#high school musica

[2000sandtoday]

Top Ten 2000s gifts for the holidays

Top Ten 200s gifts for the holidays. #juicycouture #lizziemcguire #highschoolmusica #colourpop #jessicasimpson #drewbarrymore #laurenconrad #lagunabeach #hilaryduff #blakelively #edhardy #buzzfeed #parishilton #celebrity #christmas #christmasgifts

For the y2k fan in your life that still thinks Ryan Atwood is a major hottie and that ugg boots never go out of style, here are the top ten gift ideas for the holiday season. Juicy Couture Blanket This chic, lightweight pastel pink decorative throw with the Juicy crown and brand name in a script font is perfect for the girl dreaming of being a teen queen of y2k. And bonus, it’s only $24.99. 2.…

[catre33]

GUYS MY BAND DIRECTOR

I CANT

We were having trouble entering

Like 15 takes on the first phrases

He cuts us off and says

'Guys, I have a pro musician tip for you.'

'C O U N T'

[deathmetalunicorn1]

Misc HCs Masterlist

Reader and your Puppy

Reader and your Puppies

Succubus Reader

Tot Musica

Tot Musica Part 2

Demi-Goddess Queen

4 Ancient Mystic Weapon User Reader

4 Ancient Mystic Weapon User: Reactions

Mayari

Berserker Reader

Best Friends Zerofuku and Y/N

Minotaur Reader

Wolf Grandchildren

Singing Homura

MHA Kiss HCs

Arachne Reader

Elemental Reader

Fafnir

High Pain Tolerance Reader

High Pain Tolerance Reader 2

Wolf Tattoos

Male Pregnancy

Male Pregnancy Part 2

Amaterasu’s Miko Reader

Miko Reader Part 2

Farmer Reader AU

Health Class Baby Practice

Phonk Music

Twins

Leap Year Goddess

Leap Year Goddess 2

Older Looking Teen Reader

Goblin Child Reader

Bakugo and Goll

Bakugo and Goll First Date

High School HCs

Centaur Reader

Lady of Wolves

Spring Heeled Jack

Human Pantheon

Mermaid Reader

OP Reader

Eyes like the Night Sky

Centaur Switch

Dog Switch

High School AU Jack

Chinese Dance Fighter

Titan Child Reader

Valhalla Daycare

Wendigo Reader

Vampire-ish Reader

Vampire-ish Reader 2: Hugs

Valkyrie Reader

Hera HCs

Zoo

Cu Chulainn Reader

Joan of Arc Reader

Hitman Reader

Jirai Kei

Nyx’s Sleepy Wish Granting Daughter

Sweet but Dark (Jack the Ripper x Reader)

Element User Reader

Best Father-in-Law

RoR x Pokemon Hcs

Just Dance

Athena vs. Joan of Arc

Prometheus

Chainsaw Bride

Return of the Night

Doll Like Reader

Adopting Zerofuku

Powerful Emotions

Nyx Reader- New Duties

A Kind Soul (Platonic Odin)

Similarity Worries

Pranks of Time

Dangers of a Braid

Long Forgotten Awakening

The Price to be Paid

Kaguya Reader

Scariest Woman in the World

Sweet but Scary

Genius Friends

Ignored Wise Child

Emperor Dad

Giant Mermaid Reader

Alternate Universe Fears

Watching Bluey

Dimension Hopper Reader

Doll Like Fertility Goddess

Past Regrets

Amusing Marriage Announcement

Weapon Master

[donaruz]

𝗕𝘂𝗼𝗻 𝗰𝗼𝗺𝗽𝗹𝗲𝗮𝗻𝗻𝗼 𝗝𝗮𝗻𝗶𝘀

Janis Joplin non desiderava altro che essere accettata.

Già alle superiori, i compagni della Thomas Jefferson High School di Port Arthur, un’orrenda cittadina texana, la evitavano.

Era un tipo particolare Janis, vestiva in modo strano, fumava, beveva e dipingeva.

Le notti passate a piangere nel buio della sua stanza in compagnia del cibo, l’unico amico che aveva, l’avevano fatta diventare la classica “cicciona” che i ragazzi prendevano in giro con epiteti come “porco”, “mostro” “nigger lovers”.

Il suo diciassettesimo compleanno fu una liberazione.

Appena diplomata scappò via da quell’orrenda cittadina e dai compagni che per anni l’avevano bullizzata, per iniziare con entusiasmo l’Università del Texas, ad Austin.

E al college si fece subito notare.

Camminava scalza, indossava i jeans a lezione, portava sempre con sé il suo autoharp (strumento simile ad un dulcimer, usato nella musica folk tradizionale) non indossava mai il reggiseno, lasciando intravedere quei capezzoli che anni dopo avrebbero incantato il pubblico del Monterey Pop.

Nell’ottobre del 1962 le confraternite più note dell’università indissero due concorsi ispirati alla “bella e la bestia” per assegnare il titolo di “Miss Tette” e “Mister Mostro”, la ragazza con il seno più bello e il ragazzo più brutto del campus.

Ogni confraternita aveva il proprio concorrente: i ragazzi per farsi votare indossavano vestiti appariscenti e volgari, le ragazze ampie scollature a V.

I nomi dei finalisti sarebbero stati scritti su una lavagna enorme posta per l’occasione nel mezzo del campus.

E fu lì che Janis scoprì il suo nome.

Ma non fra le candidate a “Miss Tette”; tra i candidati a “Mister Mostro”, a gareggiare per il titolo di ragazzo più brutto dell’università.

Fu quella sera che Janis conobbe altri due nuovi amici, che le avrebbero fatto compagnia per tutta la vita:

la droga e l’alcol, che nel giro di pochi anni metteranno a tacere per sempre la voce graffiante di un’artista ribelle che non chiedeva altro che essere accettata.

Janis Lyn Joplin nasce a Port Arthur il 19 Gennaio 1943

Racconti da vinile

[kattartsblog]

It's time for... Headcanons for Makina! (without spoiling the plans I have for her story):

Her headcanon singing voice would be Ado. (Ussewa, Odo, Crime and Punishment, Tot Musica, Brain Revolution Girl, and Bocca della Verita for song refs.)

Another Headcanon singing voice would be Jun Togawa. (Punk Mushi no Onna, Osozaki Girl, Radar Man, Boshi Jusei, It hurts to say goodbye, and Konchungun for song refs.)

She got into Dethklok in her teens. Makina was in a music shop with one of her classmates and heard a song called "Graves through the Bloody Brimstone" and was hooked ever since.

Makina's fave songs off each Dethalbum; "Hatredcoptor" (1), "the Gears" (2), "The galaxy" (3), and "Bloodbath" (4).

Her birth year would be 1985 (if the timeline was static and is in line with the 2006-2013 time periods). Her full birthday is October 31st, 1985. [I headcanon that she's a year older than Toki]

Her father had an underground band in the 70s, but he had to quit after her birth. Makina inherented his black studded belt and wears it to honor him.

Her first metal album she ever received was a "Best of Snakes and Barrels" CD when she was 5. She doesn't know that Pickles was a part of Snakes and Barrels.

Makina has an embarrassingly large framed Dethklok poster. But since she's been living with them and doesn’t wanna look like a weirdo fan of theirs, she hid it in her wardrobe along with other Dethklok merchandise she owns.

She has a MAJOR crush on Skwisgaar and has been hiding it like crazy, occasionally slipping up. (Makina: "Your hair looks really pretty today." Skwisgaar: "What ams you says?" Makina: "I said you kinda look shitty, idiot! ò////ó")

As told in the Prolouge, before Makina became Nathan's protégé, she used to be the lead singer of a band called "Lycan RIOT." She formed the band in high school, and their first gig was a local county fair.

Other than singing, Makina's instrument of choice is the piano. She's dreamed of owning a black Hammond Organ.

[its-to-the-death]

Bracket G Matchups

Round 1

Trust in Me (The Jungle Book) vs Hellfire (The Hunchback of Notre Dame)

No More Toymakers to the King (Santa Claus is Comin' to Town) vs Versus (Total Drama World Tour)

U.N. Owen Was Her? (Touhou 6: Embodiment of Scarlet Devil) vs I Want It All (High School Musical 3)

You're Only Second Rate (Aladdin 2: Return of Jafar) vs Feed Me (Little Shop of Horrors)

Join Us (And Die) (The Guy Who Didn't Like Musicals) vs She'll Be Mine (Galavant)

Say My Name (Beetlejuice) vs Under Our Spell (Equestria Girls: Rainbow Rocks)

Kawausoiya!/Otterly Sexy! (Sarazanmai) vs Isabella's Lullaby (The Promised Neverland)

Stars (Les Miserables) vs Let It Lie (Smallfoot)

Chaos Will Rain Today (Miraculous Ladybug the Movie) vs Kick It Up a Notch (Starship)

Tot Musica (One Piece Film Red) vs Good to Be King (Journey to Bethlehem)

A Little Priest (Sweeney Todd) vs Savages (Pocahontas)

It's Our House Now (The House of Mouse - Halloween special) vs How Bad Can I Be? (The Lorax)

The Hammer (Matilda) vs Evil Food Eater Conchita/Akujiki Musume Conchita (The Evillious Chronicles)

Biskit Family Business (Littlest Pet Shop) vs Other Friends (Steven Universe The Movie)

You'll Be Back (Hamilton) vs Nerdy Prudes Must Die (Nerdy Prudes Must Die)

I'm Number One (Muppets Most Wanted) vs Great Might Poo (Conker's Bad Fur Day)

Round 2

Hellfire (The Hunchback of Notre Dame) vs No More Toymakers to the King (Santa Claus is Comin' to Town)

I Want It All (High School Musical 3) vs Feed Me (Little Shop of Horrors)

Join Us (And Die) (The Guy Who Didn't Like Musicals) vs Say My Name (Beetlejuice)

Isabella's Lullaby (The Promised Neverland) vs Stars (Les Miserables)

Kick It Up a Notch (Starship) vs Tot Musica (One Piece Film Red)

A Little Priest (Sweeney Todd) vs How Bad Can I Be? (The Lorax)

The Hammer (Matilda) vs Other Friends (Steven Universe The Movie)

Nerdy Prudes Must Die (Nerdy Prudes Must Die) vs I'm Number One (Muppets Most Wanted)

Round 3

Hellfire (The Hunchback of Notre Dame) vs Feed Me (Little Shop of Horrors)

Join Us (And Die) (The Guy Who Didn't Like Musicals) vs Stars (Les Miserables)

Kick It Up a Notch (Starship) vs A Little Priest (Sweeney Todd)

Other Friends (Steven Universe The Movie) vs Nerdy Prudes Must Die (Nerdy Prudes Must Die)

Round 4 (Bracket Semifinals)

Hellfire (The Hunchback of Notre Dame) vs Stars (Les Miserables)

Kick It Up a Notch (Starship) vs Nerdy Prudes Must Die (Nerdy Prudes Must Die)

Round 5 (Bracket Finals)

Hellfire (The Hunchback of Notre Dame) vs Kick It Up a Notch (Starship)

Winner: Hellfire (The Hunchback of Notre Dame)!

[mercy-be-mine]

I really think this discourse over whether we need to start humanizing cursed tomes is ridiculous. All tomes are inherently worthy of protection, and don't even get me started on how far 'blessed' object laws extend in comparison.

The current popular takes are so twitter-level basic, for which I can only really blame our poor public education. For most people, their only experience with cursed tomes are from high school - I'm talking like Evolutions of Eternal Screams vol.4 or Musica Infernale - and it's not their fault.

In reality, every cursed object has been imbued with some aspect of a greater consciousness, a consciousness deserving of autonomy like the rest of us. There are so many types of cursed consciousness, and they're all valid!

Merryk's Catalogue of Lunar Curiosities is one of the strongest defenses of cursed tome autonomy, as Merryk himself lives within the text. The book is a large and well-loved leather journal with inked moon drawings and studies jotted down inside. The text, if you could read it, would detail out certain effects the moon has on home-grown spells during varying times of the year.

But you can't read it.

Instead, the second you start reading, you're awakening into a pleasant wildflower garden. Golden light streams across a contained cottage yard. Sitting across from you on a wicker patio chair with a plate of scones is Merryk himself, who spent thirty years ritual casting himself into a curse so the lonely gardener could enjoy teatime forever. He's well-read and enjoys taking notes from various travelers, sharing stories of his own projects and adventures. He'll offer you the scones and you will decline. You talk philosophy and politics, compare leather-working tools and mending spells.

He offers the scones to you more insistently, but you decline, until he tries to force-feed you. You escape by running into his gardening shed which snaps you out of your stupor. You'll slam the book shut. It wasn't until the invention of the camera that anybody actually read the contents of the book.

It is a curse, after all. However, for all intents and purposes, Merryk lives a full life in his cottage and has a provable existence outside inquiring wizard's drop-in visits. He enjoys lemongrass mint tea and can be physically harmed. Merryk deserves federal protections. Call, email, and write to your government representatives.

[nitroglycerin-a]

Chi sostiene che I don’t dance from high school musical 2 è una brutta canzone non ha capito niente della musica

[thstarsofsilver]

you thought i was dead? wrong! i was just suffering at the hands of so many consecutive essay crises i forgot how to function

but i'm back and better than ever - 8k words worth of back!!!

if you forgot where we left off, ej and gina finally confronted each other about that summer. now

1. they each know why the other person acted the way they did

2. ej knows ricky and gina have been long broken up, and

3. gina knows ej loved her.

and amongst all that, there's a wedding to plan. easy as pie, right?

[diceriadelluntore]

Storia Di Musica #303 - Billy Cobham, Spectrum, 1973

Non si poteva terminare il piccolo racconto del jazz fusione davisiano senza imbattersi in lui. In parte è già successo, perchè è il suo battere unico e riconoscibile che scandisce alcuni dei più grandi dischi del genere. Ci vollero infatti pochi anni a Billy Cobham per imporsi subito come uno dei grandi solisti della batteria, e per diventare negli anni uno dei riconosciuti grandi interpreti dello strumento, non solo in ambito jazz. Nasce a Panama, ma dopo pochi anni si trasferisce con la famiglia a New York. da giovanissimo si innamora della batteria, si diploma all' High School of Music and Art, nel 1962 (quando ha 18 anni) ed inizia a suonare nei locali. Viene arruolato, ma per vari motivi non parte mai per nessun fronte di guerra americano; passa però molto tempo nella banda musicale dell'esercito, con cui gira per mesi tutta l'America e non solo. Nel 1968, una volta finito il servizio, inizia a suonare con grandi del jazz: il primo a scoprirlo fu Horace Silver, con cui va in tour per oltre un anno, poi accompagna altri grandi solisti tra cui il sassofonista Stanley Turrentine, l'organista Shirley Scott e il chitarrista George Benson, da cui inizia a scoprire le meraviglie della contaminazione del rock sul jazz, e viceversa. Con la raccomandazione di Benson, è ingaggiato dai mitici fratelli Randy e Michael Brecker per il progetto Dreams, uno dei primi gruppi jazz rock, insieme con il grande chitarrista John Abercrombie, siamo nel 1969. I Dreams pubblicano due dischi, il primo omonimo, Dreams, molto interessante. E le qualità di ritmica e di tecnica pura di Cobham non sfuggono all'orecchio attento di Davis, alla ricerca di un batterista jazz ma che sappia affrontare le sfide della nuova contaminazione. Lo chiama per le registrazioni di Bitches Brew (compare in Feio, un brano prima scartato, poi aggiunto nelle successive ristampe del capolavoro) ma è centrale in A Tribute To Jack Johnson. È con John McLaughlin fulcro della Mahavishnu Orchestra, in cui suona nella prima formazione, quella che in pochi anni si pone ai vertici del movimento jazz fusion. Quando la band si scioglie, insieme a Jan Hammer, il geniale tastierista della Mahanishnu, prosegue un percorso solista, e nel 1973, durante una leggendaria sessione di registrazione di soli due giorni, realizza il suo album di esordio.

Spectrum è uno dei grandi dischi jazz fusion ed è quello che fa conoscere anche fuori dall'ambito jazz il batterista. In copertina, l'artista Jan Snyder, prendendo in prestito il font del primo disco della Mahavishnu, realizza un quadro che sembra una delle prime immagine digitali che in quegli anni attiravano la curiosità. Il disco fu registrato in una doppia sessione, il 14 e il 16 Maggio del 1973, dove seguendo le regole del Maestro Davis, dà ai musicisti delle linee generali sui brani e poi li lascia liberi di creare e improvvisare, e le registrazioni coordinate da Ken Scott, leggendario ingegnere del suono inglese già con i Beatles e i Pink Floyd, furono quasi sempre una sola o massimo due per brano. Il parterre dei musicisti che coinvolge è sontuoso: il grande Ron Carter al contrabbasso, Jimmy Owens alla tromba, Joe Farrell al sax, Raymundo "Ray" Barretto Pagán, grande percussionista, John Tropea alla chitarra e soprattutto un giovane chitarrista dell'Iowa che una volta vide suonare con il suo gruppo, gli Zephyr, giusto prima che la James Gang lo chiamasse in formazione: Tommy Bolin. Cobham vede in quello stile veloce e sensuale di Bolin molte similitudini con il suo, e nascerà una collaborazione entusiasmante che, visto il successo del disco, sarà un trampolino per il chitarrista americano. Dato il metodo di registrazione, sul vinile i brani sono quasi senza soluzione di continuità, come se fossero mini suite intervallati da piccole pause tra di loro, mentre hanno numerazione diversa sui cd o sulle piattaforme digitali odierne (per la cronaca, sul vinile i brani sono 6, sui cd sono 10). Restano i suoni, meravigliosi: la batteria maestosa in Quadrant 4, Stratus diventerà famosa perchè presente nella stazione radio Fusion FM del videogioco Grand Theft Auto IV e fu campionata nel brano Safe From Harm dai Massive Attack (nel loro Blue Lines, 1991); in Taurian Matador la corda del mi cantino della chitarra di Bolin si spezza quasi all'inizio del suo assolo, ma continua imperterrito; in To The Women In My Life Cobham non suona nemmeno, e per 50 secondi l'atmosfera è tutta del piano di Hammer. Red Baron, da oltre 6 minuti, è il brano più famoso, che codifica il jazz muscoloso, veloce e caratteristico di Cobham, dei suoi innesti dal funk e della musica soul, che influenzeranno una intera generazione di musicisti in quasi ogni ambito della musica.

Anche perchè il disco fu un successo inatteso: al primo posto nella classifica Billboard dei dischi jazz, addirittura al Numero 26 di quella generale, la leggendaria Billboard 200. Bolin, che dopo questa parentesi continuerà a suonare nella James Gang, verrà notato da Jon Lord dei Deep Purple, in cerca di un sostituto dopo l'uscita di Richie Blackmore: Lord rimase impressionato dalla sua chitarra in questo disco, regalatogli dal cantante dei Purple dell'epoca, Dave Coverdale (che in tutte le interviste definirà uno dei suoi preferiti in assoluto). Bolin, reclutato secondo la leggenda da un roadie in una villa di Los Angeles, non conosceva nemmeno Smoke On the Water, ma bastarono pochi minuti di esibizione, invitato dalla band ad un concerto di prova presso il Pirate Studios di Los Angeles, per essere reclutato. Come Taste The Band, nel 1975, è il primo disco di Bolin nella Mark IV dei Deep Purple, ed ebbe notevole successo. Ma rimase l'unico, perchè solo un anno più tardi, per i suoi problemi di eroina, fu prima allontanato dal gruppo e poi, dopo il suo primo e unico concerto, di spalla a Jeff Beck, morto per overdose, nel giugno del 1976. E Jeff Beck, in ricordo suo e del disco di Cobham, userà spesso Stratus nei suoi concerti, una versione mozzafiato è quella live al Crossroads Guitar Festival del 2007 con Tal Wilkenfeld al basso e con Vinnie Colaiuta alla batteria (da cercare su Youtube).

[zumpietoo]

Okay, for starters....Like PP's dress, but it's waaayyyy too much for the event and OFC she made MM's premiere ALL about herself, endlessly attention whored.....and her face looks REALLY weird these days....

PP literally treats SweatBoi like her servant AND looks miserable unless there's a camera....(he's legit her nu SlaveTay!)

A) even if this were true (no), how fucking high school/moar confirmation the BB is (at least intellectually) 12....

B) And yet they ONLY are ever together once every 6 months, for very public events to Powerpuff Girls together, because they still think that's what makes them relevant....interestingly, Crotchi didn't bother to actually see PP when she did her photo ops at Coachella (despite name dropping her in an interview)....and MM doesn't bother, period.

C) Just realiced: MM has now led her own, likely successful theatrical release and while it was so bad I had to turn it off, Musica did get good, albeit entirely unjustified reviews....ironic, no, BB that all the Plaiderdale peeps "unemployed" during the strike, while PP scabbed are now moar successful than she is, huh????

TBF? It's for the cameras, but SweatBoi looks kinda threatened, no? DW, CB, so long as you're a good slave, she'll keep ya around!

Like I said, "true slave".....dude, normally this task is assigned to a low level flunkie.....but does show how juvenile you are about, literally, everything....that you think it's amazing that he holds her purse...

Moooommmm!!! I don't wanna gooo!!! I hate your friends and these dumb clothes you bought me from the International Male Collection at Sears are itcheeeeee!!!

(not sure what's "hot" here, BB.....cuz I see zero chemistry and, again, two people who appear to actively dislike one another....)

Oopppsss!!! PP got wasted!

When the International Male Collection at Sears tries out its nu Cole Sprouse line....without consulting Cole.....and fails...

OML.....MM and Crotchi clearly dislike CB....they won't even acknowledge him! And, again, moar distant MotherBoi!

You're 12 again...also, too, also:

MOTHERBOIIIII!!!!

Ummm.....noooo, that's "such a Cole move", so, once again....

A) Copycat!

B) MOTHERBOIIIIII!!!!

C) Nose tries to shade Cole, weirdly, with this....while confirming the copycatting....

D) "identify"?????

And, lastly, why does PP need to buy "old $$$$" SweatBoi nu clothes from the International Male Collection at Sears, anyway???? (and, ofc, those clothes look cheap and ugleee to meeee!)

Errmmm.....again, nope....she dragged her slave along, cuz time to refresh her lipgloss....

As u admit upthread, Nose, it old, uglee and he's repeating (which, again, you TRY and pretend isn't copycatting Cole/somehow awesome when done by SweatBoi)

[xcvqwe123]

[jazzandother-blog]

"Creativity is what makes humanity move. We were created to participate."

Keith Jarrett who turns 79 today.

"Over the Rainbow", performed in Tokyo 1984.

(English / Español / Italiano)

Possessing perfect pitch, while in high school, he heard a live performance of Dave Brubeck, and when invited to study classical composition in Paris, he was already leaning toward jazz and turned it down. He got kicked out of Berklee College of Music for playing the piano strings and "messing" with the inside of the piano. His first commercial record was with Art Blakey and the Jazz Messengers, and he went on work and record with Charles Lloyd and Miles Davis.

By the early 1970s, Jarrett's improvisations drew from the traditions of jazz and other genres, including Western classical music, gospel, blues, and ethnic folk music.

His album, 'The Köln Concert,' became the best-selling piano recording in history. Jarrett received the Polar Music Prize and was the first recipient to be recognized with prizes for both contemporary and classical music.

In 2018, Jarrett suffered two strokes and has been unable to perform since. But we still dream of the possibilities of what lies ahead.

------------------------------------------------------------------------------

"La creatividad es lo que hace que la humanidad se mueva. Fuimos creados para participar". Keith Jarrett, que hoy cumple 79 años.

Poseedor de una afinación perfecta, cuando estaba en el instituto escuchó una actuación en directo de Dave Brubeck, y cuando le invitaron a estudiar composición clásica en París, ya se inclinaba por el jazz y lo rechazó. Le echaron del Berklee College of Music por tocar las cuerdas del piano y "meterse" con el interior del piano. Su primer disco comercial fue con Art Blakey y los Jazz Messengers, y siguió trabajando y grabando con Charles Lloyd y Miles Davis.

A principios de la década de 1970, las improvisaciones de Jarrett se inspiraban en las tradiciones del jazz y otros géneros, como la música clásica occidental, el gospel, el blues y la música folclórica étnica.

Su álbum "The Köln Concert" se convirtió en la grabación de piano más vendida de la historia. Jarrett recibió el Polar Music Prize y fue el primer galardonado con premios de música contemporánea y clásica.

En 2018, Jarrett sufrió dos derrames cerebrales y desde entonces no ha podido actuar. Pero seguimos soñando con las posibilidades de lo que nos espera.

------------------------------------------------------------------------------

"La creatività è ciò che fa muovere l'umanità. Siamo stati creati per partecipare". Keith Jarrett, che oggi compie 79 anni.

Dotato di un'intonazione perfetta, quando era al liceo ascoltò un'esibizione dal vivo di Dave Brubeck, e quando fu invitato a studiare composizione classica a Parigi, era già orientato verso il jazz e rifiutò. Viene espulso dal Berklee College of Music per aver pizzicato le corde del pianoforte e aver "pasticciato" con l'interno del piano. Il suo primo disco commerciale fu con Art Blakey e i Jazz Messengers, e continuò a lavorare e registrare con Charles Lloyd e Miles Davis.

All'inizio degli anni Settanta, le improvvisazioni di Jarrett si ispirano alla tradizione jazzistica e ad altri generi, come la musica classica occidentale, il gospel, il blues e la musica etnica popolare.

Il suo album "The Köln Concert" è diventato la registrazione pianistica più venduta della storia. Jarrett ha ricevuto il Polar Music Prize ed è stato il primo a ricevere premi di musica contemporanea e classica.

Nel 2018, Jarrett ha subito due ictus e da allora non è più in grado di esibirsi. Ma continuiamo a sognare le possibilità di ciò che ci aspetta.

Source: JazzCorner.com

[heavenboy09]

Happy Birthday 🎂 🥳 🎉 🎈 🎁 🎊 To A Very Amazing & Radiant Talented Asian Actress Of Korean🇰🇷 Descent That Has Starred In Various Roles in Popular TV Shows & Films Of Her Acting Career

This Korean 🇰🇷 Born Actress Was Born Here In San Francisco & Went To The Same High School As Me. 4 Years before I arrived in SF

She is an American actress and former reality television personality. She began her career in 2004 as a cast member on the MTV reality series The Real World: San Diego and subsequently through her appearances on its spin-off show, Real World/Road Rules Challenge: The Inferno II. She is regarded by many as the Real World alumna with the most successful media career.

She was born April 10, 1983 in San Francisco, California, where she grew up. She and her older sister are second-generation Korean-American, raised by "traditional" parents who moved to the United States in 1980, and ran a hamburger restaurant. After graduating from Lowell High School in 2001, She attended and graduated from the University of California, Riverside with a B.A. in economics in 2005. She was a member of Kappa Kappa Gamma sorority.

She later transitioned into acting and has since become known for films such as Dragonball Evolution, Grown Ups, Premium Rush, Sorority Row, The Hangover Part II, Sucker Punch, and Big Hero 6 (2014). She received critical acclaim for her lead performance in the independent drama film Eden. She played the lead role in the miniseries Samurai Girl, was a series regular in the two seasons (2017–19) of the superhero drama series The Gifted, played the recurring role of Mulan in the ABC fantasy television series Once Upon a Time, and has been a series regular, since 2017, as the voice of Go Go Tomago for the animated Big Hero 6: The Series – the role she voiced in the 2014 film. Beginning in August 2020, She appeared in the recurring role of Ji-Ah on the HBO series Lovecraft Country.

Please Wish This San Franciscan Native A Very Happy Birthday 🎂 🥳 🎉 🎈 🎁 🎊

The 1 & Only

Ms. Jamie Jilynn Chung 🇰🇷 💛 Jamie Chung

Happy Birthday 🎂 🥳 🎉 🎈 🎁 🎊 To You Ms. Chung 🇰🇷

#JamieChung #GoGoTomago #SamuraiGirl #Big 6 Hero #Dragonball Evolution

[patronsaintofmath]

tell me the story of when you first started getting into music. what was the first song that you liked? who was the first band, group, or artist you liked? do you still listen to rhat ine song?

i could not tell you bc i wouldn’t know where to start. i remember really liking michael jackson when i was little. listening to his music, watching videos & docs about him. my pa usually listened to cumbias & salsa. my mom doesn’t really listen to music but when she does, she listens to los temerarios. but to me, it all sounded the same. that’s until i listened to pedro fernandez. i realized i really like mariachi & musica ranchera. my father would listen to rancheras when he’d get drunk but i listened to them whenever & i didn’t discover musica ranchera through him so it feels more personal to me bc it’s like oh yeah i like this music. usually when mexican adults ask me what kind of music i like i tell them rancheras & they’re always so surprised bc apparently that’s not what they’d expect a young person to say. which is sad bc rancheras are amazing! but anyways my father did introduce me to rock music. ac/dc i remember was the first rock band that blew my mind. then my pa showed me other bands & artists like guns n’ roses, kiss, janis joplin, led zeppelin, etc. yknow classic rock. he’s not much of a heavy metal fan or grunge typa guy but he does like his classic rock. so, afterwards i started listening to black sabbath. ac/dc & black sabbath to me are like top tier classic rock bands. but i still have a lot more classic rock music to discover. though i am discovering more & more every day now that old man daniel sends me classic rock music or even just 60s music. oh & when i was little i really liked selena gomez but you already knew that. in middle school or early high school i started listening to opera. it was actually bc i heard la mamma morta in the movie philadelphia starring tom hanks (tom hanks so cool). i hadn’t really listened to opera before that bc my parents aren’t into that type of music so it was just never played in the house. so la mamma morta is french. i would say i got into french opera but really it was just one artist i was listening to namely maria callas. i remember ariana thought this was so interesting & she would tell people about how i liked french opera. so anyways i don’t listen to opera much these days but i do like it. maria callas (french), luciano pavarotti (italian), & monserrat caballe (spanish) are my top three opera artists (? what are opera singers called??? is that it just opera singer? maybe) um but yeah so then in late high school or early college? perhaps? is when i started making playlists no wait actusllt i really got into making playlists when i got my spotify account as a college student. but i had playlists before like on youtube. yeah let me check my playlists on youtube. i had a driving, hype, rancheras, 80’s, banjo, sleeping, peaceful, emo, indies, christmas, classic rock, chill(spongebob) playlists. but i wasn’t listening to music nearly as much as i do now. rn i’m listening to a song(?) melody(?) tune(?) idk what it’s called but i’m listening to “Think of me once in a while, Take care” by Take Care. it’s so peaceful. i think you would like it. it’s on spotify. it would fit your mimis playlist “vibe” i don’t like to say vibe but i know you separate your playlists by “vibes” so that is how i am describing it