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bazookajo94 · 7 months ago
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I have a lot of mixed feelings about tsc but my main takeaway is I'm obsessed with Jeremy's "say 'yes jeremy'" and Jean's immediate "yes jeremy" please inject that scene directly into my blood
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waldensblog · 1 year ago
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I’m going to assume that age in the Grishaverse kinda works like cat years in the sense that “17″ might be the equivalent to our “21″ or something because I truly cannot suspend my disbelief enough to accept the Crows as 16-18 year olds as those ages correspond IRL. Their life experiences, behaviour, the way others interact with them... no, it doesn’t read like that. Evidently what is considered an “adult” in Ketterdam is much younger than for us.
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mearcatsreturns · 1 year ago
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“authors behaving badly”...are they behaving badly, or are they just writing a story that you don’t like or that doesn’t resonate with you in particular? are they not engaging in a way you like?
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aurentaie · 3 months ago
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RE : SEREGIL'S GENDER IDENTITY.
For now, I interpret Seregil as a cis male. However, he has no particular affinity for or loyalty to any gender roles or even how others perceive him. That applies to his identity as a whole for the most part, not just gender. It’s part of what makes his disguises so effective. He knows Aren Windover has a bit of a reputation for being a diva, but Aren Windover is also a talented musician and bard, so that’s part of why his disguise works. Additionally, he is a prime example of the fact that most people have some mix and balance of masculine and feminine personality traits, and that those traits don't necessarily determine a person's gender itself.
This isn't about Aren Windover; it's about Lady Gwethelyn. In The Luck of the Shadows, Seregil dons his Lady Gwethelyn disguise while aboard Captain Rahl’s ship. Alec’s point of view tells us that he himself is nearly deceived by the disguise, despite knowing Seregil is a man. In Seregil’s words, Micum—established and well-trained fighter who would be much more believable in the role of Lady Gwethelyn’s guard than Alec—refuses to work with him when he uses the Lady Gwethelyn persona because he’s “‘too damned pretty by half’ and it makes [Micum] nervous.” Furthermore, Captain Rahl actively tries to seduce Lady Gwethelyn, not seeing through the disguise whatsoever. So it’s clearly very effective and believable. In part, this is because he ages slower than humans, so his young features are easier to transform and mistake as being feminine. It is, for that same reason, a disguise he will also eventually have to stop using when he finally ages out of Aurënfaie adolescence/young adulthood.
He does actively enjoy the fun of the Lady Gwethelyn disguise. Seregil thinks it’s entertaining to see people squirm and blush and become uncomfortable around him. It’s why, soon after he first meets Alec, and takes him on as his own and as Aren Windover’s “apprentice,” he teaches him uncouth bard songs he knows. So the disguise of Lady Gwethelyn making Micum nervous is probably, in Seregil’s eyes, a benefit, even if they are best friends. And, the man absolutely loves being the center of attention and putting on a performance, and almost definitely thinks straight men unwittingly trying to seduce him is also funny, so he has no problem playing along with any of that. However, the Lady Gwethelyn disguise is just that. A disguise.
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thepratandtheidiot · 2 months ago
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CALLING ALL POLAR EXPLORATION NERDS, AMC TERROR FANS, and people who enjoy a damn good book: 
i was recently privileged to pre-read Dorian Ravenscroft’s novel This Savage Kingdom, and devoured it in the space of days like a starving beast.
What: a slowly-unravelling mystery that creeps through the slums and drawing-rooms of Victorian London, lurks in the murky bowels of ship’s holds, and culminates in bloodshed on the icy shale of the Arctic Circle, Ravenscroft’s prose is meaty and visceral.
Who: Kingdom’s protagonist Harry Lambert is a Victorian-era journalist, with all the frustratingly requisite biases intact: i often found myself muttering “oh for CHRIST’S SAKE, HARRY” while reading, which is possibly the highest compliment i can bestow on a fictional character. determined to uncover the truth in the aftermath of arctic shipwreck Melpomene, Harry soon finds himself tangled in a sinister web of spiritualism, dueling narratives, and erotic obsession. as contradictions in each tale coaxed from the handful of mutineers survivors begin mounting—with deadly results—a ghost from Harry’s past returns to haunt him when he least expects it. 
Why You Should Read: laced with a deeply unsettling sense of growing claustrophobia, This Savage Kingdom is one of those rare gems that had me second-guessing myself all the way to the last page. a twist in the third act had me itching to throw my laptop across the room, in the best way possible. 
Ravenscroft’s attention to historical detail (scattered throughout like breadcrumbs, and stacked into a gorgeous bibliography of an end-note) will have polar exploration buffs grinning from ear to ear. mystery lovers will find themselves (delightfully) stymied at every turn by the most unreliable of narrators…. and as an admirer of AMC’s The Terror, i’m especially keen for my fellow fans to enjoy a subversion of familiar archetypes as much as i did.
a story intimately acquainted with hunger in all its forms, you can practically taste the sooty grime of polluted London air at the back of your throat as you keep pace with Harry; feel your lips crack and peel in the frigid wind alongside Melpomene’s scorbutic survivors as they trek miserably into the Arctic wilderness. best read with chapstick & perhaps a glass of orange juice close at hand.
highly recommended for: franklin expedition enthusiasts, devotees of amc’s the terror, boat media™️ aficionados, fans of sarah waters’ victorian novels (especially fingersmith and affinity), gay people, gay people who BITE, readers who love when the conses quence, Ice Mummy Monday observers, and anyone who enjoys a bloody good mystery.
if any of the above applies, you may be entitled to financial compensation i am begging you to leave space on your bookshelf for This Savage Kingdom, coming soon to a publisher near you. in the meantime, go say hi to author @dravenscroft here on tumblr & ask them about their novel <3
and finally, a few ~Live Slug Reactions~ from yours truly under the cut:
“harry is doing the most in his role as a victorian gentleman & i want to hit him over the head with a 2x4 in the most complimentary way possible”
“ooooooh love a good bit of cannibalism foreshadowing, me”
“lieutenants who could probably use a xanax hours”
“[my Mary Anning senses are tingling]”
“historical john hartnell??? My best friend john hartnell of Beechey boy fame?????”
“return of the king (the thylacine)”
“are u forever haunted by the ghost of your boy best friend who perished horribly on a doomed arctic expedition or are you normal”
“everyone at this seance is like. Wow weird energy in here tonight”
“HARRYYYYYYYYYY i realise you’re having a bad time but it’s about to get worse because i am going to punt you out a window”
“congratulations, miserable new puppy play unlocked”
“oh i am stamping and cheering and clapping STANDING OVATION FOR LIARS WHO LIE”
“i love you complex characters i love you weird flawed dudes i love you fucked up little codependent romance arcs”
“sickosYES.jpeg”
“The love was there. It saved absolutely no one but the love was there :(”
if any of the above zero-context reader’s notes sound right up your alley, you’re going to fucking LOVE this book. can’t wait for y’all to read <3
Since this baby is going out to publishers soon, thought it was time to drop the trailer again.
THIS SAVAGE KINGDOM is THE TERROR meets ALIAS GRACE. Partly inspired by the true story of HMS Wager. Queer and twisty, with dual timelines, set in both the Arctic and 1860 London.
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ariaste · 5 months ago
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So listen i have this book coming out in uhhh 10 days and I am Worried about it, because it is a Comedy, and comedy is really hard to market (why????? it's funny pirates, what's not to like??) even when it is, yanno, normal mainstream comedy.
It is even worse when it is Unhinged Comedy That's Mostly Going To Be Funny To People On Tumblr. (For example, the main character being a supreme gremlin made of 90% memes by weight (examples: carries around a bag that is never called anything but his "little rucksack"; has a near-verbatim "stick me legy out real far" moment; talks about his metaphorical "orphan gruel bowl" which is a direct reference to that one Oliver Twist gif) because those are funny to me personally.) Unhinged Tumblr Comedy is difficult because tumblr is not a platform where it is easy to market things to people, because we are generally violently anti-capitalist and LOATHE advertisements and reflexively resist being marketed to for most anything. I LOVE that about this website. Except for right now, because I have bills to pay and a cat to feed. So look, fellow tumblr gremlins, I am just trying to say that if your personal brand of comedy is laughing at the kind of jokes that could only be produced on this hell website, and:
you like pirates
you're queer and want to read more books by queer authors
you want your fictional queer characters to be a hell of a lot more Messy and Unhinged than they often are depicted as being
you're interested in seeing a love triangle (M/M/NB) that resolves into polyamory
you want books where the hottest character gets to makes Passionate Speeches about rebelling against oppressive institutional regimes like governments and organized religions
you believe that capitalism is the most oppressive institutional regime of them all
you think it's fun when two characters have been in a 15-year-long relationship where the vibes have been "We're Newly Divorced" nearly since day one
you believe that All Cops Are Bastards and want to know what to do when you get pulled over by the boat cops
you think the Great British Bake-Off would be improved with weaponry, ritualized bribery/coercion of judges, and elaborate shit-talk
then this book might be for you. Beneath the wall-to-wall hijinks, it is political and it is righteously angry and it is the funniest thing I have ever written (which is saying something, because I have written some funny shit). It's called RUNNING CLOSE TO THE WIND. Here's a picture of it.
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If all that sounds cool, you can read a review of it here and the first chapter of it here to see if it as funny as I am claiming it is, and then if you think that it is, you can preorder it here. It comes out on June 11! Ten days from now!
Thank you for letting me market to you for a minute. Signal boosting would be very much appreciated.
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thankskenpenders · 4 months ago
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The Lara-Su Chronicles: Beginnings review
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The day has finally come. Many, understandably, thought we'd never get here. Maybe we shouldn't have gotten here. We've been through so much. Lawsuits, reboots, redesigns, unreleased NFTs, empty legal threats over the fact that movie Knuckles has a dad, an attempt to license out Scourge the Hedgehog to fans that immediately got canceled (in both meanings of the term), and many, MANY idiotic Twitter controversies. But now, here we are.
Thirteen years after first announcing it in the middle of his legal battles with Archie and Sega that changed the American Sonic comics forever, former writer Ken Penders has released the first part of his new series: The Lara-Su Chronicles.
Yes. I had to buy the book. I had to take one for the team. Look at the fucking URL of this blog, a blog I've been using to talk about the American Sonic comics for nearly a decade while the specter of this book loomed in the distance. The one time I've actually been paid to write an article about anything in any professional capacity, it was an article about the Penders lawsuits. I'm cited on his Wikipedia page. There was no way I was going to skip reviewing this, and there was no guarantee that scans would ever turn up online given the incredibly small audience for this trash. (Only 166 people preordered this, and even that number feels way higher than it should be.) No, I had to preorder it to ensure I could get a copy and cover it for the blog... even if that meant my name would be forever immortalized in the list of "supporters" in the back of the book. These are the sacrifices I must make as a woman who stumbled ass backwards into being an amateur Archie Sonic historian.
So, what exactly is in this book? How much of it is new? How bad is it? How did we even get here in the first place? How can this exist without Sega pursuing legal action? What happens next? And, most importantly... why are there multiple depictions of an Archie Sonic character breastfeeding in this book?
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I'm here to answer those questions as best I can, and in agonizing detail.
First, for those just tuning in to this decades-long saga or those who maybe don't know the full story, here's a refresher on the background info.
"What the hell is this?"
The Lara-Su Chronicles is Ken Penders' long-dreaded long-awaited continuation of his 1994-2006 run on Archie Sonic, ignoring everything written after he left by other writers like Ian Flynn. In particular, it picks up from the cliffhanger ending of the 2003-2004 arc "Mobius: 25 Years Later," which was set in what Ken considers the definitive canonical future of the series. It stars Knuckles' daughter from that future era, Lara-Su, among other new and returning characters. The project was first announced near the start of Ken's legal battle with Archie in 2011, and he's been posting WIP previews online for about a decade. Now, after all this time, a Lara-Su Chronicles book finally exists.
We'll get to the actual contents of that book in a bit.
"He can do that without getting in trouble with Sega?"
Believe it or not, yes, he can.
Thanks to the outcome of Archie Comics' woefully mismanaged lawsuits against Ken (yes, they sued him after he started filing for copyrights, not the other way around), he now has full legal ownership of every story he wrote for Archie Sonic and every character he created for the series. This was explicitly granted to him in the terms of the settlement between him and Archie (acting on behalf of Sega). He can even reprint his old Sonic material as-is to his heart's content. The main catch is just that he can't write new stories featuring Sega characters or trademarks, and his new stories also have to be distinct from Sonic at a glance to avoid confusing readers. As such, reprints can't use Sonic iconography on the cover, a few Sega characters (mainly Knuckles) have been renamed and slightly redesigned in the new stories, and the art style has been changed to less closely resemble Sonic. But otherwise, he can do whatever he wants with his own characters.
All of this is because Archie lost the original copy of Ken's work-for-hire contract that signed over the rights to his work. Without that (or any alternative that was considered permissible in court), his comics and characters are the property of their creator by default. Yes, those old comics are full of Sega stuff, but Sega doesn't automatically own the copyright for every drawing of Sonic in existence. And Sega put their stamp of approval all over those comics and let them get sold at retail for decades, even though (in the eyes of the court) there was no legal paperwork granting them ownership of any of it. It's almost like they were unwittingly distributing a fan comic for years and declaring it a fair use of their property, and now there's no takesies backsies. It's a strange and unique copyright situation. Again, they worked all this out in the settlement. And, yes, fans have long speculated that Ken stole and destroyed his own contract to regain the rights to his work, but frankly Archie was so incompetent throughout the lawsuit (it went so bad that they had to fire and replace their lawyers midway through) that I completely buy the idea of them just losing important legal documents.
Also, in case it needs to be spelled out: while Ken's a weirdo, it's ultimately a good thing for creatives everywhere that Archie lost their lawsuit against Ken. We do not want to live in a world where corporations can claim ownership of peoples' work without the contracts to back it up. That would be an incredibly dangerous legal precedent to set. And more comic creators, and artists in general, should own their own work! Corporations are not your friend! They'll delete your work for a tax write-off in a heartbeat! It's just bewildering that this guy, of all people, was the creator who ended up successfully getting his shit back, and that this is what he's doing with it.
"What about his old collaborators? Are they involved? Is he paying them?"
Ken is mostly doing The Lara-Su Chronicles solo, though he has, in fact, talked about compensating the artists involved in any material he's reprinting. The ones who give enough of a shit to get paid for a small scale reprint of something they did 20 years ago, anyway.
On the subject of his collaborators, it's also worth pointing out that Ken's wasn't the only contract that was lost. Most of the early Archie Sonic writers from before Ian Flynn's time seem to be in the same boat as Ken, with the ownership of their stories and characters defaulting back to them. Again, Archie fucked up big time. But like I said, most of them don't really seem to give a shit. For most of them, Sonic was just a random temporary gig they took to pay the bills while Marvel was busy going bankrupt in the '90s, not the thing that defined their entire careers.
The only other Archie Sonic contributor who's tried to do anything on the level of what Ken is doing was writer and editor Scott Fulop. In 2016 he attempted to sue Archie for the unauthorized use of what are now retroactively considered his copyrighted characters and stories, and he even announced a standalone comic about his most famous Sonic character, the recurring villain Mammoth Mogul (sort of a pastiche of DC's Vandal Savage and Marvel's Kingpin, with wizard powers added for spice). However, Fulop lost his lawsuit because he didn't put together a particularly compelling case. Since then he seems to have wiped all traces of his ill-advised Mammoth Mogul comic and his company, Narrative Ark Entertainment, from the internet. For now, this leaves The Lara-Su Chronicles the only project of its kind.
"What about those other Archie Sonic reprints he just announced?"
At the time of writing, Ken is once again claiming that he's trying to get the band back together to reprint all of Archie Sonic, now under the bad new banner "Floating Island Productions: MOBIAN LINE" that I can't imagine he consulted literally anyone else on.
So, like, look. As we've established, Ken can reprint his own stories. And if he can work something out with the other contributors whose contracts were lost, he can print their work, too. But there is no fucking way he's getting his hands on Ian Flynn's run, which Sega undoubtedly holds the copyright for. Even if they don't, Ian needs to maintain a good working relationship with both Sega and IDW if he's to keep his job, so he'd never go for this. Not to mention that Ian and Ken just... don't get along! Ken's whole plan here seems to be predicated on IDW going out of business (a thing he REALLY wants to happen) and freeing up the Sonic comic license, after which he knocks on Sega's door and goes "hey I've still got dirt on you guys," blackmailing them into giving him the Sonic license back so that he can reprint the later comics. Every step of this plan is ludicrous. It's never gonna happen.
He's been saying he wants to reprint the whole series for a few years now, though. This isn't really anything new. And despite his lofty plans that set Sonic Twitter ablaze, he quickly backpedaled. The only specific things in the works right now are a "two-volume omnibus" of all of his Knuckles stories and a collection of artist Scott Shaw's work on the very early Archie Sonic issues, since they're on good terms with each other. I have no idea how Ken plans on packaging these when he can't put any Sega characters or the Freedom Fighters on the covers, but these projects are small enough in scale that there's a decent chance they'll see the light of day. Scott Shaw only did like five issues. But anything beyond that? I'll believe it when I see it.
Or, y'know, this could've all just been a publicity stunt for his new book. I wouldn't put it past him. Let's just focus on the book that actually exists.
"So he finally did it? He made a whole Lara-Su book? It's out? He finished it??"
Yes and no.
The book that's out now is The Lara-Su Chronicles: Beginnings, a prologue for the series of seven graphic novels Ken somehow plans on making, even though it's taken him 13 years to put out literally anything new. I don't know whether or not this counts as book one of seven, because it only features 30 pages of new comics. 30.5 if I'm being generous.
Most of the book is actually just a reprint of his infamous Archie Sonic storyline "Mobius: 25 Years Later", which ran from issue #131 to #144 in 2003-2004. (Again, yes, he can reprint this, he just can't put Sonic on the cover.) Why's it infamous? Well, Ken had been building anticipation for this future era of the series for basically his entire run. We kept seeing King Sonic and Queen Sally from the future. Knuckles' entire backstory hinges on his dad having a vision of this future. Several years before Silver the Hedgehog was created, it was Lara-Su who was Sonic's equivalent to Future Trunks, the cool-looking child of one of the main characters who traveled back in time to try and prevent a dark future. Believe it or not, yes, there was hype for Lara-Su. And then we finally got M25YL, and none of that cool stuff happened. Instead it really ended up being about how unbearably boring the middle aged Sonic, Knuckles, Sally, and co. are in this peaceful future where Robotnik is dead and they're all married with kids, forced into traditional nuclear family gender roles. Lara-Su is present, but she mostly just does generic teen girl stuff and complains about how Knuckles won't let her do anything even though she REALLY wants to be the new Guardian of Angel Island, like, super bad! Come on, dad!!!
In its original printing, this meandering arc ended on an abrupt time travel cliffhanger that Ken was never able to follow up on before he left Archie in 2006. This new printing slightly changes that ending, using the unresolved timey-wimey shenanigans as a convenient excuse to alter the entire timeline. This creates the slightly different world of The Lara-Su Chronicles, where the few relevant Sega-owned characters have been replaced and everyone is ten times uglier.
After this, we finally get two short new stories picking up where M25YL left off: "The Storm," starring Acorn Kingdom super-spy and known creep Geoffrey St. John, and an early release of the first chapter of The Lara-Su Chronicles: Shattered Tomorrows, the first full TLSC graphic novel.
And now that we're all on the same page about what we're looking at, let's actually talk about the book!
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The cover
Let's start by beating a dead horse. The cover art: it's still bad! But why is it bad?
The cover is, of course, based on Patrick Spaziante's cover from Archie Sonic #131, the start of the "Mobius: 25 Years Later" arc. (Ken did the layout for that cover, though, so in the eyes of the law he's the original creator who owns that cover.) That cover was, itself, a tribute to the iconic cover of Giant-Size X-Men #1 by Gil Kane and Dave Cockrum, the issue that introduced the version of the team with Wolverine, Storm, Nightcrawler, etc.
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Ken seems to have forgotten that the point of both these covers was to hype up the arrival of a new cast of characters. The new guys are supposed to make a dramatic entrance front and center. That's the focal point. Meanwhile, the cover for Beginnings has the old timeline versions of the cast from Archie Sonic dramatically bursting out of a shattered crystal ball, while their new counterparts look on in mild bemusement - if they're even bothering to look at all, since most of the characters here are just copied and pasted from their profile pages. That's just not how you do this particular homage! The point is supposed to be "out with the old, in with the new." And why are they using a crystal ball to view the past? Hell, why are they even using a crystal ball at all? The original arc was presented as a magical vision of the future courtesy of Tails' uncle Merlin (don't ask), but the new story leans all the way into being futuristic sci-fi.
Of course, there is no real artistic intent at play here. The old versions of the characters are placed front and center in the crystal ball simply because Ken traced over Spaziante's original art of Lara-Su and Julie-Su (the only two characters on the Sonic cover he owns) and threw out the rest, ruining the composition in the process. Look at the awkward empty space where Sonic, Sally, and Rotor once were, and the new drawing of The Character Formerly Known As Knuckles who's no longer properly centered between his wife and daughter. Even if Ken can claim ownership of the cover because he did the original layout, this all just feels scummy and lame.
And, yeah, if it needs to be said, the new characters and Ken's new rendering style look like absolute fucking dogshit. Putting new Lara-Su directly next to old Lara-Su does her no favors. The shattered glass effect looks absolutely atrocious. I could go on, but we'll have plenty of time to talk about the art style when we see how bad the stories inside look.
Changes to "Mobius: 25 Years Later"
Overall, 99% of M25YL is presented identically to its original printing. Sonic, Sally, Knuckles, et al. are still present with no changes to their names and no tweaks to the art. Even the original cover for issue #131 is included only a few pages into this book with its Archie, Sonic, and Sega logos still intact and everything. Again, because of the weird copyright situation described above, these preexisting comics can be released without any changes.
There is exactly one bizarre change to the art, though, where a hand drawn shot of Angel Island is replaced with an unfitting photo background and the ugly Floating Island photobash that Ken has been using as his personal logo for decades. I think he only did this as part of a test for his motion comic app that nobody asked for. I don't know why this had to make it into the print version. It's like the book is firing a warning shot for what's to come if you keep reading.
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The new content begins on the final page of M25YL. In the original wet fart of a cliffhanger ending, Sonic and co. accidentally alter the timeline with an old time machine of Robotnik's and Lara-Su begins to fade away. Then, after everything goes white, we just cut to the present day heroes going "gee, you ever think about the future?" In this new printing, that last bit has been cut, and the rest of the page has been awkwardly shrunk down so that Ken can fit in a new panel. We now see the hands of an off-screen villain, seemingly named "Override," proclaiming that "the Praetorian" (Knuckles) has messed up the timeline again and that they'll finally get their revenge.
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Who is this Override? I have no fucking clue. The new stories in this book make no mention of them. You have to buy the next book to find out.
My confusion over the identity of this villain overlaps with another big problem: name changes. So many names and nouns have been arbitrarily changed in The Lara-Su Chronicles, even ones Ken didn't have to change for copyright reasons, and I only know what half of them are replacing because Ken's been tweeting about this shit for years.
The echidnas are now a totally original alien race called "the Echyd'nya." Even in flashbacks to events from M25YL attempting to mimic the old art style, if it's on a new comic page, they're gonna call themselves "Echyd'nya." Evil echidna faction the Dark Legion is now the "Cyberdark Dominion," hailing from the "Cyberdark Colony." The Brotherhood of Guardians is still the Brotherhood of Guardians, but now the main guardian is called "The Praetorian." Angel Island is still called "The Floating Island," like it was in the older Archie comics, but it's ALSO sometimes called "Avion"? When I read this I wasn't sure if he had randomly renamed Albion, the other echidna city from the Archie comics. But no. Now we have an Albion AND an Avion. Sally is mentioned simply as "Princess Acorn," while Sonic is referenced once as an unnamed "blue-spined Erinaceinae," using the scientific name for hedgehog to make it sound more sci-fi. In an incredibly ballsy move, Ken even mentions Robotnik as "the Insurrectionist Kintobor," retaining his original surname from the Archie comics that's just "Robotnik" backwards. Guess Sega never trademarked that one.
Aside from every name change being a downgrade, this leads to confusion when you're not sure if something is supposed to be new, or if it's just an Archie thing you're supposed to recognize despite having a new name and design. Is "Override" someone I'm supposed to know already? Am I just supposed to have read a fucking tweet from Ken where he said he changed the name of some existing villain to "Override"? The answer is no, but I had to term search his Twitter just to verify this.
Moving on!
New story #1: "The Storm"
If you've been following the WIPs, this is that story about Geoffrey St. John that Ken's been posting previews of for almost a decade. The title page copyright dates it to 2015, and that absurdly long gestation is probably why the art is so inconsistent here. Even the style of speech bubbles and the font change between pages two and three.
This is a problem when there's supposed to be a deliberate and noticeable change in art style here signaling the moment where the time travel stuff alters the timeline, replacing the Archie Sonic world with the Lara-Su Chronicles world. If you don't already know that's what's going on, the idea isn't conveyed clearly at all. It just goes from one hideous art style to a slightly different one with no explanation.
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The main problem here is that Ken has hitched his wagon to a franchise about anthropomorphic animals when he can't draw furries to save his life. (Though a bit later in the book we'll also begin to wonder if he can even still draw humans.) He's shifted away from the cartooniness of the original designs and given them more human proportions and facial features, but this just ends up making them look incredibly uncanny and lumpy and gross. With some designs he's trying to lean into more of a Star Trek alien vibe, but then he still insists upon retaining the giant Sonic eyes on most characters even though he has no idea how to make them emote.
The rendering of these godawful designs doesn't do them any favors, either. Ken's going for more of a painterly look now, but it almost seems as though he's shading everything with Photoshop's burn and dodge tools that are designed to darken and lighten select areas of a photo. The result is a muddy, smudgy look that makes it feel like the color layer has been smeared in vaseline. And it only looks worse after coming off of 14 chapters of M25YL that have way more palatable art.
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The backgrounds, too, are a complete mess, a jumble of low res jpeg photo elements (sometimes with extremely noticeable pixelation), stock textures, and smooth digital gradients. There's no real sense of place here, and it gives everything a surreal, dreamlike quality when you can't really tell where anything is supposed to take place. This first story is seemingly set in a high-tech stronghold below Castle Acorn called "the Bunker," but it could just as easily be confused for the bridge of a spaceship. This whole story features characters speaking to each other over floating video displays and hologram projectors from three different locations, but without a hologram effect and without a clear sense of where the characters are it often feels like they're just in the same room as each other. Characters will be in one location on one photo background, and then the camera angle changes and they're in a completely different place, because Ken just uses mismatched photos off of the internet. It's been like 25 years since he first tried using photo backgrounds in the Archie comics and he hasn't gotten any better at it.
When I had my boyfriend read the book to see if it made literally any sense to him (it didn't), Anthony said this: "This is the kind of shit I'd see linked on a Second Life world that hasn't been touched since 2004." I think he really hit the nail on the head. Now, there's actually a contrarian part of me that thinks that might theoretically almost be kind of cool, in sort of a messy counterculture way. I love weird indie shit. I was a Homestuck reader! But this isn't a scrappy mixed media zine, or experimental outsider art from someone just messing around with Photoshop, or a loving throwback to weird old internet art, or even something intentionally bizarre and offputting like Xavier: Renegade Angel or a PilotRedSun video or whatever where the fact that it's weird and ugly is part of the humor. This is supposed to be a sincere sci-fi epic drawing on Star Trek and Jack Kirby comics, made by a guy who's been drawing comics professionally since the '80s. This is supposed to look good. This is supposed to compete with mainstream comics that are on sale right now. He thinks any day now IDW's gonna go out of business and Sega will come crawling back to him so that he can stamp the Sonic logo on shit like this. It just doesn't work.
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But, okay. It's ugly. We knew it would be ugly. But that ugliness would be much easier to accept if it was in service of an otherwise genuinely good story. So what about the writing? After all this time, how does Ken choose to kick off this new saga? Well, credit where credit's due. "The Storm" feels like a proper continuation of Ken's writing style from M25YL.
Because it's eleven pages of characters standing around and talking while nothing fucking happens.
Here's the synopsis: A dog woman named Brownie, an ensign in the Royal Secret Service fresh out of training and the only character who's almost cute, walks up to Geoffrey to deliver a report. He's immediately suspicious of her, asking who let her in and if she's a spy for Elias (Sally's brother, if you're new here) or Alicia (Sally's mom). The art style suddenly shifts when the timeline is altered, but the scene continues uninterrupted. Geoffrey points a gun at Brownie when she won't say whose spy she is. Geoffrey is distracted by a call and proceeds to have a conversation via a mix of holograms and video screens with Remington (head of Echidnaopolis security), Spectre (Knuckles' great great great great great grandpa, the one with the helmet who always looks evil), and a new scientist character named Dr. Zephyr/Zephur. (The spelling of this character's name changes multiple times throughout the 11-page story, because I guess nine years wasn't enough time to spellcheck this shit.) They say a bunch of made up technobabble nonsense about how it looks like the timeline was just altered and Knuckles and co. seem to be involved. It's complete drivel that I'm not even going to try to make sense of. Everyone decides to investigate further, and the conversation ends. Brownie tells Geoffrey she's his spy, then walks out and implies she's actually Alicia's spy in her inner monologue.
To be continued!!!
Yes, that's it. It's really just a bunch of technobabble where some characters talk about how it seems like the timeline has been fucked with. That's it. The whole time Geoffrey doesn't even get up out of his damn chair, which he's of course sitting in backwards to show how cool he is. It's just 11 pages of Geoffrey sitting in a chair and talking to people and looking uglier than he's ever looked. Nothing happens. Nine years for this.
I'm also struck by how meaningless all of this is to anyone who hasn't read Archie Sonic. The added context from M25YL may help a little, but "The Storm" focuses on characters who weren't in that arc, and the story does very little to introduce who any of them are. Brownie could've been super useful as an inexperienced point of view character who's only meeting the others for the first time here, but instead she's really just a passive observer who's here as part of some kind of 4D chess game between Geoffrey and Alicia, an off-screen character whose motivations in this era of the story are completely unknown to even returning readers. Who are the good guys and bad guys here? What are the conflicts and the stakes of the story moving forward? What do these characters want? Basic questions like this aren't really answered. I can't imagine a new reader being able to make heads or tails of this. Hell, I can't really imagine a returning reader who hasn't been following the last decade's worth of Ken's tweets about this story making heads or tails of it, either.
...Maybe more will happen in the next story?
New story #2: Shattered Tomorrows preview chapter
After another message from Ken, the story of The Lara-Su Chronicles proper begins with the redesigned Lara-Su walking along a jpeg photograph beach at sunset and crying while thinking about how Knuckles - sorry, his name is K'Nox now - is dead.
Yep! Straight into the dad stuff!
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Look, I'm the last person to complain about writers getting super personal and drawing from their own baggage in their writing, but Ken's just no fucking good at it. There's no nuance, nothing interesting to say. He just keeps writing mediocre-to-horrible dads whose misdeeds are always justified by their "good intentions," and then sometimes they die and their kids are like "we may have fought but actually you were the bestest dad ever and I'll miss you forever, I'll never be able to fill your shoes!"
This is the only part of the new material here that feels like it has any heart behind it, because I know how much his complex relationship with his late deadbeat father means to Ken (there's an author's note in this outright saying as much). But the guy died 42 years ago, and it doesn't feel like Ken has had any new thoughts about this part of his life in those four decades. He's just not an introspective or self-aware enough artist to actually mine his personal baggage for anything beyond "father knows best."
Anyway, so then it jumps forward in time(?) and now we're following this human guy who looks like this.
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Previously, Ken got a lot of shit for literally just using the likeness of Anthony Mackie for this guy, based on his IMDB profile photo. Ken has thus redesigned the character... and by that I mean I think he looks more like Ernie Hudson now? Ken's clearly just working off of photo references (if not straight up tracing), given his face is the most detailed and realistic-looking thing on any page where he's present.
But you may be wondering: who is this, and why is he here? Well, for one, he's here to run around in front of some low res space photos while making trite references to things like Planet of the Apes and Star Trek. Haha, he makes a joke about red shirts! Original!! But beyond that, Commander Mykhal Taelor (yes, that's really how he chose to spell it) is a human... from Earth! Archie Sonic readers are probably confused, because in those comics Mobius is Earth in the distant post-apocalyptic future. Well, despite being a Planet of the Apes fan, Ken always hated that particular worldbuilding decision from Karl Bollers, always preferring to think of Mobius as a separate alien planet. And now he gets to make that canon in his own stories and throw out Karl's ideas. So Mobius is basically just, like, a Star Trek planet now, with its own alien creatures that sometimes just so happen to look like anthropomorphic Earth animals.
Also, at one point Taelor wonders if the inhabitants of the dead Mobius might have been human, and the alien ally he's talking to over the radio says it's unlikely. "I don't understand why your kind has a problem understanding you're a minority within a minority." Perhaps poor wording for a line said to the only Black character in the story.
Anyway, Commander Taelor here seems to have discovered the uninhabited husk of Mobius after the vague time-space cataclysm everyone was worried about in M25YL has come to pass, and he finds an audio log from Lara-Su that I presume will explain what happened. I guess those are the titular Lara-Su Chronicles. In theory this flash forward establishes some sense of pressing danger, but when the threat to the planet is so unclear and technobabble-y it just kind of lands with a thud.
It doesn't take long before we get back to Lara-Su being sad about her dad. A good little chunk of the chapter is spent with this new timeline's Lara-Su recalling moments in her life, including echoes of the original Lara-Su's memories from M25YL, which feels redundant coming hot off the heels of a straight reprint of that entire arc. And boy, for anyone who read the later Archie Sonic comics, the protagonist having vague memories of the old version of the series from before a lawsuit-related timeline reboot sure does sound familiar, huh?
The art inconsistency somehow becomes even worse in this story, with Ken flip-flopping on whether or not he wants to use outlines, with the no-outline art managing to look even worse by relying entirely on Ken's awful rendering. By this point in the book, readers are also likely to start noticing how often Ken reuses art from previous panels. This is a shortcut that tons of comic artists use, of course. Invincible famously did a joke about this. It's often understandable. But, again... it sure does stand out in a book that took 13 years to make with only 30 pages of new art. Amusingly, Ken even manages to combine his inconsistency and recycling problems by reusing the same art with and without outlines. And, of course, any time Ken tries to draw the Archie era designs it's just... the worst.
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And, yes, it's in this dreamlike montage sequence of Lara-Su's life that we get...
The uncomfortable family nudity scene, followed by the dual timeline Julie-Su breastfeeding scene.
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Yeah, you might have heard about this one already. If this incredibly eerie presentation of Lara-Su's hazy memories of the two different timelines make it hard to tell what's going on, don't worry. There's another, clearer version later in the book as part of Julie-Su's character profile, because I guess Ken was just so proud of it.
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(I censored these myself because I'm not playing Russian roulette with Tumblr's inconsistent nudity rules and risking getting banned lmao)
Like, okay. Is a mother breastfeeding her child really that shocking of a thing to see in a story? No, not at all. But, like... when it's two characters who you previously created for an officially licensed Sonic the Hedgehog comic for 7-year-olds... and some of those officially licensed Sonic the Hedgehog comics for 7-year-olds are reprinted in the same book... and when it's drawn like this... yeah, it's kind of a shocker.
It just looks so unnatural. Julie-Su is posed very deliberately so that you'll see both of her breasts, and in the new timeline version she's barely even holding Lara-Su so you can really get a good look at her supermodel body, showing zero physical signs that she just gave birth. Most people will immediately jump to this being Ken putting his fetishes in his work (a type of criticism that I'm incredibly tired of - it's 2024, all the cool artists are blatantly putting their fetishes in their work now). And my immediate response is that, no, this is probably just Ken trying to come off as really mature on a surface level, a thing he's been obsessed with since the Archie days. Free from the shackles of writing a licensed children's comic, of course he's going to jump immediately into depicting some nonsexual, artistic nudity to try and prove he's A Real Mature Artist For Grown-Ups who just thinks the human body is beautiful and breastfeeding shouldn't be a taboo etc. etc.
But then, like. You look at some of the other character designs. Like Espio's daughter Salma, who's now this horrifying alien lizard person who's always nude, and her scale pattern puts scales exactly where her nipples should be. Or you look at his comments about the Echyd'nya age of consent. Or you look at how he keeps drawing Lara-Su in this. Like, does the shuttle really need this, like... reverse chaise lounge thing in the cockpit? So that we can keep getting these shots of the 16-year-old Lara-Su lying on her stomach and posing with one of her legs kicked up, her naked ass in plain view?
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The vibe isn't great, is what I'm saying!
I'm not going to try to ascribe authorial intent here. I don't know. I'm not a psychic. Given his very blatant reliance on photo references elsewhere in the book, it's entirely possible he just referenced some figure drawing photos that were maybe just a little too sexy. And also, he's an American comic book artist, and a boomer one at that. Those guys tend to draw women a certain way, even when it's not supposed to be sexual. I don't fucking know. It just sucks. I'm not gonna make some hyperbolic statement about how this makes him a literal pedophile who should be in jail, but it is deeply offputting and objectifying.
But if you already knew about the nursing scenes and were hoping there was some other really shocking stuff in there for me to talk about in this review, sorry to disappoint, but nope. That's the only shockingly weird new thing in here. Once again, not a lot happens in this story, and what does happen is pretty boring.
Once we get past the recap stuff and the human guy, the plot developments boil down to this: The timeline was altered at the end of M25YL... but not as much as you might think. In the new timeline, Knuckles ("K'Nox"), Cobar (now looking significantly younger), and Rotor (now a rhino just called "The Emissary") still traveled via shuttle to go find a time machine in the Badlands and fix the time-space continuum, like in the climax of the original arc. This time, though, Sonic wasn't there, and Lara-Su came along without having to stow away. Lara-Su watches the ship while the grown ups go deal with the time machine, and then after a couple panels Not Rotor comes back with Cobar and is like "Hey, Cobar got hurt, we gotta leave. Dunno what happened to your dad." And then they just, like. Presume that Knuckles must have died. Even though we have no idea what happened to him. And then they just fly away. And then Lara-Su is sad that her dad died.
And that's pretty much it!
This is supposed to be a really emotional sequence - it's literally the scene where Lara-Su learns that Knuckles is dead - but instead it comes off as unintentionally funny because of how poorly it's portrayed. Not showing Knuckles' actual disappearance is a huge misstep, for one, making his uncertain fate more confusing and anticlimactic than dramatic. But also, Ken keeps just using the same two drawings of Rotor for two pages, so he doesn't really seem to be emoting at all, and he's in this spacey hazmat suit that honestly just makes him look like fucking Moltar from Space Ghost. So the whole time I'm just reading his dialogue in Moltar's deadpan voice as he's like "I dunno. We did what we could. Anyway, let's leave."
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After this, we get a two-page spread previewing the rest of the story from Shattered Tomorrows. It's basically like a trailer in comic form. It has one of the most mystifying layouts I've ever seen in a comic book. I have no idea what order I'm supposed to read this in.
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Yeah, I kinda have a feeling this is the full extent of what Ken has drawn for the rest of that book. I'd love to be wrong, but I fear that I'm right.
Bonus material: Data files
These are mostly very dull, recapping a lot of events shared between Ken's Archie run and the new Lara-Su Chronicles timeline. It seems like almost his entire run is still considered canon to the backstory of the new timeline, just with some names changed, and things only really diverge at the climax of M25YL. But I'll share the interesting stuff here.
Lara-Su
The main thing you'll notice in Lara-Su's profile is the massive, unreadable wall of text where Ken felt the need to list the entire Knuckles family tree, split across both pages.
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This is literally so long that Lara-Su's personal history has to awkwardly cut off mid-sentence and be continued on the final page of the book, after the rest of the data files.
Also, please note that this list gives Julie-Su's mom's full name as Mari-Su of the House of Atrades. Incredible on all levels.
There's also a reference to the dark timeline Lara-Su was originally supposed to come from. You know, the one where Julie-Su is the leader of a rebel movement fighting against a Knuckles who had gone mad with power? The timeline that would have been way more interesting than the one in M25YL? Here it seems to have been written off as the result of another "timeline disruption." Lara-Su allegedly has vague memories of this timeline, in the same way that she has vague memories of the M25YL timeline.
Geoffrey
Geoffrey's bio mostly recaps events from the Archie comics, which means the Sonic/Sally/Geoffrey love triangle has to be alluded to. His rivalry with Sonic is described like this:
"He would later resurface when Kintobor was transporting his latest hi-tech weapon, the Dynamac-3000. It was during that mission he discovered a rival for the Princess' affections. Whereas the Princess would be one of a line of conquests where St. John was concerned, the blue-spined Erinaceinae who protested doth a bit too much regarding his affections for the Princess for St. John's taste would prove to be a source of great sport and amusement."
Yes. It's gross. Saying that Geoffrey saw Sally as "one of a line of conquests" is gross. Ken writing this and then still treating Geoffrey as the coolest badass ever is gross. The "Princess Acorn" is also first on the list of Geoffrey's "female relationships" elsewhere in his bio, though I suppose how much of a "relationship" they had is left vague. Honestly, at this point the fact that Ken didn't explicitly confirm that Geoffrey took the underage Sally's virginity in the book comes off as a display of restraint. The bar couldn't be any lower, I know.
Remington
His bio is, frankly, shockingly long for such a minor character, though I guess he does get a large portion of the word salad dialogue in "The Storm." There's a lot of stuff here about how the identities of his biological parents are shrouded in mystery, a plot point that fans have long speculated Ken just straight up forgot about in his time at Archie. (Ian confirmed that Kragok from the Dark Legion was Remington's dad, though, so this isn't really much of a mystery.)
Lien-Da
She gets a bio even though she's not present in the two new stories, just so we get to look at her awful new design and compare it to how Steven Butler drew her earlier in the book:
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Commander Taelor
We get to see two drawings of him with the same exact Ernie Hudson face side by side! That's fun.
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Julie-Su
She gets a list of "known friends," but the only character listed is Knuckles' mom. Poor Julie-Su.
Also, Ken feels the need to reiterate that Knuckles and Julie-Su are still distant cousins. He made a whole new timeline where he can change whatever details he wants, but THAT had to remain canon. Thanks, Ken.
And then after the data files we get the special thanks page, listing everyone who preordered the book and/or bought TLSC merch from Ken.
With my name on the list. Because I had to buy a copy to cover it for the blog.
My name is on the very next page right after the breastfeeding panel in Julie-Su's data file.
Yep. He got me.
Is it at least a well put together book? Like, in terms of manufacturing quality?
Its physical quality is... fine. It's a nice, sturdy hardcover. The print quality seems fine, though mine does have a bit of smudging from some sort of printing error on one page. The pages don't seem like they'll fall out on me. The image quality is crisp. The colors are vibrant. This is a low bar, but this is one of the few places where I'm able to give this book anything resembling praise.
The formatting and graphic design work, on the other hand...
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(I didn't crumple those page corners, it came like that.)
For one, the placement and sizes of the M25YL pages is inconsistent, largely due to the fact that the book doesn't actually match the proportions of a comic. A lot of pages aren't properly centered vertically. Some pages go all the way up to the top edge of the paper, while others leave a visible gap of about half a centimeter. Every page has a 1cm gap to its left and right, which is sometimes filled in with a solid color or gradient that doesn't quite match the page it's surrounding. I have to assume Ken didn't have any sort of source files or original artwork to work off of, as those ideally would've had more generous bleed to account for slight shifts in printing. It kind of seems like he just got the highest resolution versions he could find of the digital releases online and printed those. The colors are a dead ringer for the digital versions, which have always looked slightly more saturated and pastel than they did in print.
I can't say this bodes well for his further plans for Archie Sonic reprints - sorry, Mobian Line reprints. If they ever come out, please, for the love of god, do not buy those. I don't care how much you love Archie Sonic, they aren't going to be good reprints. For comparison, IDW's similarly priced hardcover Sonic collections have none of these formatting problems, because they're made by people who know what they're doing with access to the actual source files.
The book also has its fair share of text-focused pages, split between the data files and messages directly from Ken about the history of his career and this project, and these are formatted in the most amateurish way possible. Just massive walls of Arial text over either plain white backgrounds, simple gradients, or faded photos. I've seen school yearbooks with better graphic design. Even ignoring my subjective feelings about the art and stories within, this book does not feel like it's worth $36 USD.
It's frankly shocking how shabby he let this thing look considering it's supposed to be his baby. And doesn't that really sum it all up?
Closing thoughts
Obviously, I did not expect this to be any good. But I'm still left kind of dumbfounded by it.
I think what really strikes me about it is that Ken had a blank check to do whatever he wanted here. He got an opportunity many writers would kill for when he gained complete ownership of his most famous work. He's free from the limitations of a monthly licensed comic book for children, free to make whatever creative decisions he wants without editors or other writers or Sega to worry about, free to completely reinvent the series to his heart's content and finally tell the story of his dreams. And with that opportunity and 13 years of his time, he made... this. A direct continuation of "Mobius: 25 Years Later" that barely changes anything about the characters or world beyond their awful new designs, even though much of the word count is spent rambling about how the timeline has changed. A story that makes zero concessions for new readers, or even returning readers who don't already have the last decade's worth of Ken's tweets explaining his creative decisions burned into their memory. 30 pages where nothing really happens and the story barely moves forward an inch despite the decades-long wait - but maybe something will happen if you buy the next book!
Who is this for? Maybe this really is a project for no one but Ken. Maybe he just really, really wants to finish the story he started, a story that's personal to him due to the family history it evokes, and the number of people who enjoy it or buy it beyond that is irrelevant. I think that many of the best artists are incredibly self-indulgent ones working with that exact mindset, artists whose enthusiasm for their own work jumps off the page or screen. So, if that's the case, then why the fuck isn't he telling the damn story? What's stopping him? Why is he still spinning his wheels? Where is that passion for his own work? Because it sure as hell isn't there on the page. There's a huge part of me that really wishes I could say "Man, what a weirdo, but you do you, Ken. You tell your weird little story." But there's barely any story here. It's like he loves styling himself as a storyteller, but he's terrified of finally having to actually tell a story after all this time. He's still stuck in the exact same mode of writing he was in almost 30 years ago when he was doing 6-page backup stories about Knuckles, just killing time and stringing readers along until he's eventually able to truly realize his vision. If not now, then when, Ken?
Even the back cover blurb is mostly just a dry recap of the history of this thing. It was a Sonic comic, the original arc was published in these issues, it went unfinished, Ken left Archie, the lawsuits happened, now he's continuing the story. There's nothing about why anyone should give a shit about this as its own story, even though Ken has spent years trying in vain to convince people TLSC is its own beast that shouldn't be judged as a Sonic story. I think deep down he knows that there's no pitch for this beyond the novelty of it originating from Sonic. And that's why, despite declaring that he'd leave the site, he's still on Twitter riling up Sonic fans. It's the only attention he gets at this point.
Maybe this is too harsh when those 30 pages of new comics are just intended as a preview for the "real" book. But the elephant in the room is that we have no idea if that "real" book will ever actually come out, let alone the entire series of seven graphic novels that will supposedly complete this saga.
Ken is undeniably a complete jackass and all around unpleasant, vindictive person who's rightly become an industry pariah. He's a self-proclaimed paragon of progressive values who'll send Comicsgaters after his successors for the crime of not worshiping the ground he walks on, and then turn around and announce he's going to reprint their work without even consulting them. He's a sore winner who already won his copyright battle on a level most comic writers would never dare to dream of, and yet still won't truly be satisfied until he sees an entire major comic publisher go out of business, putting god knows how many people out of work, because he thinks this would get him back the license to a video game franchise he doesn't even like.
But I still have to pity him.
As an artist, the trajectory of his life is my nightmare. I think all of us fear dying before we can tell all the stories we want to tell. There's simply never enough time to do everything. And here's Ken in his 60s, talking about how he's still planning on making his magnum opus all by himself out of stubbornness and pride, despite demonstrably proving he can't handle the workload, and also talking about how if he dies before the project can be finished he'll have to pass the torch on to his kids and get them to finish it for him. It's so grim. Even just typing that sends a shiver down my spine. It took nine years of his limited time on Earth to finish and release an 11-page comic about Geoffrey St. John sitting backwards in a chair.
This is a purgatory of his own creation. And yet... I'm not sure he's ever been prouder. One must imagine Sisyphus happy.
I guess if I want people to take anything away from this review, it's this:
Lesson one: If you're an artist or writer of some kind, or an aspiring creator, don't wait around. No one else is going to tell your story for you. Start writing that novel. Start drawing that webcomic. Start making that game. If Penders can put out this damn book that no one asked for after 13 years of work, then proudly proclaim that he's still going to make six or seven more books and also reprint hundreds of comics he doesn't have all of the rights to, then show up to cons with that foul Lara-Su Chronicles: Shattered Tomorrows banner and sit in front of it beaming with pride, fully aware of his critics but saying "fuck 'em, I know I'm hot shit," then you can do fucking anything. Tell the weird, sincere, cringe story of your dreams. If Ken Penders doesn't have imposter syndrome, then nobody should.
And lesson two: Don't buy Ken's books.
6K notes · View notes
ramonathinks · 4 months ago
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matters of the heart — Nanami K.
summary: finding out your ex-boyfriend wrote a novel detailing your relationship isn’t how you expected this week to go and to make matters worse everyone on the internet now thinks your “character” is a total bitch. you decide to pay your ex a visit, but can you do that without succumbing to your natural urges? well, no!
tags: 18+(MDNI/blank blogs) slight porn with plot, oral (f! receiving), brief nipple sucking, daddy kink, creampie, i guess nanami is a bit toxic in this lol, nanami might also be a bit ooc in here
to the moaners: has this been sitting in the draft for about 3-4 months? yes! but happy birthday month, kento 😚. artwork by @/_3aem (twt); @ryomens-vixen (this was the fic I mentioned a while back) word count: 5.6k (yuck), I don't really like this
I’m going to kill him, that was the only thing on your mind once you closed out of the novel. Normally, your weekends were spent relaxing with a fruity bubble-gum colored cocktail but today was different. Shoko called your phone at exactly 9:26 am claiming it was time she divulged some news to you. At exactly 9: 28am, she sent you an online copy of a book titled, “Matters of the Heart” and told you it was nothing but a two or three hour read and then to call once you finished. 
The book had a slow start and it seemed pretty average, just any old love story. Lately, anything was getting published and it seemed that was the case here — wait, you paused your reading and sat up straight. No. Just no. Something just clicked for you which led you to completely start over from page one. 
The moment you finished, at exactly 1:01 pm, you grabbed a salmon colored low cut shirt and light washed jeans, slipped on your white shoes and hurried to get into your car. You didn’t need to call her phone because you were going to talk to her face to face; this situation warranted a real conversation. It was nothing but a 17 minute drive to Shoko’s house, so when you arrived at exactly 1:18 pm, her door was already open. “They’re bashing me, Shoko. Fucking bashing! How could he do this to me?” Were the first words that flew out of your mouth, holding your phone close to her face so that she could see the reviews. 
“Well, it’s not like anyone would know it’s you.” She yawned, handing you a cup of water – probably because of how crazy you looked – before she ushered you to a seat on the couch. A golden brown blanket was lazily thrown on the seat, which she hurried to move. You sat down and faced her with a look of what Shoko could only describe as pure sadness. She had seen you like this many times before, all because of one person. 
“You did.” You sniffled with an eye roll, you couldn’t help but feel uncertain. Reading this book only brought back more uncomfortable feelings towards the breakup and him. You thought that you were over him and the memories that the book produced made you question everything. One question remained which is: Why?
She giggled drily. “Hey, I read all his works. Pseudonym or not. He can’t hide from me. Plus, I know you both and everything that went on. I was there too, remember?” She mumbled the last part. “Maybe this was his way of coping?”
“It’s been years… and I heard he’s announced a sequel. Shoko, a SEQUEL! It’ll be released later this year.” You spoke in a shaking watery voice while she rubbed your back in an attempt of comfort. Your mind could only think of what the reactions would be to your character in the sequel… insecurities that you never knew were there flooded your mind.
“There was enough material for a sequel? I thought he covered everything…” Shoko rubbed her chin and looked deep in thought. You just stared at her, she couldn’t be serious. “Sorry, ignore me.” She shook her head ignoring your stare.
“Do I even confront him over this? A-and how would that make me look, like I still check on him right? I’ll look crazy and bitter… which apparently I am. Oh and I’m bitchy and a ‘total cunt’ as they’re putting online.” He didn’t know just how much you changed, he missed your growth. Rubbing your eyes, you ask:“Why did you tell me about this? What made you take so long… I just don’t understand.”
“Well, at first… I didn’t think you’d care.” Moving a strand of her nut-brown hair out of her face, she continued. “Then about a month ago, I decided it was right to tell you, just in case someone else pieced it together.”
“Gojo read it then, huh?” You mentally cringed at the thought. It was the only person you could think of who’d be so crude about it. He knew how damaging the breakup was for you but not as bad as Shoko knows. Now, you’re just grateful that she told you before he did.
“Yep, so I figured that I had to tell you before he did.” She clicked her tongue. “But let’s just calm down before you make any rash decisions on how to handle this.” 
“He wrote a fucking duality series about me, our relationship, our sex life and you want me to calm down? Are you listening to yourself? This is a serious matter. I am being called a bitch, a slut and more on Goodreads and multiple websites, reviews, etc. and he didn’t even have the audacity to give me a heads up. You had to call me.” You let out an unladylike snort.“Why couldn’t he stick to his mystery novels? Wasn’t he doing good at those?”
“Writer's block.” Shoko said in a singsong-like voice. “He hadn’t written a mystery book since you two broke up and then… he alerted his supporters he wanted to switch things up and then… that was that. Ladies loved it, a big hit. By the way, if you two were really fucking like that I need to se—”
“Shoko, now is not the time!” Your face felt hot all over, your mind racing. “I just can’t believe this.” You wrapped your arms around your body and squeezed, giving yourself one big squeeze. It was hard not to cry but you could feel it all in your throat. 
“I’m sorry. If it makes you feel any better, I don’t think his intentions were to make you feel bad.” She hugged you to her chest, pressing a small kiss to the crown of your head. “I think he still loves you. I mean, isn’t this book proof? After all these years, he wrote about you.” 
“I’m sure he moved on by now.” You whispered, your eyes growing tired already and the day had barely started. “I just need to lay down. I need to rest.” Your mind seemed to finally grow calm and your breathing steady, a small hiccup now in your throat but with a gulp of water, you were better.
“Just stay here. I don’t trust you to be alone right now.” Shoko’s voice drowned out as sleep overtook you, you could only feel her warmth as she held you and honestly it was all you needed at this moment, Shoko always made you feel safe and you couldn’t thank her more than enough for that right now as you slept.
You were a light sleeper, it was always something that Nanami pointed out about you. He always said how he felt like he couldn’t leave the room while you slept even if it was to use the bathroom afraid to wake you. He knew how important sleep was to you and he’d risk having a bladder infection if you got all 8 hours that you required. Nanami was sweet and caring like that. 
You didn’t think you’d break up with him ever. He was the one for you and he always made that clear. He pampered you and even after the breakup – though you didn’t need it – he left you with a check for five thousand dollars, saying it was for his half of the lease for the next few months. 
The breakup was brutal for you. You almost quit working entirely. Shoko was the only person you’d confined into and the only friend you left to check in on you especially when you didn’t want to leave the house. She brought you groceries and helped you shower until you finally were able to get up again.
Though it was hard to believe, it was Nanami who broke up with you. You thought it was a joke, a cliche little joke. 
“Baby, I’m not joking.” His voice was quiet and husky, he spoke as if he was going to cry. “I just need some time to myself. I need to figure out if this is what I want. You don’t have to wait for me, you just keep on living your life and being happy. But… I think it’s time we let this go.” 
You didn’t cry in front of him. You didn’t cry when he packed his things up. You certainly didn’t cry when he shut the door, leaving his key on the table because you knew he was joking. He had to be. But when you called him and his number was disconnected and you were blocked on any form of social media… that was when you broke down and cried. 
It happened out of nowhere. You overanalyzed every aspect of your relationship for where you went wrong. You wrote down every conversation you could remember and dissected it word by word. You watched every video and picture you had of the two of you looking for a bit of regret or anything on his face. You read every text message, looking for malice. He said he needed time to figure out if he wanted this but he always made it clear that he did and even that he was looking forward to having kids together, you two had even gone ring shopping months ago. 
You didn’t sleep and when you did, it was only for 4 hours and sometimes barely that. Your heart had an ache in it and the tears wouldn’t stop. You could only think why wasn’t I enough?
When you opened your eyes Shoko was still holding you and a small smile grew on your lips. “Thank you Shoko.” You knew if you could count on anyone, it was always going to be her. She was the one who pieced you back together and made sure that life didn’t destroy you and you couldn’t help but to be grateful. 
“Of course. ‘M going to let you spend the night here, okay? Let’s get some takeout and watch your favorite movies, how’s that sound?” She knew the way to your aching heart like the back of her hand. 
“It sounds amazing!” You stretched your arms out wide, leaning off of her and sitting up. “Should we start with Uptown Girls or Legally Blonde?” 
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It took two days before you confronted him. Shoko was adamant about not giving you his address and you were tempted to get it from her phone. But luckily, you wore her down, she was probably tired of you bringing him or his book in every conversation. So now you stood there, nerves washing over you in waves.
The mahogany colored door stared at you – mocked you – and you returned the glare before you knocked on it, hard. This was just a door and you were angry at the person behind said door, not the door itself. 
It was almost like he was waiting on you because the door unlocked and opened. He even stepped aside to let you in, quiet. His straw-colored hair was parted differently and he even looked taller or broader – you couldn’t completely tell – but he looked different… seemed different. The atmosphere around him made your stomach clench and it made you mad; why did it feel like only you suffered from the breakup? Here he was – strong and tall – and you were nothing or rather the same.
“You wrote a romance erotica novel about our relationship?” It was what you practiced saying before you got out of your car – making sure your voice didn’t tremble – this time, it didn’t. 
“Well, hello to you too. Even after three and a half years, you still like to get straight to the point.” He grinned, putting a hand on your back to guide you to a seat on his couch. “I must ask, what makes you think it’s about you?” He does a slight laugh and raises his brow.
“We have the same initials, almost the same name. Are you kidding me?” You retort, folding your arms across your chest. You tried to ignore the fuzzy feeling in your chest that occurred when you heard his voice after so long, hearing him and seeing that damned smile… your nose scrunched up.
“Sorry, I just didn’t know you kept up with me… with my books…” He muttered, glancing your way, a demure look in his amber eyes. “Should I be flattered?” Almost in an instant, he turned on a slight cockiness to himself, though his body language showed his nervousness – his thigh bouncing a bit and his fingers tapping on the couch handle. A light sense of relief filled your system knowing that you weren’t the only one being affected by this.
“I don’t.” You inhaled deeply. “Shoko told me about it and then, I checked it out.” Fiddling with your fingers and even picking at your nails, that was your tell all sign of nervousness and right now you were engaging in it more than ever before. 
“I wanted to tell you or rather, to ask you. I know you got the voicemails I sent last year…and then you kept dodging my calls.” He tells you, you could feel his eyes on you – or more so your fingers… the nasty habit that he had finally got you to stop all those years ago rushing right back in an instant.
“Writing a book to trash me and our relationship… to make you look like some sort of… ugh, like you’re so amazing and I’m just shit. Yeah, that certainly got my attention.” If you were coming off bitchy or rude right there, you couldn’t care less especially when there were worse things that you could’ve said or even could’ve done at this moment. You really wanted to slap him. 
“Is that all you got out of it?” He asks with his head low, almost as if he was admitting defeat or as if he couldn’t believe you came up with something so trivial. 
“Was there anything else to get?” You counter, shifting your body towards him. Maybe it was best that you sat down and actually listened to the author and his interpretations of his work.
“How about that I love you regardless of any flaws… how about I find your stubbornness and attitude sexy and how I knew this breakup would be good for you. I was holding you back. I mean, I heard you got promoted 3 times since we broke up… I just felt like I was changing you, hindering your growth. I needed to reflect on myself and this book helped that.” He tapped his fingers against his thigh, yet another sign of his anxiousness. “Believe it or not, I still care about you. No matter what happened between us.”
“What happened? You mean when you decided to just leave? You could've told me everything you just told me and I would’ve understood better. We could’ve talked and came to a compromise. You don’t understand what you put me through after it.” You were close to tears but you straighten your posture and sniffled, it was best not to think about what happened before. “I just needed a bit of closure too, I guess that’s why I came. I just was caught off guard. You could’ve knocked on my door or something, forced me to answer… forced me to talk.”
He met your eye for the first time since you came over. “You wouldn’t have listened,” He huffs. “Didn’t I mention how stubborn you are? Plus, I meant what I said. I needed time to myself and I think we both did.”
“I guess…But Nanami, this book was too much. A letter would’ve been fine if you needed closure, don’t you think?” You see his lips quirk up a bit before he licks them, trying not to laugh it seems.
“My publisher got a hold of some of the documents where I was just going over things, writing here and there. She loved the idea… plus I’m in a contract for six books so I had to put something out soon, it had already been a year.” He told you, sitting his chin on top of his knuckles. “I honestly didn't mean to hurt you. I was writing for fun… reminiscing about us and then later down the line, I realized I was writing because I wanted you to read it, I just didn’t exactly know how to get you to since you were very adamant on avoiding me, which is understandable. But regardless, I didn’t think it’d get on the bestseller list or for the reviews to get so harsh.” He admits, reaching for your hand before his hand froze in midair and he stopped himself, choosing instead to put it behind his head.
“Is there anyway you can stop the sequel from being published then… since you got my attention after all this time?” You asked, putting your most dazzling smile on, hoping to sway him. 
“I can talk to my publisher. Everything’s in print and materials are already done… but I’ll try to see if I can stop production.” His adam’s apple bobbles when he does a harsh swallow. “Are we… okay? Do you forgive me?”
The question made you pause. He always made it hard for you to not forgive him; it took one look or a smile and a small explanation and it made it easy to fall in love with him all over again, no matter what he did… it seems. But it made you ask yourself: Were you too easy? Did you really forgive him? It was thoughts like that swirling around the corners of your mind. You wanted to forgive him, he was just writing and telling a story… but it was your story, not just his. Using this for your attention when he could’ve written about anything else, he didn’t have to. Were you just ready to forgive him because you still loved him? 
You hadn’t realized how deep in thought you were until you felt the couch dip and even then, your mind was still spirling.“You don’t have to…” His voice brings you out of your thoughts, his body so close to yours that it was getting hard to breathe. He still smelled the same; citrus and woodsy and it was easy to get yourself sucked back in. 
“So you can write another book about my stubbornness?” You give a quiet giggle, scooting a bit away from him, seeing him frown from the corner of your eyes. You didn’t want to fall back but he made it all so simple. It was easy and you were already falling back on him and you didn’t need that… Did you?
“Baby…” Your body buzzed and hummed, turning to him with wide eyes. “I’ll do anything I can to make this right. Anything for you to forgive me… If they can’t stop publication, what can I do to make us right?” He was doing more than a gaze, he was full on staring and from how close he was it was hard to avoid. 
“Nanami I–” You stopped yourself. You couldn’t really think of anything he could do but you could think of several unhealthy things you could do to ruin your progress on going over him. He had betrayed you and made you a laughing stock so why are you stuck thinking about forgiveness when you should be leaving.
“I never stopped loving you.” His fingers traced up and down your pants but his eyes stayed on yours. “I never thought about anyone but you… I never slept with anyone… it’s always been you. But, I understand what I put you through and I’ll apologize every second until you forgive me…” The blond man who you never saw shed a tear looked more than close to it. “But just please… forgive me.”
“I’m sorry, honest.” He tries again after being met with absolute silence. “Just… let me show you, okay?” His breath tickles your face for a second and when you look into his cocoa brown eyes, you feel everything you once felt again.
Memories of good times dulls out the odd feelings in the pit of your stomach – the confusion and pain – instead are replaced with joy. The trip to Malaysia where he rubbed sunscreen on your entire body and laid back to read a book and you watched as his eyes kept drifting to you while you played in the cerulean water; how you kept begging him to come in until he complied and how eventually in the early hours of the morning when you wanted another dip, he fucked you twice — once in the golden lush sand and another in the cool ocean water. 
His face is in your thighs and you couldn’t help but feel better, feeling his breath fanning so close to your pants covered pussy, your body felt scorching hot. He’s grumbling, “Will you let me make it up to you? Will you let me show you how sorry I am?” 
You must’ve nodded because he was already unbuttoning your pants and helping you lay back, pulling your shirt up just a bit to see your perky tits – he must’ve remembered how you never wore bras unless you felt it was necessary, which was mainly work or any important events. 
He blew a bit on your hardening nipples before he took one into his mouth – playing biting them with a smug look on his face before he began licking around your areolas and kissing around the swells of your breast. He doesn’t say anything but he looks deep in thought as he kisses down your body, his fingers scraping down your sides as he works your pants and your panties all the way down. Bringing his head up for a minute, he looks in your face. “I love you.” He says it simply, heavy emotions swirling in his brown eyes.
Removing your pants and underwear completely from your body, he spreads your thighs and looks over your body – a trimmed low pretty bush sits between your thighs and it makes him smile, he always loved seeing the curled hair on your delicate lower lips. He spreads your pussy, watching the skin stretch with a deep smile on his face. You could feel yourself … the wetness leaking down under your body and it made you cringe, but the way he was staring at you made the insecurities vanish. “All this for me?” He takes a tentative lick before he slurps, clutching your hips. “I know you like to run… but I need you to stay put, got it?” It was hard for you to listen to him, your head already fuzzy and the thoughts swirling around were only about him, nothing more. 
Then your body bucks up, “Wait–!” A broken moan escapes your mouth when he presses a soft wet kiss to your clit. Nanami had always been gentle and very careful whenever he ate you out; making sure his tongue was wet enough and that he wasn’t too rough. His tongue was wide enough to make your back arch, your body leaving the couch when it finally hit your clit and he gave you no time to recover before he peeled back the hood, sitting the tip of his tongue there and rapidly flicked at the bud. 
Hearing the lewd squelching noises coming from the mixture of your cunt and his mouth made you close your eyes, squeezing them shut tightly. He spits before he licks it up and down your aching slit, nudging his tongue inside only slightly, much to your dismay. You’re gasping every second when more of his tongue slips in and out of your pussy; sliding a bit more each time and it makes your thighs shake. When he finally slips his entire tongue inside of you, curling it just enough that you can feel it everywhere, your legs attempt to close up around his head. ���Please– ‘m so… soo–oh…” His fingers join in on the fun and in small sloppy circles he rubs your clit, pressing down on the pearl while his tongue continues flicking inside of you. The split second that you open your eyes, his are already on yours and it was that moment, that made your body tense up and for you to cum. 
It happens fast, clear sticky wetness leaks out of you and Nanami still tries to get more of it on his tongue, catching anything that drips and sucking on your folds. “Always so fucking good…” He mutters, spreading you again and smearing more of your slick on his face by shaking his head between your thighs, so that he’s completely covered in you. 
When he moves his head, embarrassment comes over you, looking at his wet face… even his forehead was wet and you couldn’t bring yourself to meet his eyes. “Nothing to be embarrassed about, baby but… I’ll be right back, stay wet for me.”
Your heart hammers against your chest, lying there on this now wet couch. You didn’t come over here for this and yet here you are… about to get fucked and really, it was no turning back now. You’d been on dates with men after Nanami but they never lasted past the second date and you certainly hadn’t had sex in a while, but he made you come apart like it was nothing.  
But then again, Nanami knew your body… so of course this was a walk in the park for him. It honestly annoyed you right now, you couldn’t even make yourself cum half the time especially these last few years and now, barely an hour here and he has you right where he wanted you… bare and practically back in love with him.
Nanami came back with a fresh face and unbuttoned pants that he was currently pulling down. You clenched around nothing, your mind thinking only of the perfect dick that was going to be coming out of those pants. You licked your lips, this would be the first dick you saw in years and it was his. 
His drooling cock slapped his stomach and you swallowed, your mouth felt unreasonably dry. The length of his cock always impressed you, standing tall at seven and a half inches, he shakes with laughter which snaps you out of your daze. “Now let me look at you.” His whispers and even though he already saw you, both years ago and right now, you can’t help but feel hot all over again. He’s staring – drawing his eyes down every inch of your body –  focusing on your breast before getting to the stare of the show yet again. He smirks, laying you back down, pressing his body against yours to kiss you. 
Your breath was caught in your throat, his tongue still tasted of you and his hands cups your jaw. He’s gentle, his tongue moving around your mouth messily before he stops, saliva breaking apart when he does so. His fingers make a ghostly featherlight touch on your clit that makes you jump, the head of his cock at your entrance. He holds out his hand, close to your mouth. “Spit.” Gathering up some, you spit in the palm of his hand and stroke it along his length, huffing at the sensation. 
He pushes in, taking his time to work himself inside of you, a strained expression on his face. Hips pulled back, he focuses more on just the tip of himself fucking you, watching your pussy stretch with just the tiniest bit of resistance. Inching himself inside, you watch his torso flex and he groans, obscene noises plop and plap around the apartment, his heavy cock pushing in and out of you, your toes curling. 
“Pussy still mines, right? Didn’t give it away, did you?” You’re struggling to talk - to fucking breathe - your eyes rolling back and your jaw slacked but you babble out a soft ‘no’ which makes him finally thrust in you harder, completely bottoming out. You feel him in your belly, feeling full and embarrassingly wide with him stretching you out, his balls sitting on the crest of your ass before he moves. 
He moves you a bit, your bodies flush to each other and he moves his hips in harsh circles, his pelvis so close to your clit. His hands on your calves, he pushes your legs so that they rest on his shoulders, your knees touching your ears makes you tighten up and he groans above you.
“Nanami I-” You call out, eyes closed with pleasure shaking through your core, wetness slapping between the both of you. 
“Nanami? No, call me what you used to call me.” His hips slowed down, a whine escaping your lips. His cock dragging inside of your walls, pulling out slowly, awaiting your response. 
“Please…don’t slow down, Ken—” before the word even left your lips, his hand slapped your cunt, leaving your legs shaking a bit and your eyes snapping open. Drops of tears run down your cheeks and you sniffle, reaching for him… you couldn’t help but feel so small in his presence.
“Say it.” Then, you knew what he meant. A name that now feels foreign in your brain and even when it leaves your mouth, it comes out in a strange rattled whimper.
“Oh, oh… daddy, ‘m sorry. Please, keep fucking me. It’s so goooood!” He’s grinning before the words leave your mouth.
“Still my good girl huh? Always so fucking good for daddy.” He licks up your neck and it makes you tremble, your tongue lolling out a bit and he moves to suckle on it. “Did you skip over all those sex scenes or did you rub this pussy out to them?” He asks, his fingers digging in the back of your thighs. 
You choked out, sobbing, “I did, daddy… But I-I don’t want to remember everything.” 
“You don’t remember all the words I used to describe this cunt? This pretty pussy? That changed his life… my life? That made him always crawl back? That made him so fucking hard? The pretty words I used to describe you? To describe how pretty she always looked when he fucked her? How his heart felt like it was going to explode when she looked at him too long because he loved her so damn much?” He’s groaning in your ear, thrusting into you, his depth reaching your g-spot, your pussy spasming and begging for his cum at every word he uttered. 
Pumping himself inside, you could see the white creaminess that was on his cock, most likely because of you, he was constantly fucking the cream inside of you, your nails digged into his arms and he moaned at the feeling. Your stomach tightens and you move to push him away, “I’m going to c–cum!” You felt him throbbing inside of you, signaling that he was close too. “Please, cum inside of me… I can’t take it.” You couldn’t stand it any longer, it’s been years and you needed him to fill you up. He stopped for a moment, changing positions so that you’ll be sitting on his lap, grabbing your hips and forcibly bouncing you on his dick, dangerously slow. 
Wetness gushes on him as his tip hits you from a new angle, seeing the outline of him in your tummy, he’s stretching you again with each nasty thrust. Each drag of his cock making you go crazy and the aching between your legs continue, your body shaking and both of you moaning loudly and over each other. 
Finally, your orgasm rattled and shook your entire body, your pussy sucking him in, milking him for all he’s worth and it makes his body shake and he releases inside of you, trying to stay quiet as his body jerks up, unable to stop himself from fucking you through both of your orgasms.
It’s quiet for a while, just heavy breathing with you laying on his chest. “I love you too…” Your voice is scratchy and your face tear stained. He doesn’t say anything, his cock still pulsing inside of you.
“I know. I love you too, never stopped.” 
“Did you at least read the acknowledgements or did you just dive right in?”
“I never read the acknowledgements for books, thought you would’ve remembered that.” You watch him get up, walking around the living room, looking for something. You were both still naked and the entire room smelled of sex. 
“I did remember that and when you barged in my door, I already knew that you still hadn’t changed when it came to that. Here, read this part right here.” He brings you over a copy and you run your fingers around the softback cover with a small smile on your face; this silly thing had brought you both back together and right now you could give less than a fuck about those reviews. 
Feeling the spine of the book, you open it and can practically smell the scent of an unopened new book. Turning the first few pages, you go to the one page acknowledgment and read it aloud: “She might not read this book. But if she does, by chance. I hope she knows that I still love her.” You wiped your eyes and smiled. “You’re an asshole, you know?”
He lets out a hearty laugh, “I know baby.” Kissing the top of your head, he gets up and grabs his phone from the kitchen counter and you follow him. “I think I have enough material to write a third book now.” He grabs his phone and starts typing, his eyebrows furrowed as if he was deep in thought. Attempting to grab his phone he chuckles and uses his height to his advantage by standing taller.
Standing on the tips of your toes you snort, “Don’t even joke about that!” But a smile takes over your face and he can’t help but smile too. 
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can-of-w0rmz · 8 months ago
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Being into gothic horror is wild, because you’ll look up the reviews/public opinion on a book and all the posts will be like “ugh, this was insufferable. The main character was the most melodramatic whiny narcissist cunt who’s perspective I’ve ever had the displeasure of following. When the main character wasn’t whining, it was just pages and pages of the most useless boring shit describing stupid landscapes over and over again. Boring and insufferable to read.”
And then you’ll get the book and read it and it’ll be like “Hi, I’m gothic protagonist. My entire family got brutally murdered by an unknown person and I also got horrifically abused as a child and struggle with severe mental illness, and now there’s unholy paranormal forces at work all against me, but at least I have the love of my life and my closest friends who I’d kill and die for and they’d do the same for me. Even though I’m cripplingly psychologically unwell and severely burdened with the mass of terrible things in my past, I’m going to figure out and track down the thing that killed my family and seek to destroy it, whilst poetically mirroring my suffering with the most beautiful and profound descriptions of the nature around me that you’ve ever read, contrasting the horror of nature with the beauty and goodness of it and giving you an existential crisis. This book is going to make you so ridiculously attached to these characters and change your whole perception of the life you lead.”
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gladiatorcunt · 1 month ago
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- MOLTEN LAVA CAKE / IV.
when i get to heaven, please let me bring my man
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cw: kinktober prompt (creampie), unprotected sex & playing fast and loose with it’s possible consequences, yandere behavior, age gap (reader 20’s, capitano & zhongli 50s, baizhu 40s), power imabalance, non con somno (childe), dub con, innocence kink & lowkey medical malpractice (baizhu), reader has a pussy, implied kidnapping (capitano), if you squint childe & capitano’s sections are connected, frequent breeding kink type talk, manipulation & coercion, implied baby trapping, dead dove do not eat
please do not repost, translate, or feed this work to ai
kinktober 2024
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CEO!Zhongli
“Do be quiet, darling.” Zhongli grits, cupping your head with both of his palms and tugging you upwards. “I have no intentions of being an exhibitionist today.”
You arch off his grand wooden desk and gasp at the spark of pain in your neck, but you’d take that over drowning yourself in paperwork any day. Your boss’s cock is ramming into your ass at a porn star’s speed, the wet smacks of flesh slapping against flesh bounce off the one way glass walls.
This situation is the most cliché porn plot in the book though, the distant slightly emotionally unavailable boss bending his secretary over his desk and zipping down their pants. You had been running late that day, you forgot to set your alarm for Mr. Zhongli’s breakfast tea run and you had less cat food than you thought so you had to make a break for the grocery store.
By the time you scrambled in with a steaming cup of your boss’s favorite tea and his stack of reports to review and meeting requests to schedule, the older man was tapping his foot and crossing his arms. He didn’t look disappointed, not quite, but the gentle warmth in his eyes was gone and his small smile was flat.
In your desperation not to lose your job, this was your first and you’re only in your junior year of college, you follow him into his office and set down your things. Your cherry Marc Jacobs tote bag (bought by him, his papers and tea (bought by you with his money), your SINOCULTURAL orchid leather handbag (also bought by him, for variety).
Zhongli wasn’t the kind of pervy boss who’s hit on you before, you guess now that he was just lying in wait. You were the one that draped yourself over his desk with tears in your eyes, desperate and naive and relying on the principle of ‘sex sells’.
He’ll draft up a different beginning to your love story at your wedding.
“You take cock so well, perhaps we’ll have to have a discussion about adding this to your list of duties, hm?”
The condom sliding in and out of your walls makes you want to pout, but you know he has to have one. How he was able to pull a pack from his desk drawer on the spot is beyond you, you’re not quite willing to admit that you’d be so willing to keep your job you’d risk a baby and/or STDs.
“A-ah! Y-yes, sir, whenever you’re available, i-i’ll do anything.” You whisper over your shoulder and push your ass up, wanting the sight of his long cock disappearing under the thick cheeks to be as enticing as possible.
You clutch onto the golden plague bearing his esteemed name for dear life, muffling your sounds into the furniture’s lacquer, and let your boss pour all his stress into your holes. You tried to goad him into taking your ass but he gave you an amused chuckle and a firm pat to each cheek, chiding at you that he’d do it properly another time. He’s a gentleman under his silvered tongue and all his golden scales.
Zhongli seems to get fed up with the condom the closer he gets to his roaring orgasm, and all you’re able to let out in a punched squeal as he sharply pulls out and rips the condom off.
“This damn thing,” He huffs, snarling as he tosses the shredded scraps of plastic to the side, sinking back into your pussy in one go. “There, much better.”
You’re discovering that Mr. Zhongli is not the kind of man who groans unabashedly in the heat of the moment, he's prone to contented sighs and easy laughs. The closest you get to anything animalistic is the guttural grunt he lets slip as you clench around him near the end of his deep thrusts, milking him for all the cum this HR nightmare of a quickie can get you.
“One more thing before you go, be a dear and clean that up for me.” He points a black nail down at the puddle of cum expectantly, somehow having pulled his cock free with a wet flopping noise when you were too dizzy to notice, sinking back into his swiveling chair.
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Sugar Daddy!Capitano
Your back hits the hotel wall, softened by Capitano’s hands coming to slide in between you and the surface.
“Mmfh- I’ve never… I’ve never done this before.” You shyly admit as your sighs fade into whimpers, the man’s stubble rubbing on your neck during his rain of kisses.
He laughs and his hot breath hits your pulse point, your heart skips a beat. “So you’ve told me. Don’t worry, you’re nothing but safe with me. I’ve already wired the initial 50,000 for our first meeting to your account, we don’t have to do anything that you are not comfortable with.”
You nod and run your fingers through his black hair, offering up more of your unmarked neck. Of course you’re comfortable, you were so nervous you could die hours earlier, but your first sugar daddy experience has turned out to be the ideal. Capitano made sure you were happy and pliant, offering ten times the amount of what most other men would just for this one dinner. What wouldn’t you be down with doing now?
He nips at your bottom lip, wrapping his burly arms around your chubby thighs and hoisting you up. You wrap your legs around his waist and giggle as you fall onto the bed of the hotel’s presidential suite. You trade sloppy and clumsy kisses for less and less articles of clothing, he places your jewelry and your accessories neatly on the nightstand.
“So you don’t prick yourself or worry about losing them, bambi.” He explains and pulls you into another syrupy kiss.
You lose yourself to fit of giggles as he reverently kisses down your body. The next hour is spent with your new sugar daddy licking your pussy, eating you out like a man would gulp down an oasis after a lifetime of being stranded in the desert. You couldn’t say how many times you flood his awaiting mouth with your juices and seed, but you’ll always remember how his Adam's Apple bobs on every swallow. As if it nourishes him, replenishes his soul from inside and out, warms like a good hearty soup.
Capitano slithers up your body to stroke a finger down your face, “Are you ready for me, honey? You’re spewing like a fountain but we can always just cuddle.”
“No, I'm ready, I want this, want you. Please, Daddy, need your cock.” And your money, but mostly your cock right now.
You settle into your position on your back and spread your legs, you grab the back of your ankles and keep them that way. Bearing yourself for the hungry gaze of a man twice your age.
“Alright, needy love, aren’t you? Here you go.” He coos, lining up his fat dick with your slick entrance and sinking in.
You almost wish you had turned the lights off. The way his massive looks hovering above yours, muscles tense and waiting to be exercised. You don’t have to look down at where his cock feeds your pussy, it’s like you can feel what every nerve and vein is doing and touching in your guts. You’re so glad the conversation about being tested was had on the sugaring app, you’re both clean and on the pill so you thought why not indulge in another first.
“Gorgeous cunt. Worth so much fucking more than 50,000. You like France, bambi? I’ll get you a castle in the countryside, this pussy would look divine getting pounded in one of their foyer’s and over their balconies.” He groans, husky and scratchy, kissing you and grinding his cock deep in your quivering pussy like you just got married.
You have to show him how to take a video of his goopy cum dripping out of your puffy folds, spreading them with your fingers and pushing it back inside.
The next morning, you wake up to a bundle of fresh roses and a calligraphy note on the pillow next to your head. You smile and take it all in, but eventually you tug on last night’s clothes and grab your bag. You grin down at your phone, feeling the butterflies play war drums in your stomach, this going somewhere good. There are times when you can just tell.
The suite door is locked, a man’s voice outside asks if you’re ready to be taken back to the boss’s home. On the way there you look through your bag, a message from your intuition, and your birth control is gone. But there are listings for several foreign properties, with a sticky note attached to the first.
‘Tell me which ones you like when you get home. I have my broker on the phone.”
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Stalker!Childe
It’s a routine for him, slip in under your window, sink onto your bed and straddle your sleeping body, and fill you up with his cum until your belly bloats. You’ve never noticed, he’s good at cleaning up. And if you have, you’re docile enough to let him keep at it. Let the rabid wolf keep pawing at your door with bloody paws, leaving a carcass at your feet and doing it all over again the next day.
You know it’s just your boyfriend loving on you in private until you’re ready to go public. He understands you’re shy, a lot of the partners he’s had in the past haven’t exactly been social butterflies, but baby it’s just little ol’ Ajax! He wouldn’t hurt a fly let alone his precious significant other, don’t be silly. He has these kinds of conversations with you through hushed whispers against your ear and trembling fingers slipping under the straps of your tank top.
Ajax always preps you, save for a couple of times in the beginning because he was too excited. He prefers doing it with his tongue, but he does love a good fingerbanging session. He’d never cause any pain that wasn’t fun for the both of you, cross his heart and hope to die. He even brings a back up inhaler that he stole from your pharmacist in case you lose your current one.
He grins as he shimmies you out of your sleepwear, you never much, another sign that you’re meant to be “Shh, lovebug, I hope you’re having the sweetest dreams right now. I’m just stopping by to say hi. I have to be quicker this time, I'm real sorry, bub.”
Some as-gentle-as-possible rough fingerbanging it is.
Ajax keeps his eyes peeled so wide they burn a little as he crooks and curls his fingers in your tight pussy, marveling at your groggy whimpers that sooner than later snowball into light moans.
“You looked stunning in your outfit today, I like looser tops on you. I can see your titties bounce, swear to god. The leggings were a nice touch too, wanted to jog over during your walk and smack the shit out of it. But that’s not the meet cute you deserve, is it cutie?” He grips your face in one hand, the free one that’s not knuckles deep in pussy juice, shaking your head for ‘no’ for you.
“I promise we’re gonna meet soon, it breaks my heart to see you look so lonely, bub.” He’s not fazed when you seem like you’re waking up, he just ‘aw’s and strokes his thumb on your clit until you’ve fallen back asleep. “I can’t wait. I’ve gone over everything a million times, what I’m gonna wear, what I’m gonna say, our first date, our “first” time, I'm so ready for it all with you.”
You’re adorable, your brow is pinching and you’re tossing and turning. Your soft moans become louder and since you’re a heavy sleeper that doesn’t live in an apartment (not that he’d stop anyway, he’s seen how your next door neighbors check you out when you’re not looking), he scissors his fingers and speeds up the thrusts of his hand.
After months of this and vigorous hours at the gym, his wrist has stopped cramping entirely. He slips his free hand under his jeans and clasps it around his leaking dick, jerking himself off as he finger fucks your perfect pussy.
“Oh, there it is, honey.” Ajax gasps, tightening his grip around his painfully hard cock just as your walls tighten around his fingers. “It’s okay, keep going for me, you can do it.”
He times his strokes to the thrusts of his fingers, his breathing in sync with every rise and fall of your chest. You’re so wet, you’re leaking around his digits, your pussy making a sick squelching sound
“Oh fuck! I’m gonna cum baby, just from fingering your pretty pussy.” He pants, circling his thumb over the head of his weep dick and smearing his precum all over his length.
He’s moving so fast his hand is a blur, and he really doesn’t even register the sensation of fucking himself with his fist. Instead what he feels is the way your thighs seize up and your breath hitches, you arch your back off the bed in your sleep and that’s when he knows it’s time.
“Fuck, okay. Lemme get a little closer, lovebug, don’t want any of it to go to waste, right?” He keeps stroking his throbbing cock and blasting his fingers into your pussy, awkwardly trying to find his footing so he can get a good position.
He takes his fingers out of you and his heart squeezes in his chest when your hips buck after them and you whine.
“Here it comes, baby.” Ajax laughs at his own joke, positioning the tip of his dick right against your hole. With a shaky breath and an even shakier smile, he breaches your hole with only that part of himself, loving the way your cunt welcomes it in.
He laughs again when he floods your insides, crossing his fingers behind his back for this one to take. Don’t worry, it’s only a fantasy for now, you should at least have your first date before he knocks you up.
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OBGYN!Baizhu
“Just lie back on the exam chair for me and we can begin.” Dr. Baizhu smiles warmly at you as you nervously play with your hands in the clinical room.
You nod, wanting to speak at little as possible. The chair’s paper covering crinkles and creases as you climb onto it, shuffling around before settling into a somewhat comfortable positon lying on your back. You look to Dr. Baizhu on your right, he’s available on your insurance and he has stellar reviews on any site worth trusting you could find. You’re just anxious anyway, and this is something you have to do, it won’t do you any good to get paranoid about all the things that could go wrong in a doctor’s office.
Baizhu’s eyes crinkle in the corners and he takes a seat on one of those rolling black stools. “So I take it that this is your first pelvic exam? Well, then be assured that you’re in good hands. It’s nothing scary, but I need to make sure your vulva and reproductive organs are in perfect working order.”
You laugh awkwardly and mutter back a “I know, I'm fine. Just a little tired, traffic was a nightmare.”
Your nerves already feel like they’re fading away, Dr. Baizhu’s voice is so pleasant and he has such a kind demeanor, you understand why this clinic was so eager to have him. The woman who signed you in was raving that it was his first day after leaving a major hospital, that they were so lucky and you were too.
“Now I'll have you slide down to the end of the table and put your knees in these stirrups, it’s perfectly safe and if you need to take a breather, please let me know.” He croons, allowing you the freedom and comfort to act on your own. He’d never want to make you feel panicked, as if he were forcibly restraining you.
The exams aren’t really a big deal when you’ve gotten over that hump, but Baizhu knows that first times of any variety can be scary. Especially for skittish patients such as yourself, with as much prey drive as a barn bunny being chased by a sheepdog.
You lie there and endure every probe and thoughtful hum. Your vulva is fine and Dr. Baizhu ends that part of the inspection with a quick pat to your mound, his lips twitching as if trying to resist the urge to kiss.
“Okay, now I'm just going to check out your cervix, keep still.” The man hums, smoothing a hand down your right calf from the stirrup to your knee. “You’ll feel some pressure, but nothing painful.”
“Really?” You bite your lip and eye the instruments on the little table by the sink.
Dr. Baizhu chuckles, “Of course. Some patients do experience pain, but it’s not a definite thing, everybody’s different. At most, you’ll feel a tad uncomfortable and exposed.”
So you brace yourself and expect to feel the cold metal of what looks like some kind of forceps. Instead you look down to see your doctor unbuttoning his pants.
He catches your eye and waves off your concern, “Cold metal just seems so abrasive for your first time. You might do better with a more… human approach, something to test how well you can stretch. Don’t worry, I'll put protection on, I'd be a horrible doctor if I didn't.”
Sure enough he slides a latex condom on, covered in tiny holes but you brush it off as being a part of the design. Baizhu’s cock twitches, feeling a sick thrill at how easy you are, at how he can whip his dick out and you’ll believe it’s in your best interest.
He doesn’t release you from the stirrups, and they rattle as he plunges inside inch by inch. Slowly and mind numbingly, to properly gauge your cunt’s ability to expand around the intrusion. You gape up at him, feeling far more than just a tad uncomfortable and exposed. His lips twitch again, torn between maintaining the facade and stuffing your cervix with his cock or breaking character and dipping down to kiss your adorably parted lips.
“I’d give you a piece of candy if that wouldn’t embarrass you. You’re doing great, just relax and the pressure will ease up.”
“Ngh- hah- O-okay, doctor. Thank you for helping me.” You don’t know why you say it, who thanks their doctors for doing a basic exam? But he groans and his hips rush forward all the same.
Your cunt is impossibly tight, which is to be expected but it’s not any less delightful to experience.
The paper underneath you makes you want to claw your eyes out as his thrusts force your back to slide back and forth on it. That, the stirrup straps clacking, and your shared soft pants are the only sounds in the locked room. It’s not as anxiety inducing as you’d expect, the planets in the office orbit around the doctor and as long as they think he’s in an appointment (and isn’t he?) they won’t interrupt. His eyes crease, he promises to give you a home visit when you’re done here, just to be thorough and make good on that promise of candy.
Something sweet for the embodiment of the cavities is in his soul, cunny strangles him tighter than a noose.
Dr. Baizhu shudders as you reflexively clench around his pulsing cock and attempt to kick out your legs only to be held back by the stirrups, “Don’t mind the mess, ‘s all par for the c-course, my dear.”
You squirt on his next thrust, and your tangy juices drip down onto the cold gray floor. The gooey cum that escapes the holes in the condom follow suit and form a little pool. Dr. Baizhu takes several pictures of your seed heavy pussy with his flip phone for medical reference.
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beroebluejeans · 10 months ago
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I am constantly thinking about a review of Harrow the Ninth where the reviewer disliked a lot about the book but specifically complained how it wasn’t sci-fi-y enough for something set 10,000 years in the future. He complained it was unrealistic they were eating ginger biscuits and smoking cigarettes and I’m like … THAT’S INTENTIONAL! IT’S THEMATICALLY SIGNIFICANT!! TAMSYN MUIR IS MAKING A POINT ABOUT HOW CLINGING TO A GLORIFIED PAST WILL DESTROY YOU!!
John Gaius tells us (well, Harrow) in Nona the Ninth that he always hated change, but even in Harrow the Ninth it’s clear—he and his lyctors are stagnating and have been for millennia. They’re constantly talking about how great things used to be (sexy parties, Cassiopeia’s cooking, etc.). They have no hope for the future. John has a spaceship full of bodies in cryosleep—literally frozen in time and undying but also unable to grow or live. He is the Emperor Undying.
The theme becomes more explicit in Nona the Ninth: we see John (and arguably BOE) stuck on this 10,000-year-old grudge and unable to move past it. He thought he could keep Alecto in stasis in a tomb what, forever? He makes Gideon into a non-living preserved version of herself.
Meanwhile the characters who are living and growing are changing, even when it’s sometimes awful, because it’s how they keep doing what needs to be done. Palamedes and Camilla say before they become Paul that it wasn’t inevitable, but it is the best thing they can do now: they will make this imperfect irreversible change because that’s how they keep living and protecting the people they love. On the trip to the Ninth, Nona considers it might be better to just die, instead of continue this uncertain journey forward, but ultimately accepts irrevocable, painful change because NOODLE. And because “You can’t take loved away”: change doesn’t destroy the past or invalidate the good that existed there. Living requires change, but change doesn’t require forgetting.
Anyway, thank you to that reviewer who was so annoyed by the ginger biscuits in Harrow the Ninth that he illuminated a major theme in the series for me.
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hackedhearts · 3 months ago
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Like, my big problem with the ending of Season Four is that, not only it's rushed as fuck, it's been done before countless times. Most time travel stories end like that, with the hero having to destroy the time anomaly so the world can be saved and nobody in the world will remember shit or recognize their efforts because the timeline is fixed now and things are how they were always supposed to be, with the people who were the time anomaly never having existed which often include the hero too.
Imo, a better ending I would give to the Hargreeves would be based on the Comission Handbook information about the lives they would lead if Reginald never adopted them: Where they would still exist but they would be common people who never met and lead very different lives and the Academy never came to existence in the first place, but they would still stay somehow connected. Like they would hear Dolores mention her husband Five in interviews since she's a super model, they would hear about this famous poet called The Seance doing a book signing or his poetry book being reviewed in a magazine...And they would always have this strange deja-vu sensation about each other but would never be able to pinpoint why that happens.
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augustinewrites · 5 months ago
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jealous zhongli my beloved
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nestled right in the heart of qiaoying village sits a cozy little apothecary run by you and zhongli. 
your little shop is popular for locals and tourists alike, perfect for people looking for natural remedies or just a new tea brew. today is a little bit slower, with everyone in liyue harbor celebrating lantern rite. so zhongli sits in the back with a half drained cup of tea, reviewing the shop’s finances and balancing the books while you work up front, greeting and assisting the last few customers of the afternoon. 
every so often he lets his focus drift to where you’re working, passing out unlit sparklers to a trio of young children. you shake your head when their parents try to pay, smiling softly when the young ones thank you excitedly and rush out, dragging the adults behind them. 
zhongli’s mind begins to wander to the future, as it often does on days such as this. perhaps next year, you’d be handing sparklers to children of your own.
“are you almost ready to go?” you ask, appearing in the doorway, just as he’s brainstorming baby names in the margins of his work. “i’m waiting on one last gentleman, then we can close for the day.”
zhongli leans back, watching you with a measured expression as he considers your words. “i see. may i ask who this gentleman is? he must be important, if we’re waiting for his business.” 
amusement dances across your expression. “he came by yesterday while you were in the city, inquiring about teas. i think you’d enjoy his company, he reminded me of you. incredibly knowledgeable, wise beyond his years, not to mention very handsome…”
now he was really aching to leave, but not to the harbor to witness the festivities. he was aching to take you home, grab his spear, then return and wait for this gentleman.
you look over your shoulder when the bell at the front door tinkles. “oh! there he is!” 
“i should greet him,” zhongli suggests (though it doesn't really sound like a suggestion). “i'm sure we have much to discuss.”
“alright, my love. lead the way,” you tease, letting him position himself in front of you. 
zhongli forces a somewhat pleasant smile and tone as he greets the customer clad in the fineries of…fontaine. 
it takes all of three seconds for him to realize that this is no customer. 
but he can't do anything, not in front of you, and he’s sure the hydro dragon wouldn't be so foolish to threaten the safety of one’s mate. 
“monsieur neuvillette!” you greet cheerily, peeking around zhongli’s defensive stance. “i have the tea blends you ordered stored in the back. i’ll go grab them.” 
so begins a true gentleman’s argument. 
“welcome. is there anything i can assist you with in the meantime?” (why have you come?)
the chief justice smiles, though it looks practiced and every bit as forced as zhongli’s. “i’ve just come because i admire fair prices.” (i've come for justice)
zhongli has always known this confrontation would come. though the authority of the original elemental dragons has disappeared from the world, a new generation has come to reclaim what was lost. 
“i see.” (i see)
“i've heard much about this place from the locals.” neuvillette says, fearlessly holding eye contact with the archon. “you’ve created quite the human life for yourself, morax. an artifact appraiser, funeral consultant, and now you run a successful apothecary with your lovely mate.”
something old, draconic, possessive rumbles through veins. 
neuvillette merely chuckles as the earth beneath the shop trembles lightly. 
though you return just in time to quell the impending earthquake, zhongli’s possessiveness flares through no fault of his own. dragons mate for life, and though he has the utmost trust in you, he does not trust the dragon from fontaine smiling so politely at you. 
with his gaze narrowed so dangerously, he misses the amused look you cast up at him when his hand grasps your waist, securing you at his side. 
“thank you for your patronage, monsieur, but we are now closed. safe travels back to fontaine.”
he doesn't bother waiting for a reply, dragging you away from the counter and into the back room as you try to look over your shoulder.
“thank you for coming, monsieur–”
zhongli presses his lips to yours before you can say his name, the hand not gripping your waist cupping the back of your neck as he crowds you against the wall. 
there’s only one, foolproof way to mark you as his.
good thing he already has names picked out.
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haggishlyhagging · 4 months ago
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In 1847 the stereotypes for male and female writers were very rigid. Critics expected from a male writer strength, passion, and intellect, and from a woman writer they expected tact, refinement, and piety. They depended on these stereotypes so much, in fact, that they really didn't know how to proceed, what to say, or what to look for in a book if they were unsure of the author's sex.
So Jane Eyre created a tremendous sensation, and it was a problem for the Brontës. The name Currer Bell could be that of either a man or a woman and the narrator of Jane Eyre is Jane herself. The book is told as an autobiography. These things suggested that the author might have been a woman. On the other hand, the novel was considered to be excellent, strong, intelligent and, most of all, passionate. And therefore, the critics reasoned, it could not be written by a woman, and if it turned out that it was written by a woman, she had to be unnatural and perverted.
The reason for this is that the Victorians believed that decent women had no sexual feelings whatsoever—that they had sexual anesthesia. Therefore, when Jane says about Rochester that his touch "made her veins run fire, and her heart beat faster than she could count its throbs," the critics assumed this was a man writing about his sexual fantasies. If a woman was the author, then presumably she was writing from her own experience, and that was disgusting. In this case we can clearly see how women were not permitted the authority of their own experience if it happened to contradict the cultural stereotype.
But even more shocking than this to the Victorians was Jane's reply to Rochester, a very famous passage in the novel. He has told her he is going to marry another woman, an heiress, but that she can stay on as a servant. Jane answers him thus:
"I tell you I must go," I retorted, roused to something like passion. "Do you think I can stay to become nothing to you? Do you think I am an automaton, a machine without feeling and can bear to have my morsel of bread snatched from my lips and my drop of living water dashed from my cup? Do you think because I am poor, obscure, plain and little, I'm soulless and heartless? You think wrong. I have as much soul as you and full as much heart. And if God had gifted me with some beauty and much wealth, I should've made it as hard for you to leave me as it is now for me to leave you. I am not talking to you now through the medium of custom, conventionality, nor even of mortal flesh. It is my spirit that addresses your spirit, just as if both had passed through the grave and we stood at God's feet equal—as we are."
This splendid assertion violated not only the standards of sexual submission, which were believed to be women's duty and their punishment for Eve's crime, but it also went against standards of class submission, and obviously against religion. And this sort of rebellion was not feminine at all.
The reviews of Jane Eyre in 1847 and 1848 show how confused the critics were. Some of them said Currer Bell was a man. Some of them, including Thackeray, said a woman. One man, an American critic named Edgar Percy Whipple, said the Bells were a team, that Currer Bell was a woman who did the dainty parts of the book and brother Acton the rough parts. All kinds of circumstantial evidence were adduced to solve this problem, such as the details of housekeeping. Harriet Martineau said the book had to be the work of a woman or an upholsterer. And Lady Eastlake, who was a reviewer for one of the most prestigious journals, said it couldn't be a woman because no woman would dress her heroines in such outlandish clothes.
Eventually Charlotte Brontë revealed her identity, and then these attacks which had been general became personal. People introduced her as the author of a naughty book; they gossiped that she was Thackeray's mistress. They speculated on the causes of what they called "her alien and sour perspective on women." She felt during her entire short life that she was judged always on the basis of what was becoming in femininity and not as an artist.
-Elaine Showalter, ‘Women Writers and the Female Experience’ in Radical Feminism, Koedt et al (eds.)
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televinita · 2 years ago
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Oh No
I may be back on a Survivor nostalgia kick, which means all of the contestant-written books I added to my Goodreads TBR the last time this happened in 2018 are still there, looking just as alluring, and still just as frustratingly not-that-cheap to get in my hands. Starting prices range from $8 (for a “good”) copy to $24 secondhand, and none of ‘em can be had through interlibrary loan.
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LET ME HAVE THEMMMM
(on the bright side, during a quick tour to see if there were any new ones to interest me, I learned that apparently Coach got himself a movie to star in, along w/ fellow Survivor Danielle? oh my god. i’m five minutes in and this is exactly the level of OTT that he excels at being, scripted or not)
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puffleyia · 7 months ago
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After Hours || Theodore Nott
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Theodore Nott x fem!reader || 2.3k words
Warnings: Unprotected & clothed sex, p-in-v, Theo speaking some Italian (hope the translations are accurate..) yeah, i'm a sucker for that.
Summary: Exams are two weeks time from now. You've made a deliberate effort to steer clear of your boyfriend, Theo. One unfortunate night, he ends up dragging you into an empty classroom and teaches you a lesson worth remembering.
Author's notes: Hellooo, requests are open ! It's a blast writing ab Theo !! I've only gotten back into writing recently after not writing fics for a good while. sorry if i'm slow at churning out fics. I'm busy!
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It was roughly two weeks before examinations, and professors have even stopped giving out homework as to focus students’ time on reviewing for their respective subjects. You’ve been studying your ass off in the library day and night, sometimes offering your friends to join in as well. Though, they quickly get bored as they soon offer to do much more interesting things  than studying such as having a go at wizard chess, or exploding snap.
It took a lot of self control not to join them, and it took even more not to just put down your book and see Theo. You had been purposely avoiding him because he would always end up distracting you, one way or another. You always catch him stealing a glance at you, and you would almost squirm at the way he looked at you; severely in discomfort as the tension between you two only continued to rise due to the lack of interaction.
It felt suffocating to say the least, so you even began trying not to even breathe in his direction. Needless to say, the bastard still had his ways. He would sometimes sneak up behind you in the library, as you pore over the shelves, inviting himself in as he grabbed your waist and buried his face in your neck. Another is when he would attempt to ensnare you right after your classes. 
In the end, you always found yourself ending up hiding away in your common room. You would get past him just by the skin of your teeth each time, as he used his cunning words and a dangerous tone that was like poisoned honey.
You thought, or, more like hoped it would be a quiet night tonight, staying up past curfew hours at the library and praying none of the professors nor prefects would catch you. Though perhaps you were too engrossed in Advanced Potion Making to notice the echo of footsteps that slowly grew louder as it drew nearer to you. Your ears simply blanked it out as mere white noise.
It had not even registered yet in your head until you felt an arm wrap around your shoulder, as someone sat beside you. You didn’t need to look to know who it was, as you could see him faintly through your peripherals. “You’ve been so distant lately, amore,” he says, his tone unhappy and laced with a hint of something else you couldn’t quite make out underneath it. 
“Sorry, Theo, I-I’m only trying to focus on the exams at the moment. I mean, not in a bad way but, if I spend time with you, I’ll only end up distracted,” you say, trying to clarify yourself to him. Maybe it would’ve been a good idea to tell him sooner. He sighs, “I guess I’ll just have to–” he gets cut off as you both stiffen at the sound of someone approaching.
He hastily places a firm hand over your mouth, silencing your protests, and shoves your book, notes, and quill into your arms. Before you could object, he then relocates you two into an empty classroom, hastily and skillfully sneaking around the halls to get there. It looked unkempt, and it seemed as if it were not used regularly either. He finally released you from his grasp as you gasped for air. “Theo! What the he–” you say, as he quickly covers your mouth again. “Shh, you’re gonna get us caught, principessa.” He says in a low voice, in a near-whisper before he lets go again. “Ahem,” you clear up your throat before you speak, “I-I believe I should get going, Theo.” He furrows his brows at that, frowning slightly. You head towards the classroom’s door, before he grabs you by the waist from behind and pulls you in.
“Who said you were leaving, hm? Are you trying to avoid me again?” He says, as he moved the both of you to sit on one of the chairs. You remain in his arms, unable to get out despite your attempts to wiggle out and you end up on his lap. “Theo.” You say firmly, trying to assert yourself to let him know you really are serious about studying. “Mm, fine, since you’re so stubborn. Tell you what, how about I study with you?” He says suggestively, his voice making you feel things you were not supposed to. Not right now at least.
“Really?” You say skeptically, raising an eyebrow. You place your stuff down, with a dull thud as it is placed on the table. Sounding slightly annoyed, he says, “What's with the attitude, hm? Are you doubting me?” “F-fine, then,” you hesitantly agree, knowing he’s got you exactly where he wants to be. Alone with him.
“Brava ragazza,” he says, as he rests his head on your shoulder whilst flipping open your book. You can not help but faintly squeeze your thighs together, you didn’t know most of the time what he was saying when he spoke to you in Italian, but you found it incredibly hot when he did. Your actions do not go unnoticed by him, though he was not going to do anything yet. You pick up your quill, your eyebrows knitting together as you attempt to focus on taking your notes. 
“Tell you what, I’ll ask you a few questions to help you. If you get it right, I won’t do anything. If you don't…” He says, his voice trailing off as he does not continue what he was going to say, though the timbre in his voice gave enough implication. You gulp and nod, your throat bobbing as you swallow. You knew you did not really have much of a say, Theo’s done a good job of cornering you. Not to mention the fact he knew you were slightly struggling with potions, too.
“Right then, amore, can you tell me how Golpalott’s Third Law influences the effectiveness and stability of potions?” He asked amusedly, his foot tapping the floor rhythmically. “Uhm,” you say, muttering in an attempt to answer, “Uh, well, it’s... um, when you have a potion with, uh, lots of different poisons, right? So, um, the antidote... it's not just, um, the sum of... wait, no, it's more than that! Yeah, um…” You begin feeling your mouth go dry as the tension in the room fills the air. You feel your heart thump loudly against your ribcage.
“It’s when you have multiple poisons mixed together in a potion, the antidote needs to be more potent or comprehensive to counteract their combined effects.” He says, cockily smirking as he corrects you. Your breath hitches as he takes off your robes and his, tossing it aside as he hikes up your skirt and gropes you. “Theo!” You gasp at his actions. He buries his face on the crook of your neck, as he breathed in your scent before he began kissing it.
“Cazzo,” he mumbles before he spat out another question, “What are the common ingredients and methods used to counteract the effects of different poisons?” You feel the tent in his pants growing, his cock pressing against your clothed cunt. “I–” You manage to get out before biting your lip, stifling a moan. You had reviewed this, but lust simply clouded your mind for you to formulate a cohesive answer.
“Um, er.. D-dittany, for uhm, venom,” you say, as Theo continued teasing you, grinding his hips upwards so that you could feel his dick. You moan at the friction on your pussy, feeling your panties get wet. “I..” You slur, unable to say anything further. “Cockdrunk already, cara mia?” He lets out a guttural laugh, bending you over the table and grabbing your hips roughly as he continues grinding his cock on your pussy. 
“Don’t forget, Bezoar, for example–” he grunts, “–is a stone found in the stomach of certain magical creatures like goats. It's known for its ability to neutralise many poisons when ingested. Then there's the Antidote to Common Poisons…” He corrects you, adding more strings of information you probably needed. Though, it was not as if you were paying attention, as you were moving your hips hungrily back onto his dick, only being separated by thin fabric. 
“Merda, might as well just fuck you if you keep getting my questions wrong, principessa.” He says, his voice dangerously low as you hear the clink of his belt unbuckling and the distinct sound of his fly unzipping. You look over your shoulder, watching him intently as he pulls down his dark grey boxers and frees his cock. “Theo, please,” you whine, as he smacks your ass and pushes your panties aside. “I thought you were too busy studying? Maybe I should just leave you to that,” he teases you, tapping his dick on your cunt and rubbing it in between your folds.
“No, please,” you plead, and desperately you pressed yourself onto his cock. “Beg, cara mia,” he husked condescendingly, enjoying humiliating you as he continued teasing your wet pussy. “Please, mmhn–” you moan, “I’m sorry, Theo. I-I need it, please, need your cock,” you whimper, flushed from embarrassment as he finally slipped the tip inside you. He pressed inside, at a gruellingly slow pace. 
“Cazzo, una puttana così sporca, aren’t you huh?” You could not place your finger on a single word he said in Italian, but your pussy definitely could. He groaned loudly as he grew impatient, shoving the rest of his dick into you. His groin pressed flush against your ass. You moaned loudly at that, and with a swift motion, he reached out and clamped his hand over your mouth. “Shh, cara mia,” he whispers sultrily in your ear as he quickly silences you, unwilling for the both of you to get caught.
You let out a few muffled sounds against his hand as he began thrusting into you, slowly drawing out his cock as he slammed it back into you with such force that the table beneath you shook. “Such a slut aren’t you? Merda,” He rasped as he uncovers your mouth, “yes!” you say, as he’s eliciting vulgar moans from you each time he fucked his dick back in.
He slithered his hand down onto your pussy, rubbing your clit. He leans in, grunting, as he kisses your nape. He sucks on your neck, trailing down to your back, leaving red marks as he sealed each one afterwards with a kiss. “Ti senti così maledettamente bene, amore,” he groaned, only setting his pace rougher as he hit a particularly deep spot inside you, hitting your cervix. 
“Oh fuck, Theo,” you whine, as you tried to remain as quiet as you could. Your hands firmly grip onto the edges of the table, your nails digging into it, as he fucks you into oblivion. Tears brim at your eyes, as close them shut. Some teardrops cling onto your pretty lashes, and some flow down your cheek, falling down, staining the pages of your book. He loved watching you cry in pleasure, observing your expressions as he drove himself into you.
He loomed over you, using a hand to cup your jaw to force your head to look up at his face. “Open your mouth, cara mia.” He said, an authoritative tone that rolled off his tongue like butter. You oblige, parting your lips, your tongue lolling out as you do. He spits in your mouth, the hand holding your chin clamping your jaw shut afterwards . “Swallow.”
You do as he says, swallowing his spit as he lets go of your jaw and your head hangs down soon after. With that, he fucks you rougher, his pace frantic. You become nothing short of a moaning mess, he returns his hand to your clit and strokes it rhythmically in time with his thrusts. You let out small whimpers and whines as you feel hazy and drunk on his cock. 
Theo, in an intoxicated trance, mutters a string of curses and praises in Italian. You cry out his name in ecstasy with every jab at your sweet spot as he ploughs into you. You feel a familiar warmth pooling at your stomach, only feeling more pleasurable by the second. “Theo, m’gonna cum, T-Theo,” you babble almost incoherently. He leans in briefly, and in a gravelly tone, “Cum on my cock, cara mia.” He says, letting his breath trickle down your neck.
Spasming around him, you dissolve into pleasure as you see stars. You selfishly clench around his dick, as if you wanted to milk him dry. Cumming all over his cock, you quite literally bury your face into your book, in an attempt to muffle the loud moan you let out as you do. 
His thrusts grow languid and sloppy, hips stuttering unrhythmically as his climax nears. “Want me to cum inside you, principessa?” He husked, now digging his fingers into your hips as he chased his high. “Yes, yes, mhn–” you chant, unable to think straight. “Theo, please,” you pleaded. 
With one final thrust, he groans loudly and buries himself fully inside you and stuffs your pussy with his cum. You felt his cock pulsing inside you, both of you panting as he rode out his orgasm. “Fuck, atta girl,” he says breathily, praising you as he pulls out of your cunt. He watches as you softly moan as you feel white globs of cum trickle out of your folds, dripping down your thighs.
He hastily tucks his cock back into his pants, pulling your skirt back in place as he walks (more like carries) you back to your common room that night before he headed back to his. Well, it was safe to say you definitely got nothing done that night, though he makes it up to you the following afternoon by actually helping you study with potions.
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