#hi from the main blog

[wrenderart]

I made this a couple of months ago but. hack your 3ds. do it right now.

[naggingatlas]

'thats not his role in the story!' hm i wonder what the point of it is then. hm i wonder what the dead pixel scene means. hm i wonder what wrong organ are trying to say with the context of 'awesome male friendship' and 'corporate hell where the only woman onboard is constantly under ridicule, abused or forcibly forgotten yet is the catalyst' if not this. hm i wonder how curly's physical agony being a direct parallel to anya's mental agony, stripped of voice, agency, just like her, and being forced to watch what happens while not doing jack shit, just like he used to, plays a part in this. i wonder what the moral of him being the final girl says about living with the consequences of your inaction, because of sentimentality, because of status, career and social. hm i wonder whatever the fuck this game was trying to say. hm i wonder what else is on this person's blog Oh Lord there's yaoi penice.

[nonranghaes]

mentions: food + chris is implied to be slightly older than reader + mentions of reader having chubby cheeks.

sometimes your boyfriend simply chooses to be your biggest tormentor. exhibit a: he’s been teasing you about the (’cute’ in his words) way you eat strawberries for the past several minutes.

“i’m just saying!” he says with a laugh, watching you from the couch. “you’re just so cute about it!”

you still don’t get it, and he hasn’t elaborated in the slightest. you think it might be in the same way he finds his other friends closer to your age cute when they so much as breathe sometimes--like felix. then again, you’ve seen the way felix acts sometimes, and it is, indeed, cute. but all you’re doing is eating some strawberries you cut the tops off of, and you aren’t doing it any cuter than how a person normally eats strawberries. you’re literally just eating them. simple as that.

you pick up the bowl and move over to sit with him instead. “just try to explain.”

and he manages to quell his giggles as he hugs the pillow he’s been holding tighter against his chest. “okay,” he says. “you love strawberries.”

this is a fact. most people know it about you, but you’d say they’re probably your favorite fruit--or among the top of your list if nothing else.

“so you get this really cute look on your face when you eat a really good strawberry,” he says. “also... these,” he reach out, pinching one of your cheeks, and he chuckles again when you grimace. “automatically make you cute. it’s like when jisung eats and his cheeks puff out.”

you swat at his hand, “so you’re saying i look like a squirrel.”

“no!” he laughs, “i’m saying all of it just makes you... cuter.” he paws through the air until he catches your hand in his. “it’s like when you say i’m cute.”

“because you are!”

“i don’t get it--you say it when i’m not even doing anything!”

“because you’re cute!”

he giggles, pulling the bowl of strawberries aside as he ditches the pillow in favor for you. “then i guess,” he places the quickest peck against your lips, eyes crinkling as he smiles hard, “we just have to agree that we’re both cute.” 

even if you don’t get it... you think you can agree to that one.

[holy-reference-in-a-username]

so how do we feel about gore

Content Warning: blood and gore, suggestive content

tord likes it

[demonslayedher]

I finished posting the unabashedly educational Sword Fic.

It includes a detailed (but hopefully beginner-friendly) explanation of all the steps of making a Nichirin blade from a sunny mountain like Mt. Youkou, a touch of swordsmith and metalworker folk lore (including demons), meta about what must make Kimetsu no Yaiba's swordsmithing methods different from real life methods, some character exploration for Haganezuka and his polishing method, vocabulary and additional resources in the chapter notes, and hopefully, an endearing, silly POV character to learn this all through.

[shroudbud]

"KNEEL BEFORE ME, YOU ABSOLUTE PEST!!!"

[sforzesco]

 Then, on his arrival in Constantinople, after much counsel with himself, considering that he was already unequal to the amount of pressing business and believing that there was no room for delay, on the twenty-eighth of March he brought the aforesaid Valens into one of the suburbs​ and with the consent of all (for no one ventured to oppose) proclaimed him Augustus. Then he adorned him with the imperial insignia and put a diadem on his head, and brought him back in his own carriage, thus having indeed a lawful partner in his power, but, as the further course of our narrative will show, one who was as compliant as a subordinate. No sooner were these arrangements perfected without disturbance than both emperors were seized with violent and lingering fevers--

AM 26.4.3-4

this was one of those illustrations that was originally supposed to be a 5 page comic until I realized I don't know anything about later roman empire architecture or visuals or art or anything, so we'll revisit that later. maybe

for right now though, these two are fascinating. we have two brothers acting as one body, even becoming ill in tandem with each other, it's giving This Throne Is Cursed. like, the last time I read about emperors coming down with life threatening illnesses, it was Caligula, and that moment in his biography marked a very specific tone shift. I spent the rest of the (first) time reading about Valens and Valentinian waiting for something comparable to Caligula's reign to happen lmao (Dio 59. 8. 1-2)

and since Caligula was already on the mind, I started thinking about Tiberius: I think he would've loved these two since he had a whole thing about twin-ification and brothers and etc etc etc. ofc, Rome is both a Mouth and a Tomb, so it's going to go badly for someone/everyone eventually, but honestly I think that Valentinian and Valens were the best we could've hoped for. like it could've been so much worse

Tiberius and the Heavenly Twins, Edward Champlin

Failure of Empire: Valens and the Roman State in the Fourth Century A.D, Noel Lenski

⭐ I have a tip jar (ko-fi)!

⭐ and other places I’m at! bsky / pixiv / pillowfort /cohost / cara.app

[three-eyed-shrimp]

[stormyoceans]

me rn when i can't boop someone

[way-too-obsessed-gamer]

Projecting? No, Projectile. Run

[thedivine-feminine]

Meet me in the break room

Main Blog ⭐︎ Side Blog

[idontlikeem]

danny, i warned you, once you start thinking about the players in a certain way it's a very short road over to the other side. but if you want i can send you a rec list of links on ao3.

[spacecharlotte-man]

‘For now. I've got my cottage. My new pet! Awh, she's adorable. Mareep. She's a little sheep I caught.’

[anghraine]

melyzard replied to this post:

You know, given that P&P was published in 1813 before the 1696 window tax was repealed, she might just be admiring both the outdoors AND the expansive and numerous windows themselves. I mean, good windows really were a big sign of wealth and consequence until 1851 when the tax was finally repealed. But yeah,also,yeah, she's definitely more interested in the outdoors than the Great Chimney Places of the Wealthy

It's true that windows were a major status symbol at the time and long before, but I don't think Elizabeth much cares about that, in all honesty! That is the relevant historical context for Mr Collins's rhapsodies over Rosings' windows, for instance:

she could not be in such raptures as Mr Collins expected the scene to inspire, and was but slightly affected by his enumeration of the windows in front of the house, and his relation of what the glazing altogether had originally cost Sir Lewis de Bourgh

He's silly but he's not mistaken in identifying the windows as a significant status symbol (which without that cultural context can seem like just another Mr Collins absurdity). But Elizabeth specifically, as a person, is consistently not very interested in these kinds of status symbols (though she knows they're there and understands what they signify). She is attracted to natural beauty and unassuming elegance, which is the overwhelming note at Pemberley:

She had never seen a place for which nature had done more, or where natural beauty had been so little counteracted by an awkward taste.

Even when it does come to Pemberley's expensive interior, she focuses on the aesthetic dissimilarity to Rosings and, even more, about what is suggested about Darcy's relationships to other people dependent on him (Elizabeth's takeaway from the pretty interior decorating project for Georgiana is "He is certainly a good brother" and not how much disposable income this represents, say).

The fuller quote when she first approaches the window is pretty clear about what Elizabeth is focusing on, IMO:

Elizabeth, after slightly surveying it, went to a window to enjoy its prospect. The hill, crowned with wood, from which they had descended, receiving increased abruptness from the distance, was a beautiful object. Every disposition of the ground was good; and she looked on the whole scene, the river, the trees scattered on its banks, and the winding of the valley, as far as she could trace it, with delight. As they passed into other rooms, these objects were taking different positions; but from every window there were beauties to be seen.

[hallowclave]

What a whimsical looking young man I wonder if he has received any job offers recently

Original photo

[puppyeared]

Thinking about my old pkmn ask blog