem- cannons at the heroes, only for them to be an illusion. In the confusion Bunnyx pops out of her burrow and wacks Mr. Pigeon on the head, effectively knocking him out.

"The Pigeon Revolution is over, we have taken back our home, and shall continue to defend it from the creepy Man of MOTH!!!!" - Bunnyx

and with that Bunnyx brakes the Akumatized object, and Ladybug purifies the akuma.

"Ok, I will admit that last speach was funny, now lets hurry back before hells bells go off." - Ladybug

•~—~—~—~—~—~—~•

" Bla bla bla, nothing important, bla bla bla bla, yada yada yada bla yada." - Mrs. Bustier

"'Viva La Revolution', that was perfect." - Whispering Alix

"It just came to me, but Chats 'Off with Mr. Pigeon Antoinette's Akumatized object' line and your 'Man of Moth' speech were really well timed !" -whispering Peter

"well of course, I'm always punctual with any time sensitive joke/pun." -whispering Alix

"Will you to zip it! we can't have these simpletons finding anything out!" -whispering Chloé

"Please, they all share a broken defective regect of a brain cell, I doubt they could ever put two and two together." -whispering Alix

"Hey, do you think we should start a protest in our classroom?" -whispering Peter

"... Viva.La.Revolution!" - whispering Chloé with a mischievous grin

"No." - Maria

•~—~—~—~ Later when Mrs. Bustier is out of class ~—~—~—~•

"I just don't know what to do." - Lie-la

" You think she finally realized how horrible that hair style is?" - Alix

"After visiting Gotham a few months ago I met Damian Wayne, you might've heard about him, he's just so amazing, kind-hearted, and brave. We had a wonderful time, but then he asked me out! And I don't want to hurt Parkers feelings, I care for both of them!" - Lie-la

"Man, she must be extremely full of it to keep pulling that sh-t out of her @ss every hour or so." - Alix

"Wow Peter, didn't know your cared for Ms. Rossi like that" - Chloé said in a sarcastic tone.

" I'd rather strap her to a supersonic rocket heading for a black hole, and I'm pretty sure this Damian Wayne would do the same... he probably has the money for it actually." - Peter

" Enough plotting, we still need to get enough money, if we want that summer trip, we've already crossed off: Baking sales, becoming a mime, jobs are out unless they're fine with you leaving right after joining, and we can't just ask for donations." - Maria

" I can use my MDC mon-" - Maria

"Oh hell no you won't! You worked your butt off to get that money, you said it yourself! That money is for when you apply to college! I refuse to let you waste your money on our ignoramus classmates!" - Chloé

Thankfully by now everyone was out of the classroom.

" Oh Kwami she's serious, she never uses her big words!" - Adrien

" Then what do you suggest Chloé?" - Maria

" I'll ask daddy to pay!" - Chloé

" I can also ask my father, he'll probably do it if Mr. Bourgeois puts in a donation." - Adrien

" But- " - Maria

" No! The decision is final all in agreement say aye!" - Chloé

"Aye!" - Everyone

"You've watched to many movies Chloé, fine, but please don't drastically overdo it." - Maria

" When have I ever drastically overdone something? Name one time." - Chloé

"Well, there was the time you over did it, by not sleeping for almost three weeks." - Maria

" and after that you got so fed up with one akuma that you kicked him with the force of a thousand suns down unda, you may have scared him for life after that honestly. " - Adrien

" Oh! or the time you went overboard with Peters B-day, and the cake landed on his face! - Alix

"Well in her defense, the cake was great, but it was kinda a mouthful." -Peter

"... I said name one time. (ー_ー)" - Chloé

•~—~—~—~—~—~—~•

Sooo, after all that happened Mr. Bourgeois, Fallowed by Gabriel Agreste, gave a very generous donation, so that solves that problem.And since I'm sure you don't want to see (More Lies) boring stuff, lets skip to two days before the trip begins.

〜(꒪꒳꒪)〜time skip " You're welcome, I'm here all eternity." - Bunnyx〜(꒪꒳꒪)〜

•—–· At Chloés Hotel ·–—•

"Ok are we sure we have everything?" - Maria

" Yes now can we please watch something already, we've triple, and even quadruple checked everything, we're good." - Alix

" I have to go out and inform Tempête and Vipère, before anything else, be back soon." - Maria then heads out calling upon the other heroes.

" So what do you need?" - Vipère

" Do you have a top secret mission for us?" - Tempête

" For the summer Abeille, Bunnyx, Trickster, and Chat Noir will be unavailable, unless they are truly needed, I however will be able to travel back and forth via portals for fights. Paris will be in your care while we aren't here." - Ladybug

"It is our honor, we shall defend Paris with our lives." - Tempête

" Agreed, enjoy your summer." - Vipère

"Thank you, stay safe."  and with that Maria headed back to the hotel prepared to watch movies, only to be bombarded with questions as soon as she got back.

" HOLD UP! You know MAGIC?!" - Alix

" When were you going to tell us?!" - Chloé

"So cool, how does it work?" - Peter

" Can you teach us?!" - Adrien

" Spots-Off, yes I know magic, I swear I've told you before. Do you want a demonstration?" - Maria

They all shook their heads excitedly.

" Ok well, I'm able to Heal myself if I get hurt, but I don't wish to hurt myself just for that, I can also increase my Luck with magic, as well as Communicate/ Manipulate plants, and see peoples Souls, thanks to Tikki. I learned Protection magic thanks to Wayzz, and Illusion magic thank  to Trixx. I'm also learning Teleportation from Kaalki, which I've almost completed, and Mutitude from Mullo, which still needs work." - Maria

" If you can really talk to plants, what did we do earlier while you where out, hmmmmm?" - Alix

Maria then walks over to the roses near the couch and whispers to them, after a moment she turns back to her friends, and calmly says "Traitors."

" What do you mean?" - Peter

" You continued watching Star Wars: Clone Wars Without me!" - Maria

" Ok we believe you, but does this mean we can also use magic?" - Adrien

"Hmmm, let me see" as she says this her eyes start to glow an almost ethereal icy blue.

" Why are you eyes glowing?" - Chloé

"Looking at you souls... ok" she then claps her hands and her eyes go back to normal "Adrien, you can use slight Destruction magic on objects, if you use it on a person it would just cause them extreme pain, you can also cast Bad Luck on someone, so I guess thats good, and you can also learn slight Jubilation magic. Peter you can learn Illusion, and Protection magic. Chloé you can Learn Subjection, and Multiplication magic. And Alix, you can learn Evolution, Intuition, and Teleportation magic." As Maria finished, she saw the star struck looks in their eyes at the thought of learning magic became obtainable for them.

"Teach us!" they all bowed only to get a laugh from Maria in response.

"You would have to ask the Kwamis that, I only know what I know thanks to them." - Maria

And for most of the night they all started practicing magic. And when they woke up, they continued to practice, they had fun and were really enjoying it.

Then came the day Maria and her friends were to head for Gotham, and it was hectic, but everyone made it in one piece after an 8 hour flight, which at this point Maria was glad she sent all of her important luggage ahead of time, because somehow her luggage with only her toiletries and pyjamas was stolen, so all she had now was her back pack on her and the Miracle box in a Pocket dimension (thanks to the training from Fluff and Kaalki)

Lila was annoyed, when Maria didn't even care that she lost her bag with all her stuff (jokes on you she sent that one to the hotel 2 days ago HA!) they ended up checking into the hotel, everyone was with someone, Peter was with Adrien, Chloé was with Alix, and Maria... just had the Kwamis, yup that's right, apparently Lila has a condition that prevents her from being in any room below a quality vip room, so now she was upgrade and without a roommate, good for Lila, and Lucky for Maira, because now she doesn't have to worry about someone noticing her climbing out the window to go free-running across rooftops as Multimouce.

Around 7:30 pm. everyone heads out for lunch... and they leave Maria behind.

"Of course this happens." and with that she asked the receptionist for the directions to where her class went, afterwards she went out and proceeded to get lost, after trying to retrace her steps, she just got lost quicker, and her phone was at 20% what luck.

After walking for a little bit, she had decided to take a break, and as she leaned up against a wall, she closed her eyes.

'Maybe if I search for the receptionists Soul I can find my way back.' as she was doing this, she saw souls of all colors walking by, she even noticed a dark emerald green soul, and a dark blue soul across the street on a rooftop... and then she felt her hair stand on end, a few feet to her right was a bloody rust looking soul, she could tell it was a male, late 20s, average build, and 5'11, he was targeting her. As she opened her eyes  she did a quick scan of her seroundings, noticing an alley, she started to walk again. Sensing the slight increase in speed from the man now behind her, as he got closer, she made a sharp left into the alley, she made it a few feet in before the man started laughing and walking closer, she saw the disgusting look in his eyes, and the outline of a gun in his front left pocket.

"Come on now girlie,  I just wanna talk."

" I am good thankz." she made sure to add an accent to make him feel like he had an upper hand, which seemed to work, if his sickening smile was anything to go off of.

He stepped closer and Maria (the little genius she was) decided to act nervous, which only lowered the guys gaurd even more, once he reached to grab her in a quick motion she proceeded to do this.

She held the guy in a lock until he fell unconscious. As she stood up, she noticed a hand reaching for her, she then grabbed the hand and flipped the figure over her shoulder hard, hearing a yelp from the man as she did so.

When she realized who she had flipped over, her face turned bright red

"Mon dieu, I'm so sorry, I didn't mean to hurt you are you ok Monsieur Nightwing?!"

"Yeah I'm fine and don't apologize, reflexes like that are key to survival here in Gotham, isn't that right Robin.... Robin?"

When Nightwing didn't get any sound from Robin he looked over to see the boy a blushing mess, then Robin snaped out of it, cuffing the mugger, and turning his attention to the girl.

" Ehem. Mam it's dangerous to be out here at this time alone, please allow us to take you wherever you need to go." - Robin

"Oh thank you um, do you know where Wayne Hotel is? I was supposed to go with my class to dinner, but they... “forgot” me, I decided to try and meet up with them, but I failed horribly." - Maria

"Wait they just left you? and in Gothan of all cities?! What kind of teacher does that?!" - Nightwing

" An instegator." - Maria said under her breath in French, she didn't notice the slight shock on both their faces from what she said.

"Anyway lets get you to your hotel before it gets any later." - Nightwing

"Thank you again." - Maria

She arrived safely, thanks to Nightwing and Robin, she thanked them one more time and went inside, when she got to her room she found her friends pacing back and forth in the room, Chloé and Peter looking like they would soon become two people on a mission to find her, but thankfully she was back, she of course had to answer alot of questions, but that was no big deal. After answering all their questions, everyone went to their rooms, and fell asleep, they had a big day tomorrow afterall... ... and then Marias' Akuma alert went off, ok so it took about thirty minutes to defeated the akuma 2 more before she could cure anything and another 5 minutes before she could head back to her room, and it was now 2am, but she could still wake up early right? hehe (・–・;) right?

No, the answer was no she couldn't, well technically she was up on time for when the bus "should" have started getting ready to leave, BUT turns out Lila SOMEHOW, managed to get everyone on board without even thinking of her an hour early! Maria asked for directions once again, and the receptionist had a worried and apologetic look on her face, Maria thanked her again, and headed out, this time however, she made it without getting lost and without getting mugged, Yay! She even had enough time to get a coffe (Tim special was a wierd name but oh well it did the job pretty well) from a shop near by (double yay!) before entering the WE building.

" You have to start the tour! we've been here for an hour and thirty minutes already!" - Ms. Bustier

"Like I said before, I will not start the tour until your student gets back, and if they don't get back, then we better hope nothing happened to them, or else it's your fault for your negligence." - Tour guide

"Sorry I'm late, the bus left earlier than what we scheduled, why didn't you inform me about the change?" - Maira

"Lila said you were the one who made the changes and that you were just trying to get attention, I am VERY disappointed in you Maria, now apologize to your class for delaying the tour!" - Ms Bustier

"I think you mean “I'm sorry we left you behind in a city where murder happens to young kids on a daily basis” now you apologize to Your student that is Your responsibility." - Tour Guide with a glare that could kill a thousand armys

Ms. Bustier proceeded to apologise to half the class's disbelief.

"Alright then, now that thats all taken care of, Hello and welcome to Wayne Enterprise, where we focus on making Gotham and the world a better place. I'm Dick Grayson, and I'll be you tour guide for today."

As the tour went on Maria stood at the front with her friends, she took notes of everything that was said, and she ignored whatever nonsense Lila was spouting, somthing about saving or dating Damian Wayne, she didn't really care.

When the lunch break came, she sat with her friends until she needed a long overdo refill on her coffee, she walked over to the coffee machine and started figuring what combination will keep her brain working for the rest of the day.

"Press button 3 followed by 5, 6, 8, 1, 2, 4, 9, and 7, that is the ultimate coffee mixture, if your mortal self is up for the challenge." - Sleep deprived guy

"I accepte." she presses the buttons in the exact order and then " Wait none of the cups are big enough."

"Here, secrect cup, from beyond the mortal realm." - Sleep deprived guy

" Thanks" she grapped the very large cup, and filled it with coffee till it was almost to the rim, she put the lid on and instantly took a big sip from the scolding hot coffee (she can heal, her tongue's fiiiiiiine)

"... Not bad, taste similar to the Tim Special I had earlier, but maybe a bit stronger." - Maria

" Kindred Spirit, let us be friends, you have drank the sacred coffee and are now immortal, congrats." - Sleep deprived guy

"It was not easy, but I have come this far, and I shall go the distance with nothing but coffee in my veins." Maria said in a serious tone as they shook hands "I am Maria, keeper of all nighters, and who might you be, my kindred spirit."

"I am Tim, the keeper of sacred coffee and all that is unholy."

"It was an honor to meet you Sacred Tim, may the coffee gods guide you in your journey, sadly we must part ways, for the lunch break is over, farewell..." and with that Maria left to rejoin the group.

"Dear god where the hell did you get that much coffee?!" - Chloé

"Kindred Spirits always find a way to assemble." - Maria

"Huh, so there is someone out there who is also a sleep deprived child." - Alix

The tour continued, and Maria noticed their tour guide kept looking at her with growing concern as she slowly made her way through the lovely coffee, she finished the cup within 1 hour and 30 minutes, and most of the staff kept looking at her as she now held the empty unholy cup, that was said to put people (that weren't chosen by the coffee gods) into caffeine induced commas, but she was fine, if anything she was more awake than yesterday and today combined. So yeah Today had a rocky start, but I'd say things are only just beginning.

•—–—–†–—–—•

〜(꒪꒳꒪)〜 Bonus Art 〜(꒪꒳꒪)〜

This is what it looks like from Marias' normal vision, to her Soul Vision (~‾▿‾)~

Chapter 3 completed, hope you're all having a wonderful day, and staying positive BUG-OUT 🐞💮🐞

〜(꒪꒳꒪)〜 Tag List 〜(꒪꒳꒪)〜

1st Place★: @animegirlweeb ☕

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@lupagrimm

[immaturityofthomasastruc]

Lila Rossi: I’d Say She’s a Good Villain, but Then I’d Be Lying (300 Follower Special)

Deception and cunning are easily two of the most important traits an antagonist could have. It shows that even if they don't have the strength to overcome obstacles, their wit is more than enough. This kind of trait is why characters like Lex Luthor, David Xanatos, and Princess Azula are so beloved, simply because of how intelligent they can be as villains and pose a real threat to the heroes.

It's clear that the Miraculous Ladybug writers want Lila to be seen as this, but the writing seriously fails to back that claim up.

Easily one of the most controversial characters in Miraculous Ladybug is Lila, mainly for the writing surrounding her. But there was a time where she was actually more of an ambiguous character, mainly for the lack of screentime she had until Season 3. But unfortunately, the more appearances she's had have painted a very poor portrait of an antagonist.

Lila's Tragic and Sympathetic Motivation for Hating Ladybug

Lila's first appearance was at the tail end of Season 1, “Volpina”. She was a new transfer student from Italy, and quickly made friends with a lot of her classmates for the lies she told, including being friends with Ladybug (which Alya blindly believed without doing any research like any excellent journalist). But because of how close she was getting to Adrien, Marinette, in a rare act of selfishness, transforms into Ladybug just to chew out Lila for lying about knowing her, humiliating her in front of Adrien. And this is the only motivation we get for what Lila does afterwards.

I'm not saying that it's wrong for Lila to get upset at Ladybug for doing this, and I like the moment of weakness Marinette has, but this is literally the only explanation we get for Lila deciding to side with Hawkmoth, a literal terrorist. As much as I hated the way the arc turned out, I could still understand Chloe siding with Hawkmoth, as it was clear that Hawkmoth was manipulating her and taking advantage of her ego. Lila? Ladybug's mean to her one time, and that inspires her to conspire with a complete stranger who brainwashes people to attack the city, which endangers innocent people and causes God knows how much in collateral damage if not for Miraculous Ladybug fixing everything.

I just don't get how a single negative interaction with someone is enough to conspire with a literal supervillain. Even in Season 3, when Marinette and Lila truly became enemies, it was because she risked exposing all the lies she told, which could damage her reputation. Sure, it's petty, but it makes sense for Lila to want to keep up the illusion. If she was simply an antagonist to Marinette in her civilian life like Chloe was before “Miracle Queen” , I'd be fine with that, but the writers clearly want her to be seen as on the same level of evil as Hawkmoth. I'll get into why that doesn't work later on.

Why Lila is an Excellent Liar

In my Master Fu analysis, I had pointed out that despite all the flaws he had, the narrative insisted on portraying him as an incredibly wise mentor. The same problem applies for Lila as well. We're supposed to see Lila as an expert manipulator and liar, but her lies are insultingly obvious. She always claims to be friends with celebrities and does all these awesome things, and in an age where we can have almost any question answered thanks to the internet, nobody ever stops to question her.

It's even more frustrating when you hear Lila talk about saving Jagged Stone's cat, when Jagged Stone is established to be very fond of Marinette (evidentially more than his own daughter), and nobody ever points that out. I think if Lila's lies were more stories about her travels around the world than outright lies about real people, it could have worked. It'd still be hard to believe, but it's something.

But this is a problem with writing shows aimed at children. As much as we hate writers who need to spell out things to kids, sometimes, they just don't understand some of the media they consume. Seriously, I never got this joke in SpongeBob as a kid, and I can't believe Nickelodeon actually approved this.

So the dilemma when writing a show with children in mind is finding that sweet spot between assuming your audience can figure it out, but not being too vague in your details. It's even harder when you need to find a way to convey the fact that someone is lying without being too obvious. Unfortunately, the show clearly fails to do that

Okay, this is going to sound like an incredibly weird thing to cite, and I only know about it because I used to know someone who was a huge fan of the franchise, but the movie Monster High: Friday Night Frights does a better job of subtly explaining to the audience that a character is lying. Please, just hear me out.

The movie follows the main characters competing in their high school's roller derby for the season after everyone on the usual team gets injured, and the championship match is against another school whose team tends to cheat to win matches. How they manage to do this without getting caught is anyone's guess. While the main characters are practicing, their coach, Clawd, notices a spy for the enemy team taking video of them to study their moves. In response, he calls over one of the athletes, Operetta, to chew her out for her showboating attitude. In reality, he's alerting her to the spy. Only using facial expressions, he clues her, and by extension, the audience, in on the fact that they know what the opposing team is trying to do.

This soon leads to Operetta pretending to tell the enemy team about their secret plan for the championship match, which was really an attempt to outsmart them to gain the advantage in the final stretch. The brilliance of this is how the audience is informed of this with no dialogue, and there's no scene afterwards spelling it out for those who don't get it. It manages to convey deception without being too obvious that Clawd and Operetta are being deceitful.

I think if there were more subtle hints to show the audience Lila was lying, she would be seen in a better light. As it is, Lila's lies are just pathetic, and it's ridiculous that everyone believes her. Which leads me to...

Lila, the Master Manipulator

I once read a Star Trek: Voyager fanfic that poked fun at the series by claiming that the reason a lot of the dumber episodes like “Threshold” and “Twisted” happened was because one of the crew members was an alien who unintentionally produced mood altering pheromones, with Captain Janeway actually realizing they were all high because of said pheromones, while two of the unaffected crew members were wondering what the hell they were doing before they found out the cause. Why do I bring this up? Sometimes, it feels like Lila is an unintentional parallel to the alien in that story.

Like so many characters, it's clear the show desperately wants the audience to view Lila in a certain way, but her actions do very little to actually back up that claim. When she's not using lies to tell stories about so many famous people she knows like her uncle who works for Nintendo, Lila is using strategies to manipulate everyone that are so obviously deceptive, the Thermians could pick up on them. Everyone and their mother knows how ridiculous a lot of what Lila does in episodes like “Chameleon” and “Ladybug” are, and I've talked about them before, so I'll try to be quick.

First off, as someone who had access to accommodations through high school and has had assistance in college so far, there is no way in hell that Ms. Bustier should take Lila's tinnitus at face value in “Chameleon”. If a student has a disability that could interfere with the education process, physical or developmental, not only does the school have to evaluate their performance, and determine if they're eligible for an Individualized Education Program, or IEP, but her teachers would have to be notified in the first place. As her primary educator, Ms. Bustier would be part of the team to oversee Lila's IEP and determine what accommodations she needs to help her learn better with her tinnitus and arthritis. But because the writers don't know what Google is, they just ignore it,  assume that Lila can just say she has a disability, and have everyone believe it. Even when Eric Cartman pretended to be disabled to compete in the Special Olympics, he put in more effort to look the part, even if he looked like a caricature.

Then there's the fact that that in “Chameleon”, everyone just believes Lila when she says Marinette stole her grandmother's necklace when not only is said necklace from the Agreste line of jewelry, but Alya, who is Rena Rouge, can't pick up on the fact that it's a fake. All she does to justify these lies is come up with a sob story about how nobody believes her, yet nobody ever tries to defend Marinette except Alya one time, and it was after she got expelled.

Or what about in “Oni-Chan”, where Lila thinks having Kagami kill Ladybug while claiming she'll back away from Adrien is a good idea? Let's say Oni-Chan does kill Ladybug or at least take away her Miraculous, what then? We know Lila wouldn't go through with this promise, and as soon as Kagami sees her harassing Adrien, she'll be ripe for akumatization again. Overall, not a great plan.

And yet somehow, this last example is what made her worthy enough to become one of Hawkmoth's most trusted agents. I'm just going to say it: Lila is not a good fit for the power of illusion. Whenever she's Volpina or Chameleon, she always goes out of her way to make a big show instead of being subtle with her deceptions. “Chameleon” is the worst offender, as even though Lila gets the power to shapeshift into someone else, instead of being discreet and cornering people into kissing them and gaining their appearance, she just runs around to get Ladybug's attention instead of being subtle. Even Felix had the bright idea to pretend to be Adrien to catch Ladybug off guard. How do you lose to something that happened in “Felix”?

Despite all of these screw-ups, we're still supposed to see her as this master of deception worthy of allying with Hawkmoth in both his supervillain and civilian form, when really, she's a terrible liar on the schoolyard and on the battlefield.

Why Lila is an Important Character

In the grand scheme of things, Lila just isn't as important of a character that the show loves to parade her around as. She's nothing more than a plot device used to raise the stakes in an episode, given how much reality seems to bend over just to accommodate for her lies. Even when the show alludes to her being part of bigger things, like her deal with Adrien, or her rivalry with Marinette, they don't even go anywhere.

She just feels pointless when you remember Astruc's brilliant idea to force Chloe into being the final Akuma for the season while Lila isn't even mentioned once. She only really makes appearances whenever the writers feel like it, which is why it’s hard to take her seriously. Why should I take this character seriously as a threat if the writers refuse to take her seriously as a threat? Why build Lila up as a big threat and not give her a major role in the finale? Why even include her in the show in the first place when you could show Chloe being more manipulative to fill in the plots Lila plays a big part in?

As of the time I am writing this analysis, four episodes of Season 4 have aired, three of them have been about lies or deception, and Lila hasn't been mentioned at all. It honestly seems like she won't appear unless the writers need a easy way to drive up the conflict, so they can justify it by saying that Lila's “superpower” of lying is more powerful than the common sense of everyone else.

I'm sorry this post was shorter than the last one, but compared to Master Fu, there's not that much to say about Lila that I haven't already said. Even the show barely gives her any attention, so it's hard for me to really find a lot to talk about.

[stressy-enby]

Hello! So here's my request:

The 1-A girls including reader are having a girls night in one of their dorms playing Minecraft (teaching Momo how to play for the first time), giving out study tips, eating snacks and watching movies, etc... When their in a topic about their crushes and reader shyly tells them it is Tenya Iida... While the girls are shocked and ask a lot of questions why iida much to reader whos not really liking the questions, the girls decided to help reader out by setting both iida and reader on a date by grabbing readers phone and texting iida, much to readers protest and what the girls don't know is that the boys are having a boy night at the common room too and doing the exact same thing, helping iida out to finally ask reader on a date.

so yeah, haha that's all and you can add your own ideas there and can this be a oneshot? I also want to see the perspective of iida if that't possible? I hope this is okay? thank you!! ☺

Took a few liberties, included some personal touches, I’m really happy with how this came out and I hope you are too!

Risks

Masterlist

Weekend nights in Heights Alliance were arguably the best. 

Mr. Aizawa was more flexible about curfew on Friday and Saturday nights, so the class took those nights as opportunities to have slumber parties and late night get-togethers. 

This was one such night. You, Ochaco, Tsu, Momo, Toru and Kyoka had gone to Mina’s dorm room with snacks and games in hand. Your hostess had offered up her wide selection of video games and her Netflix, Hulu, and Disney+ accounts. Toru had even come through with an impressive assortment of face masks, nail polish, and hair accessories. Needless to say, everyone was more than set for a night of careless fun.

“Wait, how do I craft something?” Mom held her controller out to Kyoka, brows pinched together.

“This button, here,” she took the controller, demonstrating by crafting an axe.

Upon realization that Momo had next to no knowledge of Minecraft, the party had abandoned its Super Smash Bros. tournament in favor of showing her the ropes. You’d vowed to help her make a simple house by the end of the night.

“Pro tip: make sure you collect all the same type of wood.” You suggested, eyes focused on the white stripes you were attempting to paint onto Tsuyu’s light green nails with some success. 

“Yeah, unless it’s on purpose, like if you use a different wood for the roof or floor, it’s just gonna look like you hobbled it together in less than a minute.” Mina agreed, before promptly shoving a handful of popcorn into her mouth.

Ochaco gasped playfully, swiping the bowl away. “Don’t eat all of it!”

“I’ll eat whatever I damn well please!” Mina retorted, making a grab for the snack as Ochaco floated it over to Toru.

“Okay guys, I can’t take it anymore.” The invisible girl grabbed the bowl out of the air. “We’re all together, hanging out with zero stress for the first time in months! Does anyone have anything juicy to share? Someone’s gotta have something!”

Kyoka rolled her eyes. “I don’t know about the rest of you, but I didn’t come to gossip.”

“This class is a pretty tight-knit group, ribbit. Nothing really happens that we don’t all know about.” Tsu pointed out.

“Okay then. Crushes.” Mina prompted.

“What about them?” Momo asked.

“Who’s got ‘em?”

There was a moment of silence. You noticed how a few pairs of eyes flicked to Ochaco, who had gonna very red and very quiet. You sighed, musing to yourself about the things you did for friendship.

“I, uh, I kinda like Iida?”

You hated how you phrased it like a question. You hated how you mitigated the confession with the word “kinda”. You hated that silly, totally inadequate word “like”. Your feelings for Iida went beyond a simple crush. You’d had them for him for months now, you were long past the “like” phase. You were head-over-heels in love.

Toru gasped dramatically. “Really? Iida?”

Ochaco smiled at you, gratitude evident in her eyes. “You two would make a sweet couple.”

“What do you like about him?” Mina asked excitedly. “When did you fall for him? Are you gonna confess?”

“Take it easy,” Kyoka chuckled lightly.

You also laughed, albeit uneasily. You were beginning to regret not keeping your mouth shut. “Okay, I’ll take those one at a time. He’s kind and attentive, and he’s very loyal. I think I realized that I liked him a few weeks after the sports fest, and absolutely not.”

“Why don’t you want to tell him?” Momo asked, pursing her lips. “I think he’d appreciate the honesty.”

“Be that as it may, I don’t wanna make things weird between us or potentially ruin our friendship.” You explained “I don’t wanna jeopardize what we have now by confessing.”

“Plus, Iida doesn’t seem like the kind of guy who’s want to date someone, ribbit.” Tsu put in, examining her newly painted nails. “He’s very serious. He’d probably see it as a distraction, these are really pretty, (Y/N), thank you.”

You smiled weakly at your frog-like friend as Toru threw a piece of popcorn at her head. “Tsu!”

“No, she’s right.” You sighed heavily, motioning for the popcorn bowl, intending to drown your sorrows and maybe yourself in it.

“I’m sorry, (Y/N).” Momo patted your back sympathetically as she passed the bowl down. “I can’t imagine how frustrating it is.”

You hummed in agreement as you shoveled the snack into your mouth. “Whatever. It sucks, bur I’ll get over it.”

“Like hell you will!” Mina snapped “Ochaco: our romantically challenged friend’s phone, if you please?”

Ochaco dutifully and bemusedly took your phone from Mina’s bedside table and handed it over to her.

“What are you doing?” You questioned, suddenly on high alert.

You were ignored. Mina instead took your hand, and placed your thumb over the home button on your phone, unlocking it.

“Seriously, what are you doing?” Kyoka asked.

“Texting Iida.”

It took you a few seconds to process her words and what they meant. Once you had, though, you made a sudden grab for the phone. “Oh no you’re not!”

“Chillax, I’m not gonna send him anything embarrassing.” Mina swatted your hand away as she scooted safely out of your reach. “I’m just gonna suggest that you two go out sometime and heavily imply that it’ll be a date.”

“Now hold on,” Momo cut in, setting down her controller. “We shouldn’t be interfering. This is between (Y/N) and Iida.”

“Yeah, if (Y/N) wants to ask him out, they’ll do it themselves, ribbit.” Tsu chimed in.

Mina sighed, slumping. “I know you’re both right, but I can’t just let them wallow! Iida really likes you, (Y/N)!”

“Oh yeah?” You raised both eyebrows.

“Yeah! He’s a lot softer with you then with anyone else!”

“He does tend to let you get away with things,” Kyoka admitted. “Remember the other day when you were sitting on your desk? The guy didn’t even bat an eye.”

“He also seems like he talks to you more than he does the rest of us!” Toru pointed out.

“Plus he worries about you more than the rest of us!” Ochaco added on.

“He looks more relaxed around you.” Tsuyu threw in.

“Sometimes when we have class representative meetings, he’ll offhandedly mention you.” Momo reported thoughtfully. “He’ll tell me about something you said or did that he found funny or endearing. It’s actually pretty adorable the way he talks about you. It’s like his whole face lights up.”

You were quiet for a very long moment. It was too good to be true. You liked playing it safe. You kept your cards close to your chest until you were absolutely sure you had the wining hand. And if you’d learnt anything in your hero education, it was that sometimes you needed to take a risk.

“Can I have my phone, please?”

Mina tossed it to you. Without another word, you navigated to your messages, and typed something out quickly. Before you could reconsider, you took a risk.

You hit send.

. . . 

This isn’t actually all that bad.

When Kirishima and Kaminari had suggested a “boys’ night”, Tenya had been apprehensive at best. He was all for class bonding activities, but what was the point if it was only a fraction of their group?

“(L/N) and the girls are having a sleepover, so we may as well something ourselves.” Sero had pointed out.

Despite his skepticism, Tenya found himself thoroughly enjoying himself. After admitting he’d never seen a Marvel movie, Midoriya had immediately logged the common room TV into his Disney+ account and began the first ever 1-A Marvel movie marathon.

“Ugh, does this mean we have to watch Age of Ultron?” Ojiro groaned “That one sucks.”

“Yeah, but at some point I’m going to make Iida watch Wandavision.” Midoriya replied “Ultron is important to understanding it, sucky as it may be.”

“That’s not gonna be for a while if we’re watching every single Marvel movie, though.” Sato chuckled. 

“Yeah, we’re definitely gonna need more than one night for this shit,” Kaminari chortled “Wandavision not withstanding.”

Tenya smiled, not quite following but listening all the same. He suddenly felt his phone vibrate in his pocket.

(L/N): Random question. Want to go out and get dinner tomorrow, just the two of us?

It was indeed a random question. He had no qualms about spending time with (L/N) though. Even if it was just the two us them. Especially if it’s just the two of us. Tenya quickly shook the thought away though, feeling he’s cheeks flare.

Me: That would be great! Do  you have a time and place in mind?

(L/N): Would 6 be ok? As for the place… would you be up for a surprise?

Tenya hesitated. Usually he’s say no. He liked everything to be perfectly planed to a T. But something about (L/N) made him want to be spontaneous. They made him want to take risks. So he decided to do precisely that. He threw caution into the wind as he sent his response.

Me: 6 is more than ok, and I’m always up for a surprise if it’s with you.

Tenya cringed immediately after hitting send. The instant regret was crushing and depressing. He wished he could be honest about his feelings, about (L/N) without overthinking every move he made.

Oh well. What’s done is done. He slipped his phone back into his pocket, praying you wouldn’t respond. However, his plea went ignored a minute later when he felt his phone vibrate yet again.

Biting back a groan, Tenya opened his texts, inwardly bracing himself.

(L/N): Awesome! I’ll meet you at 6 in the common room tomorrow, then. Can’t wait! ❤️

He gaped. That tiny red emoji wormed not his brain and burned itself behind his eyes until that was all he could see. He barely even registered the rest of the message.

“Whatcha lookin’ at, Iida?” Kaminari, never one to understand personal space, leaned over to glance at the class rep’s phone phone before he could angle it away. “You sly little- IIDA HAS A DATE!”

“No I- that’s not- Kaminari!” Tenya sputtered incoherently, arms flailing. “That was entirely inappropriate. You shouldn’t look at other people’s devices without their permission. It’s rude, demeaning, and an invasion of privacy!”

“Forget that, what’s this about a date?” Sero leaned in on Kaminari’s other side.

“Iida and (L/N) were texting,” Kaminari announced “They asked him out to dinner, he said yes, and they send a heart emoji.”

“What color?” Aoyama demanded, squinting.

“Red.”

“Oh my,” Aoyama leaned back in his seat, a coy smirk playing across his lips.

Sero chuckled, leaning across Kaminari’s lap to pat Tenya on the arm. “You lucky bastard.”

The blue haired boy brushed his hand away, bristling. “Not that my personal activities are any of your concern, but it’s not a date. We’re just going to get something to eat.”

“I’m not an expert or anything, but I don’t think many people go out one-on-one for dinner if it’s platonic.” Midoriya pointed out. 

“Yeah, plus, that emoji says a lot.” Kirishima added “(L/N) clearly means this to be a date. If you don’t feel the same way about them, you need to tell them.”

“You don’t want to go on a date with (L/N)?” Todoroki asked, raising an eyebrow “I would’ve thought you’d be happy for an opportunity like that.”

“See! Even Todoroki can see you’ve got it bad for them!” Sato exclaimed, pointing an accusatory finger at the confused heterochromic boy.

Tenya ignored his overly-excited classmates. He flipped back through his conversation with (L/N), staring at every text until he’d inadvertently memorized them all.

Me: Is this a date?

. . .

“So much for subtly, I guess.” Kyoka remarked.

“Subtly gets you nowhere with Iida!” Ochaco insisted “You have to be upfront with him!”

“But I sent him a heart,” You groaned for the fourth time.

“Well, there’s no sense in bemoaning it now.” Momo reasoned.

“It was a calculated risk.” Toru admitted, an undercut of worry in her voice.

“A risk, huh?” You chuckled humorlessly “I seem to be taking a lot of those tonight.”

Ding!

Seven pairs of eyes darted to your overturned phone at the same moment. No one moved an inch.

“Well,” Tsu nudged you “are you going to look at it?”

You gulped, shakily taking the device. The girl’s gathered around you. As you opened your text messages.

Iida: Is this a date?

“No backing down now!” Ochaco squealed, gripping your shoulders tightly and shaking you.

“Go, go, go, go, go!” Mina bounced on her knees like it was a sporting event.

You took a deep breath, then texted back.

. . .

(L/N): That was the idea, lol. It doesn’t have to be if you don’t want it to be, tho

Tenya pursed his lips, showing the response to Midoriya.

“C’mon, Iida.” His friend chuckled lightly “Just tell them the truth.”

The truth. He did want it to be a date, but a simple “I want to go on a date with you” didn’t seem sufficient. It wouldn’t do justice to how he really felt.

Tenya had already taken a risk tonight, so what was one more? But knowing what he now knew about your feelings, it didn’t seem quite so scary anymore.

Me: I’d love nothing more than to go on a date with you, (L/N). Truth be told, I’ve wanted to for a while now, I just haven’t had the courage to ask you myself. I look forward to seeing you tomorrow. ❤️

[jazy3]

Free Guy Review

!!!SPOILERS AHEAD!!!

If you haven’t seen the movie Free Guy (2021) stop reading right now! Drop what you’re doing and go get yourself a ticket! You’ll thank me later!

I loved this movie! I saw it this weekend for the second time because it’s that good! I first saw the trailer on YouTube a while back and then when theatres reopened a few weeks ago I saw the trailer again and my interest was piqued. I had high hopes for this movie based on the fun looking trailer, the premise, the cast, and the sense of fun and escapism that the movie seemed to embody and it did not disappoint. It’s always nice when you have high hopes for something and it meets or exceeds your expectations.

Free Guy is just such a fun and joyous movie. Never taking itself too seriously, packed with lots of heart, cool cameos, full of gaming and pop culture references, and it’s fueled by a unique concept that is well executed. There are just so many things I loved about this movie! It was a ton of fun to watch and the actors clearly had a blast making it. During the movie I kept trying to figure out where I knew most of the actors from but couldn’t place them. When I got home, I googled it and I instantly realized why. The roles are just so different and the actors embody their characters so completely you lose yourself in the film and get completely sucked in. I was honestly so surprised when I figured out what I knew most of the actors from because the roles that they’re known for are so different from their characters in the movie. Their appearances, established ages, and even the accents are so different that I literally did a double take, but that’s what makes the movie so good! Because the main actors obviously didn’t need the paycheque they were just there to have fun and it shows. I think if the situation had been different and the actors involved had been desperate for money or took the role for some other reason it wouldn’t have worked. The film would have come off as cheesy, forced, cringeworthy, or just plain bad. Free Guy is none of those things. The film stars Ryan Reynolds as ‘Guy’ a bank teller in a video game called Free City, Jodie Comer whose best known for playing Villanelle in Killing Eve as programmer Millie Rusk and her avatar Molotov Girl, Joe Keery whose best known for playing Steve Harrington in Stranger Things as programmer Walter ‘Keys’ McKey, and Taika Waititi whose best known for playing Viago in What We Do in the Shadows as the Head of Soonami Studios and the film’s main antagonist and villain Antwan. Rounding out the cast are Utkarsh Ambudka as programmer Mouser and Lil Rel Howery as Guy’s best friend and bank security guard Buddy. In a nutshell, Free Guy is about a bank teller named Guy who finds out he’s a non-playable background character (NPC) in an open-world Grand Theft Auto style video game called Free City. Guy becomes the hero of his own story after meeting Millie, the girl of his dreams, and winning fans all over the world by racking up points by being the good guy and helping others. After leveling up and helping Millie escape a dangerous situation in the game, Guy wins her over and she falls for him thinking that he’s another player. But when the world that Guy knows and all of the people in it are threatened, he teams up with Millie to save his friends before it’s too late. In the real world, Millie enlists the help of her former programming partner and best friend Keys in a race against time to stop their code and all of the sentient characters from Free City from being deleted by Antwan the developer who stole their code when the game’s sequel launches. I love that the movie had a unique premise and didn’t overcomplicate things. There are so many movies that I’ve gone to see over the last few years with such excitement only to be disappointed. For example, I loved Wreck It Ralph, but was so disappointed by its sequel Ralph Breaks the Internet. The trailers made it seem like it would take the premise of the first movie and move things into the online gaming world, and I was excited for that. Instead, the sequel left the premise of the first movie behind entirely and way over complicated the plot and the end result was extremely cheesy and disappointing. Free Guy’s strength is that it’s a self-aware movie made by self-aware people who are excellent at what they do. The movie doesn't take itself too seriously, nor should it, and that allows the story to flow and the characters to feel real and genuine. The movie achieves that perfect balance between being entertaining and telling a cohesive and important story because while the movie never takes itself too seriously the people behind it are serious about what they do. This was very clearly a passion project for all involved, especially Ryan Reynolds, and it shows! As he’s spoken about in interviews and on Twitter, Reynolds called on a lot of his friends to be in Free Guy and help him out and the end result was fantastic! I loved all of the cameos! The Chris Evans cameo was by far the funniest and the Alex Trebek cameo got me right in the feels. When I saw the movie in theatres me and everyone else in the theatre gave a collective “awww” when he appeared on screen. Enlisting real YouTubers to show up as fictional versions of themselves to talk about Blue Shirt Guy’s popularity was a nice touch and you’ve also got blink and you miss it voice cameos by John Krasinski, Dwyane The Rock Johnson, Hugh Jackman, and Tina Fey. Channing Tatum appears as the avatar of player Revenjamin Buttons which for the most part was hilarious. One of my few criticisms of the film is that they went a bit overboard the avatar’s antics as Guy and Buddy are attempting to leave and it got bit a cringeworthy. But I know other people found it hilarious so to each their own. I love all of the little details and references in the movie. Just listing them all would be a post in itself. If you’re someone that loves pop culture references and Easter Eggs this is the movie for you. The characters are fun and believable, and you get attached to them quickly. The actors commit completely to their roles which is makes the humour, romance, and heartfelt emotion of the film work. You buy it. 100%. Something that I absolutely loved was that the characters felt realistic and that the dialogue, attire, and settings for each character really felt authentic. I can’t tell you how many times I’ve watched a movie or TV show and walked away thinking, “The person who wrote that clearly never meet a kid, teenager, or twenty something in their life! That was so unrealistic.” The slang’s all wrong. The dialogue is so eloquent everyone sounds like they did Shakespeare in the Park last summer. You walk away thinking, “What the hell was that? No one talks that way!” What I loved about the characters in Free Guy is that they felt like real people you could actually run into or walk past on the street. I’ve read in interviews that in addition to the written dialogue the cast did a lot of ad-libbing and improvisation and the end result is both hilarious and relatable. The dialogue feels real because it is. The big exception to this of course is Antwan who is altogether off the wall and ridiculous. Antwan is such an outrageous, absurd, vulgar, and cartoonish character. He’s so fun to watch and the actors clearly had a lot of fun with his scenes! I’ve read that a lot of his lines with Keys and Mouser were improvised and I believe it. When he goes all Jack Nicholson on the servers? Lord. He’s such a great villain to watch. The characters that are established to be in their twenties like Millie, Keys, Mouser, and the other employees at Soonami Studios talk, act, and dress like they’re in their twenties. The actors that are in their forties are styled to look like they’re in their thirties and honestly, they’re in such great shape it works! I mean I was honestly shocked to find out Taika Waititi’s real age. I love how the costuming really fits each character and allows you to learn more about them. Keys’ clothing is your typical gamer chic which makes because as we learn from his interview with Millie coding is his life and what gets him up in the morning. From Mouser’s clothing we learn that he’s a sports fan, but also isn’t afraid to take risks like with that blazer ensemble he wears in his final scene at Millie’s apartment.

Millie’s clothing shows the contrast between her and her avatar Molotov Girl, and Antwan’s ridiculous coat enhances the overall wackiness of his character. Guy’s clothing tells us something too. He wears the same thing every day until he meets Millie in the game at which point, he starts deviated from his Free City programming and chooses a different blue shirt. I also really love that they put thought into why Keys needs to wear glasses. Something I noticed on rewatch is that Keys is far sighted which is why he has his glasses on when he’s looking at his laptop or computer and sometimes when’s talking to other people, but not when he goes to see Millie at her apartment or when he goes to get them coffee at the end of the movie. Another interesting aspect of Keys’ character that I noticed on rewatch is self-confidence is really something he struggles with in contrast to Millie and Mouser who are very confident. Millie is a genius programmer and Mouser is excellent at what he does, and they are both very confident in their coding abilities, but Keys isn’t despite being every bit the genius that Millie is. At the beginning of the movie when they first notice the issue with Guy Mouser jokes that Keys needs to be better at his job. In response Keys meekly says he thinks he’s pretty good at his job and trails off at the end. Mouser is just joking around, but because Keys lacks self-confidence comments like that hit him hard. Mouser is moving towards his own desk as he talks so he doesn’t notice how self-deprecating and uneasy Keys’ response is. In the interview from the indie games conference that Millie plays for Keys at his apartment, he brushes off the interviewers comment that he’s a genius and says Millie is the real genius because she created the AI engine and he just wrote the code to make it work. Later on, when Keys helps Millie get into the stash house, she calls him a genius and he tells her that as he’s currently sitting on a toilet stealing user code he doesn’t exactly feel like one. Millie responds offhandedly that he never does, but luckily, she knows better. When Keys realizes that Millie was right, and that Antwan did steal their code and their game worked he tells Millie they need to celebrate because once everyone sees their build she’ll be celebrated and she could win a noble prize. Both Millie and Keys are geniuses in their own right. The game wouldn’t have worked without both of their skills and Guy wouldn’t have come to life without both of them working together. Millie’s AI engine made his sentience possible, but Keys is the one who gave him hopes and dreams so that when he met Millie in the game, he came alive. When done right the settings we see tell the story just as much as the characters do and I love how realistic the settings in Free Guy look. The floor at Soonami Studios where Keys and Mouser work looks like a real office and I love that the desks have clutter and personal effects on them like real cubicles do and that they show Keys taking a box of his stuff with him as he leaves. The lobby with the moving water videos and Antwan’s massive but largely empty office fits perfectly with the obnoxious, zany, and over the top character that he is. I also love the contrast between Keys and Millie’s apartments and how those settings tell us a lot about each character and where they are in their lives when the film starts. When Keys comes home from work to find that Millie has broken in, we see that he lives in a stylish one bedroom apartment with an open concept kitchen full of stainless steel appliances, a large living room centred around an expensive wall mounted TV and entertainment system, with his computer and gaming station set up in the corner. On the walls we see artful clusters of black picture frames, through a partially open door we see a bedroom off to the side, the apartment is full of black and white furniture including a plush couch and nice lamps, and features a textured silver accent wall. All of which makes the fact that Millie managed to break in even more impressive because it is clearly an expensive apartment in a nice building. Keys’ style is minimalist and upper scale and based on what we learn about the events that took place before the start of the movie this indicates that Keys got the apartment and all of the nice stuff in it using the money he received when Antwan bought his and Millie’s game. In contrast, Millie lives in a bachelor apartment and spends her time in coffee shops ordering one single black coffee over four hours. This tells us that she kept her original apartment that she had from before the game was sold and is living off the money she got from the sale while she spends all of her time trying to find the proof she needs to win her lawsuit. When we see Millie’s place, we find that it’s cozy, full of plants, throw rugs, quilts, and comfy furniture. She’s got a bike in the corner, you can see her bed from the centre of the room where she’s got her computer and gaming station set up adjacent to the coffee table and the rest of the living room furniture. Her kitchen is smaller and full of wooden cabinets and her bathroom door has DIY multicoloured square panels on it. Keys and Millie’s apartments are very different and through these settings we see the contrast between where these characters are in their lives, their wealth, and their personal style. The song ‘Fantasy’ by Mariah Carey is featured heavily in the film and is guaranteed to get stuck in your head in the best way! Jodie Comer’s cover of it is amazing! It fits the moment where Guy makes it to the island that is Millie and Keys’ original build and shows it to the world perfectly. This movie made me appreciate Mariah Carey’s music in a whole new way and I can’t be the only way. After watching the movie, I went looking for the song on Apple Music, wound up listening to the Mariah Carey Essentials Playlist, and I’ve become obsessed. I knew some of her hits, but after listening to her music more I get why people love her so much. Her five octave vocal range is amazing, and her music is just so fun to listen to. The film has a really great soundtrack overall and I’ve had many of its song on repeat since I saw it. Something I really loved about this movie and the reveal at the end that Keys is in love with Millie and is desperate for her to notice, but she’s been oblivious the whole time is that they don’t do the supposedly nice nerdy guy whose really a jerk trope. So many movies do this where you have a nerdy male character whose unluckily love, looked over, or his love is unrequited, and we’re supposed to root for him because he’s a quote “nice guy”. But really, he’s not. He’s a jerk who feels slighted because a woman in his life doesn’t love him back or notice him and he feels as if she owes him something. The scene at Millie’s place where Millie tells Keys he looks cute when he brags, and Mouser encourages him to tell Millie how he feels is super frustrating to watch but it’s so important to Keys’ character. He asks Millie out for coffee and when she turns him down to jump back into the game, he doesn’t make a big deal about it even though Mouser wants him to. Instead he gets up and goes and gets her a coffee anyway. She goes to tell him her order, oblivious to the fact that he’s memorized it, he tells her he remembers, and goes to get the coffee anyway much to Mouser’s and the audience’s dismay. This is big because Keys clearly doesn’t want to be walking down the street by himself to get coffee. He wants to be getting coffee with Millie so that he can tell her how he feels to see if she might feel the same way, but when she turns him down he goes and gets the coffee anyway because he truly loves and cares about her and he values their friendship enough to put his own feelings aside and suffer in silence rather than lose her and what they’ve built. So, he takes the opportunity to get some air rather than continue to sit there in disappointment. Which is why he’s so confused when Millie runs after him and calls out to him from across the street. He doesn’t understand what she’s doing there. She turned down his offer to get a coffee and he already knows her order so why is she there? I love that they chose to make that scene non-verbal. I think if Millie had come out and made some big declaration of love it would have felt cheesy and overdone. But her running after him and silently communicating through her smile and body language that she understood and that she felt the same way was perfect. It was subtle and beautiful and perfectly acted. It also felt realistic to the characters because in real life when you’ve known someone a really long time and you’ve spent a lot of time with them you don’t always need words to convey what you mean. What Millie wanted to express in that scene was so big and so all-encompassing she couldn’t find the words to say everything that she wanted to say so she didn’t. She just stood there and smiled knowing that being the genius that he is he would understand. It’s like Keys says in their interview, words will fail you, but code never does. His coding worked and now she understands so rather than try and say it all and fail she just looks at him and smiles to show him that she finally gets it. She finally understands what he’s been trying to say to her all this time. And you can see the exact moment Keys realizes why she’s there. The moment where he goes from being confused as to what she wants to realizing that she saw the video and she knows how he feels and that she wouldn’t be standing there smiling at him like that if she didn’t feel the same way. When I watched the scene the first time around, I was anxiously clutching my nachos the entire time because when Keys ran towards her my immediate thought was, “Oh my god he’s gonna get hit by a car and they’re never gonna get to be together! Oh my god!” But then he didn’t get hit by a car and Millie ran out to meet him and for the first time in their relationship she met him halfway and they kissed and it was beautiful! I think because Free City had so much violence in it that’s where my mind went and I’m very glad they didn’t go that route. One of my only criticisms about the movie is that I wish they had stayed on Millie and Keys just a little bit longer. They kiss and embrace and then very quickly they cut to black. I wish they’d linger on that moment just a little bit longer because I love those characters so much and in the scene that follows where Guy and Buddy are reunited we see them hug and then walk away together to start their new lives and I wish we’d gotten just a bit more time with Millie and Keys. I also really loved the parallel between the different kinds of relationships within the movie and how platonic relationships are just as important as romantic ones. The reveal at the end about Guy being Keys’ creation and a love letter to Millie and her realizing she’s been loving Keys vicariously through Guy and them finally coming together and being on the same page is beautiful because from the very beginning the movie is full of clues, hints, and foreshadowing that all comes together at the end. Meanwhile, we see the friendship between Guy and Buddy and how important that friendship is to him because it’s something that he created on his own. His love for Millie is born out of the programming that Keys gave him, but his friendship with Buddy is something that Guy created all on his own of his own volition. Which is part of what makes Buddy’s death on the bridge so tragic. I cried when Buddy disappeared. Reynolds and Howery play their characters with such sincerity that his death pacts an emotional punch you don’t expect. I love that the security guards at Soonami are so moved by Buddy’s heroism and are so captivated by what’s happening with the live stream that Millie is able to sneak past them into the server room and stop Antwan from destroying what’s left of the game. Something else I noticed on rewatch is that during the final battle after Millie gets booted from the game and Guy has to fight Dude on his own the glasses he’s wearing are very similar to the ones Keys wears in the movie which I thought was a cool nod to Guy being Keys’ creation. This really is a movie in which you find something new every time you watch it. For instance, the second time around I noticed that the foreshadowing that Keys is in love with Millie, but she’s oblivious to it because she’s so focused on the game was really well done. In the video from the indie game conference that Millie plays for Keys at his apartment when asked by the interviewer about their chemistry Millie responds first and says that their friends, their relationship is completely platonic, and laughs off the idea that they have chemistry. In contrast Keys falters and is silent and then eventually says meekly that they’re just friends. Millie is looking ahead at the interviewer and to the side away from Keys as she’s laughing and so she doesn’t see Keys’ reaction. At the end of the apartment scene after Millie breaks in to ask Keys for his help, he tells Millie he cares about her and he almost says something else. It feels like he’s about to say, ‘I love you’ but then he catches himself and instead tells her that she needs to leave. When Keys visits Millie’s apartment to tell her that she was right and they’re sitting on the couch he reaches out and puts his hand on her knee and then snatches it back when he realizes he’s gotten too close. He wants so desperately to be closer to her and in his excitement, he gets closer than he normally would before realizing that putting his hand on her knee in that close proximity is not a platonic gesture. Millie is so caught up in the realization that Guy, the person she’s fallen in love with, is an AI and not a real person that she doesn’t notice. My heart broke for Keys in that scene as he realized that Millie had fallen for Guy and kissed him and was so upset about it and meanwhile, he was right in front of her desperate for her to see how much he cares. It must have just wrecked him to go home that night and realize that Guy was based on the lovelorn character he created and that Millie had fallen in love with his creation while at the same time being so oblivious to his real world affection for her. In the scene at Millie’s apartment after they’ve gotten the server from Antwan and Mouser encourages Keys to say something, I noticed on rewatch just how weak and meager Keys’ attempt to ask Millie out is. He stumbles his way through asking her to get a coffee and trails off at the end so it’s no wonder Millie doesn’t clue in that he’s trying to ask her out. And in Keys’ defence he sent her a whole video confessing his feelings for her and all of the little things he loves about her and then told her to watch it and he has no idea if she did or not. We the audience know that Millie only saw half of it, but Keys has no idea if she saw none of it, part of it, or all of it. He knows she got Guy to remember, but she’s also sending him mixed messages. One minute she’s saying he’s cute when he brags and the next, she’s turning him down for coffee to talk to Guy. From the outside it’s so obvious that Keys is in love with Millie, but she doesn’t see it because she’s always looking the other way, not paying attention, so caught up in the game, and too focused on their work to see what’s right in front of her. On rewatch one of the big things I noticed is that Keys is always on the edge of telling Millie how he really feels but he always stops himself because she brushes him or the idea off and because he’s scared of what will become of their work and their friendship if she doesn’t feel the same way. It’s a huge leap. If Millie doesn’t feel the same way it’s going to make their relationship incredibly awkward and could potentially destroy their partnership so Keys decides it’s better not to say anything or only hint at how he feels rather than run the risk of ruining everything. Something else I noticed on rewatch is that in the interview they give Keys says he thinks of himself as an author and that code is what gets him up in the morning and that he loves the ones and zeros of binary because words can fail you and let you down but code never does. At the end of the movie when Millie goes to talk to Guy in Free Life he tells her that he loves her and while he knows that’s his programming he’s realized that he’s a love letter to her and that somewhere out there in the real world is the author. Such a great callback. All in all, I can definitely say that Free Guy has been my favourite movie so far this year! Definitely my favourite movie of the summer. I went to see it twice in theatres and I’ve never done that for any other movie before. I’ll rewatch them at home sure, but I’ve never actually paid money to see something twice on my own. I’m very excited to see the sequel and my hope is that it will be just as good as the first.  Until next time.

[ashintheairlikesnow]

A Little Bit Stabbed

Jake Gets Stabbed Miniseries: First Second Third Fourth Fifth Sixth

CW: Discussion of past child abuse/domestic violence, description of stab wound, painkillers/drugged but in a good way, brief IV needle reference, some short references to Jake’s religious trauma, some trauma response stuff

“Took four of us to get you onto the couch, you know,” Kauri says, fingers moving gently to brush Jake’s short hair back off his forehead. There’s a hint of humor to his deep voice, but Jake catches the tremor in it, too. “You’re heavier than you look.”

“Must be… pretty fucking heavy, then,” Jake manages, voice slightly thin. They gave him something - Nat’s EMT friend showed up with IV supplies while refusing to tell anyone where they’d gotten ahold of everything from, except to repeatedly reassure all of them I know someone, it’s taken care of, I probably won’t go to jail for this. Besides, I’ve been in jail before.

Jake might not have found it very reassuring if he wasn’t halfway to unconscious from the pain alone at the time.

Now, though, there’s a needle feeding a steady supply of something wonderful into his bloodstream, holding the worst of the pain at bay. All he can feel now is maybe a little bit of an itch he knows better than to scratch, and a heaviness to his limbs that keeps them limp and relaxed. 

“We had to turn the stupid thing into the pull-out bed just to make sure your feet wouldn’t be higher than your head.” Kauri smiles at him, but there’s worry in those warm blue eyes, and Jake uses every ounce of strength to lift his good hand, the one on the uninjured side, and take Kauri’s, pulling his knuckles to his lips to brush against them. 

“I’m okay,” Jake says softly. “I am, Kaur. It’s not so bad.”

“It’s not-... you got fucking stabbed in your own kitchen, Jake.” Kauri’s lips thin and he looks away, over towards the TV, playing Clue.

Funny, Jake thinks, woozy and untethered to any kind of focus. My mom used to play Clue when we were alone, after. Made her feel better for a while.

“Just a… a flesh wound,” Jake manages in a terrible approximation of a British accent.

Kauri just looks at him, expression serious, and leans over until their foreheads touch. He’s warm, and Jake’s eyes close, basking in the body heat that comes off of him, surrounds them both. “Don’t,” Kauri whispers. “Please don’t make jokes. I thought-”

“It’s okay,” Jake murmurs. 

Eventually, he should probably tell someone he can only sort of feel the hand on the injured side. But not now. 

“It’s okay. It’s not s’bad. I got the good drugs, right?”

“Antibiotics and…” Kauri squints at the label on the bag attached to the IV, then winces and shakes his head. “Sorry. Can’t read today. It, uh. It kind of comes and goes when I’m worried, and today-”

“I get it. But… you don’t have to worry about me, Kaur. It’s over, it happened… I’ll feel better pretty fast. It’s okay.”

“It’s not,” Kauri says softly, but he relaxes beside Jake, keeping a hold of his hand. His fingers are slightly chilled, but they warm against Jake’s. The two of them settle into silence for a while, a woman in black on the TV with eyes blown wide in comic exaggeration of anger speaking in a blur of sound Jake knows by heart but can’t really pick apart from anything else, not just yet, not right now. 

He knows this movie by heart. He and his mom used to curl up under a blanket while she closed her eyes and prayed for things to get better and Jake prayed for his dad to die in a car accident or some other terrible way, and make it slow, and then pray with terror not to go to hell for thinking like that.

If men like his father go to heaven, Jake would rather burn in hell.

At least my favorite bands would be there, he thinks, and laughs to himself, shoulders shaking a little, sending a ripple of pain down his arm and spiking into his skull. He winces, but the thought still strikes him as too funny to quit circling woozily around his mind, and he keeps laughing a little.

Kauri turns to look at him, eyebrows raised. “What are you laughing at?”

Jake blinks over at him, those wide blue eyes. It had been hell not to be able to hold him for so long, with eyes like that. Real hell, the kind where you spend your days wishing for a connection that seems too hard to make. “Nothing, just… thinking about shit with my dad,” He says, finally. “My mom and I used to watch Clue all the time. It’s her favorite movie.”

“Yeah?” Kauri looks over his shoulder, back at the television, and Jake’s eyes move lazily over the slight bump in his nose where it was broken by someone years ago, the dip of his lips, the roundness of his chin, angling a little with age. The way his neck would feel to trace with just one fingertip, how he smiles when Jake does it, asks him what the fuck he’s looking at when there’s way more to Kauri that needs attention right now than just his face.

There’s a lazy wave of warmth in Jake, a steady thrum of something that goes much deeper than arousal, at the memory.

Adoration.

“Yeah,” He says, softly. “She’d put it on when he left the house, we’d make popcorn and watch it. Saturday night special, popcorn and a movie, Mom and Jake.”

“Where’d your dad go?” Kauri asks, then the answer catches up with him, and he winces. “Wait, sorry. I think I know where he went.”

“Church.”

That is clearly not what Kauri expected to hear. “I-... what?” He turns back to Jake, eyebrows furrowing. “I thought-”

“Nope. He went to church. Fish fry on Saturdays, he volunteered.” Jake is dimly aware that this might be more than he’s ever told Kauri about his father, at least more than he’s ever said that wasn’t laser-focused on the hurts, the bruises, the concussion, the ER visits where Jake learned to lie. “He was a magician with a deep fryer. Best fucking fish I ever ate.” He laughs, then coughs a little against the new round of ache in his shoulder. 

Kauri is quiet for a moment, his eyes searching Jake’s face, maybe looking for an idea of how to respond the right way. Jake knows that look - he’s seen it less and less over the years, but it never fully stops.

Kauri never stops looking for the safe answer, the one that won’t get him hurt. Jake never stops being ready to fight his way out if it happens again. Kauri is still ready to say what the abuser needs to hear, placate and please and keep himself alive.

Jake is still ready to pick up a weapon and use it if his father ever comes near he or his mother again. Not that he ever will. Not that he even wants to, sixteen years after Jake last saw his face. 

But he’s still built, deep within, to fight the threat. And so is Kauri, in his own way. 

“I love you so much,” Jake says softly. “I hope you didn’t pull anything dragging my ass around.”

“Mmmn, guess I’ll find out,” Kauri says softly, snuggling back up to him, then. “Should we change the movie? If it’s, like, a thing for you-”

“Nah.” Jake smiles, slightly. He feels pleasantly drunk, on whatever the painkiller slowly drip-feeding into his arm is. A little woozy, a little bit in love with it. “It’s like a comfort thing, really. I should call my mom-”

“I already did,” Kauri says, gently pushing him back down as Jake tries to make himself sit up. “She’s driving up. She said she’ll get here in the morning, she had to find someone to watch her dog.”

Jake blinks twice. “Mom has a dog?”

“I think it’s new. But, um. You can’t exactly meet her at her hotel, Jake. She’s gonna have to come here.”

Jake feels a rush of old nerves prickling along his arms, the hair of his neck trying to stand up. He closes his eyes, tries to push it back down. “I’ve never given her my address. It’s not safe for us. What if-... I don’t know. I’ve just never… I’ve always worried that if he found her, you know, that he’d… convince her to tell him where I live. He’d turn us all in just to feel like the big righteous moral hero all over again. Probably hard to feel that way when you’re hitting a teenager. Easier when you’re turning in vigilantes with stolen property.” He spits the words, and Kauri flinches a little. “Shit. Sorry, Kaur.”

“No, it’s. It’s okay. I get what you mean. But I don’t think your mom would do that. She loves you.”

“She does.” Jake exhales, closes his eyes. Inside him there is still an angry child that wants to point out that it hasn’t always been enough. But there’s a grown man, and a decade of fucking therapy, telling him there’s a whole lot more to it than that. “And she’s finally come around to understanding why I do this. Yeah… yeah, we’ll tell her where I am. It’ll be fine. Honestly, it’s not so bad. Jameson really did a great job on the stabbing.” Jake tries to laugh again. “Fucking surgeon with a butcher knife. He managed to miss every fucking bit of me that would have killed me.”

“Except for if you bled out,” Kauri points out, voice small. 

“Yeah… but I didn’t.” Jake thinks of Antoni’s face, the focus in his dark eyes, the quick movement of his hands, the blinding agony of the cloth being forced into the wound to soak up the blood, the way Antoni had leaned all his weight forwards to put enough pressure to staunch the bleeding. Jake had never felt pain like that before, and he’s not sure he could handle feeling it again. “Ant was there. It’ll be okay. Where is he?”

“In his room.” Picking at the heavy thick blanket laid over Jake, not quite looking at him now, Kauri asks, “How are you so calm about this?”

“Drugs,” Jake answers right away. “Like ninety percent drugs.” He groans as a throbbing ache travels from the stab wound, up into his skull, all the way down to his toes. “Fuck. The… whatever’s in there helps. But also…” Jake sighs, letting his eyes drift to the ceiling, over the popcorn-texture there. He’d meant to scrape it clean and smooth, when he bought the house, but other stuff kept taking priority, and he hadn’t gotten around to it yet. “This isn’t th’ first time, you know?”

Kauri frowns. “Jake, I have licked just about everything on your body, I’ve never seen a scar from-”

“Not… not stabbed. But… stuck here, on a couch-bed, tryin’... tryin’ to heal from shit. That’s not new.” Jake exhales. Above him, the blades of the ceiling fan circle lazily, and his eyes follow the movement of the shadows. 

“No, I guess not.”

“In any case… I haven’t s-seen… Jameson’s upstairs, right? Can you get him down here?”

Something passes over Kauri’s face, a shadow, a discomfort and darkness that Jake can’t quite read. “Jameson’s not in the house, Jake.”

“What? Why?” Jake starts trying to sit up again, and this time Kauri’s gentle push isn’t enough to get him back down. He grinds his teeth against the pain and forces himself upright, trying to shift his legs over the side of the bed. The room spins around him, dizzy-sick flip in his stomach, but he ignores it. He’s felt worse than this and kept moving before. “Shit, fuck, I should’ve made sure he didn’t leave-”

“He didn’t. I made him go.”

The look Jake turns on Kauri is baffled, but there’s anger, too, welling up inside him. “You what?”

“I told him he can’t stay here if he’s a danger to you and the others,” Kauri says, but he cringes back from Jake’s expression, instinctive fear. Jake hates how he looks like his dad - huge and muscular, a threat inherent in his existence that he might not give off if he were smaller. But his bulk and his strength is also the thing that makes him capable of withstanding the danger he puts himself in for them. It’s the reason he could come home and pick Chris up with a broken rib and carry him after they raided the last safehouse he’d lived in. It’s the reason he could finally fight back with his dad. It’s the reason the kids at his new schools, one after another after another as he and his mom moved constantly to try not to be found, left him alone. 

“Kauri, he can’t-... Jameson’s not. He can’t live on his own.”

“That’s a lie,” Kauri says, lips barely moving. “That’s a lie they tell us-”

“No, that’s not what I-... Jameson’s like Chris,” Jake says, softly. “Like Chris used to be. He was treated like an animal, Kauri. He didn’t get to use fucking utensils to eat in the last two places he was held, he told me himself. He can’t live on his own yet. If you kicked him out… Jesus Christ, Kauri, do you not remember how it felt when you were kicked out?”

Kauri looks like he’s been slapped. “Wait, Jake-... I didn’t mean-”

“We found you half-dead under a goddamn bush, Kauri, you can’t do that to someone else just because I got a little bit stabbed! Shit. Fuck. I gave him a burner phone, if he’s still got it on him, maybe I can call-”

“Jakob fucking Stanton!” Kauri yells so rarely, and Jake goes still, turning to look at him, seeing the anger written across Kauri’s face. Kauri angry is electric, and immensely sexy, and something Jake had gone so long thinking he would never see unless Vincent Shield showed up with a new idea for how to make up for all his failures by forcing himself around someone who hated him. “Will you fucking listen to me?!”

Jake just sits there, staring at him. He can’t even find the words. Eventually, he just nods.

“I didn’t kick him out on the street, I’m not that awful, and fuck you for thinking I am and we’re going to talk about that later when you aren’t half off your head from painkillers. I don’t want him here until you’re feeling better in case it happens again, so I-... so I sent him home with Nat. She doesn’t have anyone living with her right now, and she said okay, so he’s going to stay with her.” Kauri swallows, reaching slowly out to lay his hand on Jake’s leg. “He and I talked. He said it’s always been men, Jake. All of the ones who hurt him were men, one of them was... was really big like you, I guess. So I thought-... if he’s with Nat, maybe it won’t happen again for long enough for him to, to work it through in therapy and Dr. Berger maybe can give him, give him s-something to help. So maybe he won’t, um, hallucinate or… or w-whatever the next time.” Kauri’s eyes well up, glimmer with tears that don’t fall. “I was trying to help. I thought he’d feel safer with only a woman, maybe, and I sent him alone so that he’d know he can’t hurt Allyn, he was really scared of that, and…”

Jake’s mouth hangs open.

Kauri slumps over, his forehead slowly resting against Jake’s back where he sits slightly behind him now that Jake is nearly off the bed. “I had to make sure everyone’s safe. I didn’t know what else to do. I sent Chris to stay with Laken overnight but he’ll be back tomorrow, Antoni’s fucked up but he’s in his room and he’s safe, and all the rescues promised to stay in their rooms and Allyn tried to go with Jameson and I think they hate me now because I said no, but I didn’t-... I tried to think of what you would do, if it had been Chris or me he’d hurt. I was trying to be like you. I’m s-sorry if I fucked it up, I’m sorry, please, I thought you were going to die, please don’t be mad at me-”

“Kauri.” Jake turns, and uses his good hand to lift Kauri’s chin, meeting his eyes. 

Blue on blue, always. 

“I’m not mad,” He says, gently. “Not… not now. You’re right, I shouldn’t have… just been a shit deciding what you did without asking. I’m sorry. So, let me just… you spent the last couple of hours really fucking busy, huh?”

Kauri nods, kissing Jake’s fingertips, one by one. “I’m sorry,” He whispers. “I’m not… I’m not good at this, I’m not... not... I was so scared. I didn’t know what you would do, Jake, and Nat said she thought it was a good idea, so-”

“It is. It is a good idea.” Kauri blinks, surprised, and the tears that have been threatening finally run, clear as crystal, down his flushed cheeks. He looks like a fucking sculpture, Jake thinks to himself, like some artist’s idea of the perfect beautiful person. “Kauri, just. Now that I get what you were trying to do… Shit. That’s really smart.”

Kauri huffs a laugh, a kind of half-sobbing sound, and shakes his head. “It’s just, I was just guessing-”

“That’s all we ever do, too,” Jake says, voice soft. “We guess, at what we can do to help. Nat always says we make the hard choices when nobody else can. Kauri, that’s the smartest fucking idea. I’m… that’s some grace under fire shit. That’s amazing.”

“It… it is?”

“Yeah.” Jake kisses him, and Kauri tastes like mouthwash, like mint, kisses back with desperate intensity. “Yeah, Kaur. That’s even better than what I would have done. You’re so fucking smart. What made you decide to slum it with me?”

“You have a really good d-dick and I don’t w-w-want to lose access,” Kauri says, and he’s crying or laughing or maybe both. “You’re my eye candy.”

“You’re my Einstein.”

“Fuck you.”

“Fuck me yourself,” Jake says softly. 

“Heal a little first.” Kauri sighs, half-smiling, pulling Jake back into the bed to lay down again. “Everyone’s safe, Jake. At least for now. Everyone’s okay. You need to rest, and everyone’s going to be okay.”

Jake lets his head be maneuvered back onto the pillow, feels Kauri settle back down next to him, pulling the blankets back up over them both. He’s silent for a while, lets the soft sound of the end of the movie wash over him, showing the different endings.

“I love you,” He whispers. The way the adrenaline is fading makes him sleepy, drifting in a new drowsy haze, ready to dose off again. “So much.”

“Love you, too,” Kauri murmurs. 

He knows this - the couch-bed pulled out, watching movies and stand-up comedy at a low volume, a throb of pain somewhere that will heal only with time - by heart.

With Kauri’s weight and warmth beside him, it feels entirely, completely new.

-

@astrobly @burtlederp @finder-of-rings @whump-tr0pes @raigash @moose-teeth @orchidscript @doveotions @pretty-face-breaker @eatyourdamnpears @boxboysandotherwhump @whumptywhumpdump @whumpfigure @outofangband @downriver914 @justabitofwhump @thehopelessopus @butwhatifyouwrite @yet-another-heathen @nonsensical-whump @newandfiguringitout @gonna-feel-that-tomorrow @oops-its-whump @cubeswhump @whumpiary @endless-whump

[aro-is-gay-af]

Why do I think Resume will end up with Volturi - an attempt to explain Bella/Renesmee relationship

As within the fandom nobody likes Renee (no wonder why) I'd like to make an attempt at explaining to y'all what's like to have a parent like her (because I've got the same problem) and why this is going to cause problem over the years between Bella and Renesmee. This post will include such things as explaining:

why being in a relationship like this is so tiresome

what kind of effect has it on Bella

why Bella is just the same towards Renesmee as her mother was to her

why Bella and Renessme dynamics as mother/daughter aren't as fantastic

why is it so probable that Renesmee will eventually join the Volturi and what may be her reasons to do so.

1. Someone, who's never been in the kind of relationship that Bella and Renee have, is not going to catch up quickly with the point that I'm making in this post. Why? Because it's hard to imagine yourself being in an abusive or neglectful relationship with a person, who is a close relative of yours. You never want to acknowledge that something is wrong and instead, you're trying to find excuses for the person's abusive behavior. Fandom agrees on the fact, that Renee is, at best, neglectful of Bella, while at worst, she's downright abusive. I agree with both statements and in a moment you'll know why. You also need to know that everything I'll write here is from my experience from being in such a relationship hence it doesn't mean everyone will have the same experiences as myself. Now, why is such a relationship so tiresome and you struggle to find your true self in it? In my case, very similarly to Bella, I became responsible for things I shouldn't be responsible for at a very young age. I didn't have the time to actually be a kid because I needed to handle "adult responsibilities". When you have adults' responsibilities you lose something beyond reclaim. You'll never go back to your childhood and be a child once again. I was forced, not only to handle myself, but also my brother and mother, and our household. I didn't have time to do most things that kids do cause I was taking care of my brother, or my mother, or doing chores, or anything that was supposed to be done by adults, except it wasn't. While all of this made me extremely responsible, it also made me anxious, bitter towards my parents and I suffered from depression for a long time. I read somewhere that Bella is exaggerating and it's normal to help your parents within the house, to have responsibilities. The problem here is that Renee is Bella's responsibility in the same way my mother and brother were mine. You cannot give this up because you're too responsible but it also eats you from the insides. Also, if I remember correctly, Bella says somewhere in the book that she doesn't mind this because that's how things are for a long time. That's exactly what I'm talking about! When such responsibilities are forced on you at a very young age, you accept it and think it is natural. It isn't. Adult are adults, and kids should be kids, not kids forced into adulthood.

2. + 3. When you don't have time to be a child and you're forced into the adult world, there's always going to be some consequences that you cannot foresee prior. To Bella it ended actually sadly - we can see in the book, as well as in the movie, that Renesmee is almost as an accessory to Bella. Sure, Bella dies for her, but what else? Renesmee is described as mature and serious, she doesn't want to do things that kids usually do. Why? Smeyer made her this way, yeah, but apart from that, it's because Bella cannot handle a kid. The idea of full family appeared to her because she never had it herself. And while she admits that she doesn't even want children in Eclipse, suddenly in Breaking Dawn we see her change her mind completely. All she ever wanted was a) Edward and b) to be a vampire. So when she has these two goals achieved, why would she even bother with Renesmee? So Resume is mature enough and growing up quickly to relieve Bella from the burden of maternity.

4. Also, I'm not saying that Bella doesn't love Renesmee. Of course she does. Renesmee, also, loves her dearly. It's the same dynamics as between my and my mother, and between Bella and Renee. Bella loves Renne but needs to take care of her and be the responsible adult™. It also tires her, as she needs to think about how to handle the business in the most effective (and cheapest) way.

I think we can establish by now that love has nothing to do with this. So, because of her childhood and the poor illustrations of how relationships should work, Bella is exactly the same towards Renesmee as Renee (and partially Charlie) was to her. She thinks Renesmee is able to handle herself fine - she's constantly throwing at us proves that Renesmee is mature enough to do almost everything adults do. It's bullshit, of course, but Bella isn't aware of that. It's how she was brought up (or it's rather the lack of bringing her up by responsible adult) and she thinks it's the best way to fulfill parental duties.

As I said earlier, Bella is all smiles because she's got what she wanted - Edward and immortality. Yeah, it's great she has a daughter too, but like... hello, it's Edward and her and they have forever so why to bother with a child. It'll somehow work itself out. I will not ponder here on Edward being a father and how I see his relationship with Renesmee, however, I don't think it's pretty healthy either. Also, I need to add here, that Renesmee at least, has others (I mean other Cullens) who have probably more patience and time to actually raise a child. I think, and it's only a headcanon so take it easy, that Renesmee has excellent relationship with Rosalie. Rose will not treat her as adult - she'll prolong Renesmee's childhood as much as she's able to. She has time, patience, will and all love for her, so I think they're pretty close, and it would be a good, as well as a healthy relationship.

5. The older Renesmee will get, the more she'll be able to understand. Maybe the Cullens (and I hope it would turn out this way) would spare her this "being a premature adult" thing but her relationship with Bella will never be as close as she'd probably wish to. Sometimes, love isn't enough to keep up with the relationship and the shit that's going on around you constantly. One day, Renesmee will go to high school, then to university and then? Who the hell knows. She won't necessarily be with Bella. Sure, she'll be always her daughter, but she's not her property. At some point, Renesmee'll be mature enough to decide whether she wants to stay with her family, or travel, or join another coven. What I think, is that Bella won't be happy about it at all. Right now she has her fairy tale. She sacrificed nothing. She's living the life of her dreams with a man of her utmost desire. She has a child, even though vampires aren't suppose to have ones. What will happen if there will be a crack in her tale? Long, nasty cracks, throughout the wall. This is when I get to the point that Bella has no fucking clue what mess she got herself into (but that's for another post).

6. Holy Grail now. Lord, I'm always making this so long, this was supposed to be brief. Okay. So why do I think Renesmee will end up with the Volturi? A few reasons off the top of my head:

※ at some point Jacob will die and Charlie will die, and she'll now what's grief and how hard it is to go on. Yeah, yeah, I know that Jacob is also immortal right now, but he'll probably be killed while protecting Renesmee or Bella. I always think of their relationship as brother/sister because I cannot stand the imprinting shit Smeyer gave us. Also, I think I don't need to explain Charlie here. Renesmee will be devastated by both of these deaths and she'll have to come to terms with herself eventually. I guarantee you that she'll not be the same after that.

※ relationship with her parents. I briefly explained what I had on my mind when it comes to Bella. Renesmee loves her mother but that doesn't mean they'll have healthy and exemplary relationship. Sure, they can work on that, they have eternity but I think that at one point Renesmee will be fed up with the way how her mother is in love with eternity itself. Her relationship with Edward, as I said, is for another post, however I think with time it can get pretty hard. Could you live with the thought that your own father didn't want you? That he regretted that you exist at all? I don't think so. (Yeah, I'm simplifying, but I need to, so don't hate me for this).

※ Cullen coven can break or partially break. @therealvinelle talked about it here a little bit but that's also what I have in mind. Cullens are fairly young coven, with pretty unknown dynamics as we don't get to know them that much through saga (thanks Smeyer for not dwelling on it further). It isn't said anywhere that they'll last next century, not to think about more time passing.

※ she'll be fed up with constantly living with the humans. Imagine you need to constantly move, go to school/college and abide the rules that you didn't agree on in the first place. At first its great, Renesmee has time and reasources to flourish but she can also do that without anoyone else.

※ she has rampant hunger for knowledge. Where to find more books and more knowledge than in Volterra? Simple as it is.

※ she may not find vegetarian diet... sustainable for her. Remember how she was delighted when she drank first Bella's blood and than human blood in general? I think she can go on for some time on vegetarian diet plus/or human diet (if she was to attend i.e. med school which of course I think she would) but after some time, maybe a century, maybe less and maybe more, she'll eventually come to terms that she enjoyed drinking human blood. That's it. She's half vampire by descent. I don't think she'll be able to resist that much , also because everyone taught her from day one she could have what she asked for in a blink of an eye (remember Esme's spoons?).

AND most important (at least for me)

※ her worldview will completely change after a few/a lot of tragical experiences. Sorry, that's just common knowledge. Life is brutal, people are vicious and ruthless. She'll probably work or go somewhere, where she can see what humans are capable of (both in good and bad ways) and what one can do to achieve their goal. I think she'll go to Volturi to simply find comfort there. They've been alive for three thousand years. They can teach her things Cullen's aren't even aware of. Besides, I think it would be a great political move. We all know Aro wanted to know her so bad. If he would, she'll probably be able to influence him to some extent and spare her loved ones if it'd go that far. That's it! Of course, it's fucking long as hell. Sorry for that. Comment if you wish. I cannot wait if you think the same, similar or if you disagree completely! But no hate, please. Professionals have standards™.

[occult-castiel]

The Same Page

This is my @destielsecretsanta2020 gift for @eclypseaf!!! The request was open, but bonus points for Miracle being present. So I wrote some post empty rescue fic!

This one honestly gave me a really hard time and I have no idea why. I hope you like it and have has an awesome christmas!

[Ao3 Link]

The portal spits them out in the dungeon.

Dean stumbles out first, a half step ahead of Cas. Human, malleable, and very much alive with one of the little dude's arms draped over Dean's shoulder.

Cas stumbles forward. Dean shoots an arm out in front of him, places a hand firmly against his chest. He maneuvers his other arms under his trenchcoat, grips his side firm.

His skins almost cool to the touch — much too cold to be safe. Not for a human, especially a brand new one.

And what if he's sick? Or gets sick and can't get better? Without his grace, there's a whole new set of worries. A bad flu that gets worse until he's gone, a hunt going wrong, fucking cancer. Heart disease kills pretty much everyone, doesn't it?

He takes a deep breath and focuses on the gentle thud of Cas' heart against his palm.

The last eight months haven't been easy. Not between the alcohol Sam eventually cut him off from, and the hunts getting sparse, and Jack being terrifying and gone until he wasn't.

Cas lulls his head to the side. His inky heart sticks to his forehead, and his blueberry-sweet eyes are unfocused but still manage to catch Dean's.

It's achingly familiar, and he smiles easy. "Hey there, sunshine."

Cas pinches his brows together as his head swims to stay upright. He slurs through some half-baked, nonsense question about coral reef bleaching, and Dean's so relieved he laughs.

Cas smiles at the sound, dazed and feather-light, but the joy is unmistakable.

It's the best thing Dean's ever seen. Fuck, he missed him. Missed him so much he didn't know what to do with himself.

Cas winces — what little help he was giving Dean in holding him up falls. He makes up the difference quick. Weak fingers curl around Dean's wrist.

"Sorry —"

"S'okay. Gonna —" he swallows hard. Tries to shove away the distinct pin-prick in his tear ducts that always means he needs to man the hell up. "Gonna get you to a bed, okay?"

Cas grunts, a pitiful noise that's mostly air and entirely feeble. "Tired."

"Rest then. It ain't far. I gotcha, buddy."

When he nods, his hair brushes Dean's neck.

It's not well thought out. The lack of work and overload of carbs haven't done Dean's muscles any favors. His joints creak and protest every step, but his room isn't far, and he'd be damned before he let's Cas feel like he has to do anything alone this time.

Miracle hops off the bed the moment the door opens.

Dean lays Cas on top of the bunched up blanket. Once he's down, Dean slowly works the trencoast and suit jacket off, his hands careful as they trail across the thin cotton of his shirt.

Cas shivers, and Dean wrestles to tug the blanket out from under him, Miracle nuzzling the side of his leg the whole time.

She's probably hungry. Or just wants attention. He hasn't exactly been available the last couple weeks, too busy with his nose in piles of research. But it all payed off.

Cas grimaces in his sleep, and it twists the cords in Dean's chest. He reaches his hand out and ghosts his fingers across the sweat-stained hair stuck to his skin, gently pushing it to the side.

He'd said it once, not more than a month ago, in the darkness of his room, Miracle tucked as close as he could get her.

He said he loved me, and I — I didn't say it back. But I do. God I do.

Dean trails his hand from his forehead to the flushed pillow of his cheeks. The other knuckles roughly at his eyes and comes back wet.

He has no god damn idea what he wouldve done without Miracle to talk to. Cause he could never get it out to Sam. Not those last moments. Not what Cas really means to him. Always too close to an edge of something larger than any apocalypse they've ever dealt with.

He traces down low enough to brush across Cas' wrist, the pained look still on his face.

Dean swallows, his heart hammers hard in his throat. Timid even though the guy is unconscious, Dean grabs his hand.

His mind blanks. Turns to complete static — a jumble of half-formed thoughts about every reason he ever told himself not to.

He's an angel. The worlds ending. Always ending. He doesn't feel that way. Can't, the equipment for it's not there. It's why he leaves, isn't it? And what the fuck could ever hope to start when it's all always falling apart? When they could fall apart.

Everyone leaves.

A flash of cold prickles down his back, and he tries to takes a deep breath. It goes down ragged. There was something he read once, about picking out a sense.

Cas' breath, slow and steady. The clink of Mircale's claws on the floor. A muted buzz from the florescent lights in the hall.

He breaths again, a little easier. His fingers curls into Cas' palm, and his finger twitch against Dean in response. The dent in his brows relax, his jaw goes slack.

"S'okay Cas." He squeezes. "Just... be okay."

When his phone rings, dumped and forgotten on the other side of the room, he isn't quite sure how to let go. Like the ligaments in his hand have cemented in place, forgotten the muscle memory to make the movements happen.

When the second call comes through, Cas mumbles something. Dean's shoulder slack, and he pulls his hands back, clammy and with a slight tremor.

It's Sam. There's a small tug of guilt — he should've called him the moment he put Cas down. He knows he would've been worried sick if Sam was the one that had to go.

Sam's relieved too, promises to buy stuff for dinner on his way back from where Dean went in the Empty about fifty miles out. And he must hear something in his voice, because he stresses to go watch a movie or something and let Cas sleep it off.

Of course he's right. They knew Cas would be out cold. But leaving the room is still hard, and he lingers in the doorway until he gets a good look at Miracle's mess of tangled fur.

He hasn't brushed her hair, since that's practically what the fur is, in weeks.

"C'mon girl."

He grabs the brush from the bedside table, casts on last look at Cas, and takes Miracle to the TV room.

She hops on the couch next to him, tail thumping with excitement.

"You wanna get pretty to meet Cas later?"

She nuzzles his hand, sticks her nose against the brush, and a little bit of the stress from today lightens up.

He flips on some netflix show about baking food, and talks to Miracle as he starts in on her snout.

It's ritualistic to touch on whatevers going on with her, at this point.

As her fur smooths, he tells her about the Empty. Its piss-poor lighting, the mind boggling way directions work, how it has this awful burnt-licorice and gasoline stench clung to the nothingness of its everything.

It kinda makes his head hurt.

Almost two full episodes in, he has all her fur neat and tidy, and his little monologue has circled back to Cas. She'd know a lot about him if she could talk.

"It's hard to believe he's really back. And — and maybe it'll be good. We could, I dunno, get you a yard?" He nods, smiles. "Yeah, I bet your spoiled ass would like that. The bunker ain't a place for pets."

Miracle leaps from the couch, and someone clears their throat from the door.

Cas stands in the doorway, hunched in on himself. Dark strands of hair twist up in random directions, and the casual clothes Dean left him fit snugly.

He looks... comfortable. Like he slipped into humanity ages ago, not this afternoon.

"Cas."

He tilts his lips up, tight and sheepish. "I see you have a dog now."

"Yeah. Miracle. She uh — she helped me." He motions vaguely to his head. "Might not be batting a hundred up here if not for her."

Cas glances down at her, and the tense smile softens. "I'm very grateful then."

Almost reverent, he scratches the side of her ear.

Dean shakes his head. Blinks. Two things he never thought he'd see side by side mixed with the insanity of the day make none of this seem real.

Deep breath.

"She can — she can be there for you too," Dean says. "If you need it. Dogs are great listeners. Even the Madonna types like this one."

Cas gives a contemplative hum. "They are both blonde."

He puffs a breath of air. It's easy to forget Cas actually knows what he's talking about now, sometimes. Even if he does still miss the point by a mile.

"It was your turn."

Cas raises an eyebrow.

"To, uh, pick a movie." He motions to the seat next to him. "If you want."

Cas runs his bottom lip between his teeth and doesn't look at Dean. Doesn't say anything either. Just nods, walks over, and sinks into the couch.

It's a respectable distance. Close enough Dean would be able to sense him, far enough away they won't touch.

Miracle curls up on the other side of Cas, head flopped on his lap, right next to his balled up hands.

"Is it over?" His voice is small.

Dean doesn't have to ask. "Chuck isn't aproblem anymore." Cas sighs, slinks down bonelessly into the cushions. "We figured it out, took his powers. Jack's fixing up Heaven with it. Says he's gunna do that, find a way to put Amara back together, and then come home."

"Good. I don't think I'm up to fighting standards." He rolls his head to the side. They're close enough Dean can make out each muscle in his neck when he swallows. "You didn't have to save me, Dean. I'd — made peace with that fate."

It's bullshit. It's bullshit and Cas has to know it. He almost tells him a much, but if he can't have that talk now, then he never will.

He licks his lips. It doesn't help the dryness.

"Did you mean it?"

It's a dumb question, but one he needs answered.

Cas doesn't miss a beat. "That and more." The serenity in his words is endearing as it is cutting when he adds, "But we don't have to address it. I don't want to make you uncomfortable."

It's Dean's turn to melt with relief. "Good — that's good."

Cas winces. "I understand if you'd like some space —"

He starts to stand up, and panic seizes Dean's chest like a vice grip. He grabs his wrist and Cas freezes.

"No! God no. Cas, it — it wasn't supposed to happen like that."

He looks confused, before some amount of understanding smoothes out some of the worried lines in his face. His eyes flick down to Dean's mouth for an instant. "How was it supposed to happen, then?"

"I thought, maybe on a hunt? Or — I don't know. Just... " some place I could say it back.

Its not good enough, saying it without saying it. Cas gave a speech. He saved Dean's life, saved the god damn world. All without knowing.

He shakes his head. Starts again. He had enough practice between thoughts he couldn't shove away and late night pet-therapy. "I thought you knew. Hell, I've been scared everyone knows. And if they did, you did too, right?"

"Subtly isn't always my strongest suit."

He laughs, and it's almost on the wrong side of sane. "Don't I know it."

He can do direct.

Slow enough that Cas has time to pull back, he runs his hand up his arm, cradles it against the back of Cas' neck. He leans across the small distance and kisses him.

It's clumsy and unsure, and Cas places a skittish hand on Dean's side like he's not sure what he's allowed to have even now, but their lips mesh together in a way that feels better than anything he can remember.

When they part, he's not sure either one of them are breathing. And he can't look at Cas, not when he says it. Not yet. So he presses their foreheads together, keeps his eyes fully lidded.

"I don't know how you could think you aren't worth saving. You — you're it for me."

"Dean —"

He shakes his head, and the tips of their noses brush. "I love you more than I know what to do with. You know that right?"

Bewildered, Cas says, "I didn't."

"Yean, well. Now you do."

He scoots back in place, flushed firm against the cushion. Their hands tangle together, and their knees are touching, and it's too much and not enough. But mostly not enough. Dean dares a glance over. Cas is staring at their hands, a pleased smile on his face.

And they're on the same page.

"I think you said something about a yard when I walked in?"

Instead of answering he says, "We should retire. I'm too old for this shit."

"Entirely?"

Dean shrugs. "A hunt here and there wouldn't hurt I guess."

"We'll talk about it later." He reaches over him, grabs the remote. "I think you said it was my turn?"

Dean grins, full and toothy. "Yeah, just no more romcoms, dude. I can only take so many."

Cas nods, curt and serious. "Of course."

He does anyway, and it's the best shitty movie Dean's ever seen.

[pleasereadmeok]

This ‘Wonderland’ Interview to promote A Single Man is a gem.  Matthew Goode is a bit of a handful and swears his way through this interview with his mate Nic Hoult.  It’s very funny.  It’s often quoted (including his description of Colin Firth’s kissing technique!) but it’s difficult to find a clean scan of the whole interview.  This scan (from Natalie/ Fairchilds on ohnotheydidnt) isn’t very clear to read so I did a transcript several years ago - here:-

Wonderland Interview

Based on the 1964 novel by Christopher Isherwood, A Single Man marks the screenwriting and directing debut of fashion icon, Tom Ford.  Having debuted earlier this year at the Venice Film Festival to a standing ovation, the film has continued to impress audiences during screening at the Toronto and London Film Festivals.

Joining lead actor, Colin Firth, on screen are fellow Brits Matthew Goode and Nicholas Hoult who discuss the film, Tom Ford and being British in LA.

ON A SINGLE MAN

Nicholas Hoult: The only time I saw Matthew was when we were getting our spray tans.

Matthew Goode: Which were more regular than we were expecting.  I got on a plane with Colin [Firth] and then literally the moment we arrived, got in the car together, went to the hotel and suddenly – it’s like ten thirty at night – we have to go to Colin’s room where we’re having our spray tans .  Colin Firth is in his pants, I’m in my pants and it stays that way for an hour whilst we wait for this stuff to set.  He’s fucking great.  I love Colin.

We [Nic’ and he] never had a scene together but we were there the whole time.  I was only really fitting in around these guys.  Nic had a damn sight more to do than I did.

NH: No I just did more.

MG: [Laughs] It was a really fun shoot. I mean, maybe I’m looking back with rose tinted spectacles, but …

NH: It was a good fun shoot. Everyone enjoyed it.  I remember the night in Venice after seeing it in front of all those people and just lying in bed thinking ‘that’s something I’m proud of’.

MG: It’s seriously impressive. You watch it and you care and, it doesn’t happen to me a lot, but I watched it and thought ‘I’m in something that doesn’t stink!’.  I’m proud of that.

NH:  That’s a nice feeling when you’ve done something and you can say ‘yeah, proud of that’.

MG:  Fucking hell – sorry to interrupt – but I was reading a magazine or a paper or something the other day and it said “A Single Man obviously being screened and whenever Nic Hoult was on screen there were gasps over his beauty” [laughs]. And I was thinking, fucking Hoult is going to LA and get so laid! [Laughs]. He is going to be turning bush away left right and centre!

NH:  It’s all down to the fake tan again.  That’s where the performance stems for me.

MG:  That is a review!

NH:  Nothing about the acting, right?

MG:  They didn’t review the film.  It just said “I saw it.  I’m going to be reviewing it at some point, but let me tell you there were gasps over Nick Hoult’s beauty!”

ON TOM FORD

MG:  Tom is immediately interesting. If it’s all about someone’s cannon of work then most of the time you wouldn’t work with a first ime director, but if the script is good and you have a chat with them and they know which end is up and which is down, then great.

NH: I didn’t know who Tom was when I met him.

MG: Nick “fashion forward” Hoult!

NH:  I’d gone over to LA got off a plane and had dinner with him.  And I asked him how he’d got into directing and why he was doing this!

MG:  I love that.  Isn’t that great?  And that’s also like Tom.  He’s not the sort of person who is like, ‘well fuck you!’.

NH: He explained very humbly what he had done and I thought OK.  And then I looked him up after dinner and was ‘oh jesus!  He’s actually accomplished quite a lot’ so probably quite a stupid question, but he was very honest and modest and made a great director.

MG: It’s so good.  And so good for Colin.  And Julianne [Moore] is bloody great in it as well.  But the real star of it, it has to be said, is Tom. It silences immediately the people who were going ‘you self indulgent cunt.’  It’s like two massive fingers up to them as it is very, very accomplished.

NH:  It’s very personal to him as well.

MG:  Hugely personal as the main story sort of mirror images the relationship between him and Richard.  There’s a similar age gap.

NH:  He would always say my character is him when he was 18.  He’s connected to every character and he knows them.

MG:  And he wrote the screenplay and it’s starkly different from the book.

NH:  Matthew’s read the book, so –

MG:  That’s right!  I have. It is different.  I am always about the script, really.  But one of the really nice things about being involved is that it is a love poem to Tom’s partner, Richard.

NH:  Tom is very good in the sense that he is an actor’s director and knows what he wants you to do but is very giving to let you go off and explore things and try stuff out.  And you don’t feel too much pressure of failure.

MG:  That’s very true.

NH: ‘Cause the second you’re on set – especially when there’s only 20 days to shoot – to not feel the pressure, that’s a good atmosphere he created.  Something his assistant was saying the other day was that he’s very good at holding his hands up and would admit when he wasn’t sure what he was doing and kept everyone on side and made it a really great team effort.

MG:   I love it when someone’s like that.  It’s so far away from self indulgent as well when someone’s shooting into the 19th hour of the day and the ship isn’t sinking, but there’s a leak and it’s far better to say we do have a leak and I’m trying to sort it out rather than leaning on one side and saying everything is fine.  He is fucking great.

ON COLIN FIRTH

MG:  Colin was great.  I knew he was going to be good.  The moment I read the script, I was like, ‘this is something you haven’t done in a long time’ – just something he could really get his teeth into.   He’s such a subtle actor and it’s been a long time since I can remember him having something that central and serious.

NH:  It was a great moment when we went to the Venice Film Festival and got the message Colin was winning the best actor award.

MG:  I know.  The previous evening we had sat there and we knew it had gone down well because there was a NINE minute standing ovation.  And particularly when you’re not in the film as much as I am, then I feel like a fucking charlatan.  I stood there and am looking down and smiling and embarrassed.  Colin’s quite emotional and I tell you what – four minutes of a standing ovation gets a bit uncomfortable, but NINE?  ‘OK, Colin… fucking move. Let’s go. Let’s leave.’ And he couldn’t tell us that he had won and so he was being shy about it.

NH:  Yeah, he kept it very quiet.

MG:  The moment we found out and we were on the boat we were like ‘What the fuck?  You’ve won and you didn’t tell us!?  And he was like ‘ I know, I didn’t wanna.’  He was humble.

NH:  It was great.  It was a bit of an odd first day like you had in the sense that I had to strip off in front of Colin on my first day.  It sounds a bit seedy when I say ‘strip off in front of him’.

MG:  It does!

NH:  It’s part of the film, I swear!  And it’s handled a lot more tastefully that that might seem, but yeah it was a bit of an odd first day.

MG:  Everyone is going to say ‘oh it’s a gay movie’ which we then counteract with ‘no it’s not, it’s a film about love.’  But there is nudity and a bit of man kissing.  Frankly Colin kisses like a nymphomaniac on death row, but it was a real pleasure!

NH:  He’s got a lot of love!

ON JULIANNE MOORE

MG:  She’s a fucking hero.  She’s lovely. I didn’t have any scenes with her. I mean I’m only in flashback, so all my stuff was with Colin.

NH:  All my stuff is with Colin as well.   The first time I met Julianne was in Venice.

MG:  Yeah, she was probably in the middle of juggling six projects or something, you know, she never stops working.  She came in and shot two scenes, which were about 20 odd minutes of the film, and they did that in two evenings so she was in and out.  I never got a chance to meet her until I was at some party in LA and she is just fantastic.  And she’s married to a guy called Bart Freadlich who is a director in his own right.

NH:  He’s a hero.

MG:  He is actually fabulous!  My girlfriend spent the whole evening calling him Bert instead of Bart and he was like ‘you know, actually I prefer Bert!  Don’t worry about it’.  He’s lovely. They could throw their weight around, but they are actually family people and live in New York – they’re kind of anti Hollywood.

ON THE LIFE OF AN ACTOR

MG: There are a lot of Brits and Aussies at the moment who are working.  I don’t know what that means.  But we never think of ourselves.  When you get off the plane and you’re in America they ask ‘what’s the best thing about being a movie star?’ I am a jobbing actor, they have no idea! They make it sound like I get 500 scripts and am sitting there going through them all. If something comes up and they are stupid enough to give it to us or you love the script and audition but someone of a huge stature can come in and take it like Brad Pitt. Or Judi [Dench] – we’ve been up against each other a couple of times.

NH: I’ve never lost out to Judi yet.

MG: Only in a drinking contest! The vicious alcoholic that she is!

NH: Sam Worthington was telling me when he was in LA someone asked him why there were so many Aussies over there doing so well and his response was that it’s an awful long way to go to fail and not give it your best shot, basically.

MG: Oh. I was expecting some sort of knob gag in there, but yeah.

NH: It’s very true. I just got back from LA and every TV series has an English guy in the lead. Joseph Fiennes, Matthew Reece [RHYS]

MG: We’re good. We’re quite good…

N H: I can’t say it’s the training, because I don’t have any.

MG: You’re doing well! You make people gasp! You complete cunt. I hate that!

NH: You’re coming across very eloquent.

MG: That’s very nice of you.  OK, who used to live with Ewan McGregor and Jude Law and he has a TV show? You’re right about that. Though it makes it sound like ‘Oh you’re English.  Have a TV show’.  I’m sure they all have about ten auditions.

NH: I had an interesting day recently when I was at a BBQ and Jimmy Page and Roger Daltrey were there.

MG: Wow!

NH: I sat there and was very quiet because I thought if I speak to them I’ll make a fool of myself so it’s best to keep out of the way and then they can’t have any bad thoughts although they probably didn’t know I was there.  But I knew they were there so it was a good BBQ for me.

MG: I’d love to learn guitar. It’s one of those things I’d love to do. Though it’s not like I don’t have the time…

NH: [Laughs]

MG: I’d like to know all the chords.

NH: It’s difficult to get the fingering right… That’s what she said.

MG: And back to Dame Judi!

NH: [Laughs]

MG: It depends if you have a high action or a low action in terms of the strings.  It hurts. You’ve got to build up the calluses. If you get a low action one that would be easier.

NH:  Are we still talking about women?

MG:  Yes! [Laughs] I remember Billy Crudup got the part in Almost Famous and he had lessons with Peter Frampton but had to have lessons on the side because Peter was like ‘you are fucking terrible’. But that’s one of the nice accidents of the job is you can get training in things. And random travel.

NH: I got to do archery.

MG: You did! That was The Weatherman!

NH: No, for Clash of the Titans. I didn’t use it once.

MG: Oh yes, it was the daughter in The Weatherman.

NH: Yeah man, keep up.

MG: Sorry mate. That’s how pretty you are. I confused you with the female lead.

NH: He’s seen all my work.

MG: I have! I’ve got to learn how to do it. You are a master.  I did a Spanish film and it was all in Spanish [!] – I learnt it phonetically. Jesus, that’s my only skill.  The major skill I picked up is I can pay my rent. The older you get the more you realize there are a lot of people who hate their jobs.  I’m so glad I’m not – ha!  Famous last words! – it does seem to be going OK for now.  But bringing it back to what do you like about acting – to be honest, everything.

ON BRITISH TALENT

MG:  I think there is an element that we’re just so happy to work.  Certainly as for getting into film it was such an accident because I hadn’t worked in front of a camera.  For a while it was like what is the secret code to working on screen?  I have no idea what it is… but even ten films in I’m still sitting here renting and not owning a house.  I think that keeps you grounded.  As opposed to some American actors who are on a hundred thousand dollars doing some TV.

NH:  You don’t get comfortable so you feel you’ve got to keep on striving.

MG: I think we’re overrated. [Laughs].  There is an element over there if you walk into a room of Americans that they’re suddenly like ‘oh fuck they’re British and we’re steeped in tradition.

NH:  It’s odd that Tom got so many English actors for the film – we’re both playing American.

MG:  And Julianne is playing English.

NH:  it’s good he trusts in us to pull of the American accents.

MG:  Yeah, I mean – idiot!  In fairness you’ve done it before and I have done it a couple of times.  But it is odd.   If you think who he probably could have had –

NH:  He probably could have done better than us!

MG:  I’m sure he could have convinced someone with a much higher stature.  I think it was just we were willing to work for free, effectively.  And that’s also what makes Britain great.  We want to work and we want to please the director and often at times, yes we might have strong thoughts on character and script, but we turn up and are like, this is your vision and you are the director and we know where we fit in. Certainly the Brits, I find, we want to be told what to do or how it’s going to work rather than, ‘I’m the fucking star!’ I tend to find we leave our ego at the door. We tend not to pussyfoot around. We all like a drink. We’re steeped in that tradition as well. There’s a certain forbidden thing in America if you drink you’re an alcoholic. No I’m not, and I generally wait until at least half past one.

NH: On weekends. Weekdays, 11.

MG: There is a reason pubs are opened at 11 and it’s because you are allowed to start drinking at that time. Otherwise, they wouldn’t do it! Christ, can you remember back to when – you might not remember, actually. I gasp at your beauty as I try to remember!

NH:[laughs] I’m never going to live this down!

MG:Do you remember when pubs shut on Sundays at, like, 1 for two or three hours? Maybe I’m showing my age now. That is fucking madness. There would be a riot now.

NH:  So basically, we haven’t found a conclusion to what makes Britain great…  You’re a big X Factor fan though, aren’t you?

MG:  My girlfriend loves it.  She’s got me into it.  I mean it’s fucking hilarious.  You literally sit there and you don’t know any of these people but the music comes up and they get selected and you can be in tears and so happy that these people have been selected for the live shows.  I really like the over 25’s this year.  They’re fucking great.

NH:  Matthew Goode on The X Factor!

MG:  ‘He’s very much into the over 25s and what is funny is they are all male’.  But it is great.  But then it’s such a machine.  There is such a turn around.  Sometimes the winner gets completely forgotten and they have no career and then, obviously, sometimes they go shooting up.  But it is great telly!  Saturday night, a couple of beers and The X Factor.

[Pics - My edit of Ben Rayner photos/scan by Natalie Fairchild.] 

[rhysismydaddy]

Unholy Matrimony Pt. 1 (Nessian)

Nesta’s part of the Damnation Series.

OOF this took so long sorry. I rewrote it, changed it, then deleted it entirely about 9 times. I literally started writing the version before you, from scratch, on Sunday. All parts are linked below, so I’m only tagging people on this version! To go to the next chapter, there is also a link at the bottom <3

ALSO, an important caviat: Nesta is an only child in this one! I originally wrote it for her to be adopted and not know it, but it wasn’t really relevant to the story, so... idk. Just ignore that plot hole I guess.

Parts 2 / 3 / 4 / 5 -- pls like each part I’m insecure

______________________________________________

~Cassian~

“You’re getting married.”

The glass of bourbon halfway to my mouth pauses, because despite being known for being rash and unpredictable, even I’m surprised by the sudden change in conversation.

My eyebrows raise as I look over at Rhysand, my best friend and Capo, trying to figure out if this bastard is serious. His tone says he is, but that doesn’t make sense, because before a few seconds ago, the word “marriage” was in neither of our vocabularies.

He’s been single for as long as I have, although I’m starting to suspect he’s got a bird in the city. He’s too damn happy these days, and the other day I saw him laugh at something on his phone.

Which is weird, because we both know long-term commitments don’t really do well with our lifestyle.

We were raised to not give a shit about anything except the job. We kill without remorse, live in the shadows, and whatever other shitty euphemism you want to use. Settling down in some suburban, picket-fence prison has absolutely no appeal to Made Men.

Don’t get me wrong, most of us get married at some point. But never for love.

Some men choose a bride that’s pretty and sweet. Someone who will donate to charity and help clean up their image. Governors’ daughters, women from old-money families, and social princesses make up this category.

Some men marry to advance their station in the Family. Second sons who will never inherit the business marry daughters of Underbosses to get a nice boost to their status.

And then there’s the ones who are forced to marry by their capo--ie. me-- so they choose whatever attractive woman that’s in the Family and available. Those are always the happiest.

But regardless of the reasoning, marriage in the mafia is heartless, political, and for me, unnecessary.

I know I’ll have to pick someone eventually, but there aren’t a whole lot of desirable options at the moment. Not many of the other Underbosses have daughters that are over the age of fifteen right now, and I have no interest in doing the child-bride thing.

Plus, there’s no way I’d marry someone outside of the family. At my rank, it isn’t an option.

That leaves... a widow?

The only one I know is Ianthe, and considering I highly suspect she killed her last husband and the fact that she’s crazy, there’s no way in hell I’d legally bind myself to her for life.

So he must be joking.

I take a pull from my cigar and look over at Rhys with narrowed eyes. “Uh huh. Sure. To who, exactly?”

“Volchonok.”

The Wolf Cub.

The cigar snaps in my fingers.

“You’re fucking kidding,” I say, honestly hoping that’s the case. He’s either that or insane, and I’d hate to lock someone who’s like a brother to me in a padded room.

Rhysand’s unflinching gaze doesn’t change, but his tone morphs from that of my friend to my boss. “You will marry her, Cassian.”

“She’s a fucking Russian,” I spit, not understanding. That should be reason enough for him to be joking.

In our world, being Russian is a crime similar to stabbing the Pope.

We’ve been at war over New York with them ever since they decided to try and get a stronghold on the east coast, and I’ve killed more of them than I can fucking count. Now I’m marrying one?

“Yes, she is, and so is her father, Alexei Olov.” Aka the Bratva Boss responsible for blowing up half of St. Petersburg last year when the local police refused to buy his weapons. “You will marry her, move to New York full time, and run the city with her by your side.”

“Why? Two or three more years, and we’ll have the city anyway.” Every day the Russians get weaker, and I’ve been responsible for pushing them out of my city block by block.

So there has to be a reason we’re suddenly okay with the enemy.

Rhysand sighs. “It was his idea, not mine. Orlov has agreed to sell our coke in Moscow and Seattle instead of his usual dealer and will supply us all the weapons we need for five years. There will also be no more midnight raids, bullshit arrests on bullshit charges, or missing shipments. He’s offering you a dowry, too.”

I don’t need his money, but the old fashioned term makes me laugh.

“Yeah? And how much does he think his wolf cub is worth?”

His lips twitch. “Ten million.”

“She must be a real pain in the ass, then, if he’s going to pay me that much to take her,” I chuckle.

Not that ten million dollars is anything but pocket change for the man. Orlov may be losing the fight in New York, but the bastard is richer than sin. 

Selling arms to half of the entire world will do that to a person.

“I hear she’s beautiful,” he says, trying to tempt me to not fight him.

“Then you marry her,” I shoot back, not ready to give up the argument.

“I don’t feel like it.” Fucking typical. Rhysand sighs. “You and I both know we can work this deal to our advantage, so what will make you say yes?”

He could order to me to say yes and I’d have to, but he hates enforcing that kind of authority with me.

So I think it over, make a show of lighting a new cigar. “I want Sera.”

It’s a burlesque club in New York I’ve always been a little envious of, owned by Orlov and operated by his men. I’d tried to buy it a few years back but hadn’t had enough leverage on the Russian to strongarm him into selling.

Now I do.

Rhysand--the only one who knows about my failed attempt to buy the place--nods and tells me he’ll make it happen.

“When’s all this happening, anyway?”

He looks like he might laugh. “Wedding is in a month, but she’s flying in tomorrow night.”

A quick laugh forces its way out of me. Also typical of him to give me absolutely no time to change my mind.

Well, I have a month. That’s already longer than any relationship I’ve ever had. 

Sighing, I stand and shake his hand, cementing the deal before I can even lament the loss of my bachelorhood.

~Nesta~

“Chto sluchilos?”

I slide my gaze to my father, because seriously, that’s the stupidest fucking question I’ve ever heard. 

What’s wrong? What’s wrong? Everything.

“Nichego,” I lie, assuring him for what feels like the tenth time as I look out the window. The plane picks up speed and lifts off, taking me towards an uncertain future, an uncertain place.

I might have told him nothing’s wrong, but inside, I’m screaming.

Three days ago, I woke up to find a marriage contract on the pillow beside me. There was a blank space where my name had been typed and a pen waiting for me to remedy that.

I still haven’t.

I’m not signing anything until I meet this... Cassian. 

God, what an Italian name.

An image springs to mind, one of a slumped-over, hairy-chest beast with slicked back hair and a gold chain. 

I know it’s stereotypical and hopefully incorrect, but I’ve never been to Italy and Alexei strictly forbids me watching movies that portray Italians as anything except revolting. 

But looks aside, there’s one thing I don’t need to guess to know. 

My future husband will be like all the other men in my life: controlling.

Men in the world I live in take what they want, don’t ask for permission, and feel like they’re entitled to anything and everything. I’ve dealt with it my entire life, so it’s more amusing than anything at this point.

I guess I’m a bit non-traditional in that sense, considering most of the women around me have no problems taking orders from their fathers or husbands. But Alexei and I figured out pretty early in life that wasn’t going to work for me.

As he frequently likes to tell me, I started telling him to fuck off when I was five.

What did he expect? All the kids I hung out with were the opposite sex and at least five years older than me, so my vocabulary and mannerisms became pretty... colorful early on.

Regardless, I’m just not looking forward to having to deal with yet another man who thinks he can control me.

“Ty vresh',” Alexei accuses, lips twitching. You’re lying. 

“Konechno.” Of course. 

Of course I’m upset, but I understand what’s happening. I might have found out about it three days ago, but I’ve known it was coming for far longer.

As the only child of the great Alexei Orlov, Wolf of Moscow and Pakhan of the Russian Bratva, I’ve been told my entire life that I will one day be used as a pawn to gain more power.

It would--should--piss me off, but I’ve also been told I’m to one day take my father’s place and run his company.

So by gaining more power for him, I’m also doing the same for myself.

Not that I really give a shit about that kind of thing. I started officially working for Alexei years ago, and I already have enough money saved to never have to work again. 

But in the Bratva, there’s no getting out. I was put in this world by birth, and the only thing that will take me out is death. 

In case it isn’t obvious, I’m not a typical business woman. 

My father is an arms-dealer. 

A less than legal one, if you believe the heinous lies the media spreads about him.

He sells weapons to governments, private armies, and whoever the fuck else has the money to buy. 

He’s also built himself a shipping empire to haul said weapons around the globe, runs the drugs and prostitute rings in Moscow, and has enough real estate to rival most small countries.

It probably sounds like I don’t care, and that’s because I don’t. 

I like what I do in the sense that I have a mind for business. I went to business school and graduated at the top of my class, and I enjoy running the clubs and hotels I have. Trained by Alexei himself, I’m ruthless in negotiations, enough so that people started calling me the Wolf Cub by the time I was twenty. 

But despite being good at it, I’m not particularly fond of the aspect most people think of when they picture my career in the Bratva. I detest drugs, have never hired a prostitute, and don’t really enjoy selling arms to bad people. 

The alleyway meetups, the broken bones and bullet holes, and the blown up houses are all a little tiring to me.

Sure, it sounds exciting. And for a while, it was. I used to lose myself in the chaos, used to enjoy coming home with busted knuckles. But I honestly just got tired of it.

Right now, I don’t have to deal with it as much because Alexei’s still alive. But when he dies and I officially take over the family business, I’ll have to be more involved. Even if the thought makes me want to sigh.

I pull out my laptop and look over the financial report for Sera, my newest club in New York. As predicted, everything’s running smoothly. 

I turn the laptop around to show my father, grinning when he pulls out his reading glasses and leans closer. 

“Starik,” I tease. Old man. 

He flicks my forehead, then reads the report and nods. Then he turns to his phone, probably playing Angry Birds or some shit, and leaves me to work.

The plane ride goes by quickly, and by the time we’ve landed in Chicago, I’ve gotten ahead on my schedule for next week, slept, and changed into what I’ve chosen as the “meeting my future husband” dress.

It’s simple and sleek, the black material clinging to my curves without being obscene. It’s long enough to hide the holster on my thigh, not that I feel in any danger with four personal guards stationed near me at all times.

My heels click as I make my way down the plane stairs and across the tarmac to the waiting sedan, and once my luggage and belongings are unloaded, we head to the Italian Capo’s house.

We’re meeting here, finalizing the contract, and then Cassian and I are flying to New York. 

My new home.

“Try to look happy,” Alexei tells me, his heavily accented English almost ridiculous to hear. He speaks English only when he’s in the states, and considering he hasn’t come here since I graduated B school two years ago, he’s a little out of practice.

“I’m ecstatic,” I say, intentionally using a word I know he doesn’t understand.

His eyes narrow, because it isn’t the first time I’ve used this trick, but he doesn’t call me out on it. We continue to ride in ecstatic silence, eventually pulling up in front of the Capo’s... house.

It’s almost obscene to call it that, considering it’s fucking huge. Like obnoxiously huge.

I heave a sigh, step out of the car, and take in my surroundings. The neighborhood’s quiet, likely filled with friends of the Cosa Nostra too scared to make any noise. 

A butler--seriously, a butler--opens the door and welcomes us inside, and as soon as I step in, I have to repress the urge to roll my eyes.

The amount of dirty money in the air is suffocating. It drips off the vaulted ceilings, down the artwork on the walls, across the marble floors. It’s in the little details of the crystal chandeliers and the mahogany staircase. 

Ridiculous.

One look at Alexei’s disgusted face says he’s thinking the same thing.

Don’t get me wrong, we’re rich. Grossly so. Alexei could have ten houses just like this, if he wanted them.

But he doesn’t. He owns property all over the world, but most of it is commercial or apartment complexes--property that makes him money, in other words. This, however, is a massive waste of capital. 

The butler leads us further through the house and into an office where four men wait. 

One is immediately identifiable as their lawyer, his over-priced cologne making me have to resist the urge to sneeze. The humongous man in the corner is hired muscle, if the boxy shape of the guns under his jacket is any indication.

The man behind the desk is obviously in charge, so I’m guessing he’s the Capo. Rhysand or Rhyland or something weird like that. He takes me in silently, bright eyes not seeming to miss any details. 

That leaves the man leaning against the desk to be Cassian Azara.

My fiancé. 

Our eyes meet, his golden gaze beautiful and wild, and I have to remember to keep my expression bored. 

Because the stereotype, the horrible image I’d conjured up in my mind, couldn’t be further from the truth.

For one, he isn’t hunched-over. He stands tall, leaning a hip against his Capo’s desk with obvious confidence. But I see more than just self-assuredness in his eyes. He seems a little too rough around the edges, wild gaze almost like he’s daring someone to swing at him. 

If the confidence didn’t already make him attractive, his looks sure as hell get the job done.

His hairs long and dark and curly, half of it pulled up in a rouge manner that clashes with the suit he’s filling. He has a few days’ stubble, too, like standing still long enough to shave just isn’t an option. 

His shoulders are impossibly wide, narrowing down to trim hips and legs long enough to make him tower over everyone in the room. 

His knuckles are tattooed and split open, and there’s a cut above his eyebrow that tells me I was correct to assume he’s a fighter by nature. 

Usually, that would be a deterrent for me, but there’s something about the way he’s dressed in a dark suit jacket and crisp white shirt while also looking so untamed that has me cocking my head to study him some more. 

He studies me, too, beautiful eyes taking in the long blonde hair and bright blue eyes offset by pale skin. He looks at the dress like he can see everything underneath, and I have the strangest urge to blush. Jesus, he’s toxic.

He’s attractive, is what I’m getting at.

Which is not what I had planned on, considering I’d been trying to think of a plan on how to not sleep with him, but suddenly that’s all my mind can focus on.

His lips twitch like he knows what I’m thinking, and I realize we’ve just been standing here staring at each other for a bit too long.

So I turn back to Alexei and shrug like I’ve seen what my future husband has to offer and aren’t impressed in the slightest. 

I toss the marriage contract on the desk, grab the Capo’s fancy little fountain pen out of his hand, and sign my name on the blank above my name. 

Cassian watches, but I ignore him entirely until the ink has dried. Then I look up at him through my lashes and wink, turn on my heel, and leave the room.

~Cassian~

I think I’m in love.

Fuck.

She hasn’t said a single goddamn word, but the way she looked at me has me feeling itchy all over, anticipation and nerves rolling through me. I feel like I feel before I fight or something exciting happens.

Like I’m primed and ready and need it to happen now. 

Nesta Orlov, my bride to be, is nothing like I expected. 

I was fully braced for some meek little woman, similar to most of my friends’ wives, to come in and smile and say hello. 

But nope. Nesta didn’t smile; she came in like she was walking onto a battlefield. 

And she didn’t smile. She looked me over, clinical blue gaze noticing too much, and left me feeling winded. God, she’s beautiful. Just looking at her made me hot.

She also didn’t say hello. 

Just signed the contract and left, like this was nothing more to her than a boring business deal. I mean, that’s what it is, but... I don’t know, I expected more of a reaction. 

I’ve heard from some Underbosses that their wives cried or raged when they were forced to sign, but shit if that were the case with Nesta. She honest to God looked like she didn’t care.

Alexei, on the other hand, does look a little pissed about the situation, but I couldn’t care less of the old man’s opinion. He’s signed the contract, so to me, he’s irrelevant. Regardless, he and Rhys proceed to iron out some of the details about the wedding and other shit I’m not paying attention to.

Then they shake hands, and the Russian warlord turns to leave. 

He reaches the door and looks over his shoulder at me, and there’s amusement in his cold gaze as he mutters, “Udachi.” Good luck. 

As soon as he’s gone, Roman and the lawyer follow, leaving me alone with Rhys. 

He slides the contract to me, and I sign my name next to hers, making this shit official. 

“This should be interesting,” he comments, vague as usual. 

I sigh, because I have a feeling interesting isn’t going to cover it. 

_____________________________________________________

NEXT CHAPTER

Tags: @elorcan-trash @januarystears @emikadreams @sjm-things @santas-dwynwen @thebitchupstairs @sayosdreams @perseusannabeth @cursebreaker29 @a-bit-of-a-cactus @elriel4life @girl-who-reads-the-books @shinya-hiiragi @aelinfeyreeleven945tbln @ireallyshouldsleeprn @highqueenofelfhame @rowaelinismyotp @nahthanks @ghostlyrose2 @lovemollywho @tillyrubes10 @claralady @tswaney17 @rowanisahunk @superspiritfestival @thegoddessofyou @awesomelena555 @booksofthemoon @greerlunna @jlinez @studyliketate @over300books @justgiu12 @masstrash @aesthetics-11 @bamchickawowow @b00kworm @sleeping-and-books @musicmaam @hizqueen4life @maybekindasortaace

[slashingdisneypasta]

Inkubus x Vampire!Fem!Reader || Oneshot

Title: Always There

Notes:

I think outta all Englund's characters on this blog, I like writing for Inkubus the most. Which is criminal seeing as I write for him the least. I need to change that haha.

Plot: You meet up with a very old friend of yours and you spend some time catching up. And he's so clearly in love with you, its unbelievable and torturous to him that no matter what he does, you don't notice.

Warnings: A very unreliable narrator (In terms of particular other peoples clear feelings for her), BLOOD, DRINKING BLOOD, DRAINING SOMEONE OF BLOOD (But in a sort of polite way? Hah), MENTIONS OF AN ABUSIVE EX PARTNER, vampires and incubus'.

The smell of iron and petrichor fills your nostrils, disgusting and refreshing and also, just... relieving... in equal measure filling you up as you kneel by the victim - the man you'd chosen, - for tonight; A needle and tube attached to a blood bag between your fingers and digging into the poor mans neck.

You hate doing this, knowing this guy will be weak and sick feeling for the next day - maybe two depending on how much you take from him, - without understanding why. But, its for sure better then the alternative- which is just digging in right here and now with your teeth. That's messy, and the marks you leave behind aren't easy to explain away as 'animal attacks' anymore.

You need the blood, but you aren't a savage, jeez. You always catch any new vampire movies or shows together with your daughter and watch those actors with blood all over their chins, and think... How old are these vamps supposed to be?? 300 hundred years old!?

And they don't know how to eat without getting it all over their face?

Pfft! Rolling your eyes, you gently shake your head at the memories of bloody Edward Cullen and Lestat and Damon Salvetore swimming around in your head as watch the man's breathing. To be fair, you love them all - Twilight, Interview with a Vampire, The Vampire Diaries, Nosferatu, Vampires Vs the Bronx, etc, - but that's just because its more fiction then truth- and that's coming from an honest to goodness bloodsucker.

Finally deciding you've taken enough without truly hurting the man, you put pressure on his neck and pull out the needle, carefully wipe away any mess with a cotton ball from your bag and put a band aid on him.

"Now," You talk firmly, softly, as you look into his eyes - which are dull, almost sleeping. A nice touch to the docile state you put your victims, in so they can at least not feel any pain or fear while you're collecting your feed, - , hands on his shoulders. "You're not going to remember this, or me. You're going to get a taxi home," You tuck some money in his shirt pocket, a thank you for his service; Its the least you could do. "Then get into bed and have a wonderful sleep with lots of lovely dreams. Thank you so much."

After you watch the man get up, still in a bit of daze but shaking it off - and not even noticing your presence, crouched down by where he's standing, - and leave the alleyway, you carefully pack away the blood bag and the tube and needle (In a separate plastic bag, for you to clean and sanitise when you get home) in your satchel and finally get back up, wrapping the strap over your head and resting it on your shoulder.

Brushing a hand through your hair, you turn to leave the alleyway and go home- when a familiar voice speaks up from the very back of the alley- and immediately your hopes rise.

"You look even more beautiful every time I see you."

You smile, peering into the darkness. "Oh, that's very sweet... but you and I both know I look like trash. I haven't eaten for a week!" When he just chuckles back, you tilt your head and waive him over. "Come out here so I can see you!; When did you get into town?"

Gracefully - more so then even you can manage, being a goddamn vampire, - Inkubus slips out of the darkness and you're happy to see he looks well. Its been forever since you say him last - 40 years? 70? - and you always have it in the back of your head for some reason that next time you see your friend, it'll be the last time. So its always lovely when he turns up and looks just as healthy as he always does.

"Oh I just got here; Thought I would come see you immediately. Otherwise you might nag at me." This time you chuckle, rolling your eyes. His eyes flicker to your satchel. "Collecting our dinner our we?"

"Yep! Smells like A Negative, my favourite. When was the last time you ate?"

"Ohh, a couple weeks ago. I'm due for my next fill soon, though... any suggestions?"

"No," Scrunch up your nose, you put a lot of emphasis on your response; See, you don't subscribe to the notion that monsters like the two of you have to act all blasé and cocky about the terrible things they must do. Apart from these night time trips to find breathers to bleed, you live a... mostly... normal life! So no- you definitely don't know anyone he can make his next victim.

And Inkubus knows this, which is why he laughs and you roll your eyes again at him, fixing the satchel on your shoulder. "So- " Again his eyes flicker to your bag, this time with meaning. A cheeky grin flits across his lips. "Want to get a drink?"

Smiling, you turn on your heel, you loop your arm through his and lead the way. "So have you been?"

___TIME SKIP___

4 hours later and the two of you are still stewing at a 24-Hour-Diner you frequent - seeing as you don't really sleep that much, - and are onto your 9th drinks at this point. You two may not see each other too often since the 1400's and went your separate ways in the world, but you never go longer then a hundred years - preferably 80 maximum, - without seeing each other and when you do- you have a lot to say. Filling each other in on what you've missed in each others lives is always a... disorientating experience, at times, but you must do it. You couldn't survive in a world where you didn't know what was happening in your best friends life. That would just be too lonely.

See, Inkubus is the only one you know - still, to this day, - who knew you when you were human, aside from the man referred to very nearly exclusively as 'Dick for brains' - being your daughters father, - and while having human friends who can make you feel normal again, is wonderful... so is feeling normal, in what you actually are currently. And that's not human. That's thousands and thousands of years old and a mystery to scientists. And, seeing as he's a literal demon... that's a very easy service for him to provide.

A waitress walks by to pick up you empty glasses and looks oddly at your personal tumbler. You clearly weren't meant to notice, but you do of course, and unassumingly shrug. "Bloody Mary... don't tell." You give her a conspiratorial wink, and she chuckles, walking off.

When you look back to Inkubus, he looks ready to make a joke so you give him a timid shrug. "Well, there is vodka and Tobasco sauce in it!... " He smirks, but lets it go- seeing as your words were funny enough.

"And how is Bethany? Has she seen her father lately...?" Your eyebrows arch, hearing Inkubus ask about him; Dick for Brains, Beth's father and the bane of your long, long existence. Obviously, seeing as the bastard impregnated you with his literal spawn of hell causing you to die during childbirth at age 26 so he could then turn you into a vampire, made you raise your daughter alone- and then returned 20 years later just to turn Beth into a vampire as well and claim that you can all be a 'proper family now'... you aren't a huge fan of the guy. And talking about him you don't do often, as it causes a horrible clenching feeling in your stomach and heart. Luckily, Inkubus is one of the few people who is allowed to make you feel that way. Him, and Beth.

You sigh, taking a slow sip of your drink through the matching metal straw and metal tumbler set Beth got your last mothers day (So as to hide the fact that its blood inside), you wonder what to say... "Beth's great, as always... she's fallen in love with a human, though. That can only end brilliantly." Shaking your head, you look to Inkubus to see his reaction and catch him rolling his eyes, smirking. Yep. "Um, and... yes. There has been contact with Dick for Brains... He recently, like... 20 years ago? turned up at her place in Egypt, and wouldn't leave till I had to fly down there and shoo him away." You grit your teeth. There is so much wrong with that man- you do honestly with you had never met him sometimes. That's horrible, you know, as if you hadn't met him you wouldn't have had Beth and she's the light of your life, but... at times like that instance? When he troubles her?

Its hard to not wish his existence away.

"Do you want me to speak with him?... Again... ?" Your gaze returns to Inkubus again, feeling at ease the moment your minds back in the diner with him and not in your head with Dick for Brains; Eyes softening. The idea is tempting, unbelievably tempting... And it would keep your friend around awhile longer. "That always seems to win you a couple hundred years of reprieve."

Taking a deep, needless breath - an anxious habit, - you set down your tumbler and shake your head. "No, that's okay... thank you for the offer, though. He seems to be giving up, slowly, finally. But damn, its taken him long enough to get the hint, huh?"

"Far too long." Inkubus' voice is bitter and dark, talking about your ex- and his eyes are reading much different. You know if you let him, he would kill Derek... but you cant do that. If anyone's going to kill him, it would be you or Beth, and neither of you are there yet. Inkubus takes a deep breath, relaxing again like a chameleon changing its colours. "Anyway, love; Onto prettier business. How did that thing go, that you had with that Djinn half a century ago. You seemed quite optimistic about that one."

A fluttering of laughter immediately comes out of you and Inkubus' truly cheers up at the sight of it, and you just look at him and shake your head; An awkward toothless smile on your lips. Ha! No.

His brows arch, laughter in his eyes. "Didn't end well?"

"That ended up being the shortest affair I've ever had and that's saying something." Brushing hair back from your face, you chew on your bottom lip. "You'd think after nearly 10 centuries, I'd learn... Oh- wait- make that 10 and nearly a half, centuries... Boy, am I clueless."

"Clueless about what, love?" You're just breathing in to respond, when a cheeky look crosses Inkubus' familiar face. "I mean, you are quiet clueless- about plenty of things. But specifically, this time."

You scrunch up your nose at him in response, grinning, before once again chewing on your bottom lip. "... I'm just not the woman that gets proposed to." You shrug, as if its no big deal; Even though your heart bleeds saying it out loud for the first time, to someone that matters and not just your ex-therapist, Julie. Setting your drink on the table in front of you, you idlily twist it. "Obsessed over and stalked, yes." You grin, a tinge of sadness to it. "Fucked, yes. Dated even, yes. But married?... Ha, no... "

His eyebrows climb up his forehead even more, before he softly smiles and pats your hand. "I asked you to marry me, all those years ago, sweetheart. Remember?" He reminds you gently, and you cant help giving a soft smile back at your well-meaning friend.

"Oh, yes of course I do. That was very sweet, but... I mean for love, you know? Not because I'm pregnant and alone."

Inkubus sighs, slightly frustrated, and leans back in his seat. "Mhmmm... " Rubbing a finger under his nose, he quickly clears his throat. Then he reaches his hand further up your arm to lay it on your forearm, running his thumb comfortingly across your skin. "Love, I'm sure that you'll find someone. Perhaps multiple someone's. Or, maybe, you don't need to find anyone new."

A little smile twitches at your lips as you pick up his hands and hold it on the table in both of yours. "... Maybe." For a split millisecond, your friend smiles. Sighing wistfully, you shrug. "Maybe I can learn to be happy alone. I mean, I like my life. I like my daughter, I like my job, I like my patterns... Maybe I don't need a man." Immediately his smile disappears and he rolls his eyes.

"You definitely don't need a man." He sighs, frowning. "But one can be good for a few things, no?"

"Hey." You set him with a stern look. "I thought we were making me feel better, about not having one?"

"Oh, you're right. I rescind my comment."

"You better." A cheeky grin crosses your face.

He looks back at it, the cheeky grin of yours, and the smile returns to his face.

~

The sun is warming up when you're on your way home, Inkubus beside you with his arms folded carefully behind his his back and your hands stuffed in your leather jacket pockets; One arm linked affectionately through his. You're an odd sight, you're sure, to any early morning commuters. You, and your barely-out-of-college looking self walking so close - and so domestically. A fact that is lost on you but not on the smug demon walking beside you, - to a man that currently looks to be in his 60's-70's age-wise.

Not that either of you care.

"Well, this is my place! Whatdaya think?" You ask, letting him go in order to unlock the door or the townhouse apartment and push open the door. He walks on in past you, looking around and you watch a soft smile grace his handsome features. "You like it?"

"Much better then the hole in the wall you thought was a good idea to show me in Transylvania- took everything in me not to sweep you away somewhere safer... with fewer mould spores... " He turns to look at you over his shoulder, a mischievous smirk on his mouth as you scrunch up your nose at him, before smiling.

"Well then, Mr Judgmental... I guess you don't want to know, that I chose this wallpaper cuz of you."

That definitely catches his attention, more then anything else you've said. He turns around in a full 360, assessing the wallpaper before looking curiously at you. "You... you chose this wallpaper because of... me? How so?"

You shrug, still leaning back against the open front door- sunlight filtering through the doorway. "The colour is very you. Its got 'Inkubus' vibes. You know," Raising your brows at him, you smirk. "Eccentric, full of itself." At that cheeky remark, he says 'Ha ha', sarcastically. "And, I guess, I missed you. Sooo... yeah... wallpaper."

"Hm... " Looking really far too pleased about this, looking a lot more engrossed by the home then before- but mostly the wallpaper. "This place is looking better, suddenly... "

"Like I said- Full of itself." You roll your eyes, laughing. Then you push off the door, push it closed with your foot and then go to pass by Inkubus to hit the livingroom. "Oh! The book! The one we were talking about at the diner- I'll find it for you! Come on- "

"Y/N." A hand curls gently around your arm, at the perfect moment so that you don't get yanked back with the force of your travelling and instead you just coat to a careful halt at Inkubus' side.

Blinking up at him curiously, wondering what he needed you for so suddenly, you tilt your head to the side. "Yes?"

For a good moment, he just looks at you whilst you become worried. What is happening? Every second that passes by, more and more ridiculous ideas cross your mind.

Finally, the man tilts his head slightly in sincerity.

"Sweetheart, are you ever going to see how ridiculously in love with you I am?"

And... for all of the disastrous and ridiculous possibilities that came to mind when he was saying nothing, you had a response. To this, you just stand their dumbly, your shoulders dropping and just looking at him in total shock. "... wel- uh- um... a few more hundred years?" You feel like a ton of bricks has just been dropped on top of you. "Maybe?" You squeak. You actually squeak.

And of course, you squeaked. You'd be surprised if you had managed to keep your composure after a confession like that. Here's this beautiful man, who against all foreseeable odds understands you, and cares about your kid, and whom you love... and somehow he's telling you that he loves you? That, for some reason, he wants you?

Is there something wrong with him?

There must be. Something terribly, horrible, irreversibly offensive that you aren't already aware of.

But you rack your brain and theirs nothing. Nothing, at all, that you can figure that would make you turn away from him right now.

He smiles a little bit at your awkward reaction, and lets go of your wrist in favour of tucking some hair back behind your ear. "Do you quite mind if I kiss you now?"

Your breath hitches, it actually hitches, like a tiny shy anime girl who's giant crush just got down on his knees in front of her for whatever reason, and you have to fight to pull yourself together; Rolling your shoulders back, hands on your hips. Totally, and translucently fake confident. "Um- you know? I don't?"

God, you are a centuries old vampire; Your vernacular should be yards better then this.

And then kisses you.

Oh god- And then he kisses you.

Because you're suddenly struck hard in the face with a million words and phrases, from current to boomer-speak to old fashioned to forgotten, to describe it but mostly you're just wondering why in the world you hadn't been doing this the whole damn time. Your hands find the sides of his coat in order to steady yourself, and pull him closer as you carefully tilt your head into the kiss. It comes so naturally, the kissing does. Between you and him. Its like, despite the bounds of your relationship never having reached this level before, you know exactly how to kiss each other. There's no awkwardness or searching. You just fit.

When finally, you slowly end the kiss, you fail to open your eyes for a good moment, before cracking them open slightly, half lidded and flickering up to his eyes.

And you take a deep, unnecessary breath and step away, torturously out of Inkubus' personal space. "... holy shit." You have so many questions... None of which touch on how exactly you're feeling because you get that much, at least.

But you cant help but wonder why- and for how long this has been brewing and how long exactly that you missed it- and how the hell this is going to work-

He follows you, thank god, a roguish yet soft look on his face. "Maybe we should take this to the livingroom, love. I promise, I can explain everything to you."

[moonlit-mizukage]

Chapter twenty: The Dance

Summary: Y/l/n Y/n, a third year at Sakura High School, is just a girl with a bad attitude towards anyone outside her small circle. When y/n’s younger sister starts first year, she gains a lot of attention. Unfortunately for everyone in school, the Y/l/n household has one rule, No dating till y/n does. Some people become just desperate enough to pay the leader of the “Monsters”, the trouble making group on campus, to date y/n. What will happen when she finds out? (All characters aged up to third year unless otherwise stated)

TW: Swearing, mentions of pregnancy, mentions of abandonment, Oikawa being a complete ass, physical violence, angst 

______________________________________________________________

Third Person Pov 9:30pm 

Oikawa pulled into the y/l/n’s house. He exited his car as he approached the door. He did a quick reflection check and pushed his hair around and fixed his suit. 

“You’re a hottie, you got this, tonight IS the night.” He said to his reflection. He then knocked on the door. At first there was no answer. So he knocked again. He pulled out his phone and tried to call Mei on it, but just to his luck, no response. The door opened but the sisters father was left standing in front of him. 

“Can I help you?” 

“Yes, we met once,” 

“I remember, that teen boy who smells like a teen sex magnet.” He cut Oikawa off. 

“Umm okay… Is Mei home?” He asked, trying to ignore his previous comment on his smell. 

“No and if she was I still would not let her out with you again.” 

“Sir I assure you I am a good guy who just wants to treat her right.” 

“I see your kind everyday in the hospital I work at. The type to get someone pregnant and then run while they are giving birth and never look back.” 

“That is oddly specific, but I must assure you I am not interested in that stuff right n-” Before Oikawa could finish his sentence the door was slammed in his face. 

“Okay wow that was rude.” He said to himself walking down the front steps back to his car. He checked his phone for more time before leaving. Atsumu had sent him an image. Oikawa opened it only to see Mei and Yamaguchi dancing together, holding onto one another even. He felt himself get angry. He tossed his phone aside and pulled out of the driveway heading to the dance. 

At the dance already- Third person pov 

Tendou walked up to the door with his arm entangled with Y/n’s. He seemed to be a little nervous. Nothing anyone could see upon first glance, but definitely something the other monsters were aware of. Tendou swallowed a lump in his throat as they entered inside, to look over the dance floor. 

“Do you wanna dance?” Y/n said louder then she normally would speak to him. 

“Yeah let’s do it babe.” She seemed to not even notice the nerves he was dealing with. 

They made their way down to the dance floor and Tendou did the best he could to Oikawa and his goons at this time. Not seeing Oikawa yet he assumed it was safe for now, but seeing Yamaguchi dancing with Y/n’s younger sister, he could only guess Oikawa would be angry with them and him. Tendou was not afraid of Oikawa in any way, but he was afraid he would tell y/n before he got a chance to tell you himself. 

Just as y/n was laughing and staring up at Tendou with the utmost love, a slow song started to play.  

“I hate slow songs at dances,” She began to say, “They make me feel like I’m the main character of some cheesy ass romance movie.” 

“Well you are.” He said back as she leaned down, resting her head on his shoulder.  

“What do you mean?” She said just loud enough for him to hear.

“You are the main character in my romance story.” Her body stiffened with this remark as he leaned down leaving a kiss on her forehead. “You don’t have to worry, you know me Y/n. You can trust me, I promise.” Just as he was finished saying that the song ended and he saw Oikawa as he rushed through the crowd heading right up to her younger sister. 

Tendou pulled you away, 

“Can we go get some air in the room over there? It’s just a bit hot in here that's all.” Y/n nodded her head in agreement as she followed close behind. She never let go of his hand the whole way there.  

Still on the dance floor, Mei and Yamaguchi were having a wonderful time. Oikawa grabbed Yamaguchi harshly as he ripped him apart from Mei. 

“What the fuck Mei!” He shouted. People around them moved back to either give more space or witness the drama unfold. 

“Oikawa go away! I am not interested in you anymore!” 

“Did your bitch sister tell you more lies about me?” He asked as she reached up and slapped him as hard as she could. 

“YOU BITCH!” He shouted as Yamaguchi pushed her behind him. Tsukishima and Shirabu showed up in perfect time to stand next to Yamaguchi, knowing how intimidated Oikawa would become. He looked Mei directly in the eyes and yelled, 

“That's fine. You were an expensive whore anyways. You weren't worth my time or money. Have fun being a nobody the rest of your life bitch.” Before anyone knew what was happening, Yamaguchi threw a fist and connected it directly to Oikawa’s face. “What th FUCK!” He said as he tossed a punch right back into Yamaguchi’s stomach, knocking him onto the cold floor. 

“You dick!” Mei said. She then punched Oikawa hard in the eye. “That’s for Yamaguchi,” She then punched him again. “That’s for y/n.” Next she grabbed his shoulders and pulled him in a hunched over position, kneeing him in the balls, “And that’s for me asshole!” On that note he fell to the floor. Atsumu and Iwaizuimi came and helped him up and after a minute he was fine. He got the two guys to follow him on the hunt for Tendou. 

In the other room of the dance, Y/n and Tendou were doing your own thing and having a great time. The two of you laughed as you rested on the railing that looked down on the floor below. 

Oikawa entered the room, his two goons as Tendou called them, following right on his trail. He noticed the two about to kiss as he then spoke up. 

“What the absolute fuck Tendou!” 

“Who the hell do you think you are talking to?” Tendou said back, already in front of you as to protect you.  

“I didn’t pay you to take out this psycho bitch for her whore sister to come with someone else.” Y/n’s head snapped into Oikawa’s direction. 

“Fuck off Oikawa.” He said, noticeably angry at that point. 

“What the fuck does he mean pay you?” Y/n asked Tendou. 

“Oh you didn’t think this was real did you Y/n? You really think anyone would willingly go out with you without being paid did you?” Oikawa asked with full intent to hurt coming through his words adding a conniving laugh to the end of his words. 

“He’s lying right Satori?” You asked, voice on the verge of being broken then. 

“I-” Tendou stuttered, he took a deep breath before he carried on.”I wanted to tell you sooner, I really did Y/n.” 

“So it’s true?” She no longer attempted to hide her tears in that moment. She turned to run away as Tendou grabbed her wrist. 

“Please, let me explain first?” He asked her. 

“Go to hell Satori!” She said as she ripped her arm from him and ran down the stairs. 

Tendou turned to the three guys who had just remained still in front of him. 

“You three have just made some powerful enemies.” Tendou stated as he pulled out his phone. The other three fled as they knew the Monsters were now on their way there. 

As for y/n, she called Shirabu who had grabbed the other and took her home in Tsukishima’s car. They all sat around y/n’s room after they had just changed from their fancy clothes. Y/n sat in the windowcell, with her head rested upon the glass. She looked out upon the moonlight wondering how such a thing could come to be. 

Y/n felt a buzz on her phone as she picked it up. She didn’t recognize the number but the message read;

I know I messed up but I just want to talk to you, please.

________________________________________________________________

Previous | Masterlist | Next

An: I have been honestly so excited to write this part and the ones after for some time now UwU 

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[itsallyscorner]

Hello, a chris e x reader where reader owns a cafe in Boston and he loves to cone there mainly to see her but is hesitant to tell her that he likes her because there’s a some age gap between the r and Chris 😅🥰😘

Ooooo I love this request!!! I hope you like it! 🖤☕️

💌.

Coffee Talks

The chilly autumn winds of Boston breezed against your cheeks. Unlocking the doors to your cafe, you took a deep breath in, inhaling the familiar rich aroma of coffee. You’ll never get tired of it honesty. Locking the doors behind you, you made your way towards the back of the cafe to put your personal belongings away. After clocking in for the day, you went out to the front to brew some coffee for the early wave of customers. You laid out some pre-made pastries onto a baking sheet and put them into the oven. You turned the radio on making the whole cafe feel more alive. As Harry Style’s voice echoed throughout the cafe, Henry, the delivery guy knocked on the door.

“Mornin’ (y/n)!” He greeted you after you unlocked the door. He pushed the cart of boxes filled with cakes and other treats into the cafe.

“Right back at ya, Henry. Early morning today, huh?” You asked as you helped him unload the boxes from the cart. Usually Henry would make his delivery around 7 am, it was currently 6:30 am.

“Yeah, I’ve got a half day today. Have some wedding planning with the missus before she goes all bridezilla.” He joked as he dusted his hands off.

“That’s great! I’ll get you a coffee to take with you for the day.” Before Henry could even protest you were already behind the counter pouring some coffee into a large cup. When you were done you handed it to him with a smile. Henry pulled out his wallet but was stopped by you.

“Henry, it’s on the house.” You tell him.

“You know, you never let me pay for coffee, and that’s not good for your business.” He tuts playfully. Even though he would insist on paying for his coffee every morning, you never let him. The man got up at the ass crack of dawn to deliver cakes and such for cafes, it was the least you can do to make his day better.

“I don’t mind. You need the coffee to keep you going, Henry. Now get outta ‘ere, you’ve got some delivering to do.” You say. Henry playfully rolls his eyes and takes a $10 bill out his wallet, shoving it into the tip jar.

“He—“

“Take it, you’ve been giving me too many free coffees.” He reassures you before leaving the cafe. You yell a “have a nice day” to him before the door closes.

You loved your job. In fact you were your own boss and had your own cafe in Boston. Not too far from the main streets but in a quieter area where people still passed by. You’re currently in college studying Business and Management to help you with the cafe. Some wondered how you were still in college while managing a whole business.

The building is owned by your Uncle, he’s a realtor who also had some properties on the side. He was about to sell the store building but decided against it after he overheard you talking about starting your own business. A few years later and here you were. Your cafe was flourishing and had many loyal customers, every other day there would be some new customers who would stop by because the outside looked cute or claimed that someone suggested it to them (which always made your heart swell in joy). Though there were many loyal customers, one in particular seemed to always catch your eye.

🕓 Time Skip

The morning rush had passed and it was now lunch time. Unlike most of the customers that bought their coffee to go in the mornings, lunch time customers hung around the cafe for an hour or so. Which you enjoyed because there were always customers who would greet you as you passed by.

The sound of the bell on the door rang over the music and chatter of the cafe. You were working the cash register today while the others were taking orders, restocking pastries, or cleaning tables. You looked up from the register after finishing the previous customer’s order. You were greeted by the familiar ocean eyes you anticipated to see everyday.

“Hey stranger.” You teasingly greeted him.

“Hey, how’s your day going?” A smile formed on his lips as he shoved his hands into his pockets.

“My day’s going great now that my favorite customer’s here.” You winked.

“Oh please. You’re too kind.”

“So your usual, Chris?” You asked after realizing a line was starting to form behind the tall man. Chris came by the cafe almost everyday. You see, he was an actor and would go away for a few months to film movies. But whenever he was in town he would always stop by.

Chris’ “usual” consisted of a regular coffee with a dash of caramel syrup and a croissant.

“Yup. Can you add in a cake pop?” He answered as he looked at the glass cases that displayed the treats.

“Of course. $8.50.” He handed over his card and you swiped it.

“Thanks, (y/n).” He said after you hand over his card and receipt. Before he can walk away from the register he asks, “Can you stop by my table when you’re not busy?”

“Uh, yeah sure.” You answer and he walks away with a smile. You found it strange that he would ask you to come over because you always stopped by his table. You two always talked whenever he was there. Whether it be about a new project of his, one of your classes, or about your days.

🕓 Time Skip

A few minutes had gone by before Jade insisted on taking over the register. You make your way towards the back of the cafe to see Chris nervously fiddling with a wrapper. He always sat near the back, it was more secluded and he had a lower chance of getting noticed.

“Hey.” You greeted him softly as you sat down in the seat across from him. His head snapped up at the sound of your voice.

“Hey, doll. Here.” He smiled and pushed the wrapper that contained the cake pop.

“You don’t want it?” You asked before you can take the cake pop out.

“No, I got it for you. You’re always snacking on something whenever we talk so I thought I should get you a treat this time.” He shrugged and sat up in his seat. You thanked him and took the cake pop out.

“So what’s up?”

“Uh. I just wanted to say I appreciate our talks here at the cafe and I enjoy talking to you a lot.” He began to say. You nodded along for him to continue, though he hesitated. You’ve known Chris for almost a year now. You considered him a friend since you guys always shared things about your lives during your coffee talks. You’d be lying to yourself if you said you didn’t find him attractive. Because you sure as hell did and he had an amazing personality to go along with his charming looks.

“I appreciate our talks too, Chris. It’s one of the things I look forward to whenever you’re around.” You hum in response. Chris slightly freezes and just stares at you. A light blush forming on his pale cheeks.

“I’m not saying I don’t like talking to you in the cafe because I like it here. It’s very cozy and the atmosphere is very relaxing. You also make really great coffee and your taste in music is really great. You’re great.” He began to ramble causing your eyebrows to scrunch in confusion.

“I appreciate the compliments, Chris. But I don’t think I get where you’re trying to go with this conversation.” You interject making him stop. He sighs and leans forward keeping eye contact with you.

“I’m saying that I would like to talk to you outside of the cafe. Maybe on a date or something.” He confessed. You eyes widened for a bit. You never expected Chris to ask you out. Because of the age gap between you two you thought he would be more into women his age. Not that it bothered you.

When you remained silent, Chris groaned and sat back in his chair.

“I’m sorry, you don’t have to say yes, I probably just made you uncomfortable too. Shit.” He groaned cringing at himself.

“No, wait!” You finally snapped out of your thoughts. “I’m just shocked you would ask me out, I didn’t expect you to find me interesting.” You explained.

“What do you mean? You’re one of the most inspiring women I’ve met. You’re balancing your classes at college and running your own business! Not everyone can do that!” His hands waving in the air as he talked.

“I mean I thought you were into women your age, if you haven’t noticed I’m a few years younger than you.” You mentioned.

“Well, does it make you uncomfortable to be with someone like me? If so, you could say no, I respect your decision.” He acknowledged. You smiled at him and shook your head.

“No, I’m comfortable with the age gap. It doesn’t bother me at all.” You confirm. Chris visibly takes a deep breath in and relaxes himself.

With a playful grin on his lips he leans forward again and asks, “So, does that mean you’ll go on a date with me?”

“Yes, Chris I’ll go on a date with you.” You playfully roll your eyes, though a smile were on your face.

[klixxy]

weekly fic recs

(ft. my bookmark comments - mostly mha and voltron)

boku no hero academia:

what is right and what is easy - theroyalsavage

(bnha; tododeku; fluff + angst; 2k words; oneshot)

Midoriya Izuku is not chosen to represent Hogwarts in the Triwizard Tournament. He does not slay a dragon, or rescue innocents, or brave a maze of dark magic. He does not win accolades, or fame, or glory.

Instead, Izuku meets the son of the greatest dark wizard of the age, a Durmstrang student with hair like a sunrise and eyes like a war. And maybe, he just might win something else.

If I'm Being Honest.... by I_dont_know_man 

(bnha; tododeku; fluff + crack/humor; 26k words; oneshot; truth quirk)

Midoriya scrunched up his nose in confusion. “Uh, Shouto, why are you glaring at me like that?”

“I-” Todoroki began to lie, until nausea slammed him like a door to any room that Bakugou entered. “I--” Todoroki grit his teeth, and glared daggers into the wall behind Midoriya. Goodbye, friendship. It had been absolutely divine while it lasted. “Because you’re very attractive.”

They say honesty is the best policy, but it sure as hell had a knack for Todoroki making a complete and utter fool of himself.

Or: In which Todoroki is placed under a mysterious truth-telling quirk and suffers, Uraraka laughs at him, Midoriya is confused but smitten nonetheless, and Twitter is the thirstiest site on the planet.

paint on our lips (paint on those fingertips) by spicanao

(bnha; tododeku; angst + magical realism; 11k words; oneshot; gallery au)

Galleries are wonderful places. The works seem so vibrant, so beautiful, so alive.

Until they're actually alive.

(Ib AU)

[my bookmarks: holy shit this is beautiful in an odd, poignant, dream-like way]

Todoroki Shouto’s Amateur Guide to Not Fucking Up The Timeline by Anubis_2701

(bnha; tododeku; crack/humor; 13k words; oneshot; time travel; future fic)

All that Todoroki had wanted was milk. Nothing drastic, nothing dramatic, just milk.

Unfortunately, in his quest to get milk, he ended up running into one of the saltiest, most impulsive people this side of the globe. Who also just so happened to have a volatile time-travel quirk.

So yeah, he was fucked. Just slightly. Being punted randomly through time wasn't exactly how he'd wanted to spend his Saturday morning. At least the younger versions of his friends are cute.

awake and (un)afraid, asleep or- by driedupwishes

(bnha; tododeku; fluff + angst + The Feels; 54k words; oneshot; social media/future fic)

“You,” Shoto says, picking his head up from where his screen is filled with The Worst Photograph Ever, curtesy of Shinsou, Jiro, Kaminari, his brother, and nearly everyone they know. “You are so dead to me.”

Kirishima blinks, mouth half open while Izuku mutters oh god, it’s too late, isn’t it on the other end of the phone, before Kirishima is leaning into his space to see his screen.

“Oh,” he says, in response to the photo someone in the crowd of civilians watching the fight had taken of them. “Oh, that’s-” he cuts himself off for a minute, leaning back to eye Shoto’s face while on the other side of the phone Izuku smothers what is probably a laugh, and then changes tracks.

“It’s super manly to love and support your friends,” Kirishima tells Shoto haughtily, as if this whole thing isn't his fault in the first place.

-

or: Kirishima and Shoto accidentally start trending on Twitter and in retaliation Shoto decides to make an Instagram to showcase all his Hero Deku merchandise, so that everyone knows how much he loves his boyfriend Izuku, and no one expects how quickly it will all spiral out from there

[my bookmarks: broke my heart. i teared up multiple times and even now I'm barely holding back tears.

pure beauty. pulls an incredible amount of emotion from the descriptive language and conveys the love and loneliness and that pulsing ache so well that i thought that my chest would cave in from the force of all the fucking feelings in it. this entire fic was a perfect, awe-inspiring package of fluff, beautiful shoto and class 1a interaction, heartfelt long distance tododeku feels, and almost every single paragraph had my heart fucking squeezing so hard in my chest that i could barely breathe.

i am in awe.]

Hooliganisms by aphrodaisyacs

(bnha; gen/todofam; crack/humor; 17k words; series; social media)

In which an anonymous artist’s street art of Bald Endeavor goes viral, causing a chain of coincidental events and ironic situations to ripple through the lives of everyone- heroes, villains and civilians alike.

[my bookmarks: i'm crying so much from laughter]

Part 1: Where it all begins- the origins of the street artist known as the "Bald Hooligan" and their rise to infamy

Part 2: The spin-off focusing on the unlikely trio whose friendship was borne from the events of Part 1

Daydreaming by AnonymousTwit

(bnha; gen/todobakudeku; angst; 7k words; oneshot; todoroki-centric)

If he'd been more careful, then they'd be fine. If he'd been paying attention, then he wouldn't be alone right now.

But he wasn't and he hadn't, so it's just him, now. It's him, his thoughts, and the unconscious bodies of two of his closest friends as he waits for someone to reach them.

Whether they be friendly or not.

Or

Author has writer's block and coughed up some Todoroki angst in retaliation.

A Study in Firsts by Oceanbreeze7

(bnha; gen; angst + fluff + humor; 76k words; ongoing; class 1a-centric)

There’s a first time for everything.

The first time everyone crammed in Momo’s room to study, a mess of limbs and books on her bed.

The first time Mina burned crepes so badly the smoke alarm went off.

The first time a jumpscare got Sero so badly, he flipped off the back of the couch.

The first time Uraraka fell asleep at the table and accidentally sent it floating.

The first time someone realized Todoroki walked far too quietly, and far too cautiously around the dorms to be normal.

The first time Midoriya broke his toe on a door frame and kept walking through it.

The first time Kirishima woke up screaming through the walls.

The first time Tsuyu blanched at the sight of a needle.

The first time Bakugo dropped, clutching the back of his neck with eyes scarily vacant and detonating everything around him until Aizawa had to intervene.

It wasn’t always pretty, but the dorms were filled with firsts.

Responsibility by deafmic

(bnha; gen; angst + hurt/comfort; 94k words; series (complete); todoroki-centric; dadzawa + papamic)

“I told you outside,” Aizawa chooses his words carefully, reiterating the same point he’s made before. “My responsibility for you doesn’t end at the classroom. Every part of your life is partially my responsibility. Your father doesn’t scare or intimidate me. If you need help, I can get it for you, but you and I both know that you need to ask for it first.”

Aizawa organizes a way for the students to go home for the holidays. Todoroki Shouto, however, gets left behind by his father. Aizawa, annoyed at Endeavor, takes Shouto under his care for the night, and is joined by a certain Yamada Hizashi.

[my bookmarks: *unholy screaming sobbing noises*

an incredible and emotional journey from start to finish.]

the drip of melting ice by walking_through_autumn

(bnha; gen/platonic shintodo; angst + fluff; 19k words; oneshot; todoroki/shinsou-centric ft. dadzawa)

Aizawa found out within a day. It was quite likely due to the dish Todoroki had washed and left to dry in the shared kitchen after the kitten had been fed off it. Hitoshi was forced to reflect that it wasn’t any good hiding the litter and cat food in their wardrobes if Todoroki was going to make a fundamental mistake like that.

Aizawa stood in his door frame and raised an eyebrow. “Well? Where is the cat?”

Hitoshi gave his most disarming smile. “What cat?”

Todoroki chose that moment to exit his room, eyes on his phone, other hand holding a cat toy. He bumped into Aizawa and looked up slowly, like in a horror movie.

“...oh,” Todoroki said. Aizawa raised the other eyebrow. Hitoshi rubbed a hand down his face.

Herbal tea, weekly floor gatherings, spoiled surprises, movie marathons, shared custody over a cat, rain and ice and blankets and plushies, and the journey of falling into a friendship.

(Or: Hitoshi moves into the 2A dormitory at the beginning of his second year, learns who his neighbour is, and makes the friends he had declared he isn't there to have within the space of a semester.)

Hand in Hand in Hand by kngsbrg (Citlalcoatl)

(bnha; todobakudeku; fluff + strangers to lovers; 10k words; oneshot; tea au)

Boiling the water, choosing the right temperature for the right kind of tea, using quality leaves, scooping the precise amount, and letting it steep for just the perfect time...

All that and more is needed to make a delicious cup of tea.

A business that Shouto was quite knowledgeable about.

*

Spring begins and brings with it the hint of new fresh air, buds waiting to blossom, and just a bit of change.

[my bookmarks: featuring: oblivious teamaker shoto and pining firemen baku and izu]

even if i die (it's you) by monomoon

(bnha; todobaku; fluff + angst + strangers to lovers; 75k words; complete; paramedic au)

Or; where Todoroki never went to UA and, in rejection of his father's ambitions, became a paramedic; and where pro hero Bakugou Katsuki is just a little bit too intrigued with the heterochromatic man who always glares daggers at him whenever he sees him.

When Bakugou was suddenly and abruptly met with two cold, heterochromatic eyes glaring daggers right back at him, he had two immediate thoughts:

"Why does he look like he's plotting my assassination?"

and

"Why the fuck are his eyes so pretty?"

[my bookmarks: UGH THIS IS JUST FUCKING PHENOMENAL- GORGEOUS LOVELY INCREDIBLE HEARTSTOPPING HEARTBREAKING BEAUTIFUL RIDICULOUSLY GOOD POIGNANT I AM RUNNING OUT OF ADJECTIVES BUT IT'S GREAT TRUST ME AKDHJSFNW]

This Is Now by colormesherlocked

(bnha; gen; angst + hurt/comfort + fluff; 193k words; series (ongoing); todoroki-centric)

Todoroki Shoto will be a hero.

...But not just yet. Right now, Todoroki Shoto is a bitter, pessimistic, hurt teenager who doesn't want help, friends or hinderances of any kind getting in the way of his misguided goals.

Thankfully, there will soon be people in his life who will be more than happy to drag him into a place of happiness, safety, and acceptance - kicking and screaming the whole way, if they have to. All he has to do is survive his first meeting with them and all the incredible changes that will come after.

This is Todoroki Shoto's Hero Academia.

(Semi-canon compliant up to a point and told from Todoroki Shoto's POV.)

the league of anti-villains by aizawa_wears_crocs (avenris), avenris

(bnha; gen; angst + fluff + humor; 35k words; ongoing; todobakushinmono-centric)

When he's secretly tasked to find the UA traitor, Todoroki isn't expecting help. He's especially not expecting it from the three other first year students perceived as villainous in their own ways. Unfortunately for him, Shinsou, Monoma and Bakugou have all got something to prove, and his solo mission turns into a team effort that rapidly spirals far beyond what they were expecting to find - but hey, they're in too deep now.

Or: in which the gang solves the mystery of the traitor feat. todoroki family shenanigans, copious amounts of dadzawa, backstory for my favorite 1-B gremlin, and good old-fashioned illegal vigilantism.

such eloquent graffiti by firelilyblooms

(bnha; todobaku; angst + hurt/comfort; 9k words; oneshot; todoroki-centric; future fic)

Todoroki Shouto is sitting cross-legged at his coffee table, hunched over a bowl of instant ramen, when he finds out along with the rest of the world that the Flame Hero, Endeavor, is dead.

Or, Shouto's guide to dealing with death.

[my bookmarks: i am in ✨pain✨:)]

Tell-All by HopeNight

(bnha; todofam; angst; 4k words; oneshot; todofam/natsuo-centric)

When Natsuo is twenty-years-old, he publishes a tell-all book on his father and growing up in his house. This starts a domino effect, of course. With the book comes an investigation and sets the groundwork for the Hawks scandal in several years’ time that will see the disbandment of the Heroic Public Safety Commission and the ascension of pro hero Deku to the Number One slot. This will also lead to a decades long chain of change and progress with Deku wielding his influence and charisma like a sword and shield to make society and the world a little better than when he found it.

In essence, you can say, that Todoroki Natsuo is the true hero of this story with his fake quirk and an anger burning in his gut. Just one small book and suddenly…everything changes. The future is brighter for its existence. The curtains are thrown back and the light begins its work to disinfect and cleanse.

When Todoroki Shouto is in his second year of UA, his brother, Natsuo, publishes a tell-all book of essays about growing up in Endeavor's house.

This is Natsuo's story about how he really changed the path of things.

like an open wound by filzmonster

(bnha; gen; angst + hurt/comfort; 5k words; oneshot; todoroki-centric; manga spoilers)

It's a Sunday and Shouto is making gyoza in the dorm kitchen - or: It's a Sunday and Todoroki has an existential crisis over food.

[my bookmarks: oh my GODDDDDDDDD

*screeches while crying**is a blubbering mess*]

Shouto Todoroki and His Stuffed Eeyore (And Also Childhood Trauma) by ThatSpicySeaFlapFlap

(bnha; gen; angst + MORE ANGST; 42k words; complete; todoroki-centric)

Aizawa looked him in the eye, placed a gentle hand around his bicep (not like Endeavor, his father had only ever touched him with the intention to burn) and asked, “Are you okay?”

People don’t usually ask him things. They like to tell him things, like where to sit or what to wear or how to talk or how to be a hero or how to be himself.

‘Am I okay?’ He thought. He realized he doesn’t ask himself things, either.

Shouto didn’t have an answer to Aizawa’s question, so instead he said:

“A very long time ago, my mother did something....highly upsetting.” The boy was tracing the outline of his scar, his calloused finger stopping and jumping around the bumps and ridges of the burnt skin. “Something today reminded me of that.”

“Do you want to talk about it?” His teacher asked.

“No.”

“Okay. I’m here when you do. I’m always here, kid.” Shouto only responded with a sob. He felt as if he’d earned that right after all the emotional labor he had been put through tonight.

days by chibistarlyte

(bnha; todobaku; angst + hurt/comfort; 19k words; series (complete); todoroki-centric)

Most days, Shouto is fine.

But some days...

Some days, Shouto falls apart.

Location Sent by sunflowerstorm

(bnha; gen; angst + hurt/comfort; 15k words; oneshot; todoroki-centric; third year 1a)

In their first year at UA Midoriya sent his location to the class 1-A group chat during the Hosu incident because he didn't have time to do anything else before rushing to Iida's aid.

Now in their second year, Todoroki sends his location to the group chat at 6:30am on a Saturday morning after going home for the weekend. Midoriya knows immediately that something is very wrong and takes off, Bakugo hot on his heels.

-----

"They’d known each other long enough to be able to communicate practically wordlessly. The quiet rage on Midoriya's face was extremely telling, this was bad. Bakugo braced himself as Midoriya shuffled to the side to show where his hands were hovering over what was most certainly a burn and a serious one at that. Todoroki’s own fire didn’t burn him but they all knew that didn’t make him fire proof. Bakugo could do the math."

Faith by phinnium

(bnha; gen; angst + hurt/comfort; 7k words; oneshot; todoroki-centric; manga spoilers)

"You wanted to open a case?"

Aizawa frowned, "uh, yeah. Someone showed you Dabi's video, didn't they? And I don't doubt Todoroki himself has told you bits and pieces."

Izuku did not expect this to be how the conversation went.

"Yeah. But Todoroki isn't being hurt now. He's fine. Endeavour's changed."

Or: Midoriya trusts the Hero Commission far more than he should, especially given the situation at hand. Todoroki isn't available to explain what's what, so Aizawa and Bakugou do it instead.

(Written after the release of issue 293 of the manga, and in the aftermath of the current arc. Spoilers ahead.)

Incendiary by macrauchenia

(bnha; gen; angst + hurt/comfort; 17k words; ongoing (hiatus?); todoroki-centric)

"You're going to die, little Todoroki. And if you don't, your classmates will instead."

A training exercise backfires when Izuku and Todoroki become tangled in an escaped villain's vendetta against Endeavor. Alone in a perilous situation due to the villain's barrier quirk, Todoroki must take desperate and creative measures to save his classmates.

[Class 1-A Teamwork/Bonding]

Parallax by petrichor (findingkairos)

(bnha; gen; angst + hurt/comfort + fluff; 64k words; ongoing; todoroki-centric)

Todoroki Shouto has memories that he didn't make on his own, motor skills that his brain doesn't know how to parse, and a love of science and mathematics and physics that means he broke down his Quirk into its most intricate, universe-bending components at the age of seven.

In one universe, he wants to become a hero. In this one, even though he doesn't want to, he might have to.

(Featuring: a rapidly developing Shoutosquad, Quirk science, headcanons of all flavors, healthy and supportive sibling and sibling-like relationships, and Dadzawa.)

[notes: one of my current favorite fics that i’m eagerly following for the next update. :D]

Caturdays by staqua (aka my fav todobaku author)

(bnha; todobaku; fluff + angst + enemies to lovers; 10k words; oneshot)

"Hmm... It's lunchtime now isn't it? You should have lunch with him."

"With Bakugou?" He blanched. "I think he would refuse and then murder me."

Rei chuckled softly as if death was a joke and held his hand tenderly. "If he's in the hospital, someone he cares about must not be well. I think anyone going through that should have a nice meal with good company."

"You overestimate me," Shouto pointed out and she gave another laugh.

OR: Shouto's usual Saturdays included visits to his mother and the cat cafe; he wasn't expecting Bakugou to get thrown in the mix.

voltron: legendary defender:

*hacks twitter in space* by Zakyuu 

(vld x marvel; gen/klance; crack/humor + fluff; 17k words; social media au; ongoing)

the voltron paladins arent as popular as the avengers, obviously — in fact, no one even knows they exist. but they still radiate the same kind of dumb gay energy like the rest of the world.

or: pidge somehow manages to connect voltron's communicators onto earth and virtually nothing is the same. voltron also collectively makes everyone lose their marbles while they play hot potato with the fact that theyre in a ten thousand year war with the galra.

the fear of falling by amillionsmiles

(vld; gen; angst + fluff; character study; 3k words; oneshot; keith-centric)

Keith can pull off a downward spiral. It's the kind of maneuver he does in his sleep.

[my bookmarks: stunning. beautiful. breathtaking. poignant.]

Recoil/Release by Cheshyr

(vld; gen; angst + hurt/comfort; 22k words; oneshot; keith-centric)

When Keith is bitten by an alien creature with venom that causes your dominant emotions to be amplified, the team is ready for a day of dealing with an incredibly angry paladin.

Which means they're not ready at all for what actually happens.

hound by story_monger

(vld; gen; angst + hurt/comfort; 47k words; oneshot; keith-centric)

Keith has a lot of practice being alone; you might almost say he's good at it. When he finds himself seriously injured and stranded on an unknown planet, he knows he's not alone there. And here's the worst part: even after rescue and after things return to normal, Keith gets the distinct sense that whatever was on that planet has followed him. He doesn't have proof. But he knows it's there. He knows it's not going to stop until it gets what it wants.

Keith's 'Physical Contact' Initiation Program by alisayamin (sh_04e)

(vld; gen; fluff+ angst + hurt/comfort; 26k words; oneshot; keith-centric)

Keith didn’t move and neither did Pidge. It was a little awkward until Keith finally said, “Maybe we could officially officiate this..?”

“What do you mean?”

“Fist me.”

Pidge recoiled and sputtered, “Keith, what the f-” She was cut off by Shiro’s bellowing laughter from the observatory deck.

With his straight face unchanged, Keith lowered his left hand with the stopwatch and lifted his right hand, fisted.

Pidge actually sighed with so much relief, “OH. You mean fistbump! Right.” She slapped her forehead to remove the very very wrong image her imagination drew for her, “Holy shit, Keith, we need to work on that but yeah sure, I’d be honoured to officiate your physical contact program whatever.”

Or

That one time Coran realized Keith was too distant and decided to make him undergo the 'Physical Contact' Initiation Program which then led to --> 5 times the paladins realized Keith was an actual cat.

The Red String by Le_Tournesol

(vld; gen/klance; angst + fluff; 19k words; series (ongoing); keith-centric; pre-voltron au)

Lance and Keith keep coming across one another at different points in their lives.

[my bookmarks: this is so sad and sweet and lovely]

All that is gold does not glitter by Rangergirl3

(vld; gen; angst + fluff + hurt/comfort; 28k words; complete; keith-centric)

Keith isn't what most would call a 'people' person, but that doesn't stop him from caring about his team.

aka

Five Times the other Paladins learned something about Keith, and the One Time he learned something about them.

[my bookmarks: fuck. just- fuck.]

Miscommunication Celebration by SleepySsnail

(vld; gen; fluff + hurt/comfort; 4k words; oneshot; keith-centric; birthday fic)

Keith was never too focused on his birthday, but when it rolls around he hopes his team remembers it. When Keith's birthday is full of quality time and fun, he doesn't even question why his friends haven't said "happy birthday" to him.

Or: Where Keith thinks everyone is celebrating his birthday when they really forgot about it.

Keithtober 2019 Day 23: Birthday

avatar: the last airbender:

Change of Address by hearmerory

(atla; gen/zukka; ANGST + fluff + hurt/comfort; 89k words; series (ongoing); zuko-centric; modern au)

A collection of instances in a modern AU of Zuko's shitty childhood, featuring Ozai's dislike of his son's autism and sexuality.

[my bookmarks: FUCK F U C K WHAT THE ACTUAL F U C K.

I CAN'T WITH THIS ANYMORE.]

[botwstoriesandsuch]

The reason aoc had no stakes is cuz even if we lost link would just take a nap and then wake up and murder ganon with a stick

Ok I recognize that this is a joke and I love you good job have a lil kiss *mwah* nice joke nice joke but also I am in MAJOR WRITING MODE which means that I am prompted to write essays on the storytelling process at the flip of a switch and buddy, pal, chum, mate, this is a major switch that has been flipped

Because it gets on my nerves, it’s one of my BIGGEST PET PEEVES of ALL TIME, I abso-fucking-lutely DESPISE, when people think that stakes is equivalent to life and death. I just hate it, it makes me seethe to no end. I could grip the clouds from the heavens, and my rage would make it rain upwards.

People who think stakes is just about winning or losing or living or dying, I will stake you, I will do violent crimes. You wanna know why those big superhero movies like Justice League and what not don’t work? It’s because it thinks that big giant death armies are meaningful stakes. You know stuff like Civil War, or hell even shows like Attack on Titan or Gravity Falls work? It’s because it’s stakes exist both externally and internally, and the consequences of actions exist beyond just living or dying or winning or losing.

Listen to me very closely. The reason Age of Calamity has no stakes, is because you don’t care about the characters. It’s not because of the timelines, or resurrections, or whatever whatever, no. It’s because you don’t care about the characters.

Now Ashshshshsh, yes you love your bird and fish husbands and wives very much ok yes I get that, I do too. BUT, BUT, when you look at this from the storytelling perspective, like thinking from the perspective of someone experiencing the story fresh for the very first time, with or without botw context. You did not care about the characters, you cared about the ending. That is why there are no stakes. 

Why the fuck do you care if Teba dies? Like, sure, if Teba dies, you are sad, the character that you love is dead, you might even cry! But why do you care, what are the consequences of his death, what happens if he dies, what does he, on a character level lose?

What you’re typically supposed to do to get your audience to care, is establish a character, develop them, then give them a goal and a need to attain that goal, a good goal or motivation that affects a character both externally and internally, and then when the conflict or battle comes up, you’re left with that feeling of “oh no, I really hope this character wins, because otherwise, [insert something] happens, and I don’t want that.” That’s what stakes is, in very broad concept. 

That’s why living and dying is a form of stakes, but it’s not the only one. “Oh no, this character is hurt, I really hope this character wins, because I like them, and I want them to live.” That’s you stakes. Same idea with winning and losing. “Oh no, this character is losing this volleyball match. I really hope this character wins, because they’ve worked hard to reach their goal, and I don’t want to see that go to waste.” Okay, great. 

Now the PROBLEM is, those concepts are overdone to the point of extinction, like it’s arguable that the stakes of living and dying just doesn’t exist as a strong good form of stakes in media anymore. Whether by symptom of plot armour, of predictable writing, or the establishment of modern tropes and clichés, blah blah blah, you can’t solely rely on those ideas for stakes. ESPECIALLY in the realm, of video games. I don’t need to spell out the whole living and dying aspect of it right? And the winning and losing stakes goes out the window because that concept has an entirely different meaning and tone when the player is the one in control. Essentially what I’m saying here is, on a character level, you can’t rely on those ideas as a sense of stakes because it just doesn’t have meaning. But the thing is, Age of Calamity does rely on it. And it SOME aspects, it worked. 

You have experience good stakes in this game before. You’ve probably done it on some crazy tough side mission or some interesting self-made quest to find yourself that last raw bird wing to finish up that upgrade. You yourself struggled, and understood the journey that you went through, the time that you invested to make yourself better (as big or small as it may be) at the game, and you eventually beat that level, or found that item. And you were genuinely relieved and happy. Whether you realized it or not, you were on the edge of your seat, intently focused on the task and “battle” at hand, you were invested in yourself, and the effects of the outcome of your struggle. That’s what good stakes does. That’s why so many videogames have impactful story telling.

But listen here, the reason you only experience those good stakes through the gameplay, is because you don’t need to put in the effort to care about yourself. You’re you! You know yourself, you played out your motivations and struggles. That all happens without the games help. So now the issue becomes, you need to emulate that same feeling for the story world and it’s characters. And Age of Calamity just puts in none of the meaningful work to get you care about the CHARACTERS on a CHARACTER LEVEL. It relies SOLEY on the work done by Breath of the Wild, with the exceptions of maybe Kohga and King Rhoam. And also Sidon is an exception in the sense that his relationship to his sister is a pretty decent stake (but tbh the bar is VERY LOW)

We’ve established how the stakes of winning or losing or living through a battle don’t have as much strength as motivations or stakes in this game. So, knowing that....Name Daruk’s motivation. Name a true and honest reason why Zelda shouldn’t die. And don’t tell me that “because it would make the other characters sad” because that is just a reaction to events (based on the characterization and writing work done by AN ENTIRELY DIFFERENT GAME cause again Hwaoc doesn’t character develop for shit) being sad isn’t motivation, or stakes. Being sad is a normal human reaction to anything ever, it isn’t anything new, and by god it doesn’t inherently impact the world or story around you.

You know what would have been good stakes? If Age of Calamity developed the New Gen Champs a bit more and maybe one of them could say something like, “I feel it’s my duty to help stop the Calamity, because the fact that I time traveled here means that I have a big responsibility, and if we lose then I’m a failure in both this time and my own. So I need to step up to the plate that has been set for me” or something something. Or, and this is a big one, give ASTOR something to do (because stakes is inherently about CONFLICT and you can’t have good internal and external stakes when there is nothing to CONFLICT with the other characters) let Astor be like “This world doesn’t deserve to go on, humanity has made too many mistakes, I was abandonded as a child, the King murdered my mom, I need power to get revenge, or to revive some dead family member” blah blah blah pick one of the clichés but at least it would be SOMETHING. When motivations conflict, that’s what gets you to care about characters, because then it’s not just about living or dying, it about the effects of that death, or that loss. If this character dies, they died believing a lie, or believing they were a failure and I don’t want that. If this character is defeated, they won’t get another chance to save the people they care about, and I don’t want them living with regret. These two characters have sympathetic goals, and I can see the points that both sides have with their motivation, but I also like them so I don’t want them to die, oh no, what’s gonna happen. 

If you don’t CARE about the characters, and their goals, if the only thing that’s keeping you awake at night about them living or dying is “I like them” then there is something wrong. 

You didn’t finish Age of Calamity because of the characters, you didn’t finish it out of an honest desire to see these characters reach their goals. MAYBE there’s a connection you had for Zelda, but honestly compared to Breath of the Wild, it’s nothing. You finished Age of Calamity simply out of curiosity to see what happened at the end, to see what your efforts of gameplay lead up to. You had no actual character arcs to latch onto or care about, which means you had no expectations or desire to see how they would play out, no STAKES no INVESTMENT. Which means live, die, resurrect, or perma-death as you see, you’re not invested in the characters, your invested in the time you put into that media.