#hi meg.

[n1ghtwarden]

my little savior.

FROM THE DESK OF THE NIGHT WARDEN: SAINT MAUD. no longer accepting.

saviour. the word gives minthara pause; head tilted in interest when she watches alicent with hungry eyes, a low exhale leaving her breaking the silence that falls between them. the night warden had never felt the need to imagine herself as a knight; had never been one for the foolish stories from the above world singing of silver-clad warriors and their maidens fair, gone off to slay some dragon in exchange for a kiss. pathetic; weak - no; minthara does not consider herself a saviour of any sort so much as she knows herself to be a blade in the night - swift. sure. unrelenting. but the night warden does not need to be a knight to appreciate a beautiful woman such as @doloridis; and a thin smile cuts across her expression.

" such sweet words. " how quiet minthara's voice is; dangerously soft in the space between them as she watches alicent - takes in her pretty eyes; deep and warm as the glow of a torch in the underdark; the soft curls of hair that frame her face just so - the night warden is powerless to resist; and with a fluid, confident step, she comes close to alicent; a finger hooking under her chin to bring her lovely face into closer view; red, red eyes sweeping over her features, that wolfish smile still in place. " ...from such a pretty mouth. "

her fingertips are cool when they glide against alicent's jaw, ghosting against the warmth of her soft, soft skin - ghosting against the full swell of her lips, tracing her cupid's bow. " and if i am your... saviour, what does that make you? " the night warden's voice is a low, low rasp - caught within her throat as she leans in, slow in her approach; teasing. her other hand moves; tracing the curve of alicent's waist through the rich fabric of her dress - touch featherlight, but not hesitant. the night warden steps closer yet, chest to chest, brow to brow; her own lips ghosting against alicent's now as the hand that had so carefully traced them moves, fingertips gripping alicent's jaw; not firmly, but just enough to angle her in the way minthara demands - and ever one to tease, she denies a kiss.

instead, a dark chuckle catches in the back of her throat; looking down at alicent through half-lidded eyes; anticipating a reaction as the fingers at alicent's waist move upwards; tracing the curve of her ribcage. the night warden is a woman of many and great appetites - and in the name of every god minthara has a abandoned, she is starved. famished. it would be a shame not to drink her fill when a feast is waiting for her; and when she speaks, minthara savours the feeling of alicent's lips against hers - soft. kissable. but she is patient; ever so when need be. " i could think of a few names that would suit you, my lady. "

[naehilisms]

something something three high guardsmen and a mentally unwell emo kid walk into an abandoned energon depot

inspired by this and this

[avastazyana]

'Transformers One' Cast Answer 50 of the Most Googled Transformers Questions (x)

[yuutaguro]

gojo and his mini-me for halloween 🎃

[lime-bucket]

🗣YOU'RE LISTENING TO-🗣

*jet engines powering up*

💥DECEPTICON RADIO💥

*💢CH-CH-CH-CLICK-WHIRR-CLANK-KSHH💢*

ITS TIME TO TRANSFORM🔥& RISE UP!!✈

*screams & explosions noises*

This aint your standard autoboobs station😈

*radioactive by imagine dragons starts playing*

[palkea]

thing i made i figured was decent enough to post :p

[tfrinpin]

Hullo. I am amongst the living.

This little idea kept nagging at me, so here we are: TFP where Op goes ✨FERAL✨

So y’know that whole shtick about “they had a secret relationship all along?” Well this is sort of like that, basically— yes, Megs and Op have had a secret relationship ever since the Orion arc. Megs kept in contact because he missed Optimus SO MUCH. And the war has been going on for so long. Also they can fix Cybertron together. But MOSTLY Megs missed Optimus.

Things go along, now they’re definitely considering peace time and even drafting a treaty to share with their respective factions.

But a little bump in the road comes in the form of someone that Megs DID NOT expect to see— MegaZarak. And instead of Zarak heavily injures Optimus or tortures him, like a previous idea I’ve had before— I’ve thought of something a little more heart wrenching. Shit goes down right when Prime and Megs are about to establish peace: Zarak beats out Megs from the title as leader of the Decepticons. He retreats, and escapes via ground ridge thanks to Optimus and the crew. Knockout, BreakDown, SW, and DreadWing follow after him, ever the loyal soldiers (and they also dont want to deal with Zarak). But Optimus gets nabbed just before he jumps through the ground bridge, and he’s now a prisoner to Zarak. So to fuck with Megs even more, Zarak uses the Botched Synthetic Energon to make Op go FERAL.

Like he’s a literal beast on a leash, fangs and all— and Megs, when staging a rescue operation, is torn because he doesnt want to hurt Op, but he has no choice because OP IS FERAL AND HE WILL LITERALLY GET HIS FACE RIPPED OFF. Optimus’ optics are the striking green just like when Ratchet messed around with it earlier on in the series. (Don’t do drugs kids)

He’s got Optimus pinned and he’s trying disparately to pierce through the feral veil that’s blinding the Prime. And there’s a small, tiny moment where Optimus calms down, and his optics flash blue. He tries to speak but his words are staticky and jumbled. Megs reaches out a soothing hand over Op’s face, but unfortunately the touching moment is short lived when Optimus’ optics flash green again, and he goes back to fighting like a rabid animal.

Megs has no choice to knock Optimus out and take him to the wreckage of the Harbinger where both bots and cons have established a new base since the one is Jasper got blown to bits. So Megs is looking through the cell door of the brig, watching as a feral Op is chained to a wall, snarling, growling, and trying to rid himself of his bindings. Ratchet establishes that it’ll probably take days, maybe WEEKS to flush the botched synthetic energon from Prime’s frame. Megs, ever the stubborn mech, refuses to give up on his Prime— so he sits, and waits, and assists where he can in order to bring his Prime back to himself.

So yeah, an idea where Optimus is pretty much having to be treated like a wild beast the whole time until they can get the botched synth energon out of him.

You’re welcome.

[m00nbuggies]

stupid idea i had. lester gets to have all my pain. i hate him. (affectionately)

[moodyseal]

Meg and Apollo tarot card designs for @ferodactyl <3 I'm not an expert when it comes to tarot cards (this was actually the first time I looked into the full deck) but hopefully I got it right!

The explanation of the cards' symbolism is under the cut because it's a bit lengthy oof

Meg's card is the Knight of Swords, one of the minor Arcana, I think? Upright, the Knight of Swords refers to a person who is action-oriented, determined and unstoppable in what they set their mind to; however, when it's reversed the card also indicates a person who might be blind to the consequences of their actions and charges into things without having fully considered their options. Meg's choices throughout TOA point to her being exactly this sort of person: while her determination and lack of hesitation were exactly what was needed to balance out Apollo's occasional self-doubt, her impulsiveness was also what got them both into trouble multiple times. The fact that, eventually, she learned how to rely on others and slow down when needed goes hand in hand with the warning this card poses.

Apollo's card is instead one of the Major Arcana, and it's Death. The Death card is a symbol of change: it indicates a time of transition and new beginnings that are sometimes unexpected and difficult, but still necessary. Reversed, the card indicates that the person is resisting that change, and unwilling to let go of the past, which makes the journey all the more painful as the transformation that they're going through is inevitable and cannot be reversed. One of the major points in Apollo's character arc, and the biggest change he goes through, is the transition from the god he used to be to the one he would be in the future. It's a slow change, and one he didn't fully lean into at first—after all, if he chose to give up all that he had been up until then, what would he have left? However, ironically enough, death is exactly what set things in motion, and let him finally shed away his past beliefs to embrace his new sense of self.

[annmariethrush]

I keep seeing suggestions for Lestat on hot ones and fortunately there are lots of different fun versions of this.

Option 1: Lestat on hot ones in show where they give Sam the same mild sauce the whole time in increasingly frightening colors and everyone gets really confused and impressed that Lestat is so “inhuman” as to not be affected and he’s just like “yeah babe, I keep telling you, I’m a vampire”

Option 2: Lestat on hot ones in show where he cries and sweats blood as he gets through hotter ones to everyone’s terror and Lestat starts threatening Sean or asking how he thinks it would pair with human blood or something equally funny and insane

Option 3: Sam goes on hot ones for promo AS Lestat where he has the normal hot ones set but has to try and keep his shit together and keep up a French Accent and cunty laid back attitude as he suffers through the wings and answers questions.

Regardless, it seems hard to go wrong. AMC, I beg you.

[inkyrainstorms]

Lester's first moments alive

step 1: fall into trash

Step 2: get the snot beaten out of you

Step 3: acquire gremlin child (sister)

Wooooo Lester is so good at following lists

[imab4dbitchucantkillme]

Viv: Vaggies the best dancer in Hazbin.

Ummm r u fuckin sure babe cos…

[matthewrhys]

When Harry Met Sally... (1989), directed by Rob Reiner

[avastazyana]

[yuutaguro]

[papamin au 🐅] day at the beach 🏖️

[the-tortured-fangirl-department]

Thinking about how Jason was the one to start the cycle breaking by defending Apollo